Provincetown Art Association and Museum
The Provincetown Art Association and Museum (PAAM) is located at 460 Commercial Street in Provincetown, Massachusetts. It is accredited by the American Alliance of Museums and is the most attended art museum on Cape Cod. The museum's permanent collection includes over 2,500 objects, a number which continues to grow through donations and new acquisitions. PAAM mounts approximately forty exhibitions each year. History. Origins. Prominent artists Oliver Newberry Chaffee, Marsden Hartley, Charles Demuth, Charles Hawthorne, Oscar Gieberich, William Halsall, Gerrit Beneker, E. Ambrose Webster, and several local business men and women established the Provincetown Art  Association in 1914. The organizing artists donated works and mounted two juried exhibitions in the summer of 1915, beginning a tradition of collecting and exhibiting the work of local artists. By this time, Provincetown had become a refuge of artists and expatriates returned from war-torn Europe. The town was firmly established as "The Biggest Art Colony in the World" (Boston Globe, 8/8/16). PAAM strengthened its role as the anchor of this art colony through the purchase of its present building in 1919. John "Wichita Bill" Noble served as the Association's first director. His son, John A. Noble, also  became a prominent artist. John Cuthbert Hare was also a member who eventually became known as the "Dean of Cape Cod Artists" Twentieth Century. PAAM's artist founders had come out of the Impressionist tradition and thus did not readily accept the new Modernist movement. Faced with aesthetic differences among its artist membership, however, the organization worked to maintain a balance in the work it exhibited. True to its mission, PAAM mounted separate "Modern" and "Regular" summer exhibitions between 1927 and 1937. Partial conciliation was reached in 1937 when concurrent exhibitions were hung in the same gallery on opposite walls . The Depression years of the '30s and the war years of the early '40s were difficult times for the town and the Association. Although annual shows were canceled, volunteers managed to maintain a reduced schedule. By 1947, the regular schedule of two summer exhibitions had been reestablished. The rise of Abstract Expressionism—intensified by the location of Hans Hofmann's summer school here—again riffled the deep divisions within the arts community during the '50s. When PAAM celebrated its 50th anniversary in 1964 with a retrospective show of its major artists, the organization focused on gaining national attention for Provincetown 's considerable contribution to American art. The effect was a boon for the organization. Activities increased, new galleries were added, the exhibition schedule expanded, a storage vault was built to house the expanding collection, and once again PAAM showed itself as the center of the local art world. As PAAM grew throughout the next three decades, the organizational structure of the museum continued to include strong representation from both the artist and lay communities. PAAM'S dual purpose of the organization—to be a collecting museum and a professional artists' association—has been consistently supported over the course of its  history. The collection has been the basis for many exhibitions and has served scholars, researchers and other museums. Including close to 2,500 works from artists who have lived or worked on the outer Cape. Recent. PAAM continues to acquire both historical and contemporary works. The galleries also offer accommodating venues for chamber music, jazz, dance and spoken word performances. The new studio classrooms offer spaces for children and youth education programs, as well as for adult courses in the Lillian Orlowsky/William Freed Museum School at PAAM. Timeline. Select art historical events in Provincetown over the past 100 years Facilities . The Provincetown Art Association and Museum has five ground-floor galleries with rotating exhibitions on view throughout the year. Three sculpture gardens surround the building. The Museum School facilities include second-floor drawing, painting, and print studios. The entire building is equipped with an all-season climate control system. A recent renovation and expansion of the Provincetown Art Association and Museum has dramatically improved the museum's ability to store and display art. In 2006, the square footage of the facilities was increased from 11,000 to . PAAM's physical plant has been awarded a Silver LEED rating by the United  States Green Building Council to recognize PAAM's Leadership in Energy and Environmental Design. The rating quantifies PAAM's environmental performance, and assures the public that PAAM's facility is designed and operated to help save energy and natural resources. The renovation project, designed by Machado and Silvetti Associates, has also received a 2006 American Institute of Architects Merit Award for Design Excellence, and recognition within the AIA's 2007 Committee on the Environment (COTE). The building is wood-frame construction over a concrete basement. The historical portion of the Museum, which is listed on the National Register of Historic  Places, is clad with white cedar shingles; the new portion of the Museum is clad with custom Spanish cedar shingles and louvers. Collection. PAAM's permanent collection features artists who have lived and worked on the Outer Cape. Some artists represented in the collection include Varujan Boghosian, Paul Bowen, George Elmer Browne, Oliver Newberry Chaffee, Carmen Cicero, Ciro Cozzi, Charles Henry Demuth, Edwin Dickinson, Chaim Gross, Charles Webster Hawthorne, Robert Henry, Henry Hensche, Hans Hofmann, Erik Koch, Franz Kline, Karl Knaths, Blanche Lazzell, William Littlefield, Peter Macara, Ross Moffett, Robert Motherwell, Man Ray, John Singer Sargent, Jack Tworkov, Andy Warhol , E. Ambrose Webster, Mike Wright, and James R. Zimmerman. Educational programming. The Lillian Orlowsky/William Freed Museum School offers a range of classes and programs throughout the year. Over seventy summer studio courses are offered from May through September, including courses in drawing, printmaking, mixed media, plein air painting classes with prominent local artists, and computer classes. Life drawing sessions are offered twice a week year-round, and the Museum School holds open print studio hours during the winter. Fall, winter, and spring courses include week-long master classes, multi-week workshops, and semester-long offerings. This exciting program exemplifies  PAAM's commitment to year-round educational opportunities for absolute beginners, established artists, and everyone in between. In addition to adult courses, the Museum School also coordinates classes for children and teens. Art Reach, a 28-week after-school program created in conjunction with Provincetown High School, runs from October through May. PAAM also facilitates student curating sessions and offers children's art workshops in the summer. Studio workshops are supplemented by free educational lectures. The Fredi Schiff Levin Lecture Series runs from June through September, with additional lectures taking place periodically as well. Guest lecturers include artists, authors, and  art historians who are brought in to discuss the history of the Provincetown Art Colony as well as its contemporary art scene.