Hilda Belcher
Hilda Belcher (September 20, 1881 – April 27, 1963) was an American artist known for her paintings, watercolors, portraits, and illustrations depicting individuals and landscapes, both in formal portraiture and in casual scenes of children and daily life. She was the second woman to be accepted into the National Academy of Design. In 1935, Anne Miller Downes, a reviewer for "The New York Times", called Belcher was "one of the most distinguished women artists in America". Early years and education. Born in Pittsford, Vermont, in 1881, Belcher was the oldest child of Martha Wood Belcher, an artist, and Stephen  Paterson Belcher, a manufacturer of stained glass. When she was a teenager, the family relocated to Newark, New Jersey, but retained their home in Vermont. Belcher graduated from Newark High School in 1900. She later moved to New York City where she attended the New York School of Art. She studied with William Merritt Chase, Kenneth Hayes Miller, George Bellows and Robert Henri. She also attended the Art Students League of New York, where she later taught from 1910 to 1912 and again from 1918 to 1921. Career. After the death of her father in 1906, Belcher lived with her  mother. In 1907, Belcher submitted "The Checkered Dress", which may be an early portrait of Georgia O'Keeffe, to the New York Water Color Club. She became a member, and the painting was reproduced in the "International Studio" journal. Grace Conkling's poem "To the Lady in the checkered dress" lauds the choice of both lady and painter, asking "Did you dream, could you know / Snow and shadow upon snow / Thus could lend fantastic grace / To your subtly smiling face?" In 1908, Belcher won the Strathmore Prize from the New York Water Color Club for "The Knitted Shawl". "Her success in  capturing the coveted honor fairly took away the breath of the 692 men competitors, who saw themselves obliged to take second place to the young Vermont student," according to "The New York Times" In 1909, she received the Beal prize for "Young Girl in White". In 1910, Belcher was invited by Robert Henri to participate in the "Exhibition of Independent Artists", a non-juried, non-prized show. Belcher contributed three works, "The Bathing Line", "Portrait of Miss Tony Nell", and "The Old Ladies". Belcher and her mother took extended trips to Italy, England, and Wales in 1910; the Rocky Mountains  in the western United States in 1912; and Europe, for an eleven-month tour, in 1913–14. In 1926, Belcher was elected into the National Academy of Design as an Associate member, and became a full member in 1932. She was the second woman to be elected to the National Academy of Design. In 1931, Belcher received both the Thomas R. Proctor Prize and the Walter Lippincott prize for "Portrait by Night". The painting was cut from its frame while on display at the Pennsylvania Academy of the Fine Arts and stolen. It has never been recovered. Belcher also became well  known in Georgia. During the 1920s and 1930s, Belcher often taught and exhibited at the Telfair Academy of Arts and Sciences (1928, 1933 and 1935). There she painted landscapes of the Savannah area and scenes representative of the area's African American culture in the early part of the century. Paintings such as "Go Down Moses" (1936) and "The Choir" (1934) are notable for their vibrancy, and for the respect and sensitivity with which Belcher portrayed African-American men, women and children. Belcher also published illustrations, cartoons, and caricatures that appeared in popular magazines such as "Cosmopolitan", "Good Housekeeping", and  Town and Country, as well as in the catalogs of Sears, Roebuck and Company. Belcher began to suffer from health problems in the 1940s and rarely exhibited new work after this time. She died on April 27, 1963, in the Orthopedic Hospital, Orange, and was buried in Evergreen Cemetery in Rutland, Vermont. During her lifetime, Belcher had more than 28 solo exhibitions. Recently, Belcher's work has been featured in exhibitions at the Telfair Museum of Art (Savannah), the Vermont Historical Society (Montpelier), and the Robert Hull Fleming Museum (Burlington). Her work also can be found in other collections, private  and public, including Robert Hull Fleming Museum, Morris Museum of Art, Pennsylvania Academy of the Fine Arts, and the Frances Lehman Loeb Art Center at Vassar College among others.