Abbas Gharib
Abbas Gharib, (born 16 June 1942) is an Italian-based architect of Iranian origin. His approach to planning and design, which goes beyond the traditional Modernism or Contemporary format, has made him well known as an influential figure in the research, practice and teaching of Post-contemporary art and architecture. Life and formation. Early and adult life. Gharib was born in Tehran and raised in an Iranian lay family. The house where the family used to live was situated in the old center of the traditional part of Tehran. He completed his primary educations in Tehran, Bersabé primary  school, Saint Luis elementary and Ferdowsi middle school. In 1952 the family moved to a new house in the northern part of the city where he resided until 1960 since he had his diploma from Hadaf high school. In 1958 he made his first visit to Europe and the journey in Italy was decisive for him to leave his native home definitively for Italy in 1962, where he enrolled to University IUAV of Venice. He stayed in Venice until 1973, taking part in the educational and artistic city life. As a child and later as a student, was talented for  geometric and drawing subjects, therefore in adulthood the interest for architecture. In 1972 he married with an Italian architect, Sandra Villa and from that marriage had two children Samì (12 January 1972) now Sociologist and Leila (28 February 1983), now Musician The choice of Venice. In May 1958, at the end of an extensive travel through the main European Capitals and cities, Gharib, then aged sixteen, made his first stay to Italy, as well as to Rome, where he was deeply impressed by the beauty of this city and the richness of its art and architecture heritage. In 1960, therefore , he returned to Europe, principally to Italy, moving through the peninsula from north to south and finally to Venice. The beauty of Venice and its cultural and artistic lifestyle, in the presence of creative figures like Peggy Guggenheim, Lucio Fontana, Allen Ginsberg, Ezra Pound, Carlo Scarpa in the Sixties and Seventies, influenced him to such an extent that he decided to settle there, moving away from his original area of intellectual life in Tehran: a decision which was basic to his consecutive formation. Education. He studied architecture at the Università Iuav di Venezia, where in 1969 he became qualified in  the urban planning sector in 1969 he never abandoned his interest in architectural projects and design. This dual interest is always evident in his practice. In the Eighties, he shifted from two-dimensional evaluation of projects to three-dimensional evaluation of complex perspectives. This is the most influential topic in his post graduate self-formation, liberating him from the Modernist crisscross grid towards unconfined volumes characterized by transparency, fluidity, flexibility and smooth dynamics curving surfaces. Professional practice. Gharib became a licensed architect in 1969 and practiced in Venice until 1973. In 1981, from 1974 to 1980, after experiences outside of  Italy, in 1981 he opened his office in Verona, Italy, under the name of Studio Gharib, Architecture & Design. As of 2015, Gharib still works at the firm, reinventing the built environment, under the guidance of sustainable and innovative architectural spatiality. The design method in his Studio turned out to be fluid and meta-metric, opposed to abstract methods and metric process of Modernism. In fact, the multiple sequences of spatial sections and the successions of constructive models have replaced the flat and static drawings. The Studio, in collaboration with professional individuals, ventured into a wide range of disciplines, striving to  break the boundaries imposed by traditional professional constraints. This unconventional approach to design produced a spirit of independence, reflected in the research and carried out in the works created by the Studio. The forms of spaces and objects are reflected in numerous designs for architectural competitions, professional projects and buildings, evidencing true multi-disciplinary approach. Design criteria. Gharib has gradually distanced himself from Modern Movement design methods, considering them to be abstract and self-referential, and oriented himself towards the Post-contemporary movement and the Complexity Theory. These, in his view, have a closer relationship with the shifting apparatus of  context, aware that these components, interacting with politics, economies, science, technology and social movements, generate sophisticated results that require complex solutions. The Studio transitioned from the traditional notions of modern Rationalism to the concept of anthropo-geo-morpho-genesis, i.e., from concepts of Morphology and Topography to the advanced science of Morphing and Topology. The consequence of this transformation of design criteria, for both architectural spaces, urban planning and physical objects, is that design is based on renewed attention to interactive relationships between space and surrounding context. This recognition of the interactive dynamics between nature and culture, between social and  economical components of context, has been accompanied by digital integration of projects into tridimensional spaces in place of linear, flat and two-dimensional projections typical of Modernist methods. Shifting to social architecture. The Pritzker Architecture Prize of 2014 awarded to the Japanese architect, Shigeru Ban, a former superstars, takes him to be among the firsts to move towards the Social architecture and to share the new trends in architectural planning. This was an alarm bell for superstars of architecture to think about the life style of Social architecture instead of the personal styles. For the renovated approach of his Studio  in Italy, the method of creativity stands in the promotion of design solutions able to feed the urban regeneration as cultural, inventive, educational and functional diversities for the fertile new languages, and lifestyles, without following the repetition mannerist projects and what they produce, believing that, creative solutions fed from the talent of the environmental components rather than from that of the designers His role in evolving the method of creative development in Tenstar Community Association proposes through the development of an integrated set of creative disciplines, an education that transforms the urban regeneration in an added value through the interaction  of creative disciplines. An added value that allows the users of the projects to meet their operational needs in an area renovated with sustainable long-term economy based on the use of knowledge (knowledge based production) rather than on the dispersion of energy (energy based production). Approach to cinema and music. As one of the founders of Tenstar Community, a multidisciplinary cultural Association, he is particularly involved with Association's sectors such as cinema, music visual arts and photography beside architecture and urban regeneration. These involvements happen also for designing workshops and events for these disciplines or for being invited  as jury in the film festivals such as San Giò Film Festival and for being active in workshops such as that extraordinary one with Iranian Director Abbas Kiarostami, who was, awarded by Tenstar Community Cinematography Prize 2015: “Why Cinema” Awards. 1971 1975 1979 1980 1982 1983 1992 2001 2006 2009 “The prize winners of the national competition to design the new headquarters of "Bimeh", the National Insurance Company of Iran", "Art & Architecture Magazine 31/32, Tehran: Art & Architecture Editions, December 1975, 39 – 47; “The International Architectural competition”, Art & Architecture Magazine 45/46, Tehran: Art & Architecture Editions April 1978, 119; “Gruppo Ferro”, acts  of the national competition: the sun and the habitat for the use of alternative energy in residential and educational buildings, Rome – Italy: Kappa, November 1981, 296 – 299; “Consultation international pour l'amènagement du quartier des Halles de Paris" Volume, Volume, Paris: Editions du Moniteur, 1981, 377; “Abbas Gharib e Sandra Villa – sistemazione di un padiglione Ghadjar presso Tehran”, Architettura nei paesi islamici, Second International Architecture Exhibition, la Biennale, Volume, Venice – Italy: La Biennale di Venezia Editions, 1982, 278; Maffioltti, Serena. “ricerca”, Costruire Magazine 33, Biennale di Venezia issue, Milan – Italy: Abitare Segesta, October 1985, p. 235; Gharib,Abbas. Verticelli, Danilo. Villa , Sandra. “The neo-eclectic house – projects for the cultural design exhibitions for the Italian furniture fair, Abitare il tempo, volume, Venice – Italy: Arsenale, 1992, 93, 112; Gharib,Abbas. Verticelli, Danilo. Villa, Sandra. “Room with a View, Abitare il tempo, volume, Bologna: Grafiche Zanini, 1993, 37–42, 108; Gharib, Abbas. Verticelli, Danilo. Villa, Sandra. Abitare il tempo, Volume, “Ten years of research, experimentation and new perspectives”, Bologna – Italy: Grafiche Zanini, 1995, 221; Dorfles, Gillo. “Events”, Ottagono Magazine 110, Review of Abitare il tempo, Milan – Italy,: CO.P.IN.A., March 1994, 83 – 84, “Ricognizioni Design 360° Magazine 14, Oggetto locale Issue, Verona – Italy Grafiche  Aurora, 2001, cover, 27 “Abbas Gharib – Italy, International Architectural Competition for the new National Museum of Korea" Volume, Seoul: Hae-jak Kang / Ki Moon Dang Editors, 1995, 362 Gharib, Abbas. interviewed by Grego, Susanna. “cronache di design a Verona" in the Magazine of the Architectural Association of the province of Verona 57, Verona – Italy: Studio 12, June 2002, cover, 31–33 Gharib, Abbas. interviewed by Grego, Susanna. “Ozio Creativo sarà il lavoro del futuro?” in the Magazine of the Architectural Association of the province of Verona, No. 62, Verona – Italy: Studio 12, April 2002, 34 – 35; Arnaboldi, Mario Antoni. “Abbas Gharib , due mondi due lingue”, L’Arca, the international magazine of architecture, design and visual communication No. 181, Milan – Italy, l’Arca S.p.A. Editori, May 2003, cover, 68–71; Arnaboldi, Mario Antonio. “Architecture: Dialogues and Letters – 12, Ad Abbas Gharib per l’Headquarters dell’ Iran Oil Industry a Tehran", Milan – Italy: Mimesis, 2004, 185, 203–204; Gharib, Abbas. Interviewed by Ahmad Zohadi. “For a methodology of project. A tool toward the future – An interview with Abbas Gharib, Iranian Architect”, Tehran – Iran, Architecture, Construction and E-Sciences Magazine 1, Contemporary challenges, architecture and thought issue, Tehran, Zolal Editors, November 2004, cover, 24–29; Candani, Elena. “Meeting between  two worlds”, L’Arca, the international magazine of architecture, design and visual communication 220, Milan – Italy: l’Arca S.p.A. Editori, December 2006, 48–53; “Progetti per il mobile 2008”, Dossier Compo Mobili, Furniture Design Magazine, European furniture components 53, Snatarcangelo Romagna (RN): Magioli SpA.Editore, January 2009, 68; Gharib, Abbas. interviewed by Castelluci, Alessandra. “equilibrio di architettura (tra due mondi)”, Studio Gharib – Verona, In Cariera & Professioni Magazine 2, Bologna – Italy: Golfarelli Editore, June 2008, 36–39; Dell’Osso, Guido R. “Edilpro, Architettura bioclimatica e sostenibilità nella casa per i paesi del Mediterraneo”, Casarano (Le) Italy: Il tacco d’Italia Editore, November 2009, Volume, Cover, 73–79; “Arch . Abbas Gharib”, Abitare Magazine 509, Milan – Italy: Abitare Segesta, 2011, 25;