Diana Souhami
Diana Souhami (born 25 August 1940) is an English writer of biographies, short stories and plays. She is noted for her unconventional biographies of prominent lesbians. Biography. Souhami was brought up in London and studied philosophy at University of Hull. She worked in the publications department of the BBC before turning to biography. While working there she published short stories, wrote plays which were performed at Edinburgh Festival, The Kings Head in Islington, and broadcast as radio and television plays by the BBC. She devised an exhibition, "A Woman's Place: The Changing Picture of Women in Britain , for the British Council which in 1984 toured 30 countries. Her book based on this exhibition was published by Penguin Books. She also reviewed books and plays for newspapers. In 1986 she was approached by Pandora Press and received a commission to write a biography of the artist Gluck. Her life of Gluck was her only book in which she used a birth-to-death approach until her life of Edith Cavell (2010). We don't live our lives or read in a linear fashion. Also, the internet has so much information that it rather absolves the biographer from being  a storehouse of knowledge." Souhami became a full-time writer, publishing biographies which mostly explore the most influential and intriguing of 20th century lesbian (and gay) lives. She followed "Gluck" (1988), with "Gertrude and Alice" (1991), an account of the relationship between Gertrude Stein and Alice B. Toklas which lasted from their first meeting to Stein's death in 1946, "Greta and Cecil" (1994) examining the romantic relationship between Greta Garbo and Cecil Beaton, and "Mrs Keppel and her daughter" (1996), a dual biography of Alice Keppel, a long-time mistress of King Edward VII, and her daughter, Violet Trefusis . "The Trials of Radclyffe Hall" (1998), the biography of Marguerite Radclyffe Hall, won the Lambda Literary Award for Biography in 2000 and was shortlisted for the James Tait Black Memorial Prize. In 2001 she departed from her usual genre to publish "Selkirk's Island", an account of Alexander Selkirk's years as a castaway on Isla Más a Tierra (now better known as Robinson Crusoe Island) in the Juan Fernández archipelago. Booksellers and librarians had been puzzling whether to classify the book as fact, fiction, faction, fable or fantasy when it won the 2001 Whitbread Biography Award. Returning to lesbian  biography, "Wild Girls" (2004) is another dual biography, this time of the American couple Romaine Brooks and Natalie Barney, part of the artistic expat community in Paris between the wars. Never a conventional biographer, Souhami places at the start of each chapter a short passage in italics where "she appears to be narrating some of her personal lesbian experiences - waiting in a bar for a blind date, a secret affair with a woman Dean, furtive love-making with a girl on the deck of a Greek ferry at night." In 2007 Souhami returned to writing about islands with "Coconut Chaos , set on and en route" to Pitcairn Island"." Two stories are intertwined: an investigation into the lives of the HMS "Bounty" mutineers and their descendants, and a memoir of her journey to the mid-Pacific rock on a freighter with a woman known only as "Lady Myre". She visited at the time of the 2004 Pitcairn Islands sexual assault trial and although she attempted to travel incognito, the islanders discovered that she was a writer and asked her to leave. This book was dramatised for BBC radio. "Edith Cavell" (2010) is a straightforward biography of the nurse who was executed  for her role in the smuggling of allied soldiers out of Belgium during the First World War. "Murder at Wrotham Hill" (2012) is an account of the 1946 murder of Dagmar Petrzywalski and the subsequent investigation and prosecution of the crime, near a quiet village in Kent. "Gwendolen" (2014) is a re-telling of George Eliot's novel "Daniel Deronda". Souhami won the 2021 Polari Prize for "No Modernism Without Lesbians." "I started writing about lesbians 25 years ago in the hope of contributing to breaking the history of silence. Acceptance can't happen without openness, and I believe we  should all try to speak out in our own way. If you're silent and invisible you're no trouble to anyone. You're so buried you're assumed not to be there. So, historically, we have to dig deep to shed light on 'these practices', rid them of insult, turn the wrongdoing around, name and shame the abusers." (Souhami quoted by Emily Reynolds)