Menin Gate at Midnight, in Hellerup and commissioned the French architect Joseph-Jacques Ramée to build a suitable country house on the property. Ramée was at that time working out of Hamburg but designed a number of similar houses in the same area for other wealthy families, including Sophienholm for Constantin Brun and Hellerupgård. The resulting building was a simple, white-washed Neoclassical building, typical of Ramée's work around that time. Ramée also designed the surrounding park which was laid out in English style as a Romantic landscape garden with an artificial lake and grotto. Søbøtker maintained an extravagant lifestyle and in the 	Øregård Museum
25301857	same time the meagre times which followed the English Wars and the national bankruptcy in 1813 hit his business enterprises hard. In 1821 he had to sell Øregård, and moved to the Danish West Indies where he settled on his estate on Saint Croix and later became governor of Saint John and Saint Thomas. Øregård came under new ownership and was converted into a museum and was ultimately acquired by Gentofte Municipality in 1917 and converted into a museum. The park was carefully renovated by Gudmund Nyeland Brandt, municipal gardener and later parks director in Hentofte from 1914 to 1841	Øregård Museum
25301858	, and was converted into a public park. Collections and exhibitions. Øregård Museum holds a large topographic collection of around 3,000 pictures—oil paintings, watercolours, engravings and drawings—which depict Copenhagen and the area of the city. The collection covers the period from 1750 to 1930 and contains works by both famous and not-so-famous artists. A large part of the collection came from the private collection of Jacob Hegel (1851–1918). He was managing director of Gyldendal, Denmark's largest publishing house, and a passionate art collector. After his death, his widow, Julie Hoel, bequeathed most of the collection to 	Øregård Museum
25301859	Gentofte Municipality. They moved it to Øregård which opened to the public in 1921. The museum also hosts two to three special exhibitions a year and arranges a variety of events. The special exhibitions cover both older and more modern art. There is a special tradition for presenting retrospective exhibitions with artists who were underrated, or experienced adversity, in their own day. Examples have been Elisabeth Jerichau-Baumann, Bertha Wegmann, Marie Krøyer, Hugo Larsen, Paul Fischer and Vilhelm Hammershøi. Other exhibitions relate to the history of the building, including the Danish West Indies, or to the surrounding area. Øregård Museum 	Øregård Museum
25301860	2006–07 Everton F.C. season 2006–07 Everton F.C. season The 2006–07 Everton F.C. season was Everton's 15th season in the FA Premier League, and their 53rd consecutive season in the top division of English football. Season summary. Everton finished in sixth place in the Premier League table – enough for participation in the 2007–08 UEFA Cup. 2006–07 Everton F.C. season The 2006–07 Everton F.C. season was Everton's 15th season in the FA Premier League, and their 53rd consecutive season in the top division of English football. Season summary. Everton finished in sixth place in the Premier League table – enough for participation in the 2007–08 	2006–07 Everton F.C. season
25301861	Menin Gate at Midnight Menin Gate at Midnight Menin Gate at Midnight (also known as Ghosts of Menin Gate) is a 1927 painting by Australian artist Will Longstaff. The painting depicts a host of ghostly soldiers marching across a field in front of the Menin Gate war memorial. The painting is part of the collection of the Australian War Memorial in Canberra. Longstaff painted the work after attending the unveiling of the Menin Gate memorial, at Ypres in Belgium, on 24 July 1927. The memorial commemorated those men of the British Empire, including Australia, who died in the battles of the First World War 	Menin Gate at Midnight
25301862	and have no known grave. Walking around the streets of Ypres after the ceremony, Longstaff was said to have seen a vision of steel-helmeted spirits rising from the moonlit cornfields around him". Returning to London, Longstaff was reported to have painted the work in a single session, while "still under psychic influence". The painting was immediately popular. It was purchased by Lord Woolavington for 2,000 guineas and presented to the Australian government. After a royal command viewing at Buckingham Palace for George V and the Royal family, the painting was displayed in Manchester and Glasgow. It was then taken  around Australia, where record crowds paid to view the work. Longstaff oversaw the making of 2,000 prints, and 400 of those were given to the nascent Australian War Memorial to sell to raise funds. Related works. The success of this work led Longstaff to paint three later companion pieces with a similar ghostly, spiritualist theme as can be seen below: Menin Gate at Midnight Menin Gate at Midnight (also known as Ghosts of Menin Gate) is a 1927 painting by Australian artist Will Longstaff. The painting depicts a host of ghostly soldiers marching across a field in front of the