Seattle Opera
Seattle Opera is an opera company based in Seattle, Washington. It was founded in 1963 by Glynn Ross, who served as its first general director until 1983. The company's season runs from August through late May, comprising five or six operas of eight to ten performances each, often featuring double casts in major roles to allow for successive evening presentations. Since August 2003, Seattle Opera has performed at Marion Oliver McCaw Hall (capacity: 2,967), which was built on the site of the old Seattle Opera House at Seattle Center. The company's current general director is Christina  Scheppelmann, who assumed the role in August 2019. Seattle Opera does not have a full-time music director; in October 2007, it announced the appointment of Asher Fisch as its principal guest conductor. The Ross years. From the outset, Ross saw opera as something that had to be sold using similar techniques to those used to sell popular entertainment. "To sell opera…you have to get their attention with a little razzle-dazzle. You've got to be simpatico. You have to be able to communicate, and you have to deliver your message with the best possible product you can  manage." In 1970, H. C. Schonberg of the "New York Times" contrasted Seattle Opera's approach to marketing to the then still staid marketing of New York's Metropolitan Opera: "Out there, you see campaign buttons with the legend "Opera Lives". It is in Seattle where you can look at the sky and find an airplane skywriting the virtues of Seattle Opera. There are even auto bumper stickers about opera." Further, Schonberg remarked favorably on the "air of freshness and experimentation that contrasts vividly with the dull, tried and true, tired professionalism in other opera houses one could mention." Richard  Wagner at Seattle Opera. The company is noted for its performances of the works of Richard Wagner, including the "Ring" cycle. In 1975, it was the first American company to perform the cycle in its entirety over the space of a week since the Metropolitan Opera in 1939. Section::::"Ring 1," 1975–1984. Beginning with a production of "Die Walküre" one year, and following successively each year with "Siegfried" and, finally, "Götterdämmerung", Ross announced in 1975 that "Das Rheingold" would precede the others to make up the first consecutive Ring Cycle over six days in July. In spite of the modernization of  the opera productions which Ross found at the Bayreuth Festival, Seattle's were to be traditional productions and appeal to the lovers of the traditional. Two back-to-back cycles of the "Ring", one each in German and English, were presented annually between 1975 and 1983. Andrew Porter's English adaptation which was prepared for the English National Opera and which was priced below the German language cycle, introduced many new listeners to Wagner. Originally directed by George London with designer John Naccarato, later presentations were directed by Lincoln Clark between 1976 and 1983, and by the tenor, Ragnar Ulfung  in 1984. Henry Holt conducted all the cycles. The performances were well attended and received good press. By 1982, the cycle was drawing opera lovers from all over the United States, as well as many other countries of the world, and Seattle appeared to be a serious rival to Bayreuth. Section::::"Ring 2," 1985–1995. Speight Jenkins was appointed General Director in 1983, and immediately set about creating a new "Ring" production. "Die Walküre" appeared first, in 1985, followed by complete cycles in 1986, 1987, 1991, and 1995. (Jenkins determined that the company could achieve higher quality performances by presenting the "Ring  every four years.) The new production was directed by Francois Rochaix, with sets and costumes designed by Robert Israel, lighting designed by Joan Sullivan, and supertitles (the first ever created for the Ring") by Sonya Friedman. The production set the action in a world of nineteenth-century theatricality. Initially controversial, it sold out in 1995. Conductors included Armin Jordan ("Die Walküre" in 1985), Manuel Rosenthal (1986), and Hermann Michael (1987, 1991, and 1995). Section::::"Ring 3," 2000–2013. Jenkins engaged a new creative team to conceive Seattle Opera's third "Ring" production, which was unveiled in 2000 ("Das Rheingold" and "Die Walküre ) and 2001 (full cycle) and returned in 2005, 2009, and 2013. Director Stephen Wadsworth, Set Designer Thomas Lynch, Costume Designer Martin Pakledinaz, Lighting Designer Peter Kaczorowski created a production which became known as the Green" "Ring", inspired in part by the natural beauty of the Pacific Northwest. Armin Jordan returned to conduct in 2000, Franz Vote in 2001, and Robert Spano in 2005 and 2009. The 2013 production, conducted by Asher Fisch, was released as a commercial recording on compact disc and on iTunes. The productions starred singers such as Greer Grimsley, Stephanie Blythe, Ewa Podles, Jane Eaglen, Richard Paul  Fink, Margaret Jane Wray, and Stephen Milling. Speight Jenkins and Wagner. Upon taking leadership of Seattle Opera in 1983, Speight Jenkins stated a goal of producing all ten of the major Wagner works in Seattle. Beginning with "Tannhäuser" in 1984 (the first Seattle Opera production with supertitles), Jenkins finally achieved his goal with the August 2003 production of "Parsifal" that opened McCaw Hall. Performers. Seattle Opera draws some of the world's best opera singers to its stage. Some of the notable performers who have appeared in productions include: Conductors and directors. George Fiore was Seattle Opera's choral director  from 1983 through 2000. Seattle Opera often invites guest directors and conductors to take part in its productions. Notable conductors and directors include: New operas. Seattle Opera supports the creation of new operas and has commissioned several works throughout its history. New operas performed by the company include: References. Notes Sources