Intervarsity Choral Festival (Australia)
The Australian Intervarsity Choral Festival is an annual event in which members of university choirs from all state capitals of Australia and the national capital Canberra meet for two weeks to rehearse, socialise and perform combined concerts. The Festival also serves as the annual conference of the member choirs of AICSA, the Australian Intervarsity Choral Societies Association Overview. The festival is hosted by the AICSA choirs in a particular city on a rotational basis, the roster being maintained by AICSA's governing body, the Australian Intervarsity Choral Council (AIVCC). Most IVCFs have involved between 100 and  300 festival participants (choristers), who perform one to three concerts over the course of about two weeks, often accompanied by a major symphonic orchestra. An example is the festival in 2008. IVCF was hosted by the Sydney University Musical Society in association with other university choirs including Macquarie University Singers, and the Music Society of the University of Technology (Sydney), and performed a concert of English works including Thomas Tallis' 40-part motet "Spem in Alium" and Ralph Vaughan Williams' "Serenade to Music", and one of Australian works including a commission from Anne Boyd (see Promotion of Australian Composition below ). History. The first Australian InterVarsity Choral Festival took place in 1950 when the Sydney University Musical Society (SUMS) hosted the Melbourne University Choral Society (MUCS) for a week-long rehearsal camp culminating in a combined concert. Other university choirs joined over the years, with all State and Territory capitals (except Darwin in the Northern Territory) having at least one member choir by 1973. The IVCF has since become the largest regularly occurring choral festival in Australia. From 1975 on, when the 26th IVCF performed Verdi's "Requiem" in the then recently opened Sydney Opera House, IVCFs have striven to perform  large-scale works to high standards with professional orchestras where appropriate and available. The 37th IVCF (Brisbane, 1986) was the first to work with its state's peak professional orchestra, the then Queensland Symphony Orchestra, the major work on the program being Herbert Howells' "Hymnus Paradisi". Two years later (1988), to celebrate Australia's bicentennial, the 39th IVCF collaborated with the Sydney Philharmonia and the Sydney Symphony Orchestra under the baton of Charles Dutoit to perform Mahler's Symphony number 8 ("Symphony of a Thousand"), again in the Sydney Opera House. More recently, the 55th IVCF (Perth, 2004) took part  in the Perth International Arts Festival to commemorate the 100th anniversary of the death of Antonín Dvořák by performing his Stabat Mater with the Prague Chamber Orchestra under Australian conductor Graham Abbott. Promotion of Australian composition. IVCFs have a long if intermittent tradition of performance of works by Australian composers. At least sixteen performances since 1962 have included works commissioned by the festival, including "Blue Gum Forest", composed by Matthew Orlovich for the 60th IVCF in 2009, "Missa Pacifica" by Anne Boyd, commissioned for the Sydney IVCF in 2008, and David Cassat's "Flesh to Stone" for semichorus and divisi  main chorus, commissioned by the 56th IVCF (Melbourne) in 2005. Many other InterVarsity Choral Festivals have included premiere performances of works, including Paul Stanhope's "Pirramimma" for three choirs and string ensemble, performed in 2007 in Brisbane through a collaboration between the 58th IVCF and the Bonyi International Youth Festival. Australian Intervarsity Choral Societies Association. The organization behind the IVCF is the Australian Intervarsity Choral Societies Association (AICSA), which is a non-profit that represents each of the affiliated local choirs, with a purpose of encouraging choral music within tertiary academic settings. While officially formed in 1973, organizational cooperation to  create the IVCF has existed since 1950. Since being officially formed, AICSA has acquired an increased role. Today, besides assisting in the organisation of the festival, it sponsors a database catalogue of music held by individual choirs, archives at the National Library of Australia, and internet resources via aicsa.org.au. The newsletter "Erato" was published 3-5 times a year from 1971 to 2012. Member societies. As of September 2012, member societies were: