Telegony
The Telegony (Greek: , "Tēlegoneia"; ) is a lost ancient Greek epic poem about Telegonus, son of Odysseus by Circe. His name ("born far away") is indicative of his birth on Aeaea, far from Odysseus' home of Ithaca. It was part of the Epic Cycle of poems that recounted the myths of the Trojan War as well as the events that led up to and followed it. The story of the "Telegony" comes chronologically after that of the "Odyssey" and is the final episode in the Epic Cycle. The poem was sometimes attributed in antiquity to Cinaethon of Sparta (8th century  BC), but in one source it is said to have been stolen from Musaeus by Eugamon or Eugammon of Cyrene (6th century BC) (see Cyclic poets). The poem comprised two books of verse in dactylic hexameter. Title. In Antiquity the "Telegony" may have also been known as the "Thesprotis" (Greek: Θεσπρωτίς), which is referred to once by Pausanias in the 2nd century AD; alternatively, the "Thesprotis" may have been a name for the first book of the "Telegony", which is set in Thesprotia. Such naming of isolated episodes within a larger epic was common practice for the ancient readers of  the Homeric epics. A third possibility is that there was a wholly separate epic called the "Thesprotis"; and yet a fourth possibility is that the "Telegony" and "Thesprotis" were two separate poems that were at some stage compiled into a single "Telegony". Date. The date of composition of the "Telegony" is uncertain. Cyrene, the native city of purported author Eugammon, was founded in 631 BC; but the narrative details may have existed prior to Eugammon's version, perhaps even in the oral tradition. There is a distinct possibility that the author of the "Odyssey" knew at least some version of  the "Telegony" story (the Thesprotian episode and Telegonus' unusual spear in the "Telegony" may have been based on Tiresias' prophecy in "Odyssey" book 11; but it is also possible that the "Odyssey" poet used the Telegonus story as a basis for Teiresias' prophecy). Certainly Eugammon's poem is most likely to have been composed in the 6th century BC. Content. Only two lines of the poem's original text survive. For its storyline we are dependent primarily on a summary of the Telegonus myth in the "Chrestomathy" of one "Proclus". The "Telegony" comprises two distinct episodes: Odysseus' voyage to Thesprotia , and the story of Telegonus. Probably each of the two books of the "Telegony" related one of these episodes. The poem opens after the events depicted in the "Odyssey." According to Proclus' summary, the "Telegony" opens with the burial of Penelope's suitors. Odysseus makes sacrifices to the Nymphs. He makes a voyage to Elis, where he visits an otherwise unknown figure Polyxenos, who gives him a bowl depicting the story of Trophonius. Odysseus returns to Ithaca and then travels to Thesprotia, presumably to make the sacrifices commanded by Tiresias in "Odyssey" 11. There he weds the Thesprotian queen Kallidike , who bears him a son, Polypoetes. Odysseus fights for the Thesprotians in a war against the neighbouring Brygoi; the gods participate in the war, Ares routing Odysseus and the Thesprotians, countered by Athena, ever Odysseus' patron; Apollo intervenes between the battling gods. However, Kallidike is killed in the war, Polypoetes succeeds to the kingdom and Odysseus returns to Ithaca. Meanwhile, it transpires that Circe, with whom Odysseus had an affair for a year in the "Odyssey" (books 10-12), has borne his son, Telegonus (Τηλέγονος, "born far away"). He grows up living with Circe on the island of Aeaea. On  the goddess Athena's advice, Circe tells him the name of his father. In a detail inserted into the account in the Epitome of the "Bibliotheke" she gives him a supernatural spear to defend himself which is tipped with the sting of a poisonous stingray and was made by the god Hephaestus. A storm forces Telegonus onto Ithaca without his realizing where he is. As is customary for Homeric heroes in unfriendly land, he commits piracy, and unwittingly begins stealing Odysseus' cattle. Odysseus comes to defend his property. During the ensuing fight, Telegonus kills Odysseus with his unusual spear, thereby  partially fulfilling Tiresias' prophecy in "Odyssey" 11 that death would come to Odysseus "out of the sea" (i.e., the poison of the ray). (In another respect, however, Odysseus' death contradicts the prophecy of Tiresias, who predicted ("Od". 11.135) that a "gentle death" would come to Odysseus "in sleek old age.") As Odysseus lies dying, he and Telegonus recognize one another, and Telegonus laments his mistake. Telegonus brings his father's corpse, Penelope, and Odysseus' other son Telemachus, back to Aeaea, where Odysseus is buried and Circe makes the others immortal. Telegonus marries Penelope, and Telemachus marries Circe. Latin inventions. The  1st-century AD Roman fabulist Hyginus differs from Proclus in adding a few details. First, it is both Odysseus and Telemachus who engage Telegonus in combat. Hyginus then adds that Odysseus had received an oracle to beware his son. Finally, Hyginus attributes to Telegonus a son named Italus, the eponymous founder of Italy; and to Telemachus he attributes a son named Latinus, whose name was given to the Latin language. Numerous Latin poets make Telegonus the founder of Praeneste or Tusculum, important Latin towns. Dante's invention. In Dante's "Divine Comedy", in the eighth "bolgia" of the "Inferno", Dante  and his guide meet Ulisse among the false counsellors, and receive a variant accounting of Ulisse's death "from the sea", in a five-month journey beyond the Pillars of Hercules, that has ended in a whirlpool drowning as the mariners approach the mountain of Purgatory. No Greek source was available to Dante, only the Latin recensions of Dictys and Dares. Among the many operas based on the myths of Odysseus and those around him, there is but one based on Telegonus, Carlo Grua's "Telegono" (premiered in Düsseldorf, 1697) of which an aria "Dia le mosse a miei contenti  may be noted. Divine intervention, a death and multiple weddings at the end all assorted easily with the conventions of opera seria".