Emotional Mugger
Emotional Mugger is the eighth studio album by American garage rock musician Ty Segall, released on January 22, 2016 on Drag City Records. The album was produced by both Segall and F. Bermudez. To tour in support of "Emotional Mugger", Segall assembled a backing band featuring the album's various collaborators. Performing under the name of Ty Segall and the Muggers, the band toured extensively, with Segall often wearing a baby mask and adopting the name of Sloppo. Critical reception. The album has a Metascore at Metacritic of a 79 out of 100 from 19 reviews. Mark Deming  for AllMusic writing "As Segall's profile has risen in the 2010s, it's a welcome thing that he hasn't diluted his musical vision and is still willing to let his music howl when the spirit moves him, and Emotional Mugger is a stiff shot of raw, cocky joy that hits its target beautifully." Rob Sheffield in "Rolling Stone" saying "The San Francisco garage-punk wunderkind flaunts all his frantic energy and wild-eyed humor on "Emotional Mugger"." Annie Zaleski for "Spin" writing "This somewhat-disjointed philosophy adds just the right amount of friction and intrigue to "Emotional Mugger , informing the music but not overwhelming it. Evan Minsker in "Pitchfork Media" saying ""'Emotional Mugger" still feels transitional—either the moment before he tucks in and gets way weirder or another stepping stone before he switches gears all over again." Collin Fitzgerald for "PopMatters" writing "Emotional Mugger proves it’s still possible to evolve as an artist within the relatively limiting framework of rock traditionalism, even if the answer is to crank everything up to new extremes, give way to violent stylistic mutation, and completely deconstruct whatever’s comfortable." Michael Madden in "Consequence of Sound" saying ""Emotional Mugger" bolsters his  status as a singular mind in today’s rock landscape while keeping that reputation in his control." Ryan J. Pardo for "Paste" saying "In all, "Emotional Mugger", for all its elegant distortions, abrasive melodies and overdriven guitar-porn spasms, somehow makes absolute perfect sense as a follow-up to such a universally acclaimed LP like "Manipulator"." Kevin Warwick in "The A.V. Club" writing "Which makes "Emotional Mugger", Segall’s eighth solo effort, all the more impressive." Jeff Terich from "American Songwriter" writing "What's remarkable about "Emotional Mugger" is how fresh, even interesting it all sounds coming from a performer  with an already weighty catalog, in a genre where loud guitars is nothing terribly new. Indeed, Segall has grown into his role as one of rock’s best contemporary songwriters." Andy Jex for musicOMH saying "Emotional Mugger is a wild-eyed beast of a record; unafraid to stamp through the effects pedals with a delirious glee." "Uncut" writing ""Emotional Mugger" is as funky as it is twisted—a heavy rock record that truly groves in a way that heavy rock rarely does any more." Alyson Stokes in "Alternative Press" writing "Prepare to be blown away... "Emotional Mugger" is an out -of-this-world psychedelic venture meant to be listened to—and listened to very loud." Cosette Schulz for "Exclaim!" saying "There's nothing mild about Emotional Mugger; it has an overwhelming sense of madness, but it's addictive nonetheless." Marty Hill in "Under the Radar" writing ""Emotional Mugger" feels like one third sarcasm and two thirds complete genius [...] he both parodies and masterclasses modern day garage rock." Samantha Edwards for "Now" saying "weird experiments from a prodigal songwriter." Chris Kissel in "Tiny Mix Tapes" writing "Like Funkadelic, Ty Segall's "Emotional Mugger" is music as cocaine." Grant Rindner in "The  Line of Best Fit" saying "Clocking in at just over 38 minutes, Emotional Mugger is a brief, but engaging listen filled with enough intoxicating moments of pure musicality that its slightly repetitive sound doesn't wind up too grating." Eric Renner Brown for "Entertainment Weekly" writing ""Emotional Mugger" isn’t a bad record — Segall probably doesn’t have one of those in him — it’s among his weakest releases yet." Michael Hann in "The Guardian" saying " it's an uncomfortable, dissonant record, a bad trip rather than a mellow high." Jesse Cataldo for "Slant Magazine" saying "an album that's  only intermittently satisfying, stranded halfway toward an interesting concept." "Mojo" saying "Nutty as "Emotional Mugger" is, it's a joyful trip." David Zammitt in "DIY" writing "Too often, though, 'Emotional Mugger' is let down by simple self-indulgence."