Beck-Ola
Beck-Ola is the second studio album by English guitarist Jeff Beck, and the first credited to The Jeff Beck Group released in 1969 in the United Kingdom on Columbia Records and in the United States on Epic Records. It peaked at No. 15 on the "Billboard" 200, and at No. 39 on the UK Albums Chart. The album's title puns on the name of the Rock-Ola jukebox company. Background and content. After the release of their previous album "Truth", by the end of 1968 drummer Micky Waller was replaced by Tony Newman, as Jeff Beck  wanted to take the music in a heavier direction and he viewed Waller as more of a finesse drummer in the style of Motown. Pianist Nicky Hopkins, who had also played on "Truth", was asked to join the band full-time for his work in the studio. Recording sessions for the album took place over six days in April 1969 – the 3rd, 6th, 8th, 10th, 11th and 19th. Two covers of Elvis Presley tunes were chosen, "All Shook Up" and "Jailhouse Rock", as well as "Girl From Mill Valley", an instrumental by and prominently featuring Hopkins. The remaining four tracks  consist of band originals, with the instrumental "Rice Pudding" ending the album dramatically cold. The album cover features a reproduction of Belgian surrealist artist René Magritte's "The Listening Room". On the back cover to the original vinyl issue, beside "Beck-Ola" is written the tag "Cosa Nostra", Italian for "Our Thing". Following the sessions for this album, the Jeff Beck Group toured the United States. They were scheduled to play Woodstock and are listed on posters promoting the festival, but by then internal friction had reached the breaking point and both Ronnie Wood and Rod Stewart were out of  the band. Stewart and Wood would form The Faces with members of the Small Faces in 1969, while Hopkins played Woodstock with Jefferson Airplane, joined Quicksilver Messenger Service, and toured the world with The Rolling Stones in 1971, 1972 and 1973. Beck himself would be out of commission by December due to an automobile accident. Reception and legacy. In a contemporary review for "The Village Voice", music critic Robert Christgau was unimpressed by the album and facetiously remarked that Stewart and Beck had encouraged Hopkins' overblown playing. At the time, Beck commented on the album cover the impossibility of coming  up with anything original, and that "Beck-Ola" indeed was not. Although a short album at half an hour, along with its predecessor it is regarded as a seminal work of heavy metal due to its use of blues toward a hard rock approach and the squaring off of Beck's guitar against Stewart's vocals, and claims that it was duplicated the same year by Beck's confederate Jimmy Page with his singer Robert Plant in Led Zeppelin, although in fact Zeppelin had been displaying such style since the summer of 1968. On 10 October 2006, Legacy Recordings remastered  and reissued the album for compact disc with four bonus tracks, all of which had been previously unreleased. Included were two early takes of the Presley covers, one done at Abbey Road Studios in January, a jam on "Sweet Little Angel" by B.B. King done the previous November with the Waller edition of the band, and a song intended as a single by producer Mickie Most but never issued.