Children of the Sea (manga)
The manga is licensed in North America by Viz Media, who serialized it online at "SigIkki.com" and released the five "tankōbon" volumes from July 2009 to June 2013. A anime film adaptation by Studio 4°C premiered in May 2019 in Japan. Media. Manga. "Children of the Sea", written and illustrated by Daisuke Igarashi, was serialized in Shogakukan's "seinen" magazine "Monthly Ikki" from December 24, 2005, to September 24, 2011. Shogakukan compiled its chapters into five "tankōbon" volumes, released from July 30, 2007, to July 30, 2012. The manga is licensed in North  America by Viz Media, who serialized it online at "SigIkki.com" and released the five "tankōbon" volumes from July 21, 2009, to June 18, 2013. Film. An Japanese animated film adaptation of the manga was announced by Studio 4°C on July 16, 2018. The film is directed by Ayumu Watanabe, with Kenichi Konishi as character designer, chief supervising animator and unit director and music by Joe Hisaishi. It is produced by Eiko Tanaka. The theme song, , is written and performed by Kenshi Yonezu. The film had its world premiere on May 19, 2019 and was released in Japan on  June 7, 2019. Reception. "Children of the Sea" was nominated for the 2008 and 2009 Osamu Tezuka Cultural Prize. Daisuke Igarashi was awarded a Japan Cartoonist Awards excellence award for drawing "Children of the Sea" in 2009. "Children of the Sea" was the recipient of an Excellence Prize from the Japan Media Arts Awards at the 2009 Japan Media Arts Festival. About.com's Deb Aoki commends the manga for its "vibrant, detailed artwork that takes its inspiration from nature, real people and real places" but criticizes the manga for its slow plot which "picks up the pace after a few  chapters". "PopCultureShock"'s Sam Kusek comments on the interactions between the main characters, saying, "[Umi, Sora and Ruka] all share something in common, the fact that they are outsiders from the norm. Ruka is not your normal girl. As athletic as she is, her attitude and aggression towards her teammates leave her high and dry for the summer. Consistently throughout the book, people are badmouthing her as she passes them on the street. Umi and Sora are obviously outsiders due to their extreme circumstances, wearing large robes to cover a majority of their skin and having to constantly bathe in  water. Sora especially has a frail constitution, spending most of the book in and out of a hospital. All three are young children, and that is shown throughout the book, but they also have a unique sense of maturity that sets them apart not only from other children but most adults." Anime News Network's Carlo Santos commends the manga for its "subtle, seamless storytelling and first-class artistry combine to form a fascinating tale of the sea" but criticizes it for "mundane events and superfluous scenes sometimes slow down the plot". ICv2's Steve Bennett commends the manga for  the art is rich with photorealistic details which help to give the fantasy a solid grounding in reality, and has strong, emotionally honest characters which should make this young adult fantasy appeal to both fans of epic fantasy and contemporary teen dramas. Coolstreak Comics' Leroy Douresseaux comments that he is reminded of the "1980s ecological sci-fi comic book, "The Puma Blues"" when reading the manga. He also commends on Igarashi's "earthy art, with its busy line work and crosshatching and unsophisticated figure drawing, grounds this series in reality, which makes the moments of enchantment all the more breathtaking ." He also recommends the manga to those who liked Inio Asano's "Solanin".