Nimona
Nimona is a fantasy graphic novel by ND Stevenson, an American cartoonist. The story follows Nimona, a shapeshifter who joins the villain Ballister Blackheart in his plans to destroy the over-controlling Institute. Blackheart tries to operate under his code of ethics, while Nimona has no problem with killing. The setting mixes magic and technology. Stevenson began work on "Nimona" while studying at Maryland Institute College of Art, revisiting a character they had created while at high school. Stevenson published "Nimona" as a webcomic from 2012 through 2014, initially through Tumblr, developing the story and the art style as  time progressed. The finished work ultimately doubled as their senior thesis. After an agent reached out to Stevenson, HarperCollins printed "Nimona" as a book in 2015. It has been translated into at least 16 other languages and adapted into an audiobook. The comic won an Eisner Award, a Cybils Award, and a Cartoonist Studio Prize. Reviews and academic analyses have highlighted themes of queerness and fluidity of identity, and how they oppose and subvert traditional controlling institutions and exclusionary systems. An animated feature film adaptation was first announced in 2015 by 20th Century Fox Animation. After Disney bought Fox, it  cancelled the film, but it was revived by Annapurna Pictures and is scheduled to be released on Netflix in 2023. Plot. Nimona is a shapeshifter, usually a human girl but able to grow and shrink and take any human or animal form. She insists on being the sidekick to Ballister Blackheart. Blackheart was once a knight for the Institution, but lost an arm in a joust with Ambrosius Goldenloin – now the Institution's champion – so was kicked out. Blackheart seeks to destroy the Institution, but operates under his own code of ethics. Nimona pushes to make his plans more violent  and often kills people. They discover the Institution is using jaderoot, a poisonous plant used for dark magic. Blackheart has Nimona impersonate a TV news anchor to publicize this, and plant poisonous, but non-fatal, apples in markets to spread fear. The Institute's Director orders Goldenloin to kill Nimona; instead, he meets Blackheart in a tavern, begging him to send Nimona away instead. Blackheart meets Dr. Meredith Blitzmeyer, who has made a device powered by "anomalous energy". When Nimona is near the device she cannot transform. Goldenloin continues to refuse orders to kill him; it is hinted that  Blackheart and Goldenloin were more than just friends. He agrees to kill Nimona and capture Blackheart. At a public event, the two spread more poison and while people panic about its effects, Blackheart speaks and convinces people to rebel against the Institution. He is captured by Goldenloin and used as a trap to lure Nimona. Her head is sliced off during the fight, but she lives and they escape. Blackheart questions her powers, and she lets slip that her earlier story – that a witch cast a spell on her as a child – was made up. They argue, and Nimona leaves  Blackheart. Blackheart learns that his poison has caused deaths. He sneaks into a hospital to treat poison victims, but is captured. Goldenloin guards him, having been demoted from champion. The two talk and Goldenloin admits that the jousting incident was not an accident. The Director offered him the position of champion, on the condition that he win the joust against Blackheart; after losing the fight he used the explosive lance in desperation. Blackheart is brought to an Institution laboratory, where the Director reveals their occult experiments to develop weapons. Nimona is imprisoned there; she attempted to rescue Blackheart, but was  captured in a self-repairing vessel built to contain jaderoot. They take a blood sample out, but Nimona has control over those cells and they turn into a colossal beast that escapes to kill the Director and ravage the city. A flashback shows Nimona trapped by villagers. She claimed to be one of their children, but they believed she was impersonating a child that died. The Institution took Nimona and experimented on her. Blackheart tells Goldenloins about Blitzmeyer's device which he uses to fight the beast. The human form of Nimona learns that Blackheart revealed the device and turns  on him. Blackheart defeats the beast, but the fight damages the lab and its automatic purge system. Blackheart escapes, carrying Goldenloin, but Nimona does not. The disasters make clear the Institution's use of jaderoot, and Blackheart becomes a hero. While watching over Goldenloin in hospital, a doctor calls Nimona a monster, and Blackheart insists she was not. When the same doctor returns moments later, Blackheart understands that the first doctor was Nimona. Blackheart and Blitzmeyer found a lab together, and Goldenloin and Blackheart become closer. Blackheart never sees Nimona again, to his knowledge, but wonders about every stranger and  animal who looks at him. Development and publication. In a course as Maryland Institute College of Art, ND Stevenson received an assignment to create a new character, and revisited an idea from high school of a female shapeshifter. According to Stevenson, they created Nimona by combining this shapeshifter with a Joan of Arc-inspired character that they were drawing at the time. Nimona's look was based on their own experiences with cosplay; Stevenson preferred cosplaying as male characters rather than female characters, and wanted "to do a costume that people who weren't interested in looking particularly buxom or  sensual might want to dress as". Other characters and a story followed as Stevenson revisited the concept several times over their junior year, and later received approval for the comic to be their senior thesis. Stevenson initially published "Nimona" online on Tumblr. The comic began as a collection of one- and two-page comics. Stevenson says that they "had no idea what "Nimona" was when I started it" and that it was experimental, but that they knew very early how it would end. According to Stevenson, an agent reached out to them shortly after they had posted the first few  pages. Stevenson was still at school when they learned their agent had sold "Nimona" to the publisher HarperCollins. The webcomic ran from June 2012 to September 2014. Stevenson described completing "Nimona" as both satisfying and "a little sad". HarperCollins published the completed comic as a young adult graphic novel in May 2015. The work has since been translated into several other languages, including Chinese, Czech, Dutch, French, German, Hebrew, Hungarian, Indonesian, Italian, Norwegian, Portuguese, Romanian, Russian, Slovak, Spanish, and Turkish. In August 2016, an audiobook version of "Nimona" was published through Audible. It features voicework by Rebecca Soler, Jonathan Davis , Marc Thompson, January LaVoy, Natalie Gold, Peter Bradbury, and David Pittu, has a runtime of two hours and seventeen minutes, and is unabridged. Analysis. Queerness, identity, and challenging power. Reviews and academic analysis have presented "Nimona" as a depiction of identity, particularly fluid identity. Nimona's form is unsettled and indefinable, though Professor Mihaela Precup said that Nimona's queerness was mostly hinted at through linguistic markers and fashion choices. Precup noted the "subversive potential of a specific kind of queer cuteness", while Associate Professor James J. Donahue said that "Nimona" demonstrated the fluidity of identity construction to young-adult  audience along with empowering moments. Ballister's perceived identity also shifts from a supervillain to a hero, challenging cliches around good and evil. "Nimona" has been highlighted as promoting alternate perspectives on gender and allowing readers to come to terms with their own identities. Nimona's monstrous nature has been discussed as representing how institutions perceive queerness as the "ultimate other" which is a threat to stability. Multiple analyses have viewed the Institution as one that persecutes queerness and establishes heteronormative hegemonic ideologies through structural violence. "Nimona" presents a potential to challenge and abolish these systems. In this way has  been compared to "The Legend of Korra" and "Steven Universe". One paper on the work concluded that it is "the blurring of boundaries", especially when it comes to institutions, bodies, and motivations, allows for these institutions to be undermined. Reception. Awards. "Nimona" won an Eisner Award, a Cybils Award, and a Cartoonist Studio Prize. It was also nominated for another Eisner Award and a National Book Award. The hardcover collection of "Nimona" became a New York Times bestseller. ! | 2012 ! | 2015 ! | 2015 ! | 2015 ! | 2016 Reviews. A reviewer for io9 rated "Nimona" as one of the "Best  New and Short Webcomics of 2012", while "Paste Magazine" called "Nimona" the best webcomic of 2014. A review for CNN recommended "Nimona" specifically for teenage readers. Reviewers noted the science fantasy setting which mixes magic with technology and highlighted the conflict between Blackheart's code of honor against Nimona's desire to kill and steal. Iain A. MacInnes, a scholar who focuses on U.S. popular and youth culture, said that "Nimona" added to the varieties of medieval aesthetics in modern media. Stevenson produced "Nimona" a page at a time, resulting in a development of art style over time. A reviewer  for Tor.com called the art of the first two chapters "pretty clunky", but not in an off-putting way, and said by that by chapter five the art was "an absolute joy". An io9 review said that "Nimona's" "light, sketchy style" helped to set up the comic's tone. "Comic Book Resources" compared Stevenson's artwork to that of Kate Beaton, Eleanor Davis and Faith Erin Hicks. Film adaptation. In 2015, 20th Century Fox Animation acquired the rights for an animated feature film adaptation. It was being produced by Fox's subsidiary Blue Sky Studios, with Patrick Osborne to  direct and Marc Haimes to write the script. In May 2019, after The Walt Disney Company's acquisition of Fox, the film was delayed from February 2020 to March 2021: it was later delayed again to January 2022. In February 2021, Disney announced that was shutting down Blue Sky Studios and that the film adaptation was cancelled. After its cancellation, and again amid the controversy of Disney's involvement in Florida's "Don't Say Gay" bill, several former Blue Sky staff members spoke to media about the film. They stated that, when cancelled, the film was "75% complete" and  that it was to include an "I love you" scene between Blackheart and Goldenloin and a same-sex kiss. Staff also stated that they received pushback from Disney leadership, centered around the film's LGBT themes. On April 11, 2022, it was announced the film had been picked up by Netflix and Annapurna Pictures with a 2023 release date. The film has new directors, Nick Bruno and Troy Quane, while Chloë Grace Moretz and Eugene Lee Yang will be returning, voicing Nimona and Ambrosius Goldenloin respectively, along with Riz Ahmed as Ballister Blackheart.