Verónica (2017 Spanish film)
Veronica () is a 2017 Spanish supernatural horror film directed by Paco Plaza which stars Sandra Escacena alongside Claudia Placer, Bruna González, Iván Chavero and Ana Torrent. It is loosely based on true events from the 1991 Vallecas case where Estefanía Gutiérrez Lázaro died mysteriously after she used a ouija board. Plot. The film opens in 1991 in medias res, with emergency services responding to a call from a young girl. She sounds panicked and screams about her brother Antoñito, and something "coming to get him", before the call cuts off. The film then goes back in  time three days. Verónica is a 15-year-old girl living with her mother and three siblings in an apartment in the working-class district of Vallecas, Madrid. Their father recently died and their mother works long hours at a bar to support the family, leaving Verónica in charge of her younger siblings: twins Lucia and Irene, and Antoñito. On the day of the solar eclipse, her teacher explains how some ancient cultures used eclipses to stage human sacrifices and summon dark spirits. While the school gathers on the roof to view the eclipse, Verónica, her friend Rosa, and their  classmate Diana go into the basement to conduct a séance using a Ouija board. Verónica wants to reach out to her late father, and Diana wants to reach out to her late boyfriend, who died in a motorcycle accident. The board responds right away but Rosa and Diana pull their hands back when the glass cup becomes too hot to touch. Verónica's hand remains on it, and at the moment of the eclipse, the cup shatters, cutting her finger and dripping blood onto the board. Verónica becomes unresponsive, whispering something repeatedly that Rosa leans in to hear, and suddenly  lets out a demonic scream. After passing out, Verónica wakes in the school nurse's office, who tells her she probably passed out from iron deficiency. Verónica begins experiencing paranormal occurrences. She is unable to eat her dinner, as if an invisible hand is preventing her. Claw and bite marks appear on her body and she hears strange noises. Her friends begin avoiding her. Looking for answers, she goes back to the school basement and finds the school's elderly blind nun whom the students call "Sister Death." The nun scolds her for doing something so dangerous and explains that  the séance attached a dark spirit to her; she needs to protect her siblings. The nun tries to compel the spirit to leave her, but nothing happens. Verónica draws protective Viking symbols for the kids, only for the demon to destroy them. She tries to help Lucia when the spirit chokes her, but Lucia says it was Verónica who was choking her. That night, Verónica dreams that her siblings are eating her. She wakes up to find that she's on her first period. As she scrubs her mattress, she finds burn marks on the underside. Later, she finds on  each of the kids' mattresses a large burn mark in the shape of a human body. Verónica goes to Sister Death for advice; the nun tells of how she used to see dark spirits when she was younger, and intentionally blinded herself in an unsuccessful attempt to stop the visions. Sister Death tells her that she can force the spirits to leave by doing right what she did wrong. Verónica learns that it is important to say goodbye to the spirit at the end of the séance. After going to a party at Rosa's house, she asks Rosa and  Diana to help her hold another séance, but they refuse. Rosa reveals that, at the séance, Verónica whispered that she herself would die in five days. Desperate, she decides to hold the séance with her young siblings. She has Antoñito draw the protective symbols on the walls, but he flips to the wrong page and instead draws symbols of invocation. When she tells the spirit to say goodbye, it refuses. She calls the police as the spirit snatches Antoñito, manages to grab him back, and escapes along with Lucia and Irene. However, when she gets to the exit she sees  in a mirror that she is not actually holding Antoñito but just imagined it. She returns to find her brother hiding in a closet and calling her name. She finds him and notices he won't go with her. Verónica looks at herself in the mirror and sees the demon, realizing she has been possessed by the demon the entire time, and had been harming her siblings under its control. She attempts to end the possession by slitting her own throat but is prevented by the demon. The police enter to find her being attacked by an invisible force and  passing out. The medics carry her and Antoñito out while a shaken detective observes the scene. As the detective watches a framed photograph of Verónica suddenly catch fire, he is informed that she has died. Five years later in 1996, he reports of unexplained paranormal activity having occurred in Madrid. It is explained that the movie is based on the true events of the first police report in Spain where a police officer certifies having witnessed paranormal activity. Inspiration. The film was inspired when Estefanía Gutiérrez Lázaro (1973–1991) reportedly suffered hallucinations and seizures after performing the séance at a school  in Madrid to try to contact her friend's deceased boyfriend who had died six months earlier. Her exact cause of death is a mystery. Her house allegedly became haunted after her death according to the British magazine "NME". The American magazine "Newsweek", referenced by "NME", is more cautious and while acknowledging that the case is real, likens the event to the similar pop-culture phenomenon and urban legend "The Amityville Horror". In the same magazine, director Paco Plaza says that he didn't feel bound to portray the real events, clarifying "...the whole story of Veronica and the sisters  and Antoñito, this little Marlon Brando with glasses, it’s all a vision." Production. The screenplay was penned by Paco Plaza alongside . The film was produced by Apache Films alongside El Expediente La Película AIE, with the participation of RTVE and support from ICAA. The score was composed by Eugenio Mira, credited under the pseudonym Chucky Namanera. Release. "Verónica" originally released on 25 August 2017 in Spain. In addition, the film was released in eight other countries between the months of December 2017 up until February 2018. The film was selected for the lineup of the 2017 Toronto International Film  Festival's Contemporary World Cinema section. Reception. Box office. In Spain the film grossed $4,212,203, and $1,910,886 in other territories, for a worldwide total of $6,123,089. Critical response. The review aggregator Rotten Tomatoes reported an 88% approval rating from critics. The website's critical consensus reads, "A scarily effective horror outing, "Veronica" proves it doesn't take fancy or exotic ingredients to craft skin-crawling genre thrills." Jonathan Holland from "The Hollywood Reporter" gives a negative review of the film and wrote "The real horror in "Veronica" is not in the CGI visuals, or in Pablo Rosso 's frantic cinematography, or in the aural bombardment of sound effects and music; it’s in the relationship between the children". Overall though he sums up his film review with "Thick on chills, thin on psychology." Shortly after the release of "Verónica" on Netflix Jordan Crucchoila of Vulture countered other reviewers who believe that "Verónica" is the scariest movie on Netflix "In our estimation, "Veronica" is not that scary. It’s a worthy effort, but as far as witch-board movies go, you’ll get more out of "Ouija 2: Origin of Evil".", but overall still believes that the film  has "some great set-piece scares, and the movie’s most disturbing moment is pretty damn good." Ed Potton of "The Times" does not believe that the film is good and gave the film a 2 out of 5, and wrote "A considerable buzz online suggested that this Spanish horror might arrest the recent run of iffy Netflix movies. Sadly, it doesn't." Dennis Harvey of "Variety", wrote that the film's ideas "aren’t ultimately original enough or its scares potent enough to suggest Plaza wouldn’t benefit from trying his directorial hand at someone else’s screenplay." Paul  Tassi from "Forbes" magazine wrote "If I was scoring the movie myself I’d probably give it a 6 out of 10, “fresh,” but not exactly stunning." Prequel. In March 2022, Netflix announced the development of a prequel film titled "Sister Death" (), directed by Paco Plaza and written by Jorge Guerricaechevarría. It will star , Almudena Amor and , among others.