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Free Postings For Jobs >> Browse Jobs >> Civil Engineering Jobs LLL4 Dienaren van God - Tonga: Malawi - Voor evangelisatie, gemeentestichting, eenvoudig Bijbelonderricht en Bijbelstudie
LLL4 Dienaren van God - Tonga: Malawi
Programma nummer: C63962
1. Jingle ▪ Introductie ▪ Beeld 1 (Prent 1: ’N Gesin Vlug Vir Hongersnood)
6. Ndidza kwa Mbuya (Beeld 6 (Prent 6: Maria En Die Engel Van God) ▪ I've come to the cross)
11. Munamulenga munthu (Beeld 11 (Prent 11: Saul Skeur Samuel Se Klere) ▪ You created man)
18. Mwana afuna Mulungu (Beeld 18 (Prent 18: Dawid En Batseba) ▪ A child seeks God)
24. Beeld 24 (Prent 24: Elia En Moses Saam Met Jesus) ▪ Jingle Outplay Title page for ETD etd-08312010-142055
Van Graan, Carin URN
'n Analitiese oorsig van Stefans Grov� se Dansrapsodie - 'n Afrika-stad en Jeanne Zaidel - Rudolph se Fanfare Festival Overture met spesifieke verwysing na die aanwending van Afrika-etniese elemente (Afrikaans)
Dr C R Panebianco-Warrens
Fanfare Festival Overture
Dansrapsodie - 'n Afrika-stad
Die hoofdoel van hierdie studie was om Dansrapsodie � ŉ Afrika-stad van Stefans
Grov� en Fanfare Festival Overture van Jeanne Zaidel-Rudolph ten opsigte van
struktuur, melodie, ritme en instrumentasie te ontleed en sodoende vas te stel watter
Afrika-etniese elemente gebruik word en hoe dit toegepas is. ŉ Vergelykende studie
is gedoen om vas te stel of daar enige ooreenkomste of verskille tussen die twee
Verskeie skripsies, verhandelings en proefskrifte oor werke van Grov� en Zaidel-
Rudolph is geraadpleeg. Die skrywer kon nie gepubliseerde weergawes van
Dansrapsodie � ŉ Afrika-stad en Fanfare Festival Overture opspoor nie, daarom is die ontleding met behulp van afskrifte van die handgeskrewe manuskripte onderneem. Daar is gereeld na die CD-opnames van albei werke (op die Claremont GSE-etiket) geluister.
Die verhandeling bestaan uit ses hoofstukke. In die eerste hoofstuk word die
agtergrond en motivering vir die studie uiteengesit en Hoofstuk 2 bevat kort
biografie� van Grov� en Zaidel-Rudolph. Grov� se Dansrapsodie � ŉ Afrika-stad word in Hoofstuk 3 ontleed en verskillende Afrika-etniese elemente word beskryf
soos wat dit van toepassing op die analise is. Zaidel-Rudolph se Fanfare Festival
Overture word in Hoofstuk 4 op dieselfde wyse as Dansrapsodie � ŉ Afrika-stad
ontleed. Die laaste twee hoofstukke (Hoofstuk 5 en 6) bevat ŉ vergelyking tussen die
aanwending van Afrika-etniese elemente in die twee komposisies, asook gevolgtrekkings en voorstelle vir verdere studie.
Die belangrikste gevolgtrekkings is die volgende:
Afrika-etniese elemente word in albei werke op s� ŉ manier aangewend dat
die komposisie vir ŉ Westerse orkes toeganklik is.
In albei werke se struktuur word die roep-en-antwoord-beginsel en herhalende melodie� wat tydens elke herhaling effens gewysig word
(permutasie) aangewend. Die melodiese inhoud word deur die mineur terts (ŉ interval van die pentatoniese toonleer) en twyfelagtige tonaliteite oorheers. Ritmiese ostinaatpatrone, die 12/8-metrum en poliritmiek in die Afrika-deel
van Zaidel-Rudolph se komposisie bewerkstellig onmiddellik Afrika-etniese assosiasies. Die bongo-tromme en marimba kom in albei komposisies as Afrika-instrumente voor.
Grov� en Zaidel-Rudolph benader die aanwending van Afrika-etniese elemente in Westerse musiek op verskillende maniere.
ENGLISH : The main objective of this study was to analyse the structure, melody, rhythm and
instrumentation of Stefans Grov�s Dansrapsodie � ŉ Afrika-stad and Jeanne Zaidel-
Rudolph�s Fanfare Festival Overture in order to determine which African ethnic elements are used in the two compositions and how these elements are applied. A comparative study was done to determine what the similarities and differences are between the two works.
Several mini-dissertations, dissertations and theses about works by Grov� and Zaidel-Rudolph were consulted. The author could not find published versions of Dansrapsodie � ŉ Afrika-stad and Fanfare Festival Overture, therefore the analysis was done with copies of the hand-written manuscripts. The author frequently listened to CD recordings (Claremont GSE label) of both works.
The dissertation consists of six chapters. In the first chapter the author explains the
background and motivation for the study and Chapter 2 contains short biographies of
Grov� and Zaidel-Rudolph. Grov�s Dansrapsodie � ŉ Afrika-stad is analysed in Chapter 3 and the different African ethnic elements that apply to this work are
described. Zaidel-Rudolph�s Fanfare Festival Overture is analysed in Chapter 4, in
the same way as Grov�s Dansrapsodie � ŉ Afrika-stad. The last two chapters
(Chapter 5 and 6) include a comparison between the application of African ethnic elements in the two compositions, as well as conclusions and suggestions of topics for future studies.
The most important conclusions are the following:
African ethnic elements are applied in such a way that both compositions are accessible for Western (�art music�) orchestras.
In both compositions� structure the call-and-response principle and repeated melodies (that are modified during each repeat) are applied. Both works�melodic content is dominated by the interval of a minor 3rd (an interval from the pentatonic scale) and an ambiguous tonality. Rhythmic ostinatos, the 12/8
metre and polyrhythm in the African part of Zaidel-Rudolph�s Fanfare Festival Overture immediately bring about African ethnic associations. The bongos and marimba as African instruments can be found in both works.
Grov� and Zaidel-Rudolph approach the application of African ethnic elements in Western art music in different ways.
Van Graan, C 2009, 'n Analitiese oorsig van Stefans Grov� se Dansrapsodie - 'n Afrika-stad en Jeanne Zaidel - Rudolph se Fanfare Festival Overture met spesifieke verwysing na die aanwending van Afrika-etniese elemente (Afrikaans), MMus dissertation, University of Pretoria, Pretoria, viewed yymmdd < http://upetd.up.ac.za/thesis/available/etd-08312010-142055/ >