Sex &amp; MiserySex &amp; Misery Sex & Misery Sex & Misery is the third studio album from UK-based alternative rock band Voice of the Beehive, which consisted at that point of founding members Melissa Brooke Belland and Tracey Bryn. Its production and release delayed due to personal and professional difficulties, the album was first distributed by East West Records in early 1996, almost five years after their previous studio effort, "Honey Lingers". With just two of four released singles barely breaking onto the charts, the album was considered a critical and commercial disappointment and proved to be Voice of the Beehive's final recording. None of  the tracks from "Sex & Misery" appear on the group's "Best Of" compilation, issued the following year by their original label, London Records. Album history. The working title "Disastrous Relationships, Disillusionment, Depression & Death" serves for a concise description of the turbulent circumstances under which Voice of the Beehive composed "Sex & Misery". In the months following the release of their second album, Melissa Brooke Belland and Tracey Bryn, along with bandmates Martin Brett and Mike Jones, grew increasingly frustrated with London Records' inability and refusal to promote and market their music. The label's intrusive management practices and interference with various  elements of production also contributed to mounting tension and conflict in its dealings with the group. Additionally, Bryn and Belland were both going through painful breakups of their respective long-term relationships and coping with the death of several close friends around this time. Even though the process of crafting a new album had tentatively been initiated, the group resolved to negotiate a release from their contract and seek out a record deal elsewhere. Drummer Daniel Woodgate had departed the band in 1992, to return to his former position with Madness and, while trying to find a new label, Brett  and Jones also went their separate ways, leaving Belland and Bryn as Voice of the Beehive's only remaining members. The pair eventually signed a contract with East West Records and, assisted by producer Peter-John Vettese, resumed work on the album. Having recently endured so much loss and hardship, Bryn and Belland wanted to reinvent their image; consequently, "Sex & Misery" marked a departure in certain respects from their established musical style. With the album already long since completed, the first single, "Angel Come Down", was released in the UK on August 1, 1995 in order to gauge response to  Voice of the Beehive's new sound. However, East West did not secure adequate publicity or circulation to reach beyond the group's fanbase, so when the song inevitably failed to gain traction, the label determined that the album was not viable and pulled it from the release slate. Once again confounded by a record label's lack of support and loss of interest, Belland and Bryn relocated from London to their native Los Angeles in pursuit of other opportunities. East West finally did decide to release "Sex & Misery" in the UK a couple of months later on February 12 , 1996, where it received scant notice. Another Warner Music subsidiary, Discovery Records, picked up the album and released it in the US on April 16 of that same year. The single "Scary Kisses," which was closer to the group's original sound, caught on at a few prominent Top 40 radio stations and became a modest hit, but Discovery neglected to capitalise on its success, neither releasing a corresponding music video nor booking Voice of the Beehive on high-profile gigs or a concert tour. As a direct result, "Sex & Misery" quickly lost its momentum, and soon thereafter the label  opted to end its contract with the group. Sex & Misery Sex & Misery is the third studio album from UK-based alternative rock band Voice of the Beehive, which consisted at that point of founding members Melissa Brooke Belland and Tracey Bryn. Its production and release delayed due to personal and professional difficulties, the album was first distributed by East West Records in early 1996, almost five years after their previous studio effort, "Honey Lingers". With just two of four released singles barely breaking onto the charts, the album was considered a critical and commercial disappointment and proved to be Voice