Louise Meriwether
Louise Meriwether (born May 8, 1923) is an American novelist, essayist, journalist and activist, as well as a writer of biographies of historically important African Americans for children. She is best known for her first novel, "Daddy Was a Number Runner" (1970), which draws on autobiographical elements about growing up in Harlem during the Depression and in the era after the Harlem Renaissance. Early life and education. She was born in Haverstraw, New York, to the married couple Marion Lloyd Jenkins and Julia Jenkins. After the stock market crash of October 1929, her parents had migrated north in  search of work, from South Carolina, where her father was a painter and bricklayer and her mother worked as a domestic. Meriwether grew up in Harlem during the great depression, the only daughter and the third of five children. She graduated from Central Commercial High School in Manhattan and then, while working as a secretary, studied at night for a B.A. degree in English from New York University. She went on to earn an M.A. in journalism in 1965 from the University of California, Los Angeles, where she moved with her first husband, Angelo Meriwether, a Los Angeles teacher. Although  this marriage, as well as her second marriage to Earle Howe, ended in divorce she continued to use the name Meriwether. She worked as a freelance reporter (1961–64) for the "Los Angeles Sentinel" and a black story analyst (1965–67) for Universal Studios, the first black woman hired as a story editor in Hollywood. While still living in Los Angeles, working with the Watts Writers Workshop, Meriwether was approached to be editor-in-chief of a new magazine for Black women called "Essence" but she declined, saying she preferred to write for them, her article "Black Man, Do You Love Me ?" appearing as the cover story for the magazine's first issue in May 1970. Writing. In 1970 she published her first and most successful book, "Daddy Was a Number Runner" (with a foreword by James Baldwin), a novel that uses autobiographical elements about growing up in Harlem during the Depression and in the era after the Harlem Renaissance, is considered a classic. In the words of Paule Marshall: "The novel's greatest achievement lies in the sense of black life that it conveys: vitality and force behind the despair. It celebrates the positive values behind the black experience: the tenderness  and love that often lie underneath the abrasive surfaces of relationships...the humor that has long been an important part of the black survival kit, and the heroism of ordinary folk...a most important novel." Becoming part of a group of young New York-based writer friends that included Rosa Guy and Maya Angelou, Meriwether has recalled: "We partied. All over. Wherever we were, we partied. ...Then, of course, we got our work done. We believed in enjoying ourselves and enjoying each other." Meriwether began writing biographies for children about historically important African Americans — including Robert Smalls, Daniel Hale Williams , and Rosa Parks — and has explained: "After publication of my first novel ... I turned my attention to black history for the kindergarten set, recognizing that the deliberate omission of Blacks from American history has been damaging to the children of both races. It reinforces in one a feeling of inferiority and in the other a myth of superiority." Her short stories have appeared in "Antioch Review" and "Negro Digest", as well as in anthologies including "Black-Eyed Susans: Classic Stories by and About Black Women" (ed. Mary Helen Washington, 1975), "Confirmation: An Anthology of African American Women" (eds Amina Baraka  & Amiri Baraka, 1983), "The Other Woman" (ed. Toni Cade Bambara, 1984) and "Daughters of Africa" (ed. Margaret Busby, 1992). Meriwether has also taught creative writing at Sarah Lawrence College and at the University of Houston. She has been awarded grants from the National Endowment for the Arts, the Mellon Foundation, the New York State Council on the Arts and the Rabinowitz Foundation. Activism. Meriwether has over the years been involved with various organized black causes, including the founding, with John Henrik Clarke, of the anti-Apartheid group Black Concern (originally the Committee of Concerned Blacks), the Harlem Writers Guild, and  (with Vantile Whitfield) the Black Anti-Defamation Association (BADA; also known as Association to End Defamation of Black People) that was formed to prevent Twentieth Century Fox's producer David L. Wolper from making a film of William Styron's controversial 1967 novel "The Confessions of Nat Turner", which misinterpreted African-American history. She has been active in the peace movement for most of her life. In her own words, when she was a named as a recipient of the Clara Lemlich Award for Social Activism in 2011: I am a writer, and also a dedicated activist and peacenik. In  New York City in my twenties I was chapter chairman of my union, marching in May Day Parades and having rotten eggs thrown at my head. In Los Angeles I was arrested in a sit-in against the racist Birch Society and sentenced to five years probation. In Bogalusa, Louisiana, I worked with the Congress of Racial Equality (CORE); back in New York I was instrumental in keeping Muhammad Ali, then world's heavyweight champion, from fighting in South Africa and breaking a cultural boycott. In Washington, D.C., I was arrested in 2002 in a protest against the disastrous policies  of the World Bank and the IMF. Back in New York I was active in several forums breaking the silence about the rampant rape in the Congo and the multinational corporations and countries involved. Last year I helped set up a forum at Riverside Church on the Abolition of Nuclear Weapons." Meriwether is an executive board member of the Organization of Women Writers of Africa, Inc. (OWWA), an NGO co-founded in 1991 by Jayne Cortez and Ama Ata Aidoo "for the purpose of establishing links between professional African women writers".