Evan Evans (Ieuan Glan Geirionydd)
Evan Evans (20 April 1795 – 21 January 1855), was a Welsh clergyman, poet, hymnwriter, journalist, translator and devotional writer, who was three times chaired at the National Eisteddfod. His works were almost all written in the Welsh language, the poems being published under his bardic name, Ieuan Glan Geirionydd. Seven of his poems are included in "The Oxford Book of Welsh Verse". His best-known poems are perhaps "Ysgoldy Rhad Llanrwst", "Glan Geirionydd" and "Cyflafan Morfa Rhuddlan", and his hymns include "Rwy'n sefyll ar dymhestlog lan" and "Mae 'nghyfeillion adre'n myned". Youth. Evan Evans was  born at Tan-y-Celyn, a farmhouse near the village of Trefriw, Caernarfonshire. His parents were educated people, and indeed his father was a poet; they were among the first Calvinist Methodists in their village. Young Evan received his education at the village church school, then at the free grammar school in Llanrwst. He then began working on his parents' farm, but the family fell into poverty when their landlord raised the rent. In 1816 Evan, though he had never had any higher education, was taken on as schoolmaster at a day-school in Tal-y-Bont. Moving to Chester  he became an elder of the Methodist Church, though not yet 26 years of age. Around this time he published several books on theological subjects, some original and some translations into Welsh, but they have today no great reputation. Clerical career. Evans' first successes as a poet now brought him to the notice of various gentlemen and clergymen, who suggested he seek ordination in the Church of England. He trained for the priesthood at Berriew in Montgomeryshire and at St Bees Theological College in Cumberland, and was ordained in 1826. The same year he was licensed to conduct Welsh-language  services at St Martin's, Chester, and made curate of Christleton, near Chester. In 1843 he was transferred to the curacy of Ince, in Cheshire. In 1852 his wife, of whom little is known, died, and since Evans himself was in poor health he returned home to Trefriw. In July 1854 he was given a curacy in Rhyl, and the following January he died there. He was buried in Trefriw, alongside his parents and his wife. Journalism. For some years in his youth Evans devoted much of his time to Welsh-language journalism. From 1818 to 1820, when he stepped  down for health reasons, he was editor of the monthly magazine "Goleuad Gwynedd". In 1833 he became editor of "Y Gwladgarwr", a magazine set up in imitation of the English "Saturday Magazine", and continued in that job for three years. Long after Evans' death it was remembered as being "far and away the most interesting of the earlier Welsh periodicals", and "one of the best magazines ever published in Welsh". Poetry. Evans is today chiefly known neither as a journalist nor as a clergyman but as a poet. He won the Chair at the National Eisteddfod three times: in 1818  with an ' on the death of Princess Charlotte, in 1828 with his "Awdl ar Wledd Belsassar" ("Belshazzar's Feast"), and lastly in 1850 with a ' called "Yr Adgyfodiad" ("The Resurrection"). His poems have in common a Stoical viewpoint and a smooth, musical, dignified style marked by clarity of language. Nevertheless, his oeuvre as a whole shows a versatility unmatched by any other 19th-century Welsh poet. He employed both the strict, classical Welsh metres and the free metres, and also excelled as a hymnwriter. His poems in the strict metres vary widely in quality. Some, such as his "Belshazzar's  Feast", are disfigured by an archaism of vocabulary and spelling which betray the influence of William Owen Pughe and are now seldom read. Others, like his "" "Y Bedd" ("The Grave") (1821), notable for its metrical ease, are counted among the finest strict-metre poems of their time. Most of the poems for which he is now remembered are lyrics written in the free metres. Their themes include Welsh history, as in "Cyflafan Morfa Rhuddlan" ("The Massacre of Rhuddlan Marsh"), memories of his own childhood, as in "Glan Geirionydd" ("The Bank of Geirionydd") and "Ysgoldy Rhad Llanrwst" ("The Free School of  Llanrwst"), and praise of mountain scenery, as in "Glan Geirionydd" again and "Rhieingerdd Bugail Cwmdyli" ("The Love Song of the Shepherd of Cwm Dyli"). Many of them are influenced by the works of the 18th-century English Graveyard School. Evans' best hymns are considered to be among the greatest in the Welsh language; they are sung, it has been said, wherever the Welsh language is spoken. The words employ a polished style reminiscent of Isaac Watts; they are in some cases original and in others translations from the English. The melodies were in some cases Evans' work also, albeit harmonised  by others. Translations. English translations, complete and incomplete, of Evans' Welsh-language poems and hymns: