Yolanda and the Thief
Yolanda and the Thief is a 1945 American Technicolor MGM musical-comedy film set in a fictional Latin American country. It stars Fred Astaire, Lucille Bremer, Frank Morgan, and Mildred Natwick, with music by Harry Warren and lyrics by Arthur Freed. The film was directed by Vincente Minnelli and produced by Arthur Freed. The film was a long-time pet project of Freed's to promote his lover Bremer's career, but fared disastrously at the box office. An attempt to create a whimsical fantasy, it ended up, in the words of critic John Mueller, as  egg-nog instead of the usual champagne. Despite admirable production values, it ruined Bremer's career and discouraged Astaire, who decided to retire after his next film, "Blue Skies". Perhaps it also vindicated Astaire's own horror of "inventing up to the arty"—his phrase for the approach of those who would set out to create art, whereas he believed artistic value could only emerge as an accidental and unpremeditated by-product of a tireless search for perfection. In his autobiography, Astaire approvingly quotes "Los Angeles Times" critic Edwin Schallert: "'Not for realists' is a label that may be appropriately affixed  to "Yolanda and the Thief." It is a question, too, whether this picture has the basic material to satisfy the general audience, although in texture and trimmings it might be termed an event." Astaire himself concluded, "This verified my feeling that doing fantasy on the screen is an extra risk." Production. Filming began on January 15, 1945. It was first previewed on July 11, 1945 in Glendale, California. It cost $2,443,322.31 to make and suffered a net loss of $1,644,000. Key songs/dance routines. Eugene Loring was responsible for most of the choreography, with Astaire for once taking  a back seat and only contributing in parts. Tactfully, Astaire claimed he wanted to see what it would be like dancing to other choreographers' ideas, a move some critics have attributed to a putative temporary decline in Astaire's creative powers around this time, but it is equally possible that he found the artistic pretensions of the project somewhat off-putting. The film features possibly the first example on film of the deliberate integration of color and visual pattern with dance—a theme which Minnelli explored on a larger scale and to such celebrated effect six years later with Gene  Kelly in the dream ballet finale of "An American in Paris". Astaire had already created an early dream dance on film with "I Used To Be Color Blind" in "Carefree" (1938), and had worked with Minnelli on a dream ballet insert for the "Limehouse Blues" number from "Ziegfeld Follies" (1945). The dream ballet genre achieved popularity when Agnes de Mille choreographed a celebrated sequence for the 1943 stage hit "Oklahoma!". Reception. Bosley Crowther of "The New York Times" gave the film a mixed review: Taste and imagination are so rare these days in musical films that a good bit of  both is sufficient to offset a pack of obvious faults. So that's why this corner is cheering for Metro's "Yolanda and the Thief" ... a pleasing compound of sparkling mummery and glistening allures for eyes and ears ... the terpsichorean cavorting of Lucille Bremer and Fred Astaire is simply grand. ... Mr. Astaire and Miss Bremer are plainly thrown considerably out of stride when they are called upon to ramble through some of the talkative scenes. The humor, to put it bluntly, is obvious and dull ... However, the visual felicities and the wackiness of the main idea hold the show together  ... The review in "Variety" was not complimentary: There's an idea in this yarn, but it only suggests itself. It becomes too immersed in its musical background, and the story is too leisurely in pace. ... And the story itself, the way it's done, strains credibility. On review aggregator Rotten Tomatoes, "Yolanda and the Thief" holds an approval rating of 80%, based on 5 reviews, and an average rating of 6.6/10. Box office. According to MGM records, the film earned $1,221,000 in the US and Canada and $570,000 elsewhere resulting in a loss of $1,644,000. Radio adaptation . "Yolanda and the Thief" was presented on "Musical Comedy Theater" on November 26, 1952. The one-hour adaptation starred Boris Karloff, Lisa Kirk, and John Conte.