Artaxerxes (opera)
Artaxerxes is an opera in three acts composed by Thomas Arne set to an English adaptation (probably by Arne himself) of Metastasio's 1729 libretto "Artaserse". The first English "opera seria", "Artaxerxes" premiered on 2 February 1762 at the Theatre Royal, Covent Garden and continued to be regularly performed until the late 1830s. Its plot is loosely based on the historical figure, Artaxerxes I who succeeded his father Xerxes I after his assassination by Artabanus. Performance history. The opening night of "Artaxerxes" (2 February 1762) at the Theatre Royal, Covent Garden proved very successful. The work was revived  at the theatre the following year, although this second run was marred by a riot. On 24 February 1763 a mob protesting the abolition of half-price admissions stormed the theatre in the middle of the performance. According to a contemporary account in "The Gentleman's Magazine": By 1790, "Artaxerxes" had received well over 100 performances, including 48 in Dublin alone between 1765 and 1767. In the United States, the overture was played in Philadelphia as early as 1765, while arias from the opera were heard in New York City in 1767. The US premiere of the complete opera came  on 31 January 1828 at the Park Theatre in New York City with a cast that included Elizabeth Austin as Semira. "Artaxerxes" remained in the London repertoire for over 70 years with regular revivals including those at the Drury Lane Theatre (1780, 1820, 1827, and 1828), Covent Garden (1813, 1827, and 1828), and the St James's Theatre (1836). The score for "Artaxerxes" had been published in 1762. However, it did not contain the recitatives or the final chorus. The original performing version of the score was lost in the fire that destroyed the Theatre Royal in 1808. After that  date, performances of the work used a shortened version reconstructed by Henry Bishop and John Addison in 1813. Notable modern revivals of the work include a 1962 performance in London's St. Pancras Town Hall as part of the St. Pancras Festival, a BBC concert performance in 1979, and another concert performance in 2002 by the Classical Opera Company conducted by Ian Page at St John's, Smith Square. To mark Thomas Arne's 300th birthday, a fully staged production of "Artaxerxes" was performed in October 2009 in the Linbury Theatre of London's Royal Opera House. The production was  directed by Martin Duncan and designed by Johan Engels using a new performing edition of the score by Ian Page with a reconstruction of the final chorus by Duncan Druce. The cast included Christopher Ainsley as Artaxerxes, Rebecca Bottone, Caitlin Hulcup and Elizabeth Watts. Roles. "Artaxerxes" was composed when the castrato singers were at their height. The title role (Artaxerxes) and that of Arbaces were written for the Italian castrati, Nicolò Peretti and Giusto Fernando Tenducci respectively. With the waning of the castrati, the title role was sung by women "en travesti" in the 19th century. In the 1827 and  1828 performances in London, Artaxerxes was sung by the contraltos Eliza Paton and Elizabeth Vestris. In modern performances the role is often taken by a counter-tenor. The more virtuosic role of Arbaces went through a considerable amount of casting instability in the 19th century. It was sometimes sung by sopranos, and at other times transposed for tenors such as John Braham who sang the role 1827. Considered too high for a modern counter-tenor, Arbaces was sung by a mezzo-soprano, Patrica Spence, in the 1995 Hyperion recording. The role was also sung by a mezzo-soprano in the  2009 Royal Opera House revival. Synopsis. The opera opens in a moonlit garden of Xerxes' palace. Mandane, the daughter of King Xerxes, and Arbaces, the son of the King's general Artabanes, are in love. Xerxes has opposed their marriage and banished Arbaces from the palace. Arbaces climbs the wall into the garden. As the young lovers express their love for each other and their despair at Arbaces' banishment, Artabanes arrives carrying a bloody sword. His fury at Xerxes' treatment of his son and his desire for Arbaces to become King have led him to assassinate Xerxes. Artabanes confesses the  murder to Arbaces and exchanges his bloody sword for that of Arbaces. Artaxerxes, the King's younger son, arrives with his guards. Artabanes tells him of his father's death and accuses Artaxerxes's older brother Darius of the murder, "Who but he at dead of night could penetrate The palace? Who could approach the royal bed? Nay, more, his royal ambition..." Artaxerxes commands Artabanes to avenge his father's death by killing Darius. Later in the garden, Artaxerxes expresses his love to Semira, the daughter of Artabanes and sister of Arbaces. In the King's palace, the execution of  Darius is announced. However, Rimenes (also in love with Semira) has Arbaces led into the chamber in chains, announcing that the bloody sword used to kill Xerxes had been found in his possession. Arbaces is now condemned to death. However, Artaxerxes, who had long been a friend of Arbaces, doubts his guilt. He releases Arbaces from prison and allows him to escape through a secret passage. Rimenes, encouraged by Artabanes, then goes off to lead a rebellion against Artaxerxes. In the Temple of the Sun Artaxerxes, surrounded by his nobles, swears to maintain the rights, laws, and customs of his  subjects and is about to pledge this by drinking from a sacred cup, unaware that Artabanes has poisoned the drink. Before Artaxerxes can drink from the cup, news arrives that Rimenes and his men are at the palace gates. The danger is averted when Arbaces kills the traitor, confirming to Artaxerxes that his friend is innocent. Artaxerxes then offers the sacred cup to Arbaces instead so that he may pledge his innocence. Artabanes is now faced with seeing his son die or confessing the truth. He confesses to all that he has poisoned the cup, intending to kill Artaxerxes and  that he had also assassinated Xerxes. Artabanes is led off in chains. Artaxerxes, out of his love for Semira and his gratitude to Arbaces, condemns their father to eternal exile rather than death. The opera ends with the two pairs of lovers reunited and the jubilation of all. Recordings. A live recording of a 1979 BBC concert performance was once available on LP. However, the first major studio recording to be released on CD is from Hyperion Records. The performance of "Artaxerxes" at the Royal Opera House, Covent Garden in 2009 to celebrate Arne's 300th birthday was followed by  release of a studio recording in 2010 by Linn Records.