Give or Take a Million
"Give or Take a Million" is the 32nd and final episode of "Thunderbirds", a British Supermarionation television series created by Gerry and Sylvia Anderson and filmed by their production company AP Films for ITC Entertainment. Written by Alan Pattillo and directed by Desmond Saunders, it was first broadcast on 25 December 1966 on ATV London and Anglia Television as the sixth and final episode of Series Two. It had its first UK-wide network broadcast on 20 December 1991 on BBC2. Set in the 2060s, "Thunderbirds" follows the missions of International Rescue, a secret organisation  that uses technologically-advanced rescue vehicles to save human life. The lead characters are ex-astronaut Jeff Tracy, founder of International Rescue, and his five adult sons, who pilot the organisation's primary vehicles: the "Thunderbird" machines. In the Christmas-themed "Give or Take a Million", a pair of bank robbers become embroiled in preparations for a hospital fundraiser in which International Rescue is to play a special role. Plot. On Tracy Island, Christmas has arrived and the area surrounding the Tracy villa is miraculously covered in snow. As well as Lady Penelope (voiced by Sylvia Anderson), International Rescue are  hosting a special guest for the holiday – a young boy called Nicky. Jeff (voiced by Peter Dyneley) recalls the events that led up to this day... Jeff's flashback begins at Coralville Children's Hospital, which is looking for ways to raise money to build a new solar therapy wing. In collaboration with rocket manufacturer Saunders Automations and Harman's department store of New York, the hospital board devise a Christmas publicity stunt to benefit all involved: a Saunders rocket, loaded with Harman's toys and launched from the store's roof, which will overfly Coralville and parachute-drop its  cargo into the hospital car park – thus providing a Christmas present for every Coralville child. Instead of a toy, one of the children will win a very special prize: Christmas Day on Tracy Island. On Christmas Eve night, shortly before the rocket launch, criminals Scobie and Straker break into the deserted Harman's. Using drills to remove a portion of wall, they penetrate the property next door – the high-security vault of the Second National Bank – and set about stealing $10 million in gold bullion. To avoid touching the vault's alarmed floor, they shoot a cable into the  opposite wall and use it like a Tyrolean traverse, Straker holding the line taut while Scobie, suspended from a harness, loads the gold into a sack. As they prepare to escape with their loot, they accidentally knock a pencil to the floor, setting off the alarm. To evade security guards, they lock themselves in what turns out to be the rocket's cargo compartment, which is being transferred to the launch pad in a freight elevator. By the time Scobie and Straker's pursuers realise where they have hidden, it is too late to stop the launch and the rocket  blasts off with the robbers trapped inside. After the rocket drops its cargo over Coralville, the hospital staff open the compartment to find Scobie and Straker unconscious amid the gold and boxes of presents, having been knocked out by the g-forces. The hospital hands the robbers and gold over to the police and receives enough reward money to fund its new wing. Having flown out in "Thunderbird 2", Virgil (voiced by Jeremy Wilkin) collects Nicky, the prize winner, and flies him to Tracy Island to spend Christmas with International Rescue. In the episode's subplot, festive preparations on Tracy  Island are under way when Brains (voiced by David Graham) hears Virgil expressing regret that the chances of a white Christmas in the South Pacific are extremely low. Brains has an idea and secretly builds a machine in the roof of the Tracy villa. In the closing scene, set after Nicky's arrival, Brains asks everyone to shut their eyes and then activates the machine: a snow-making system. Opening their eyes, Nicky and the International Rescue team are delighted to find the villa and its surroundings under a blanket of snow. Production. Although a calendar on Tracy Island indicates  that it is December 2026, the series producers intended "Give or Take a Million" to be set in December "2067", consistent with earlier episodes taking place in 2065. The calendar shot, as well as moments in other episodes that point to different settings, were dismissed by Gerry Anderson and art director Bob Bell as production design errors. In the opening scene, Jeff and Nicky, the latter playing with miniature toys of the "Thunderbird" machines, watch a demonstration launch of "Thunderbird 3", which Nicky has requested for his Christmas wish. The launch sequence was not the stock footage used in earlier  episodes, but a newer version recycled from the feature film "Thunderbirds Are Go", which was released the same month "Give or Take a Million" first aired. Nicky's toys were actual "Thunderbirds" merchandise produced by company J. Rosenthal (Toys) Ltd. The scale model towers used in the exterior shots of Harman's Department Store were originally made for a scene in "Thunderbirds Are Go" that was later deleted from the film. The guest character Saunders was named after the episode's director, Desmond Saunders. Reception. Tom Fox of "Starburst" magazine rates "Give or Take a Million" two out of five , calling the story "flabby" and overly sentimental. Both Alan Barnes and Marcus Hearn point out that the series finale is the only episode in which International Rescue do not perform any rescues. Barnes compares "Give or Take a Million" to the "Stingray" episode "A Christmas to Remember", which sees the main characters of that series hosting an orphan boy for Christmas. Hearn writes that "Give or Take a Million" shows how "Thunderbirds" "was successfully experimenting with its format right until the end", describing the episode as a "whimsical entry". He considers the bank robbery scenes suspensefully directed and calls the  snowfall ending a "suitably sentimental farewell". Commenting on the closing scene, Ian Haywood writes that the artificial snowfall created by Brains reflects the status of Tracy Island as "a perfect 'false self', a brilliantly simulated natural paradise" from which true nature has been exiled. He interprets this banishment as part of a broader conflict, evident in several episodes, between "masculine" science and "maternal" nature, equating the absence of nature to the Tracy brothers' lack of a mother figure.