Nightbreed
Nightbreed is a 1990 American dark fantasy horror film written and directed by Clive Barker, based on his 1988 novella "Cabal". It stars Craig Sheffer, Anne Bobby, David Cronenberg, Charles Haid, Hugh Quarshie, and Doug Bradley. The film follows an unstable mental patient named Aaron Boone who is falsely led to believe by his doctor that he is a serial killer. Tracked down by the police, his doctor, and his girlfriend Lori, Boone eventually finds refuge in an abandoned cemetery called Midian among a tribe of monsters and outcasts known as the "Nightbreed" who hide from humanity. At the  time of its release, the film was a commercial and critical failure. In several interviews, Barker protested that the film company tried to sell it as a standard slasher film, and that the powers-that-be had no real working knowledge of "Nightbreed"s story. Since its initial theatrical release, "Nightbreed" has become a cult film. Over time, Barker expressed disappointment with the final cut approved by the studio and always longed for the recovery of the reels so the film might be re-edited. In 2014, original film elements for the cut material were re-obtained and were edited into  a director's cut, released through Scream Factory. Plot. In Calgary, Aaron Boone dreams of Midian, a city where monsters are accepted. At the request of girlfriend Lori Winston, Boone is seeing psychotherapist Dr. Phillip Decker, a serial killer who convinces Boone that he committed Decker's murders. Decker drugs Boone with LSD disguised as lithium and orders Boone to turn himself in. Before he can do so, Boone is struck by a truck and taken to a hospital. There, Boone overhears the rants of Narcisse, a seemingly insane man who seeks to enter Midian. Convinced that Boone is there  to test him, Narcisse gives Boone directions to the hidden city before tearing the skin off his face in order to show his "true" face. He is quickly subdued by hospital staff, and Boone leaves. Boone makes his way to Midian, a city beneath a massive graveyard in the middle of nowhere. Upon encountering supernatural creatures Kinski and Peloquin, Kinski says they should bring him below, but Peloquin refuses to allow in a normal human. Boone claims to be a murderer, but Peloquin smells his innocence and attacks him. Boone escapes, only to encounter a squad of police officers led  by Decker. Boone is gunned down after Decker tricks the police into believing Boone is armed. Due to Peloquin's bite, Boone returns to life in the morgue. When he returns to Midian, he finds Narcisse there and is inducted into their society by the Nightbreed's leader, Dirk Lylesburg. In an initiation ceremony, Boone is touched by the blood of their deity, Baphomet. Seeking to understand why Boone left her, Lori investigates Midian. She befriends a woman named Sheryl Anne and drives to the cemetery with her. Leaving Sheryl Anne at the car, Lori explores the cemetery, where she  finds a dying wolf-like creature. A woman named Rachel (a nightbreed with the power to transform into smoke) pleads from the shadows for Lori to take it out of the sunlight. Once in the shadows, it transforms into a little girl, Rachel's daughter Babette. Lori asks about Boone but is rebuffed by Lylesburg and scared off by Peloquin. While leaving the cemetery, Lori discovers Sheryl Anne's corpse and her killer, Decker. Decker attempts to use Lori to draw Boone out of hiding. Boone rescues Lori, and Decker learns Boone cannot be killed due to his transformation . Decker escapes, and Boone takes Lori into Midian. Rachel explains to Lori that the monsters of folklore were peaceful beings who were hunted to near-extinction by humans. Lylesburg banishes Boone and Lori from Midian. Decker learns how to kill the Nightbreed and murders the residents of the hotel where Boone and Lori are staying. When Boone discovers the crime scene, he uncontrollably drinks the blood. The police find Boone and take him into custody. At Decker's urging, the police form a militia led by Police Captain Eigerman. A drunken priest named Ashberry joins them as God's servant  in their upcoming battle against Midian. Lori, Rachel and Narcisse rescue Boone, and the four return to Midian, where Boone convinces the Nightbreed to fight. During the battle, Ashberry learns there are women and children amongst the Nightbreed. When he tries halting the attack, he is beaten by Eigerman. Ashberry finds the idol of Baphomet and swears allegiance to it. When he is splashed by its blood, he is burned and transformed. Boone learns from Lylesburg that Baphomet plans to destroy Midian. Boone argues to release the Berserkers, a monstrous feral breed that were imprisoned due to their insanity. When  Lylesburg is killed before he can open the cages, Boone releases them and the Berserkers turn the tide of battle. Decker confronts Boone and is killed. When Boone faces Baphomet, Baphomet says that Boone has caused the end of Midian, which had been foretold. Baphomet charges Boone with finding a new home for the Nightbreed and renames him Cabal. Boone leaves Midian with Lori and meets with the remaining Nightbreed in a barn, where he says his goodbyes to Narcisse and promises to find a place where they will be safe. In the ruins of Midian, Ashberry stands in front  of Decker's corpse and states that he wants vengeance on Baphomet and the Breed. When he presses Baphomet's blood to Decker's wound, Decker springs back to life with a scream as Ashberry repeatedly hollers "Hallelujah!". Alternative ending. In the alternative ending used in "The Cabal Cut" and "Director's Cut" of the film, Narcisse is killed earlier in the battle by Decker, so he is not present during the subsequent events. The Nightbreed await Boone in a barn whilst Boone says his goodbyes to Lori, as he must find a new home for the Nightbreed. Boone promises  to return to her, but knowing that Boone will retain his youth and immortality as she grows old, Lori suddenly stabs herself, forcing Boone to resurrect her as a Nightbreed. They profess their love for one another and begin their journey. Meanwhile, Captain Eigerman wanders the underground remains of the cemetery, where he stumbles upon the transformed Ashberry, who longs for revenge after his burning by Baphomet. Eigerman shares this desire, but Ashberry rejects Eigerman's offer, kills him, and starts his hunt for the Nightbreed. The surviving Nightbreed watch Boone and Lori in the distance. Rachel tells Babette that  Boone will return soon, perhaps the next day, to lead them to a new haven. Boone and Lori now appear together as part of a prophecy in a Nightbreed painting. In "The Cabal Cut", the resurrection of Decker plays as a post-credits scene. Production. Development. Clive Barker always loved monsters and felt that "there's a corner of all of us that envies their powers and would love to live forever, or to fly, or to change shape at will. So, when I came to make a movie about monsters, I wanted to create a world we'd feel  strangely at home in". He was interested in creating a "horror mythology from the ground up" and developing characters that would live on in sequels. As he finished writing the novella "Cabal", he realized that it would make a good film that he would direct himself. He originally envisioned a trilogy of films. "Nightbreed" was the first of a planned three-picture deal Barker had with Morgan Creek, Joe Roth's production company, that included an adaptation of "Son of Celluloid" and a sequel to "Nightbreed". The first compromise Barker made was to change the title of the film from  Cabal to "Nightbreed" because Morgan Creek insisted on a more commercial title and thought that the original one did not mean anything. He was given a budget of $11 million, which was a considerable increase from the $2 million he had to work with on "Hellraiser". His goal was to make the "Star Wars" of horror films. The monsters in the book are represented impressionistically over two or three paragraphs and the challenge Barker faced was to visualize them in much greater detail for the film. Filming. For the film, Barker used three soundstages at Pinewood Studios shooting  some scenes on location at Wexham Park Hospital, Slough, Berkshire, UK over several nights and in Calgary, Alberta, Canada. Bob Keen and his crew had two months to play around with ideas before doing any modeling work. They used computer-controlled animatronics but only where necessary. Towards the end of principal photography, Barker brought "Star Wars" concept artist Ralph McQuarrie in to paint mattes for the Necropolis sequences and design the history of the Breed in a symbolic way on an enormous mural across a 60-foot space on the set at Pinewood to be used in the opening credits . During an interview in 2022 on The Ghost of Hollywood, cinematographer Robin Vidgeon, mentioned that he disliked working with David Cronenberg, stating Cronenberg complained to Clive that he was being usurp. Barker was contractually obligated to deliver an R-rated film and could not make it as gory as his previous picture "Hellraiser". Barker previewed the first cut of "Nightbreed" with a temporary soundtrack that did not go well, as people were confused by the characters' motives. He made some changes and the second test screening was much more successful. However, the ending with Decker's death was not well  received and Barker changed it. In late July 1989, the studio pushed the release date for "Nightbreed" from its original autumn 1989 date to early February 1990 instead. The press release cited "the complex demands of the film's ground-breaking post-production optical effects", but this also included McQuarrie's mural and matte paintings, and a week of additional shooting in late August that would see key parts of the narrative re-shot. Barker shot extra scenes over three days in Los Angeles in late 1989 which included additional scenes with David Cronenberg which expanded and clarified his character . Barker's original version ran two-and-a-half hours and Fox asked for almost an hour to be cut prompting editor Richard Marden to leave the project in protest. "Nightbreed" was cut to two hours and then again to 102 minutes. Soundtrack. The score was composed by Danny Elfman and conducted by Shirley Walker, who also wrote the additional cue "Charge of the Berserkers" for the film's climax and received an onscreen credit. Elfman said of his score: "Once again it was time for me to stretch out... Combining dark/fun/sweet/tribal all into one. The great  joy in the score for me, other than working for Clive Barker, was being able to use the children's voices and a whole slew of ethnic drums and instruments together with an orchestra, in an attempt to bring a unique musical tone to the film". Barker said "Danny is an extraordinary talent. The most uncompromised portion of that entire movie is the score". In an article on Elfman, described as a rising composer in Hollywood who had just scored Tim Burton's "Batman" and was about to score Warren Beatty's "Dick Tracy", "Entertainment Weekly"s Ron Givens noted that  Nightbreed wouldn't get as much attention as these two big-budget movies, yet Givens praised Elfman's "needle-sharp crescendos and creepy choral plainchants" and added: "Seldom has scary-movie music been so spiritual". The song "Country Skin" is a country-and-western rendition of the Oingo Boingo song "Skin" (which appears on the 1990 album "Dark at the End of the Tunnel"), it was written by Elfman and performed by country singer Michael Stanton. It can be heard in the film, played on a radio. It was available as a bonus track on the CD and cassette version  of the soundtrack. Release. Marketing. According to Barker, the studio did not promote it well with posters that misinterpreted the content. When he saw the way they were selling "Nightbreed", he freaked out and said: "What you doing? This isn't the movie, and was given all kinds of excuses ... Well, there isn't time to change it, we have to release it now". The head of marketing at Morgan Creek never watched all the way through because it "disgusted and distressed" him, according to Barker. The studio did not understand it, it had no movie stars, it was violent , and it had elements of fantasy and horror which they saw as a weakness while Barker saw it as a strength. They ended up marketing "Nightbreed" as a slasher film with television teasers that were confusing and did not represent it. The trailer was sent to the MPAA and it was rejected 12 times. They forbade any monster footage, and it was cut down to someone being terrorized with a razor, which constituted only five minutes of Barker's film. Looking back, Barker realized that Fox was better at promoting films like "White Men Can't Jump" but "not so  good at selling the quirky stuff". The studio argued that there was no point showing "Nightbreed" to critics because the people who see horror films do not read reviews. Therefore, the film had to be sold to the lowest common denominator. They refused to preview the film for critics, a decision which angered Barker. Reception. Critical response. Rotten Tomatoes, a review aggregator, reports 43% of 30 surveyed critics gave the film a positive review; the average rating was 5.4 out of 10. The site's consensus states: ""Nightbreed"'s imaginative world-building and startling creature designs are no match for  its clumsy, uneven plotting". In his review for the "Toronto Star", Henry Mietkiewicz wrote ""Nightbreed" might have been a monster movie milestone, if Clive Barker's directorial abilities had kept pace with his skill as a master of British horror fiction. Unfortunately, "Nightbreed" probably will be remembered as much for its haphazard plotting and underdeveloped characters as its delightfully daring concept". Derek Malcolm wrote in his review for "The Guardian" that "it is neither direct nor subtle enough as a piece of film-making. It is difficult to suggest that evil is human and monsters have souls within the context  of a mountain of special effects. The result is patchy in the extreme and not always capable of transcending a genre that has become less and less intriguing as less and less is left to the imagination". However, "Entertainment Weekly"s Ty Burr gave the film a "B" rating, writing: "From the film's Gothic sets, fantastic makeup, and nightmarish plot line, it's clear that Barker owes as much to Poe and Lovecraft as to classic Hollywood screamers like "Island of Lost Souls". But Barker's most perverse touch is that he makes these creatures the good guys (no wonder  the PR flacks were bamboozled). Despite their grotesque appearance, they're a more colorful and engaging bunch than the emissaries of the "normal" world. Barker piles on more subversive subtext than his story can bear — it's a monster movie, after all — but his daft, Grand Guignol vision has real power. The quality that freaked out the studio, Barker's ambition, is precisely what makes "Nightbreed" so impressive". Filmmaker Alejandro Jodorowsky liked the film, calling it "the first truly gay horror fantasy epic", explaining how the unconsummated relationship between doctor and patient is in his view the central theme. Box  office. "Nightbreed" was released on February 16, 1990, in 1,488 theaters, grossing $3.7 million on its opening weekend. It went on to make $8.8 million in the United States and Canada and $7 million internationally for a worldwide total of $16 million on an $11 million budget. Merchandise. Comic books. In 1990, to tie in with the film's box office release, Epic Comics produced a four-issue adaptation of the film, which included significant differences from the finished movie, more closely related to Clive Barker's original script. The comic book continued to run  past the end of the film, ultimately stretching to twenty-five issues before it was cancelled. The comic book was initially written by Alan Grant and John Wagner and drawn by Jim Baikie. A two part graphic novel was also produced, "Hellraiser vs Nightbreed: Jihad", which merges the two worlds created by Clive Barker and features the Cenobites as agents of order against their chaotic nemesis the Nightbreed, and the Jihad (Holy War) of extermination that the first wage on the latter. "Nightbreed" returned in 1992, as a short story in the second issue of the four issue "Epic" anthology  series. A 12 issue mini-series was published by BOOM! Studios in 2014-2015 following the storyline of the Director's Cut of the film. Video games. Two video games based on the film were released shortly after the movie. The games were intended to form a trilogy but due to the poor performance of the first two the third was never made. The first was a traditional action game and was released for the Commodore Amiga, Atari ST, Commodore 64, ZX Spectrum and Amstrad CPC, and for DOS. Loosely following the same plot as the movie, it intersperses various  action sequences. The second game was released for the Amiga and ST and for DOS. Also based on the film, there was less action involved as it was more of an interactive movie. Legacy. TV series. Morgan Creek reportedly began developing a television series based on the original film in 2014. In the following year, Morgan Creek announced the sale of the domestic rights to its library of 78 films, but the production company plans to retain the TV rights to "Nightbreed". In June 2018, Syfy, Morgan Creek and Barker teamed up to develop the series. It is being written  by Josh Stolberg and directed by Michael Dougherty for SyFy. Section::::"The Cabal Cut". In 2009, Mark Miller, co-head of Barker's production company, Seraphim Films, helped track down the missing footage that was cut out of the director's cut of "Nightbreed". Miller discovered, after talking to a production executive at the studio, that the footage was never actually lost but readily accessible. When asked, a studio executive said that there was not a big enough audience to warrant the studio spending money on a new, extended cut of the film. A VHS copy of Barker's 145-minute  version of the film's mid-1989 workprint was discovered. It did not feature any of the re-shoots of Decker's murders. An extended 159-minute cut version, from another VHS found in July 2009, premiered on March 27, 2010, as part of the HorrorHound Weekend in Indianapolis. This new version adds almost an hour that was cut from the theatrical release, including a song sung by Lori, and more animation. Barker said that he hopes to bring back Danny Elfman to add more music. In early 2012, Russell Cherrington, a senior lecturer in film and video production at the  University of Derby, created a composite cut of the film using the footage found on both VHS tapes and a DVD then recently released by Warner Archive Collection, Warner's made-to-order DVD service. This version is the most complete version of Barker's film available and has been dubbed "The Cabal Cut". The cut runs 155 minutes long and was shown at that year's "Mad Monster Party" in North Carolina with actors Craig Sheffer and Anne Bobby attending. The "Mad Monster Party" projection of the "Cabal Cut" led to a renewal of interest among fans, especially on  the Internet. A new petition was created and social networks were used to raise awareness for the extended cut and to encourage producers to release it. This would be colloquially known as "Occupy Midian", a term coined by actress Anne Bobby. A Blu-Ray release of the "Cabal Cut" was announced on July 13, 2017, via the Clive Barker Podcast. This release utilized then-restored footage from the Director's Cut and the pre-existing VHS copies, for a total length of 145 minutes. The release features new material and commentary tracks exclusive to that release. Handled by Morgan Creek  and Seraphim Films, the Cabal Cut Blu-Ray was released in a limited quantity through Clive Barker's online store. Shout! Factory restoration and "Director's Cut". In 2013, Shout! Factory released "The Cabal Cut" on DVD. This version was later clarified to be a brand new director's cut that uses the footage and not the full "Cabal Cut". Shout! Factory released "The Director's Cut" Blu-ray in 2014. This version, overseen by Clive Barker, runs twenty minutes longer than the theatrical version and contains forty minutes of new and altered footage. Shout, with Morgan Creek Entertainment, located  the original film elements in the Warner archives to newly restore the sequences. Barker said, "when Scream Factory told me that they found the "Nightbreed" film footage, I was gob-smacked! This is the ultimate validation of choices made by myself and Mark Miller all the way back in 2008". Shout later published a Special Edition Blu-ray / DVD combo pack and a 3-disc limited edition Blu-ray, containing a booklet and the theatrical cut. When the limited edition sold out during pre-orders, Shout! doubled their production run.