Ennio Morricone
Ennio Morricone, (; 10 November 19286 July 2020) was an Italian composer, orchestrator, conductor, and trumpeter who wrote music in a wide range of styles. With more than 400 scores for cinema and television, as well as more than 100 classical works, Morricone is widely considered one of the most prolific and greatest film composers of all time. His filmography includes more than 70 award-winning films, all Sergio Leone's films since "A Fistful of Dollars", all Giuseppe Tornatore's films since "Cinema Paradiso", "The Battle of Algiers", Dario Argento's "Animal Trilogy", "1900", "", "Days of Heaven", several  major films in French cinema, in particular the comedy trilogy "La Cage aux Folles I", "II", "" and "Le Professionnel", as well as "The Thing", "Once Upon a Time in America", "The Mission", "The Untouchables", "Mission to Mars", "Bugsy", "Disclosure", "In the Line of Fire", "Bulworth", "Ripley's Game", and "The Hateful Eight". His score to "The Good, the Bad and the Ugly" (1966) is regarded as one of the most recognizable and influential soundtracks in history. It was inducted into the Grammy Hall of Fame. After playing the trumpet in jazz bands in the 1940s, he became a studio arranger  for RCA Victor and in 1955 started ghost writing for film and theatre. Throughout his career, he composed music for artists such as Paul Anka, Mina, Milva, Zucchero, and Andrea Bocelli. From 1960 to 1975, Morricone gained international fame for composing music for Westerns and—with an estimated 10 million copies sold—"Once Upon a Time in the West" is one of the best-selling scores worldwide. From 1966 to 1980, he was a main member of Il Gruppo, one of the first experimental composers collectives, and in 1969 he co-founded Forum Music Village, a prestigious recording studio. From the  1970s, Morricone excelled in Hollywood, composing for prolific American directors such as Don Siegel, Mike Nichols, Brian De Palma, Barry Levinson, Oliver Stone, Warren Beatty, John Carpenter, and Quentin Tarantino. In 1977, he composed the official theme for the 1978 FIFA World Cup. He continued to compose music for European productions, such as "Marco Polo", "La piovra", "Nostromo", "Fateless", "", and "En mai, fais ce qu'il te plait". Morricone's music has been reused in television series, including "The Simpsons" and "The Sopranos", and in many films, including "Inglourious Basterds" and "Django Unchained". He also scored seven Westerns for Sergio Corbucci , Duccio Tessari's "Ringo" duology and Sergio Sollima's "The Big Gundown" and "Face to Face". Morricone worked extensively for other film genres with directors such as Bernardo Bertolucci, Mauro Bolognini, Giuliano Montaldo, Roland Joffé, Roman Polanski, Henri Verneuil, Lucio Fulci, Umberto Lenzi, and Pier Paolo Pasolini. His acclaimed soundtrack for "The Mission" (1986), was certified gold in the United States. The album "Yo-Yo Ma Plays Ennio Morricone" stayed for 105 weeks on the "Billboard" Top Classical Albums. Morricone's best-known compositions include "The Ecstasy of Gold", "Se telefonando", "Man with a Harmonica", "Here's to You", the  UK No. 2 single "Chi Mai", "Gabriel's Oboe", and "E Più Ti Penso". In 1971, he received a "Targa d'Oro" for worldwide sales of 22 million, and by 2016 Morricone had sold more than 70 million records worldwide. In 2007, he received the Academy Honorary Award "for his magnificent and multifaceted contributions to the art of film music". He was nominated for a further six Oscars, and in 2016, received his only competitive Academy Award for his score to Quentin Tarantino's film "The Hateful Eight", at the time becoming the oldest person ever to win a competitive Oscar . His other achievements include three Grammy Awards, three Golden Globes, six BAFTAs, ten David di Donatello, eleven Nastro d'Argento, two European Film Awards, the Golden Lion Honorary Award, and the Polar Music Prize in 2010. Morricone influenced many artists from film scoring to other styles and genres, including Hans Zimmer, Danger Mouse, Dire Straits, Muse, Metallica, Fields of the Nephilim, and Radiohead. Early life and education. Morricone was born in Rome, the son of Libera Ridolfi and Mario Morricone, a musician. At the time of his birth Italy was under fascist rule. His family came from Arpino, near Frosinone. Morricone  had four siblings — Adriana, Aldo, Maria, and Franca — and lived in Trastevere in the centre of Rome. His father was a professional trumpeter who performed in light-music orchestras while his mother set up a small textile business. During his early schooldays, Morricone was also a classmate of his later collaborator Sergio Leone. Morricone's father first taught him to read music and to play several instruments. He entered the Saint Cecilia Conservatory to take trumpet lessons under the guidance of Umberto Semproni. He formally entered the conservatory in 1940 at age 12, enrolling in a four-year harmony program  that he completed within six months. He studied the trumpet, composition, and choral music under the direction of Goffredo Petrassi, to whom Morricone would later dedicate concert pieces. In 1941 Morricone was chosen among the students of the Saint Cecilia Conservatory to be a part of the Orchestra of the Opera, directed by Carlo Zecchi on the occasion of a tour of the Veneto region. He received his diploma in trumpet in 1946, continuing to work in classical composition and arrangement. Morricone received the "Diploma in Instrumentation for Band Arrangement" with a mark of 9/10 in 1952. His studies concluded  at the Conservatory of Santa Cecilia in 1954 when he obtained a final 9.5/10 in his "Diploma in Composition" under Petrassi. Career. First compositions. Morricone wrote his first compositions when he was six years old and he was encouraged to develop his natural talents. In 1946, he composed "Il Mattino" ("The Morning") for voice and piano on a text by Fukuko, first in a group of seven "youth" Lieder. In the following years, he continued to write music for the theatre as well as classical music for voice and piano, such as "Imitazione", based on a text by Italian poet  Giacomo Leopardi, "Intimità", based on a text by Olinto Dini, "Distacco I" and "Distacco II" with words by R. Gnoli, "Oboe Sommerso" for baritone and five instruments with words by poet Salvatore Quasimodo, and "Verrà la Morte", for alto and piano, based on a text by novelist Cesare Pavese. In 1953, Morricone was asked by Gorni Kramer and Lelio Luttazzi to write an arrangement for some medleys in an American style for a series of evening radio shows. The composer continued with the composition of other 'serious' classical pieces, thus demonstrating the flexibility and eclecticism that always has been an  integral part of his character. Many orchestral and chamber compositions date, in fact, from the period between 1954 and 1959: "Musica per archi e pianoforte" (1954), "Invenzione, Canone e Ricercare per piano"; "Sestetto per flauto, oboe, fagotto, violino, viola, e violoncello" (1955), "Dodici Variazione per oboe, violoncello, e piano"; "Trio per clarinetto, corno, e violoncello"; "Variazione su un tema di Frescobaldi" (1956); "Quattro pezzi per chitarra" (1957); "Distanze per violino, violoncello, e piano"; "Musica per undici violini, Tre Studi per flauto, clarinetto, e fagotto" (1958); and the "Concerto per orchestra" (1957), dedicated to his teacher Goffredo Petrassi. Morricone soon gained  popularity by writing his first background music for radio dramas and quickly moved into film. Composing for radio, television, and pop artists. Morricone's career as an arranger began in 1950, by arranging the piece "Mamma Bianca" (Narciso Parigi). On occasion of the "Anno Santo" (Holy Year), he arranged a long group of popular songs of devotion for radio broadcasting. In 1956, Morricone started to support his family by playing in a jazz band and arranging pop songs for the Italian broadcasting service RAI. He was hired by RAI in 1958 but quit his job on his first day at  work when he was told that broadcasting of music composed by employees was forbidden by a company rule. Subsequently, Morricone became a top studio arranger at RCA Victor, working with Renato Rascel, Rita Pavone, Domenico Modugno, and Mario Lanza. Throughout his career, Morricone composed songs for several national and international jazz and pop artists, including Gianni Morandi ("Go Kart Twist", 1962), Alberto Lionello ("La donna che vale", 1959), Edoardo Vianello ("Ornella", 1960; "Cicciona cha-cha", 1960; "Faccio finta di dormire", 1961; "T'ho conosciuta", 1963; and also "Pinne, fucine ed occhiali", "I Watussi" and "Guarda come dondolo"), Nora Orlandi ("Arianna", 1960 ), Jimmy Fontana ("Twist no. 9"; "Nicole", 1962), Rita Pavone ("Come te non-ce nessuno" and "Pel di carota" from 1962, arranged by Luis Bacalov), Catherine Spaak ("Penso a te"; "Questi vent'anni miei", 1964), Luigi Tenco ("Quello che conta"; "Tra tanta gente"; 1962), Gino Paoli ("Nel corso" from 1963, written by Morricone with Paoli), Renato Rascel ("Scirocco", 1964), Paul Anka ("Ogni Volta"), Amii Stewart, Rosy Armen ("L'Amore Gira"), Milva ("Ridevi", "Metti Una Sera A Cena"), Françoise Hardy ("Je changerais d'avis", 1966), Mireille Mathieu ("Mon ami de toujours"; "Pas vu, pas pris", 1971; "J'oublie la pluie et le soleil", 1974), and Demis  Roussos ("I Like The World", 1970). In 1963, the composer co-wrote (with Roby Ferrante) the music for the composition "Ogni volta" ("Every Time"), a song that was performed by Paul Anka for the first time during the Festival di Sanremo in 1964. This song was arranged and conducted by Morricone and sold more than three million copies worldwide, including one million copies in Italy alone. Another success was his composition "Se telefonando". Performed by Mina, it was a track on "Studio Uno 66", the 4th studio album by Mina. Morricone's sophisticated arrangement of "Se telefonando" was a combination  of melodic trumpet lines, Hal Blaine–style drumming, a string set, a 1960s Europop female choir, and intensive subsonic-sounding trombones. The Italian Hitparade No. 7 song had eight transitions of tonality building tension throughout the chorus. During the following decades, the song was recorded by several performers in Italy and abroad including covers by Françoise Hardy and Iva Zanicchi (1966), Delta V (2005), Vanessa and the O's (2007), and Neil Hannon (2008). "Françoise Hardy – Mon amie la rose" site in the reader's poll conducted by the newspaper" la Repubblica" to celebrate Mina's 70th anniversary in 2010 , 30,000 voters picked the track as the best song ever recorded by Mina. In 1987, Morricone co-wrote "It Couldn't Happen Here" with the Pet Shop Boys. Other compositions for international artists include: "La metà di me" and "Immagina" (1988) by Ruggero Raimondi, "Libera l'amore" (1989) performed by Zucchero, "Love Affair" (1994) by k.d. lang, "Ha fatto un sogno" (1997) by Antonello Venditti, "Di Più" (1997) by Tiziana Tosca Donati, "Come un fiume tu" (1998), "Un Canto" (1998) and "Conradian" (2006) by Andrea Bocelli, "Ricordare" (1998) and "Salmo" (2000) by Angelo Branduardi, and "My heart and I" (2001) by  Sting. First film scores. After graduation in 1954, Morricone started to write and arrange music as a ghost writer for films credited to already well-known composers, while also arranging for many light music orchestras of the RAI television network, working especially with Armando Trovajoli, Alessandro Cicognini, and Carlo Savina. He occasionally adopted Anglicized pseudonyms, such as Dan Savio and Leo Nichols. In 1959, Morricone was the conductor (and uncredited co-composer) for Mario Nascimbene's score to "Morte di un amico" ("Death of a Friend"), an Italian drama directed by Franco Rossi. In the same year, he composed music  for the theatre show "Il lieto fine" by Luciano Salce. 1961 marked his real film debut with Luciano Salce's "Il Federale (The Fascist)". In an interview with American composer Fred Karlin, Morricone discussed his beginnings, stating, "My first films were light comedies or costume movies that required simple musical scores that were easily created, a genre that I never completely abandoned even when I went on to much more important films with major directors". With "Il Federale" Morricone began a long-run collaboration with Luciano Salce. In 1962, Morricone composed the jazz-influenced score for Salce's comedy "La  voglia matta (Crazy Desire)". That year Morricone also arranged Italian singer Edoardo Vianello's summer hit "Pinne, fucile, e occhiali", a cha-cha song, peppered with added water effects, unusual instrumental sounds and unexpected stops and starts. Morricone wrote works for the concert hall in a more avant-garde style. Some of these have been recorded, such as "Ut", a trumpet concerto dedicated to Mauro Maur. The Group and New Consonance. From 1964 up to their eventual disbandment in 1980, Morricone was part of "Gruppo di Improvvisazione Nuova Consonanza" (G.I.N.C.), a group of composers who performed and recorded avant-garde  free improvisations. The Rome-based avant-garde ensemble was dedicated to the development of improvisation and new music methods. The ensemble functioned as a laboratory of sorts, working with anti-musical systems and sound techniques in an attempt to redefine the new music ensemble and explore "New Consonance". Known as "The Group" or "Il Gruppo", they released seven albums across the Deutsche Grammophon, RCA, and Cramps labels: "Gruppo di Improvvisazione Nuova Consonanza" (1966), "The Private Sea of Dreams" (1967), "Improvisationen" (1968), "The Feedback" (1970), "Improvvisazioni a Formazioni Variate" (1973), "Nuova Consonanza" (1975), and "Musica su Schemi" (1976). Perhaps the most  famous of these is their album entitled "The Feed-back", which combines free jazz and avant-garde classical music with funk; the album frequently is sampled by hip hop DJs and is considered to be one of the most collectable records in existence, often fetching more than $1,000 at auction. Morricone played a key role in The Group and was among the core members in its revolving line-up; in addition to serving as their trumpet player, he directed them on many occasions and they can be heard on a large number of his scores. Held in high regard  in avant-garde music circles, they are considered to be the first experimental composers collective, their only peers being the British improvisation collective AMM. Their influence can be heard in free improvising ensembles from the European movements including the Evan Parker Electro-Acoustic Ensemble, the Swiss electronic free improvisation group Voice Crack, John Zorn, and in the techniques of modern classical music and avant-garde jazz groups. The ensemble's groundbreaking work informed their work in composition. The ensemble also performed in varying capacities with Morricone, contributing to some of his 1960s and 1970s Italian soundtracks, including "A Quiet Place  in the Country" (1969) and "Cold Eyes of Fear" (1971). Film music genres. Comedy. Morricone's earliest scores were Italian light comedy and costume pictures, where he learned to write simple, memorable themes. During the 1960s and 1970s he composed the scores for comedies such as "Eighteen in the Sun" ("Diciottenni al sole", 1962), "Il Successo" (1963), Lina Wertmüller's "I basilischi" ("The Basilisks"/"The Lizards", 1963), "Slalom" (1965), "Menage all'italiana" ("Menage Italian Style", 1965), "How I Learned to Love Women" ("Come imparai ad amare le donne", 1966), "Her Harem" ("L'harem", 1967), "A Fine Pair" ("Ruba al prossimo tuo", 1968), "L'Alibi  (1969), This Kind of Love" ("Questa specie d'amore", 1972), "Winged Devils" ("Forza "G"", 1972), and "Fiorina la vacca" (1972). His best-known scores for comedies includes "La Cage aux Folles" (1978) and "La Cage aux Folles II" (1980), both directed by Édouard Molinaro, "Il ladrone" ("The Good Thief", 1980), Georges Lautner's "" (1985), Pedro Almodóvar's "Tie Me Up! Tie Me Down!" (1990) and Warren Beatty's "Bulworth" (1998). Morricone never ceased to arrange and write music for comedies. In 2007, he composed a lighthearted score for the Italian romantic comedy "Tutte le Donne della mia Vita" by Simona Izzo , the director who co-wrote the Morricone-scored religious mini-series "Il Papa Buono". Westerns. Although his first films were undistinguished, Morricone's arrangement of an American folk song intrigued director and former schoolmate Sergio Leone. Before being associated with Leone, Morricone already had composed some music for less-known western movies such as "Duello nel Texas" (aka "Gunfight at Red Sands") (1963). In 1962, Morricone met American folksinger Peter Tevis, with the two collaborating on a version of Woody Guthrie's "Pastures of Plenty". Tevis is credited with singing the lyrics of Morricone's songs such as "A Gringo  Like Me" (from "Gunfight at Red Sands") and "Lonesome Billy" (from "Bullets Don't Argue"). Tevis later recorded a vocal version of "A Fistful of Dollars" that was not used in the film. Association with Sergio Leone The turning point in Morricone's career took place in 1964, the year in which his third child, Andrea Morricone, who would also become a film composer, was born. Film director and former schoolmate Sergio Leone hired Morricone, and together they created a distinctive score to accompany Leone's different version of the Western, "A Fistful of Dollars" (1964). The Dollars Trilogy Because  budget strictures limited Morricone's access to a full orchestra, he used gunshots, cracking whips, whistle, voices, jew's harp, trumpets, and the new Fender electric guitar, instead of orchestral arrangements of Western standards à la John Ford. Morricone used his special effects to punctuate and comically tweak the action—cluing in the audience to the taciturn man's ironic stance. As memorable as Leone's close-ups, harsh violence, and black comedy, Morricone's work helped to expand the musical possibilities of film scoring. Initially, Morricone was billed on the film as Dan Savio, a name they had used  on Duello nel Texas to help it's appeal on the international market. "A Fistful of Dollars" came out in Italy in 1964 and was released in America three years later, greatly popularising the so-called Spaghetti Western genre. For the American release, Sergio Leone followed Morricone and Massimo Dallamano's lead and decided to adopt an American-sounding name, Bob Robertson. Over the film's theatrical release, it grossed more than any other Italian film up to that point. The film debuted in the United States in January 1967, where it grossed for the year. It eventually grossed $ 14.5 million in its American release, against its budget of 200,000. With the score of "A Fistful of Dollars", Morricone began his 20-year collaboration with his childhood friend Alessandro Alessandroni and his Cantori Moderni. Alessandroni provided the whistling and the twanging guitar on the film scores, while his Cantori Moderni were a flexible troupe of modern singers. Morricone specifically exploited the solo soprano of the group, Edda Dell'Orso, at the height of her powers "an extraordinary voice at my disposal". The composer subsequently scored Leone's other two "Dollars Trilogy" (or "Man with No Name Trilogy") spaghetti westerns: "For  a Few Dollars More" (1965) and "The Good, the Bad, and the Ugly" (1966). All three films starred the American actor Clint Eastwood as "The Man With No Name" and depicted Leone's own intense vision of the mythical West. Morricone commented in 2007: "Some of the music was written before the film, which was unusual. Leone's films were made like that because he wanted the music to be an important part of it; he kept the scenes longer because he did not want the music to end." According to Morricone this explains "why the films are so slow . Despite the small film budgets, the Dollars Trilogy" was a box-office success. The available budget for "The Good, the Bad, and The Ugly" was about 1.2 million, but it became the most successful film of the "Dollars Trilogy", grossing 25.1 million in the United States and more than 2,3 billion lire (1,2 million EUR) in Italy alone. Morricone's score became a major success and sold more than three million copies worldwide. On 14 August 1968 the original score was certified by the RIAA with a golden record for the sale of 500,000 copies in the United States alone . The main theme to "The Good, the Bad, and The Ugly", also titled "The Good, the Bad and the Ugly", was a hit in 1968 for Hugo Montenegro, whose rendition was a No.2 Billboard pop single in the U.S. and a U.K. No.1 single (for four weeks from mid-November that year). "The Ecstasy of Gold" became one of Morricone's best-known compositions. The opening scene of Jeff Tremaine's "Jackass Number Two" (2006), in which the cast is chased through a suburban neighbourhood by bulls, is accompanied by this piece. While punk rock band The Ramones used "The  Ecstasy of Gold" as a closing theme during their live performances, Metallica uses "The Ecstasy of Gold" as the introductory music for its concerts since 1983. This composition is also included on Metallica's live symphonic album "S&M" as well as the live album "". An instrumental metal cover by Metallica (with minimal vocals by lead singer James Hetfield) appeared on the 2007 Morricone tribute album "We All Love Ennio Morricone". This metal version was nominated for a Grammy Award in the category of Best Rock Instrumental Performance. In 2009, the Grammy Award-winning hip-hop artist Coolio extensively sampled the  theme for his song "Change". Section::::"Once Upon a Time in the West" and others. Subsequent to the success of the "Dollars trilogy", Morricone also composed the scores for "Once Upon a Time in the West" (1968) and Leone's last credited western film "A Fistful of Dynamite" (1971), as well as the score for "My Name Is Nobody" (1973). Morricone's score for "Once Upon a Time in the West" is one of the best-selling original instrumental scores in the world today, with as many as 10 million copies sold, including one million copies in France, and more than  800,000 copies in the Netherlands. One of the main themes from the score, "A Man with Harmonica" (L'uomo Dell'armonica), became known worldwide and sold more than 1,260,000 copies in France. The collaboration with Leone is considered one of the exemplary collaborations between a director and a composer. Morricone's last score for Leone was for his last film, the gangster drama "Once Upon a Time in America" (1984). Leone died on 30 April 1989 of a heart attack at the age of 60. Before his death in 1989, Leone was part-way through planning a film on the Siege of  Leningrad, set during World War II. By 1989, Leone had been able to acquire 100 million in financing from independent backers for the war epic. He had convinced Morricone to compose the film score. The project was cancelled when Leone died two days before he was to officially sign on for the film. In early 2003, Italian filmmaker Giuseppe Tornatore announced he would direct a film called "Leningrad". The film has yet to go into production and Morricone was cagey as to details on account of Tornatore's superstitious nature. Association with Sergio Corbucci and Sergio Sollima. Two years after  the start of his collaboration with Sergio Leone, Morricone also started to score music for another Spaghetti Western director, Sergio Corbucci. The composer wrote music for Corbucci's "Navajo Joe" (1966), "The Hellbenders" (1967), "The Mercenary/The Professional Gun" (1968), "The Great Silence" (1968), "Compañeros" (1970), "Sonny and Jed" (1972), and "What Am I Doing in the Middle of the Revolution?" (1972). In addition, Morricone composed music for the western films by Sergio Sollima, "The Big Gundown" (with Lee Van Cleef, 1966), "Face to Face" (1967), and "Run, Man, Run" (1968), as well as the 1970 crime thriller "Violent City  (with Charles Bronson) and the poliziottesco film Revolver" (1973). Other westerns. Other relevant scores for less popular Spaghetti Westerns include "Duello nel Texas" (1963), "Bullets Don't Argue" (1964), "A Pistol for Ringo" (1965), "The Return of Ringo" (1965), "Seven Guns for the MacGregors" (1966), "The Hills Run Red" (1966), Giulio Petroni's "Death Rides a Horse" (1967) and "Tepepa" (1968), "A Bullet for the General" (1967), "Guns for San Sebastian" (with Charles Bronson and Anthony Quinn, 1968), "A Sky Full of Stars for a Roof" (1968), "The Five Man Army" (1969), Don Siegel's "Two Mules for Sister Sara  (1970), Life Is Tough, Eh Providence?" (1972), and "Buddy Goes West" (1981). Dramas and political movies. With Leone's films, Ennio Morricone's name had been put firmly on the map. Most of Morricone's film scores of the 1960s were composed outside the Spaghetti Western genre, while still using Alessandroni's team. Their music included the themes for "Il Malamondo" (1964), "Slalom" (1965), and "Listen, Let's Make Love" (1967). In 1968, Morricone reduced his work outside the movie business and wrote scores for 20 films in the same year. The scores included psychedelic accompaniment for Mario Bava's  superhero romp "" (1968). Morricone collaborated with Marco Bellocchio ("Fists in the Pocket", 1965), Gillo Pontecorvo ("The Battle of Algiers" (1966), and "Queimada!" (1969) with Marlon Brando), Roberto Faenza (H2S, 1968), Giuliano Montaldo ("Sacco e Vanzetti", 1971), Giuseppe Patroni Griffi ("'Tis Pity She's a Whore", 1971), Mauro Bolognini ("Drama of the Rich", 1974), Umberto Lenzi ("Almost Human", 1974), Pier Paolo Pasolini ("Salò, or the 120 Days of Sodom", 1975), Bernardo Bertolucci ("Novecento", 1976), and Tinto Brass ("The Key", 1983). In 1970, Morricone wrote the score for "Violent City". That same year, he received his first Nastro d'Argento for the music  in "Metti, una sera a cena" (Giuseppe Patroni Griffi, 1969) and his second only a year later for "Sacco e Vanzetti" (Giuliano Montaldo, 1971), in which he collaborated with the legendary American folk singer and activist Joan Baez. His soundtrack for "Sacco e Vanzetti" contains another well-known composition by Morricone, the folk song "Here's to You", sung by Joan Baez. For the writing of the lyrics, Baez was inspired by a letter from Bartolomeo Vanzetti: ""Father, yes, I am a prisoner / Fear not to relay my crime"". The song became a hit in several countries, selling more than  790,000 copies in France only. The song was later included in movies such as "The Life Aquatic with Steve Zissou". In the beginning of the 1970s, Morricone achieved success with other singles, including "A Fistful of Dynamite" (1971) and "God With Us" (1974), having sold respectively 477,000 and 378,000 copies in France only. Giallo and Horror. Morricone's eclecticism found its way to films in the horror genre, such as the giallo thrillers of Dario Argento, from "The Bird with the Crystal Plumage" (1970), "The Cat o' Nine Tails" (1971), and "Four Flies on Grey Velvet" (1971) to "The Stendhal  Syndrome" (1996) and "The Phantom of the Opera" (1998). His other horror scores include "Nightmare Castle" (1965), "A Quiet Place in the Country" (1968), "The Antichrist" (1974), "Autopsy" (1975), and "Night Train Murders" (1975). In addition, Morricone composed music for many popular and cult Italian giallo films, such as "Senza sapere niente di lei" (1969), "Forbidden Photos of a Lady Above Suspicion" (1970), "A Lizard in a Woman's Skin" (1971), "Cold Eyes of Fear" (1971), "The Fifth Cord" (1971), "Short Night of Glass Dolls" (1971), "Black Belly of the Tarantula" (1971) "My Dear Killer" (1972), "What Have You Done  to Solange?" (1972), "Who Saw Her Die?" (1972), and "Spasmo" (1974). In 1977 Morricone scored John Boorman's "" and Alberto De Martino's apocalyptic horror film "Holocaust 2000", starring Kirk Douglas. In 1982 he composed the score for John Carpenter's science fiction horror movie "The Thing". Morricone's main theme for the film was reflected in Marco Beltrami's film's score of prequel of the 1982 film, which was released in 2011. Hollywood career. The "Dollars Trilogy" was not released in the United States until 1967 when United Artists, who had already enjoyed success distributing the British-produced  James Bond films in the United States, decided to release Sergio Leone's Spaghetti Westerns. The American release gave Morricone an exposure in America and his film music became quite popular in the United States. One of Morricone's first contributions to an American director concerned his music for the religious epic film "" by John Huston. According to Sergio Miceli's book "Morricone, la musica, il cinema", Morricone wrote about 15 or 16 minutes of music, which were recorded for a screen test and conducted by Franco Ferrara. At first Morricone's teacher Goffredo Petrassi had been engaged to write  the score for the great big-budget epic, but Huston preferred another composer. RCA Records then proposed Morricone who was under contract with them, but a conflict between the film's producer Dino De Laurentiis and RCA occurred. The producer wanted to have exclusive rights for the soundtrack, while RCA still had the monopoly on Morricone at that time and did not want to release the composer. Subsequently, Morricone's work was rejected because he did not get permission from RCA to work for Dino De Laurentiis alone. The composer reused the parts of his unused score for "The Bible : In the Beginning" in such films as "The Return of Ringo" (1965) by Duccio Tessari and Alberto Negrin's "The Secret of the Sahara" (1987). Morricone never left Rome to compose his music and never learned to speak English. But given that the composer always worked in a wide field of composition genres, from "absolute music", which he always produced, to "applied music", working as orchestrator as well as conductor in the recording field, and then as a composer for theatre, radio, and cinema, the impression arises that he never really cared that much about his standing in the eyes  of Hollywood. 1970–1985: From "Two Mules" to "Red Sonja". In 1970, Morricone composed the music for Don Siegel's "Two Mules for Sister Sara", an American-Mexican western film starring Shirley MacLaine and Clint Eastwood. The same year the composer also delivered the title theme "The Men from Shiloh" for the American Western television series The Virginian.<ref name="https://www.youtube.com/watch?v=8xna6GjwSJ0"></ref> In 1974–1975 Morricone wrote music for "Spazio 1999", an Italian-produced compilation movie made to launch the Italian-British television series "", while the original episodes featured music by Barry Gray. A soundtrack album was only released on CD in 2016  and on LP in 2017. In 1975 he scored the George Kennedy revenge thriller "The "Human" Factor", which was the final film of director Edward Dmytryk. Two years later he composed the score for the sequel to William Friedkin's 1973 film "The Exorcist", directed by John Boorman: "". The horror film was a major disappointment at the box office. The film grossed 30,749,142 in the United States. In 1978, the composer worked with Terrence Malick for "Days of Heaven" starring Richard Gere, for which he earned his first nomination at the Oscars for Best Original Score. Despite the fact that  Morricone had produced some of the most popular and widely imitated film music ever written throughout the 1960s and 1970s, "Days of Heaven" earned him his first Oscar nomination for Best Original Score, with his score up against Jerry Goldsmith's "The Boys from Brazil", Dave Grusin's "Heaven Can Wait", Giorgio Moroder's "Midnight Express" (the eventual winner), and John Williams's "Superman: The Movie" at the Oscar ceremonies in 1979. 1986–2020: From "The Mission" to "The Hateful Eight". Association with Roland Joffé "The Mission", directed by Joffé, was about a piece of history considerably more distant, as Spanish  Jesuit missionaries see their work undone as a tribe of Paraguayan natives fall within a territorial dispute between the Spanish and Portuguese. At one point the score was one of the world's best-selling film scores, selling over 3 million copies worldwide. Morricone finally received a second Oscar nomination for "The Mission". Morricone's original score lost out to Herbie Hancock's coolly arranged jazz on Bertrand Tavernier's "Round Midnight". It was considered a surprising win and a controversial one, given that much of the music in the film was pre-existing. Morricone stated the following during a  2001 interview with "The Guardian": "I definitely felt that I should have won for "The Mission". Especially when you consider that the Oscar winner that year was "Round Midnight", which was not an original score. It had a very good arrangement by Herbie Hancock, but it used existing pieces. So there could be no comparison with "The Mission". There was a theft!" His score for "The Mission" was ranked at number 1 in a poll of the all-time greatest film scores. The top 10 list was compiled by 40 film composers such as Michael Giacchino and Carter Burwell. The  score is ranked 23rd on the AFI's list of 25 greatest film scores of all time. Association with De Palma and Levinson. On three occasions, Brian De Palma worked with Morricone: "The Untouchables" (1987), the 1989 war drama "Casualties of War" and the science fiction film "Mission to Mars" (2000). Morricone's score for "The Untouchables" resulted in his third nomination for Academy Award for Best Original Score. In a 2001 interview with "The Guardian", Morricone stated that he had good experiences with De Palma: "De Palma is delicious! He respects music, he respects composers. For "The Untouchables", everything  I proposed to him was fine, but then he wanted a piece that I didn't like at all, and of course, we didn't have an agreement on that. It was something I didn't want to write – a triumphal piece for the police. I think I wrote nine different pieces for this in total and I said, 'Please don't choose the seventh!' because it was the worst. And guess what he chose? The seventh one. But it really suits the movie." Another American director, Barry Levinson, commissioned the composer on two occasions. First, for the crime-drama  Bugsy, starring Warren Beatty, which received ten Oscar nominations, winning two for Best Art Direction-Set Decoration (Dennis Gassner, Nancy Haigh) and Best Costume Design. "He doesn't have a piano in his studio, I always thought that with composers, you sit at the piano, and you try to find the melody. There's no such thing with Morricone. He hears a melody, and he writes it down. He hears the orchestration completely done", said Levinson in an interview. Other notable Hollywood scores. During his career in Hollywood, Morricone was approached for numerous other projects, including the Gregory Nava drama  A Time of Destiny (1988), "Frantic" by Polish-French director Roman Polanski (1988, starring Harrison Ford), Franco Zeffirelli's 1990 drama film "Hamlet" (starring Mel Gibson and Glenn Close), the neo-noir crime film "State of Grace" by Phil Joanou (1990, starring Sean Penn and Ed Harris), "Rampage" (1992) by William Friedkin, and the romantic drama "Love Affair" (1994) by Warren Beatty. Association with Quentin Tarantino. In 2009, Tarantino originally wanted Morricone to compose the film score for "Inglourious Basterds". Morricone was unable to, because the film's sped-up production schedule conflicted with his scoring of Giuseppe Tornatore's  Baarìa. However, Tarantino did use eight tracks composed by Morricone in the film, with four of them included on the soundtrack. The tracks came originally from Morricone's scores for "The Big Gundown" (1966), "Revolver" (1973) and "Allonsanfàn" (1974). In 2012, Morricone composed the song "Ancora Qui" with lyrics by Italian singer Elisa for Tarantino's "Django Unchained", a track that appeared together with three existing music tracks composed by Morricone on the soundtrack. "Ancora Qui" was one of the contenders for an Academy Award nomination in the Best Original Song category, but eventually the song was not nominated. On  4 January 2013 Morricone presented Tarantino with a Life Achievement Award at a special ceremony being cast as a continuation of the International Rome Film Festival. In 2014, Morricone was misquoted as claiming that he would "never work" with Tarantino again, and later agreed to write an original film score for Tarantino's "The Hateful Eight", which won him an Academy Award in 2016 in the Best Original Score category. His nomination for this film marked him at that time as the second oldest nominee in Academy history, behind Gloria Stuart. Morricone's win marked his first competitive Oscar, and  at the age of 87, he became the oldest person at the time to win a competitive Oscar. Composer for Giuseppe Tornatore. In 1988, Morricone started an ongoing and very successful collaboration with Italian director Giuseppe Tornatore. His first score for Tornatore was for the drama film "Cinema Paradiso". The international version of the film won the Special Jury Prize at the 1989 Cannes Film Festival and the 1989 Best Foreign Language Film Oscar. Morricone received a BAFTA award with his son Andrea, and a David di Donatello for his score. In 2002, the director's cut 173-minute version  was released (known in the US as "Cinema Paradiso: The New Version"). After the success of "Cinema Paradiso", the composer wrote the music for all subsequent films by Tornatore: the drama film "Everybody's Fine" (Stanno Tutti Bene, 1990), "A Pure Formality" (1994) starring Gérard Depardieu and Roman Polanski, "The Star Maker" (1995), "The Legend of 1900" (1998) starring Tim Roth, the 2000 romantic drama "Malèna" (which featured Monica Bellucci) and the psychological thriller mystery film "La sconosciuta" (2006). Morricone also composed the scores for "Baarìa" (2009), "The Best Offer" (2013) starring Geoffrey Rush, Jim Sturgess and Donald Sutherland and  the romantic drama "The Correspondence" (2015) The composer won several music awards for his scores in Tornatore's movies. Morricone received a fifth Academy Award nomination and a Golden Globe nomination for "Malèna". For "Legend of 1900", he won a Golden Globe Award for Best Original Score. In September 2021 Tornatore presented out of competition at the 78th Venice International Film Festival a documentary film about Morricone, "Ennio". Television series and last works. Morricone wrote the score for the Mafia television series "La piovra" seasons 2 to 10 from 1985 to 2001, including the themes "Droga e sangue" ("Drugs and  Blood"), "La Morale", and "L'Immorale". Morricone worked as the conductor of seasons 3 to 5 of the series. He also worked as the music supervisor for the television project "La bibbia" ("The Bible"). In the late 1990s, he collaborated with his son Andrea on the "Ultimo" crime dramas, resulting in "Ultimo" (1998), "Ultimo 2 – La sfida" (1999), "Ultimo 3 – L'infiltrato" (2004) and "Ultimo 4 – L'occhio del falco" (2013). For "Canone inverso" (2000) based on the music-themed novel of the same name by the Paolo Maurensig, directed by Ricky Tognazzi and starring Hans Matheson, Morricone won Best Score awards in  the David di Donatello Awards and Silver Ribbons. In the 2000s, Morricone continued to compose music for successful television series such as "Il Cuore nel Pozzo" (2005), "" (2005), "La provinciale" (2006), "Giovanni Falcone" (2007), "Pane e libertà" (2009) and "Come Un Delfino 1–2" (2011–2013). Morricone provided the string arrangements on Morrissey's "Dear God Please Help Me" from the album "Ringleader of the Tormentors" in 2006. In 2008, the composer recorded music for a Lancia commercial, featuring Richard Gere and directed by Harald Zwart (known for directing "The Pink Panther 2"). In spring and summer 2010, Morricone worked with Hayley  Westenra for a collaboration on her album "Paradiso". The album features new songs written by Morricone, as well as some of his best-known film compositions of the last 50 years. Westenra recorded the album with Morricone's orchestra in Rome during the summer of 2010. Since 1995, he composed the music for several advertising campaigns of Dolce & Gabbana. The commercials were directed by Giuseppe Tornatore. In 2013, Morricone collaborated with Italian singer-songwriter Laura Pausini on a new version of her hit single "La solitudine" for her 20 years anniversary greatest hits album "20 – The Greatest Hits". Morricone composed  the music for "The Best Offer" (2013) by Giuseppe Tornatore. He wrote the score for Christian Carion's "En mai, fais ce qu'il te plait" (2015) and the most recent movie by Tornatore: "The Correspondence" (2016), featuring Jeremy Irons and Olga Kurylenko. In July 2015, Quentin Tarantino announced after the screening of footage of his movie "The Hateful Eight" at the San Diego Comic-Con International that Morricone would score the film, the first Western that Morricone scored since 1981. The score was critically acclaimed and won several awards including the Golden Globe Award for Best Original Score and the  Academy Award for Best Original Score. In June 2015, Morricone premiered his "Missa Papae Francisci (Mass for Pope Francis)" at Rome's Chiesa del Gesù with the Orchestra Roma Sinfonietta and choruses from the Accademia Santa Cecilia and the Rome Opera Theater. Live performances. Before receiving his diplomas in trumpet, composition and instrumentation from the conservatory, Morricone was already active as a trumpet player, often performing in an orchestra that specialised in music written for films. After completing his education at Saint Cecilia, the composer honed his orchestration skills as an arranger for Italian radio and television. In order to  support himself, he moved to RCA in the early sixties and entered the front ranks of the Italian recording industry. Since 1964, Morricone was also a founding member of the Rome-based avant-garde ensemble Gruppo di Improvvisazione Nuova Consonanza. During the existence of the group (until 1978), Morricone performed several times with the group as trumpet player. To ready his music for live performance, he joined smaller pieces of music together into longer suites. Rather than single pieces, which would require the audience to applaud every few minutes, Morricone thought the best idea was to create a series of  suites lasting from 15 to 20 minutes, which form a sort of symphony in various movements – alternating successful pieces with personal favourites. In concert, Morricone normally had 180 to 200 musicians and vocalists under his baton, performing multiple genre-crossing collections of music. Rock, symphonic and ethnic instruments share the stage. On 20 September 1984 Morricone conducted the Orchestre national des Pays de la Loire at "Cinésymphonie '84" ("Première nuit de la musique de film/First night of film music") in the French concert hall Salle Pleyel in Paris. He performed some of his best-known compositions such as "Metti , una sera a cena", "Novecento" and "The Good, the Bad and the Ugly". Michel Legrand and Georges Delerue performed on the same evening. On 15 October 1987 Morricone gave a concert in front of 12,000 people in the Sportpaleis in Antwerp, Belgium, with the Dutch Metropole Orchestra and the Italian operatic soprano Alide Maria Salvetta. A live-album with a recording of this concert was released in the same year. On 9 June 2000 Morricone went to the Flanders International Film Festival Ghent to conduct his music together with the National Orchestra of Belgium. During the concert's first part , the screening of "The Life and Death of King Richard III" (1912) was accompanied with live music by Morricone. It was the very first time that the score was performed live in Europe. The second part of the evening consisted of an anthology of the composer's work. The event took place on the eve of Euro 2000, the European Football Championship in Belgium and the Netherlands. Morricone performed over 250 concerts as of 2001. The composer started a world tour in 2001, the latter part sponsored by Giorgio Armani, with the Orchestra Roma Sinfonietta, touring London (Barbican 2001; 75th  birthday "Concerto", Royal Albert Hall 2003), Paris, Verona, and Tokyo. Morricone performed his classic film scores at the Gasteig in Munich in 2004. He made his North American concert debut on 3 February 2007 at Radio City Music Hall in New York City. The previous evening, Morricone had already presented at the United Nations a concert comprising some of his film themes, as well as the cantata "Voci dal silenzio" to welcome the new Secretary-General Ban Ki-Moon. A "Los Angeles Times" review bemoaned the poor acoustics and opined of Morricone: "His stick technique is adequate, but his charisma  as a conductor is zero." On 22 December 2012 Morricone conducted the 85-piece Belgian orchestra "Orkest der Lage Landen" and a 100-piece choir during a two-hour concert in the Sportpaleis in Antwerp. In November 2013 Morricone began a world tour to coincide with the 50th anniversary of his film music career and performed in locations such as the Crocus City Hall in Moscow, Santiago, Chile, Berlin, Germany (O2 World, Germany), Budapest, Hungary, and Vienna (Stadhalle). Back in June 2014, Morricone had to cancel a US tour in New York (Barclays Center) and Los Angeles (Nokia Theatre LA  Live) due to a back procedure on 20 February. Morricone postponed the rest of his world tour. In November 2014 Morricone stated that he would resume his European tour starting from February 2015. Personal life and death. On 13 October 1956, Morricone married Maria Travia (born 31 December 1932), whom he had met in 1950. Travia wrote lyrics to complement her husband's pieces. Her works include the Latin texts for "The Mission". Together, they had four children: Marco (b. 1957), Alessandra (b. 1961), conductor and film composer Andrea (b. 1964) and filmmaker Giovanni (b. 1966), who lives in New  York City. They remained married for 63 years until his death. Morricone lived in Italy his entire life and never desired to live in Hollywood. He was among hundreds of artists whose material was destroyed in the 2008 Universal fire. Morricone described himself as a Christian leftist, stating that he voted for the Christian Democracy (DC) for more than 40 years and then, after its dissolution in 1994, he approached the centre-left coalition. Morricone loved chess, having learned the game when he was 11. Before his musical career took off, he played in club tournaments in Rome in the  mid-1950s. His first official tournament was in 1964, where he won a prize in the third category for amateurs. He was even coached by 12-time Italian champion IM Stefano Tatai for a while. Soon he got too busy for chess, but he would always keep a keen interest in the game and estimated his peak Elo rating to be nearly 1700. Over the years, Morricone played chess with many big names including GMs Garry Kasparov, Anatoly Karpov, Judit Polgar, and Peter Leko. He once held GM Boris Spassky to a draw in a simultaneous competition with 27 players, where  Morricone was the last one standing. On 6 July 2020, Morricone died at the Università Campus Bio-Medico in Rome, aged 91, as a result of injuries sustained to his femur during a fall. Influence. Ennio Morricone influenced many artists from other styles and genres, including Danger Mouse, Dire Straits, Muse, Metallica, Radiohead and Hans Zimmer. Discography. Morricone sold well over 70 million records worldwide during his career that spanned over seven decades, including 6.5 million albums and singles in France, over three million in the United States and more than two million albums in South Korea. In 1971, the  composer received his first golden record (disco d'oro) for the sale of 1,000,000 records in Italy and a "Targa d'Oro" () for the worldwide sales of 22 million. Selected long-time collaborations with directors Prizes and awards. Morricone received his first Academy Award nomination in 1979 for the score to "Days of Heaven" (Terrence Malick, 1978). He received his second Oscar nomination for "The Mission". He also received Oscar nominations for his scores to "The Untouchables" (1987), "Bugsy" (1991), "Malèna" (2000), and "The Hateful Eight" (2016). In February 2016, Morricone won his first competitive Academy Award for his score to "The  Hateful Eight". Morricone and Alex North are the only composers to receive the Academy Honorary Award since its introduction in 1928. He received the award in February 2007, "for his magnificent and multifaceted contributions to the art of film music." In 2005, four film scores by Ennio Morricone were nominated by the American Film Institute for an honoured place in the AFI's Top 25 of Best American Film Scores of All Time. His score for "The Mission" was ranked 23rd in the Top 25 list. Morricone was nominated seven times for a Grammy Award. In 2009 The Recording Academy  inducted his score for "The Good, the Bad, and the Ugly" (1966) into the Grammy Hall of Fame. In 2010 Ennio Morricone and Icelandic singer Björk have won the Polar Music Prize. The Polar Music Prize is Sweden's biggest music award and is typically shared by a pop artist and a classical musician. It was founded by Stig Anderson, manager of Swedish pop group ABBA, in 1989. A "Variety" poll of 40 top current film composers selected "The Mission" as the greatest film score of all time.