Emma Catherine Embury
Emma Catherine Embury (née Manley; February 25, 1806 – February 10, 1863) was an American author and poet. Under the pen name of "Ianthe", she contributed to the periodicals of the day, and may be considered among the pioneers of female literature in the United States. Her many poems and tales were afterwards collected and published in book form. Among these volumes are "The Blind Girl and Other Tales", "Glimpses of Home Life", "Pictures of Early Life", "Nature’s Gems, or American Wild Flowers" (1845), and "The Waldorf Family, a fairy tale of Brittany, partly a translation and  partly original", (1848.) Early years. She was born Emma Catherine Manley in New York City on February 25, 1806. She was the eldest child of Dr. James R. Manley, an eminent physician of New York, and Elizabeth Post. As a child she was precocious, and learned to read almost intuitively. Early on, she developed a talent for compositions, and her juvenile productions are remarkable for their graceful and flowing rhythm. Career. She became a regular contributor of juvenile verse and stories to the "New York Mirror" by the age of twenty. Many of her early writings were printed under the  pseudonym "Ianthe". On May 10, 1828, she married Daniel Embury, a Brooklyn banker, and in her married life, was singularly happy. Her husband was a notable mathematician. He appreciated fully the peculiar talents of his wife, and in every way encouraged their development. Together, they drew around them a charmed circle of friends. In 1828, Embury published her first collection of poems, "Guido, a Tale: Sketches from History and Other Poems", and in 1830, she published her first book of prose, "Pictures of Early Life". For a time, she was one of two "lady editors" for "Graham's Magazine" in  Philadelphia, along with Ann S. Stephens. During the 1830s and 1840s, she served as a host or guest at literary salons in New York City in the circle including Anne Lynch Botta and Frances Sargent Osgood. It was an oft repeated remark of Embury, "Unless she read, she could not write," and her earlier poems had similarities with the poets she loved the best. Later, her originality asserted itself. The peculiar melodiousness of her verse rendered her one of the most graceful of songwriters, while the impassioned earnestness of her nature, her scorn of injustice, her quick sympathy with the  oppressed, found expression in her poems, and ran a thread throughout them. In prose writing she confined herself, almost entirely to magazine writing. Her stories were extremely popular. They were easily written, contained a moral, and were fitted with wit and fancy. As a conversationalist, Embury was rarely excelled. Her reading was extensive and varied, her memory retentive, her adaptation rapid, and her language forcible and graceful. She was the centre of a large circle, which numbered among its members many of the brightest names in literature. The head of a well ordered household, a tender and devoted wife and  mother, an active and sympathizing friend, she passed many years in a constant discharge of her varied duties. Beginning in the late 1840s, she was stricken down by an illness from which she never rallied, and for the last few years of her life, she became an invalid, totally withdrawn from the world. She died in Brooklyn on February 10, 1863. Critical response. Embury was praised in her lifetime for writing works emphasizing domesticity and feminine virtue with moral messages appropriate for children. A critic for "The United States Democratic Review", for example, wrote that her book "Pictures of Early  Life" was "highly interesting and instructive; and of a character which should place it in the hands of youth, as well to instruct as to interest and amuse". Selected works. Other works published posthumously: