Buhloone Mindstate
Buhloone Mindstate (stylized as Buhlo͞one Mind State on the album cover) is the third studio album by American hip hop group De La Soul. It was released on September 21, 1993, through Tommy Boy Records, and was the group's last record to be produced with Prince Paul. Title. "Buhloone" is a phonetic spelling of the English noun "balloon". This theme is laid out in the intro track, which starts with the sound of a balloon being inflated; then the hookline "it might blow up, but it won't go pop" is repeated over and over, until the  sound of a balloon popping replaces the final word "pop". This lends itself to the interpretation that the group hope to expand their popularity with their third album without selling out. Songs and guests. De La Soul continued its early- to mid-1990s experimentations with jazz by featuring jazz veterans Maceo Parker, Fred Wesley, and Pee Wee Ellis, on "Patti Dooke" and "I Am I Be." The song "Patti Dooke" deals with what the group sees as the mainstream's efforts to control the direction of black music. Posdnous raps: The Japanese rappers Scha Dara Parr and Takagi Kan make an  appearance on "Long Island Wildin'" while Biz Markie drops by on "Stone Age" and Guru does the spoken chorus of "Patti Dooke." Dres of Black Sheep appears on "En Focus," and the album heavily features Shortie No Mass of Philadelphia. The album was preceded by the single and video "Breakadawn", which features samples from Michael Jackson's "I Can't Help It" and Smokey Robinson's "Quiet Storm." Critical reception. At the end of 1993, "Buhlo͞one Mindstate" was voted the eighth best album of the year in the Pazz & Jop, an annual poll of American critics nationwide, published by "The  Village Voice". Robert Christgau, the poll's creator and supervisor, ranked it fifth best on his own year-end list. In a contemporary review, "Rolling Stone" critic Paul Evans said the record was more focused than De La Soul's previous albums and also more ambitious sonically: "Musically, "Buhloone Mind State" raises the stakes; it gets to something rap seldom achieves — a truly gorgeous groove." In 2005, comedian Chris Rock named it the 10th greatest hip hop record of all time in a list published by "Rolling Stone".