Comic Neue
Comic Neue is a casual script typeface released in 2014. It was designed by Craig Rozynski with Hrant Papazian as a more modern, refined version of the ubiquitous, but often criticized, typeface, Comic Sans. Design. Comic Neue was designed by Craig Rozynski, an Australian graphic designer living in Japan, who wanted to create an informal script typeface similar to the ubiquitous Microsoft font Comic Sans, which was created by Vincent Connare in the 1990s. Comic Sans has been called "the world's most reviled typeface"; Rozynski aimed to update Comic Sans to be more suitable to the 2010s  and more widely acceptable, including "the typographically savvy". Rozynski based his design on the original glyphs of Comic Sans and "beat [them] into shape" to create a new typeface. He wanted to refine the original letter forms to make them more sophisticated, to create "a version [of the original] you couldn't easily fault", while "maintaining the honesty that made Comic Sans so popular". When he first had the idea to "save" Comic Sans, Rozynski thought that the project would take him a month to complete; it actually took three years. He planned the typeface as a joke, but he  began to take it seriously, commissioning Hrant Papazian of The MicroFoundry to improvements to outlines, spacing, and kerning of all 12 fonts in the family. It was released in April 2014 and a Kickstarter crowdfunding campaign successfully raised $10,000 to expand the typeface to support non-English languages. The original typeface can be downloaded for free from its official website, but Rozynski has suggested that he may sell future, more complete releases. He has said he hoped a type foundry or online type library such as Adobe's TypeKit would pick it up. Variants. The typeface was originally released  in two variants: Comic Neue and Comic Neue Angular. In the latter, the rounded terminals ending each stroke are made angular. Rozynski claims that the angular version was "a happy accident". Both variants include bold, regular, and light weights, and each weight is available in roman and italic fonts. Shortly after the initial release, plans were announced to develop characters to support other European languages. Response. Commentary on the typeface has been mostly positive. "Co.Design" John Brownlee felt that Comic Neue succeeded in refining Comic Sans while remaining casual, writing: "If Comic Sans resembles the handwriting of a 10 -year-old with excellent penmanship, Comic Neue is the block lettering of that same kid as a high school senior." Amanda Kooser of CNET described Comic Neue as "Comic Sans' much more attractive and worldly brother" and opined that the new typeface had successfully redeemed the "much-maligned" original. "The Washington Post" reporter Caitlin Dewey also felt that Comic Neue was an improvement on the original typeface and made Comic Sans "cool again". Tyler McCarthy of "The Huffington Post" simply referred to Comic Neue as "a slightly less horrible version of Comic Sans", while Jacob Kastrenakes described it in "The  Verge" as "a stylishly thin yet still playfully curly font that's generally much nicer to read than Comic Sans". On the other hand, comic book writer Mark Evanier said that the typeface was an improvement on Comic Sans, but that it still did not meet the standards of a professional cartoonist. He said the typeface worked well used in upper and lower case together, but not when used in all caps, which was how comic books were typically lettered. Vincent Connare, the original designer of Comic Sans, thought that Comic Neue was not casual enough. Rozynski has noted that  most criticism of the typeface came from type designers rather than laypeople.