Joe Jones (Fluxus musician)
Formation. Joe Jones grew up in Greenpoint, Brooklyn and received a classical musical education at Hartnett Music School in New York City. In the late 1950s he began a short career as a jazz drummer. In 1960 Jones began to study avant-garde experimental composition first briefly with John Cage and then Earle Brown. Through these associations he formed an artistic alliance with Dick Higgins, Alison Knowles and La Monte Young. Fluxus. Jones first started experimenting with mechanical instruments in 1962, creating objects like musical boats, solar music umbrellas and a pedaled vehicle that pulled handmade  instruments on wheels called "The Longest Pull Toy in the World". The following year his works were exhibited at the Betty Parsons Gallery in New York City. Beginning in 1963 Jones participated in the Fluxus art movement, taking part in a number of Fluxus performance art activities with his automaton-like music machines - made from found ready-made instruments. In 1963 he performed his machinic noise music at the Yam festival in New Brunswick and a year later he performed again at the Avantgarde music festival in New York City. He created many machine drum exhibitions and art actions in  New York City and Nice, France during this period. Tone Deaf Music Store. In 1969 Jones opened his own "Tone Deaf Music Store" (aka "Joe Jones Music Store" and/or "JJ Music Store") at 18 N. Moore Street in New York City. There he presented his repetitive drone music machines in the window so that anyone could press the numerous door buttons to play the machine noise music in the window. He also gave small musical installation performances by himself and musicians such as Yoko Ono and John Lennon, among others there. After Jones moved out of this store-loft space , it became the art studio of Fluxus archivist and artist Joseph Nechvatal, then the once Theatre of Eternal Music member Jon Hassell and finally video artist Bill Viola, before being merged into Walkers Restaurant. Work with Yoko Ono and John Lennon. From April 18 to June 12, 1970, Ono and Lennon (aka Plastic Ono Band) presented a series of Fluxus art events and concerts at the Tone Deaf Music Store called "GRAPEFRUIT FLUXBANQUET". It was promoted with a poster designed by Fluxus leader George Maciunas. Performances included "Come Impersonating John Lennon & Yoko Ono, Grapefruit Banquet" (April 11–17) by George Maciunas , Yoshimasa Wada, Nye Ffarrabas (then known as Bici Hendricks), Geoffrey Hendricks, and Robert Watts; "Do It Yourself" (April 11–17) by Yoko Ono; "Tickets by John Lennon + Fluxagents" (April 18–24) with Wada, Ben Vautier and Maciunas; "Clinic by Yoko Ono + Hi Red Center" (April 25-May 1); "Blue Room by Yoko + Fluxmasterliars" (May 2–8); "Weight & Water by Yoko + Fluxfiremen" (May 9–15); "Capsule by Yoko + Flux Space Center" (May 16–22) with Maciunas, Paul Sharits, George Brecht, Ay-O, Ono, Watts, John Cavanaugh; "Portrait of John Lennon as a Young Cloud by Yoko + Everybody" (May 23–29); "The  Store by Yoko + Fluxfactory" (May 30-June 5), with Ono, Maciunas, Wada, Ay-O; and finally "Examination by Yoko + Fluxschool" (June 6–12) with Ono, Geoffrey Hendricks, Watts, Mieko Shiomi and Robert Filliou. In 1971 Jones participated in the making of the album "Fly" with Lennon and Ono. Jones made automated instruments for Ono's recordings "Don't Count The Waves", "You", and "Airmale" that appear on "Fly" and the "Onobox". Photos of these automated instruments can be seen in the gatefold of "Fly". Jones also co-founded the "Fluxus-Airline" with George Maciunas. Move to Europe. Soon after , Jones left New York for Europe; living in Amsterdam, Asolo, Berlin, Düsseldorf and finally Wiesbaden and continued to exhibit worldwide in galleries and museums. Since the mid-1980s Jones produced short digital art films on computer that he called "Fluxus-Home-Movies". His 1989 book "My first book of computer drawings : Joe Jones music machines, 1962-1989" was published by Rainer Verlag in Berlin Jones also devised larger orchestra-like installations with his music machines called "Solar Orchestras" that would perform automatically as the sun came up until the sun went down, powered by solar power. In 1988 his works could  be seen at the Museum Ludwig in Cologne and in 1992-93 there was a touring exhibition of his work with stops in Helsinki, Nuremberg, Rotterdam and Wuppertal.