Witchcraft Destroys Minds &amp; Reaps SoulsWitchcraft Destroys Minds &amp; Reaps Souls Witchcraft Destroys Minds & Reaps Souls Witchcraft Destroys Minds & Reaps Souls (also known as simply Witchcraft) is the debut studio album by the American rock band Coven. Released in 1969, it was unusual in that it dealt with overtly occult and satanic themes and was removed from the market soon after its release due to controversy, particularly as it coincided with the hysteria surrounding the Manson family and rampant media speculation about occult influences on the American counterculture. Despite its brief initial release, it remains a classic of its genre, and in some ways set groundbreaking trends for later rock bands . This album marked the first appearance in music of the sign of the horns, inverted crosses, and the phrase ""Hail Satan"". Today, these are characteristics of the occult and heavy metal genres. According to rock journalist Lester Bangs, "in England lie unskilled laborers like Black Sabbath, which was hyped as a rockin' ritual celebration of the Satanic mass, something like England's answer to Coven". As a further coincidence, Coven's bass guitarist and co-writer (Michael Gregory Osborne) is credited as "Oz Osborne", and the opening track is "Black Sabbath". One of the songwriters, James Vincent, appears with the  name "Jim Donlinger" on the album. Born James Vincent Dondelinger, he was not a member of the band (prior to this he was in the band Aorta), but was asked by Bill Traut, Coven's producer (and founder of Dunwich Records, whose logo also appears on the album), to write, arrange and co-produce the album together with Traut. Vincent describes the event in negative terms, as a "bizarre album project": Kurt Cobain and Nirvana spoke of this album in an interview in 1990, stating it is one of the records they would listen to while driving to the next  show on tour. Witchcraft Destroys Minds & Reaps Souls Witchcraft Destroys Minds & Reaps Souls (also known as simply Witchcraft) is the debut studio album by the American rock band Coven. Released in 1969, it was unusual in that it dealt with overtly occult and satanic themes and was removed from the market soon after its release due to controversy, particularly as it coincided with the hysteria surrounding the Manson family and rampant media speculation about occult influences on the American counterculture. Despite its brief initial release, it remains a classic of its genre, and in some ways set groundbreaking trends for