Tony Millionaire
Tony Millionaire (born Scott Richardson in 1956) is an American cartoonist, illustrator and author known for his syndicated comic strip "Maakies" and the "Sock Monkey" series of comics and picture books. Early life. Millionaire grew up in and around the seaside town of Gloucester, Massachusetts. He came from a family of artists – his father was a commercial illustrator, his mother and grandparents were painters – and was encouraged to draw from an early age. His grandfather, who was a friend of the cartoonist Roy Crane, had a large collection of old Sunday comics, which were an early source of  inspiration to Millionaire. He drew his first comic strip, "about an egg-shaped superhero who flew around talking about how great he was and then crashing into a cliff," when he was nine years old. During high school, Millionaire continued to draw comic strips for his own amusement. Career. After high school, Millionaire attended the Massachusetts College of Art, where he majored in painting. While in college, he began drawing houses for money; this, along with occasional illustration jobs, would be his primary source of income for the next 20 years. After graduating from college, he moved from place to  place, living in Boston; Florida; California; and Italy; before settling in Berlin for five years during the 1980s. Returning to the U.S. in the early '90s, he moved to Brooklyn, where he began drawing a regular comic strip, "Medea's Weekend", for the Williamsburg newsweekly "Waterfront Week". One night at a local bar, the Six Twelve, Millionaire drew "a cartoon about a little bird who drank booze and blew his brains out" on a napkin – the origin of his best-known character, Drinky Crow. The bartender encouraged him to draw more cartoons, offering him a free beer for each one  he completed. After doing many of these cocktail napkin drawings, Millionaire began drawing more polished versions of his cartoons for publication in various zines, including Spike Vrusho's "Murtaugh" and Selwyn Harris's "HappyLand". He also did drawings for several trade journals and Al Goldstein's notorious tabloid "Screw". Eventually the alternative newsweekly "New York Press" asked him to draw a weekly strip, and in 1994, "Maakies" debuted in its pages. It soon spread to other papers across the country. During the mid-2000s, Millionaire transferred "Maakies" to "The Village Voice" as its NYC venue, but returned it to the "New  York Press" in February 2007. Besides "Maakies", Millionaire has produced a series of comics and picture books, collectively titled "Sock Monkey". He has also occasionally contributed to comics anthologies including "Legal Action Comics", "Star Wars Tales", Marvel's "Strange Tales", "Dirty Stories", and "Bizarro Comics". His illustrations are published in many leading venues including "The New York Times", "The New Yorker" and "The Wall Street Journal". Currently, he does much of the artwork, along with Charles Burns, for Dave Eggers' magazine "The Believer". Animated versions of his work have been featured on "Saturday Night Live", in the They Might Be  Giants documentary "Gigantic", and on "Adult Swim". In 2006, Fantagraphics Books published his graphic novel "Billy Hazelnuts". He is working on a children's book to be published by Hyperion. Since February 10, 2010, Millionaire's comic "Maakies" has been published weekly in "Nib-Lit". Style and influences. Millionaire draws in a lush style that mingles naturalistic detail with strong doses of the fanciful and grotesque. His linework resembles that of Johnny Gruelle, whom he cites as one of his main sources of inspiration, along with Ernest Shepard and "all those freaks from the twenties and thirties who did the  newspaper strips"; many of Millionaire's admirers adduce a similarity to the work of E. C. Segar in particular. He draws with a fountain pen. The nautical settings of much of Millionaire's work draw inspiration from his childhood memories of his grandparents' artwork and seaside home, as well as the novels of Patrick O'Brian, of which he is an avid reader. Pseudonym. When asked in interviews why he uses a pen name, Millionaire maintains that he does not, and that "Tony Millionaire" is his real name: "It is my legal name, and it's been around a lot longer  than I've been a cartoonist." He has said his unusual surname is an Old French word meaning "a person who owns a thousand serfs," but the origin of the name "Tony Millionaire" is a character in an episode of the 1960s TV series "I Dream of Jeannie". Millionaire has speculated that in the future he may publish some family-friendly works of his under a different moniker, in order to dissociate them from his other, more ribald output.