Day of Al'Akbar
Day of Al'Akbar is an "Advanced Dungeons & Dragons" adventure module written by Allen Hammack and published by TSR inc. in 1986. The module consists of a forty-page booklet with a large color map and an outer folder. It bears the "Dungeons & Dragons" code "I9", "I" meaning "intermediate" and "9" for "module 9" in that series. Plot summary. The "Day of Al'Akbar" is an adventure scenario set in a once peaceful desert land reminiscent of the "Arabian Nights". The module contains two distinct settings, "Khaibar City" and the "Sultan's palace". Khaibar city, is ruled by the  bandit leader Al'Farzikh, and was once ruled by Al'Akbar, a former sultan. The people are at risk from a red plague, and the player characters are set on a quest to retrieve the magical artifacts that will save them. The scenario involves player characters searching the sewers under the city of Khaibar for an entrance to the tomb of Al'Akbar, which contains the Cup and Talisman that they need. The players' choices determine whether the search will involve wilderness encounters, dungeon crawling in a sewer, tomb robbing, or detective work in a desert town. The final confrontation takes place in  the Sultan's palace. Publication history. "Day of Al'Akbar" was published by TSR inc. in 1986 as a 40-page booklet with a large color map and an outer folder. The game module was written and designed by Allen Hammack. Jeff Easley produced the cover art. The city map of Khaibar is A1 size. The game module was developed by Bruce A. Heard and the adventure was illustrated by Mark Nelson. The map was drawn by Diane and David C. Sutherland III. Typesetting was done by Betty Elmore. The module was edited by Kerry Martin. The module was distributed to  the book trade in the United States by Random House, Inc., in Canada by Random House of Canada, Ltd. and in the United Kingdom by TSR UK Ltd. The module's product number was 9178. Reception. Tom Zunder reviewed "Day of Al'Akbar" for the British magazine, "Adventurer" in January 1987 (issue 6). He first commented on the cover, saying, "Gary Gygax really must have left Lake Geneva at last [as Gygax] was really keen on the 'family' image - and these playboy lasses on the front cover would certainly not have passed in the old days". He calls the city map  of Khaibar, "a wonderful bundle of colour" and "beautifully done, it has none of those annoying give-away labels, nor does it have the ugly grey squares which obliterated the Lhankmar map. A nice map, backed with useful hexes, and a good start to the package." He called the first three encounters on the trek to the city of Khaibar "extremely silly and unnecessary", and the subsequent sewer dungeons "so-so", but after that he found a "well-detailed city with some real potential for role-playing". He concluded the review, stating the scenario is "flawed, it doesn't explain  the city in the best way - as an overall. It presents good material in a depressingly linear dungeons-style [...] It is, however, an excellent scenario for "AD&D", providing plenty of excitement with a wonderful setting, well detailed and researched. The scenario is not at all bad, and a good referee could easily ignore it and just develop the setting itself, it's certainly worth it. "D&D"ers should buy this, others wouldn't do badly in investing as well - not at all bad!" In March 1987, "White Dwarf" (issue 87), Carl Sargent noted that although the town map is moderately useful  and the adventure's Arabic environment is detailed enough, the module is overall an "uninspired effort". He called the wilderness encounters pointless and silly and noted the existence of errors in the game statistics. Sargent felt that the only noteworthy thing about the module was Jeff Easley's "sexploitation cover".