Edward Chaney
Edward Chaney PhD FSA FRHistS (born 1951) is a British cultural historian. He is Professor Emeritus at Solent University and Honorary Professor at University College London (School of European Languages, Culture and Society (SELCS) – Centre for Early Modern Exchanges London). He is an authority on the evolution of the Grand Tour, Anglo-Italian cultural relations, the history of collecting, Inigo Jones and the legacy of ancient Egypt. He also publishes on aspects of 20th-century British art. In 2003, he was made a Commendatore of the Italian Republic. He is the biographer of Gerald Basil Edwards, author of  The Book of Ebenezer Le Page which he succeeded in publishing following the author's death in 1976. This has since been recognised as a twentieth-century classic. Life. Education. He was educated at Leighton Park School, Reading, Ealing School of Art and subsequently gained a first class degree in History of Art at Reading University. He completed an MPhil and PhD at the Warburg Institute, University of London. He also has a Laurea from the University of Pisa. He married biographer Lisa Jacka in Paris, 1973, and has two daughters, Jessica Chaney, former art director of "Apollo" magazine, and  singer-songwriter Olivia Chaney. The marriage was dissolved in 2002. Work. From 1978 to 1985 he lived in Florence where he was a 'Ricercatore' at the European University Institute, adjunct assistant professor at Georgetown University's Villa Le Balze, an Associate of Harvard University's Villa I Tatti and taught at the University of Pisa. From 1985 to 1990 he was the Shuffrey Research Fellow in Architectural History at Lincoln College, Oxford. He subsequently worked for English Heritage as historian to the London region and lectured in the History of Art at Oxford Brookes University. In 1997 was appointed Professor  Fine and Decorative Arts at the Southampton Institute, now Southampton Solent University, where he established the History of Collecting Research Centre. In 2014 he was appointed Visiting Professor of Art History at the New College of the Humanities and January–March 2015 Fernand Braudel Senior Fellow at the European University Institute, Florence. He was co-founder and editor of Journal of Anglo-Italian Studies, and has served on the Executive Committee of the British-Italian Society, the International Association of Art Critics (AICA) and the Catholic Record Society. He currently serves on the Editorial Boards of: In 2016 he was  appointed Governor of University Hospital Southampton NHS Foundation Trust. Extracts from Book Reviews. For "The Grand Tour and the Great Rebellion": "For the Early Modern period, Edward Chaney's path-breaking 'The Grand Tour and the Great Rebellion' on English royalists ... underlines the dynamics of exile and the varied forms of interaction between exiles and their host societies." Philip Mansel & Torsten Riotte, "Monarchy and Exile: The Politics of Legitimacy from Marie de Médicis to Wilhelm II" (Palgrave Macmillan, 2011) For "The Evolution of the Grand Tour": "No one interested in the impact of Italy on English civilisation from the Middle  Ages onwards will read this remarkable book without finding out something he did not know and experiencing the thrill of a connection he has not seen. Professor Chaney’s range is as wide and refreshing as his learning is exact. He uses his eyes and his judgement is never indecisive." Richard Ollard "This is a brilliant, original and refreshing account, teeming with new and fascinating material." Professor J. B. Trapp (Professor Emeritus, History of the Classical Tradition, University of London) "Original and scholarly essays on a fascinating subject: the transformation of our art and life through a continuing stream of  English travellers to Italy. Scholars, artists, architects, poets, collectors, ideological exiles, are all here: first a trickle, soon to be thinned by religious differences, finally expanding into the flood of the institutionalised eighteenth-century Grand Tour. Four centuries of cultural transfusion. A wonderful subject and a remarkable book." Lord Dacre of Glanton (Hugh Trevor-Roper) "We tend to think of the Grand Tour as the province of Georgian lords and gentlemen living in a golden age of light and proportion and good taste. The reality began much earlier, lasted longer and was neither so tidy nor so predictable. Professor Chaney 's constant endeavour – and success – in expanding the boundaries and exploring the diversity of the concept stimulates us all to a new appreciation of the enormous indebtedness of our island culture to Renaissance Italy, and of the manifold ways in which the transalpine lands remain our spiritual home." Kerry Downes (Emeritus Professor of History of Art, University of Reading). "... I fell for its irresistible enthusiasm. Chaney has a profound scholarly knowledge of the Anglo-Italian historical relationships, but he is also a writer full of surprise and discursive curiosity ... a most beguiling delight." Jan Morris' 'Book of the Year', The  Independent. "Edward Chaney's fascinating book illuminates the magnetic attractions of Italy ... a work of meticulous scholarship about the origins and evolution of the Grand Tour" John Mortimer, The Sunday Times. "[written with] verve and precision and tremendous authority ... this book, richly illustrated and handsomely produced, will become an indispensable work for cultural historians, Italophiles and all latter-day Grand Tourists." Noel Malcolm, The Sunday Telegraph "this collection of 14 brilliant essays provides us with much new material and many new insights." David Watkin, Country Life. "Chaney is a scholarly and learned writer and he shed light on a wide  range of topics. A wealth of humane learning ... characterises this attractive volume." Sir Keith Thomas, Apollo: International Magazine of the Arts. "This bran-tub of Anglo-Italian delights sustained by seriousness and enthusiasm in equal measure." Jonathan Keates, Literary Review. "To those who know, even in part, their sources in the continuing unravelling of the Grand Tour, this book is an indispensable, a quite golden, addition ... Professor Chaney holds us all in his debt in this collection of occasional essays touching on subjects and connection that, quite simply, have not occurred to others less erudite than himself ... the style is  of a 'plein air' ease such that one might be listening to a soliloquy in the gardens of Villa Lante ... taken as a whole it could not be bettered." Patrick Reyntiens, The Tablet. For "The Evolution of English Collecting": "[This book] will be indispensable to anyone with an interest in the development of the cultural history of England in the 17th century. That it is also stimulating, informative and very readable are the book's incidental merits." Thomas Tuohy, The British Art Journal, V:1, Spring/Summer 2004 For "The Jacobean Grand Tour": "This book's 107 black-and-white illustrations  and photographs and 11 colour plates are a tremendous boon; ... But the real skill on show here is Edward Chaney and Timothy Wilks' recreation of the social and artistic milieu for this originary moment of one of the most important cultural practices to shape elite young Englishmen for more than 300 years." Claire Jowitt, Times Higher Education Supplement, 20 March 2014 "A timely, original and superbly illustrated demonstration of the European character of English culture." Philip Mansel "An excellent study of seventeenth century travel by the leading specialists in the field." Jeremy Black "A lucid, entertaining and deeply learned account  which brilliantly reconstructs the intellectual stimulus and daily realities of cultural travel in early seventeenth-century Europe." Gordon Higgott "This is a major contribution to British collecting studies, capturing that magical morning of the Jacobean Grand Tour when everything was new and exotic" James Stourton "...enterprising... packed with suggestive detail... sumptuously and tellingly illustrated." Blair Worden, The Spectator "This fascinating study charts the diplomatic and cultural shifts that made travel to Europe both possible and appealing in the Jacobean age." Apollo Magazine "Well researched... lavishly illustrated... a dozen colour plates and more than 100 black-and-white drawings and photographs  make the reader feel they have been on a grand tour themselves." John Ure, Country Life For "Genius Friend: G.B. Edwards and The Book of Ebenezer Le Page": "‘This is a remarkable book which sets out to show us that the half-forgotten Gerald Edwards, author of a single magnum opus, should (like Lampedusa) be acknowledged as one of the great novelists of the twentieth century. Writing with skill and conviction, calling on some impressive witnesses (in particular John Stewart Collis) to give evidence, Chaney makes a powerful case that will surprise and impress readers to-day.’" Sir Michael Holroyd  ‘No one is better fitted than Edward Chaney to write this book. It is a seminal study of a great, but neglected writer, and it places G.B. Edwards in his proper historical, literary and philosophical context for the first time.‘ Peter Goodall "'G.B. Edwards was a cryptic and mystifying man, a writer with rare and sometimes perverse gifts, whose character mixed elements of the rascal and of the recluse, who yet produced one astounding classic, The Book of Ebenezer Le Page. In his last years he gave his trust and affection to Edward Chaney, whose matchless enthusiasm, perseverance and insight  make him the best possible biographer of this puzzling misfit Guernseyman.' " Richard Davenport-Hines " 'A consistently fascinating attempt to chart the life of a genuine literary outsider.' " D.J. Taylor, 'Patches, tricks and wickedness', "Times Literary Supplement", 9 September 2016 "'... the author's researches and his personal knowledge of Edwards do bring this strange and wayward man to life..' " William Palmer, 'Guernsey's Finest', "Literary Review", August 2016