Mikazuki Sunset
Background and development. In 1998, Ichiro Yamaguchi while attending high school in Sapporo formed Dutchman, a rock band inspired by British rock. Yamaguchi acted as the band's vocalist and primary songwriter. In 2002, the band released "Demonstration", an album compiled of seven demos the band recorded between 2000 and 2002. "Mikazuki Sunset" was a song Yamaguchi wrote while still living at his family home in Tomioka-chō, Otaru, and was written for a girl he liked called Hanako. He wrote the song's words at the same time as the music, and was inspired by there actually  being a crescent moon in the sky that night. In late 2002, the band began performing "Mikazuki Sunset", which had a markedly different approach, featuring techno-inspired electronic samples and synths, instead of the band's typical rock sound. It was originally performed with a rock sound, but Yamaguchi felt that a purely rock arrangement did not create the imagery he wanted to express, and incorporated dance music. On October 27, 2003, the song was released by the band as a single exclusively sold at concert venues. Yamaguchi's experiments with electronic samples caused the band to break up, due  to creative differences. In 2004, Yamaguchi took the name Dutchman for his solo project, where he created dance music and worked as a DJ. When Yamaguchi was asked to create remix of the song "Shiranami Top Water" for the compilation album "Music for Pardisco" in 2004, he found it difficult to create the entire song by himself. This led him to ask Dutchman guitarist Motoharu Iwadera to start working with him again, and the pair created the band Sakanaction. After three additional members of the band joined, Sakanaction made their major debut in 2007, with the album "Go to the  Future". Yamaguchi re-arranged "Mikazuki Sunset" so many times since its original incarnation without any particular goal in mind, so that when the band finally recorded the "Go to the Future" studio take, Yamaguchi had a sense of true accomplishment. Composition. "Mikazuki Sunset" is a song in verse–chorus form, recorded in common time with a major key of D♭ and minor key of B♭ and lasting for three minutes and forty-four seconds. The song begins with an instrumental intro with a chord progression of G♭maj-A♭-B♭m, featuring a bassline, guitars  and keyboards. This section features an extreme usage of split-channel surround sound. The song is based on a series of the same four looping guitar chords, except for the chorus which features a progression of G♭maj-A♭/Fm-B♭m. The song's lyrics are set at night time, where the song's protagonist is cycling while sadly looking at an evening moon. They think about the words that his former girlfriend used to "fill into the cracks of [his] irritatingly lived days." The protagonist hides the shadow of a crescent moon with his thumb , and "[pushes] it far into [his] dry eyes." The song's second setting is at sunset, describing someone "looking over [her] shoulder, perhaps thinking of what to say," while the protagonist wonders if their lies and worries were constantly repeating. Promotion and release. In mid-2006, Sakanaction sent a demo of "Mikazuki Sunset" to College Radio Japan Sapporo, managing to be in the top five weekly songs for the radio program. In 2007, the song was used as the leading promotional song for the band's major label debut album, "Go to the Future". The studio version of "Mikazuki Sunset" first  impacted radio stations in Hokkaido in mid-April. In May, the song managed to reach number two on FM North Wave's airplay and sales chart, the Sapporo Hot 100. Radio data compiler Plantech tracked the song as being the second most played song in Hokkaido in early May. "Mikazuki Sunset" eventually became the 66th most successful song of 2007 on the Sapporo Hot 100. "Mikazuki Sunset" was used on several television programs as opening or closing credit music, including "MM-TV" on Mainichi Broadcasting System, "Music-03" on Chiba Television Broadcasting and "Yumechika 18" on Hokkaido Television Broadcasting. A live  performance of the song was broadcast on "Yumechika 18" on May 16, based on footage of the band's performance at the Sapporo Kraps Hall on April 28. Four live performances have been released commercially by Sakanaction. The first was on "'Night Fishing Is Good' Tour 2008 in Sapporo", a four track digitally exclusive EP released onto iTunes. This was followed by "Sakanaquarium (C)" (2011), featuring footage from the Sakanaquarium 2010 concert held at Shinkiba Studio Coast on May 15, 2010, and the "Sakanaquarium 2011 Documentaly: Live at Makuhari Messe" (2012) video album, and was revived for the band's  Sakanatribe 2014: Live at Tokyo Dome City Hall tour, released as a video album in July of the same year. Sakanaction's second digital EP "Remixion" (2008) featured a remix of the song, "Mikazuki Sunset (FPM Everlust Mix)", which was created by Japanese electronic musician Fantastic Plastic Machine. This remix was compiled on the band's compilation album "" (2015). Music video. A music video was produced for the song, directed by Yoshihiro Mori, which was shot on February 23, 2007. It features all of the members of Sakanaction performing the song in a white studio room. Additional scenes feature colorful  rubber balls, that bounce and splash into water. In the second half of the video, these rubber balls are superimposed onto the shots of the band performing the song. The video was Mori's directorial debut. He envisioned it as a simple video, where he tried to match the visuals to song's rhythm. The video was released for sale on iTunes a year after its release, on August 13, 2008. It was compiled onto "Sakanarchive 2007—2011: Sakanaction Music Video Collection" (2011), a video album featuring all of Sakanaction's music videos recorded between 2007 and 2011. Critical reception. Atsushi  Sasaki of "Invitation" felt that the song was "remarkable", and it was one of the band's signature songs. "CDJournal" praised the usage of split-channel sound on "Go to the Future" as seen in "Mikazuki Sunset". Entertainment Media Kulture praised the song as one of the band's early signature songs, describing it as "natural-like [sound] motifs skilfully pushed towards lyrics describing everyday things". Personnel. Personnel details were sourced from "Go to the Future"'s liner notes booklet. Music video personnel details were sourced from "Sakanarchive 2007—2011: Sakanaction Music Video Collection". Sakanaction Personnel and imagery Music video personnel