Dark Shadows (film)
Dark Shadows is a 2012 fantasy comedy horror film based on the gothic television soap opera of the same name. It was directed by Tim Burton and stars Johnny Depp, Michelle Pfeiffer, Helena Bonham Carter, Eva Green, Jackie Earle Haley, Jonny Lee Miller, Chloë Grace Moretz, and Bella Heathcote in a dual role. Christopher Lee has a small role in the film, his 200th film appearance and fifth and final appearance in a Burton film, and Jonathan Frid, star of the original "Dark Shadows" series, makes a cameo, which was his final screen appearance, as he died  shortly before the release of the film. One of the film's producers was Richard D. Zanuck, who died two months after its release. The film had a limited release on May 10, 2012, and was officially released the following day in North America. It performed poorly at the United States box office, but did well in foreign markets. Reviews for the film were mixed; critics praised its visual style and consistent humor, but felt it lacked a focused or substantial plot and developed characters. Plot. In 1760, young Barnabas Collins and his wealthy family set sail from Liverpool to  the New World, where they establish the town of Collinsport in Maine and construct Collinwood, their grand estate. Fifteen years later, Barnabas spurns the advances of his servant, Angelique, who is secretly a witch. In response, she murders his parents using magic and curses Barnabas so that "all he loves will die". Barnabas becomes obsessed with dark magic to prove his parents were murdered. Under Angelique's spell, his fiancée Josette jumps to her death from a cliff called "Widow's Hill". He throws himself after her, but survives, further cursed by Angelique to eternal suffering as a vampire. Angelique  turns the town against Barnabas and gets him buried alive. In 1972, Maggie Evans, who bears an uncanny resemblance to Josette, travels to Collinwood to fill the position of governess. She assumes the alias Victoria Winters and meets the dysfunctional current-residents of Collinwood: Collins matriarch Elizabeth and her teenage daughter Carolyn; Elizabeth's brother Roger and his young son David, who believes he is being visited by his late-mother's ghost; and a live-in alcoholic psychiatrist, Dr. Julia Hoffman. That night, Victoria is visited by the ghost of Josette. A construction crew building a McDonald's unwittingly  frees Barnabas from his tomb. He apologetically feeds on their blood and then makes his way to Collinwood, perplexed by the modern-day technology and fashion he encounters. At Collinwood, Barnabas hypnotizes the caretaker, Willie, into his service and reveals to Elizabeth that the legends of the family curse and her long-lost ancestor are true. He asks to rejoin the family and shows Elizabeth the manor's secret passages and hidden treasure. Though wary, she introduces him to the family as a distant relative from England. While adjusting to modern life and falling for Victoria, Barnabas uses his powers  of persuasion and the family treasure to restore both the Collins Canning Company and Collinwood to their former glory. Dr. Hoffman learns of his true nature and offers to try to turn him mortal again. They start by removing his blood and giving him transfusions of human blood. Angelique, having survived through the centuries and now the owner of the dominant Angel Bay Seafood, is still in love with Barnabas. To protect Victoria, he gives in to Angelique's lust and they have sex in her office, but, afterwards, a remorseful Barnabas again rejects Angelique. Barnabas hosts a "happening" at  Collinwood for the entire town, with Alice Cooper as entertainment. He finds Victoria alone, who reveals she has seen the ghost of Josette her entire life; her parents committed her to an asylum as a result, but she eventually escaped and Josette directed her to Collinwood. She returns Barnabas' affections and they kiss, to Angelique's dismay. More eager than ever to be human, Barnabas goes to Dr. Hoffman's office, where he discovers her transfusing his blood into herself to try to stop her aging. He drains all the blood from her body, and he and Willie dump her  at sea, telling everyone she went away on business. Barnabas confronts the greedy Roger and offers him a choice: to become a better father to David, or to leave Collinwood with enough money to live out his life elsewhere; Roger chooses the latter. Heartbroken, David is nearly struck by a falling disco ball, but Barnabas saves him with supernatural speed and catches fire in the daylight, revealing himself as a vampire. David, Carolyn, and Victoria are shocked. Desperate, Barnabas meets with Angelique, who goads him into confessing to his murders and demands he join her as her paramour. He refuses , so she again traps him in a coffin. Angelique destroys the Collins’ cannery and, with a recording of Barnabas' confession, rallies the town against the family. David frees Barnabas, who confronts Angelique at Collinwood. They battle, and the townspeople see that she is a witch. Elizabeth and Carolyn, who reveals herself to be a werewolf, join the fight, and Angelique enchants the house to turn against the Collins family. She admits she was responsible for the werewolf that bit Carolyn as an infant, and for the deaths of David's mother and Barnabas' parents. The ghost of David's mother  appears and incapacitates Angelique, and the family escape the burning manor. Angelique offers Barnabas her heart, which crumbles as she dies. Barnabas races to Widow's Hill and finds Victoria, who says there is only one way for them to be together. When he refuses to turn her into a vampire, she steps off the cliff. He leaps after her, biting her neck on the way down. On the rocks, he holds his "sweet Victoria" in his arms. Now a vampire, she awakens and says, "Josette". They kiss. Though Barnabas thinks he is finally safe, Dr. Hoffman, bound and on  the sea floor, opens her eyes. Cast. At the San Diego Comic-Con 2011, it was confirmed that four actors from the original series would appear in the film. In June 2011, Jonathan Frid, Lara Parker, David Selby, and Kathryn Leigh Scott all spent three days at Pinewood Studios to film cameo appearances. They all appeared as guests during the ball held at Collinwood Manor and can be seen arriving as a group. Frid died in April 2012, making this his final film appearance. Production. In July 2007, Warner Bros. acquired film rights for the gothic soap opera "Dark Shadows  from the estate of its creator, Dan Curtis. Johnny Depp had a childhood obsession with Dark Shadows", calling it a "dream" to portray Barnabas Collins, and ended up persuading Tim Burton to direct. The project's development was delayed by the 2007–2008 Writers Guild of America strike. After the strike was resolved, Burton was attached to direct the film. By 2009, screenwriter John August was writing a screenplay for "Dark Shadows". In 2010, author and screenwriter Seth Grahame-Smith replaced August, but, on the finished film, August did receive story credit with Smith for his contributions to the film. Filming  began in May 2011. Production took place entirely in England, at both Pinewood Studios and on location. Depp attempted to emulate the "rigidity" and "elegance" of Jonathan Frid's original Barnabas Collins, but also drew inspiration from Max Schreck's performance in "Nosferatu". A number of Burton's frequent collaborators worked on the film's crew, among them production designer Rick Heinrichs, costume designer Colleen Atwood, editor Chris Lebenzon, and composer Danny Elfman. French cinematographer Bruno Delbonnel—known for his work in "Amélie", "A Very Long Engagement" and "Harry Potter and the Half-Blood Prince"—also worked on the project. Music . Score. The film was scored by long-time Burton collaborator Danny Elfman. An album featuring 21 tracks of compositions from the film by Elfman was released on May 8, 2012. Soundtrack. A number of contemporaneous early-1970s rock and pop songs appear in the film, along with others from earlier and slightly later. These include "Nights in White Satin" by The Moody Blues, "I'm Sick of You" by Iggy Pop, "Season of the Witch" by Donovan, "Top of the World" by The Carpenters, "You're the First, the Last, My Everything" by Barry White and "Get It On" by T.  Rex. Alice Cooper makes a cameo in the film and sings "No More Mr. Nice Guy" and "Ballad of Dwight Fry". A cover of the Raspberries' song "Go All the Way" by The Killers plays over the end credits. "Dark Shadows: Original Motion Picture Soundtrack" was released on May 8, 2012, as a download and on various dates as a CD, such as on May 22 as an import in the United States and on May 25 in Australia. It features 11 songs, among them two score pieces by Danny Elfman and a recitation by Depp as Barnabas of several  lines from "The Joker" by Steve Miller Band. Songs not featured on the soundtrack that are in the film include "Superfly" by Curtis Mayfield, "Crocodile Rock" by Elton John and "Paranoid" by Black Sabbath. Reception. Box office. The film grossed $79.7 million in the United States and Canada, and $165.8 million in other territories, for a worldwide total of $245.5 million. For a Burton film, "Dark Shadows" achieved below-average domestic box office takings, with many commentators attributing that to the domination of "The Avengers". It made $29.7 million in its first weekend, then $12.8  million in its second. Critical response. On Rotten Tomatoes, "Dark Shadows" holds an approval rating of 35% based on 259 reviews, with an average rating of 5.30/10; the site's critical consensus reads: "The visuals are top notch but Tim Burton never finds a consistent rhythm, mixing campy jokes and gothic spookiness with less success than other Johnny Depp collaborations." On Metacritic, the film has a weighted average score of 55 out of 100, based on 42 critics, indicating "mixed or average reviews". Audiences polled by CinemaScore gave the film an average grade of "B–" on an A+ to F  scale. Some critics felt the film lacked a focused or consistent plot or genre (as either horror, comedy or drama), pointing to problems with Grahame-Smith's script, and that some jokes fell flat. Some claimed that Burton and Depp's collaborations had become tired. Many of these same critics, however, noted that this film's visual style was impressive. Positive reviewers, on the other hand, opined that the film successfully translated the mood of the soap opera and that its '70s culture pastiche worked to its advantage. There was also acclaim for the characters and actors, most notably Depp  as Barnabas—who several critics said was the stand-out character due to his humorous culture shock—and Pfeiffer. Roger Ebert gave the film two-and-a-half stars out of four and said: "[The film] offers wonderful things, but they aren't what's important. It's as if Burton directed at arm's length, unwilling to find juice in the story." He went on to note that "Much of the amusement comes from Depp's reactions to 1970s pop culture," and concluded that the film "begins with great promise, but then the energy drains out". Manohla Dargis, in  a mostly-positive review written for "The New York Times", said that the film "isn't among Mr. Burton's most richly realized works, but it's very enjoyable, visually sumptuous and, despite its lugubrious source material and a sporadic tremor of violence, surprisingly effervescent," and opined that Burton's "gift for deviant beauty and laughter has its own liberating power." "Rolling Stone"s Peter Travers gave the film a mixed two-and-a-half stars out of four, claiming that "After a fierce and funny start, "Dark Shadows" simply spins its wheels," and adding that "the pleasures of "Dark Shadows  are frustratingly hit-and-miss. In the end, it all collapses into a spectacularly gorgeous heap. In "The Washington Post", Ann Hornaday dismissed the film, awarding it just one-and-a-half stars out of four and explaining that "Burton's mash-up of post-'60s kitsch and modern-day knowingness strikes a chord that is less self-aware than fatally self-satisfied. "Dark Shadows" doesn't know where it wants to dwell: in the eerie, subversive penumbra suggested by its title or in playful, go-for-broke camp." Richard Corliss of "Time" pointed out that "[Burton]'s affection is evident , and his homage sometimes acute," and reasoned: "All right, so Burton has made less a revival of the old show than a hit-or-miss parody pageant," but praised the star power of the film, relenting that "attention must be paid to movie allure, in a star like Depp and his current harem. Angelique may be the only demonic among the women here, but they're all bewitching." Peter Bradshaw, in the British newspaper "The Guardian", weighed the film in a mixed write-up, giving it three stars out of five, and pointing out his feeling that "the Gothy, jokey  'darkness' of Burton's style is now beginning to look very familiar; he has built his brand to perfection in the film marketplace, and it is smarter and more distinctive than a lot of what is on offer at the multiplex, but there are no surprises. There are shadows, but they conceal nothing." Home media. "Dark Shadows" was released on both Blu-ray and DVD in the United States on October 2, 2012 (the date confirmed by the official "Dark Shadows" Facebook page and the official "Dark Shadows" website). It was released on both formats several days earlier in Australia ; in stores on September 24, and online on September 26. The film was released on home video in the UK on October 15. The DVD includes just one featurette, "The Collinses: Every Family Has Its Demons", while the Blu-ray contains a total of nine short featurettes and six deleted scenes. Several worldwide releases of both the DVD and Blu-ray contain an UltraViolet digital copy of the film. Possible sequel. In December 2011, Pfeiffer told MTV that she was hoping there would be sequels to the film. On May 8 of the following year, various tabloids, like "Variety", reported  that Warner Bros. may have wanted to turn "Dark Shadows" into a film franchise. On the same day, Collider mentioned that the ending lends itself to a possible sequel. When Burton was asked if he thought this could be a possible start to a franchise, he replied: "No. Because of the nature of it being like a soap opera, that was the structure. It wasn't a conscious decision. First of all, it's a bit presumptuous to think that. If something works out, that's one thing, but you can't ever predict that. [The ending] had more to  do with the soap opera structure of it." There have been two other feature films based on the soap opera "Dark Shadows":