Outlanders (manga)
"Outlanders" was created out of Manabe's desire to try his hand the space opera genre. He was driven by his penchant for illustrating attractive, sword-wielding girls and large, detailed spacecraft, as well as his interest in science fiction epics such as the original "Star Wars" Trilogy. "Outlanders" was Manabe's first serialized work and was featured in the Hakusensha manga magazine "Monthly ComiComi" between January 1985 and November 1987. Individual chapters of "Outlanders" were collected and sold as eight "tankōbon" volumes in Japan during its publication in "Monthly ComiComi". The series spawned an anime adaptation in  the form of an original video animation (OVA) by Tatsunoko Production, released in Japan in December 1986. The manga was translated into English by Toren Smith of Studio Proteus and licensed in North America by Dark Horse Comics beginning in 1988 as one of its earliest manga properties. The OVA received two English dubs: the first from U.S. Renditions in 1993 and the second from Central Park Media (CPM) in 2006. Critical reaction to the anime has been largely mixed regarding its tone, animation, and sound design, though many agreed that the adaptation condenses too much of the manga's  plot. Plot. "Outlanders" begins in modern day Tokyo with the arrival of a Biomech, a giant, organic starship that easily destroys several Japanese Self-Defense Force (JSDF) helicopters. News photographer Tetsuya Wakatsuki comes face-to-face with the craft's occupant Kahm, crown princess of the technologically advanced, interstellar Santovasku Empire. She charges him, he manages to fend her off, and she retreats without her sword. Kahm's father, Emperor Quevas, is informed that the Santovaskuan "sacred planet" is infested with humans while the JSDF supreme commander Togo prepares for an impending war with the alien invaders. Battia Bureitin Rou , a Santovasku fleet commander and Kahm's best friend, is sent to retrieve the princess when she returns to the city in search of her sword. During a skirmish with the humans, Battia's ship takes heavy damage, which triggers the Biomech's self-destruct mechanism. Having found her sword and Tetsuya in his apartment, Kahm receives a warning from Battia and evacuates with Tetsuya as the entire Japanese archipelago is vaporized. Meanwhile, Tetsuya's boss, Aki Okazawa, is taken to Siberia by the JSDF. There she meets Neo, Togo's superior and the leader of the secret world political  organization known as the Shadow Cabinet. He exposits that millions of years earlier Earth was the seat of the Ra Empire, torn apart in a civil war between two belligerants: the Yoma Clan and the progenitors of the current Santovasku Empire. Neo, himself a surviving Yoma from this conflict, tells Aki that her body houses the spirit of the Yoma witch Jilehr Maruda and that he wishes to utilize her immense power to exact revenge on the Santovasku. Shortly thereafter, Quevas gives the order for all human life to be exterminated, resulting in large portions Europe being bombarded by the  empire. Neo awakens Jilehr within Aki and the assaulting platoon is instantly obliterated by her magic. Tetsuya hears of Japan's fate and forces Kahm to return him to Earth. The two crash land in Germany and meet scavenger Raisa Vogel. They evade capture by German troops and Raisa splits off on her own. Kahm and Tetsuya discuss marrying to create a diplomatic alliance between the humans and Santovasku. The couple rendezvous with Kahm's Nuba Tribe servants, use her crashed ship's communicator to call for extraction, and set a course for the Santovasku imperial home world. Battia joins  them. Kahm tells her she is denouncing her father's intention of arranging her marriage to produce a royal heir and is strategically marrying Tetsuya to stop the war. Once arriving and making their case, an unconvinced Quevas has Tetsuya arrested and sentences him to death then puts Kahm under house arrest. With the aid of Battia and the Nuba, they manage to escape and head for Earth again in hopes of gaining support from its military to fight the empire instead. Realizing their affection for one another has grown, Kahm and Tetsuya still intend to wed. Upon reaching  Earth's orbit, Kahm pleads with empire affiliate Geobaldi to join their efforts, which he does following a duel with Tetsuya. Neo continues to groom Jilehr in exacting vengeance on the Santovasku. Togo, now the head of Earth's global armed forces, plots against the Yoma so that humanity alone may ultimately triumph so that he can achieve his own ambitions of galactic conquest. The rebels land on Earth, reunite with Raisa, and have brief diplomatic talks with Togo before leaving. Togo then has Neo gunned down and initiates Operation Phoenix. This unveils the Earth's moon as an enormous  weapon called Dola, which was built by the Ra Empire eons ago. Raisa and Aki both join the rebels and take part in Kahm and Tetsuya's wedding. The festivities are cut short when an imperial army group is sent to their location by Quevas to demolish Earth for Kahm's continued defiance. A large battle between the Santovasku and rebel squadron ensues. Aki becomes Jilehr once more and takes control of the rebel vessels while Togo gives the command to have Dola strike the battlefield frontlines. A substantial percentage of the Santovasku fleet is vanquished, but as Togo's  team celebrates they receive a taunting call from Jilehr. Realizing the sorceress survived the initial blast, Togo desperately demands another to eliminate her. However, the humans lose control of the ancient weapon to Jilehr as she sets it on a collision course with Earth. After madly proclaiming his aspirations to rule the galaxy, the selfish Togo is assassinated by one of his officers just as Dola and planet impact, wiping out humanity. The protagonists find that they have warped to the outskirts of the Santovasku imperial planet. Jilehr shows herself again, this time surrounded by the vengeful ghosts of the  Yoma Clan. Jilehr causes the rebel Biomechs to fire on the planet, prompting Quevas to engage with her in a fierce battle of magic. Before the Yoma spirits succumb to the emperor's overwhelming abilities, Aki breaks free of Jilehr's hold and dies. Quevas subsequently appears aboard Kahm's spacecraft. He reveals his initial plan to reclaim Earth was to ensure the Yoma's eradication. He then teleports with his daughter to the planet's imperial palace. With Jilehr gone, the rebels regain control of their warships and breach the planet's defenses to rescue Kahm once more. Battia , Geobaldi, and Raisa all sacrifice their lives so that Tetsuya can reach the palace. Tetsuya proceeds to the royal throne room and is confronted by a hostile Kahm. With no memory of her husband due to the influence of her father's mind control, she attacks Tetsuya only to come to her senses moments later. A final confrontation between Quevas and Kahm ends with the princess fatally wounding the emperor with a sword stab. His death brings with it the destruction of the imperial planet and the Santovasku Empire. Kahm and Tetsuya manage to depart with the Nuba just as  the planet explodes. Three years later, they have happily settled on the peaceful planet Ekoda. Now with quintuplet daughters and one son, Kahm and Tetsuya receive a visit from the souls of their deceased friends during an annual festival. Production. "Outlanders" was written and illustrated by Johji Manabe. As early as junior high school, he was creating fantasy and science fiction art including beautiful girls with swords and large, highly detailed spaceships. "Outlanders" began as a project while he was in vocational school. During his attendance, Manabe submitted some of his manga work to Tokyo-based publisher Hakusensha. One of  his stories was featured its "Monthly ComiComi" magazine's readers contest in 1984 and "Outlanders" began serialization in the same publication within a year. "Outlanders" debuted in the January 1985 issue. Manabe felt he had been given ample time to conceptualize and frame the narrative. "Outlanders" was his first attempt at space opera, a genre of which he had long been a fan. The author took inspiration from numerous science fiction properties, specifically the original "Star Wars" Trilogy, the "Lensman" series, and Flash Gordon. His editors requested "an action story full of monsters, mayhem, and destruction." This is partly reflected  in the manga's earlier chapters, which showcase considerable more violence than its remainder. However, because Manabe was not very fond of monsters, he compromised by creating the living, Biomech warships. He did not initially plan for the crafts to be biological organsims. For instance, one imperial battleship began as an altered "Macross" spacecraft before several redesigns gave it an increasingly organic appearance. Manabe simplified writing the plot as a war between Earth and the Santovasku Empire that would end with one winner and one loser, but did have some difficulty with getting the conflicts within each faction to "mesh ." Regarding the characters, Manabe found it challenging to develop each one's complex personality, so he "pretty much let them do their own thing" and "decided they could play their own roles as they pleased." Kahm was the first character Manabe proposed for the editors, basing her art design on a sketch from his design school days. As he lacked experience in clothing design prior to "Outlanders", he remarked that "getting the characters and the Santovasku Army suited up was a real nightmare." At some point during the serialization of "Outlanders", Manabe moved to Tokyo, opened his own manga studio , and hired full-time assistants to focus more on its production. Throughout its run, he wrote several related stories set in the "Outlanders" universe. A prequel chapter titled was featured in the January 1986 issue of "Monthly ComiComi". "Outlanders" was adapted into an anime OVA by Tatsunoko Production for a December 1986 release. It was directed by Katsuhisa Yamada; was written by Kenji Terada and Sukehiro Tomita; and featured music composed by Kei Wakakusa. The anime condenses roughly the first half of the manga into a single 48-minute episode. Manabe detested the OVA, considered its staff incompetent, and felt  the sexually explicit "ecchi" scenes were overused. Manabe originally planned "Outlanders" to be about ten "tankōbon" volumes of collected chapters in length. He lost his motivation before this could occur, partially blaming the anime adaptation and claiming his relationship with the publisher deteriorated after the OVA's release. "Outlanders" ended its serialization in the November 1987 issue of "Monthly ComiComi". Hakusensha's release of the manga's eighth volume would be its last. An agreement was reached to release an "aizōban" edition of the manga shortly thereafter and tensions between Manabe and Hakusensha eventually cooled. Localization. The "Outlanders" manga was  licensed in the United States and Canada by Dark Horse Comics as one of the company's earliest manga releases. Translator Toren Smith pitched the license to the publisher at the 1988 San Diego Comic-Con. Smith had helped pioneer the sale of manga outside of Japan by convincing retailers to carry it in monthly issues that could be read in the left-to-right format to which many English readers were accustomed. Dark Horse partnered with Smith's Studio Proteus beginning that same year to translate "Outlanders" into English and publish it in its entirety. Smith told "Amazing Heroes  in 1990 that Outlanders" was his favorite manga to work on and read. Dark Horse writer and artist Chris Warner performed part-time editorial work on the English version of the series beginning with its first chapter. Manabe himself became involved with the localization by redrawing some of the earlier panels to make them more in line with the rest of the story. With the release of the overseas version of the manga, Manabe lamented on some of its production by stating, "Someday, if I have the chance, I'd like to write "Outlanders II" and get it right. Or  perhaps write a follow-up, a history of the post-war years." In 1996, Manabe penned a short chapter titled "The Kahm Family at Home" that depicts a photo album of Kahm, Tetsuya, and their children in the years after the series conclusion. This story appeared in the third issue of the "A Decade of Dark Horse" anthology miniseries. The OVA was licensed for North American distribution by Dark Image Entertainment (a division of U.S. Renditions) and dubbed into English by L.A. Hero Inc. (Animaze) in 1993. The dub was directed by Kevin Seymour (as Jenny Haniver) and translated by  Trish Ledoux, the latter of whom also voiced the protagonist Kahm. This was Ledoux's first major voice acting role after only having performed a minor part in the film "". CPM later purchased the rights to the anime with a DVD release set for the summer of 2005. However, it was delayed when the company decided to redub the OVA. A fan poll was conducted between September 23 and 28 of that year to cast the voice actors of the four principle protagonists. The poll ended at over 20,000 votes with fans selecting Liza Jacqueline to play Kahm, Rebecca Soler  to play Battia, and Sean Schemmel to play both Tetsuya and Geobaldi. Media. Manga. "Outlanders" was serialized in the Japanese magazine "Monthly ComiComi" by publisher Hakusensha between its January 1985 to November 1987 issues. The individual serialized chapters, alongside related manga stories by Manabe, were collected into a total of eight "tankōbon" books and released from June 1985 to November 1987. An "aizōban" (deluxe) edition consisting of two volumes was released between July and August 1989. Finally, a "bunkoban" (novel sized) version consisting of four volumes was released between December 2000 and March 2001. The prequel story "The Key of  Graciale" was published by Hakusensha as its own eponymous "tankōbon" in April 1987 alongside other one-shot works by Manabe. On November 12, 2018, Goma Books began distributing the original eight "Outlanders" manga volumes for sale digitally on Japanese electronic bookstores including the Kindle Store, Apple Books, and Google Play Books. In North America, Dark Horse Comics released 33 individual chapters as comic book issues each month from December 1988 to September 1991. Three additional issues were subsequently published: the aforementioned "The Key of Graciale" story as "Issue #0" in March 1992; a "special" issue containing a prequel story titled  Battia's Bane in March 1993; and an "epilogue" chapter in March 1994. Chapters were also compiled into eight paperback graphic novels and released between December 1989 and February 2000. "Outlanders" was the first Dark Horse manga printed in graphic novel form. Throughout the 1990s "Outlanders" was licensed for release in European countries including Dark Horse Comics in France, Planeta DeAgostini in Spain, and Granata Press in Italy. OVA. The "Outlanders" anime OVA adaptation from Tatsunoko Production was released in Japan on VHS, Betamax, and LaserDisc on December 16, 1986. The English OVA from Dark Image Entertainment was released on  VHS in North America on September 1, 1993. CPM released a 20th anniversary edition DVD of the second English dub under its US Manga Corps label on February 7, 2006. Music. The soundtrack for the anime OVA was released by Victor Musical Industries on CD, cassette, and vinyl on November 21, 1986. It featured 19 tracks including two vocal songs: performed by N&M and performed by NA'MON. Victor released the two songs as a vinyl single that same year. Video game. An "Outlanders" video game was developed and published by Victor for the Nintendo Famicom in Japan on December 4 , 1987. It is an action role-playing game in which the player takes control of the protagonist Tetsuya on a mission to rescue Princess Kahm. It has received poor review scores. A version for the NEC PC-8801 was developed by Cross Media Soft and was released by Victor in April 1988. Other merchandise. A guidebook to the OVA titled was published by Movic on February 28, 1987. A strategy guide for the video game was published by Tokuma Shoten on December 30, 1987. A book titled containing artwork from "Outlanders" was released by Gakken on December 12, 1996. Manabe and  his studio have additionally created various hentai of his own work and erotic "doujinshi" of other anime and manga under the label . Calendars, posters, garage kits, and additional "Outlanders" merchandise has been sold. Reception. Although sales and print circulation numbers have not been made widely available, "Outlanders" enjoyed commercial success in Japan to a degree that author Johji Manabe was able to open his own studio and employ assistants during its publication. Jason Thompson critiqued the series in "" as "a star-spanning epic adventure that gradually morphs into a drippy love story." He was impressed with the creative choices Manabe  made with its action and science fiction elements early in the manga, but disliked how the series became increasingly more centered on the evolving romantic subplot between its two main protagonists. The "Outlanders" VHS from Dark Image Entertainment was the third-best selling anime for the month of November 1993 according to Capital City Distribution. Critical reception for the "Outlanders" OVA has been mixed. Reviewers saw the plot as a standard yet light-hearted science fiction epic with large amounts of fan service and casual use of graphic violence, though views on its execution varied. "The Anime Encyclopedia" authors Jonathan  Clements and Helen McCarthy found the story presented "considerable charm despite a fairly high violence quotient." Anime News Network contributor Theron Martin noted it as "quite a bit more sexy and violent than the norm" and "a fun romp which does not concern itself with weighty matters like originality, cohesiveness, or logic." Animefringe writer Joseph Luscik praised the anime's comedy and entertainment variety despite its short length and that "it cannot be considered a masterpiece of the genre." Samuel Arbogast of T.H.E.M. Anime Reviews was much more negative and noted, "There's not quite enough violence to appease  carnage aficionados, there isn't any romance to appease the romantics, and there isn't anything beyond some rather pointless nudity to appease the perverts." Both Martin and Arbogast objected to the condensed nature of the OVA's narrative and its fast pacing, stating that knowledge of the manga would be a prerequisite to enjoying or understanding it. Martin summarized, "The lack of adequate explanation for several key story elements also suggests that it was made specifically for fans of the manga, as newcomers to the franchise will be left scratching their heads over certain events." Arbogast claimed the plot  of "Outlanders" to be a plagiarism of the manga and anime series "Urusei Yatsura", which also centers around the romance between a lecherous, human male and a scantifly-clad, alien female that starts when the latter's race attempts to invade Earth. Clements and McCarthy merely saw these similarities as "affectionate nods." Arbogast called the characters "badly lacking" and was particularly critical of its two leads, Tetsuya and Kahm, who fall in love but "have nothing in common other than that they're both young and stupid." Luscik saw the mutual attraction between the protagonists as refreshing when opposed to  the one-sided affection found in some other anime. Opinions on the technical aspects of the "Outlanders" OVA were also mixed. While Martin saw the art style and character designs as typical for its release mid-1980s era, he found fault with its animation. He stated that its slow frame rate made many of the movements "clunky" and outlined, "The action is staged well enough that the visual effect is passable as long as one doesn't dwell on the details, but this isn't a title that's going to win any technical awards." Arbogast complimented the background art as  nicely detailed, but viewed the animation as poor overall, particularly its fight sequences and scenes involving nudity, surmising that it would inexcusable had it been released only a few years later. The reviewer was equally unimpressed with the sound design including its background music, ending vocal theme, and the voice acting for the L.A. Hero English dub. Martin commented on the ending theme as a "guitar-heavy rock number typical of '80s musical trends" and its background musical score as sounding appropriately inspired by American science fiction media like "Star Trek". Both Martin and Luscik praised the talent and delivery  of the CPM dub performers and recognized that the licensor's allowance of fans to elect voice actors by vote would likely curb most criticism of their casting. However, Martin downgraded the dub portion of his review due to the newer script altering the meaning of certain lines of the Japanese dialogue and unnecessarily adding in others for comedic effect. Luscik contrarily appreciated these changes, stating, "There will be zero complaints here, since you spend most of the movie laughing at the witty script."