Eargasm
Eargasm is an album by the American R&B singer Johnnie Taylor, released in 1976. The album contains "Disco Lady", which was a No. 1 pop hit for four weeks, and achieved the first platinum certification for a single, with two million copies sold. "Eargasm" was Taylor's first album for Columbia Records, after many years spent recording for Stax. The album peaked at No. 5 on the "Billboard" 200; it spent two weeks at No. 1 on the Soul Albums chart. Taylor's most commercially successful album, "Eargasm" achieved gold status in 1980 and platinum status in 2001. The  album's second single, "Somebody's Gettin' It", was also a hit. The album helped Taylor earn the Southern Christian Leadership Conference's award for the 1976 "Entertainer of the Year". Production and marketing. The album was produced by Don Davis. Recorded in Dallas and Memphis, the backing musicians included Bernie Worrell and Bootsy Collins. The scholar Houston Baker contends that "Disco Lady" was among the first R&B singles to be advertised to white record buyers; this was part of a 1970s practice of major labels signing veteran black musicians, and then focusing on crossover hits rather than career growth . Critical reception. Robert Christgau thought that "Taylor's commitment to the traditional soul style remains unimpeachable even when he accedes to material as modish as the likable but lightweight 'Disco Lady'." AllMusic deemed "Disco Lady" "the song of year," writing that "the rest of the album was standard soul, but this was overlooked in the rush." "The Rolling Stone Album Guide" determined that "the songwriting is nowhere near as punchy or pointed as on the Stax records; however, Taylor throws down some heavy gospel-style testimony." The "Dallas Observer", reviewing the album's 1999 rerelease on compact disc, called it  a wonderful record ... full of la-de-de, la-da-dum-da choruses and it-don't-hurt-me verses; the man could sing about infidelity and made it signify even among the most faithful. The "Fort Worth Star-Telegram" concluded that "Taylor had the good sense to mix strings with the sort of horn-based soul that made him a star on Stax in the '60s and come up with a Memphis/Detroit/Philadelphia hybrid." "Music Week" wrote that "the album is full of classy urban ballads and tidy midtempo grooves, with only 'It Don't Hurt Me Like It  Used To' in true disco tempo."