Body Double
Body Double is a 1984 American neo-noir erotic thriller film co-written, produced, and directed by Brian De Palma and starring Craig Wasson, Gregg Henry, Melanie Griffith, and Deborah Shelton. The original musical score was composed by Pino Donaggio. "Body Double" is a direct homage to the 1950s films of Alfred Hitchcock, specifically "Rear Window", "Vertigo" and "Dial M for Murder", taking plot lines and themes (such as voyeurism and obsession) from the first two. At the time of its release, "Body Double" received lukewarm success at the box office, and mixed reviews. Subsequently, it has been  better received and is now considered to be a cult film. Plot. Struggling actor Jake Scully has recently lost his role as a vampire in a low-budget horror film after his claustrophobia thwarts shooting. After returning home to discover his girlfriend cheating on him, Scully splits up with her and is left homeless, as the residence belongs to her. At a method acting class, where he meets Sam Bouchard, Scully reveals his fears and the childhood cause of his claustrophobia. They go to a bar where Scully is offered a place to stay; Sam's rich friend has gone  on a trip to Europe and needs a house-sitter for his ultra-modern home in the Hollywood Hills. While touring the house with Scully, Sam is especially enthusiastic about showing him one feature: a telescope, and through it a female neighbor, Gloria Revelle, who erotically dances at a specific time each night. Scully voyeuristically watches Gloria until he sees her being abused by a man she appears to know. The next day, he follows her when she goes shopping. Gloria makes calls to an unknown person who she promises to meet. Scully also notices a disfigured "Indian", a man  he had noticed watching Gloria a few days prior. Scully follows Gloria to a seaside motel where she is apparently stood up by the person she was there to meet. On the beach, the Indian suddenly appears and snatches her purse. Scully chases him into a nearby tunnel, but his claustrophobia overcomes him. Gloria walks him out of it, and they impulsively and passionately kiss before she retreats. That night, Scully is again watching through the telescope when the Indian returns and breaks into Gloria's home. Scully races to save Gloria, but her vicious white German Shepherd attacks him , and the Indian murders Gloria with a huge handheld drill. Scully alerts the police, who rule the murder a botched robbery. However, Detective Jim McLean becomes suspicious after finding a pair of Gloria's panties in Scully's pocket. Although McLean does not arrest him, he tells Scully that his voyeuristic behavior and failure to alert police sooner helped cause Gloria's death. Later that night, suffering from insomnia and watching a pornographic television channel, Scully sees porn actress Holly Body dancing sensually, exactly as Gloria did. In order to meet Holly, he pretends to be a porn producer hiring  for a new film. Scully learns from Holly that Sam hired her to impersonate Gloria each night, dancing in the window, knowing Scully would be watching and later witness the real Gloria's murder. Offended when he suggests she was involved in a killing, Holly storms out of the house. The Indian picks her up, knocks her unconscious and drives away with her. Scully follows them to a reservoir where the Indian is digging a grave. Scully attacks him, and in the scuffle peels his face off to reveal it as a mask worn by Sam. Scully has been set  up as a scapegoat by Sam, really Gloria's abusive husband Alex, to provide him with an alibi during the murder. Scully is overpowered and thrown into the grave. Though his claustrophobia initially incapacitates him again, he overcomes his fear and climbs out, and Sam is knocked into the aqueduct by the dog and drowned. During the ending credits, Scully is shown having been recast in his previous vampire role as Holly watches from the sidelines. Production. After De Pamla's successes of "Carrie", "Dressed to Kill" and his remake of "Scarface", Columbia Pictures offered him a three-picture deal  with "Body Double" set to be the first. Scripting. De Palma created the concept of the film after interviewing Angie Dickinson's body doubles for "Dressed to Kill". " I started thinking about the whole idea of the body double," he said. "I wondered what I would do if I wanted to make sure to get somebody's attention, to have them looking at a certain place at a certain time." The erotic thriller was also becoming a popular genre to audiences, with the box offices successes of "Dressed to Kill" and "Body Heat". After fighting with censorship boards over the  rating of "Scarface" — they rated it X and he had to battle to make it R — De Palma resolved to make "Body Heat" as pushback. At the time, he said "If this one doesn't get an X, nothing I ever do is going to. This is going to be the most erotic and surprising and thrilling movie I know how to make... I'm going to give them everything they hate and more of it than they've ever seen. They think "Scarface" was violent? They think my other movies were erotic? Wait until they see "Body Double"." Having  been impressed with the horror film "Blood Bride", De Palma enlisted its director and writer Robert J. Avrech to write the "Body Heat" script with him. Both were fans of Alfred Hitchcock, and screened "Rear Window" and "Vertigo" to gather inspiration. Avrech later desribed his work on the film as "working off of De Palma's ideas of Hitchcock's ideas." Casting. De Palma initially wanted pornographic actress Annette Haven to play Holly, but she was rejected by the studio due to her pornographic filmography. Nonetheless, Haven did appear in a minor role and consulted with DePalma about the adult  film industry. De Palma then offered the role to Linda Hamilton, who declined to begin pre-production on "The Terminator". Jamie Lee Curtis, Carrie Fisher, and Tatum O'Neal were also considered for the role before Griffith won the role. De Palma later said Haven "was an enormous amount of help" to him in his understanding of the adult film industry and what Holly's background might be, while Griffith brought "a comic edge that I wanted to be a major part of the tone of the second half of the movie." Griffith was initially reluctant to take the role, thinking  she "didn't want any more nymphet roles, but now I think I can bring a lot of life to that kind of character... I think I gave her a great amount of intelligence." De Palma also considered Dutch erotic actress Sylvia Kristel for the role of Gloria, but she was unavailable. Although he cast Shelton, he found her voice to be unacceptable and had her lines dubbed by Helen Shaver in post-production. "Body Double" contains a film within a film sequence in which pop band Frankie Goes to Hollywood performs their song "Relax" on the set of a  pornographic film, and in which scream queen Brinke Stevens, and adult actresses Cara Lott and Annette Haven appear. Voice actor Rob Paulsen subsequently cameos as a cameraman who famously utters "Where's the cum shot?". Production. Principal photography began in Los Angeles on January 30, 1984. Several locations in and around the area were used, including: Tail o' the Pup, the Beverly Center, Barney's Beanery, the LA Farmer's Market, the Rodeo Collection mall on Rodeo Drive, the Spruce Goose dome in Long Beach, the Hollywood Tower and adjacent Hollywood Freeway, Tower Records, and the Chemosphere futuristic house. Post -production. The film was given an X by the Motion Picture Association of America Rating Board. Since many theaters refused to show X-rated films, De Palma had to re-edit the film as he did on "Dressed to Kill" and "Scarface". De Palma cut what he called "a few minor things from the porno movie scene" and got an R. De Palma said the studio did not support the film due to its excessive violence. "Do you think the guys who run Coca-Cola (Columbia Pictures' parent company) want publicity about violence? They are very aware of their public  images, and when they start seeing articles in the "New York Times" about their product and violence, they go crazy. They're not showmen, they're corporation types." Reception. Initial critical response. "Body Double" debuted to mixed reviews and intense controversy due to its sex and violence. De Palma says that Columbia Pictures executives were at first enthusiastic about the film until it was previewed in Van Nuys. Response from the audience was not strong "and the studio started to get really worried," he said. "The only people crazier than the people who criticize me for violence are the people  at the studios. I can't stand that sort of cowardice." De Palma and Columbia mutually agreed to end the three-picture deal. Roger Ebert praised the film, giving it three and a half out of four stars and calling it "an exhilarating exercise in pure filmmaking, a thriller in the Hitchcock tradition in which there's no particular point except that the hero is flawed, weak, and in terrible danger -- and we identify with him completely." Vincent Canby of "The New York Times" wrote that De Palma "again goes too far, which is the reason to see it. It 's sexy and explicitly crude, entertaining and sometimes very funny. It's his most blatant variation to date on a Hitchcock film ('Vertigo'), but it's also a De Palma original, a movie that might have offended Hitchcock's wryly avuncular public personality, while appealing to his darker, most private fantasies." Todd McCarthy of "Variety" stated, "To his credit, DePalma moves his camera as beautifully as any director in the business today and on a purely physical level 'Body Double' often proves quite seductive as the camera tracks, swirls, cranes and zooms towards and around the objects of DePalma's  usually sinister contemplation. Unfortunately, most of the film consists of visual riffs on Alfred Hitchcock, particularly 'Vertigo' and 'Rear Window.'" Gene Siskel of the "Chicago Tribune" gave the film two-and-a-half stars out of four and wrote, "When the drill came onto the screen, De Palma lost me and control of his movie. At that point 'Body Double' ceased to be a homage to Hitchcock and instead became a cheap splatter film, and not a very good one at that." Sheila Benson of the "Los Angeles Times" panned the film as "elaborately empty, silly and desperately derivative," and  suggested that De Palma "finally may have exhausted the patience of even his most tenacious admirers." Paul Attanasio of "The Washington Post" wrote, "A lewd, gory, twisty-turny murder mystery swirling around Hollywood's porn industry, 'Body Double' finds Brian De Palma at the zenith of his cinematic virtuosity. The movie has been carefully calculated to offend almost everyone—and probably will. But, like Hitchcock, De Palma makes the audience's reaction the real subject; 'Body Double' is about the dark longings deep inside us." The film was criticized for its violence towards women. "Women in peril work better in  the suspense genre," said De Palma. "It all goes back to the "Perils of Pauline"... I don’t think morality applies to art. It’s a ludicrous idea. I mean, what is the morality of a still life? I don’t think there’s good or bad fruit in the bowl." A specific scene where a character is killed by a drill was controversial, as many saw it as a sexual image. De Palma said it "was not my intention to create a sexual image with the drill, although it could be construed that way." The London Clinic for Battered  Women asked Columbia Pictures for a percentage of the profits from the film, claiming it was "blood money" for using "the victimization of women as a source of massive profit." Box office. "Body Double" opened at number three at the box office, earning $2.8 million in its opening weekend. The film earned $8.2 million over its first three weeks, before being pulled in its fourth week. The film earned $8.8 million on a $10 million budget, making it a box office bomb. Cult reputation and reassessed response. In following decades, "Body Double" underwent a critical reassessment  and developed a cult following; perhaps due to its directorial and aesthetic indulgences, its early 1980s new wave soundtrack, and the use of iconic Los Angeles locations. Review aggregator Rotten Tomatoes reports that 76% of critics have given the film a positive review based on 34 reviews, with an average rating of 6.17/10. The critical consensus reads: "Exemplifying Brian De Palma's filmmaking bravura and polarizing taste, "Body Double" is a salacious love letter to moviemaking." Griffith later credited the film and the accolades she garnered for her performance for helping launch her career. The film also helped reintroduce the  song "Relax" in America, where it recharted and reached the top ten of the "Billboard" Hot 100 in March 1985. In a 2016 interview with "The Guardian", De Plama reflected on the film's initial critical reception, saying ""Body Double" was reviled when it came out. Reviled. It really hurt. I got slaughtered by the press right at the height of the women’s liberation movement... I thought it was completely unjustified. It was a suspense thriller, and I was always interested in finding new ways to kill people.” Accolades. In addition, the film's trailer won a Clio Award  in 1984. Cultural impact. "Body Double" is referenced repeatedly throughout the Bret Easton Ellis novel "American Psycho" as the favorite film of the protagonist serial killer Patrick Bateman. He mentions that he has seen the film 37 times and rents the tape of it from a video store several times in the story. He also repeats scenes from the film to the reader or to other characters. Remake. "Body Double" was remade in 1993 in India as "Pehla Nasha". The film was directed by Ashutosh Gowariker in his directorial debut. Deepak Tijori plays the lead role alongside Pooja Bhatt, Raveena  Tandon and Paresh Rawal.