Nicolò Minato
Count Nicolò Minato (b. Bergamo, ca. 1627; d. Vienna, 28 February 1698) was an Italian poet, librettist and impresario. His career can be divided into two parts: the years he spent at Venice, from 1650 to 1669, and the years at Vienna, from 1669 until his death. Minato is best remembered for his vast output as a librettist for opera. In total, he wrote over 200 librettos. His career began with "Orimonte", written in 1650 for Francesco Cavalli. At this time he worked primarily as a lawyer, and it was only over a decade later that he abandoned  this, his first profession, and turned fully to the composition of librettos and theatre management (as did his contemporary, Giovanni Faustini. Minato was also a member of several literary academies, including, along with Busenello, the "Accademia degli Imperfetti", a group that devoted itself to studying the classics and contemporary jurisprudence. He wrote 11 librettos for Venice, most of them for Cavalli, though a few were first set by Antonio Sartorio. In 1665 he became a prominent figure in the running of the Teatro San Salvador. While there he collaborated with composer Giovanni Legrenzi in revising his opera "Zenobia e Radamisto  in 1667. In 1669 he left Venice to take up a post in Vienna as court poet to the Emperor Leopold I. At Vienna he wrote over 170 librettos, averaging around 5 a year, in genres as diverse as opera seria" and "festa teatrale". In addition to his duties as a writer of secular works, Minato was also a prolific producer of sacred texts, often described as oratorios. He largely provided these texts for performances given to mark special occasions - birthdays in the royal family, for example, or possibly Lenten celebrations or court weddings. Minato was a popular librettist and  after his death his works were frequently revived by composers such as Johann Adolf Hasse, Handel, Giovanni Bononcini, and Telemann.