A Time to Love and a Time to Die
A Time to Love and a Time to Die is a 1958 Eastmancolor CinemaScope drama war film directed by Douglas Sirk and starring John Gavin and Liselotte Pulver. Based on the book by German author Erich Maria Remarque and set on the Eastern Front and in Nazi Germany, it tells the story of a young German soldier who is revolted by the conduct of the army in Russia and by the Nazi dictatorship in Germany but is killed after performing one act of humanity. Plot. In a German infantry unit retreating  from Russia in the spring of 1944, Ernst Graeber's conscience is revolted by the execution of captured civilians. Given his first furlough for over two years, he returns to find his family home bombed and his parents gone. Calling at the house of the family doctor for information, the daughter Elizabeth tells him her father is in a concentration camp because of an unwise remark. Allied bombing continues by day and by night. An old school friend who is now the local head of the Nazi Party offers Ernst accommodation, food, drink, and women. But he prefers to stay  with fellow soldiers billeted in a hospital and to get closer to Elizabeth. The two go to the one smart restaurant still open, which is destroyed that night by bombs. Each alone in the world, they agree to an immediate marriage, but Elizabeth's family home is flattened by bombs and they take refuge in a ruined church. Elizabeth gets a summons to Gestapo headquarters, which Ernst intercepts and attends as her husband. He is given her father's ashes, which he secretly buries in the churchyard. Visiting his former teacher, who helps Jews on the run, he is told  there is no excuse for the crimes of the German military against Russians and of the German state against its own citizens. Ernst and Elizabeth find lodgings for the rest of his leave. Returning to the front, he finds a fellow soldier who is an ardent Nazi about to shoot captured civilians. As the two are alone, he kills the other soldier and tells the civilians to flee. One of them picks up the dead man's rifle and shoots Ernst dead. He had not finished reading a letter from Elizabeth, saying that she was expecting their child. Production. Remarque  met Sirk in 1954 and the director persuaded the writer to adapt his own novel for the screen. ("I found him an extraordinarily understanding and capable man", said Remarque. "He knew what he wanted to do with my book.") Sirk's own son, actor Klaus Detlef Sierck (1925–1944), died in the Ukraine as a soldier of the Panzer-Grenadier-Division Großdeutschland when he was 18 years old. Universal decided to cast two relative unknowns in the lead. As studio executive Al Daff said: Filming took place in West Berlin, which Sirk had fled over 20 years before and the US  Army Europe training area at Grafenwöhr. Interiors were shot at CCC Film's Spandau Studios in Berlin. The film's sets were designed by the art directors Alexander Golitzen and Alfred Sweeney. Gavin was accompanied by his wife who he had just married and they used the movie as an opportunity to honeymoon. The musical score was composed by Miklós Rózsa on loanout from M-G-M, where he had been the primary composer for over a decade. Universal sent a screen test of Gavin to critics in advance of the film's release. Hedda Hopper saw a preview and  predicted that Gavin will "take the public by storm and so will the picture, which should also put its co-star, Lilo Pulver in the top ten." Universal publicly claimed that the film cost $5 million but Universal president Milton Rackmil denied that they had ever spent that amount on a film. Reception. The "Los Angeles Times" said the film wasn't as good as "All Quiet on the Western Front" but was "vivid, sometimes brutally shocking and, less often, emotionally moving." The film is recognized by American Film Institute in these lists: Box office. The film was expected  to be Universal's biggest film of the year and was, with theatrical rentals of $1.6 million in the United States and Canada. The film was one of the most popular of the year in France. "Kinematograph Weekly" listed it as being "in the money" at the British box office in 1958.