Sarasota Municipal Auditorium
The Sarasota Municipal Auditorium, listed in the National Register as Municipal Auditorium-Recreation Club, is a historic multi-purpose facility built-in 1938. It is located at 801 Tamiami Trail North and is owned/operated by the municipal government of Sarasota, Florida. The auditorium has of exhibit space on its main floor and also contains an Art Deco style stage measuring . The auditorium has been used for many community functions and recreational activities. It has also been known as the Sarasota Exhibition Hall and the Sarasota Civic Center Exhibition Hall. The auditorium is located on a large  parcel of public land that is reserved for civic, the government uses. On February 24, 1995, the complex was added to the U.S. National Register of Historic Places. History. The concept of a bayfront park and municipal auditorium for Sarasota was first conceived in 1935. The Municipal Auditorium/Recreation Club was constructed as part of an recreational complex, originally called the Civic Center or Bayfront Park. In 1936, the municipal government obtained the parcel from a private company that owed $15,000 in taxes on the site. Citizens, politicians, and city employees began the effort to secure a federal Work  Projects Administration (WPA) grant for the center. In one instance, a group of prominent businessmen in Sarasota came together in March 1937 and agreed to loan the city $10,000 for the auditorium project. These businessmen included Benton W. Powell, publisher of the "Sarasota Tribune" and President of the Palmer National Bank; Samuel W. Gumpertz, senior vice president and general manager of Ringling Bros. and Barnum & Bailey Circus; J. J. Williams Jr., City Attorney; Ralph Caples, a railroad and advertising executive; George Thacker, President of the Chamber of Commerce; Frank Logan, a building contractor who was serving as a fiscal  agent of the City in connection with bond refunding; and George D. Lindsay, founder, owner, and editor of the "Sarasota Herald". The federal government granted the sum of $131,000, equivalent to $ in , toward the project, and work began in July 1937. Skilled labor was paid for by the municipal general fund and common labor was paid for by the WPA. Several local business and civic leaders donated funds to the construction as well. At the time of its planning the Sarasota mayor, E. A. Smith announced plans to construct "one of the finest recreation centers in the South  on the public property. The auditorium opened on February 24, 1938, hosting an annual Sara de Soto Celebration" sponsored by the Sarasota Chapter of the Daughters of the American Revolution (DAR). Three thousand attended the celebration. The building was designed in the Art Deco and Moderne styles by Chicago architects, Thomas Reed Martin and Clarence A. Martin. Freeman H. Horton was the engineer for the project and designed the truss system that supports the barrel-vaulted roof. Horton also collaborated with Thomas Reed Martin on recreational structures such as boathouses, pools, landscaping, and walkways. When the auditorium was constructed, the  property had waterfront access to Sarasota Bay and boating was a significant activity from the recreation center. Later, dredge and fill extended the shoreline farther westward. A second floor to the recreation club was added in 1940 at the western end of the auditorium. Ida and John Chidsey donated funding for the construction of the second-floor addition. The portion of the facility contained a lounge area, a recreation room, and a card room. The recreation center was dedicated in January 1940. North of the building, facilities for shuffleboard, lawn bowling, and tennis were built. During World War II, the  auditorium served as the Army and Navy Club and was the preferred venue for hosted dances, graduations, and concerts. The Florida West Coast Symphony (now the Sarasota Orchestra) performed in the facility from its inception in 1949 until the 1969 opening of the Van Wezel Performing Arts Hall which was constructed at the bayfront of the same large public parcel. Description. The building has a barrel-vaulted roof. The structure contains an amount of glass block in its eastern elevation that provides natural lighting for the interior of the large building. Typically, the design of the auditorium is described as  Moderne and Art Deco, but elements of the design also suggest the International Style that is associated with the Bauhaus. The solid hardwood maple floor in the building contributes to the atmosphere, acoustics, and comfort for all attending events, dances, and concerts. It is a site that is used by more than 100,000 visitors a year as they attend banquets, charrettes for long-range planning, civic meetings, concerts, dances, events for teenagers, fundraising events, health lectures, homecoming events, political forums, proms, and galas, training seminars, and wedding receptions. The venue also provides access to educational programs, entertainment, exhibits, recreation, and  shows. Several days are booked most weeks for exhibits and shows that support antique sales, art exhibits, auctions, coin shows, conventions, flea markets, flower and gardening shows, gem and jewelry shows, seminars, and stamp collection and sales exhibits. Hazzard Fountain. In 1940, an electrically-illuminated fountain was donated to the Municipal Auditorium by R.P. Hazzard. The fountain was designed by Frank Martin, whose father, Thomas, designed the auditorium. Louis Larsen built the Hazzard Fountain. The fountain was declared the "crown jewel" of the complex. The Hazzard Fountain has been moved several times and placed in a variety of settings. Due  to the widening of the Tamiami Trail, the fountain was removed from its original location, stored for years, and then placed at the entrance to the John and Mable Ringling Museum of Art during the late 1970s. After a few years, it was removed and placed in storage again. In 1995, the fountain was moved one last time back to its original location at the auditorium. The re-dedication of the fountain was held on January 6, 1996, at the Municipal Auditorium. Historical renovation. The building had been renovated during the 1970s and many of the historic features were hidden  by more modern features designed by the Sarasota School architect, Jack West. The front façade was covered over and a large canopy was installed to extend beyond the sidewalk in front of the building. The glass blocks were covered. Numerous changes to the interior were made that later were reversed in the extensive restoration of the interior of the building. During the 1980s a historic preservationist working for the city purchasing director Bob Gerkin, whose department oversaw the hall, pressed for the listing of the building in the national register. After being won over, Gerkin even encouraged an effort to  fund the restoration of the building to its original state. Under the direction of local architects and planners, restoration work by local builders began in 1992. The building was restored to its 1937 condition under the direction of architects, Gary B. Hoyt and Jeff Hole. On October 13, 1994, the municipal government sponsored a gala and dinner dance to raise funds for the restoration and to celebrate the re-dedication of the building. Profits from the donations went to the restoration. Funding for the major historic restoration of the building was achieved through a combination of governmental efforts that included  the state Bureau of Historic Preservation, the Historic Preservation Advisory Council, and the municipal government of Sarasota. Many volunteers donated work on the restoration planning and many citizens attended planning sessions. The Municipal Auditorium was placed on the National Register of Historic Places on February 24, 1995. The complex is cited for historic designation on several levels. Foremost among them, because of its architecture and engineering features, as well as for its use as an auditorium. Entertainment and recreation, along with community planning and development, are aspects cited as an area of historical significance in the community. The importance of  its historic uses as a public auditorium and for outdoor and indoor recreation, therefore, are cited as significant for its designation, as well as the more typical architectural and engineering features of most designations. The renovation work was completed in 1997. The interior of the building was restored carefully and stands as an example of dedicated restoration efforts. The distinctive glass blocks not only were uncovered but were reinforced with building techniques not in existence at the time of the original construction. The exterior was returned to its original status as well and maybe compared closely to historic postcards and  photographs of the building produced shortly after its opening.