Schatz-Walzer (1922), Joanna is depicted as a heroine of Breton resistance to French occupation. Joanna of Flanders Joanna of Flanders ( 1295 – September 1374) was Duchess of Brittany by her marriage to John of Montfort. Much of her life was taken up in defence of the rights of her husband and, later, son to the dukedom, which was challenged by the House of Blois during the War of the Breton Succession. Known for her fiery personality, Joanna led the Montfortist cause after her husband had been captured, and began the fight-back, showing considerable skill as a military leader. Shortly after taking 	Joanna of Flanders
17189526	Schatz-Walzer Schatz-Walzer Schatz-Walzer (Treasure Waltz), Op. 418, is a Viennese waltz by Johann Strauss II composed in 1885. The melodies from this waltz were drawn from Strauss' operetta Der Zigeunerbaron" which premiered to critical acclaim on 24 October 1885. This waltz was first performed on 22 November that year in the concert hall of the Vienna Musikverein with Eduard Strauss conducting. The practice of composing new and independent orchestral works drawn from Strauss' music for the operettas has been prominent since the days of Jacques Offenbach, another operetta composer who frequently whetted his audiences' appetite by writing and subsequently  performing his overtures the premiere of a new stage work, so that the music can be appraised by a wider public and meant that more individual piano edition transcriptions could be sold by music publishers to the public who would easily tend to recall independent pieces. Strauss' "Der Zigeunerbaron", a Hungarian-influenced work, remained his next best-remembered operetta after "Die Fledermaus" and brims with memorable melodies taken from the stage work. The work's title was taken from act 2 trio "Ha, seht es winkt, es blinkt, es klingt" when the character Sandor Barinkay locates an ancestral treasure in  his estate and shares his jubilation with the other cast, Saffi and Czipra. However, the beauty of the waltz lies in the first waltz theme also found in the act 2 finale aria of the operetta titled "So voll Fröhlichkeit". The work begins in C major, in a march-like tune ("Du kannst den Zigeunern getrost vertrau'n") before the "So voll Fröhlichkeit" first waltz section melodies enter. The second waltz section 1st part is the trio ("Ha, seht es winkt, es blinkt, es klingt") followed by the second part ("Nun will ich des Lebens mich freuen") in G major. The  tranquil third waltz section follows ("Nur keusch und rein") and the dramatically romantic second part ensues ("Ja, das Alles auf Ehr") in E-flat major. A peaceful fourth waltz section in C major is next ("Doch, mehr als Gold und Geld") before the climax with cymbals in G major ("Das war' kein rechter Schiffersknecht"), and punctuated throughout with trombones and French horns. The coda recalls earlier material briefly before the first waltz section dances in and rushes headlong into a dazzling finish, underlined by a timpani drumroll and brass flourish. Anton Webern created an arrangement for string quartet, harmonium, and  piano in 1921. Schatz-Walzer Schatz-Walzer (Treasure Waltz), Op. 418, is a Viennese waltz by Johann Strauss II composed in 1885. The melodies from this waltz were drawn from Strauss' operetta "Der Zigeunerbaron" which premiered to critical acclaim on 24 October 1885. This waltz was first performed on 22 November that year in the concert hall of the Vienna Musikverein with Eduard Strauss conducting. The practice of composing new and independent orchestral works drawn from Strauss' music for the operettas has been prominent since the days of Jacques Offenbach, another operetta composer who frequently whetted his audiences' appetite by