A ribbon of poems
A ribbon of poems (Dutch: "") was the literary debut of Dutch writer Louis Couperus. The collection of poetry "A ribbon of poems" (23 poems) received a good review by critic J.H. van Hall in the Dutch literary magazine "The Gids"; Van Hall compared Couperus' poetry with those written by Heinrich Heine, Everhardus Johannes Potgieter and Pieter Corneliszoon Hooft; Jan ten Brink, Couperus' teacher and later professor at the University of Leiden drew comparisons with Constantijn Huygens. Not every critic however was that positive; Couperus' debut was also termed "contrived and effeminate". Description. History. Couperus started to  write poetry while studying with professor Jan ten Brink. While writing the poems for "A ribbon of poems" Couperus was inspired by poets from classical antiquity. He wrote most of the poems while living with his father, John Ricus Couperus, mother and brothers and sisters at the Nassauplein in The Hague in 1882-1883. The tone of the poetry was called "Carpe Diem" by Couperus' later biographer Frédéric Bastet. One of the longer poems in "A ribbon of poems" is called "Gedroomd minnen" (loving while dreaming); in this poem a sculptor keeps a sculpture of a beautiful woman hidden in  his closet. When he is caught by a student he claims that his ideal image of a woman is not an earthly one. This is a well known pattern derived from Petrarch (Laura). "A ribbon of poems" consists not only of pure poetry but includes also five sketches in the form of poetry from which the one about the sculptor is one. The others are called "Midnight" (Middernacht), "Four sonnets" (Vier sonetten), "Kleopatra" and "Tame" (Getemd). Other forms of poetry that are used in this book are lyrical expressions and sonnets. During the six years after "A ribbon of poems  was published about 100 copies were sold. The first edition consisted of sewed books, printed by printer Joh. Enschedé and sons. The cover was designed by Ludwig Willem Reymert Wenckebach. The cover of the second edition, which was published by L.J. Veen in 1893, was designed by P. de Josselin de Jong, made after an idea of Louis Couperus and printed by printer H.C.A. Thieme (Nijmegen). Of this edition of about 350-500 copies, in 1905 135 still remained with the publisher, who let 25 copies bind in a blue cover with red page cuts. L.J. Veen acquired the right 	A ribbon of poems
19139469	to publish Couperus' poetry editions A ribbon of poems" and "Orchids" in 1892 and announced a reprint of "A ribbon of poems" in December of that same year. After he was notified Couperus wrote to Veen: ""If you like my poetry that much what would you say if we publish another book with verses""; he wanted to include the poems called "Fragment" (renamed to "Melancholy") "Viviane", "Williswinde", "Ginevra", "Semiramis" and "Fragments from the Apocapyps of John the Apostle". Veen however refused this offer because he was not interested in an enlarged reprint of "Orchids". At the beginning of December 1894  Couperus informed Veen that he agreed with a reprint of "Orchids" and a new book with the rest of his verses for the sum of 200 guilders. After publication. Albert Vogel sr. used the poem "The death of Kleopatra" from "A ribbon of poems" during his performances in 1907. In May 1912 the text of the poem "Midnight" was put to music by J.P.J. Wiertz for the national singing contest of the Royal National Singing School in The Hague. A newspaper called "A ribbon of poems" in 1912 as a bad example for then contemporary poets who ""tried to write  their own A ribbon of poems"". On the other hand: when Dutch poet Pieter Cornelis Boutens celebrated his 60th birthday in 1930, "Het Nieuws van de Dag voor Nederlands-Indië" wrote: "Boutens is a poet as not many can be found in a country that since half a century is experiencing "a ribbon of poems"". When the complete works of Louis Couperus were published in fifty volumes during the period 1987-1996 one of the first volumes included "A ribbon of poems".