Love Fiction
Love Fiction () is a 2012 South Korean romantic comedy film written and directed by Jeon Kye-soo, and starring Ha Jung-woo and Gong Hyo-jin. Plot. Goo Joo-wol (Ha Jung-woo) is a novelist (and part-time bartender) suffering writer's block and he has not been able to write anything for the past couple of years. A hopeless romantic, he looks to find artistic inspiration in every woman he meets, but ends up only with despair and heartache. One day, his publisher asks him to come along to a book fair in Germany for a  change of pace. There he meets Hee-jin (Gong Hyo-jin), a film distributor who is there to survey the European film market at an event in Berlin. Unsurprisingly, he falls in love instantly, and upon returning to Seoul, he writes her a love letter displaying his odd sense of humor, which convinces her to go out on a date with him. As their relationship progresses, Joo-wol writes a bestselling pulp noir serial with a main character loosely based on Hee-jin. However, with this newfound popularity he begins to discover more than he would like to know about  his girlfriend’s complicated history with men. Production. This is Jeon Kye-soo's third feature film following his 2006 debut "Midnight Ballad for Ghost Theater" (a surreal musical comedy that won the Baeksang award for Best New Director), the short film "U AND ME" in the 2008 omnibus "If You Were Me 4", and 2010's Hong Sang-soo-style indie "Lost and Found". With a background in stage and dance, Jeon said he was inspired by French director Jean-Pierre Jeunet and his 1991 film "Delicatessen" to become a director. The script was completed in 2007 but Jeon  couldn’t find anyone to invest in the unconventional romantic comedy, largely because industry insiders considered the plot to be too difficult for the general public to understand. The script was written for Ha Jung-woo and he committed to the film from the beginning, but Jeon said, "We had this good actor Ha Jung-woo but investors changed their minds because they thought the script lacked widespread appeal and the public wouldn’t like or understand it." Jeon first met producer Eom Yong-hoon while making "Midnight Ballad for Ghost Theater" and the two developed a friendship. When production  of "Love Fiction" was cancelled in 2009, Eom sold his apartment in order to launch his own production company Samgeori Pictures because he wanted to develop Jeon's script into a film. (Eom also produced 2011's surprise hit "The Crucible".) Filming began in 2011, with Gong Hyo-jin replacing Kang Hye-jung as the leading lady. Jeon said of Ha and Gong, "They were perfect in many ways. They gave us their best in just a couple of takes. I couldn’t have asked for more than that." Explaining the puzzling name of Goo Joo-wol, Jeon said "I  find the (name's) sound important. It has that sound of a character that steps out the door of his house at around 2 p.m. in his pajamas, loitering about without doing much, like a neighborhood rogue complaining about society." Similar to the fantastical style of Cédric Klapisch's "Auberge Espagnole", Joo-wol's complex inner side is displayed through conversations shared with an imaginary character 'M'. In making Joo-wol the focus, the film shows how men beg for love and quickly lose interest in their partners once they are stuck in a relationship. Touted as a "Male Bridget  Jones" and a "Korean "500 Days of Summer"", the insightful love story tracks the hero’s bumbling journey through modern dating, which turns out to be a lot harder than he thought. "The film is hopefully everything that a man can experience in love," said Jeon, "in two hours" (of running time). Release. Box office. Ticket sales surpassed expectations, reaching 1 million viewers in only 5 days of release, and breaking even on the 8th day. It was the 16th most-watched Korean film in 2012, at 1,726,202 admissions. Critical reception. The film is unique in that it unfolds 100 % from Joo-wol’s perspective, thus Jeon anticipated some negative feedback from women, saying Gong did have several problems with the story, but the film is his "response to those concerns." Several female moviegoers who attended advance screenings expressed their discomfort after watching it, flooding the blogosphere with their voices against the quasi-universal praise from the press. Jeon said, "Reality can be ragged, pathetic and desperate," adding that he expected the audience to ask why they have to watch that sad truth on the silver screen instead of a fairy tale with a prince charming. Whereas most Korean films  present a more positive and less nuanced picture of love, the film highlights the challenges in romantic relationships. "The Korea Times" describes the film as "a perplexing tribute to love, a brutally honest portrayal of its progressive steps — from courtship to fizzling out. It is a satire of the bachelor social ladder, on top of which sit three-piece suits and white gowns while the rock bottom is occupied by poor artists. It is a story of a writer's block, which the protagonist hopes to overcome with a muse. It is a story of the man in its unpasteurized  form: that needy, selfish and affection-seeking part of the human male species taking shape as the protagonist."