Contact (musical)
Contact is a musical "dance play" that was developed by Susan Stroman and John Weidman, with its "book" by Weidman and both choreography and direction by Stroman. It ran both off-Broadway and on Broadway in 1999–2002. It consists of three separate one-act dance plays. Productions. "Contact" premiered at the Mitzi E. Newhouse Theater, Lincoln Center, on September 9, 1999 (after 1999 workshop productions of parts of the show), then moved to Broadway at the Vivian Beaumont Theater, Lincoln Center, on March 30, 2000 and played for 1,010 performances there. The show was received with critical acclaim  and won the 2000 Tony Award for Best Musical (among others). The award was controversial because "Contact" contains no original music or live singing, and in response, a new award for Best Special Theatrical Event was introduced the following year. A West End production opened at the Queen's Theatre in October 2002, and closed on May 10, 2003. The musical toured from May 2001 to June 2002, and started again in November 2002 in Toronto. The original cast album was released on March 6, 2001. PBS included the show's final performance in its program Live from Lincoln Center  on September 1, 2002. It won the Primetime Emmy Award for Outstanding Classical Music-Dance Program. Regional productions. Among regional productions, the musical was presented by the Virginia Stage Company (Norfolk, Virginia) in April 2006. This was the first regional theater in the US to present "Contact" after the Broadway, national tour and London productions and was directed by Tome Cousin, an original cast member (who was chosen by Stroman to direct). The show was produced at the North Shore Music Theatre (Beverly, Massachusetts) in June 2008, with Jarrod Emick and Naomi Hubert and directed by Tomé Cousin. In conjunction  with the Sarasota Ballet, the Asolo Repertory Theatre's October 23 – November 22, 2009 at the Mertz Theatre in Sarasota, Florida starred Shannon Lewis, Feltcher McTaggart, Sean Ewing, Nadine Isenegger, Ariel Shepley, Steven Sofia, and Wilson Mendieta. Directed by Tome' Cousin The featured SIMPLY IRRESISTIBLE section was presented February 28, 2011 during the Vineyard Theatre's Susan Stroman Gala "STRO" at the Hudson Theatre NYC. Directed / staged by Tome' Cousin The featured SIMPLY IRRESISTIBLE section was presented numerous times by the American Dance Machine For The 21st Century at New York City's City Center and also during its Joyce  Theater November 11 – 16, 2014 engagement. International productions. The musical was produced by Mupa Budapest at the Madách Theatre in Budapest, Hungary in 2009, with choreography by Tome Cousin, and featured leading ballet dancers of the Hungarian State Opera and members of KFKI Chamber Ballet. The show was produced in the West End at the Queen's Theatre starting on October 3, 2002 (previews) and officially on October 23. It closed on May 10, 2003. The musical was produced in Lodz, Poland at the Opera Lodz in 2010. Directed / Choreographed by Tome' Cousin The Musical Theater Academy of Shanghai, China  presented the musical on December 19, 2014 and a revival in April 2015 Directed / Choreographed by Tome' Cousin In 2010/2011 and again in 2017 the musical was produced in Seoul, Korea by the OD Musical Company. Both versions starred Joo Won Kim, Homin Kim, Kyoung Hoon Choi, Ji Sun Kim, Dong Ju Kang, and Sam Jin Lee. Directed by Tome' Cousin Background. The idea that "Contact" was initially developed, researched, and written by Mike Ockrent's (Stroman's husband) development executive and assistants during his brief production deal at Warner Bros, is more than likely untrue. According to "Playbill" in  a 1999 article, the musical was inspired by an experience that Stroman had "... when she visited a dance club in the Meat Market district. There she witnessed a fascinating woman in a yellow dress who took turns dancing with different partners throughout the night. Watching from the sidelines, Stroman thought, 'she's going to change someone's life tonight' ." Robin Pogrebin wrote in "The New York Times" in 1999 of Stroman visiting a swing club and noticing a dancer in a yellow dress. "The woman would step up to the dance floor as a song was beginning and nod or  shake her head at the various men asking to be her partner. Then, after holding everyone's attention with her nervy grace, she would disappear into the crowd. What came out of this was "Contact..." " The same origin was related in an article in "The New Yorker", written by John Lahr in 2014: “ 'Into this sea of dark fashion stepped a girl in a yellow dress,' Stroman recalled. 'You couldn’t help but notice her: it was a very bold color to wear at night—lemon yellow—the same color you find on a traffic light. When she wanted to  dance, she would step away from the bar and some man would ask her to dance.'" Structure, music and story. "Contact" is made up of three separate dance pieces, each set to pre-recorded music, including from Tchaikovsky, Stéphane Grappelli, the Squirrel Nut Zippers, Royal Crown Revue, and The Beach Boys. In each story, the central character expresses a longing to make a romantic connection. All three stories concern "contact", or its lack. Musical numbers. Sources:Amazon.com; Internet Broadway Database Casts. Original Broadway cast and replacements. Source: Internet Broadway Database Mary Ann Lamb (replacement) Critical response. Ben Brantley, in his  review in "The New York Times" of the production at the Newhouse, wrote: "...Stroman... aided by the dramatist John Weidman and a dream ensemble of dancing actors and acting dancers, has created the unthinkable: a new musical throbbing with wit, sex appeal and a perfectionist's polish. Brimming with a sophistication that is untainted by the usual fin-de-siecle cynicism, "Contact" restores the pleasure principle to the American musical. It's the kinetic equivalent of Rodgers and Hart."