A Great Day in Harlem (photograph)
A Great Day in Harlem or Harlem 1958 is a black-and-white photograph of 57 jazz musicians in Harlem, New York, taken by freelance photographer Art Kane for "Esquire" magazine on August 12, 1958. The musicians gathered at 17 East 126th Street between Fifth and Madison Avenue. "Esquire" published the photo in its January 1959 issue. Children in the picture. Count Basie, having grown tired of standing, sat down on the curb, and gradually a dozen children followed. Most of the children were neighborhood residents, although the second child from the right, Taft  Jordan, Jr., had accompanied his father, Taft Jordan, to the photo session. The photography crew was already having trouble directing the adults, and the presence of the children added to the chaos: one of the children appearing in the window kept yelling at a sibling on the curb; another kept playing with Basie's hat; Taft Jordan, Jr. had been scuffling with the older child seated to his left. Ultimately, Art Kane realized that any further attempt to organize the proceedings would be futile, and he decided to incorporate the subjects' actions. Musicians in other photographs. Willie "The Lion" Smith  was sitting out of shot at the time the main picture used by "Esquire" was taken. Ronnie Free, Mose Allison and Charlie Rouse turned up too late for the "Esquire" picture; Dizzy Gillespie took a photograph of them with Mary Lou Williams, Lester Young and Oscar Pettiford. Film. Jean Bach, a radio producer of New York, recounted the story behind the photograph in her 1994 documentary film, "A Great Day in Harlem". The film was nominated in 1995 for an Academy Award for Documentary Feature. Bach described how, upon the film's release, a number of similar photographs employed the  A Great Day in... theme. Hugh Hefner assembled Hollywood-area musicians for "A Great Day in Hollywood" in conjunction with a sneak preview of "A Great Day in Harlem". Soon after, "A Great Day in Philadelphia" included musicians such as Jimmy Heath, Benny Golson and Ray Bryant. During the filming of "Kansas City" (1996), musicians including Jay McShann posed for "A Great Day in Kansas City". A multi-page supplement in "The Star-Ledger" featured "A Great Day in Jersey", while a Dutch photograph was titled "A Great Day in Haarlem". In 1998, "Great Day in St Paul" was taken  by Byron Nelson. The trend spread to other styles of music, with Houston blues musicians posing for "A Great Day in Houston". "A Great Day in Hip Hop" was followed by XXL's "The Greatest Day in Hip Hop". An Atlanta radio station gathered musicians for "A Great Day in Doo-Wop". A New York cellist, inspired by both the original photograph and the film, assembled chamber musicians for "A Great Day in New York". "The New York Post" ran "A Great Day in Spanish Harlem". The photograph was a key plot point in Steven Spielberg's 2004 film "The  Terminal". The film starred Tom Hanks as Viktor Navorski, a character who comes to the United States in search of Benny Golson's autograph, with which he can complete his deceased father's collection of autographs from the musicians pictured in the photo. Golson himself made a cameo in the film.