Back at One (album)
Back at One is the fifth studio album by American singer Brian McKnight, released on September 21, 1999, by Motown Records. The album followed the same pattern as McKnight's previous album of original material, "Anytime" (1997), in which he began his transition from urban adult contemporary into the hip hop soul market. "Back at One" contains a mix of hip hop-influenced contemporary R&B songs, as well as a variety of ballads. While McKnight co-wrote and produced nearly every song on the album, he also worked with a few new producers, including Rodney Jerkins , his brother Fred Jerkins III, and Anthony Nance. Upon its release, the album received generally mixed reviews from music critics. A commercial success, "Back at One" sold 144,000 units in its first week of release, reaching number seven on the US "Billboard" 200. McKnight's most successful album to date, it sold more than 3.0 million copies worldwide and was certified triple platinum by the Recording Industry Association of America (RIAA) and platinum by Music Canada. The album produced three singles, including its title track which reached number two in the US, and garnered nominations for the Grammy Award for  Best R&B Album and the Soul Train Music Award for Best R&B/Soul Album. Background. In 1997, Brian McKnight released his third studio album "Anytime". Following the moderate success of his previous album "I Remember You" (1995), the singer, who was used to writing, playing and producing most of his music by himself, decided to work with a wider range of musicians on the album, including Sean "Puffy" Combs, Keith Thomas, and Poke & Tone. However, while "Anytime" exposed McKnight to a wider audience, taking his work further into the hip hop soul genre, McKnight disliked their approach to incorporate sampling  on their songs. After the commercial triumph of "Anytime", McKnight signed with Motown Records to released his first Christmas album "Bethlehem" (1998) and began work on his fourth album. While he enjoyed working on the record, McKnight was tormented by personal problems during the production process since he had fallen in love with someone else outside of his marriage with his wife Julie. In a 2012 interview, McKnight elaborated : "If "Anytime" was the spark, then "Back at One" became the fire. I was doing things then that I had never done before, that an audience had never heard or seen  [...] I don’t even listen to that record because it was the highest and lowest point of my life, because of this person." Critical reception. Stephen Thomas Erlewine from Allmusic felt that with "Back at One" "McKnight has figured out a way to make his gospel-flavored contemporary urban soul sound fresh, mainly by keeping the focus on the songs. There's nothing extraneous on "Back at One": All 13 songs are given clean presentations, and he blesses them with impassioned performances. At times, the material itself is not particularly interesting, but most albums have filler; what counts is the  good stuff, and there's enough of it on "Back at One" to make it another solid effort from McKnight." In a contemporary review, "The Rolling Stone Album Guide" wrote that "excepting the occasional boilerplate slow jam, "One" is McKnight's finest effort." Writing for "Billboard", Michael Paoletta found that "like its predecessor, 1997's "Anytime", "Back at One" finds the singer keeping it sublime yet simple on an acoustic-based set. This, of course, allows McKnight ample room to showcase his smooth, simmering vocals." In her review for the "Los Angeles Times", Connie Johnson wrote that "McKnight records the  ultimate background music, ideally suited for a candlelight dinner for two, not to mention more intimate interludes – music that’s not distracting, in other words. McKnight is certainly not unpredictable [...] Everything is as classy and correct as one would expect from a McKnight project. Basically, it’s pretty but not essential." Chart performance. In the United States, "Back at One" debuted and peaked at number seven on the "Billboard" 200, selling 144,000 copies in its first week. This marked McKnight's highest first weeks sales as well as highest-charting debut then, according to SoundScan. In addition, it reached the  top five on "Billboard"s Top R&B/Hip-Hop Albums chart, becoming McKnight's third album to do so. With sales in excess of more than 3.0 million copies, the album went on to become McKnight's biggest seller within his discography. It was eventually certified triple platinum by the Recording Industry Association of America (RIAA). "Billboard" ranked the album 56th and 37th on its Top R&B/Hip-Hop Albums year-end rankings in 1999 and 2000, respectively. Also McKnight's first album to chart internationally, "Back at One" entered the top twenty in Canada, where it certified platinum by Music  Canada. "Back at One", the album's title track, was issued as the album's lead single. It reached number two on the US "Billboard" Hot 100 and hit number seven on the Hot R&B/Hip-Hop Songs, becoming McKnight's highest-charting single to date. In addition, it became a top ten hit in Canada and New Zealand, and entered the top thiry in Australia and the Netherlands. Jerkins-produced "Stay or Let It Go" was released on a double single with the song "Win", McKnight's contribution to the soundtrack of the 2000 American drama film "Men of  Honor". It reached the lower half of the "Billboard" Hot 100 and peaked at number 26 on the Hot R&B/Hip-Hop Songs, with "Win" reaching number 51. Third and final single "6, 8, 12" entered the top fifty on the Hot R&B/Hip-Hop Songs. Track listing. Notes Personnel. Credits adapted from the liner notes of "Back at One".