The Phantom of the Movies' Videoscope
The Phantom of the Movies' Videoscope is an American movie magazine devoted to cult cinema and genre movies and exploitation films that was released four times a year through end its end with issue #115 (Fall 2020), after the death of its primary founder and editor, Joe Kane. Sometimes, though not on the cover, the last word in the magazine's title is spelled "VideoScope". History. "The Phantom of the Movies' Videoscope" started as a newsletter in 1993, and after 14 issues became a glossy-cover magazine. The publication was founded and is edited  by Joe Kane (not the author and "National Geographic" journalist Joe Kane). It has spawned a reference book entitled "The Phantom of the Movies' Videoscope: The Ultimate Guide to the Latest, Greatest, and Weirdest Genre Videos". As the librarian service magazine "Library Tech Files" described the magazine: Issues have included interviews with such genre and exploitation-film directors as John Waters, James Gunn, Roger Corman, George A. Romero, Walter Hill and Brian Yuzna and such cult actors as Crispin Glover, Adrienne Barbeau, L. Q. Jones, Tobin Bell, and Clint Howard. In addition to Kane, the magazine's writers included Max  Allan Collins, Dan Cziraky, Terry and Tiffany DuFoe, Robert Freese, Tim Ferrante, Don Kaye, Dwight Kemper, Nancy Naglin, Debbie Rochon, Kevin G. Shinnick, Calum Waddell, and Tom Weaver. The magazine was based in Ocean Grove, New Jersey. The website remains active as of November 2021. Legacy. Joe Kane and "The Phantom of the Movies' Videoscope" have been cited in books including "Universal Terrors, 1951-1955", "Horror Noir", "Character Kings 2", and " Claws & Saucers: Science Fiction, Horror, and Fantasy Film 1902-1982". "Entertainment Weekly" said the book "The Phantom of the Movies' Videoscope" "aims to separate the wheat from the chaff . A noble endeavor, to be sure — after all, filmmakers like Martin Scorsese, Jonathan Demme, James Cameron, and Ron Howard all got their start in this Hollywood basement — but Kane's wildly inconsistent critical eye (both Schwarzenegger's "The Running Man" and the out-of-place "Apocalypse Now" get 3 1/2 stars) makes the book more entertaining than useful." Kane appears in the 2015 Moe Howard documentary "Hey Moe! Hey Dad!". As an exploitation-film authority, he has been quotes in "The New York Times". In 2021, Kane was inducted posthumously into the Rondo Hatton Classic Horror Awards' Monster Kid Hall  of Fame. Joe Kane. Joe Kane started writing professionally while attending Queens College in New York City: After college, living in New York City's East Village, Other he wrote humorous pornographic stories for the periodicals "Luv" and "Bang", and worked for three months as a file clerk at an insurance company. He began doing work for "Screw X," a spin-off of "Screw". The art directors, Larry Brill and Les Waldstein, left to found "The Monster Times", which Kane called "sort of a "Famous Monsters of Filmland" filtered through an NYC underground attitude in an "East Village Other" vein ." Kane joined the original editorial staff in 1972, and later than year became its editor in chief through its cancelation in 1976. He then became an editor at "Screw". In 1984, at the suggestion of a "New York Daily News" editor, Susan Toepfer, Kane began reviewing genre movies for that newspaper, using the pen name, later his registered trademark, The Phantom of the Movies, with many reviews followed with a memorably laughable movie quote, under the subhead "Wish I'd Said That." He also wrote a companion column reviewing home video, "Mondo Video." In 1993, he began publishing the genre -film magazine "The Phantom of the Movies' Videoscope". During a time of uncertainty over the future of the "Daily News", Kane launched a spin-off newsletter. A mention of it in his column brought in some subscribers and "seed money to launch the newsletter, with the invaluable assistance of my wife (writer Nancy Naglin) and my writer friend Tim Ferrante, in early 1993. After 14 issues, we expanded to a magazine format." His work also appeared in magazines and newspapers including "The National Lampoon", "Maxim", "The Washington Times", "The Village Voice", and "High Times", which serialized his series "Dope in  the Cinema." Kane also published a satiric science-fiction short story called “Death After Death” in "Penthouse". Kane died November 1, 2020. He was survived by wife Naglin and his sister, Joan Nichols. Works. Books