Hitomi Kanehara
Biography. Kanehara was born in Tokyo, Japan. During elementary school she spent a year in San Francisco with her father. At age 11, she dropped out of school, and at age 15 she left home. After leaving home, Kanehara pursued her passion for writing. Her father, Mizuhito Kanehara, a literary professor and translator of children's literature, continued to support her. She wrote her first novel, "Hebi ni piasu" ("Snakes and Earrings"), at the age of 21. The novel won the Shōsetsu Subaru Literary Prize and the Akutagawa Prize (judged by novelist Ryū Murakami), and became a Japanese  bestseller, going on to sell more than one million copies. Kanehara and fellow 2003 Akutagawa Prize honoree Risa Wataya remain the youngest people ever to receive the Akutagawa Prize. In the same year that she won the Akutagawa Prize, Kanehara got married. Kanehara's novel "Autofiction", with a story that unfolds in reverse chronological order, was published in Japan in 2006. In 2007 an English version of "Autofiction", translated by David James Karashima, was published by Vintage Books under the same name, and her novel "Haidora" ("Hydra") appeared in print in Japan. A film adaptation of "Hebi ni piasu", directed  by Yukio Ninagawa and starring Yuriko Yoshitaka in the lead role, premiered in 2008. Kanehara's novel "Torippu torappu" ("TRIP TRAP") was published in 2009, and won the 2010 Sakunosuke Oda Prize. When the Fukushima Daiichi nuclear disaster occurred in 2011, Kanehara left Tokyo for Okayama out of concerns about the effects of radiation on her children. In 2012 she moved to France, and her book "Mazāzu" ("Mothers") won the Bunkamura Deux Magots Literary Prize. Since moving to France, Kanehara has written several books, including "Keihaku" ("Flirty") in 2016 and "Kuraudo gāru" ("Cloud Girl") in 2017. She currently resides in  France with her husband and two daughters. Writing style. Kanehara's early work is known for its graphic depictions of sexual activity, violence, body modification, pedophilia, anorexia, bulimia, and self-harm. Kanehara has claimed that her own experiences with self-harm have inspired her fictional settings and characters, and reviews of "Hebi no piasu" and "Autofiction" regularly focused on her own appearance and behavior. A common theme in her work is personal choice, with characters often making choices that place them outside societal norms in order to take control of their own actions and consequences. As Kanehara has explored this  theme in her later work in the context of motherhood and family rather than youth and sex, media attention to her work has declined.