The Order of Release, 1746
The Order of Release, 1746 is a painting by John Everett Millais exhibited in 1853. It is notable for marking the beginnings of Millais's move away from the highly medievalist Pre-Raphaelitism of his early years. Effie Gray, who later left her husband John Ruskin for Millais, modelled for the female figure. The painting depicts the wife of a Highland Jacobite soldier, who has been imprisoned after the Jacobite rising of 1745, with an order securing his release. She holds her child, showing the order to a guard, while her husband embraces her. The  Illustrated London News reviewed the painting as follows: The dark, generalised background is a departure from the highly detailed backgrounds of earlier works such as "Ophelia", as is the emphatic chiaroscuro. However, the portrayal of tense relationships disrupted by historical dramas was a continuation of the theme of "A Huguenot" and "The Proscribed Royalist, 1651". While working on the painting, Millais began to develop a friendship with Effie, the wife of his principal supporter, the critic John Ruskin. A study for the painting has a drawing of her head on one side and an image of a man kneeling in  supplication to a woman on the other, labelled "accepted." In popular culture. The title of the painting was adopted for the book "The Order of Release" by William Milbourne James about the love triangle, and also of a radio play about it broadcast in 1998. The painting of the picture is dramatised onstage in the play "Mrs Ruskin" (2003) by Kim Morrissey, and in the TV series "Desperate Romantics" (2009).