Foodfight!
Foodfight! is a 2012 American computer animated adventure comedy film produced by Threshold Entertainment and directed by Lawrence Kasanoff. The film features the voices of Charlie Sheen, Wayne Brady, Hilary Duff, Eva Longoria, Larry Miller, and Christopher Lloyd. "Foodfight!" takes place in the "Marketropolis" supermarket, which, after closing time, transforms into a city where all the citizens are "Ikes", personified well-known marketing icons. The story follows a cereal brand mascot, Dex Dogtective, who, along with his best friend, Daredevil Dan, bands together a group of "Ikes" in Marketropolis to fight against the forces of the evil Brand X , who threaten to take over the entire supermarket. After raising tens of millions of dollars in funding, "Foodfight!" had a troubled and much delayed production. The film was originally scheduled for a Christmas 2003 theatrical release; however, this failed to materialize, and later planned release dates were also missed. By September 2011, after the producers defaulted on a loan, creditors auctioned off the film's assets and all associated rights to Lionsgate. In 2012, the film had a low-key release, being direct-to-video in most territories. Its critical reception has been overwhelmingly negative, with most criticism directed towards  the animation, humor, and excessive product placement. It has since been frequently discussed as one of the worst films of all time. Plot. When night falls at the supermarket Marketropolis, the store products' mascots ("Ikes") come to life and interact with each other. Heroic cereal mascot Dex Dogtective is about to propose to his girlfriend Sunshine Goodness, a raisin mascot, but she goes missing just before he is able to do so. Six months later, a Brand X representative called "Mr. Clipboard" arrives at Marketropolis and aggressively pushes Brand X's range of generic products to Leonard, the store's  manager. In the world of the Ikes, the arrival of Lady X, the seductive Brand X detergent Ike, causes a commotion at Dex's club, the Copabanana. Brand X products begin to replace previous products, which is mirrored in the Ikes' world with the deaths of several Ikes. After Dex's friend Daredevil Dan, a chocolate squirrel, disappears, Dex begins to investigate. After rebuffing Lady X's attempts to bring him to Brand X's side, Dex is locked in a dryer with Dan to be melted, but the two manage to escape. Dan and Dex find out that Brand  X contains an addictive and toxic secret ingredient. Dex and Dan attempt to initiate a product recall with Leonard's computer. A Brand X Ike cuts power just as they send the message. Dex then rallies the citizens of Marketropolis to fight the armies of Brand X in a massive food fight. The citizens win the battle by using the supermarket's electricity. Dex rescues Sunshine, who had been held hostage in the Brand X tower, and escapes with the help of Dan. Mr. Clipboard then enters the Ikes' world, but he is taken down by Dex, who discovers that  he is a robot controlled by Lady X. Lady X reveals that she had previously been the hideous Ike of an unsuccessful brand of prunes, and had been stealing Sunshine's essence to create a new brand. Dex and Sunshine defeat her, reverting her to her original form. With Brand X defeated and a cure found that revives the killed Ikes, Dex and Sunshine finally get married. Cast. Alongside many licensed characters, the principal characters of this film are original characters. Additional voices are provided by Melissa Disney, Jennifer Keith, Bob Bergen, Susan Silo, Daniel Bernhardt, Jeff Bennett, Stephen Stanton , James Arnold Taylor, and John Bloom. Production. Conception. Lawrence Kasanoff and a Threshold Entertainment employee, Joshua Wexler, created the concept in 1999. A $25 million joint investment into the project was made by Threshold and the Korean investment company Natural Image, with the producers expecting that foreign pre-sales and loans against the sales would provide the remaining portion of the budget. The estimated remainder was $50 million. Kasanoff also decided to produce and direct the film, despite having no prior experience in the animation field. Production setbacks. The film was created and produced by the digital effects  shop at Threshold, located in Santa Monica, California in the Los Angeles metropolitan area. In December 2002, Kasanoff reported that hard drives containing most unfinished assets from the film had been stolen, in what he called an act of "industrial espionage" and "an incredibly complex crime". An investigation, which included the United States Secret Service, was unable to find the thief. The film was supposed to be computer-animated, with an exaggerated use of "squash and stretch" to resemble the Looney Tunes shorts, but after production resumed in 2004, Kasanoff changed it to a style more centered in motion capture , with the result being that "he and animators were speaking two different languages". Delays. Lionsgate established a distribution deal and the financing company StoryArk represented investors who gave $20 million in funding to Threshold in 2005 due to the Lionsgate deal, the celebrity voice actors, and the product tie-ins. A release date in 2005 was later announced, but missed. Another distribution deal was struck in 2007, but again, nothing came of it. Lionsgate had a negative reaction to the delays. The investors had grown impatient due to the film production company defaulting on its secured promissory note and  the release dates that were not met. Auction. Finally, in 2011, the film was auctioned for $2.5 million. StoryArk investors had ultimately invoked a clause in their contract that allowed the Fireman's Fund Insurance Company, which had insured "Foodfight!", to complete and release the film as inexpensively and quickly as possible. Animator Ken Bailey stated that "The film was already ruined. They were just trying to salvage what they could." Release. The insurance company received the copyright to the film in 2012 and began releasing it and its associated merchandise. In June 2012, "Foodfight!" received a limited release  in the United Kingdom, grossing approximately £15,000 of ticket sales on its single week in theatres. It was released on DVD in Europe that October with distribution by Boulevard Entertainment. In February 2013, the film was released on VOD and was released on DVD in the United States on May 7, 2013. Jake Rossen of "The New York Times" described the film's United States release as "a muted debut". The United States release was delayed because the American distributor, Viva Pictures, wanted to release it when Walmart could arrange for a satisfactory product display for the film. According  to company president Victor Elizalde, Viva Pictures' modest investment of an unspecified sum had proved profitable. Reception. At the time the film was announced, it was denounced for taking product placement to the extreme, and doing it in a film targeted at children. Kasanoff responded to the controversy by noting that they were not paid money for the brand inclusion and therefore the addition of known brands did not constitute product placement, though the brands were expected to provide $100 million worth of cross-promotion. Since its release, "Foodfight!" has been heavily panned by critics and is considered one  of the worst films ever made: "Mental Floss" included it in a list of "10 Really Bad Movies that Define 'Bad Movies'" in 2012 and it appeared in a list of the worst movies ever made on "Digital Trends" in 2017 and MSN in 2018. It has also been referred to as one of the worst animated films ever made by Indiewire in 2015, Comic Book Resources in 2021, and twice by "Screen Rant", in 2017 and 2020. In 2017, Rebecca Hawkes of "The Daily Telegraph" described "Foodfight!" as "the worst animated children's film ever made". A 2012 review  by Kate Valentine of "Hollywood News" called it "by far the crappiest piece of crap I have ever had the misfortune to watch", and a 2013 article from "The New York Times" was similarly scathing, saying, "The animation appears unfinished [...] And the plot [...] is impenetrable and even offensive." The New York Times article also reported that "Foodfight!" has been "seized upon by Internet purveyors of bad cinema". Describing the film as "one of those fall-of-civilization moments", Nathan Rabin of "The A.V. Club" wrote in 2013 that: "the grotesque ugliness of the animation alone would be a deal-breaker  even if the film weren't also glaringly inappropriate in its sexuality, nightmare-inducing in its animation, and filled with Nazi overtones and iconography even more egregiously unfit for children than the script's wall-to-wall gauntlet of crude double entendres and weird intimations of inter-species sex". Rabin revisited "Foodfight!" in a 2019 article, stating that it "was the kind of bad movie I live for. This is the kind of movie so unbelievably, surreally and exquisitely terrible that you want to share it with the rest of the world. I was put on earth to suffer through  abominations like "Foodfight!" so that society as a whole might benefit from my Christ-like sacrifice." In 2020, "Esquire"s Tom Nicholson wrote that the film was ""The Room", rendered in horribly sharp polygons" and that it was "easily the most horrifically ugly, confusing and unsettling animated film ever made." Merchandise. Associated "Foodfight!" merchandise was produced and was sold in stores and online, with at least some being released several years prior to the film.