Moyasimon: Tales of Agriculture
Moyasimon: Tales of Agriculture, known in Japan as , is a Japanese manga series by Masayuki Ishikawa. It was serialized in Kodansha's seinen magazine "Evening" from July 2004 to June 2013 and moved to the magazine "Monthly Morning Two", where it concluded in January 2014. The series follows Tadayasu Sawaki, a first-year college student at an agricultural university, who has a unique ability to see and communicate with microorganisms. Del Rey Manga licensed the manga, but only released two volumes in English in North America. An 11-episode anime television series adaptation, animated by Shirogumi  and Telecom Animation Film, aired between October and December 2007 on Fuji TV's Noitamina programming block. An 11-episode live action adaptation was aired on Noitamina between July and September 2010. An 11-episode animated second season titled "Moyasimon Returns" aired from July to September 2012. The manga, anime and live action have all been generally well received by reviewers, with praise received for the artwork and sustaining the viewer's interest through clear presentation of a difficult topic. It won the 2008 Tezuka Osamu Cultural Prize for Grand Prize and the 2008 Kodansha Manga Award for general manga . Plot. "Moyasimon" follows the life of Tadayasu Sawaki, a first-year college student at an agricultural university, who has the unique ability to see and communicate with microorganisms. Additionally, these organisms look very different to him, and much larger than what can be seen under a microscope by normal people. This ability has brought him a bit of fame as when he entered the university, Tadayasu discovered that one of the professors there, Keizō Itsuki, already knew about his gift via Tadayasu's grandfather. Professor Itsuki's coworker Haruka Hasegawa has trouble believing what Tadayasu claims at first, but later  comes to accept it. Tadayasu enters the university with his good friend Kei Yūki whose family runs a sake brewery. Media. Manga. "Moyasimon" is written and illustrated by Masayuki Ishikawa. In early 2004, the editor-in-chief of Kodansha's "seinen" magazine "Evening" at the time, Kazuya Kajiwara, gave Ishikawa the opportunity to draw a manga that would appear in that year's 16th issue sold on July 20, 2004. Kajiwara told Ishikawa to draw a storyboard for five chapters, and only after Kajiwara approved the storyboard would Ishikawa be allowed to draw the manuscript for the first chapter. Following  this, Ishikawa worked on several proposals for a story about an agricultural university with his supervising editor and submitted them to Kajiwara, but he rejected every one. As the deadline approached, Ishikawa asked his editor what was wrong with his proposals, to which his editor casually suggested that one of the characters could have the ability to see microorganisms with the naked eye. After submitting this idea to Kajiwara, he immediately approved it. In 2004, Ishikawa was living in Sakai not far from Osaka Prefecture University, so to better understand microorganisms, Ishikawa spent long days from morning until evening reading  technical books on microorganisms in the university's library. During this time, Ishikawa always had lunch at the university's dining hall where he would hear students and faculty talking about various topics. This led him to solidify the story's concept about college life using microorganisms as a motif and self-reliance as a theme. The series was originally titled , but this was changed in the second chapter to and then simply "Moyasimon" with chapter three; the subtitle "Tales of Agriculture" was added with chapter eight. Even after the serialization began, Kajiwara continued to suggest ideas for future chapters , such as adding the police to one chapter, or including a mysterious microorganism that could threaten humanity. However, Ishikawa did not feel any of these proposals were interesting, and instead decided to work with his editor to get ranked No. 1 among the series serialized in "Evening" without any other outside help. Shortly thereafter, while Kajiwara went on a short vacation to Germany, Ishikawa and his editor worked feverishly on the next chapter, which ultimately led "Moyasimon" to achieve a No. 1 ranking for the first time in its history. When writing "Moyasimon", Ishikawa aimed to take difficult to understand  information from technical books and present it in a way that was easier for readers to grasp. Themes and motifs Ishikawa developed led him to learn more about additional topics to better flesh out the initial idea. When deciding on certain fashion for the characters, Ishikawa wanted clothing that would not degrade with age as new fashion trends were introduced, which is one of the reasons for Haruka Hasegawa's distinctive bondage-esque fashion. "Moyasimon" was serialized in "Evening" from July 20, 2004 in the 16th issue of that year to April 23, 2013 in the 10th issue of that  year. Following this, it moved to Kodansha's "Monthly Morning Two" magazine and ran in that magazine from the August 2013 issue sold on June 22, 2013 to the March 2014 issue sold on January 22, 2014. The individual chapters were collected and published in 13 "tankōbon" volumes by Kodansha from May 2005 to March 2014. Limited editions were also released for volumes 3 through 13. The manga was licensed in North America by Del Rey Manga, but they only released the first two volumes in November 2009 and June 2010. Further English volumes were discontinued after Kodansha USA took  over the manga published by Del Rey Manga. The manga is also published by Glénat Manga in France, GP Publishing and later RW Edizioni in Italy, and Sharp Point Press in Taiwan. Anime. An 11-episode anime adaptation aired on Fuji TV's Noitamina block between October 11 and December 20, 2007. The series was produced by Shirogumi and Telecom Animation Film with Yuichiro Yano as series director. Natsuko Takahashi served as screenwriter with Junichi Takaoka as character designer and Naoki Satō as sound director. The opening theme is by Sarasa Ifu and the ending theme is "Rocket" by Polysics . The opening theme video was directed by noted film director Takashi Yamazaki. Crunchyroll streamed the first season of the anime. At the Tokyo International Film Festival, it was explained that over 100 types of bacteria appear in the anime and that a combination of CG animation and live-action shots were used in the animation opening sequence. The anime's original soundtrack was released on November 28, 2007. ASMIK released the anime over 4 DVDs between December 21, 2007 and March 19, 2008. ASMIK also released a DVD box on May 26, 2010 and a Blu-ray box on October  26, 2011. The ninth volume of the manga was released with a CG anime DVD on July 6, 2010, which contained a six-minute short film about the microorganisms. A second season titled "Moyasimon Returns" aired on Noitamina for 11 episodes between July 5 and September 13, 2012. Crunchyroll simulcasted the second season of the anime. Yuichiro Yano and Natsuko Takahashi returned as series director and screenwriter. Takefumi Haketa replaced Naoki Satō as sound director. The opening theme is "Wake Up" by ClariS and the ending theme is by Hiiragi. ASMIK released the second season over 6 DVDs as well  as 6 Blu-rays, with the corresponding volumes being released on the same date, between September 5, 2012 and February 6, 2013. Live action TV series. "Moyasimon" has been adapted into a live action television series. It was also broadcast on the mainly anime-based programing block Noitamina that the anime aired on. The series aired on Fuji TV between July 8 and September 16, 2010. Akira Iwamoto is series director, with Natsuko Takahashi as screenwriter. Shirogumi handled production and visual effects, with a live demonstration of augmented reality technology used for "Moyashimon" super deformed germs at the press conference . Funimation announced a license to simulcast the series at their panel at Anime Expo 2010. ASMIK released the live action series over 4 DVDs between December 23, 2010 and March 16, 2011. Reception. The "Moyasimon" manga was awarded the Grand Prize for the 12th Tezuka Osamu Cultural Prize in 2008. It was also awarded the 2008 Kodansha Manga Award for general manga. It was selected as one of the best manga in Japan in 2008 by Tamaki Seto. It was nominated for the first Manga Taishō awards in 2008. In 2006, the manga and its animated adaptation were finalists in  the 2007 Japan Media Arts Festival. In 2006, the manga was a finalist in the 10th Tezuka Osamu Cultural Prize. Zoltan Fehervari writing for "Cell" commends the manga's art for being "generally excellent throughout, with crisp detail, expressive characters, and fluid action." Brigid Alverson commends the manga with "while this series showcases the author's zany sense of humor, the series is so scientifically accurate it's legitimately educational, too!" "Ain't It Cool News"' Scott Green comments on the presentation of the bacteria in the manga "basically shapes with faces", highlighting the differences between their "broad and cute  character design and Jessica Rabbit. He also praises the art with characters appear in thought out backgrounds with plenty of line work, an abundance of zip tones, margin illustrations and notes." However the density of the information given leads to "a viscous manga that moves slowly. Even if there aren't dead stops, it doesn't flow easily." Satsuki Murakami and Mio Bryce writing for the International Journal of the Humanities commend the manga by stating that "key concepts are repeatedly presented in the entertaining format, making Moyashimon representative of manga that successfully promotes readers' interest in, and effective understanding  of, difficult subjects such as brewing technology." Jason Thompson, in his online appendix to "", comments that "Ishikawa sometimes errs on the side of too much info, resulting in pages and pages filled with text, and not so much in the way of plot or character development in the macroscopic human world." Carlo Santos from Anime News Network commended Ishikawa's art stating "lots of careful shading to bring out the depth and texture in each scene, as well as distinctive character designs for each of the newcomers." Jake Godek from THEM Anime commends the anime for its portrayal of the  microorganism stating that they are "so adorable it's easy to see one in the show and want to hug it." He also praises the "catchy beyond needed" music, however he criticizes the weak story stating "it feels like the story really is being decided on step-by-step during production rather than before it." Carl Kimlinger from Anime News Network commends the anime's setting for "capturing that collegiate feeling: the freedom, the newness, the adventure; the bad roommates, the bizarre school activities, the drunken sexual experimentation." Kimlinger compared the two seasons of anime: "This season is the sharper  looking of the two, with cleaner designs and more detailed settings; season two is the more vivid, with brighter colors and more expressive designs. This season's score is sometimes incongruously serious (which actually adds to the humor on occasion), and its fan service level is orders of magnitude higher. (Remember the drunken sexual experimentation? Let's just say no men were involved)." Kimlinger, in his review of the second season, commends the "great ensemble cast" and "pleasing pace" but criticizes the first three episodes of "inconsequential filler and food-science lectures". Clarissa Graffeo from Anime World Order comments on  gross practice of preparing kiviak in the live action and Itsuki consumes the fermented meal. Erin Finnegan from Anime News Network comments on the denseness of the live action, comparing the live action to "Nodame Cantabile"s live action, "which seemed to cover one entire volume of manga per episode." Mania.com's Chris Beveridge comments on the "mildly comical microbes that are reminiscent of the aliens from "Toy Story" except that they talk more." In a review of the fifth episode, Beveridge criticizes the introduction of gothic lolita girl, saying "that while cute in manga and anime, looks ridiculous in person ." A review of the final episode has Beveridge commending the "CG work both for the bacteria and all the campus oddities". He further applauds the live action with ""Moyashimon" overacts everything in just the right way, rarely taking it too far and instead being just goofy and unrealistic enough to make you laugh while still going with the core concept."