Sadasiva Temple, Nuggehalli
The Sadasiva temple at Nuggehalli is a 13th-century Shiva temple with Hoysala architecture in Nuggehalli village, Hassan district, Karnataka, India. The temple is one of the best illustrations of the Hoysala era Nagara temple with the stellate style, remarkable for its octagonal star configuration with clean, simple aesthetics. The brilliant synthesis of South Indian ideas with North Indian architectural plan makes it a special monument. It is also notable for its artwork that depicts legends of Shaivism, Vaishnavism, Shaktism and Vedic deities together. Location and date. The Sadasiva Temple is located in Nuggehalli, (also spelled "Nuggihalli ), a town in the Hassan district of Karnataka, India. It is to the east of Lakshmi Narasimha temple and closer to the historic water reservoir to the northeast of the village. The town was called Vijaya Somanathapura in ancient times and gained importance as an agrahara" (place of learning) during the time of Bommanna Dandanayaka. The Sadasiva temple is a fine example of "Hoysala nagara" style of architecture with "Bhumija" type superstructure. It was completed in c.1249 by Bommanna Dandanayaka, a commander in the Hoysala Empire during the rule of King Vira Someshwara. Architecture and furnishings. This unusual Hoysala temple  combines "ekakuta" ("one superstructure and shrine") architecture with a "nagara" (north Indian) styled tower. The Vimana has a stellate plan with an octagonal star configuration. Each bhadra follows this same rhythm. Merged with the Vimana is the square "gudha-mandapa" flourished with orthogonal "ratha". Thus, the "sthanapati" and "shilpins" (architect and artisans) were able to exhaustively and successfully create a "highly sophisticated rotating shape far beyond the innovations found in Chalukyan architecture" of the previous centuries, states Dhaky, a scholar of temple architecture and history. The temple is quasi-Bhumija with South Indian ideas on the rotating square principle of  Hindu architecture. This synthesis creates a symphony in geometric configuration of its stellate base and the outer walls, all the way to the North Indian style "shikhara". The shrine's walls and the "mantapa" have austere appearance, with no sculptural decoration. Yet the successful integration of the Nagara quasi-Bhumija architecture with South Indian flourish makes this temple one of the most important Hoysala monuments in architectural context. The temple is built on a "jagati" (platform) and the building material used is Soapstone (green–chloritic schist). It has a large "linga" (the universal symbol of the god Shiva) in its  sanctum and an equally large and extremely well carved Nandi in a closed hall with walls that have perforated stone windows. The temple also has a unique life-size standing image of the goddess Parvati (consort of Shiva). The images of the "navagraha" ("lit", "nine planets") facing each other is another unique feature. There are two images of the god Ganesha (son of Shiva), one outside the sanctum and the other at the entrance to the sanctum housing the goddess Parvati. In the common hall are the intricately carved independent images (not in frieze) of deities from the Hindu pantheon  that are noteworthy: Chamundeshwari (one of seven Saptamatrikas, Shaktism), Kartikeya and Ganesha (sons of Parvati and Shiva), Kala Bhairava (a ferocious form of Shiva), a set of images depicting the different incarnations ("avatars") of Vishnu, Parvati, and Surya (the Sun god).