The Mitchells vs. the Machines (soundtrack) to announce his original works were fully protected under copyright law. He married the actress Lizzie Aney and fathered two children. His descendants include the actress Lily Groves (daughter), the actor Donald Groves (grandson) and the writer Fiona Gruber (great-granddaughter). Walter Groves Walter Groves (1856—1906) was a British actor, comedian, music hall artist, and writer of the late Victorian and early Edwardian eras. Biography. Groves was born in Manchester, England, to travelling actors Charles Groves (1807−1864) and Martha Bigg (1822−1915). His father was a working provincial actor of thirty years experience, while his mother had been a star of 	Walter Groves
21817416	Francis John Worsley Roughton Francis John Worsley Roughton Francis John Worsley Roughton (6 June 1899 – 26 April 1972) was an English physiologist and biochemist. He began to conduct experiments to study the reactions involving haemoglobin and oxygen and went on to make pioneering studies of blood biochemistry and gas interaction kinetics. Along with Hamilton Hartridge, he developed continuous monitoring approaches to study liquid-gas binding reactions and enzyme kinetics. Roughton was born in Kettering and came from a family of physicians. Born with congenital tachycardia he went to study science at Winchester and Cambridge. Because of his heart condition he was not recruited into 	Francis John Worsley Roughton
21817417	World War I. At Cambridge he decided not to follow the family line and began to study physiology after being influenced by Joseph Barcroft. His first research was based on his own heart condition. His research interest was on the absorption of oxygen from the lungs to the blood. In 1923 Roughton became fellow at Trinity College and a lecturer in biochemistry. Another student of Barcroft, Hamilton Hartridge, developed an experimental apparatus consisting of a mixing chamber for two liquids where inflows and outflows could be controlled and studied. They devised spectroscopic techniques to examine oxygen and carbon monoxide binding 	Francis John Worsley Roughton
21817418	with haemoglobin. They were able to determine that the reaction could progress rapidly in minute capillaries. In 1927 Roughton became lecturer in physiology and he moved on to the study of chemical kinetics involved in haemoglobin binding. In 1939, Roughton was involved in war-research related to carbon monoxide. Roughton was elected Fellow of the Royal Society in 1936. In 1947 he succeeded E. K. Rideal as Plummer professor of colloid science at Cambridge. Roughton married physician Alice Hopkinson, daughter of a Cambridge professor married to a German from the Siemens industrialist family, in 1925. They had a son and 	Francis John Worsley Roughton
21817419	a daughter. Francis John Worsley Roughton Francis John Worsley Roughton (6 June 1899 – 26 April 1972) was an English physiologist and biochemist. He began to conduct experiments to study the reactions involving haemoglobin and oxygen and went on to make pioneering studies of blood biochemistry and gas interaction kinetics. Along with Hamilton Hartridge, he developed continuous monitoring approaches to study liquid-gas binding reactions and enzyme kinetics. Roughton was born in Kettering and came from a family of physicians. Born with congenital tachycardia he went to study science at Winchester and Cambridge. Because of his heart condition he was not 	Francis John Worsley Roughton
21817420	The Mitchells vs. the Machines (soundtrack) The Mitchells vs. the Machines (soundtrack) The Mitchells vs. the Machines (Original Motion Picture Soundtrack) is the soundtrack album to the 2021 animated film computer-animated film of the same name. The album, released by Sony Classical Records on April 30, 2021, coinciding the film's Netflix release, features original score composed by Mark Mothersbaugh, and original song On My Way" (which was played during the end credits) performed by Alex Lahey. Songs from various artists, including Los Campesinos!, Sigur Rós, Talking Heads, Grimes, Le Tigre, BTS, The Mae Shi and Madeon, were incorporated in the film. Development. Following the  release of the film's first trailer in March 2020, one of the film's producers Phil Lord confirmed on Twitter, that he and Christopher Miller's regular collaborator Mark Mothersbaugh would score music for the film. According to "Variety", Mothersbaugh stated that each family member had their score in the beginning. For Rick Mitchell's character, he created the score cue by blending ukulele, guitar, banjo and harmonica and for Katie's character, he produced the score from woodwinds, while the kids had a "younger sound with electronica (modern instrumentation)" and synth sounds were created for the dysfunctional robots , to make sure that the listeners think about music in different ways. Mothersbaugh stated that "It's like you have 100 people sitting in a room and they’re waiting for the countdown to start playing. There’s people breathing, their hearts are beating and blood’s pumping through them. That’s part of the music." Kier Lehman was the music supervisor, who had incorporated specific songs from the film, which Mike Rianda had stated "if basically, the movie felt like someone’s personal playlist, it would feel like gratifying. Just like when I watch a Wes Anderson movie or  Quentin Tarantino movie, it’s like, I might not know about the songs, but I’m like, “This person loves these songs.” Like you could feel it. They’re these deep cuts on the album, and they’re not these like obvious songs. And so, we basically wanted to try to do that with the movie. And it was tough. I mean, because sometimes the song you want isn’t easy to get. The artist doesn’t want to release it, or it just doesn’t work in the moment or something." So he worked with Lehman for the supervision , whom regularly worked in Lord and Miller's films. Rianda stated that "He’s so cool, and he could get us all the songs that we wanted and sort of figure out how to make it all work." An original song, "On My Way" perfomed by Alex Lahey was included in the film, and was released separately, as a lyrical music video on May 6, 2021. Lahey had stated the track as "a song about new beginnings. I really wanted to capture Katie’s sense of urgency to grow up and expand her horizons while being grateful of where she  has come from and the people that have gotten her where she is. It’s that push and pull of being on a path towards something new and exciting while remembering and celebrating what you’re leaving behind – I think that’s something we can all relate to." Additional music. Songs that are featured in the film, but not included in the soundtrack: Reception. "Film Music Central" wrote a review, saying: "Mothersbaugh has created a delightful blend of several musical genres that make for a great experience. The music for "The Mitchells vs The Machines" is a blend of action  music, sci-fi music, and family music. It’s really mind-blowing when the music switches over from the quiet-ish family music opening to the sci-fi music that enters when the robot apocalypse begins. That’s not the easiest transition to make given the wide disparity between those two styles, but Mothersbaugh makes it feel easy and the music pulls you along for the ride without hardly missing a beat." Jonathan Broxton, wrote "Anyone familiar with Mothersbaugh’s music for animated films can guess what they’re going to find with this score. The film and score are  an odd but charming mix of styles that change on a dime, occasionally punctuated by surprisingly emotional moments. Those who don’t care for short tracks and frequent tonal shifts may be put off by much of the score, and the thematic ideas here are short enough that they may be hard to pick out on a first or second listen, but the music serves the film very well, and has several highlights that are definitely worth a listen." The Mitchells vs. the Machines (soundtrack) The Mitchells vs. the Machines (Original Motion Picture Soundtrack) is the soundtrack album to the