The End...
The End... is the fifth studio album by German musician Nico. It was recorded in summer 1974 at Sound Techniques studio in London and produced by John Cale. It was released in November 1974, on record label Island. Background. Nico had performed two songs from the album in concert several years prior to the album release: "Secret Side" had been performed at a John Peel session for the BBC on February 2, 1971 and she had also performed "You Forget to Answer" on TV in France and the Netherlands in early 1972. Recording. "The End..." is her fifth  collaboration with John Cale and second with him as producer. It carries the same harmonium-based sound heard on "The Marble Index" (1969) and "Desertshore" (1970), with the addition of Brian Eno's synthesizers and electronic instruments. The song "You Forget to Answer" tells of the misery felt by Nico when she failed to reach ex-lover, and Doors' singer, Jim Morrison by phone only to find out later that he had died. The album was her first since Morrison's death in 1971. All but two of the songs on the album were written by Nico: the cover of  the Doors' "The End" and a version of the German national anthem "Das Lied der Deutschen". Brian Eno plays synthesizer on "It Has Not Taken Long", "You Forget to Answer" and "Innocent and Vain". The front and back covers feature stills from the Philippe Garrel film "Les hautes solitudes" (1974) in which Nico appears. Release and reception. "The End..." was released in November 1974, on record label Island, her only album on the label. Despite strong reviews from some publications, like its predecessors, it was not a commercial success and Nico's partnership with Island ended. It was her last  studio album until she found a deal with Aura to release "Drama of Exile" in 1981. Reviewing in "" (1981), Robert Christgau wrote (partly in a faux German accent): "I don't know vy she's moaning about unved virgins and vether to betray her hate, and I don't vant to know. The Manzanera-Eno-Cale settings, which I believe is what one calls this sort of elevated sound effect, are suitably morbid and exotic. But funereal irony aside, her parlay of the Doors' 'The End' and the Fuehrer's 'Das Lied Der Deutschens' contextualizes both tunes more pejoratively than  is intended. Nico is what happens when the bloodless wager their minds on the wisdom of the blood and the suicidal make something of their lives. If this be romanticism, give me Matthew Arnold—and gimme shelter." Personnel. Additional personnel