Rachel Harrison
Rachel Harrison (born 1966) is an American visual artist known for her sculpture, photography, and drawing. Her work often combines handmade forms with found objects or photographs, bringing art history, politics, and pop culture into dialogue with one another. She has been included in numerous exhibitions in Europe and the US, including the Venice Biennale (2003 and 2009), the Whitney Biennial (2002 and 2008) and the Tate Triennial (2009). Her work is in the collections of major museums such as The Museum of Modern Art, New York; Metropolitan Museum of Art, New York; Hirshhorn Museum and Sculpture Garden , Washington, D.C.; and Tate Modern, London; among others. She lives and works in New York. Early life. Harrison was born in 1966 in New York City. Her mother was born in New Jersey and her father was born in Brooklyn, New York. Her parents were both of Polish and Russian Jewish descent. In 1989 Harrison earned a Bachelor of Arts degree with Honors from Wesleyan University, where she first enrolled as an anthropology major but later switched to fine art, studying under the sculptor Jeffrey Schiff and the composer Alvin Lucier. Career. Harrison’s early work is characterized by a  provisional use of everyday materials, often responding directly to the architectural context in which it was situated. In 1996, she had her first solo exhibition, titled "Should home windows or shutters be required to withstand a direct hit from an eight-foot-long two-by-four shot from a cannon at 34 miles an hour, without creating a hole big enough to let through a three-inch sphere?", at Arena Gallery, New York. Here Harrison covered the parlor of a Brooklyn brownstone with imitation-wood paneling, small sculptures, cans of peas, and photographs of green trash bags that came from  a single contact sheet. The title of the show was taken from the first sentence of a news article the artist read about the politics of insurance codes and natural disasters, following the devastation of Hurricane Andrew in Florida. In 2001, Harrison’s exhibition "Perth Amboy" opened at her New York gallery, Greene Naftali. The exhibition presented a series of 21 photographs that she took the previous year of an apparition of the Virgin Mary that allegedly manifested in the second-story window of a house in Perth Amboy, New Jersey, alongside installation components. Roberta Smith described the exhibition in  the "New York Times" as "an effective meditation on vision, belief and the search for the self." "Perth Amboy" was acquired by The Museum of Modern Art in 2011 and was exhibited in 2016. Harrison's 2007 exhibition "If I Did It" comprised ten sculptures named after famous men such as Claude Lévi-Strauss, Al Gore, and Alexander the Great, and a series of 57 photographs titled "Voyage of the Beagle" in which the artist documented a range of three-dimensional objects, from sculptures to display mannequins. The sculptures in "If I Did It" are characterized by the collision between  abstract, brightly colored forms and found or store-bought consumer objects. For the critic John Kelsey, Harrison’s sculpture of this period “sets itself up as a sort of switching station where cultural materials and meanings are violently disconnected and recombined.” The works in "If I Did It" were first shown in New York and then traveled to Migros Museum in Switzerland and Kunsthalle Nürnberg in Germany. The exhibition and its accompanying catalog are titled after O. J. Simpson’s “ill-fated memoir” of the same name. Harrison often draws from popular culture and celebrity in her work, placing those  references alongside art-historical ones. For instance, in her 2012 exhibition "The Help" (which shared a title with a Hollywood movie), the pieces shown featured references to the Brian de Palma film "Scarface" and the singer Amy Winehouse, as well as to artists like Alice Neel, Pablo Picasso, and Marcel Duchamp. In 2013, Harrison received her first public art commission for the sculpture "Moore to the Point" in Dallas, part of the Nasher Sculpture Center's "Nasher XChange" exhibition. The work points to and frames the existing Henry Moore sculpture "Three Forms Vertebrae", installed near Dallas City Hall. Harrison’s  intervention calls attention to how the public interacts with works of public art. In 2009, the Hessel Museum of Art at Bard College presented "Consider the Lobster", the first major survey exhibition of Harrison’s work. It included four room-sized installations, a series of individual sculptures, and a gallery devoted to video. The exhibition traveled, with altered titles and checklists, to Portikus, Frankfurt (under the title "HAYCATION"), and Whitechapel Gallery, London (as "Conquest of the Useless"). In October 2019 Harrison was the subject of a large-scale survey exhibition at the Whitney Museum of American Art. Entitled "Rachel Harrison  Life Hack", the exhibition assembled over one hundred works from 1991 to the present and received numerous positive reviews. "Interview Magazine" called the show “less a staid re-presentation of her masterpieces and more an audacious, rambunctious artwork all in itself.” Hal Foster wrote in "Artforum" that “her work is concerned less with exposing cultural myths than with retelling them, often in a perverse way.” Public collections. Harrison's work can be found in a number of public institutions, including: