Who's on First?
"Who's on First?" is a comedy routine made famous by American comedy duo Abbott and Costello. The premise of the sketch is that Abbott is identifying the players on a baseball team for Costello. However, the players' names can simultaneously serve as the basis for questions (e.g., ""Who" is the first baseman?") and responses (e.g., "The first baseman's name is ""Who"."), leading to repeated misinterpretations and growing frustration between the performers. History. "Who's on First?" is descended from turn-of-the-century burlesque sketches that used plays on words and names. Examples are  The Baker Scene (the shop is located on Watt Street) and "Who Dyed" (the owner is named "Who"). In the 1930 movie "Cracked Nuts", comedians Bert Wheeler and Robert Woolsey examine a map of a mythical kingdom with dialogue like this: "What is next to Which." "What is the name of the town next to Which?" "Yes." In British music halls, comedian Will Hay performed a routine in the early 1930s (and possibly earlier) as a schoolmaster interviewing a schoolboy named Howe, who came from Ware, but now lives in Wye. By the early 1930s, a "Baseball Routine" had become  a standard bit for burlesque comics across the United States. Abbott's wife recalled him performing the routine with another comedian before teaming with Costello. Bud Abbott stated that it was taken from an older routine called "Who's The Boss?", a performance of which can be heard in an episode of the radio comedy program "It Pays to Be Ignorant" from the 1940s. After they formally teamed up in burlesque in 1936, he and Costello continued to hone the sketch. It was a big hit in the fall of 1937, when they performed the routine in a touring vaudeville  revue called "Hollywood Bandwagon". In February 1938, Abbott and Costello joined the cast of "The Kate Smith Hour" radio program, and the sketch was first performed for a national radio audience on March 24 of that year. The routine may have been further polished before this broadcast by burlesque producer John Grant, who became the team's writer, and Will Glickman, a staff writer on the radio show. Glickman may have added the nicknames of then-contemporary baseball players like Dizzy and Daffy Dean to set up the routine's premise. This version, with extensive wordplay based on the fact  that most of the fictional baseball team's players had "strange nicknames" that seemed to be questions, became known as "Who's on First?" Some versions continue with references to Enos Slaughter, which Costello misunderstands as "He knows" Slaughter. By 1944, Abbott and Costello had the routine copyrighted. Abbott and Costello performed "Who's on First?" numerous times in their careers, rarely performing it exactly the same way twice. They did the routine for President Franklin Roosevelt several times. An abridged version was featured in the team's 1940 film debut, "One Night in the Tropics". The duo reprised the  bit in their 1945 film "The Naughty Nineties", and it is that longer version which is considered their finest recorded rendition. They also performed "Who's on First?" numerous times on radio and television (notably in "The Abbott and Costello Show" episode "The Actor's Home", widely considered the definitive version). In 1956, a gold record of "Who's on First?" was placed in the National Baseball Hall of Fame and Museum in Cooperstown, New York. A video (taken from "The Naughty Nineties") now plays continuously on screens at the Hall. In the 1970s, Selchow and Righter published a "Who 's on First?" board game. In 1999, "Time" named the routine Best Comedy Sketch of the 20th Century. An early radio recording was placed in the Library of Congress's National Recording Registry in 2003. In 2005, the line "Who's on First?" was included on the American Film Institute's list of 100 memorable movie quotations. Sketch. The names given in the routine for the players at each position are: The name of the shortstop is not given until the very end of the routine, and the right fielder is never identified. In the Selchow and Righter board game , the right fielder's name is "Nobody". At one point in the routine, Costello thinks that the first baseman is named "Naturally": Abbott's explanations leave Costello hopelessly confused and infuriated, until the end of the routine when Costello appears to parody Abbott by saying what appears to be gibberish to him, accidentally getting it right: That is the most commonly heard ending. "I Don't Care" and "I Don't Give a "Damn"" have also turned up on occasion, depending on the perceived sensibilities of the audience. (The performance in the film "The Naughty Nineties" ends with "I Do n't Care.") The skit was usually performed on the team's radio series at the start of the baseball season. In one instance it serves as a climax for a broadcast which begins with Costello receiving a telegram from Joe DiMaggio asking Costello to take over for him due to his injury. (In this case, the unidentified right fielder would have been Costello himself. While Joe DiMaggio was best known as a center fielder, when Abbott and Costello honed the sketch in 1936–37, Joe DiMaggio had played a number of games at right field (20 in 1936).) Writing credit. Writing  credits for the sketch are unknown though, over the years, numerous people have claimed or been given credit for it. Such claims typically lack reasonable corroboration. For example, a 1993 obituary of comedy sketch writer Michael J. Musto states that, shortly after Abbott and Costello teamed up, they paid Musto $15 to write the script. Furthermore, several 1996 obituaries of songwriter Irving Gordon mention that he had written the sketch. Copyright infringement case. In 2015, the heirs of Abbott and Costello filed a federal copyright infringement lawsuit in the Southern District of New York claiming unauthorized use of over  a minute of the comedy routine in the play "Hand to God". The lawsuit was filed against the playwright Robert Askins, the producers and the promoters. The defense claimed that the underlying "Who's On First?" routine was in the public domain because the original authors, Abbott and Costello, were not the ones who filed a copyright renewal, but the court did not see the need to make a final determination on that. The court ruled against the heirs, saying that the use by the play was transformative fair use. The heirs appealed, eventually to the US Supreme Court, which , in 2017, declined to review the case. Derivatives and references in popular culture. The sketch has been reprised, updated, alluded to, and parodied many times over the decades in all forms of media. Some examples include: