Alethea Arnaquq-Baril
Alethea Arnaquq-Baril (born May 9, 1978) is an Inuk filmmaker, known for her work on Inuit life and culture. She is the owner of Unikkaat Studios, a production company in Iqaluit, which produces Inuktitut-language films. She was awarded the Canadian Meritorious Service Cross, in 2017 in recognition of her work as an activist and filmmaker. She currently works part-time at the Qanak Collective, a social project which supports Inuit empowerment initiatives. Early life. Alethea Arnaquq-Baril was born and raised in modern-day Iqaluit, Nunavut Territory, Canada. Her mother is an Inuk teacher with  a Masters in Education and her father was a radio broadcaster with the Canadian Broadcasting Corporation (CBC), and later a senior manager in Information Technology. Arnaquq-Baril began studying mathematics at the University of Waterloo, Ontario, intending to be a video game designer. Her interest in story telling led her to transfer to Sheridan College in Ontario, where she graduated from the college's Institute of Technology and Advanced Learning's program in illustration. Arnaquq-Baril also completed animation training at the Banff Centre in a program offered by the National Film Board of Canada. In 2011, Arnaquq-Baril was  interviewed by CBC about her work: "The Inuit culture is primarily an oral culture, there is little written in Inuktitut about the past and she feels compelled to record it 'while the last elders that traditionally lived on the land are still alive'". Film career. Arnaquq-Baril began her film career as a producer with the documentary "James Houston: The Most Interesting Group of People You'll Ever Meet" (2008) and as co-producer of "The Experimental Eskimos" (2009). She wrote and directed her first film, an animated short film sponsored by the National Film Board of Canada (NFB), titled  Lumaajuuq: The Blind Boy and the Loon, which was released in 2009. Arnaquq-Baril subsequently wrote a children's book based on the film with illustrator, Daniel Gies. The book is titled "The Blind Boy and the Loon" and was published in 2014. It is available in English and Inuktitut. Arnaquq-Baril directed her first full-length film, "Tunnit: Retracing the Lines of Inuit Tattoos" (2010), a personal documentary about her journey to explore the lost tradition of Inuit facial tattoos. Between 2011 and 2018, Arnaquq-Baril has worked on five other films in various roles as producer, director and  screenwriter. She produces Inuit cultural documentaries and Inuktitut-language films through her own production company, Unikkaat Studios. She also previously co-owned Tajarniit Productions, a collaborative project with Inuit women filmmakers Myna Ishulutak, Jolene Arreak and Stacey Aglok MacDonald. She was named by the Toronto International Film Festival as one of Canada's most important women filmmakers in 2017. Angry Inuk won the DOC Vanguard award, the Vimeo On Demand Audience Award and the Canadian Documentary Promotion Award, among others. In 2017, Arnaquq-Baril was awarded Canada's Meritorious Service Cross, , "in recognition of her work as an activist and  filmmaker". She currently works part-time with the Qanak Collective, which supports Inuit empowerment projects. Section::::"Lumaajuuq: The Blind Boy and the Loon" (2009). The animated, short film "Lumaajuuq: The Blind Boy and the Loon", is an adaption of a traditional Inuit story about a widowed mother who takes out her sorrow on her only son and treats him cruelly. Once a great hunter, the son is now blind. He later travels to a lake where a loon reveals to him that it was his mother who cursed away his sight. With the loon's help, the young man regains his  vision. Overcome with his own rage, the young man seeks revenge and his actions bring him lifelong suffering. The film won best Canadian Short Drama at the imagineNATIVE festival in 2010 as well as the Golden Sheaf Award for Best Aboriginal category at the Yorkton Film Festival. Section::::"Tunniit: Retracing the Lines of Inuit Tattoos" (2010). The documentary "Tunniit: Retracing the Lines of Inuit Tattoos", examines the tradition of face tattooing among Inuit women, now forbidden and nearly forgotten. Arnaquq-Baril embarks on a personal journey, interviewing members of the Inuit community. Meeting resistance from some of her fellow Inuit, she  eventually finds a number of elders willing to talk about the tattoos, and learns about the dramatic cultural changes that led to their decline." Section::::"Inuit High Kick (2010)". Arnaquq-Baril directed "Inuit High Kick", a 2:48 documentary of Inuk athlete Johnny Issaluk performing a one-foot high kick in slow motion. The documentary was produced as part of the cultural celebrations for the Vancouver 2010 Olympics. Section::::"Aviliaq: Entwined" (2014). Arnaquq-Baril released the short film "Aviliaq: Entwined" in 2014. A drama set in the 1950s Arctic, it tells the story of two Inuit lesbians struggling to stay together after one  of them marries. The film addresses the issues of sexuality and family structure in the Inuit culture during a period of colonization. Section::::"Angry Inuk" (2016). "Angry Inuk" is a full-length film which examines the important role of seal hunting in Inuit culture and the negative impact that activist organizations trying to stop the seal hunt have had on the lives of the Inuit people. The film premiered at the Hot Docs Canadian International Documentary Festival, where the film received the Vimeo On Demand Audience Award along with the Canadian Documentary Promotion Award. It has since screened at many film  festivals. On December 1, 2016, Arnaquq-Baril received the DOC Vanguard Award from the Documentary Organization of Canada."Angry Inuk" was also included in the list of "Canada's Top Ten" feature films of 2016, selected by a panel of filmmakers and industry professionals organized by TIFF, where it also won the Audience Choice Award. Activism. Arnaquq-Baril advocates for the continuation of the Arctic seal hunt.