Denise Calls Up
Denise Calls Up is a 1996 American comedy released by Sony Pictures Classics in 1996. Written and directed by Hal Salwen, it has an ensemble cast which includes Liev Schreiber, Timothy Daly, and Alanna Ubach. The plot revolves around a group of friends in New York City who, while working at their PCs and laptops and keeping in touch by phone and fax, never seem to be able to get together. Synopsis. Linda (Aida Turturro) wakes up one morning to her ringing phone. Her friend, Gale (Dana Wheeler Nicholson) wants to know how her party went last  night. To her dismay, Linda tells her that no one showed up. "Not a one." Thus begins "Denise Calls Up", the story of seven friends living in New York City who no longer find it necessary to actually meet face to face due to the new age of the internet and wireless phones. But Gale is less upset about the absolute absenteeism, than about the fact that her friend Barbara (Caroleen Feeney) never got to meet Jerry (Liev Schreiber). Gale has been trying to set them up. So she calls Barbara, chastising her for not making it to Linda's  and goading her into meeting Jerry. After protesting that she's just been too busy, Barbara eventually acquiesces. Meanwhile, Denise (Alanna Ubach), who has gotten pregnant by an anonymous sperm insemination, locates the donor, Martin (Dan Gunther) and decides to call him. And so it goes, as the characters, via phone and fax, duck and miss each other time after time, using one excuse after the other to avoid meetings, births, and even a funeral until, finally, Frank (Tim Daly) determined to finally get everyone together, plans a New Year's Eve party. All swear that they will be there . Reception. Rotten Tomatoes rated the film as "Certified Fresh" giving it a 77% positive rating based on 22 reviews. Janet Maslin of The New York Times wrote: "Mr. Salwen's storytelling gambit may sound like a stunt, but he does a remarkably agile job of sustaining it throughout a sunny 80-minute comedy." Stanley Kauffman of The New Republic wrote, "After a while, besides enjoying the stories as such, we begin to enjoy the film's trickiness, almost all on the phone, as a sort of high-wire act."