Barbie of Swan Lake
Barbie of Swan Lake is a 2003 computer-animated fantasy film directed by Owen Hurley. It was released to video and DVD on September 30, 2003, and made its television premiere on Nickelodeon on November 16, 2003. Based on the Tchaikovsky ballet "Swan Lake", the film is the third CGI entry in the "Barbie" film series, and the second entry based on a Tchaikovsky ballet (the first was "Barbie in the Nutcracker"). Barbie and Odette are voiced by Kelly Sheridan. The story is an adaptation of the 19th-century German fairy tale "Swan Lake". Plot. The  story is told by Barbie to her little sister, Kelly, who is feeling uneasy about being at overnight camp for the first time. Odette is a young woman who lives in a small village with her father and sister, and works in the family bakery. Odette is a talented dancer but is shy and timid about it. Meanwhile, Prince Daniel is informed by his mother that it is time for him to marry and that she is hosting a ball for him to choose a wife. The men of the village go after a unicorn named Lila. With the help  of Odette, Lila escapes and is followed by a curious Odette into an Enchanted Forest. Lila becomes caught in a bush, so Odette looks for something to free her. She spots a crystal lodged in a rock which she easily removes as the other denizens of the forest watch in astonishment. Odette is approached by the Fairy Queen who tells her that by freeing the magic crystal, she is destined to defeat the sorcerer Rothbart. The Fairy Queen explains that Rothbart, her cousin, was angered when she was chosen to become the next ruler of the enchanted forest. Rothbart left  and returned years later, wielding powerful dark magic, with his daughter Odile, and has since taken over most of the forest, even turning its denizens into animals. Odette, afraid to get involved, declines to help. While Lila escorts her out of the forest, Odette is confronted by Rothbart, who gives her the same curse as the others, turning her into a swan. The Queen arrives too late and gifts Odette with a tiara embedded with the crystal that protects her from Rothbart's magic. As her powers are too weak, the Queen only partially reverses the spell on Odette, allowing  her to regain human form by night but turn back into a swan by day. Odette and Lila meet up with Erasmus, a troll who takes care of a massive library, in order to find the Book of Forest Lore, which can tell them how to break the spell; however, they are unsuccessful. Daniel, who is out hunting, is lured into the forest by Rothbart, determined to get him to hunt and kill Odette. However, just as he's about to shoot her down, Daniel is captivated by the swan's beauty and decides to let her live. Odette then  transforms in front of him and protects him from Rothbart. The two of them spend the night together and fall in love. Daniel invites Odette to the ball the next night, to which she agrees. Erasmus eventually finds the book and reveals that the key to defeating Rothbart is true love. However, if Daniel falls for another girl, the magic crystal will lose its power and Odette will die. As the others help Odette prepare for the ball, Rothbart abducts Erasmus and the book. While Odette rescues Erasmus, Rothbart attends the ball with Odile, magically disguised as Odette. Odette flies  to the castle in her swan form to warn Daniel, but is too late; Daniel pledges his love to Odile, causing Odette to collapse. With the crystal's power gone, Rothbart takes it from Odette. The Fairy Queen arrives, takes the unconscious Odette into her carriage, and flees with Rothbart in pursuit. The carriage crashes back in the Enchanted Forest. The Fairy Queen challenges Rothbart to a duel, but is overpowered and turned into a mouse. Odette wakes up in time as Daniel arrives to confront Rothbart. The two reunite but Rothbart's spell hits them both, leaving them unconscious , their hands intertwined. Rothbart believes he has won, but at that moment, he is consumed by the crystal's magic, as Daniel and Odette tried to protect each other out of true love. The two awaken as all of Rothbart's evil is undone. Everyone from the village and the Enchanted Forest celebrate as Odette and Daniel are to be married. Rothbart becomes a cuckoo clock, while Odile ends up as a maid in Erasmus's library. The story of courage gives Kelly new resolve and she promises she will participate in a race the following day, with Barbie smiling  in approval. Production. As with Barbie's first ballet film "Barbie in the Nutcracker", "Barbie of Swan Lake" was choreographed by the New York City Ballet master-in-chief Peter Martins, and features the movement of New York City Ballet dancers computer animated through motion capture imaging. The dancers were filmed over two days for the ballet sequences with 16 light-emitting cameras that tracked their movements based on reflective squeres attached to the dancers' elbows, wrists and legs. The production team at Mainframe Entertainment then superimposed the motion capture data onto computer models of the movie characters, and animated  the characters' faces. Motion capture performer Cailin Stadnyk portrayed Barbie's movements, while ballerina Maria Kowroski performed the character's dancing scenes. Music. The film features Tchaikovsky's score from "Swan Lake", performed by the London Symphony Orchestra. In addition, the film has a theme song that plays over the end credits, "Wings", written by Jason Blume and performed by Leslie Mills. Release. The film was released on VHS and DVD on September 30, 2003. The DVD includes the bonus features "The Ballet Dances of Swan Lake", which showcases the film's ballet sequences with accompanying commentary for young viewers , "The Music in You", a 20-minute documentary profiling four girls studying at the Juilliard School of Music, and an interactive game, "Explore the Stars!", challenging children to identify the constellations. Reception. Critical response. Joseph Szadkowski of "The Washington Times" praised the film as "beautiful" and "another triumph for Barbie that should inspire youngsters". Rating it two-and-a-half stars out of five, the "New Straits Times"' R. S. Murthi called it "charming" and wrote, "The CGI work is fluid and the dance choreography by the New York City Ballet [...] is superly translated." Scott Hettrick of the "South Florida  Sun-Sentinel" wrote that the film has "all the elements of a good fairy tale that [are] delightfully translated here visually in this comforting, entertaining and engaging presentation." Describing the film as "teem[ing] with villainy, magic and fantasy", Nancy Churnin in "The Dallas Morning News" wrote that "Barbie of Swan Lake" "exceeds expectations"; she noted its educational value. Reviewing the film for "Video Business", Buzz McClain wrote, "Director Hurley overcomes the potential robotic coldness of the digital animation, which at times resembles that of a videogame, by infusing undeniable charm into the story and characters." McClain also noted the cultural  value of the film's ballet sequences and classical music, highlighted in the DVD extras. K. Lee Benson of "The Video Librarian" recommended "Barbie of Swan Lake", calling it a "class act" and a "marked improvement" over the previous two CGI Barbie films. Lynne Heffley of the "Los Angeles Times" called it a "lavishly detailed computer-animated feature whose creativity and sweet nature nearly mitigates its unavoidable product promotion." Stephanie Prange of "Video Store" praised the film's animation as "truly beautiful, with bright colours and [a] polished look". A review in "The Daily Telegraph" opined that "Transformed into cartoon  form, "Swan Lake" isn't exactly a masterpiece", but recommended the film as a way to introduce children to Tchaikovsky. Robert Gottlieb of "The New York Observer" opined that "Barbie of Swan Lake"'s "divergences from the ballet are profoundly distorting. Nothing of the troubling heart of "Swan Lake" remains. Instead, we get a frisky, feminist unicorn and an adorable skunk! To call this Disneyfication is to insult the genius of early Disney and the professionalism of later Disney." Two eight-year-old reviewers for "Newsday" rated the film 4/5 stars, writing that they enjoyed its "beautiful music and dancing  and nice message about believing in yourself."