X: The Man with the X-ray Eyes
X: The Man with the X-ray Eyes is a 1963 American science fiction horror film, produced and directed by Roger Corman, from a script by Ray Russell and Robert Dillon. The film stars Ray Milland as a scientist who develops a method to extend the range of his vision, which results in unexpected complications. Comedian Don Rickles co-stars in one of his few dramatic roles. Diana Van der Vlis and veteran character actor Morris Ankrum also make appearances. American International Pictures distributed the film in the fall of 1963 as  a double feature with the Francis Ford Coppola-directed horror thriller "Dementia 13". The low-budget film was a major financial success, which Corman described as a miracle. Notable for its use of special effects to portray Dr. Xavier's greatly enhanced vision, the film's effects, though crude by today's standards, are still effective in conveying to the audience the protagonist's bizarre viewpoint. Plot. Dr. James Xavier develops eye drops intended to increase the range of human vision, allowing one to see beyond the "visible" spectrum into the ultraviolet and x-ray wavelengths and beyond. Believing that  testing on animals and volunteers will produce uselessly subjective data, he tests the drops on himself. Initially, Xavier discovers that he can see through people's clothing, and he uses his vision to save a young girl whose medical problem was misdiagnosed. Over time and with continued use of the drops, Xavier's visual capacity increases but his ability to control it decreases. Eventually, he can see the world only in forms of light and texture that his brain is unable to fully comprehend. Even closing his eyes brings no relief from the darkness in his increasingly frightening world, as  he can see through his closed eyelids. After accidentally killing a friend, Xavier goes on the run, using his x-ray vision first to work in a carnival, and then to win at gambling in a Las Vegas casino. His eyes are altered along with his vision; first they become black and gold and later entirely black. To hide his startling appearance, he wears dark wraparound sunglasses at all times. Leaving Las Vegas, Xavier drives out to the desert and finds a religious tent revival. He tells the evangelist that he is beginning to see things at the edges of  the universe, including an "eye that sees us all" in the center of the universe. The pastor replies that what he sees is "sin and the devil" and quotes the Biblical verse, "If thine eye offends thee... pluck it out!" Xavier chooses to blind himself rather than continuing to see anything more. Cast. Credits adapted from the Second Sight Films Blu-ray booklet. Production. Corman says the idea for the film was his. It was originally about a scientist, then he felt that was "too obvious" so he changed the protagonist to be "a jazz musician who had taken too  much drugs, and I get into about four or five pages, and I thought, "You know, I don’t like this idea", and so I threw the whole thing out, and started back and went back with the scientist, which was the original idea". The film was shot in three weeks on a budget of approximately $300,000. The film was announced as part of AIP's release lineup for June 1962, with Lou Rusoff as the producer. Corman made "X: The Man with the X-ray Eyes" after his 1963 H. P. Lovecraft film adaptation "The Haunted Palace". In  his non-fiction book "Danse Macabre" Stephen King claims there were rumors the ending originally went further, with Milland crying out "I can still see" after gouging out his eyes. Corman has denied the existence of that ending but expressed enjoyment with the idea, saying "Now it's interesting. Stephen King saw the picture and wrote a different ending, and I thought, 'His ending is better than mine. Reception. At the film review aggregator website Rotten Tomatoes, the film holds an approval rating of 88%, based on , with a weighted average rating of 6.6/10. The site's critical consensus reads , "By turns lurid and disturbing, "The Man with the X-Ray Eyes" is a compelling piece of sci-fi pulp and one of Roger Corman's most effective movies". Awards. The film won the Astronave D'argento ("Silver Spaceship") award in 1963 at the first International Festival of Science Fiction Film (Festival internazionale del film di fantascienza) in Trieste, Italy. Corman has considered updating the film with modern special effects, or possibly remaking the film entirely.