James Mason
James Neville Mason (; 15 May 190927 July 1984) was an English actor. He achieved considerable success in British cinema before becoming a star in Hollywood. He was the top box-office attraction in the UK in 1944 and 1945; his British films included "The Seventh Veil" (1945) and "The Wicked Lady" (1945). He starred in "Odd Man Out" (1947), the first recipient of the BAFTA Award for Best British Film. Mason starred in such films as George Cukor's "A Star Is Born" (1954), Alfred Hitchcock's "North by Northwest" (1959), Stanley Kubrick's "Lolita" (1962), Warren Beatty 's "Heaven Can Wait" (1978), and Sidney Lumet's "The Verdict" (1982). He also starred in a number of successful British and American films from the 1950s to the early 1980s, including: "" (1951), "Julius Caesar" (1953), "Bigger Than Life" (1956), "20,000 Leagues Under the Sea" (1954), "Journey to the Center of the Earth" (1959), "Georgy Girl" (1966), and "The Boys from Brazil" (1978). Mason was nominated for three Academy Awards, three Golden Globes (winning the Golden Globe in 1955 for "A Star is Born") and two BAFTA Awards throughout his career. Following his death in 1984, his ashes were interred  near the tomb of his close friend, fellow English actor Sir Charlie Chaplin. Early life, family, and education. Mason was born on 15 May 1909, in Huddersfield, in the West Riding of Yorkshire, the youngest of three sons of John Mason and Mabel Hattersley, daughter of J. Shaw Gaunt. A wealthy wool merchant like his own father before him, John Mason travelled a good deal on business, mainly in France and Belgium; Mabel – who was "uncommonly well-educated" and had lived in London to study and begin work as an artist before returning to Yorkshire to care for her father  – was "attentive and loving" in raising her sons. The Masons lived in a house in its own grounds on Croft House Lane in Marsh, which was replaced in the mid 1970s by flats called Arncliffe Court. A small residential development opposite where the house once stood is now called James Mason Court. Mason was educated at Marlborough College, and earned a first in Architecture at Peterhouse, Cambridge, where he became involved in stock theatre companies in his spare time. He had no formal training in acting and initially embarked upon it for fun. Career. 1931-1939: Early acting roles. 1931 -1933: Early stage work After Cambridge, Mason made his stage debut in Aldershot in "The Rascal" in 1931. He joined the Old Vic theatre in London under the guidance of Tyrone Guthrie. While there he appeared in productions of "The Cherry Orchard", "Henry VIII", "Measure for Measure", "The Importance of Being Earnest", "Love for Love", "The Tempest", "Twelfth Night", and "Macbeth". Featuring in many of these were Charles Laughton and Elsa Lanchester. In the mid-1930s he also appeared at the Gate Theatre, Dublin, notably in "Pride and Prejudice" with Betty Chancellor. In 1933 Alexander Korda gave Mason a small role  in "The Private Life of Don Juan" but sacked him three days into shooting. 1935-1939: Early films From 1935 to 1938, he starred in many British quota quickies, starting with his first film "Late Extra" (1935), in which he played the lead. Albert Parker directed. Mason appeared in "Twice Branded" (1936); "Troubled Waters" (1936), also directed by Parker; "Prison Breaker" (1936); "Blind Man's Bluff" (1936), for Parker's "The Secret of Stamboul" (1936), and "The Mill on the Floss" (1936), an "A" movie. Mason had a key support role in Korda's "Fire Over England" (1937) with Laurence  Olivier and Vivien Leigh. He was in another "A", "The High Command" (1937) directed by Thorold Dickinson, then went back to quickies, starring in "Catch As Catch Can" (1937), directed by Roy Kellino. Korda cast him as the villain in "The Return of the Scarlet Pimpernel" (1937) 1938-1939: Television Mason began appearing in some televised productions of plays, made in the very early days of television: "Cyrano de Bergerac" (1938), "The Moon in the Yellow River" (1938), "Bees on the Boat-Deck" (1939), "Square Pegs" (1939), "L’Avare" (1939), and "The Circle" (1939). He returned to features with "I Met  a Murderer" (1939) based on a story by Mason and Pamela Kellino, who also starred with Mason and whom he would marry. Her husband Roy Kellino directed. 1941-1947: Leading man status. Second World War He registered as a conscientious objector during World War II (causing his family to break with him for many years) but his tribunal did not exempt him on the requirement to do non-combatant military service, which he also refused to perform. He appealed against that aspect of the tribunal’s decision. His appeal became irrelevant once he was included in a general exemption for  film work. In 1941–42 he returned to the stage to appear in "Jupiter Laughs" by A. J. Cronin. He established himself as a leading man in Britain in a series of films: "The Patient Vanishes" (1941); "Hatter's Castle" (1941) with Robert Newton and Deborah Kerr; "The Night Has Eyes" (1941); "Alibi" (1942) with Margaret Lockwood; "Secret Mission" (1942); "Thunder Rock" (1942) with Michael Redgrave; and "The Bells Go Down" (1943) with Tommy Trinder. Mason became hugely popular for his brooding anti-heroes, and occasional outright villains, in the Gainsborough series of melodramas of the 1940s, starting with "The Man  in Grey" (1943). The film was a huge hit and launched him and co-stars Lockwood, Stewart Granger and Phyllis Calvert, to top level stars. Mason starred in two war time dramas, "They Met in the Dark" (1943) and "Candlelight in Algeria" (1944), then returned to Gainsborough melodrama with "Fanny By Gaslight" (1944) with Granger and Calvert; it was another big hit. Mason starred in "Hotel Reserve" (1944), a thriller, then did a ghost story for Gainsborough with Lockwood, "A Place of One's Own" (1945). Far more popular was a melodrama, "They Were Sisters" (1945). Sydney Box cast Mason  in a psychodrama about musicians, "The Seventh Veil" (1945) as the tyrannical guardian of pianist Ann Todd. It was a huge success in Britain and the US and demand for Mason was at a fever pitch. Exhibitors voted him the most popular star in Britain in each year between 1944 and 1947. They also thought he was the most popular international star in 1946; he dropped to second place the following year. He was the most popular male star in Canada in 1948. Mason had a relatively minor role in "The Wicked Lady" (1945) with Lockwood, a big hit. Mason  then received his best reviews to date playing a mortally wounded IRA bank robber on the run in Carol Reed's "Odd Man Out" (1947). Mason was able to turn producer on a film with Box, written by his wife and starring Mason, "The Upturned Glass" (1947). It was not particularly successful. Neither was "Bathsheba", a play he and his wife did on Broadway. 1949-1957: Hollywood stardom. Mason went to Hollywood where his first film was "Caught" (1949), directed by Max Ophüls. He played Gustave Flaubert in MGM's "Madame Bovary" (1949). Mason did another with Ophüls, "The Reckless  Moment" (1949), then did "East Side, West Side" (1949) with Barbara Stanwyck at MGM and "One Way Street" (1950) at Universal. He made "Pandora and the Flying Dutchman" (1951) with Ava Gardner. None of these films was particularly successful. Films at 20th Century Fox Mason's Hollywood career was revived when cast as General Rommel in "" (1951), directed by Henry Hathaway. To do the film he agreed to sign a contract with 20th Century Fox for seven years at one film a year. Mason did a film at Republic Pictures written by his wife and directed by Roy Kellino, "Lady  Possessed" (1951). At Fox he played a spy in "5 Fingers" (1951) directed by Joseph L. Mankiewicz. MGM hired him to play Rupert of Hentzau in "The Prisoner of Zenda" (1952) opposite Granger. He was in the lower budgeted "Face to Face" (1952) then went to Paramount to play a villainous sea captain opposite Alan Ladd in "Botany Bay" (1953). Mason was one of many stars in MGM's "The Story of Three Loves" (1953). At Fox he reprised his role as Rommel in "The Desert Rats" (1953), then he was reunited with Mankiewicz at MGM, playing Brutus in "Julius  Caesar" (1953), opposite Marlon Brando. The film was very successful. Mason worked with Carol Reed in "The Man Between" (1953), then Fox used him as a villain again in "Prince Valiant" (1954). Mason did another film with a screenplay by his wife and directed by Roy Kellino, "Charade" (1954). Warner Bros., hired him to play Judy Garland's leading man in "A Star Is Born" (1954) after Cary Grant turned the role down. Mason won the Golden Globe Award for Best Actor – Motion Picture Musical or Comedy and was nominated for the Academy Award for Best Actor. He went over  to Disney to play Captain Nemo in "20,000 Leagues Under the Sea" (1954), a huge hit which also starred Kirk Douglas. During 1954 and 1955, Mason was the host of some episodes of "Lux Video Theatre" on CBS television. Mason appeared with Lucille Ball and Desi Arnaz in "Forever, Darling" (1956) then starred in and produced a film at Fox, "Bigger Than Life" (1956), directed by Nicholas Ray. Mason played a small-town school teacher driven insane by the effects of cortisone. He did another for Fox, the hugely popular melodrama, "Island in the Sun" (1957). 1958-1962: Television and  film roles. Mason began appearing regularly on television in shows such as "Panic!", "General Electric Theater", "Schlitz Playhouse", "Goodyear Theatre" and "Playhouse 90" (several episodes including "John Brown's Raid"). He starred in two thrillers for Andrew L. Stone, "Cry Terror!" (1958) and "The Decks Ran Red" (1958) then played a suave master spy hunting down Cary Grant with romantic assistance from Eva Marie Saint in "North by Northwest" (1959), directed by Alfred Hitchcock At Fox he had a huge hit returning to Jules Verne science fantasy as the determined Scottish scientist and explorer in "Journey to the Centre of  the Earth" (1959), taking over a role meant for Clifton Webb. He did a comedy "A Touch of Larceny" (1960) and was Sir Edward Carson in "The Trials of Oscar Wilde" (1960). He continued to appear on TV shows like "The DuPont Show with June Allyson", "Golden Showcase", "Theatre '62" and "The Alfred Hitchcock Hour". He did "The Marriage-Go-Round" (1961), then played Humbert Humbert in Stanley Kubrick's version of "Lolita" (1962). He starred in "Tiara Tahiti" (1962), then "Hero's Island" (1962), which he also produced. He was in "Torpedo Bay" (1963). 1963-1970: Supporting roles. In  1963 Mason settled in Switzerland, and embarked on a transatlantic career. He began to drift into support roles, or second leads: the epic "The Fall of the Roman Empire" (1964); "The Pumpkin Eater" (1964), with Anne Bancroft; a river pirate who betrays Peter O'Toole's character in "Lord Jim" (1965); a Chinese noble in "Genghis Khan" (1965); "The Uninhibited" (1965); a guest role on "Dr Kildare"; James Leamington in the Swinging London-set "Georgy Girl" (1966), a role that earned him a second Academy Award nomination, this one for Best Actor in a Supporting Role. In 1967, Mason narrated the  documentary "The London Nobody Knows". An ardent cinephile on top of his career interests, Mason narrated two British documentary series supervised by Kevin Brownlow: "Hollywood" (1980), on the silent cinema and "Unknown Chaplin" (1983), devoted to out-take material from the films of Sir Charlie Chaplin. Mason had been a long-time neighbour and friend of the comedian. In the late 1970s, Mason became a mentor to up-and-coming actor Sam Neill. He was in several episodes of "ITV Play of the Week" and he had the lead in "The Deadly Affair" (1967) for Sidney Lumet (playing a character  based on George Smiley though it was renamed); and "Stranger in the House" (1968). He provided a supporting role in "Duffy" (1968), "The Blue Max (1966)" and "Mayerling" (1968) but was top billed in "The Sea Gull" (1968) for Sidney Lumet and starred as Bradley Morahan in "Age of Consent" (1969) for Michael Powell, a film which Mason also produced. The movie featured Helen Mirren's first major film role, and was Powell's last major film. He also had the star role in "Spring and Port Wine" (1970). 1970-1979: Continued film roles. Mason supported Charles Bronson in "Cold  Sweat" (1970) and Lee Van Cleef in "Bad Man's River" (1971). He was a support in "Kill! Kill! Kill! Kill!" (1971) and top billed in "Child's Play" (1972) for Lumet, replacing Marlon Brando. He was one of many stars in "The Last of Sheila" (1973) and played the evil Doctor Polidori in "" (1973). He had support roles in "The MacKintosh Man" (1973), "11 Harrowhouse" (1974), "The Marseille Contract" (1974), and "Great Expectations" (1974) and was top billed in "Mandingo" (1975). Mason's later 70s performances included "Kidnap Syndicate" (1975), "The Left Hand of the Law" (1975), "Autobiography of  a Princess" (1975), "Inside Out" (1975), "The Flower in His Mouth" (1975), "Voyage of the Damned" (1976), "Hot Stuff" (1977), "Cross of Iron" (1977), "Jesus of Nazareth" (1977), "The Yin and the Yang of Mr. Go" (1978), "The Water Babies" (1978), "Heaven Can Wait" (1978), "The Boys from Brazil" (1978), "Murder by Decree" (1979) (as Watson), "The Passage" (1979), "Bloodline" (1979) and as the vampire's servant, Richard Straker, in "Salem's Lot" (1979). 1980-1985: Final film roles. Mason was in "North Sea Hijack" (1980), supporting Roger Moore, "Evil Under the Sun" (1982), "Ivanhoe" (1982), and "A Dangerous Summer  (1982). One of his last roles, that of the corrupt lawyer Ed Concannon in The Verdict" (1982), opposite Paul Newman, earned him his third and final Oscar nomination, for Best Actor in a Supporting Role. He had parts in "Yellowbeard" (1983), "Alexandre" (1983), and "George Washington" (1984). Having completed playing the lead role in "Dr. Fischer of Geneva" (1985), adapted from Graham Greene's eponymous novella for the BBC, he stepped into the role in "The Shooting Party" originally meant for Paul Scofield, who was unable to continue after being seriously injured in an accident on the first day of  shooting. This was to be Mason's final screen performance in a feature film. He did appear on TV in "A.D." (1985) and "The Assisi Underground" (1985). Personal life. Mason was a devoted lover of animals, particularly cats. He and his wife, Pamela Mason, co-authored the book "The Cats in Our Lives", which was published in 1949. James Mason wrote most of the book and also illustrated it. In "The Cats in Our Lives", he recounted humorous and sometimes touching tales of the cats (as well as a few dogs) he had known and loved. In 1952, Mason purchased  a house previously owned by Buster Keaton. He discovered reels of nitrate film thought to have been lost, stored in the house and produced by the comedian, such as "The Boat" (1921). Mason arranged to have the decomposing films transferred to safety stock and thus saved them from oblivion. In his youth, Mason was a keen fan of his local Rugby League team, Huddersfield. In later years he also began to follow the fortunes of Huddersfield Town. Mason was married twice: Mason's autobiography, "Before I Forget", was published in 1981. Death. Mason survived a severe heart attack in 1959 . He died as result of another heart attack on 27 July 1984 in Lausanne, Switzerland, and was cremated. Mason left his entire estate to his second wife, Clarissa Kaye, but his will was challenged by his two children. The lawsuit had not been settled when she died on 21 July 1994 from cancer. Clarissa Kaye Mason left her holdings to the religious guru Sathya Sai Baba, including the actor's ashes, which she had retained in their shared home. Mason's children sued Sai Baba and subsequently had Mason's ashes interred in Corsier-sur-Vevey, Vaud, Switzerland. The remains  of Mason's friend Charlie Chaplin are in a tomb a few steps away. Mason's children specified that his headstone read: "Never say in grief you are sorry he's gone. Rather, say in thankfulness you are grateful he was here", words that were spoken to Portland Mason by U.S. Senator Ted Kennedy after the actor's death.