Gilad Efrat
Gilad Efrat (Hebrew: גלעד אפרת; born 1969) is a leading contemporary Israeli painter and a professor at the Shenkar College of Engineering and Design, Israel. Biography. Gilad Efrat was born in 1969 in Beersheba, Israel. In 1995 he completed his BA in the Bezalel Academy of Arts and Design in Jerusalem. In 1997 he presented his first solo exhibition in Hakibutz Gallery for Israeli art in Tel Aviv and has since participated in numerous solo and group exhibitions at museums and galleries around the world, including in Austria, Italy, Bosnia and Herzegovina, Germany, Denmark, Texas, New York, Scotland  and Philadelphia. in 2003 he completed his MFA in the joint program of Bezalel Academy of Art and Design and the Hebrew University of Jerusalem. Afterwards, in 2004, he participated in the Core Residency program at the Museum of Fine Arts, Houston, Texas, which included a two year residency and a creative practice scholarship. Since 2008, Efrat has been a Senior Lecturer at the Shenkar College of Engineering and Design in Ramat-Gan, in the Multidisciplinary Art Department. In 2018 he received a professorship by the Council for Higher Education. He previously taught also at Rice University in Houston, Texas , and in the Department of Art at the Bezalel Academy of Art and Design. Efrat was most recently the subject of a large-scale solo exhibition at The Israel Museum, titled "Gilad Efrat: Inside Painting", which opened July 16, 2019, and ran through January 4, 2020. Efrat lives and works in Tel-Aviv. His works. Efrat's works deal mainly with questions of the language of painting and the representation of landscape as a geopolitical space through which identity and consciousness are constituted. The painting method he developed is based on covering the canvas with layers of paint and then , exposing the image by erasing the paint. The works of Efrat alternate between the "figurative" and the "abstract" and between landscapes and portraits. They present pictorial conceptions of the history of time and memory, in images which include archeological sites, ruins of European cities, arid spaces of his hometown of Beersheba, the deserts of Mars and lunar valleys. His works also include self-portraits and portraits of apes. Whith his unique psinting technique, the canvas turns into a kind of archeological mound of layers of testimonies and erasures, Documenting personal biography and local histories. From the beginning of his artistic  career, in the 1990s, Efrat dealt with the historical and political complexity of the landscape. While using his technique, based on wiping layers of paint, he consistently examines systems of interrelationships between painting and photography and focuses on questions of consciousness - universal and also local. His interest in local archaeological sites in the beginning of his career, steams from a desire to represent the artist's identity and relation to Israel. Later on, Efrat went on to paint landscapes of ruined cities, swamps, "Tamarix" trees and landscapes of the moon and of Mars. During the time he lived in Texas , Efrat began painting Apes at the Houston Zoo. As part of a fundraising campaign for the zoo, thos Apes were given drawing tools and painted abstract paintings, Intended for sale at auction. Inspired by their act, Efrat began to abandon the painting based on the visible reality, and turned to the abstract painting and to the preoccupation with color, stain, line and the internal relations within the painting. Efrat created detailed portraits of the monkeys that caused the turning point in his work. These portraits mark a significant moment in Efrat’s transition to abstraction. They address the tension between  the figurative and the abstract, and the cerebral and the intuitive.The postraits were displayed at the Israel Museum in 2019 as well as at the "Monkey View" exhibition at the Ein Harod Arts Center in 2010. Efrat's abstract paintings consist of smears of paint in large movements, but with the memory of an image. in other words: in his abstract paintings, the image has not been completely lost, and fits into the general abstraction the work. In addition, Efrat is also always engaged in photography, and even in his most abstract works he does not omits the reference  to photography and in many cases, even highlights the complete contrast between accurate photography and abstract processed painting. In 2019, Efrat presented his first solo exhibition at the Israel Museum. The exhibition featured a very large range of works spanning over 20 years of activity. The exhibition dealt with the interplay between a "figurative" painting based on a photograph and an "abstract" painting. In the series of paintings by Efrat, "Ansar", based on photographs by the photographer Roy Cooper between the years 2004–2011, Efrat erases the desert environment of the "Ansar 3" prison (also known as "Ketziot") in the Negev , leaving the structure of the facility seen. The series consist of 12 drawings made according to negatives. Ketziot is the largest detention facility in Israel, and it was built during the first intifada in 1988 to arrest and interrogate Palestinian detainees. The facility was full during the first and second intifadas and completely abandoned in the period between them, when the photos of Cooper were taken. Efrat cleared the image from the photos, leaving only the walls and fences, thereby creating a surreal space that detaches from the present. He created the paintings in his typical method, applying layers of  paint and wiping them in order to create an image.