Salle Érard
The salle Érard is a music venue located in Paris, 13 rue du Mail in the 2nd arrondissement of Paris. It is part of the hôtel particulier which belonged, from the 18th century, to the family of piano, harp and harpsichord manufacturers. Small in size, but well isolated from the noises of the city, enjoying good acoustics, it is more particularly adapted to chamber music. During the 19th and the beginning of the 20th, it was the place of premières and debuts noted for both compositions and for interpreters, among which: Érik Satie (orchestrations of his Gymnopédies by  Claude Debussy), Jacques Ibert, "les histoires" (ten pieces for piano) (1923), Nellie Melba, Ricardo Viñes, Maurice Ravel, "Miroirs" (1906) , "Menuet antique" (1892), "Histoires naturelles" with Jane Bathori (1907), "Sonate pour violon et piano" (1927), "Trois poèmes de Mallarmé" (1914), Camille Saint-Saens (1860)., Ignacy Jan Paderewski (1888), Claude Debussy, " Triptyque" "Estampes" (1904), "Le Promenoir des deux amants" (1911), Alexander Scriabin (1896), Joseph Jongen, André Caplet , "Conte fantastique" with Micheline Kahn as the harpist, (1923) Vladimir de Pachmann (1882), Charles Valentin Alkan (1837) and (1880), Francis Poulenc, Reynaldo Hahn, pianist Édouard Risler (1908), Ernest Chausson, "Viviane" (1883), César Franck, "Le Chasseur  maudit" (1883), Arthur Honegger, "Le Cahier romand" (1924), Olivier Messiaen, "Huit préludes" (1930), Maurice Delage, "Sept haï-kaïs" (1925), "Quatre poèmes hindous" (1914), Francis Planté, Stéphan Elmas ou Youra Guller. Beethoven Sonata No. 29 in Bb Major "Hammerklavier" with Franz Liszt at the piano. Before the construction of the Maison de la Radio (1963), the hall served as a recording studio for the Radiodiffusion française. Nowadays, only the salon sees the organization of concerts, the volumes of the proper room having been reconverted (the volume of spaces is suggested by the organization of the roofs as well as the old  entrance facade at No. 11 rue Paul Lelong - Paris 02). Nevertheless, it remains prized for its acoustics and its past charged with both musical and artistic history. Salle Érard in London. The Salle Erard opened its London piano gallery and recital hall on 11th July, 1894 on Great Marlborough Street, with a performance by Polish pianist, Ignacy Jan Paderewski. The recital hall could accommodate an audience of 300 people. The stained glass windows featured portraits of Saint-Saëns, Gounod, Liszt, Clara Schumann, Rubinstein, Wagner, Chopin, Sigismond Thalberg and Balfe. See also. Société Nationale de Musique