Richard III (1955 film)
Richard III is a 1955 British Technicolor film adaptation of William Shakespeare's historical play of the same name, also incorporating elements from his "Henry VI, Part 3". It was directed and produced by Laurence Olivier, who also played the lead role. Featuring many noted Shakespearean actors, including a quartet of actors who were later knighted, the film depicts Richard plotting and conspiring to grasp the throne from his brother King Edward IV, played by Sir Cedric Hardwicke. In the process, many are killed and betrayed, with Richard's evil leading to his own downfall. The  prologue of the film states that history without its legends would be "a dry matter indeed", implicitly admitting to the artistic licence that Shakespeare applied to the events of the time. Of the three Shakespearean films directed by Olivier, "Richard III" received the least critical praise at the time, although it was still acclaimed. It was the only one not to be nominated for Best Picture at the Academy Awards, though Olivier's performance was nominated. The film gained popularity in the US through a 1966 re-release, which broke box office records in many US cities. Many critics now  consider Olivier's "Richard III" his best Shakespearean screen adaptation. The British Film Institute has pointed out that, given the enormous TV audience it received when shown in the United States on NBC, Sunday afternoon, March 11, 1956, the film "may have done more to popularise Shakespeare than any other single work". Plot. King Edward IV of England (Sir Cedric Hardwicke) has been placed on the throne with the help of his brother, Richard, Duke of Gloucester (Sir Laurence Olivier). After Edward's coronation in the Great Hall, with his brothers George and Richard watching, he leaves with his wife  and sons. Richard contemplates the throne, before advancing towards the audience and then addressing them, delivering a speech that outlines his physical deformities, including a hunched back and a withered arm. He goes on to describe his jealousy over his brother's rise to power in contrast to his lowly position. He dedicates himself to task and plans to frame his brother, George, Duke of Clarence (Sir John Gielgud), for conspiring to kill the King, and to have George sent to the Tower of London, by claiming George will murder Edward's heirs. He then tells his brother he will  help him get out. Having confused and deceived the King, Richard proceeds with his plans after getting a warrant, and enlists two ruffians (Michael Gough and Michael Ripper) to carry out his dirty work: George is murdered, drowned in a butt of wine. Though Edward had sent a pardon to Richard, Richard stopped it passing. Richard goes on to woo and seduce the Lady Anne (Claire Bloom), and though she hates him for killing her husband and father, she cannot resist and ends up marrying him. Richard then orchestrates disorder in the court, fueling rivalries, and setting the court  against the Queen consort, Elizabeth (Mary Kerridge). The King, weakened by exhaustion, appoints his brother, Richard, as Lord Protector, and dies soon after hearing of the death of George. Edward's son, soon to become Edward V (Paul Huson), is met by Richard whilst en route to London. Richard has the Lord Chamberlain, Lord Hastings (Alec Clunes) arrested and executed, and forces the young King, along with his younger brother the Duke of York (Andy Shine), to have a protracted stay at the Tower of London. With all obstacles now removed, Richard enlists the help of his cousin the Duke  of Buckingham (Sir Ralph Richardson) to alter his public image, and to become popular with the people. In doing so, Richard becomes the people's first choice to become the new King. Buckingham had aided Richard on terms of being given the title of Earl of Hereford and its income, but balks at the idea of murdering the two princes. Richard then asks a minor knight, Sir James Tyrrel (Patrick Troughton), eager for advancement, to have young Edward and the Duke of York killed in the Tower of London. Buckingham, having requested his earldom at Richard's coronation, fears for  his life when Richard (angry at Buckingham for not killing the princes) shouts "I am not in the giving vein today!" Buckingham then joins the opposition against Richard's rule. Richard, now fearful because of his dwindling popularity, raises an army to defend his throne and the House of York against the House of Lancaster, led by Henry Tudor (Stanley Baker), the Earl of Richmond and later Henry VII of England, at Bosworth Field (1485). Before the battle, however, Buckingham is captured and executed. On the eve of the battle, Richard is haunted by the ghosts of all those he  has killed in his bloody ascent to the throne, and he wakes up screaming. Richard composes himself, striding out to plan the battle for his generals, and gives a motivational speech to his troops. The two forces engage in battle, with the Lancastarians having the upper hand. Lord Stanley (Laurence Naismith), whose loyalties had been questionable for some time, betrays Richard, and allies himself with Henry. Richard sees this and charges into the thick of battle, side by side with his loyal companion Sir William Catesby (Norman Wooland) to kill Richmond and end the battle quickly. Eventually Richard spots Richmond  and they briefly engage in a duel before being interrupted by Stanley's men. Richard and Catesby are able to escape the oncoming forces, but, in doing so, Richard is knocked off his horse, loses his cherished crown, and becomes separated from Catesby, who is off seeking rescue. Searching desperately for Richmond, whom he has lost sight of, Richard cries out: "A horse! A horse! My kingdom for a horse!" Catesby finds the king and offers him withdrawal, but Richard refuses to flee. Catesby is then killed by Richmond's men without Richard noticing. Richard then spots Lord Stanley, and  engages him in single combat. Before a victor can emerge, the Lancastarian troops charge Richard, and fatally wound him. The wounded murderous king convulses in spasms, offering his sword to the sky, and eventually dies of his wounds. Stanley orders Richard's body to be taken away and then finds Richard's crown in a thorn bush. He then proceeds to offer it to Henry, leaving the crown of England in safe hands once again. Cast. Olivier cast only British actors. Since the film was financed by Alexander Korda and produced by his London Films, obtaining the required actors was  not difficult, as many actors were contractually obliged to London Films. As with most films with ensemble casts, all the players were billed on the same tier. However, Olivier played the title character and occupies the majority of screen time. When casting the supporting roles, Olivier chose to fortify the already impressive cast with seasoned veterans, such as Laurence Naismith, and with promising newcomers, such as Claire Bloom and Stanley Baker. For the murderers, Olivier originally wanted John Mills and Richard Attenborough. However, Mills thought the idea might be regarded as "stunt casting", and Attenborough had to pull out because  of a scheduling conflict. The film's marketers in the US picked up on the fact that the cast included four knights (Olivier, Richardson, Gielgud and Hardwicke) and used this as a selling point. The four members of the cast who had already achieved British knighthood were all listed as "Sir..." in the film credits. Production. Background. Of Olivier's three Shakespeare films, "Richard III" had the longest gestation period: Olivier had created and been developing his vision of the character Richard since his portrayal for the Old Vic Theatre in 1944. After he had made Shakespeare films popular with  Henry V and "Hamlet", the choice of "Richard III" for his next adaptation was simple, as his Richard had been widely praised on stage. For the stage production, Olivier had modelled some of the crookback king's look on a well-known theatrical producer at the time, Jed Harris, whom Olivier called "the most loathsome man I'd ever met". Years later Olivier discovered that Walt Disney had also used Harris as his basis for the Big Bad Wolf in the film "The Three Little Pigs". Alexander Korda, who had given Olivier his initial roles on film, provided financial support  for the film. Screenplay. Most of the dialogue is taken straight from the play, but Olivier also drew on the 18th century adaptations by Colley Cibber and David Garrick, including Cibber's line, "Off with his head. So much for Buckingham!". Like Cibber and Garrick, Olivier's film opens with material from the last scenes of "Henry VI, Part 3", to introduce more clearly the situation at the beginning of the story. A key change in the story involved the seduction of Anne. It is split into two scenes instead of one, and an element of perversity is added—whereas  in the original play she is following a coffin with the corpse of her father-in-law, in this film the coffin contains the corpse of her husband. John Cottrell has been quoted as saying this makes "the young widow's seduction even more daring and revolting than it is in the original, and [gives] Anne's capitulation" in the second part after a passionate kiss "a new and neurotic twist". This is accomplished by cutting lines, changing lines, and changing the sequence of some lines. Olivier makes other small and subtle additions in the stage direction. When Richard's  nephew makes a joke about his uncle's hunchback ("you should bear me on your shoulder"), Richard spins round and gives the boy a malevolent glare making the boy stagger back. This bit of stage direction is original to Olivier. Olivier also silently mimes some actions spoken of in his soliloquies such as when he whispers insinuations about Clarence into the ear of King Edward. In general the lengthy play is heavily cut. In an interview with Roger Manvell, Olivier discussed how unwieldy and complex the play is: The character of Queen Margaret is cut entirely, the role of the  Duchess of York (Helen Haye) is significantly reduced, the role of Edward IV's wife Elizabeth is also reduced, and the execution of Clarence and other scenes are abridged. These cuts were made to maintain the pace of the film and to cut down the running time, as a full performance of the play can run upwards of four hours. Richard is made more directly responsible for the death of Edward IV than in the play, as Edward has his fatal attack only moments after Richard informs the assembled nobles that Clarence is dead. Filming. Gerry O'Hara was Olivier's  assistant director, on hand to help since Olivier was acting in most of the scenes. Olivier was very precise in getting many of the visual details of the period correct. Actor Douglas Wilmer (Dorset) recounts that when he casually told Olivier that one piece of heraldry on the set was incorrect, that Olivier started pumping as much information out of him as possible as if he was "drilling for oil". Olivier made the unusual decision to deliver his soliloquies by directly addressing the film audience, something not often done before in film. Near the beginning of the film Richard's  herald drops his coronet, a mistake that Olivier decided to keep in, as part of the motif of accidental loss of the crown continued in the final battle. Most of the film was shot at Shepperton Studios, but the climactic Battle of Bosworth Field abruptly opens up the setting, as it was shot outdoors, in the Spanish countryside. During one sequence therein, Olivier suffered an arrow wound to the shin when his horse jerked forwards. Fortunately, it was on the leg Richard was supposed to limp on, allowing the scene to continue. Wilmer also notes: During filming, Olivier's portrait  was painted by Salvador Dalí. The painting remained one of Olivier's favourites until he had to sell it to pay for his children's school fees. Cinematography. The cinematography for the film was by Otto Heller, who had worked on many European films before coming to the UK in the early 1940s. The film uses the Technicolor process, which Olivier had earlier rejected for his "Hamlet" after a row with the company. The use of Technicolor resulted in bright, vibrant colours. Korda had suggested that Olivier also use the new extreme widescreen format, CinemaScope, but Olivier thought it was  nothing more than a gimmick designed to distract the audience from the true quality of the film, and chose the less extreme VistaVision format instead. To this day, "Richard III" remains the only Shakespeare film made in VistaVision. Music. The score was composed by Sir William Walton, who worked on all of the films Olivier directed except "The Prince and the Showgirl". He composed a score described in Chandos's record catalogue as "rousing" and "filled with pomp and circumstance, to add to the feel of pageantry". The music was conducted by Muir Mathieson, who collaborated on all of the  films Olivier directed, except for "Three Sisters". The film's music was also used for a set of readings of speeches from the play on audio CD featuring John Gielgud. The Chandos catalogue notes that Walton used the main theme throughout the film, especially towards the closing scenes. Release and reception. "Richard III" opened at the Leicester Square Theatre on December 13, 1955, with Queen Elizabeth II and Prince Philip attending the premiere. Alexander Korda had sold the rights to the film to NBC in the US for $500,000 (about $ in today's dollars) and the film was  released in North America on Sunday, 11 March 1956. The release was unique, in that the film had its US premiere on the same day both on television and in cinemas, the first instance of this ever being done. It was not shown during prime time, but rather in the afternoon, so prime time ratings for that day were not affected by any pre-emptions for a special programme. It is quite likely that it was the first 3-hour telecast of a film or a Shakespeare play ever to be shown in the US. The film, although slightly cut  for television, was generally well received by critics, with Olivier's performance earning particular notice, but as a result of its simultaneous release through television and cinemas in the US, it was a box office failure, and many critics felt at the time that it was not as well-made as Olivier's previous films. However, the airing on US television received excellent ratings, estimated at between 25 and 40 million. In addition, when the film was reissued in 1966, it broke box office records in many US cities. Its critical reputation has since grown considerably, and many critics now  consider it Olivier's best and most influential screen adaptation of Shakespeare. The film's failure at the US box office effectively ended Olivier's career as a director of Shakespearean films. His proposed film of "Macbeth", which had been intended to go into production during 1957, in the end finally failed to gain financing. Awards. In contrast to Olivier's previous work, "Richard III" was only nominated for a single Academy Award: Academy Award for Best Actor. It was Olivier's fifth nomination in the category, though the award was won by Yul Brynner for his performance in "The  King and I". "Richard III" was the second film to have won both Best Film awards at the BAFTAs. It dominated that year's awards ceremony, winning, in addition to the two Best Film awards, the award for Best British Actor. It was also the first winner of the newly created Golden Globe Award for Best English-Language Foreign Film, which had been split from the Best Foreign Film Award. Other awards won by the film include the Silver Bear Award at the 6th Berlin International Film Festival and the David di Donatello Award for Best Foreign Production. The Jussi  Award was given to Olivier for Best Foreign Actor. Olivier's performance as Richard III was ranked 39th in "Premiere" magazine's "100 Greatest Performances of All Time" Reputation. On review aggregator Rotten Tomatoes the film holds an 84% based on 19 reviews with an average rating of 7.00/10. However, the reviewer for the "AllMovie" website criticises Olivier's direction for being far more restricted in its style in comparison to the bold filming of "Henry V", or the moody photography of "Hamlet", and Olivier the actor for dominating the production too much (although the character of Richard certainly dominates  Shakespeare's original play). There were some complaints about geographical inaccuracies in the film (the Battle of Bosworth Field was filmed in a region of Spain that does not resemble any locations in England). In response, Olivier wrote in "The New York Times": "Americans who know London may be surprised to find Westminster Abbey and the Tower of London to be practically adjacent. I hope they'll agree with me that if they weren't like that, they should have been." The British Film Institute suggests Olivier's "Richard III" may have done more to popularise Shakespeare than any other  piece of work. According to them, the 25–40 million viewers during its airing on US television, "would have outnumbered the sum of the play's theatrical audiences over the 358 years since its first performance." Home media. The film has been released on VHS numerous times, but these releases are made from cropped low quality sources. Carlton Entertainment released the first DVD in 2000 presented in a widescreen ratio. This release was presented in 1.78:1 but is non-anamorphic and zoomed in the most compared to the later releases. In 2002, Wienerworld released a special edition DVD with a new  1.66:1 widescreen transfer, a trailer, and star bios. In 2004, Criterion digitally restored the film in its original 1.66:1 widescreen format and re-constructed it to match the release script. Unlike the previous releases before it that were made from different and inferior source elements, Criterion performed their own restoration and digital transfer. It was released in a 2-disc special edition, including an essay by film and music historian Bruce Eder, an interview with Olivier, and other numerous special features. The DVD is subtitled in English, with a Dolby Digital 2.0 Mono audio track. The DVD also contains a  commentary by Russell Lees and John Wilders. The second disc of the DVD features a 1966 BBC interview with Olivier by Kenneth Tynan entitled "Great Acting: Laurence Olivier". It also contains a gallery of posters, production stills and two trailers. The film was given a Blu-ray release in the UK by Network, and later in 2012 by The Criterion Collection for DVD and Blu-ray in the United States. Both releases featured a restoration from the original film elements by the Film Foundation in conjunction with ITV Global, owners of the London Films/Rank library. Richard III (1955 film