Gordon Douglas (director)
Gordon Douglas Brickner (December 15, 1907 – September 29, 1993) was an American film director and actor, who directed many different genres of films over the course of a five-decade career in motion pictures. Early life. Born Gordon Douglas Brickner in New York City, he began his career as a child actor, appearing in some films directed by Maurice Costello. He also worked at MGM as a book-keeper. Career. Hal Roach and "Our Gang". As a teenager, Douglas got a job at the Hal Roach Studios, working in the office and appearing in bit parts in  various Hal Roach films. He made walk-on appearances in at least three "Our Gang" shorts: "Teacher's Pet" (1930), "Big Ears" (1931) and "Birthday Blues" (1932). By 1934, Douglas was assistant to director Gus Meins and served as assistant director on Stan Laurel and Oliver Hardy's 1934 film "Babes in Toyland" and on the "Our Gang" comedies made between 1934 and mid-1936. Beginning with "Bored of Education" in 1936, "Our Gang" moved from two-reel (20-minute) comedies to one-reel (10-minute) comedies, and Douglas became the senior director of the series. "Bored of Education" won the  1936 Academy Award for Live Action Short Film, and was the only "Our Gang" entry ever honored with the award. Douglas remained with the series as director for two years. His "Our Gang" shorts, featuring Spanky, Alfalfa, Darla, Porky, Buckwheat, Waldo, Butch and Woim, are the most familiar in the series’ 22-year canon. Douglas worked on the Our Gang feature "General Spanky" (1936). His shorts included "Spooky Hooky" (1936) and "Pay as You Exit" (1936). Roach sold the "Our Gang" unit to Metro-Goldwyn-Mayer in May 1938. Douglas directed two MGM "Our Gangs" on loan from Roach, "The  Little Ranger" (1938) and "Aladdin's Lantern" (1938) before deciding that he could not get used to the more industrialized atmosphere at the larger studio. Returning to his home studio, Douglas directed the feature "Zenobia" (1939) with Oliver Hardy teamed with Harry Langdon instead of Stan Laurel; it was a box office disappointment. Laurel and Hardy were reunited for Douglas' next film, "Saps at Sea" (1940) (Laurel and Hardy's last film produced by the Hal Roach Studio) which was followed by "All-American Co-Ed" with former Our Gang member Johnny Downs (and Langdon). Douglas next helmed "Niagara Falls  (1941), one of Hal Roach's Streamliners, a series of short features less than 50 minutes, and he co-wrote and directed Rosch’s’’ feature Broadway Limited" (1941) and provided the story for "Topper Returns" (1941). His last effort for Roach was the featurette "The Devil with Hitler" (1942). He might have stayed with Roach indefinitely, but Roach turned his studio over to the U.S. Army for the production of wartime training films. RKO Films. Douglas moved over to RKO Pictures. He made a series of low budget comedies including "The Great Gildersleeve" (1942), based on the radio show; and  its sequel "Gildersleeve on Broadway" (1943), "Gildersleeve's Bad Day" (1943) and "Gildersleeve's Ghost" (1944). He also helmed "The Falcon in Hollywood" (1944), "Girl Rush" (1944), "A Night of Adventure" (1944) and "First Yank into Tokyo" (1945). He made "Zombies on Broadway" (1945) with the comedy team of Brown and Carney, then "San Quentin" (1946), "Dick Tracy vs. Cueball" (1946) and "If You Knew Susie" (1948). Columbia Films. In 1948, Douglas migrated from RKO to producer Edward Small who had a releasing deal with Columbia Pictures. For Small, he made "Walk a Crooked Mile" (1948) and "The Black Arrow  (1948). Columbia used Douglas on Mr. Soft Touch" (1949), "Between Midnight and Dawn" (1950), "Rogues of Sherwood Forest" (1950), "Fortunes of Captain Blood" (1950) and "The Nevadan" (1950). They loaned him to British Lion to make "State Secret" (1950) in England. Cagney Productions and Warner Bros.. James Cagney was making a film for Warner Bros., "Kiss Tomorrow Goodbye" (1950) with his brother William, and they hired Douglas to direct. Douglas signed long-term deals with Cagney Productions and Warners. In May 1950, Douglas signed a non exclusive two-picture deal with Paramount. The first of these was "The Great Missouri  Raid" (1951). He was meant to make a second film for Paramount but they released him so Cagney could use him again on "Only the Valiant" (1951) a Western with Gregory Peck. Douglas went on to establish himself as one of Warners' leading directors of the 1950s, working in all genres: "I Was a Communist for the FBI" (1951); "Come Fill the Cup" (1951), produced by Cagney starring James Cagney; "The Iron Mistress" (1952) a biopic of Jim Bowie starring Alan Ladd; "Mara Maru" (1952), an adventure story with Errol Flynn; "So This Is Love" (1953), a musical biopic of  Grace Moore; "The Charge at Feather River" (1954), a 3D Western; "She's Back on Broadway" (1953), a musical; "Them!" (1954), a science fiction film about giant ants; "Young at Heart" (1955), with Doris Day and Frank Sinatra; "Sincerely Yours" (1955) with Liberace; "The McConnell Story" (1955), a biopic of Joseph C. McConnell with Alan Ladd; "Santiago" (1956) with Ladd; "Bombers B-52" (1957) and "The Big Land" (1957), a Western with Ladd. His three low-budget westerns starring Clint Walker – "Fort Dobbs" (1958), "Yellowstone Kelly" (1959) and "Gold of the Seven Saints" (1961, from a screenplay by Leigh Brackett originally  commissioned by Howard Hawks) – have been compared to Budd Boetticher's contemporary minimalist westerns with Randolph Scott. He did "The Fiend Who Walked the West" (1958) at 20th Century Fox and "Up Periscope" (1959) for Warners. He had a hit with "Claudelle Inglish" (1961) and "The Sins of Rachel Cade" (1961). Freelance director. Douglas directed Elvis Presley in the comedy "Follow That Dream" (1962) made for Mirisch Productions and did Bob Hope's "Call Me Bwana" (1963) for Eon Productions. He did a Western at Fox "Rio Conchos" (1964) then made the heist comedy "Robin and the 7 Hoods" (1964 ) for Frank Sinatra's company, starring Sinatra. Douglas made two films starring Carroll Baker, "Harlow" (1965) and "Sylvia" (1965). 20th Century Fox. For 20th Century Fox Douglas directed Jerry Lewis in the science fiction spoof "Way...Way Out" (1966), did the remake of "Stagecoach" (1966) and made "In Like Flint" (1967) with James Coburn. Douglas made "Tony Rome" (1967) with Sinatra at Fox, and the Western "Chuka" (1967) for star-producer Rod Taylor at Paramount. There were two more with Sinatra at Fox, "The Detective" (1968) and a sequel to "Tony Rome", "Lady in Cement" (1968). Later career. After the  Western "Barquero" (1970), Douglas did "Skullduggery" (1970) and directed Sidney Poitier's "They Call Me Mister Tibbs!" (1970) for the Mirisches. He did some uncredited directing on "Skin Game" (1971). "Slaughter's Big Rip-Off" (1973) was a blaxploitation film and "Nevada Smith" (1975). Douglas returned to Warner Bros. for his final film, 1977's "Viva Knievel!", in which the stuntman Evel Knievel played himself in a fanciful biography. Reportedly, Douglas was the only person to ever direct both Elvis and Sinatra on film. Attempting to explain his prodigious directorial output, Douglas told Bertrand Tavernier, "I have a large family  to feed, and it's only occasionally that I find a story that interests me". Death. Douglas died of cancer at the age of 85 on September 29, 1993, in Los Angeles. He was survived by his wife, Julia Mack, and two children.