Mission Stardust
Mission Stardust () is a 1967 science fiction film based on the early novels of the popular German "Perry Rhodan" series by K.H. Scheer and Walter Ernsting. Plot. In a quest to find a source of radioactive material more powerful than uranium, Major Perry Rhodan leads a four-man mission to the Moon on the rocketship "Stardust". On the Moon, they find a stranded Arkonide spaceship, where Commander Thora is trying to save a scientist named Crest, along with a crew of robots. The earthmen find that Crest is suffering from leukemia, for which there is a cure available  on Earth. Perry and others take an Arkonide shuttlecraft to Earth to bring back a doctor with the cure. One of the Earth crewmen is a traitor, however, supplying information to a crime lord who is after the radioactive material, but who sees the encounter with the Arkonides as providing an opportunity for an even greater prize. The crime lord arranges to replace the doctor and nurses with his own people, and upon arriving at the Arkonide ship they kidnap Thora in a bid to gain Arkonide technology. However, Crest provides Rhodan and Bull with Arkonide technology, which helps them  rescue Thora as well as the real doctor, who is able to cure Crest. They soon leave the Moon in the "Stardust", promising to return with materials the Arkonides need to repair their spaceship. Release. "Mission Stardust" opened in Rome in August 1967 under the title "4... 3... 2... 1... morte" with a running time of 95 minutes. Reception. In a contemporary review, "Variety" noted the dubbing in the film, stating that it was "only fair" and that the special effects were "crude, the color uneven, but the very audaciousness of the admixture keeps the attention." The review also praised  the film score by Anton G. Abril and Marcello Giombini. From retrospective reviews, Gary Westfahl in his book "The Spacesuit Film: A History, 1918-1969" noted that the film contained "shoddy special effects" and recalled "Saturday afternoon serials more than science fiction films of the 1960s". Westfahl referred to the film as "one of the era's most reviled genre films."