Star Fleet Project
Star Fleet Project is a project of Brian May, Queen's guitarist, which resulted in an mini-album of the same name. Released as the work of Brian May + Friends, the album consisted of May, guitarist Eddie Van Halen, drummer Alan Gratzer (of REO Speedwagon), Phil Chen (session bassist who played with Jeff Beck and Rod Stewart), and Fred Mandel (keyboard player for Alice Cooper and additional keyboard player on Queen's Hot Space Tour and "The Works"). "[T]he result is high-octane instrumentals, instantly Queenish, and not unlike "Flash" with added fretboard pyrotechnics". The tapes  were not intended to be released and received minimal mixing. ""Star Fleet Project" was called a 'mini-album' by Brian because he thought it was too short to be a proper album, but too long to be even an EP single". Production. The idea for the album came from May's son Jimmy, a fan of "Star Fleet", the English title of Japanese sci-fi puppet TV show "X-Bomber". "[M]y little boy had been watching this science fiction series and I always thought that the theme tune for it would be a great vehicle for all-out guitar playing . And [Jim] said, 'Daddy, you should play that!', and I thought, 'Actually, that's a rather good piece of music!'" "We were all in a little bit of downtime in our own projects. Queen was in a bit of a hiatus, and I think Van Halen weren't doing too much and my neighbour [in Los Angeles] Alan Gratzer from R.E.O. [Speedwagon] wasn't doing much and we got together". Recorded on 21 and 22 April 1983 at the Record Plant Studios, Los Angeles, California, the mini-album was released in October that same year. The record consists of three  songs: "Star Fleet", "Let Me Out", and "Blues Breaker". "Star Fleet" is May's hard-rock arrangement of the "Star Fleet" theme tune, which features heavy emphasis on his and Van Halen's guitar work. "Van Halen's and May's guitar solos bounce off one another like playful lions". This "[bouncing] off one another" is intended, as May explained: "I wanted to play in a sympathetic way to him, to supply the great rhythms that he could play to. I wanted to be the perfect rhythm guitarist, and I grew up as a rhythm guitarist, so that's natural  to me. But when we were trading solos... we were feeding off each other... We'd never played together before, and yet the chemistry is there. It was as spontaneous as anything could be". "Edward played the solo on 'Star Fleet' three times. Each time it was incredible. Each time it was different". Prior to beginning work on the project, May "attempted to get in touch with the song's writer, British keyboardist Phil Bliss, but was unsuccessful until after the "Star Fleet Project" was completed". Of this attempted contact, May said, "I tried to get in touch with the  guy who had written the song, Paul Bliss, and couldn't at the time. So I pressed on and did some arrangement around a couple of verses and wrote extra middle bit for it. Later I got in touch with him, and he said it was a pity that I couldn't find him in the early days because he's got some more verse in the middle – which I'm dying to hear – but it was too late for the project. My song does follow his musical theme, and I used the verse he wrote". Apparently "Brian sent a  signed copy of the finished [mini-album] to... Bliss, with a message thanking him for his composition". "Let Me Out" is "an old song of [May's] which found new life". During this song, "Edward tortures his top string to its audible death and winds up quite naturally on the remaining five". "The song received its first live performance on 7 December 1990 at the Astoria Theatre, when Brian guest-starred on guitar for the last four minutes of The Cross' Fan Club gig... [T]he song received one additional airing on 7 July 2001 at [the Auditorium Stravinksi] as part  of the Montreux Jazz Festival), with Brian on guitars and vocals, Jon Clearly on piano, Chris Spedding on guitar, John Hatton on bass, Bernie Dresel on drums, and Emily [May], [Jim May], and Anita [Dobson] providing backing vocals". "Blues Breaker" is a "long blues jam (edited together from several recorded that day), with no lyrics or vocals... The liner notes dedicate this piece to E. C. (Eric Clapton), and that's where the name comes from". "[W]hen we started... the Blues Breaker track, I think we kind of had Eric Clapton in our minds and the people that Clapton would  revere like [B.B.] King, Muddy Waters; it was the power of the blues which made us gel. I remember [Edward] saying, 'You know, you got me to play today in a way that I haven't played for years.' Just simple and from the heart and with that kind of feeling". Heavy metal magazine "Kerrang!" said of the song, "It has something epic, as if every one of the players touched deep into [the] collective music lexicon, and promptly replied to his previous speaker". This song and "Let Me Out" were more spontaneous than "Star Fleet", with May showing off  his signature sound and Van Halen using his tapping technique to great effect. "May sent... 'Blues Breaker' to Eric Clapton, who reportedly found the song to not be terribly bluesy. [Edward Van Halen] was greatly disappointed". On the mini-album as a whole, Van Halen said: That was just a get-together jam. [May] invited me down to... Record Plant and we played... After we played, he called me up about four months later and asked what I thought about putting the stuff out. And I said, "Send me the tape, let me hear it first," because I didn't  remember how it went. He did and said, "Sure, what the hell." It reeks of fun. Releases. The project was originally released on 31 October 1983, and was later re-released in November of that year. "Star Fleet Project" is now available on CD in two formats. It was first re-issued as part of May's "Back to the Light" single, in two CDs: the first featured "Star Fleet" and "Let Me Out", the second "Blues Breaker". In 1993, the songs were re-issued as tracks 6-8 of the Japanese mini-album "Resurrection." Reception. Although the album did  not do well initially, individuals took a liking to the mini-LP—so much so that by 1984, it was reported that the album was "already a cult guitar favorite. Where solo efforts often tend to be politely applauded and then forgotten as an artist's 'indulgence', the raw power of this album has given it instant, unanticipated acceptance... [May admitted:] 'I must contest I still enjoy it—I still put it on the record player and like what I hear'". "[T]he expert musicianship shows through in such a way that makes [the album] worth purchasing". "Star Fleet Project" was  voted Best Spontaneous Recording by Hope College in 1984. "[I]t lived on - at the conclusion of 'One Vision' on the 1986 "Magic" tour, [Queen] launched into the ascending false conclusion before leading into 'Tie Your Mother Down'". This occurred at Råsundastadion and Wembley.