Zorba the Greek
Zorba the Greek (, , Life and Times of Alexis Zorbas) is a novel written by the Cretan author Nikos Kazantzakis, first published in 1946. It is the tale of a young Greek intellectual who ventures to escape his bookish life with the aid of the boisterous and mysterious Alexis Zorba. The novel was adapted into the successful 1964 film of the same name directed by Michael Cacoyannis as well as a stage musical and a BBC radio play. Plot. The book opens in a café in Piraeus, just before dawn on a gusty autumn morning sometime after the  end of World War I. The narrator, a young Greek intellectual, resolves to set aside his books for a few months after being stung by the parting words of a friend, Stavridakis, who has left for the Russian Caucasus to help the local Greek communities who are facing persecution. He sets off for Crete to re-open a disused lignite mine, and immerse himself in the world of peasants and the proletariat. He is about to begin reading his copy of Dante's "Divine Comedy" when he feels he is being watched; he turns around and sees a man of  around sixty peering at him through the glass door of the café. The man enters and immediately approaches him to ask for work. He claims expertise as a chef, a miner, and player of the "santouri", and introduces himself as Alexis Zorba, a Greek born in Macedonia. The narrator is fascinated by Zorba's lascivious opinions and expressive manner and decides to employ him as a foreman. On their way to Crete, they talk on a great number of subjects, and Zorba's soliloquies set the tone for a large part of the book. On arrival, they reject the hospitality  of Anagnostis and Kondomanolious the café-owner, and on Zorba's suggestion make their way to Madame Hortense's hotel, which is nothing more than a row of old bathing-huts. They are forced by circumstances to share a bathing-hut. The narrator spends Sunday roaming the island, the landscape of which reminds him of "good prose, carefully ordered, sober… powerful and restrained" and reads Dante. On returning to the hotel for dinner, the pair invite Madame Hortense to their table and get her to talk about her past as a courtesan. Zorba gives her the pet-name "Bouboulina" (likely  inspired by the Greek heroine) while he takes the pet-name "Canavaro" (after real-life Admiral Canevaro, a past lover claimed by Hortense). The next day, the mine opens and work begins. The narrator, who has socialist ideals, attempts to get to know the workers, but Zorba warns him to keep his distance: "Man is a brute... If you're cruel to him, he respects and fears you. If you're kind to him, he plucks your eyes out." Zorba himself plunges into the work, which is characteristic of his overall attitude, which is one of being absorbed in whatever  he is doing or whomever he is with at any particular moment. Quite frequently Zorba works long hours, and requests not to be interrupted while working. The narrator and Zorba have a great many lengthy conversations, about a variety of things, from life to religion, each other's past and how they came to be where they are now, and the narrator learns a great deal about the human condition from Zorba that he otherwise had not gleaned from his life of books and paper. The narrator absorbs a new zest for life from his experiences with Zorba and the  other people around him, but reversal and tragedy mark his stay on Crete. His one-night stand with a beautiful passionate widow is followed by her public decapitation. Alienated by the villagers' harshness and amorality, and having spent all of his funds, the narrator finds himself beset by doubts and uncertainty. Having overcome one of his own demons (such as his internal "no," which the narrator equates with the Buddha, whose teachings he has been studying and about whom he has been writing for much of the narrative, and who he also equates with "the void") and feeling he is  needed elsewhere (near the end of the novel, the narrator has a premonition of the death of his old friend Stavridakis), the narrator takes his leave of Zorba for the mainland, which, despite the lack of any major outward burst of emotionality, is significantly wrenching for both Zorba and the narrator. It almost goes without saying that the two friends will remember each other for the duration of their natural lives. The narrator and Zorba never see each other again, although Zorba sends the narrator letters over the years, informing him of his travels and work, and his marriage to  a 25-year-old woman. Despite Zorba's many invitations to visit, the narrator does not accept. Eventually the narrator receives a letter from Zorba's wife, informing him of Zorba's death (which the narrator had a premonition of). Zorba's widow tells the narrator that Zorba's last words were of him, and in accordance with her dead husband's wishes, she wants the narrator to visit her home and take Zorba's santouri. Historical basis. Alexis Zorba () is a fictionalized version of the mine worker George Zorbas (, 1867–1941). Adaptations. The novel was adapted into the Academy Award -winning 1964 film "Zorba the Greek" directed by Michael Cacoyannis starring Anthony Quinn as Zorba and Alan Bates: the film won three Academy Awards. It was also adapted into a 1968 musical, "Zorba" as well as a 1993 two-part radio play, "Zorba the Greek", part of the BBC's "Classic Serial" radio series, starring Robert Stephens as Zorba and Michael Maloney. In addition to the film winning the three Academy Awards, as mentioned, "Zorba" also became a household name. The book has been adapted many more times in languages other than English, including a 1972 German-language telemovie, and  a 1987–88 ballet, "Zorba il Greco", by Mikis Theodorakis produced at the Verona Arena.