Human Behaviour
"Human Behaviour" is a song by Icelandic recording artist Björk, released in June 1993 as the lead single from her debut studio album, "Debut" (1993). Produced by Björk's longtime collaborator Nellee Hooper, it reflects upon human nature and emotion from a non-human animal's point of view. The song and music video were inspired by British broadcaster and naturalist David Attenborough. Critics praised "Human Behaviour" and called it a highlight of "Debut". The song was an underground smash that peaked at number two on the dance charts and reached number 36 on the UK Singles Chart . Its music video was directed by Michel Gondry and is the first time he and Björk collaborated. The music video, like the song, is a story about the relation between humans and animals from the animal's point of view. Background and inspiration. "Human Behaviour" was written by Nellee Hooper and Björk, and was produced by Hooper. The song was first written in 1988 when Björk was still the leading singer of The Sugarcubes, but she decided not to release it with the band. "Human Behaviour" features a "bouncing riff" sampled from Antônio Carlos Jobim, with "its syncopated beat consigned  to a venerable orchestral instrument, the timpani." The song was inspired by David Attenborough documentaries and by the relation between humans and animals. Björk explained to "Rolling Stone", talking about the inspiration for the song: "'Human Behaviour' is an animal's point of view on humans. And the animals are definitely supposed to win in the end." On a recent question and answer session with fans on "The Guardian" website, Björk revealed more information about the writing of the song: "I wrote it I was referring to my childhood and probably talking about how I felt more comfortable on my  own walking outside singing and stuff than hanging out with humans..." The song was also inspired by the riff from Ray Brown Orchestra's "Go Down Dying". This is the first song on the "Isobel song cycle", a transcendental cycle in Björk's discography which goes from "Human Behaviour" to "Wanderlust" (2007). The B-side contained in the cassette edition of the single is the reggae-influenced "Atlantic", which was produced and written by Björk. Its lyrics talks about Björk's family: "My son has eight grandmothers and eight grandfathers and it's about the love and the complications of  that". Critical reception. The song was well received by music critics. Terry Nelson from Albumism said it is "brilliant", noting it as "a smart and quirky observation of us very strange humans as seen through the eyes of an animal." For AllMusic's Heather Pares, the song's "dramatic percussion provides a perfect showcase for her wide-ranging voice". Larry Flick from "Billboard" wrote that it "has her ripping that harsh and distinctive voice over a stark, militaristic dance beat. Alternative programmers surely will be captivated by the mystical combo of what eventually become mantra-like vocals and an insinuating  bassline." Dave Sholin from the "Gavin Report" stated that here, Björk "gets off to an awesome start", adding that "it's time to introduce her to Top 40 audiences, who can't help but be blown away by the lyrical power and originality of this fresh entry." Music writer James Masterton said it "is unfortunately a cacophonous mess" in his weekly UK chart commentary. In their review of the "Debut" album, "Music & Media" commented, "This solo album marries eccentricity to . The musical-esque song Like Someone In Love and the current single Human Behaviour with those thundering timpani are prime  examples of this." Martin Aston from "Music Week" rated it four out of five, calling it a "sensual, subtle dance track that bodes well for the future." Simon Reynolds from the "New York Times" described the lyrics of "Human Behaviour" as a "parallel between the beastliness of humanity and the bestiality of nature. Johnny Dee from "NME" noted that "a swampy kettle drum jazz vibe circles around Bjork's rasping larynx, trying to find a melody but eventually settling for the search." Music video. The music video was directed by Michel Gondry, and this was the first time he and  Björk collaborated. Björk talked about the video in an interview with "Rolling Stone": The video is a loose take on the children's tale "Goldilocks and the Three Bears", with visuals inspired by Yuri Norstein's animated film "Hedgehog in the Fog". The video has several elements that are present in Gondry's first feature film Human Nature. Synopsis. As the video starts, a car approaches a hedgehog while the animal tries to cross a country road. The video's style is a surreal, almost Papier-mâché style with a combination of practical effects and forced perspective shifts. Images of  a toy-made bear approaching a human Hunter in a threatening way are shown. As Björk starts to sing, she appears in a small cabin while sitting at a table, seemingly eating. Meanwhile, in the forest, the hedgehog manages not to get hit by the car and approaches the Hunter, who is now lying on the ground. As Björk continues to sing, she appears walking in the forest, seemingly followed by the bear. A frame shows a nest full of Björk-like humans trapped in a pupa. When the bear and the singer meet, the animal makes the motion of  roaring at her. She starts to fly through the forest, and during the flight she clings to a tree. The tree collapses, she falls down near the Hunter still lying supine on the ground, and she appears on the ground having the same dimensions of the hedgehog. Then, the situation of the opening frames is repeated, as Björk tries to cross the road and manages not to get hit by the car, driven by the Bear. In the following scenes, she sings in a river in the middle of the forest. While she contemplates the sky, the Moon appears to  emanate pulsations, and the perspective shifts to what appears to be a moth. Now on the moon, the singer is shown dressed as an astronaut, while she's planting a Soviet flag. Björk appears to fall down from the Moon, and seemingly falls down in the Bear's throat, however she keeps singing even in the animal's stomach. During the breakdown, she dances in her hut tapping and looking at a bulb, while a moth falls down in her plate. Scenes of the bear attacking and dragging the Hunter are shown. As the video fades out, the singer continues  singing in the stomach of the bear. Reception. The video was well received by music critics, which complimented its originality. Critics praised also the chemistry between Gondry and Björk: "The imagery of 'Human Behaviour' is a web of various physical, in-camera effects that Gondry uses throughout his film career. Models, composites, screen projections (all featured in image eight), and lighting (see image two) abound in Björk's emotional woodlands. Colors are deep and saturated. In addition to his unique perceptions of Björk's music, Gondry's art of storytelling are unique to the music video world. 'Human Behaviour' is  a story of predator and prey. In search of food, a bear clomps through a forest in the evening. A rugged hunter stalks the woods in pursuit of his game. Björk, as narrator and character(s) of her own story, flees from the bear. Numerous times the bear almost succeeds: in one attempt he drives a car, and almost hits Björk. In the end, Björk flies down the throat of the bear, and rests in his stomach. The hunter also meets his demise. The video is a classic; a vivid story rendered in Gondry and Björk's surreal playground." In 1993 , Rolling Stone included the Music Video in "The Top 100 Music Video of all Time" list, at number 96. The video received six nominations for the MTV Video Music Awards of 1994 including Best Female Video, Best New Artist in a Video, Breakthrough Video, Best Direction, Best Special Effects and Best Art Direction, winning none. The video was also nominated for a Grammy Award for Best Music Video, Short Form losing to Peter Gabriel's "Steam". In 2009, the video was nominated for another MTV Video Music Awards in the Best Video (That Should Have Won a Moonman) category, losing  to "Sabotage", by the Beastie Boys. The music video for "Human Behaviour" was published on Björk's official YouTube channel in December 2019. It has amassed almost 2 million views as of September 2021. Live performances. Björk promoted the song by a series of TV appearances. She performed the song and "Big Time Sensuality" on MTV's Most Wanted while dressed in a pink skirt and yellow tee, accompanied by a Hammond Organ and Tablas. On 13 October 1993 she performed a set of three songs, including "Come to Me" and "The Anchor Song" on "Planeta Rock". The song was  part of her MTV Unplugged setlist, and was performed with a harpsichord solely. She also performed the song and was also interviewed on an October 1993 episode of the then-new talk show Late Night with Conan O’Brien. At the 1994 Roskilde Festival, Björk joined Underworld on stage to perform the Underworld remix of the song. Björk performed the song in all of her tour. During the Vespertine World Tour, the song featured a more electronic arrangement accompanied by a more classical Orchestra. During the Volta Tour, the song was performed only once and featured a brass arrangement. She performed  a new flute arrangement of the song during the Utopia Tour. Track listing. "For a complete list of official releases :" "Official Björk's Discography at 77island"