The Change (album)
The Change is the sixth studio album by Swedish singer-songwriter Marie Fredriksson, released on 10 October 2004 by Capitol Records in conjunction with Fredriksson's own independent record label Mary Jane/Amelia Music. It is her only English-language solo album, and was her first release after being diagnosed with a malignant brain tumour in 2002. Following the diagnosis and treatment, Fredriksson and her husband Mikael Bolyos began work on the album as a form of therapy in their home studio in Djursholm, Stockholm, with Bolyos acting as producer. Musically, the record is inspired and influenced  by roots, rhythm and blues and gospel music the vocalist listened to as a child. Fredriksson also created the album's cover art; she later held several professional art exhibitions for her work. "The Change" was not promoted by Fredriksson, who withdrew from all forms of public activity for several years after her diagnosis. Despite this, it was her first solo album to be issued globally. Most editions of the record were released with the Copy Control protection system. The album was a commercial success in her home country, debuting at number one and being certified gold for shipments of  over 30,000 units. "", "All About You" and "A Table in the Sun" were released as singles. Background and recording. "The Change" is the first English language solo album by Roxette vocalist Marie Fredriksson; she had previously released five Swedish solo albums between 1984 and 1996, and seven albums as part of pop duo Roxette between 1986 and 2001. Plans for her debut English solo album had been underway since the mid-1990s. "Bad Moon" is the oldest song on the record; it dates back to 1996, and was first recorded during early sessions for Roxette's sixth studio album "Have a  Nice Day", which was released in 1999. On 11 September 2002, Fredriksson had an epileptic seizure and collapsed in her bathroom, with the impact of the fall fracturing her skull. After waiting several weeks for the fracture and resulting concussion to subside, she underwent surgery to remove a malignant brain tumour, and endured several months of chemotherapy and radiation treatment. Lasting effects of the illness include her being unable to read or write, as well as blindness in her right eye. She was also unable to speak for a considerable period of time. Following the diagnosis and treatment, Fredriksson and  her husband Mikael Bolyos began work on the album as a form of therapy in their home studio in Djursholm, Stockholm, with Bolyos acting as producer. She said they recorded at home because "It was not stressful there, there was no pressure. We could work at our own pace, and experiment a lot with the music, investigate all the possibilities of how [the songs] could sound. Above all, we had fun together. Micke is very good and inventive as a producer." Lyrics for "The Change" were written in English as Fredriksson "wanted to share my feelings with my fans all  over the world, whose support helped a lot during my illness and gave me a lot of strength. Although there were times when I thought I would not find the strength to complete the album, but step by step, I did it." Musically, the album is both inspired and influenced by the roots, rhythm and blues and gospel music Fredriksson listened to as a child. Several songs on the record were composed by Bolyos while he was a member of Sugarcane; Fredriksson regularly joined that band on-stage – performing "All You've Gotta Do Is Feel", "Love 2 Live  and Many Times", as well as numerous other original compositions and cover versions – during the band's concerts in Halmstad nightclub Penny Lane throughout the late '90s and early 2000s. Also included on "The Change" is a cover of "The Good Life", a jazz standard originally made famous by Tony Bennett. Artwork. The album's cover art was created by Fredriksson, who began drawing with charcoal in her dining room as another form of therapy following her brain tumour diagnosis. She said she opted to use charcoal because "that technology is both simple and interesting. I have always been fascinated  by contrasts, of the black and white, and of the grayscale, which is where I find the emotions of each piece originate." She found herself creating more artwork as recording of the album progressed, elaborating: "It was as if the music attracted the drawings as company, that it was a symbiotic relationship—one could not exist without the other." She held her first professional art exhibition – titled "After the Change" – in September 2005 at Galleri doktor Glas in Stockholm. The exhibition was a success, with every painting displayed being sold by the end of the second day. Further exhibitions were  held in 2008 in both Stockholm and Gothenburg. Release and promotion. Fredriksson withdrew from all forms of publicity for several years after her diagnosis, and did not promote "The Change". Lead single "" was released on 8 October 2004, backed with "All You've Gotta Do Is Feel". The track peaked at number eight on the Swedish Singles Chart, becoming Fredriksson's first top ten hit in her home country since "Tro" peaked at the same position in 1996. The song was also successful internationally, entering the top ten of several German airplay-based charts. The album was first released  in limited quantities in a jewelcase CD format in Sweden on 20 October 2004. A wider Swedish, Scandinavian and mainland European release took place on 27 October. These editions were issued in digipak formatting, and used the Copy Control protection system. It was her first solo album to receive a global release; Capitol Records confirmed it would be issued "in all of the principle markets which released Roxette's last album", including Europe, South America, South Africa and parts of Asia. The album spent two weeks atop the Swedish Albums Chart before dropping outside the top ten. The record then  re-entered the top ten for a further three weeks on broadcast of a Swedish-language television documentary on TV4 on 24 November. "The Change" ended 2004 as the 18th best-selling album of the year in Sweden, and was certified gold by the Swedish Recording Industry Association for shipments in excess of 30,000 units. An alternate version of "April Snow" was issued as a b-side to the album's second single, "All About You", which was released on 1 December. "A Table in the Sun", backed with the album version of the title track, was issued as the  final single on 18 May 2005. A Swedish version of "A Table in the Sun" – "Ett bord i solen" – later appeared on Fredriksson's 2008 ballads compilation "Tid för tystnad". Critical reception. The album received generally positive reviews upon release. "Aftonbladet" called the record "extremely strong" and commended the quality of the lyrics, describing them as "private, to the extent that you can sometimes not listen without holding your breath. But of course, that's what makes the songs so special. Marie Fredriksson's comeback is a great triumph—in every way possible." "Mother" was selected as an album highlight , which they said was "loaded with almost as much nude feeling as the Lennon song of the same name." "Göteborgs-Posten" said that "Virtually every songwriter – more or less – is inspired by their own life when they compose a song. It is also a well-established truth that human creativity peaks when an individual is in crisis. ... Marie's songs have never been this revelatory." They concluded by describing "The Change" as a "very brave album: a letter signed by Fredriksson/Bolyos which has only one message—love conquers all." "Helsingborgs Dagblad" complimented the lyrics as well, although their writer  argued that – from a Swedish perspective – the use of the English language "acts like a filter, for good and bad, preventing the songs from becoming too emotional." They also highlighted "Mother", calling it "magnificent"; Fredriksson's vocals were additionally praised as "the album's strongest instrument". "Hallandsposten" praised the heavier songs on the record, comparing several of them to the work of the Beatles ("April Snow"), Marvin Gaye ("Love 2 Live") and Lenny Kravitz ("Bad Moon"), and said that these were songs which "grow with each listen and point an intriguing way forward. It will be exciting to see what  Marie does in the future." Håkan Pettersson of "Nerikes Allehanda" also complimented the rockier songs, and said they were "so much more powerful than I dared to believe. ... Riffs and overall intensity are given greater prominence, often at the expense of melody and harmony, so "The Change" is no safe commercial product. At times, it has more in common with the Hives than with any of Marie's Swedish material." Conversely, "Expressen" was negative, saying: "After all that happened to Marie personally, this CD is of course an exciting and positive music event. For once, the question is 'how does  Marie sound?' and not 'how is she?'. The answer is unfortunately 'not very good'. Her first studio album of eight years does not meet expectations." They were critical of the heavier production, lamenting the loss of the "light, melodious (and unique) pop feeling" found on her Swedish work. Similarly, Danish music magazine "Gaffa" called "The Change" the "most important album in her career, but definitely nowhere near to being her best." Credits and personnel. Credits adapted from the liner notes of "The Change". Musicians Additional musicians and technical personnel