Otherside Picnic
Synopsis. College student Sorawo Kamikoshi explores "doors" which randomly lead into the Otherside—parallel worlds in which internet creepypasta and urban legends are brought to life. Sorawo nearly dies in one of these worlds while encountering a creepypasta monster, but is rescued by Toriko Nishina, another young woman who is skilled with guns and is looking for a lost friend. Sorawo and Toriko, with the help of another woman named Kozakura, return to the Otherside to bring back artifacts and defeat the monsters, but the two are increasingly affected by the conditions of the worlds, meet other humans  who are trapped in them, and find themselves increasingly affected by each other. Media. Novels. "Otherside Picnic" is written by Iori Miyazawa and illustrated by shirakaba. Hayakawa Publishing have published seven volumes since February 2017, while J-Novel Club have released six volumes in North America. Manga. A manga adaptation by Eita Mizuno was announced in November 2017. The manga began serialization in February 2018 via Square Enix's "shōnen" manga magazine "Monthly Shōnen Gangan", and has been collected in six "tankōbon" volumes. In July 2020, Square Enix announced that they would publish the manga in North America. Anime. The  12-episode anime television series produced by Liden Films and Felix Film was announced on March 5, 2020. It was directed and written by Takuya Satō. Ayumi Nishihata designed the characters, and Takeshi Watanabe composed the series' music. The series aired from January 4 to March 22, 2021 on AT-X, Tokyo MX, SUN, and BS11. The opening theme song is performed by CHiCO with HoneyWorks, while the ending theme song is "You & Me" performed by Miki Satō. Funimation had licensed the series and streamed it on its website in North America and the British Isles, in Europe (minus Germany ) through Wakanim, and in Australia and New Zealand through AnimeLab. On November 14, 2021, Funimation announced the series would receive an English dub, which premiered the following day. Following Sony's acquisition of Crunchyroll, the series was moved to Crunchyroll. In Germany, the series is licensed by KSM Anime. Medialink has licensed the series in Southeast Asia and South Asia, and streamed it on their Ani-One YouTube channel and Bilibili in Southeast Asia. Reception. Constance Sarantos of CBR says that the series breaks the mold of the yuri genre, avoiding common stereotypes of the genre and creating a unique  narrative, defying, in their view, "expectations for a yuri anime" as it delves into the horror genre and has a "Relationship built on crime and survival" rather than a slice of life about "interpersonal romantic drama." Sarantos also said that the series shows how well the sci-fi and yuri genres can mix, combining themes of fear and romance, something which isn't often used in yuri anime, with the protagonists having to "work together to defeat frightening foes." Even so, Sarantos stated that while the anime doesn't "deconstruct the yuri genre" it shares storyboarding which "emphasizes intimate moments  and loneliness" with "Bloom Into You", "Just Call it Love", "Fragtime", "Liz and the Blue Bird", and "Adachi and Shimamura", among others, utilizing the "emotional scenery one would expect from a yuri series." In that respect, Sarantos said that it is similar to "Kemono Friends" and "Girls' Last Tour", adding that there is an expectation it will "nail the aesthetic of yuri" even though it is an "unconventional yuri narrative." Reviewers for Anime News Network shared the sentiment of Sarantos. Caitlin Moore called the series "one of a kind" and a welcome addition to a series of yuri anime about  teenagers falling blushingly in love for the first time, with neither of the protagonists, Sorawo or Toriko, based on stereotypes. Even so, Moore said that the chemistry between them "could have come through stronger", called the visuals a "mixed bag" and said that there has been "a real lack of queer genre fiction in anime" recently, meaning she is "all the more excited to explore it." James Beckett, on the other hand, said that he was only lukewarm to the anime and said that while he is "not asking the show to answer all of my questions upfront", he would  like "a little more context" and that he hopes that it "manages to live up to its potential." Similarly, Nicholas Dupree said that he feels the show lost him the premiere, even while he called the two protagonists a "charming central couple", and can't "click with the episode as a whole" while Theron Martin was more positive, saying that the series could be "worth watching" just for the interactions between the two protagonists. Just as positive was Rebecca Silverman, saying that the series was fascinating and creepy, saying it will likely be a faithful adaptation of the yuri manga  it is based on, while saying there are "a few little missteps" and would like to know more "about the whole urban legend/internet myths piece" too. Hannah Alton of CBR argued that the series stands apart from the "usual fare" of the isekai genre because it is a yuri series, with the protagonists not trapped in the other world, but can easily move from the real world to the fictional world known as the Otherside, with the danger within the Otherside, which is "populated by monsters from Japanese urban legends" which can't be killed unless someone looks directly  at them. Alton further says the two protagonists standout in the genre, with Sorawo as a college student who "keeps to herself" and Toriko who is experienced at using a gun, something which violates existing Japanese law, which tightly controls firearms. Alton concludes by saying that while the anime falls into the isekai genre, it is different "from the usual high fantasy adventures in empowerment." Others have praised the anime, along with Moyasimon and Genshiken, saying that this prove that college anime can "offer a different take on "coming of age" storylines than the standard high school tropes" while focusing  on "serious adult issues" like interpersonal conflict, struggles over identity, and mental health. Additionally, Christopher Farris reviewed the anime's fourth episode for Anime News Network, noting that the vibes and ideas of the episode fit the series, while pointing to inconsistencies with the storytelling, and stating that within the theme of fear, everything else "works wonderfully", praising the sound design and how it taps into people's fears. Jordan Ramée of GameSpot praised the anime for starring adults, unlike most anime, calling it a "a refreshingly wonderful series" which has a "pretty cute and wholesome romance." Erica Friedman had  a mixed view of "Otherside Picnic", which she reviewed on her blog, "Okazu". She praised the novel series as "an overt mix of Japanese netlore, science fiction, action and horror tropes and a big scoop of Yuri", but she was a "little disappointed" in the anime, specifically criticizing the animation style, disliking what she described as "comedy-action" in the series, and the pacing. Even so, she called the anime "very enjoyable" and praised the voice acting as "superb". Ultimately, she called the animation "unsatisfying", said the story was not "compelling", criticized what she saw as "pointless service" in the  series, and said that the anime "feels like a children's version of the novels", giving the anime an overall rating of 7 out of 10. Silverman reviewed the "Otherside Picnic" manga for Anime News Network, writing that it does not have "some of the issues that plagued the anime version," with more of a focus on horror, and gives readers "a little more yuri," saying it tells a unique story while "remaining true to the source novels." She argued that it feels like a "a statement on the isekai craze of recent years," and concluded it was a "solid  adaptation...worth reading all on its own."