On Tour with Eric Clapton
On Tour with Eric Clapton is a 1970 album by Delaney & Bonnie with Eric Clapton, recorded live at the Fairfield Halls, England. Released on Atco Records, it peaked at No. 29 on the "Billboard" 200 in April 1970, at No. 39 on the UK Albums Chart, and was certified a gold record by the RIAA. Content and reissue. The album features Delaney and Bonnie's best-known touring band, including Eric Clapton, Jim Gordon, Carl Radle, Bobby Whitlock, and Dave Mason. Many of the players on this album went on to work with George Harrison  on his post-Beatles debut album "All Things Must Pass" and with Clapton on his solo debut. The horn players Bobby Keys and Jim Price played on the albums "Sticky Fingers" and "Exile on Main St." by the Rolling Stones, and join them for their 1972 STP Tour. Whitlock, Radle, and Gordon formed with Clapton his band Derek and the Dominos for "Layla and Other Assorted Love Songs". As no pictures of Delaney and Bonnie were deemed good enough for the album cover, a photo was used instead of a Rolls-Royce Silver Dawn in a desert, reportedly taken by  manager Barry Feinstein while working as a photographer covering a Bob Dylan tour in 1966. Dylan's feet are those hanging from the car window. "On Tour" was re-issued in 2010 as four-disc box set, packaged in a mock road case containing the complete performance from the Royal Albert Hall, plus a composite of the next night's performances at Colston Hall in Bristol, and both the early and late shows from the tour's final stop at Fairfield Halls in Croydon. George Harrison played slide guitar on the English leg of the tour that followed the Albert  Hall performance, as well as in Scandinavia, which are represented on discs 2-4. Reception. The album has received highly positive reviews, with many critics suggesting the album is superior to Clapton's prior project (Blind Faith). In the Rolling Stone Album Guide, the album is described as "a triumph", which is attributed to the fact the band was "one of the best" in "rock and roll". Writing for Rolling Stone, Mark Kemp said the album contained "wicked performances of the kind of country and boogie that would define Southern rock". "Mojo" described the album as "one of the two  Rosetta Stones of roots rock'n'roll".