Absolutely (Madness album)
Absolutely is the 1980 second album from the British ska band Madness. The album reached number 2 in the UK album charts. "Absolutely" spawned some of the band's biggest hits, most notably "Baggy Trousers", which peaked at number 3 in the UK and spent more than four months in the singles chart. "Embarrassment" reached number 4, and the instrumental "The Return of the Los Palmas 7" climbed to number 7. Although the album reviews were generally less enthusiastic than those of "One Step Beyond...", they were mostly positive. In 2009 and 2010, Madness re-released their  back-catalogue of studio albums up to and including 1999's "Wonderful" with a bonus CD and extra tracks. The re-release of "Absolutely" has seven bonus tracks plus an additional CD featuring a 1980 concert recorded at the Hammersmith Odeon. In a 2020 interview with "GQ" magazine Lee Thompson said it was his favourite Madness album. Album title. The album is named after one of the oft-said expressions of the band's then tour manager and sound man Tony Duffield. Cover. The front cover sees the band standing in front of Chalk Farm tube station in Camden. When  the original vinyl was released the first, more sombre, cover photograph was changed to a more animated pose after around 10,000 albums were pressed. The two sleeves can be distinguished by keyboardist Mike Barson's holding of the umbrella: in the earlier pressing he holds it up to his chin while in the later, and subsequently used, releases the umbrella is on the ground. The inner sleeve features a London Underground-style roundel for a railway station called "Cairo East" on one side (this roundel later reappeared in the video for "(Waiting For) The Ghost Train") and a history of  the group on the other. The "Cairo East" roundel is illustrated by painter, and former bass player with Kilburn and the High Roads, Humphrey Ocean. Critical reception. The album received mixed reviews at the time of release. "Billboard" recommended "Absolutely" to consumers, noting that it was "less gimmicky and more R&B/funk oriented" than Madness' debut album "One Step Beyond...", while still retaining enough of the band's "'nutty' sound" to appeal to fans of the debut. Greil Marcus, however, likened Madness to "the Blues Brothers with English accents" in a scathing review for "Rolling Stone" that also took aim  at fellow ska revivalists the Specials. In a retrospective review, AllMusic's Stephen Thomas Erlewine wrote, ""Absolutely" does motor ahead on breakneck ska rhythms, but it never quite feels as raw as its predecessor, and that hint of gloss serves the three big hit singles very well." Erlewine felt that "Absolutely" usually delivers more of the same as the debut in "a highly appealing fashion."