The Glow of Love
The Glow of Love is the debut studio album by Italian/American ensemble Change, released in April 1980. It includes the singles "A Lover's Holiday", "Searching" and "The Glow of Love"; all three singles simultaneously topped the US dance chart for nine weeks from May to June 1980. The album reached number twenty-nine on the US "Billboard" Album Chart and ten on the US "Billboard" Black Albums chart. Background. The band recorded the songs for the album at Fonoprint Studios in Bologna, Italy. The songs were then taken to Power Station Studios in New  York City for the recording of the vocals. "Searching" and the title track were recorded and mixed at Mediasound Studios in New York. The sessions were then mastered at Sterling Sound Studios. The artwork was designed and illustrated by Greg Porto. Reception. "The Glow of Love" received positive reviews from the majority of critics. Alex Henderson writing retrospectively for AllMusic describes it as a disco/R&B masterpiece and Change's most essential album. Nile Rodgers and Bernard Edwards' Chic sound is noted as a heavy influence but Henderson argues that "knowledgeable disco and R&B enthusiasts knew better; Change wasn't  a carbon copy of Chic any more than jazz great Chet Baker was a clone of Miles Davis." "A Lover's Holiday" is marked as a playful opener, while "It's a Girl's Affair" and "Angel in My Pocket" are highlighted as "sassy and passionate," respectively. Robert Christgau writing at the time, summarises the album as "New and true and gay" and "having the complete bag of disco tricks." The influence of Chic is again noted in "A Lover's Holiday" which he describes as a "Rodgers-&-Edwards rip." He also compares "The End" to the electronic music of Giorgio  Moroder. The album's showcasing of Luther Vandross is highlighted in most reviews. Ed Hogan, writing for AllMusic, described "The Glow of Love" as a startling introduction to Vandross' dazzling singing style. Henderson remarks that "the laid-back title song which Vandross sang on became a quiet storm radio favorite and demonstrates that not everything Change recorded was aimed at the dancefloor. Vandross had yet to secure a solo career in 1980, although many of the people who heard his performances on those two gems agreed that a solo career was inevitable."