A Midsummer Night's Sex Comedy
A Midsummer Night's Sex Comedy is a 1982 American sex comedy film written, directed by and starring Woody Allen. The plot is loosely based on the 1955 Swedish comedy film "Smiles of a Summer Night", written and directed by Ingmar Bergman. It was the first of 13 films that Allen would make starring Mia Farrow. Her role was originally written for Diane Keaton, another Allen lead actress, but she was busy promoting her film "Reds" and preparing to begin production on "Shoot the Moon". Julie Hagerty, Mary Steenburgen, Tony Roberts and Jose Ferrer  co-starred. It also marks the first appearance of Allen as an ensemble performer in his own film, as previously he had either been the lead character or did not appear in his films. "A Midsummer Night's Sex Comedy" received moderately positive reviews but was nominated for one Razzie Award: Worst Actress, for Farrow – the only time a Woody Allen film has been nominated for a Razzie. Plot. It is 1906 in upstate New York. Distinguished philosopher Leopold and his much younger fiancée, Ariel, are going to spend a weekend in the country with Leopold's cousin Adrian, and  her crackpot inventor husband Andrew. Also on the guest list is womanizing doctor, Maxwell, and his latest girlfriend, a free-thinking nurse, Dulcy. Over the course of the weekend, old romances reignite, new romances develop, and everyone ends up sneaking off behind everyone else's backs. Background. Allen explained the inspiration for the film: Box office. The film opened on July 16, 1982, at 501 North American theaters, and made $2,514,478 ($5,018 per screen) in its opening weekend. It grossed $9,077,269 in its entire run. Reception. The film has a 74% on Rotten Tomatoes based on 27  reviews with the critics' consensus being "It may not [be] Woody Allen's best work, but the frothy, fun "A Midsummer Night's Sex Comedy" is still worth a look." Janet Maslin of "The New York Times" wrote, "Whatever Mr. Allen is doing in constructing this pretty, slight, gently entertaining movie, he isn't doing the thing he does best. 'A Midsummer Night's Sex Comedy' gives the impression of someone speaking fluently but formally in a language not his own." Roger Ebert gave the film two stars out of four and explained, "I don't object to 'A Midsummer  Night's Sex Comedy' on grounds that it's different from his earlier films, but on the more fundamental ground that it's adrift. There doesn't seem to be a driving idea behind it, a confident tone to give us the sure notion that Allen knows what he wants to do here." Gene Siskel awarded two-and-a-half stars out of four, calling it "a nice picture, but insubstantial." "Variety" called the film "a pleasant disappointment, pleasant because [Allen] gets all the laughs he goes for in a visually charming, sweetly paced picture, a disappointment because he does n't go for more." Sheila Benson of the "Los Angeles Times" wrote, "What's most disappointing about 'Sex Comedy' is that for all its incessant—and anachronistic—talk, there's a serious shortage of new ideas from writer-director Allen. The film's fullest idea is that opportunity, once lost, can never again be recaptured. We might have hoped for this bittersweetness and a great deal more from one of the screen's nerviest innovators." Gary Arnold of "The Washington Post" stated, "The crucial problem with 'Sex Comedy' is that one detects no persuasive sexual chemistry in any of the  alleged, three-cornered mating games. It's impossible to believe that anyone's susceptibilities are deeply stirred or anyone's feelings likely to be hurt. Allen can't establish the basic sense of attraction and the emotional gravity that underscores the frivolity of the romantic hide-and-seek." Pauline Kael of "The New Yorker" wrote, "The group is rather amusing, and for a while the film seems saucy and fairly promising (when we learn, for example, that the prof and his fiancée met at the Vatican). Viewers may feel that everything must be building toward a big, explosive joke. But  nothing really develops—not even the clashes that are prepared for. Nothing busts loose."