Mikhail Zygar
Mikhail Viktorovich Zygar (; born 31 January 1981) is a Russian journalist, writer and filmmaker, and the founding editor-in-chief of Russian news TV-channel, Dozhd (2010–2015), which halted operations on 3 March 2022. Under Zygar's leadership, Dozhd provided an alternative to Kremlin-controlled federal TV channels by focusing on news content and giving a platform to opposition voices. The channel's coverage of politically sensitive issues, like the Moscow street protests in 2011 and 2012 as well as the conflict in Ukraine, has been dramatically different from the official coverage by Russia's national television stations . Zygar is also the author of the book "All the Kremlin's Men" (2017), the history of Putin's Russia, based on interviews with Russian politicians from Putin's inner circle. Biography. Zygar was born in Moscow, 31 January 1981. He became known as a war correspondent of Kommersant, covering wars in Iraq and Lebanon, genocide in Darfur, and revolution in Kyrgyzstan. In May 2005, Zygar was the only international journalist to report from Uzbekistan's Andijan (Andijan massacre). After that, he investigated Russian arms supplies to Uzbekistan. In August 2005, he was beaten by unknown men in Moscow, allegedly  Uzbek security agents. In 2009 and 2010, he worked as political editor and deputy editor-in-chief of Russian Newsweek. In 2010, Zygar became the founding editor in chief of Dozhd, the first independent TV-channel in Russia in 10 years. Dozhd rose to prominence in 2011 with its coverage of the mass protests against Vladimir Putin. Zygar organised live coverage of all the protest rallies, which were largely ignored by state-owned television. Vice News called Zygar and his team "the last journalists in Russia". In 2012–2014, Zygar was among the group of 'leading Russian journalists' who had annual  interviews with President of Russia (then Prime Minister) Dmitry Medvedev. According to an AP reporter, "Mikhail Zygar's questions were sharper than those of the others". In 2014, Dozhd became a target of politically motivated attacks. Its troubles began when the channel was aggressively covering the daily anti-government protests in Ukraine, which state-owned television dismissed as a neo-Nazi coup. In that year, nearly all cable networks dropped Dozhd and since then the channel has been largely ignored. The channel cut its expenses in half, shed about 30 percent of its staff and reduced its monthly budget before  being hit with an eviction notice. Simultaneously, Dozhd raised about $1 million in a crowd-funding campaign in March, proving that the demand for independent media in Russia is still there. The TV-channel started broadcasting from an ordinary flat in Moscow. In December 2015, Zygar announced he would be leaving the post of chief editor. He told "Kommersant" that he intends to engage in his own multimedia project "1917. Free History". "I’m five and a half years running the channel, every Executive needs to expire once a period, that’s right, I gotta do something," added  Zygar. But according to other independent media, Zygar's resignation could be caused by political pressure. Chief editor of Echo of Moscow radio Alexei Venediktov claimed that some high-ranking statesmen, including Prime Minister Dmitry Medvedev, were infuriated by the book and they demanded Dozhd's owner Natalia Sindeeva to get rid of Zygar. In 2018, Zygar has joined the Information and Democracy Commission, which has been created at the initiative of Reporters Without Borders with the intention to "mobilize all those who are committed to defending a free and pluralistic public space, which is essential for democracy". Awards. In  2014, CPJ announced that Zygar was to receive the International Press Freedom Award. He was the seventh Russian to be honored (after Tatyana Mitkova in 1991, Yevgeny Kiselyov in 1995, Yelena Masyuk in 1997, Musa Muradov in 2003, Dmitry Muratov in 2007 and Nadira Isayeva in 2010). Books. "War in Myth" (2007). A collection of Zygar's essays about his work in hotspots like Iraq, Lebanon, Uzbekistan, Kyrgyzstan, etc. "Gazprom. New Russian Weapon" (2008), together with Valery Panyushkin. An investigation of the most mighty Russian state-owned corporations. "All the Kremlin's Men" (2015). The book became the most important  Russian non-fiction about the metamorphoses of Putin and his inner circle. The book was the #1 bestseller in Russia for 4 months. In it, Zygar traces Vladimir Putin's ascent to become the most powerful Russian president in decades, and illustrates the grip that extreme paranoia has on Moscow's power elite. It took Zygar seven years to write, interviewing current and former associates of the Russian president. In his book, Zygar battles against the idealization of Putin as a savvy and ingenious puppet-master; both the demonic version put forth by the West, and the idolizing version propagated  by Russia's official state media. Zygar is far from adapting the insulted tone of the Russian establishment in his assessment. He is more interested in tracing Russian leadership's slide into the aggressive worldview that has eventually led to the war in Eastern Ukraine and military intervention in Syria. The book became a huge event in Ukraine. It revealed that annexation of Crimea was planned by the Kremlin in December 2013. Nobel prize winner Svetlana Alexievich praised the book saying that "This is the first consistent description of everything that has happened over the last 20 years that I  have read. It is a very serious study and an opportunity to learn from first hand reports". John Kampfner of "The Guardian" called the book "one of the most compelling" accounts written about Vladimir Putin. "The Sydney Morning Herald" reviewed the book as a "fascinating, in-depth and authoritative study of Russian politics". The book was also published in Sweden, Germany, Bulgaria, Finland, Poland, Czech Republic, and Hungary. "All the Kremlin's Men" was published in English in 2016. Zygar's next book, "The Empire Must Die", was released both in Russian and in English on the centenary of the  Russian revolution. It’s a captivating story about the Russian society a hundred years ago, in the years leading up to the revolution, and the intertwined fates of Tolstoy, Diaghilev, Rasputin, Stolypin and other protagonists of the era. The way the story is told allows readers to recognize today's realities in almost every character or event: the century-old country looks like a reflection of modern Russia. Emily Tamkin of "Foreign Policy" described the book as "an immensely compelling work that transports the reader to the streets of St. Petersburg to see the early 20th century unfold for herself . The Empire Must Die" is listed among the Best Non-Fiction works of 2017 by Kirkus Reviews, characterised as a "a vivid, character-driven reconstruction of the period leading up to the overthrow of the Romanovs". Future History. In 2016, Zygar founded the creative studio Future History specialising in educational digital ventures. In November 2016, the studio launched its first digital project "1917. Free history" that used diary entries, memoirs, letters, pictures etc. of the contemporaries of the Russian Revolution to let Internet users follow their daily events live. The project was supported by Yandex, Sberbank and the Russian social  network VKontakte. The project ran until 18 January 2018, the day of the dissolution of the Russian Constituent Assembly. An English-language version of the website was launched in February 2017. In 2018, Zygar's Future History studio launched its next digital venture: 1968.digital, a web documentary series with vertical episodes that "show the life of real historical personalities through the screens of their would-be smartphones". The series covers the events of 1968 all over the world and is distributed in English on "BuzzFeed News", in Russian and in French on the website of the Libération newspaper. It became  a finalist for the 3rd annual Shorty Awards for Social Good in 2018. Zygar participated in the 2018 TED conference in Vancouver talking about his historical digital ventures and the storytelling techniques he uses in his work. In November 2018, Future History pre-launched a series of an app of Moscow walking tours – the Mobile Art Theatre. The tours resemble a play taking place in the imagination of the audience, telling the stories of historical figures who lived and worked in these city streets. The first tour is narrated by Kirill Serebrennikov who "tells the history of his neighbourhood in  Moscow, which was home to cultural icons such as Mikhail Bulgakov, Boris Pasternak, poet Sergei Yesenin, or philosopher and writer Alexander Herzen".