Little Monsters
Little Monsters is a 1989 American comedy film starring Fred Savage and Howie Mandel and directed by Richard Alan Greenberg, most widely known for his work in design main titles of movie blockbusters, like the Superman of 1978 (his most famous title score). It tells the story of a boy who befriends a real-life "monster under the bed" and discovers a secret world of monsters who sneak into children's bedrooms at night to pull pranks on them. Plot. Brian Stevenson's family has just moved to suburban Boston, and he feels isolated in his new neighborhood . One morning, Brian finds himself blamed and wrongfully punished for several things he did not do. Insisting on his innocence, he blames his younger brother, Eric, who claims to have seen a monster the night before. At school, Brian gets into a fight with bully Ronnie Coleman. That night, upon returning to Eric's room to sleep for a bet, Brian finds the room in shambles, and sees the TV remote supernaturally slide and disappear under the bed. The next morning, Eric and his friend Todd find Brian on the living room couch and joke about Brian being unable to  sleep the entire night in Eric's room. Brian bets Eric "double or nothing" to sleep in Eric's room another night. The next night, a determined Brian sets booby traps, and leaves cheese Doritos as bait to attract the alleged "monster." Brian succeeds in trapping the monster intruder: a blue-skinned humanoid named Maurice. Though initially scared, Brian soon discovers that he and Maurice share the same interests and befriends him. Brian also learns that sunlight causes the monsters to collapse into piles of clothes. Over several nights, Maurice shows him a fun time in the monster world beneath  Eric's bed. It consists of every child's dream: all the junk food and video games available, with no adults to supervise. It also has innumerable staircases leading to the spaces beneath children's beds, from which the monsters cause trouble. Maurice and Brian have fun making mischief in other people's homes, and Brian also befriends a girl named Kiersten at his school. However, at the same time, Brian also begins to notice Maurice's ways of causing mischief can go too far sometimes, as evidenced when Maurice eats Kiersten's papers for an important science project she  was working on, causing her to get a grade of zero. Brian also becomes disheartened when he believes that his parents may possibly get a divorce. One night, Maurice brings Brian along with several other monsters to the bedroom of an infant baby, intending to scare it. Finding this to be cruel, Brian opens the bedroom door, exposing the hallway light to the baby's bedroom, but subsequently learns that he is turning into a monster, as his body parts shrink when the light hits him. He escapes the house through the front door and walks through Todd's backyard , where Todd is sleeping in a treehouse. Todd shines a flashlight on Brian, shrinking Brian's arm in the process. The concerned Brian saws off the legs of all the beds in his house. Due to Maurice's failure to convert Brian (all monsters are former children), Eric is kidnapped by Snik — another, much crueler monster — through the couch bed in the living room. Brian enlists help from Todd and Kiersten. Gathering an assortment of bright lights, they enter the monster universe looking for Eric. "Zapping" various monsters along the way, they march to the master staircase, where Boy, the  ruler of the monster world, resides. Boy offers to release Eric and Brian's friends if Brian agrees to convert, but Brian refuses. The bright lights are destroyed and they are all placed with Maurice in a locked dungeon-type room. They manage to escape by turning Maurice into a pile of clothes via an improvised light and slide him through the door crack. They re-arm themselves with more powerful lights, recruit Ronnie, and venture back into the monster world. They return to Boy's domain, and are able to defeat him, while Maurice defeats Snik with a flamethrower . Unfortunately, Brian and the others find that they cannot return home because the sun has risen. Faced with the prospect of turning into monsters if they do not return to the human world by sunrise, the children travel in the monster world from the Eastern time zone to Malibu where the sun has not risen yet and they manage to escape. Before entering the human world, Brian shares a heartfelt goodbye with Maurice, who gives Brian his leather vest as a memento, promising to meet again with him someday. The kids run to a payphone and Brian calls home  to say that he and Eric are in Malibu and begins to explain their story to their parents. Cast. Brian's father Glen is played by Daniel Stern, who was working on "The Wonder Years" as the elder, retrospective (voice-over) version of Savage's character, Kevin Arnold. Real-life siblings Fred and Ben Savage play the respective roles of siblings Brian and Eric Stevenson, and their sister Kala plays a little monster. Soundtrack. The movie soundtrack featured the Talking Heads song "Road to Nowhere" running over the end credits. Two original songs were written for the movie performed by  Billie Hughes. The music supervisors were Gary Goetzman and Sharon Boyle. Plans for the release of the soundtrack album failed upon the pending bankruptcy of Vestron Pictures. Release. The film was financed by Vestron Pictures. Along with a few other films, the distribution rights were sold to Metro-Goldwyn-Mayer/United Artists after Vestron's bankruptcy (though Vestron retained some foreign rights). It subsequently saw a limited release, with only 179 movie theaters showing the film at its high point, although it grossed just under US$800,000. A DVD release was made available in the United States and Canada on  April 6, 2004. Lionsgate released the film on Blu-ray for the first time as part of their "Vestron Video Collector's Series" line on September 15, 2020. Reception. On Rotten Tomatoes the film has an approval rating of 44% based on reviews from 9 critics. Chris Willman of the "Los Angeles Times" found Howie Mandel's monster Maurice to be uncannily close to "Beetlejuice" although this film is for children. He notes "there's sweetness and whimsicality in its fantasy, but there’s also a fair amount of gross-out humor" and admits that "some of it is actually  funny". Willman says the film ultimately turns into a special-effects extravaganza, but seems to have been held back by its limited budget.