The Prodigal Stranger
The Prodigal Stranger is the tenth studio album by Procol Harum, released in 1991. Recorded after a 14-year break, it met with an underwhelming response from listeners but served to kick off a largely successful reunion for the band. Background. The album is dedicated to the memory of B. J. Wilson, who had been the drummer on all of the group's previous albums, but not on "The Prodigal Stranger". The Procol Harum reformation began with just Gary Brooker and Keith Reid working together to write songs, only later giving serious consideration to involving other members  of Procol Harum. Although Matthew Fisher hadn't played with the band since 1969's "A Salty Dog", he stated at the time "I felt that I just sort of slotted back into it, like it had only been like the day before ... so it's not so much déjà vu as just carrying on where we left off." The song "A Dream in Ev'ry Home" started with a riff which Fisher thought up at home and put a bass line and drum part on with a sequencer. Reid said of the song "The Truth Won't Fade Away", "I  saw it as being about civilisations like the Inca civilisation and other ancient civilisations, growing and being there and being wiped out and new ones taking over from them. I saw it as a movie in my mind." The reunion of the surviving four original members did not last long. Robin Trower performed on the album and co-wrote the music for "All Our Dreams are Sold", but he declined to join the group on the following tour and was replaced by Tim Renwick. The tour to promote the album was well received and attended in both Europe and the  United States, reflecting the respect and status of the group, but was not reflected in album sales. The album didn't chart in the Billboard Top 100 in the United States, although the single "All Our Dreams Are Sold" got decent airplay, rising to number 29 on the Billboard Mainstream Rock Charts, but just number 95 in Canada. Reception. The review at "Allmusic" stated that the absence of original drummer B. J. Wilson severely hurt the vitality of the band and that while Brooker was in fine voice, lyricist Keith Reid was "in a mundane, conventional mode" and that the  frequent use of synthesizers in place of Matthew Fisher's Hammond organ made the band often sound like a generic AOR group. "Entertainment Weekly" stated "...though the songs in "The Prodigal Stranger" are occasionally overproduced, singer Gary Brooker's powerfully soulful voice still makes the difference every time. Most of "The Prodigal Stranger" would have sounded perfectly wonderful in 1969 – and in this case, that's a compliment."