Victim feminism
Victim feminism is a term used by some liberal and libertarian feminists in the 1990s to contrast their conceptions of feminism with other feminists who they view as reinforcing the idea that women are weak or lacking in agency, and therefore need to be protected. Naomi Wolf contrasts victim feminism with power feminism. In her view, victim feminists present women as "beleaguered, fragile, intuitive angels" thus preventing women from taking responsibility for the power they actually have. Among various attributes of victim feminism, Wolf writes that it projects violence and competitiveness onto men or their patriarchy, while disregarding  these qualities in women. Colin Grant described Wolf's power vs. victim dichotomy as being rooted in differences in how feminists address the liabilities that women suffer: while victim feminism simply dwells on them, power feminism seeks to identify them, with the purpose to challenge and overcome them. Grant also mentions that Wolf herself appears to have embraced both sides: her book "The Beauty Myth" seems to be from the victim feminism camp, but with "Fire with Fire" Wolf transitions to the power feminism side. This dichotomy of "victim" vs "power" was criticized for being defined too broadly so that  Wolf's argument became lost. In addition it lumps together diverse and radically different feminist schools, and this confusion aids antifeminists in their rhetoric. Victim feminism was described as a negative tendency in gender feminism. The more positive tendency recognizes the distinctiveness of women's experience and views (regarding sex, morality, etc.) as a positive alternative in contrast to that imposed by the "patriarchal" views of men. Naomi Wolf's "Fire with Fire" and Katie Roiphe's "The Morning After" met with considerable media attention. They were described as part of the backlash against the perceived domination of the feminist  theme of victimization in the contemporary popular culture. One of Wolf's and Roiphe's arguments is that emphasis on victimization reinforces the stereotype of women being fragile and vulnerable. However it was argued that their solution in the form of "power feminism" is simplistic, because it fails to take into an account the systemic nature of women's subordination. Overall, the "victim vs. power" dichotomy was described as false and fundamentally inadequate, and leading to "problematic extremes". Gender studies scholar Rebecca Stringer writes that besides Wolf and Roiphe, other feminist authors have criticized the representation of women as victims  and promoted a brand of agency-affirming feminism. These include Camille Paglia, Christina Hoff Sommers, Natasha Walter, and Rene Denfeld. Each of these authors wrote popular books in the 1990s about feminism framed as calls to action like earlier works by Betty Friedan and Germaine Greer. According to Stringer, this trend of 1990s agitation against "victim feminism" is tied to the concurrent rise of neoliberalism. At the same time, in her book "Knowing Victims" Stringer argues that these critiques of "victim feminism" do not affirm women's agency, but rather problematize women's capacity for agency and declare a lack  of women's personal responsibility, which is, in Stringer's view, akin to victim blaming. Elizabeth Schneider criticizes the dichotomy of feminism in the form of "victimhood vs. agency" from the legal standpoint, arguing that the view of women as either victims or agents is incomplete and static. She points out that, first, both concepts are too narrow and incomplete, and second, they are not the opposite poles of a spectrum, they are independent, but interrelated dimensions of women's experience.