Howard Chaykin
Howard Victor Chaykin (; born October 7, 1950) is an American comic book artist and writer. Chaykin’s influences include his one-time employer and mentor, Gil Kane, and the mid-20th century illustrators Robert Fawcett and Al Parker. Early life. Howard Chaykin was born in Newark, New Jersey, to Rosalind Pave and Norman Drucker, who soon separated. Chaykin was initially raised by his grandparents in Staten Island, New York City, until his mother married Leon Chaykin in 1953 and the family moved to East Flatbush and later to 370 Saratoga Avenue, Brownsville, Brooklyn. At 14, Chaykin moved with his  now divorced mother to the Kew Gardens section of Queens. He said in 2000 he was raised on welfare after his parents separated and that his absent biological father eventually was declared dead, although Chaykin, as an adult, located him alive. Chaykin's "nutty and cruel" adoptive father, whom Chaykin until the 1990s believed was his natural father, encouraged Chaykin's interest in drawing and bought him sketchbooks. He was introduced to comics by his cousin, who gave him a refrigerator box filled with them. He graduated from Jamaica High School at 16, in 1967, and in mid-1968 worked at  Zenith Press. He attended Columbia College in Chicago that fall, but left school and returned to New York the following year. Chaykin said that after high school, "I hitchhiked around the country" before becoming, at 19, a "gofer" for the New York City-based comic book artist Gil Kane, whom he would name as his greatest influence. Career. Chaykin's earliest work with comic books was under the tutelage of Gil Kane, whom he would later call his mentor. In 1970, he began publishing his art in comics and science-fiction fanzines, sometimes under the pseudonym Eric Pave. Leaving Kane , he began working as an assistant to comics artist Wally Wood in the studio he shared with Syd Shores and Jack Abel in Valley Stream, Long Island. He worked there for a "couple of months", and in 1971 published his first professional comics work, for the adult-theme Western feature "Shattuck" in the military newspaper the "Overseas Weekly", one of Wood's clients. He also "ghosted some stuff" for Gray Morrow: "I penciled a Man-Thing story he did [for Marvel Comics' "Fear" #10 (cover-dated Oct. 1972)], and I penciled a thing for [the magazine] "National Lampoon" called "Michael  Rockefeller and the Jungles of New Guinea." He then apprenticed under Neal Adams, working with the artist at Adams' home in The Bronx. This led to his first work at DC Comics, one of the two largest comics companies: The "one-page filler", titled "Strange Neighbor", was inventoried and eventually published in the Boltinoff-edited "Secrets of Sinister House" #17 (May 1974). His other earliest known DC work was penciling and inking the three-page story "Not Old Enough!" in "Young Romance" #185 (Aug. 1972), and penciling the eight-page supernatural story "Eye of the Beholder" in "Forbidden Tales of  Dark Mansion" #7 (Oct. 1972) and the one-page "Enter the Portals of Weird War" in "Weird War Tales" #9 (Dec. 1972). At one point Chaykin lived in the same Queens apartment building as artists Allen Milgrom, Walter Simonson, and Bernie Wrightson. Simonson recalls, "We'd get together at 3 a.m. They'd come up and we'd have popcorn and sit around and talk about whatever a 26, 27, and 20-year-old guys talk about. Our art, TV, you name it. I pretty much knew at the time, 'These are the good ole days.'" 1970s. Chaykin's first  major work was for DC Comics drawing the 23-page "The Price of Pain Ease"—writer Denny O'Neil's adaptation of author Fritz Leiber's characters Fafhrd and the Gray Mouser—in "Sword of Sorcery" #1 (March 1973). Although the title was well received, it lasted only five issues before cancellation. Chaykin drew the character Ironwolf in the science fiction anthology title "Weird Worlds" for DC, and did the pencils and ink for a 12-page Batman story written by Archie Goodwin and published in "Detective Comics" #441 in 1974. In 2018 he looked back on this Batman story as one  of the worst things he had ever drawn, adding, "Anything of value in that story was Archie's." Moving to Marvel Comics, he began work as co-artist with Neal Adams on the first Killraven story, seen in "Amazing Adventures" #18 in 1973. After this, Chaykin was given various adventure strips to draw for Marvel, including his own creation, Dominic Fortune (inspired by his Scorpion character, originally drawn for Atlas Comics), now in the pages of "Marvel Preview". In 1978, he wrote and drew his Cody Starbuck creation for the anthology title "Star Reach", one of the first independent titles  of the 1970s. These strips saw him explore more adult themes as best he could within the restrictions often imposed on him by editors and the Comics Code Authority. The same year, he produced for Schanes & Schanes a six-plate portfolio showcasing his character. In 1976, Chaykin landed the job of drawing the Marvel Comics adaptation of the first "Star Wars" film, written by Roy Thomas. Chaykin left after 10 issues to work in more adult and experimental comics, and to do paperback book covers. In late 1978, Chaykin, Walt Simonson, Val Mayerik, and Jim Starlin formed Upstart Associates, a  shared studio space on West 29th Street in New York City. The membership of the studio changed over time. Chaykin penciled DC Comics' first miniseries, "World of Krypton" (July–September 1979). In the next few years he produced material for "Heavy Metal", drew a graphic novel adaptation of Alfred Bester’s "The Stars My Destination", and produced illustrations for works by Roger Zelazny. Chaykin collaborated on two original graphic novels—"The Swords of Heaven, the Flowers of Hell" with writer Michael Moorcock, and "Empire" with Samuel R. Delany—and found time to move into film design with work on the movie  version of "Heavy Metal". 1980s. In 1980 he designed the album cover of "The Legend of Jesse James", a concept album about legendary outlaw Jesse James. Chaykin had a six-issue run on Marvel's "Micronauts" series, drawing issues from #13 (January 1980) to #18 (June 1980). He went back to Cody Starbuck with a story in "Heavy Metal" between May and September 1981, in the same painted art style he'd used for the Moorcock graphic novel. In June 1980, a story that he collaborated on with Samuel R. Delany, called “Seven Moons’ Light Casts Complex Shadows” was published  in Marvel's "Epic Illustrated" #2. In 1983, Chaykin launched "American Flagg!" for First Comics. With Chaykin as both writer and artist, the series was successful for First and proved highly influential, mixing all of Chaykin's previous ideas and interests—jazz, pulp adventure, science fiction and sex. Chaykin made wide use of Craftint Duoshade illustration boards, which in the period before computers allowed him to add a shaded texture to the finished art. "American Flagg!" made a huge splash at the 1984 Eagle Awards, the United Kingdom's pre-eminent comics awards. Chaykin and "American Flagg!" were nominated for  ten awards, eventually winning seven. After the first 26 issues of "American Flagg!", Chaykin started work on new projects. Chaykin’s involvement in his original run of the series was that of writer for 29 issues, interior artist for issues #1–12 and 14–26, and cover artist for issues #1–33. He returned to full art and writing for the "American Flagg! Special" one-shot in 1986. In 1987, a four-issue run was released, then the title was cancelled and relaunched as "Howard Chaykin’s American Flagg!", which ran 12 issues. The first new project was a revamp of "The Shadow  in a four-issue miniseries for DC Comics in 1986. Rather than setting the series in its traditional 1930s milieu, Chaykin updated it to a contemporary setting and included his own style of extreme violence. In a 2012 interview, Chaykin stated The reason I pulled him out of the period was because I thought it would be commercial suicide to do a period character at that point." The "American Flagg! Special" one-shot introduced Chaykin's "Time²", a two-volume graphic-novel series with a heavy dose of jazz, film noir and a fantasy version of New York City: "Time² : The Epiphany" () and "Time²: The Satisfaction of Black Mariah" ()). In 1987, Chaykin described plans for a third volume, saying, "It's probably going to be grossly different from the first two, because I'm taking things in another direction ... I want to do a story that is both very funny ... and at the same time very, very ugly. Really nasty and unpleasant. Because frankly, it's the place to do that sort of thing." Although Chaykin hoped it would be available in 1988, the third volume has yet to be finished or released. Chaykin has described "Time²" as the single  work about which he is most proud. "To tell you the truth, my first interest would be to do another "Time²" because that was a very personal product for me," he said in 2008. "It's a fantasia of my family's story." Before returning to "American Flagg!", Chaykin revamped another DC Comics character with "Blackhawk", a three-issue miniseries about a team of heroic aviators, set in the 1930s. In 1987, DC proposed a system of labeling comics for violent or sexual content, Chaykin with Alan Moore and Frank Miller boycotted DC and refused to work for the company . In 1988, Chaykin created perhaps his most controversial title: "Black Kiss", a 12-issue series published by Vortex Comics that contained his most explicit depictions of sex and violence, with a story of sex-obsessed vampires in Hollywood. Though "Black Kiss" shipped sealed in an "adults only" clear plastic bag, its content drew much criticism. This did not stop it from selling well enough for Chaykin to describe it as "probably, on a per-page basis, the most profitable book I've ever done." 1990s. Chaykin returned to DC to write the three-issue miniseries "Twilight", drawn by José Luis  García-López and revamping some of DC's science-fiction heroes of the 1950s and 1960s, such as Tommy Tomorrow and Space Cabby. Later, Chaykin collaborated twice with artist Mike Mignola: In 1990–1991, they produced the "Fafhrd and the Gray Mouser" miniseries for Epic Comics with co-writer John Francis Moore and inker Al Williamson. This was followed with the "Ironwolf: Fires of the Revolution" graphic novel in 1992. Chaykin then wrote and illustrated "Midnight Men" for Marvel's Epic imprint in 1993. He co-created/designed Firearm for Malibu Comics that same year, and then with several colleagues formed  the creator-owned "Bravura" imprint for Malibu Comics. Chaykin created the four-issue miniseries "Power and Glory" in 1994, a superhero-themed public relations satire. In 1996, DC’s Helix imprint published "Cyberella", a cyberpunk dystopia written by Chaykin and drawn by Don Cameron. Chaykin began to drift out of comics by the mid-1990s. With the exception of several "Elseworlds" stories he wrote for DC Comics, including "Batman: Dark Allegiances" which he wrote and drew in 1996, his comic output became minimal as he became more involved in film and television work. He was executive script consultant for the 1990–1991  The Flash television series on CBS, and later worked on action-adventure programs such as "Viper", "" and "Mutant X". Near the end of the decade, Chaykin returned to comics and co-wrote with David Tischman the three-issue miniseries "Pulp Fantastic" for the Vertigo imprint of DC, with art by Rick Burchett. 2000s. Chaykin began co-writing "American Century" with David Tischmann for Vertigo. This story, set in post-war America, would be a pulp-adventure strip inspired by the likes of "Terry and the Pirates" as well as the EC Comics war stories created by Harvey Kurtzman. That year , Chaykin became part of the creative team on "Mutant X", a television series inspired by the Marvel Comics series of mutant titles. His next work was "Mighty Love", a 96-page original graphic novel published in 2004 and described as ""You’ve Got Mail" with super-powers". This was acclaimed as a return to the type of work he did on "American Flagg!" and contained his first art in a title since the early 1990s. That year, Chaykin and Tischmann revamped "Challengers of the Unknown" in a six-issue mini-series for DC, as well as writing a mini-series  about gangster vampires called "Bite Club" for Vertigo. The pair wrote "", a graphic novel in which real-life showman P. T. Barnum comes to the aid of the U.S. government. In 2005, Chaykin produced the six-part "City of Tomorrow", a DC/Wildstorm production involving a futuristic city populated by gangster robots. Chaykin described the mini-series as ""The Untouchables" meets "West World" at Epcot." That same year, he wrote the four-issue mini-series "Legend" updating the character Hugo Danner for Wildstorm. He illustrated "24 College Ave.", a story serialized online in 54 chapters for ESPN.com’s Page 2  section. ESPN.com columnist Jim Caple wrote the text, each episode of which was accompanied by a single-panel Chaykin drawing. In 2006, he began working on his first superhero title for DC Comics, pencilling "Hawkgirl", with Walter Simonson writing, starting with issue #50. With issue 56, he stopped drawing the series, mainly to get time to work on Marvel’s "Blade" with Marc Guggenheim, although he continued to draw "Hawkgirl" covers for eight more issues. Also in 2006, DC Comics published a two-page Black Canary origin story drawn by Chaykin for the series "52". Later that year, DC released  Guy Gardner: Collateral Damage. The two-issue series, written and drawn by Chaykin, revolves around the Green Lantern Corps' role in an interstellar war. After "Blade" was cancelled with issue 12, he pencilled issue 50 of "Punisher", "Wolverine (vol. 3)" #56–61, "Punisher War Journal (vol. 2)" (#16–24) and an issue of "Immortal Iron Fist". Chaykin illustrated the 2008 Marvel MAX comic "War Is Hell: The First Flight of the Phantom Eagle", scripted by Garth Ennis. He wrote "Supreme Power" vol. 3 #1–12 (Sep. 2008 – July 2009) for Marvel. In 2009, he wrote and penciled "Dominic Fortune". 2010s. In 2010 he  wrote "", a comic about John McClane from the "Die Hard" series for Boom! Studios. Marvel in June 2010 published a Rawhide Kid miniseries drawn by Chaykin and written by Ron Zimmerman. Chaykin wrote and drew the "Avengers 1959" five-issue miniseries, a spinoff of a storyline introduced in "The New Avengers". The first issue was released in October 2011. Chaykin helmed a reboot of the science-fiction character "Buck Rogers" beginning in August 2013, again in the capacity of both artist and writer. In 2018, Chaykin began "Hey Kids! Comics!", a cynical parody of the history of the rise of  the comics industry and the many creators exploited in the process (particularly those exploited by Marvel Comics). As of November 15, 2018, Image Comics has released four issues of this series. 2020s. In April 2022, Chaykin was reported among the more than three dozen comics creators who contributed to Operation USA's benefit anthology book, "Comics for Ukraine: Sunflower Seeds", a project spearheaded by IDW Publishing Special Projects Editor Scott Dunbier, whose profits would be donated to relief efforts for Ukrainian refugees resulting from the February 2022 Russian invasion of Ukraine. Chaykin's contribution was a story featuring American Flagg !, his first time returing to that property since the late 1980s. Personal life. In 1972, Chaykin married Daina Graziunas. The marriage ended in 1977, and the following year he married Leslie Zahler. That marriage ended in 1986, and in 1989, in Los Angeles, Chaykin married Jeni Munn, a union that lasted through 1992. In November 2002, in Ventura, Chaykin married Laurel Beth Rice. As of 2013, Chaykin serves on the Disbursement Committee of the comic-book industry charity The Hero Initiative. Bibliography. His work as an artist (interior pencil art, except where noted) includes: