Sugimura Jihei
There are few contemporary texts with information on Sugimura. The earliest mention of him can be found in a directory of Edo artists from 1689, the "Edo Zukan Kompuku," where he is listed with his name and address as “Woodblock Artist, Sugimura Jihei Masataka, Tori-Aburacho.” Ryutei Tanahiko's "Yoshabako," published in 1841, also credits Sugimura as illustrator of two books which are not known to be extant. Sugimura illustrated at least 70 books, and created a number of large size prints along with many of the more standard sizes and formats. Judging from his extant works, it  appears that Sugimura specialized in "shunga", or erotic prints. "Shunga" prints make up two-thirds of his work. Sugimura's work is characterized by sensual charm and soft, hand-colored, watercolor renderings in "sumizuri-e". Some scholars judge his personal flamboyant and decorative style to be even more erotic than that of Hishikawa Moronobu. His subtle style and break away from his contemporary Moronobu's bold, black lines influenced later "ukiyo-e" artists to place more emphasis on color. A distinguishing characteristic of his book illustrations are literary "mitate-e," or allusions to literature, unlike Moronobu's illustrations which usually  featured purely artistic motifs instead. Also, it appears Sugimura preferred individual prints or album sheets as opposed to his mentor's bound book illustrations. The earliest signed "kakemono-e," circa the late 1680s, is attributed to Sugimura. Though the known works of Sugimura Jihei are mostly "shunga," he also created an "ukiyo-e" depiction based on a chapter of "The Tale of Genji." His work, "Kashiwagi to Onna San no Miya" (""Kashiwagi and the Third Princess"")"," is evocative of "The Tale of Genji’s" “Wakana jo” chapter.