The Fantastic Four (unreleased film)
The Fantastic Four is an unreleased 1994 independent superhero film based on the Marvel Comics superheroes of the same title. It features their origin, and their first battle with Doctor Doom. Executive-produced by low-budget specialists Roger Corman and Bernd Eichinger, it was made in order for Eichinger to keep the Fantastic Four film rights. It was not released officially, although pirated copies have circulated since May 31, 1994. It is the first Fantastic Four film to be made, but the only one not distributed by 20th Century Fox. Plot. Reed Richards and Victor  Von Doom are college friends who use the opportunity of a passing comet to try an experiment. It goes wrong, leaving Victor believed dead. Susan and Johnny Storm are two children living with their mother, who has a boarding house where Reed lives. Ben Grimm is a family friend and a college buddy of Reed's. Ten years later, Reed, Sue, Johnny and Ben participate in a mission in an experimental spacecraft of Reed's as the same comet passes Earth. Unbeknownst to them, a crucial diamond component designed to protect them from the comet's cosmic rays, has been  replaced with an imitation by a criminal named The Jeweler, leaving them exposed to the radiation. After crash-landing on Earth they discover that the cosmic rays have given them special powers: Reed's bodily structure has become elastic, Sue can become invisible, Johnny can generate fire on demand and Ben has transformed into a creature with stone-like skin. They are later captured by men posing as Marines and are taken to Victor who has become the villainous monarch Dr. Doom. They escape and meet at the Baxter Building, trying to decide how to move forward with their superpowers . An angry Ben leaves them to go out on his own, feeling he has become a freak. He is found by homeless men and joins them in the lair of the Jeweler. The Jeweler has his henchmen kidnap blind artist Alicia Masters whom he plans to force into being his bride, intending to use the stolen diamond as his wedding gift to her. Doom, who has his own plans for the diamond, sends his henchmen to The Jeweler to make a deal for it but to no avail. Doom seizes the diamond himself in a gun battle breaks between his  men and The Jeweler's. When Ben enters the fray, Doom takes Alicia hostage. When Ben threatens to 'clobber' Doom, Alicia begs him not to risk it and confesses her love for him. Her confession changes Ben back to human form and he flees onto the city streets. Frustrated at his helplessness he reverts to the Thing. When Ben returns to his friends, Reed has learned that Doom is actually Victor. Doom contacts them and threatens to use the diamond to power a laser cannon that will destroy New York City unless they surrender to him. Realizing they are the  only ones who can stop him, they don costumes and travel to Doom's castle where they confront waves of his military forces. As Reed battles him, Doom manages to fire his laser but is knocked off a balcony wall. As he clings to the wall Reed tries to rescue him but Doom's gauntlet comes loose and he falls into the fog below. His gauntlet (still on the balcony) starts to move on its own. Meanwhile, Johnny has become the Human Torch and flies off to intercept the laser's shot, deflecting away from the city and into outer  space. Ben frees Alicia and finally introduces himself to her. She feels the rocky surface of his face but is not fazed by his altered appearance. The Four dedicate themselves to fighting evil and Reed and Sue marry. Production. In 1983, German producer Bernd Eichinger met with Marvel Comics' Stan Lee at Lee's Los Angeles home to explore obtaining an option for a movie based on the Fantastic Four. The option was not available until three years later, when Eichinger's production company Constantin Film obtained it for a price the producer called "not enormous" and which has been  estimated to be $250,000. Despite some interest from Warner Bros. Pictures and Columbia Pictures, budget concerns precluded any production, and with the option scheduled to expire on December 31, 1992, Constantin asked Marvel for an extension. With none forthcoming, Eichinger planned to retain his option by producing a low-budget "Fantastic Four" film. In September 1992, he teamed with B-movie specialist Roger Corman, who agreed to produce the film on a $1 million budget, to be released by his distribution company New Horizons Pictures. Production began on December 28, 1992, under direction of music video director Oley  Sassone, lasting for 21 days or 25 days. Storyboards were drawn by artist Pete Von Sholly. The movie was shot on the Concorde Pictures sound stage in Venice, California, as well as in Agoura, California for a spacecraft-crash scene, the Loyola Marymount University campus for a lab-explosion scene, and the former Pacific Stock Exchange building in downtown Los Angeles for team-meeting scenes. Costume designer Réve Richards recalled in 1993 going to Golden Apple Comics on Melrose Avenue in Los Angeles to buy "Fantastic Four" comic books for research. Upon explaining his task, "these people in the store  just swarmed me and said, 'You are going to be faithful to it?' And I told them, 'This is why I am buying these books.'" Paul Ahern was hired as weapons consultant, and Scott Billups for computer visual effects. The special-effects makeup was by John Vulich and Everett Burrell of Optic Nerve. Stuntman Carl Ciarfalio, who wore a rubber suit to portray the monstrous superhero Thing, worked with actor Michael Bailey Smith, who played the Thing's human self, Ben Grimm, so that their mannerisms would match. During the months of post-production, music composers David and Eric Wurst  personally contributed $6,000 to finance a 48-piece orchestra for the soundtrack. Marketing and release plans. A 1993 magazine article gave a tentative release date of Labor Day weekend 1993. During that summer, trailers ran in theaters and on the video release of Corman's "Carnosaur" and "Little Miss Millions". The cast members hired a publicist, at their own expense, to help promote the film at a clips-screening at the Shrine Auditorium in Los Angeles and at the San Diego Comic-Con International, and the film appeared as a cover story on an issue of "Film Threat" magazine . By this time, the world premiere was announced to take place at the Mall of America in Bloomington, Minnesota, on January 19, 1994, with proceeds from the event earmarked for the charities Ronald McDonald House and Children's Miracle Network. Suddenly, the premiere was halted, the actors received a cease and desist order on all promotion from the producers, and the studio confiscated the negatives. Eichinger then informed Sassone that the film would not be released. Speculation arose that the film had never been intended for release, but had gone into production solely as a way for Eichinger to retain  rights to the characters; Stan Lee said in 2005 that this was indeed the case, insisting, "That movie was never supposed to be shown to anybody," and adding that the cast and crew had been left unaware. Corman and Eichinger dismissed Lee's claims, with the former stating, "We had a contract to release it, and I had to be bought out of that contract" by Eichinger. Eichinger called Lee's version of events "definitely not true. It was not our [original] intention to make a B movie, that's for sure, but when the movie was there, we wanted  to release it." He said future Marvel film impresario Avi Arad, at this point, in 1993, a Marvel executive, Arad recalled in 2002 that while on a trip to Puerto Rico in 1993, a fan noticing Arad's Fantastic Four shirt expressed excitement over the film's upcoming premiere, of which Arad said he was unaware. Concerned how the low-budget film might cheapen the brand, he said he purchased the film "for a couple of million dollars in cash" and, not having seen it, ordered all prints destroyed, in order to prevent its release. Eichinger continued negotiations to produce  a big-budget adaptation, speaking with directors including Chris Columbus, Peyton Reed, and Peter Segal. After pre-production briefly went underway in 1996, Eichinger and his company began production in 2004 of "Fantastic Four" (2005), with an estimated $90 million budget. Following that film's 2005 release, Eichinger and Constantin produced a $130 million sequel, "" (2007). A critically panned reboot for the film series was released in 2015. Although never officially released to the general public, but exhibited once on May 31, 1994, "The Fantastic Four" has been subject to bootleg recordings. The film is available to be  watched on YouTube and Dailymotion. Critical reception. On the review aggregation website Rotten Tomatoes, the film has an approval rating of 30%, based on 10 reviews, with an average rating of 4.67/10. Clint Morris of "Film Threat" magazine said of a copy of the film he obtained, "[Y]es it's terribly low-budget and yes it's derisorily campy and feebly performed, but at the same time there's also something inquiringly irresistible about this B comic tale that makes you wonder why it didn't get a release somewhere along the line. Even if it does resemble "Toxic Avenger  [more so] than say, Spider-Man" ... The script isn't actually all that bad and some of the actors—notably Michael Bailey Smith—are actually quite good here, and with an extra polish I think they might have been able to release this thing." Neil Calloway of Flickering Myth said "the production values are of a 1990s daytime soap, with some rather clunky dialogue." Section::::"Doomed" documentary. In 2014, a trailer for the documentary "" was released, with Corman and the rest of the cast and crew explaining what transpired with the film and its production. The documentary was released on July  10, 2015. In popular culture. In 2013 a main story arc in fourth season of the television series "Arrested Development" concerned the character Tobias Fünke's attempt to stage a musical based on The Fantastic Four. The setup for the story concerned his romantic relationship with DeBrie Bardeaux (Maria Bamford), an actress who had played Sue Storm in an unreleased Fantastic Four movie. This backstory parodies the development of the 1994 Corman movie and the storyline is an extended satire on various comic book rights battles.