Do Not Disturb (1965 film)
Do Not Disturb is a DeLuxe Color CinemaScope (1965) romantic comedy film directed by Ralph Levy, starring Doris Day and Rod Taylor as Janet and Mike Harper, a married couple who relocate to England when Mike is transferred by the company for which he works. Plot. American couple Mike and Janet Harper (Rod Taylor and Doris Day) move to England for Mike's work, a company that deals in textiles and fashions. Mike wants them to live in a flat in the heart of London, but Janet, who is not a big-city girl, instead  finds them a house thirty miles outside London in Kent, which means that Mike has to commute into town by train. For convenience, Mike often stays in one of the company's flats in town rather than go home. This commuting situation makes Janet feel even more neglected than she already did. Janet believes Mike may be having an affair with his assistant, Claire Hackett (Maura McGiveney). Janet's beliefs are fueled by the Harpers' busybody landlady, Vanessa Courtwright (Hermione Baddeley), who thinks Janet can play Mike's game by entering into an affair of her own, whether it be  real or made-up. It has the potential to be real with the arrival of the Italian man Paul Bellari (Sergio Fantoni), an antiques dealer Janet hires to decorate the house. Although neither Mike nor Janet had any initial thoughts of cheating on the other, Claire and Paul may have thoughts of their own, especially when all four are thrown into one compromising position after another. Production. During filming Ralph Levy came down with a virus and George Marshall had to step in as director. This caused the film to finish behind schedule. Reception. The film had admissions of 10,730  in France. According to Fox records, the film needed to earn $7,300,000 in rentals to break even and made $5,275,000, meaning it made a loss. Novelization. Slightly in advance of the film's release, as was the custom of the era, a paperback novelization of the film was published by Dell Books. The author was renowned crime and western novelist Marvin H. Albert, who also made something of a cottage industry out of movie tie-ins. He seems to have been the most prolific screenplay novelizer of the late '50s through mid '60s, and, during that time, the  preeminent specialist at light comedy.