Bombay Progressive Artists' Group
The Progressive Artists' Group (PAG), was a group of modern artists, mainly based in Bombay, from its formation in 1947. Though it lacked any particular style, there might be said to have been a move towards a synthesis of influences from Indian art history together with styles prevalent in Europe and North America during the first half of the 20th century, including Post-Impressionism, Cubism and Expressionism. History. The Progressive Artists' Group was formed by six founder members, F. N. Souza, S. H. Raza, M. F. Husain, K. H. Ara, H. A. Gade, and S. K.  Bakre (the only sculptor in the group). Others associated with the group included Manishi Dey, Ram Kumar, Akbar Padamsee and Tyeb Mehta. The group wished to break with the revivalist nationalism established by the Bengal school of art and to encourage an Indian avant-garde, engaged at an international level. The Group was formed just months after the 14 August 1947 "Partition of India" and Pakistan that resulted in religious rioting and death of tens of thousands of people displaced by the new borders. The founders of the Progressive Artists Group often cite "the partition" as impetus for their desire  for new standards in India, starting with their new style of art. Their intention was to "paint with absolute freedom for content and technique, almost anarchic, save that we are governed by one or two sound elemental and eternal laws, of aesthetic order, plastic co-ordination and colour composition." In 1950, Vasudeo S. Gaitonde, Krishen Khanna and Mohan Samant joined the Group. Bhanu Athaiya (the only woman artist in the Progressive Artists' Group), Krishen Khanna, and Mohan Samant joined the group later. This was followed by the departure of the two main founders Souza and Raza from India few years  later, S.K. Bakre also left the group, which ultimately disbanded in 1956. European Modernism was the most distinctive influence on the group, but its members worked in dramatically different styles, from the Expressionism of Souza to the pure abstraction of Gaitonde. Specific Indian imagery and landscapes were also adopted, particularly by Mehta and Husain. Through the incorporation and mixture of new, abstract styles with traditional Indian art elements and Media, the PAG is one of the most influential art movements in India until today. In 2015, F.N. Souza's painting "Birth" set a new record for Indian art with a  hammer price above US$4 Million, which shows the worldwide appeal of the group.