Fear of Flying (album)
Fear of Flying is the second studio album by American singer Mýa, released on April 25, 2000, by University Music Entertainment and Interscope Records. Following the success of her debut album "Mýa" (1998), Interscope promptly allocated Harrison studio time and assembled recording sessions beginning September 1999 which concluded in March 2000. For this record, Mýa made the conscious decision to become involved more creatively, opting to pen her own lyrics after securing a publishing deal to launch her own publishing company as well as collaborate with a wider range of established producers and songwriters on the  album. Looking to embrace a more mature sound, Harrison consulted and collaborated with a bevy of producers which included Rodney Jerkins, Swizz Beatz, Wyclef Jean, Knobody, Robin Thicke, Tricky Stewart, and Jimmy Jam & Terry Lewis. A hip hop soul album, Mýa described "Fear of Flying" as a metaphor for the ups and downs of life, a theme present throughout the album which includes handling things like an adult and knowing you must have faith to make anything happen. Lyrically, the album's material addressed the singer's romantic relationships which symbolized her relationship with family, friends and acquaintances. Noting that  Fear of Flying is "a reflection of being in love for the very first time, experiencing success and the fears of fame." Upon its release, the album received mixed reviews from music critics citing some of the album's "tepid material." Commercially well received, "Fear of Flying" debuted with a Top 20 placement at number 15 on the "Billboard" 200. Initially though, the album stalled on the charts until the release album's second single and in turn solidified "Fear of Flying" a hit garnering multiplatinum success. To keep the album's momentum, nearly seven months after its original release , "Fear of Flying" was re–released with two new additional songs on November 7, 2000. In support of the album, three singles were released – "The Best of Me," "Case of the Ex," and "Free," which attained international chart success. Due to the album's success, "Fear of Flying" earned Soul Train Awards and MOBO nominations. Considered her most expressive effort to date, "Fear of Flying" helped established Mýa as a household name in mainstream media and redefine a golden age for R&B. In April 2020, to commemorate the album's twentieth anniversary, Universal Music Group release an expanded edition featuring  over 10 rare remixes and bonus tracks. Background. In 1998, Mýa released her self-titled debut studio album. The album received generally favorable reviews from music critics, and peaked at number 29 on the US "Billboard" 200 and number 13 on the Top R&B/Hip-Hop Albums chart, eventually being certified platinum by the Recording Industry Association of America (RIAA), while selling over 1.4 million copies in the United States. A critical and commercial success, "Mýa" spawned three commercially successful singles and earned several accolades, including a NAACP Image Award nomination and two Soul Train Music Award nominations. Following the  commercial success of her debut, Mýa quickly re-entered the recording studio to begin work on her second album. During her two years away, she toured with several artists, and made her film debut in the thriller "In Too Deep" (1999). Additionally, she was selected by Bongo jeans as their spokesperson and had a Tommy Hilfiger lipstick shade named after her. During the development stages of the album, Mýa consulted several different producers for her follow-up album, including She'kspere, Knobody, Tricky Stewart, and Robin Thicke as well as Wyclef and Swizz Beatz of Ruff Ryders. A number of guest  vocalists whom contributed to the project, included TLC's Lisa "Left Eye" Lopes, Jordan Knight, and Beenie Man. In addition, Harrison launched her own publishing company, "Art of War". Mýa, who did some writing on her debut album, was heavily involved in the production of "Fear of Flying", commenting: "I wanted to get that hands-on experience. I was involved in every single process, from writing and recording to producing, mixing, and mastering." In response to the album's material, the singer commented that many of the album's songs are about female empowerment. "I'm learning that the decisions  being made ultimately affect me, so I make most of them with the insight and help of other people", she explained. "I still have to focus on what feels good to me and what's going to work in the long run, instead of selling 20 million records or being controversial." The album's title, came from a song Mýa recorded by the same name—not from Erica Jong's 1973 novel of the same name. During an interview with "Billboard", which discussed the title, Mýa noted that while she had not been aware of the book, she later "started  reading it and noticed a lot of similarities: ""Fear of Flying" is a metaphor for the ups and downs of life. It's about handling things like an adult, knowing you must have faith to make anything happen." Interscope hired photographer and director David LaChapelle to shoot the images for the album's packaging. While she admired the work of Dave La Chapelle, Mýa revealed she cropped the original album's cover because it focused on her body, commenting, "I didn't like it. It wasn't capturing." Development. Mýa considers her first album as an experiment and a learning  ground. Prior to entering a recording studio, she had no vocal training and was doing improv-breathing the whole time on every song. With "Fear of Flying", she acknowledged she learned things such as how she like to work and what works right for her in the studio. On "Fear of Flying", she received vocal training and noted her vocals got along better with live performances. Speaking with "Time", Mýa revealed with "Fear of Flying" she took more control over her sound and image. She commented that "Fear of Flying" was "an opportunity and a test." For her second studio  album, Mýa wrote a lot. Openly admitting, "Writing helps me sort through feelings that I'm trying to figure out." She noted her journal is filled with curse words and exclamation points, explaining, "It's either extreme highs or extreme lows." In an interview with the "New York Daily News", Mýa explained that the album was "about independence." She acknowledged with "Fear of Flying" she became "more confident", while commenting, "I'm a lot more straightforward. Things I didn't know how to say or when to say, I'm saying now." During the recording process, Mýa explained she clicked  more with producers that like to start from scratch. Commenting, "It allowed me to be involved in the process. They were interested in what I had to say which made me feel good about myself." One particular producer Mýa gelled with was Wyclef Jean. Speaking on working him, she commented, "He was interested in what I had to say. My ideas - what I had to bring to the table. He wasn't afraid to go back into the studio and change things." Robin Thicke, a then-up-and-coming producer, was another Mýa meshed well with. Of his contribution to  Fear of Flying Mýa commented, "he is a true talent and I enjoyed working with him." While reviewing "Fear of Flying", in an article, "Time" noted on her debut effort, Mýa was a "lovestruck teen" while on "Fear of Flying", "she's a woman coming face to face with romantic entanglements." With 18 tracks featured on the album, "Time" applauded the album to manage that rare thing: to combine captivating beats with hummable melodies. Commenting on the finished product, "Time" wrote, "This is hip-hop soul with plenty of pop appeal." Music and composition. Musically, "Fear of Flying" has been  described as a "smooth, catchy, personalized mixture of street-spice soul." According to multiple critics, the album is more focused on themes than coherency of musical style. Sonically, the album's sound veers from quiet storm tracks to hard-edged Timbaland homages to cheerleader romps. The album's focal theme is "proper behavior on the dangerous grounds of courtship" and ranges from uptempo tracks to inspirational ballads. Several of the album's 18 tracks were co-written by Mýa, with "Vibe" magazine noting in an article that "Mýa tackles difficult melodic and rhythmic twists without ditching a nice conversational tone ." "Fear of Flying" opens with an intro courtesy of Swizz Beatz. Titled, "Turn It Up" it features a stop-start beat and samples of a cooing baby. Next up, "Case of the Ex," a song structured around producer Tricky Stewart's "driving, Beethoven-meets-Timbaland" chord changes, where Mýa expresses distrust in her lover. It is built around a catchy yet fairly complicated chorus and clever lyrics. It is followed by the "dramatic" "Ride & Shake", which was compared to the work of Whitney Houston. The mildy racy Rodney Jerkins-produced "That's Why I Wanna Fight" is a sensuous midtempo  and served as the album's fourth track. Structured, similarly to Marvin Gaye's 70s material, Harrison adopts Gaye's double singing technique. Track five, the dance-oriented imaginative "Pussycats" is a nursery rhyme-influenced song produced by Wyclef Jean and Jerry Duplessis. A frisky jam, it samples the sound of mewing cats. The album's "combative" sixth track, "The Best of Me", was produced by Swizz Beatz, and features Jadakiss. Described as "edgy" and "street savvy," Mýa commented on the message behind the song, suggesting, "It's about setting standards for yourself, about following them through and not allowing  the temptations of a heat of the moment situation to lure you into something that you may regret later in life." Described as "mildy structure," the album's seventh track "Lie Detector," is another midtempo which finds Mýa refusing advances. The TLC-sounding "How You Gonna Tell Me" courtesy of She'kspere and Kandi has Mýa telling her girlfriend to spare her bad advice. Lyrically and conceptually, Mýa opted to add her thoughts to the song, explaining, "I wanted the song to be about people preaching to me what they don't practice. About how these specific people speak to  me on the way I should live and my reaction to them and their twisted lives." While the "dance-floor-ready" "Takin' Me Over," produced by Robin Thicke featuring Lisa "Left Eye" Lopes, begins with Mýa acting like the women she has expressed dislike for, while holed up in her bathroom with hair products. A catchy slice of retro soul, "Takin' Me Over" is 60s Motown meets early 00s and shows Mýa in a playful coy mood. Mýa dubs it her "don't give a damn song." The lush title track, "Fear of Flying" is a folk-ish quasi ballad  produced by Knobody and uses the idea of being afraid to fly as a metaphor for other issues. The Soulshock and Karlin production, "Can't Believe," and remake of Michael Jackson's "The Lady In My Life," appropriately titled, "Man In My Life," are standard fare A/C broken-hearted emotional ballads, while on a romantic note, the sexy ballad "No Tears On My Pillow" written by Mýa and the song's producer Robin Thicke served as the album's fifteenth track. Followed by "For the First Time" a sexual surrender cut produced by Swing Mob member Daryl Pearson. The  album's closing track, an outro, "Get Over" is a spoken word "thank you" midtempo with calypso tinge. Release and promotion. Initially set for a late 1999 release, "Fear of Flying" was later scheduled for a February 2000 release, before Interscope settled on an April 25, 2000, release date. In Germany, it was released June 19, 2000, while in the United Kingdom, the album was released on July 24, 2000. Interscope hoped that the album would attract both pop and R&B/hip-hop audiences, with Steve Stoute, president of black music and executive VP for Interscope-Geffen-A&M commenting that  all marketing surrounding the album's release would "be paying attention to the street audiences with this album." He added, "We're also looking to build upon her previous success. She gained a large pop audience through 'Ghetto Supastar' and 'Take Me There.' She's also grown as an artist and her music reflects that." In early April 2000, "Billboard" reported that Mýa was set to attend MTV's annual Spring Break special in Cancun. Additionally, in that same article, it mentioned that Mýa was due to tape an episode of "Total Request Live". On April 17, 2000, Mýa performed  on "The Queen Latifah Show". On May 26, 2000, ABC aired their "25 Hottest Stars Under 25" special which Mýa was a part of. In July 2000, Mýa appeared on the show Farmclub.com; her appearance aired on July 10, 2000, on USA Network. In mid-2000, Mýa opened for Montell Jordan on his European tour; during a "Vibe" interview it mentioned that she was heading to Germany to begin the tour. On December 6, 2000, Mýa made an appearance on "Live with Regis and Kelly". In February 2001, during All Star weekend Mýa performed at the fifth annual NBA Team Up  Celebration which was held at Constitution Hall. Also in February Mýa was invited as a presenter at the 43rd Grammy Awards ceremony. Mýa co-hosted and performed at the 2001 Soul Train Music Awards which was held on February 28, 2001, at the Shrine Auditorium in Los Angeles. In March 2001, Mýa was a part of Janet Jackson's "MTV Icon" special, during which she performed in the dance tribute. After serving as an opening act on other featured tours, Mýa branched out on her own and embarked on her first headlining tour. Entitled, the Fear of Flying Tour, the  outing was an eleven-day city tour that began on March 21, 2001, and concluded April 1, 2001. On September 7, 2001, Mýa performed at Michael Jackson's which was televised. To continue promoting the album, Mýa appeared on MTV's "Music in High Places", a music and travelogue series where recording artists travel to exotic sites for a series of acoustic concerts. She performed acoustic rendition of her songs while in Sicily, Italy, performing a set comprising her songs "Free", "Ghetto Superstar", "I'll Be There", "Movin' On", "Sweet Thing", "The Best of Me", among others. Her episode aired  on December 20, 2001. On November 7, 2000, "Fear of Flying" was re-released with a revised track listing which featured the single "Free" and a new track titled "Again & Again". The repackaged edition of the album was released on February 19, 2001, in the United Kingdom and on May 8, 2001, in Germany. The UK reissue is notable for containing the track "Whatever Chick", a song that would later be featured on her third studio album "Moodring" (2003), appearing there in a reworked and explicit version, retitled "Whatever Bitch". The Australian reissue of "Fear of Flying" also contained the  exclusive tracks "Girls Like That" and "Telephone Games." Singles. In support of the album, Interscope Records released three singles from "Fear of Flying". Initially, before "The Best of Me" was chosen as the album's lead single, the song "Lie Detector" was considered as a potential contender. The instrumental for "The Best of Me" was originally expected to be used and recorded by rapper DMX in a Miami recording session with Swizz. However, the instrumental of the song was left unused until the producer returned to New York City to start work on Mýa's album at The Hit Factory . Upon accidentally pushing a button in the studio, Mýa's management reportedly "jumped up and said 'That's it, that's it'" when they heard the songs instrumental. The record was among the last tracks that were recorded for the album. Jadakiss, a then member of the Ruff Ryders Entertainment's group The LOX, was chosen as the featured artist on the song as a result of label connections with Interscope Records. Released on March 6, 2000, "The Best of Me" peaked at number 50 on the "Billboard" Hot 100 and number 14 on the Hot R&B/Hip-Hop Songs  chart. Internationally, the single found modest chart success peaking at number 26 in Germany, while charting moderately in Netherlands and Switzerland. The second single, "Case of the Ex", was released commercially on August 28, 2000. Originally a rap song, producer Tricky Stewart heavily rearranged the track to make it fit Mýa's persona. The song peaked at number two on the "Billboard" Hot 100 and number 10 on the Hot R&B/Hip-Hop Songs chart. Globally, "Case of the Ex" experienced similar success, peaking at number one in Australia for two weeks and earned a platinum certification from the Australian  Recording Industry Association. In the United Kingdom the song charted within the top 10 and earned a silver certification from the British Phonographic Industry. Elsewhere in Europe the song peaked within the Top 40 in The Netherlands, Belgium, Ireland, Scotland, France and Germany. The third and final single released from the album, "Free", originally appeared on the original soundtrack to the crime comedy film "Bait" (2000) starring Jamie Foxx. The track was written and produced by Jimmy Jam & Terry Lewis. "Free" reached number 42 on the "Billboard" Hot 100 and number 52 on the Hot R&B/Hip-Hop Songs chart . Meanwhile, internationally, "Free" performed even better peaking within the top 10 in Australia, the song received a platinum certification from the Australian Recording Industry Association. Elsewhere, the song charted within the top 20 in United Kingdom and Poland, and within the top 40 in Ireland and Scotland. Critical reception. "People" named "Fear of Flying" their Album of the Week and called it an "unexpected treat", though commenting that "Mýa offers no bold new sonic innovations. She does breathe life and sass into a genre too long held hostage by formula." In his review for AllMusic, Jon Azpiri wrote that "Mya 's sophomore effort proves that she is a promising young talent, but still has yet to develop the chops necessary to rank among the best of R&B divas." He felt that "without the energy of collaborators in the mix, many of her solo tracks wander into predictability. The album relies too heavily on tepid ballads such as the title track and 'Man of My Life'. Yet songs like 'Can't Believe', "For the First Time', and 'Lie Detector' show an emotional depth that lacked in her debut." Josh Tyrangiel of "Entertainment Weekly" gave the album a C rating. He found  that "Mýa can sing well enough; now she needs to find something to sing about." "Rolling Stone" magazine writer Ernest Hardy gave the album 2 stars out of 5 and wrote: "The signature quiver in Mýa's voice does give her some sonic identity, but otherwise this could be the music of Destiny's Child, Aaliyah or any of the countless interchangeable hip-hop/R&B divas." "The Source" magazine gave the album a positive review, writing, "reaching out to hip-hop heads [...] Mýa proves she can hold her own in this competitive game of young female musicians. She's well  on her way [to] the class of elite divas". "Uncut" called the album a "crafted, coffee-rich affair blending soul and swing [...] it's a grower which oozes class." While "Q" magazine rated the album 3 stars out of 5 and wrote: "Mýa demonstrates enough sass to suggest a sunny future." "Vibe" stated that "the starlet has decided to show off her range [...] as if she and her top-notch producers attempted to wipe out the competition by transforming Mýa into each of her rivals in turn [...] a grand tour through the ever-changing moods of female adolescence". Commercial performance . In the United States, "Fear of Flying" debuted at number 15 on the "Billboard" 200 and at number seven on the Top R&B/Hip-Hop Albums chart with first-week sales of 72,000 copies sold. In its second and third week, the album sold an estimated 42,784 and 33,907 copies, respectively. Thirteen weeks after its release, the album sat at number 109 on the "Billboard" 200. During its chart run, "Fear of Flying" remained on the "Billboard" 200 for a total of 52 consecutive weeks. Towards the end of 2000, "Billboard" ranked the album as the 144th best-selling album  in the US, while at the end of 2001 it was ranked as the 178th best-selling album. On June 8, 2000, the album was certified gold by the Recording Industry Association of America (RIAA) denoting shipments in excess of 500,000 copies. While on March 28, 2001, the album was certified platinum by the RIAA. By May 2003, the album had sold 1.2 million copies in the United States alone, according to Nielsen SoundScan. Internationally, "Fear of Flying" charted moderately. In Switzerland, the album debuted at number 84, before peaking at number 33 and spent a total of 16 consecutive  weeks on the Swiss Albums Chart. It debuted at number 54 on the Australian Albums Chart and reached number 28 in its 18th non-consecutive week. It spent a total of 25 non-consecutive weeks on the chart and was eventually certified gold by the Australian Recording Industry Association (ARIA) in September 2001. It debuted at number 39 in New Zealand and exited the chart after two weeks. In Germany, the album debuted at number 52 and spent a total of 16 consecutive weeks on the German Albums Chart. It debuted and peaked at number 81 on the UK Albums  Chart with one re-entry in June 2001. It failed to move up on the French Albums Chart, spending a total of five consecutive weeks on the chart and peaked at number 102. It debuted at number 51 on Canada's "RPM"s albums chart and rose 12 spots to number 39 in its second week. It spent a total of nine consecutive weeks on the chart and was later certified gold by the Canadian Recording Industry Association (CRIA) on January 15, 2001. Combined, her debut album, "Mýa" (1998), and "Fear of Flying" had sold six million albums worldwide as of  May 2001. Legacy. Author Stacy-Deanne noted "Fear of Flying" took Mýa to "new heights" and helped establish her as a household name in mainstream media. Acknowledging, with "Fear of Flying" it exemplified why fans truly appreciated her music, commenting and praising the effort as "poetic", "sexy", "passionate", and "honest sensitivity". She expressed, "Fear of Flying" had succeeded in a way that the first album had not...it had "crossover appeal." In the midst of her success, Deanne opined Harrison had develop as a well rounded-performer with flexible abilities who was consistently a "source of attraction" on television and  on tour. Essentially, Deanne dubbed "Fear of Flying" as Harrison's most expressive effort. In November 2007, "The Guardian" featured "Fear of Flying" on its "1000 albums to hear before you die" list, lauding "Fear of Flying" as "a new golden age for R&B", while noting that Mýa's "lightly melismatic vocals suited these rhythmically tricksy tales, capturing perfectly the highly charged sadness of a dead affair." "Billboard" acknowledged "How You Gonna Tell Me" and ranked the song at number thirty-two on their 40 Best Deep Cuts of 2000 list, while noting,"Tell Me" would've made a much  likelier hit than the tepid "Best of Me."