Georg Humann
Georg Humann (* 8 December 1847 in Rellinghausen (now a suburb of Essen); † 18 January 1932 in Aachen) was a German art historian. Life. Humann belong to a long-established Essen family, his father was steward of the estates of Schloss Schellenberg. Humann studied architecture, like his better known cousin Carl Humann, the discoverer of the Pergamon altar. He attended the Polytechnische Schule Hannover from 1873 to 1876. After completing his studies, he returned to Essen, where he dwelt in his maternal family home. For health reasons he was unable to work as an architect. Humann dedicated himself to  the Essen Cathedral Treasury and Minster, stimulated by the gothicization of the Minster from 1880. Humann represented an alternative perspective to that of the architect in charge, Peter Zindel, whose plans foresaw the gothicization of the westwerk. Humann prevailed over him when he called in the Prussian conservator Heinrich von Dehn-Rotfelser. Humann's books derive from his work on the Minster and its treasury and were highly valued by his contemporaries, such that Georg Dehio used Humann's line drawings for his section on Essen Minster in his Handbuch der deutschen Kunstdenkmäler (Handbook of German Artistic Monuments). Humann received  an honorary doctorate from the Royal Theological and Philosophical Academy of Münster for his research in 1908, as well as Honorary membership of the Essen Historical Society. After his house in Essen had to be sold in 1897 because of an inheritance dispute, Humann settled in Aachen, where he lived in the Vinzenzstift from 1900 and died in 1932. His private library, with around 300 individual volumes on art history as well as his own work was donated by Humann to the Stadtbibliothek Aachen after his death. Legacy. Many of Georg Humann's art historical conclusions have been superseded by  newer research, but his works are still used today, because Humann's observations, descriptions and drawings are very precise. Therefore, his work enables in many cases a comparison of present conditions with those before the First World War. In 1890 Humann proposed an early date for the Essen Westwerk on stylistic grounds, which was not accepted but has lately been taken up once more. Humann's intervention to protect the Ottonian style of Essen's Westwerk saved it from being converted into a neo-Gothic building. Furthermore, during the preparation of his book about the Cathedral Treasury, he discovered that  the wooden interior of the Golden Madonna was full of woodworm, prompting restoration work without which the figure would probably not have survived.