Boris Porena
Boris Porena (Rome, 27 September 1927) is an Italian thinker, music composer and didactical expert. He is married to Paola Bučan, a famous Croatian cellist and teacher who, until her retirement in 2014 was a tenured professor at the "Conservatorio di Musica" in Perugia (Italy). He was a disciple of Goffredo Petrassi – alongside other distinguished musicians such as Ennio Morricone, Aldo Clementi, and Sergio Cafaro. Although he was initially influenced by neoclassical poetics, he later evolved towards the use of the harmonic language of the late Renaissance period, which he has used with originality in order to build  his own musical research which directly influenced his later compositional processes. He started composing when only 12 years old. His career is effectively in two distinct and different periods – the first being up until 1967 during which time he gained a wide national and international success. From 1968, as consequence of the evolution of both his thought and his social involvement, he abstained from composing, a period which lasted for the next twenty years. During that time he devoted himself to a grassroots cultural practice and set up the Metacultural Centre, located at Cantalupo in Sabina (Rieti, Italy). In 1988  he began to compose again with renewed enthusiasm, starting on a new and different compositional phase. As a musical critic he has written essays about his master, Goffredo Petrassi along with several other important texts about music; among them "Musica/Società" (Einaudi, 1975) stands out, going beyond purely musical issues and authoritatively examines and explores the fields of social and political analysis. He has taught new didactics of composition at the Santa Cecilia Conservatory in Rome and he has been director of the Research and Experimental Centre "Musica in Sabina". Among his many disciples are Jesús Villa-Rojo, Luca Lombardi , Celestino Dionisi, Giuliano d'Angiolini, Derek Healey, James Clifford Brown, Claudio Pietro, Jorge (Manuel Rosado Marques) Peixinho, Armando Santiago, Oliver Wehlmann, Massimo Fornetti, Alessandro De Rosa, Emanuele Pappalardo and many more. His non compositional writings cover a number of other fields, especially pedagogy and grassroots didactics, but also philosophical reflections such as those expressed in "Metacultural Hypothesis: an hypothesis for survival" (1999). He has a considerable and deep-seated interest in natural sciences which have led him to becoming something of an authority in entomology and especially in coleopterology. He has written a rich collection of poetry, especially in German, his  mother tongue. The Hypothesis. His deep interest in the global problems affecting contemporary society have led Boris Porena, together with the Metacultural Centre, to formulate the Metacultural Hypothesis (MCH), also known as "the Hypothesis". This Hypothesis has known several formulations. For example: Every one of our acts or thoughts, being a possible communication object, has in itself a cultural component which must be relativised with regard to the culture which has produced it. But also: MCH coincides with the interruption of the principle of non contradiction. And even in a third form: Given any proposition "p", it is always possible  either to find or to build a local cultural universe LCU within which "p" becomes 'true' Musical Works. His rich musical production, which comprises hundreds of works, has been accurately catalogued by prof. Patrizia Conti (see "L'Utopia possibile"). The following works should particularly notable: