Gangavataran
Gangavataran () is a 1937 Indian film by Dadasaheb Phalke, who is known as the "father of Indian cinema". It was the first sound film and the last film to be directed by Phalke. When Phalke directed this film, he was 67 years old. He directed "Gangavataran" on behalf of Kolhapur Movietone. Plot. "Gangavataran" is based on the tales of the Puranas, a genre of important Hindu, Jain and Buddhist religious texts. The film used special effects to show mythological miracles and fantasy scenes, credited to Babaraya Phalke, son of Dadasaheb. "Gangavataran" depicted the Hindu deity Shiva, and the divine  sage from the Vaisnava tradition, Narada, played by Chitnis and Suresh Pardesi respectively. The film tells the Hindu mythical story of river Ganges's descent to Earth. For absolution of his ancestor's sins Bhagiratha vows to bring the heavenly river (Ganga) to the Earth. Pleased with his tapasya, Lord Brahma agrees on sending Ganga. But He asks Bhagiratha to pursue Lord Shiva, as only Shiva could break Ganga's fall. Proud with her heavenly presence, Ganga agreed to descend only because of Brahma's orders. Her pride made her believe that her fall would only destroy the Earth. But  then Shiva trapped her tight in His hair and only let her go when she asked for forgiveness. Her gentle flow after release then absolved Bhagiratha's ancestors. Production. It took two years to complete the production of "Gangavataran". The production cost of this film was two and a half lakhs rupees in contemporary currency value (approximately US$65,000 in 2018 dollars). The film was screened on 6 August 1937 at the Royal Opera House in Mumbai. "Gangavataran" was the first Indian sound film to be screened at the Royal Opera House. Analysis. "Gangavataran" was a mythological film. When Phalke  directed this film, other filmmakers such as V. Shantaram were directing films with social reform as a thematic element. "Gangavataran" was a flop in the box office. "Encyclopaedia of Hindi cinema" describes "Gangavataran" as the "last desperate attempt" by Phalke to direct a film at a time when big-budget Hindi films were flourishing which were characterized by "rural romances with easy-to-follow dialogues, catchy songs, folk dances, dramas of misunderstanding" and the first pioneers of the Hindi film industry were quickly fading away from public memory.