Godzilla: King of the Monsters (soundtrack)
Godzilla: King of the Monsters (Original Motion Picture Soundtrack) is the soundtrack to the 2019 American monster film "". A sequel to "Godzilla" (2014), it is the 35th film in the "Godzilla" franchise, the third film in Legendary's MonsterVerse, and the third "Godzilla" film to be completely produced by a Hollywood studio. Directed and co-written by Michael Dougherty, the film's musical score is composed by Bear McCreary, the third film composer to work on the MonsterVerse franchise. His involvement in the film was confirmed in July 2018, and recording of the musical  score began later that year in Hong Kong. Several themes from Akira Ifukube's musical score for "Godzilla" (1954), were incorporated and sampled in the score. The album and score influenced a mix of electronic, trance and orchestral music with Japanese music for few of the themes. The soundtrack was released by WaterTower Music on May 24, 2019, a week before the film's theatrical release date. A limited edition triple LP soundtrack was released by Waxwork Records on July 5. Background. On July 21, 2018, Dougherty revealed that Bear McCreary would compose the film's score, incorporating themes from  Akira Ifukube's previous "Godzilla" scores. Regarding his involvement, McCreary stated, "I am thrilled to be the composer for "Godzilla: King of the Monsters", and honored beyond words to have the opportunity to contribute to one of cinema's longest-running musical legacies." McCreary further expanded on his plans and involvement, stating; In November 2018, a sample of McCreary's Godzilla theme was leaked online after it was used during a panel at Tokyo Comic Con. In April 2019, WaterTower Music released two tracks from the soundtrack, "Old Rivals", composed by McCreary, and a cover of Blue Öyster Cult's  Godzilla by Serj Tankian. Brendon Small, Gene Hoglan, and other members of Dethklok contributed to the Tankian cover. McCreary called the cover "the most audacious piece of music" he had produced in his career, citing the orchestra, choir, taiko chanting, taiko drumming, heavy metal rhythm section, Hoglan's double-kick drums, and Tankian's vocals used to produce the track. McCreary stated "For [the character] Godzilla, I chose to incorporate and adapt the legendary Akira Ifukube's iconic theme, and for Mothra, Yūji Koseki's immortal 'Mothra's Song'." He further reworked into traditional Japanese music to reinforce Godzilla's  character, saying that he was "drawing from Japanese sounds, and wanted to give the theme a distinctly Japanese flavor" for which he across the chants of Japanese Buddhist monks. He further recalled "It’s hypnotic and beautiful and surreal and calm, and I don’t know why, but I thought, ‘That’s Ghidorah’s theme. That’s the antagonist.’ I can’t even explain it. If I tried to put it into words, it would sound like a mistake. But I set those calming hypnotic voices against this gigantic three-headed dragon, as it rises up from a frozen tomb , and it worked [...] It is only through experimentation and discovery, and that sort of indescribable act of inspiration, that an idea like that can form. So the research is super fun, and it’s really what I love the most about writing to film." Apart from incorporating into Ifukube's theme, McCreary further took few samples from the score of its predecessor, which was composed by Alexandre Desplat. The introductory theme for "Rodan" was released as a single on May 23. On May 31, Waxwork Records announced a triple LP soundtrack release on July, with pre-orders beginning on the  same date. Track listing. The official track list of "Godzilla: King of the Monsters" was unveiled by WaterTower Music on April 26, 2019, with a press release announcing that the soundtrack will be released digitally on May 24. Additional music. The first trailer featured a rearrangement of Claude Debussy's "Clair de Lune" by Michael Afanasyev for Imagine Music. The "Beautiful" TV spot and final trailer featured two different renditions of "Over the Rainbow". An alternate mix of Nessun dorma was featured in the extended IMAX preview. LL Cool J's "Mama Said Knock You Out" was featured in the  Exclusive Final Look trailer. Both the scores were not featured in the film and its score soundtrack. The Japanese band Alexandros contributed the single "Pray" for the film's Japanese release. On this decision, Dougherty commented, "we feel incredibly fortunate to have had <nowiki>[Alexandros]</nowiki> contribute such an anthemic song that captures not only the gravitas of the film, but also perfectly complements its dramatic conclusion." The single was released on May 13, 2019. Critical response. Critical review from "Zanobard Reviews" gave a positive response, saying "as monster scores go, Bear McCreary’s score to "Godzilla: King Of The  Monsters" is mind-blowingly good. The fact that each of the featured monsters has their own theme is a great compositional choice, and the various reprises of their classic themes just makes the experience even better. The album is also breathtakingly well-orchestrated throughout, being as dramatic as it is terrifying, and featuring many a welcome action cue." Critic Jonathan Broxton called the score as McCreary's "best score of his career to date" and saying that "It’s not just the fact that he respected the musical heritage of the franchise; it’s not just that the new kaiju  themes are all unique and memorable; it’s not just that the score has an intelligent internal architecture that applies thematic ideas leitmotivically; it’s not just the brilliant use of so many different vocal styles; it’s not just the creative instrumentation; and it’s not just the intensity of the action material or the number of different percussion patterns he uses throughout the score. It’s the combination of all these things together that makes "Godzilla: King of the Monsters" so impressive." Paul Taylor of "LemonWire" wrote "The soundtrack successfully honors its predecessors while also managing to add  some great original material of its own. The only downside with this soundtrack is that it can feel a bit repetitive at times. Lots of blaring horns. Lots of swelling strings. And lots of epic, clashing ensembles. These are offset slightly with tracks like “Goodbye Old Friend” and “Queen of the Monsters”. While McCreary’s soundtrack pairs well within the film, it’s not one I can imagine listening to on its own. While some scores can be nice to use as background music while writing or studying, this one in particular seems a bit too bombastic overall for that  purpose. It’s a score that’s meant to captures your attention, not fade into the background."