Eat Locals
Eat Locals is 2017 vampire film directed by Jason Flemyng, in his directorial debut. A group of vampire lords gather for a summit to discuss quotas, but are attacked by special forces soldiers. The film received generally negative reviews. Plot. A group of vampire lords gather at a small rural farmhouse for a summit to discuss quotas. One of the group is executed for going over quota and for taking children. Vanessa arrives late and has brought Sebastian as her guest, and proposes him as a replacement, but Peter objects. Sebastian tries to escape, and is easily caught . Rather than kill him immediately they decide to keep him alive as food, and secure him in the basement along with Mr. and Mrs. Thatcher who own the farmhouse. Meanwhile soldiers gather nearby. Surprised to have found more than one "cold body" they delay their assault, but Larousse says they have enough to take down two and urges then to strike immediately. The strike team is overwhelmed, and only the Duke is killed. The vampires unpack machine guns and exchange fire with the remaining soldiers outside. A religious man, Larousse wants the vampires wiped out entirely, but motivated by profit  Colonel Bingham wants to take one prisoner for scientific research. The vampires form a plan to head out directly, needing just one of them to break through and circle back around to kill the soldiers. The breakout is chaotic, several vampires are killed, Vanessa is captured, Boniface, Angel, and Henry regroup at the house. Sebastian suggests they have nothing to lose by trying to talk, and that maybe like the film Zulu they might agree to end the battle and leave. Larousse gets too close to Vanessa and she bites him. Henry goes with a hooded hostage to negotiate, but  Bingham decides to press his advantage and shoots the hostage. Vanessa, Henry, and Larousse, are hung out on frames, waiting for the dawn sunlight to kill them and for the cosmetics company to come and take samples for their research. Meanwhile Sebastien emerges from the farmhouse freezer, the hostage was Boniface disguised and covered with hot water bottles to make him seem like a warm body. Boniface begins picking-off the soldiers. Tired of it all Vanessa ends her own life. Sebastian and Private Bower pass each other in the forest, and Sebastian suggests they continue on and pretend it  didn't happen. Bower encounters Mr. Thatcher, and suggests they move along. Thatcher warns there is something terrible in the forest, him, and then attacks with a knife. Angel see what has happened and kills Thatcher. Sebastian stumbles upon the army trucks and starts the engine but is interrupted by Angel. He wants to live, and she needs a driver (as dawn is approaching), and so they agree to work together. Boniface attacks Bingham and agrees to free Henry only if he can have the Duke's quota. They all escape in the army truck, Boniface drops his earlier objection  and Sebastian is invited to become a vampire, but he says he will have to think about it, as they drive off to anywhere else. As dawn breaks, three representatives from the cosmetics company find a vampire Bingham on the rack and take samples, before he burns up. They use the samples to make their next rejuvenating cosmetics product. Production. Danny King first developed the project about ten years earlier with the title "Reign Of Blood". The original plan was for Dexter Fletcher to direct and Jason Flemyng to produce. Dexter decided to direct Wild Bill instead, and Flemyng went  to work on X-Men First Class. Flemyng returned and looked for other directors but ultimately decided to direct it himself. The film was shot in Hertfordshire, over four weeks on a twenty day schedule. Jason Statham spent two days working as a second unit director. Statham was credited as a Fight Consultant. Catering was provided by chefs working for Jamie Oliver. Reception. On Rotten Tomatoes, the film has an approval rating of 21% based on reviews from 14 critics. Leslie Felperin of "The Guardian" gave it 2 out of 5 stars, calling it "A larky, cheerfully trashy vampire romp  and it has the wisdom not to take itself seriously in the slightest, and there are moments when it rustles up a few properly amusing gags and well-turned one-liners" but was disappointed it wasn't funnier. Stephen Dalton of The Hollywood Reporter called it "A low-budget British vampire comedy with more bark than bite, "Eat Locals" feels like a school reunion project for survivors of Guy Ritchie's early gangster films." Jamie Graham of Total Film gave it 2 out of 5 and wrote: "Neil Marshall's "Dog Soldiers" did much the same thing with far more  wit, energy and innovation." Anton Bitel of SciFiNow gave it a positive review, saying it "combines the tropes of vampire films with the Little England satire of Royston Vasey to show the accidental centrality of small-town British parochialism to a global economic scene where religious and national interests are trumped by corporate ones." Charlie Oughton of Starburst magazine wrote: "Parallels with everything from "Shaun of the Dead" to "What We Do in the Shadows" go down a treat. There's even a nice little bit of social class dialogue bubbling under the surface that results in a final and  very wry political money shot."