Ignaz Kirchner
Ignaz Kirchner (born Hanns-Peter Kirchner-Wierichs; 13 July 1946 – 26 September 2018) was a German actor who made a career on German-speaking stages, especially at Vienna's Burgtheater where he played for 30 years. A character actor, he worked with leading stage directors. He often played opposite Gert Voss, both in classical drama such as Shakespeare's Antonio, with Voss as Shylock, and as Jago, with Voss as Othello, and especially in black comedies, such as Goldberg in Tabori's "Die Goldberg-Variationen" (with Voss as Mr. Jay), and in Neil Simon's "The Sunshine Boys , Beckett's Endspiel" and Genet's "Die Zofen". Kirchner and Voss were named "Schauspielerpaar des Jahres" twice, in 1992 and 1998. Career. Born in Wuppertal, Kirchner was raised from age ten in a Jesuit boarding school in Vorarlberg, Austria. He later chose the name of Ignatius of Loyola as his stage name. He first was an apprentice in a book shop, and then trained in acting at the Schauspielschule Bochum. He made his stage debut in 1970, when he was still at university, in Roger Vitrac's "Der Coup von Trafalgar" staged by Alfred Kirchner. The actor played in 1973  and 1974 at the , participating in two productions by . In 1974 he moved on to Stuttgart, on an invitation by , where he remained until 1978. He then worked for Theater Bremen, where he had his greatest success in the title role of Shakespeare's "Hamlet", directed in 1980 by . From 1982 to 1986, Kirchner was a member of the Münchner Kammerspiele, where he worked with directors such as Dieter Dorn, and . There he met George Tabori, with whom he would later collaborate at the Burgtheater in Vienna. In the 1983/84 season, he appeared at the Schauspiel Köln as the Duke  in Marivaux's "Der Streit", directed by , also as Lopachin in Chekhov's "Der Kirschgarten", directed by Jürgen Flimm, and as Estragon in Beckett's "Warten auf Godot", directed by Gosch. In 1987, Kirchner became a member of the Burgtheater, where Peymann was now Intendant. His first role was as Schlomo Herzl in the premiere of Tabori's "Mein Kampf". Further roles included in 1988 the title role "Ödipus, Tyrann" by Sophocles and Heiner Müller, directed by , and Antonio in Shakespeare's "Der Kaufmann von Venedig". In 1990, he played Doctor Lvov in Chekhov's "Ivanov", staged by Peter Zadek , and Jago with Tabori. He and his partner on stage, Gert Voss, were awarded the "Actor Duo of the Year" ("Schauspielerpaar des Jahres") prize by the trade magazine "theater heute" in 1991 for the roles as Mr. Jay and Goldberg in Tabori's black comedy "Die Goldberg-Variationen". The two actors had first played antagonists in classical drama, such as Shylock and Antonio, and Othello and Jago. The paper wrote: "Wie Shylock und Antonio, wie Othello und Jago sind auch Mr. Jay und Goldberg ein sadomasochistisches Männerpaar – eine Kombination wie Herr und Knecht, Vater und Sohn, Laurel und Hardy." (Like  Shylock and Antonio, and Othello and Jago, Mr. Jay and Goldberg are also a sadomasochistic male couple, a combination like master and servant, father and son, and Laurel and Hardy.) The two later played together in Neil Simon's "The Sunshine Boys" (2003), Beckett's "Endspiel" and Genet's "Die Zofen". In 1992, Kirchner appeared as Macduff in Shakespeare's "Macbeth", directed by Peymann. He performed solo programs such as Wilhelm Reich's "Rede an den kleinen Mann" and a series reciting Robert Walser's novels. In the 1992/93 season, Kirchner moved to the Deutsches Theater Berlin, where he played  in Ostrovsky's "Der Wald", staged by Thomas Langhoff, and Sosias in Kleist's ', staged by Gosch. He then moved to the Hamburg Thalia Theater, appearing in 1995 as the Doctor in Schnitzler's ' directed by Flimm, in 1996 Zettel in Shakespeare's "Ein Sommernachtstraum" with director Jens-Daniel Herzog, and the title role of Molière's "Tartuffe", again with Flimm. From 1997, Kirchner was back at the Burgtheater. He played in 1998 Clov in Beckett's "Endspiel" alongside Voss as Hamm, staged by Tabori in a production that was invited to the Berliner Theatertreffen. For this performance Kirchner and  Voss won again the award "Actor Duo of the Year". In 1999 he appeared as Schigolch in Wedekind's "Lulu", staged by . He played Solange in "Die Zofen", directing himself with Voss and his wife Ursula Voss, and Dr. Dorn in Chekhov's "Die Möwe" with Luc Bondy, both in 2000. A year later, he appeared as Sandperger in Karl Schönherr's "Glaube und Heimat" with Martin Kušej, and a supervisor and a policeman in "Roberto Zucco" by Bernard-Marie Koltès with Klaus Michael Grüber. In 2002, he appeared as Uta-Napishti in the premiere of Raoul Schrott's "Gilgamesh  with , and as Richard in the Austrian premiere of Thomas Bernhard's " with Thomas Langhoff. He performed again solo programs such as Walser's Der Spaziergang" and Bernhard's "Der Stimmenimitator" and "Minetti". From 2005, he played in a Burgtheater production of 's "Der Anatom" at the Anatomischer Saal der Bildenden Künste, the play's only role. He appeared at the Salzburg Festival in the speaking role Samiel in Weber's opera "Der Freischütz" in 2005, staged by Falk Richter. The major role of Fürst Bolkonskyi in a dramatization at the Burgtheater of Tolstoy's novel "Krieg und Frieden" won  him a nomination for the Nestroy Prize in the category "best leading role" in 2010. In 2011, Kirchner played there Pozzo in "Warten auf Godot", staged by . In the years 2012 to 2014, he worked there with René Pollesch, Frank Castorf, and and pursued other series of readings, from 2010 Fernando Pessoa's "Buch der Unruhe" and Musil's "Der Mann ohne Eigenschaften". Kirchner died on 26 September 2018 after a long illness.