Tone (DC band)
Tone is an instrumental post-rock band that formed in Washington, DC, in 1991. The group creates dynamic instrumental music using multiple electric guitars. While its two founding members, guitarist Norm Veenstra and drummer Gregg Hudson, have remained constant through most of the group’s history, Tone has also included former, current, or future members of Government Issue (Mitch Parker), Edsel (Nick Pellicciotto), Pitchblende (Justin Cherno), Velocity Girl (Jim Spellman and Kelly Riles, now known as Kelly Young), Thud (Gregg Hudson, Adam Rutland, and Bob Dotolo), Teen Idles (Geordie Grindle), Unrest (Phil Krauth), Wharton Tiers Ensemble (Kevin  Kim), Strange Boutique (Steve Willett), Caligari (Dennis Kane), Smart Went Crazy (Hillary Soldati), Raymi (Gustavo Vargas), and Night Streets (Charles Andrews). Veenstra has stated in interviews that the band would never have fewer than three guitarists. Tone has released albums on Kora Records, Neurot, Dischord, and Independent Project Records. Band History. 1991-1995: Formation, early years, and "Build". Norm Veenstra and Gregg Hudson worked together at the in Washington, DC, where Veenstra was the General Manager and Hudson, who would later become the Office Manager, made the infamous F Street pizza for the bands when he wasn't working security  or bar-backing. Hudson was drumming for THUD when he and Veenstra decided to start a band together based on shared influences and interests. While Tone's first shows were often described as relentlessly raw, by the time of their first recording sessions in 1993 and 1994 they had evolved into a more precise, if not polished, approach. The group’s first CD, "Build", was a mini-album of six songs and was recorded by Frank Marchand and Rob Christiansen (of Eggs). 1996-2000: "Sustain" and "Structure". From there, Tone began to add more variety to their tonal palette and  their song structures. The band recorded two albums with Robert Poss from Band of Susans: 1996's "Sustain" and 2000's "Structure". Still entranced with the hypnotic possibilities of drone and repetition, Tone added an unexpected emotional depth to their growing rhythmic sophistication. Phil Krauth was the drummer for "Sustain"; Hudson had temporarily moved to L.A. to write music with Distorted Pony's David Uskovich. In recording "Structure" in 1998 and 1999, Tone expanded its ranks to fourteen pieces, adding cello, tuba, trumpet, French horn, and trombone. The additional tonal textures helped bring a richer orchestral vibe to the mix  while allowing for a more concentrated focus on arrangement. The result was described as "combining the attack of punk with progressive tendencies". 2001-2009: "Ambient Metals", "Solidarity", and other collaborations, and "Priorities". Tone released a 7" "Alhambra" in 2002, marking the band's first appearance on vinyl. The recording was an outtake of material recorded with Poss, mixed together with Don Zientara from several recordings. Tone also worked with J. Robbins (of Jawbox and Burning Airlines, as well as producer of Jets to Brazil and the Dismemberment Plan) to record its third album "Ambient Metals", released in 2003 on Dischord  Records. This was the first of Tone's albums to feature a second drummer, Andy Myers. The "Chicago Tribune" writes of "Ambient Metals": "Tone emphasizes widescreen melodies and ringing timbres, striking unison chords that radiate clouds of overtones over surging martial rhythms." Andrew Beaujon of the "Washington Post" writes of "Ambient Metals", "the instrumental ensemble Tone has an uncanny ability to summon the wide-open spaces of the American Southwest. That can be credited partly to leader Norm Veenstra's love of '80s sonic boomers such as Savage Republic and Nice Strong Arm, but it's his other great influence , the guitar orchestras of New York avant-garde composers Rhys Chatham and Glenn Branca, that gives Tone the muscle to suggest not just the desert's beauty, but its menace as well." "Solidarity" was recorded by Robbins at Phase in College Park, MD, and mixed by Robbins at Inner Ear in 2004. Ignacio Coluccio of "Maelstrom" magazine writes of "Solidarity": "The songs usually contain a wall of sound, but, oddly, a pleasing one (a little bit like Godspeed! You Black Emperor). A big part of "Solidarity"'s compositional aspect is the build-up, almost all the songs have it and  it's a definite plus, so it wouldn't be so crazy to call Tone a post-rock act. But no. A good way to summarize Solidarity would be 'ambient music'." In January 2009, Tone recorded "Priorities" with Robbins in Baltimore at his new studio Magpie Cage. This was the last Tone album to have two drummers. In the "Washington CityPaper", Ryan Little writes of "Priorities": "Each of the five songs stretches past five minutes, and all of them center on shimmery guitars that slowly gain intensity...Priorities is nothing if not mindfully crafted, and the record subtly showcases a  diversity of influences within its unbending framework." The "Washington Post" writes of "Priorities": "The album showcases what Tone does best - shimmering, guitar-driven songs that swell and expand with each layered repetition." From late 2004 to early 2006, Tone collaborated with the Bowen McCauley Dance Company in preparation for key performances at the Kennedy Center and the 2006 Schrittmacher Festival in Aachen, Germany. In 2011, Tone again collaborated with the Bowen McCauley Dance Company at its 15th anniversary performance at the Kennedy Center's Terrace Theatre. 2010-present: present recordings. In the Fall of 2010, Tone recorded the song "Incoming