Frankenweenie (2012 film)
Frankenweenie is a 2012 American 3D stop motion-animated science fiction comedy-horror film directed by Tim Burton and produced by Walt Disney Pictures. It is a feature-length remake of Burton's 1984 short film of the same name, and is also both a parody of and homage to the 1931 film "Frankenstein", based on Mary Shelley's 1818 book "Frankenstein; or, The Modern Prometheus". The voice cast includes five actors who worked with Burton on previous films: Winona Ryder ("Beetlejuice" and "Edward Scissorhands"), Martin Short ("Mars Attacks!"), Catherine O'Hara ("Beetlejuice" and "The Nightmare Before Christmas ), Martin Landau (Ed Wood" and "Sleepy Hollow"), and Conchata Farrell ("Edward Scissorhands"), along with some new voice actors, such as Charlie Tahan and Atticus Shaffer. In the film, a boy named Victor Frankenstein uses the power of electricity to resurrect his dead Bull Terrier, Sparky, but his peers discover what he has done and reanimate their own deceased pets and other creatures, resulting in mayhem. The tongue-in-cheek film contains numerous references to and parodies of elements of "Frankenstein" and past film versions of it, other literary classics, various horror and science-fiction films, and other films which Burton  has directed or produced. "Frankenweenie", which was both the first black-and-white feature-length film and the first stop-motion film to be released in IMAX 3D, was released in the United States on October 5, 2012, and met with positive reviews and moderate box office returns. It won the Saturn Award for Best Animated Film and was nominated for an Academy Award, a Golden Globe, a BAFTA, and an Annie Award for Best Animated Film. Plot. Victor Frankenstein, a young scientist and amateur filmmaker, lives with his parents and his beloved bull terrier dog, Sparky, in the quiet  town of New Holland. His intelligence is recognized by his classmates at school, who include his somber next-door neighbor, Elsa Van Helsing, the mischievous Edgar "E" Gore, the obese and gullible Bob, the overconfident Toshiaki, the creepy Nassor, and an eccentric girl nicknamed "Weird Girl", but he does not interact much with them due to his relationship with his dog. Concerned with his son's isolation, Victor's father encourages the boy to take up baseball. When Victor hits a home run at his first game, Sparky chases the ball and is struck and killed by a car, leaving  Victor despondent. Inspired by his new science teacher Mr. Rzykruski's demonstration of the effect of electricity on dead frogs, Victor digs up Sparky, brings the dog to a makeshift laboratory in his attic, and successfully reanimates his old friend with a bolt of lightning. While Victor is at school the next day, Sparky escapes from the attic to chase Weird Girl's cat, Mr. Whiskers, and subsequently explores the neighborhood. He is recognized by Edgar, who blackmails Victor into teaching him how to raise the dead. Together, the two resurrect a dead goldfish, which turns invisible due to an  error with the experiment. Edgar brags about the fish to his classmates, but when he tries to show it to a skeptical Nassor, it is gone, leading him to speculate that the revived creatures only last for a short time. Fearful of losing the upcoming science fair, Toshiaki and Bob make a rocket out of soda bottles, and Bob breaks his arm when they test it. Mr. Rzykruski is blamed for the accident and fired. The Gym Teacher replaces him, but, before Mr. Rzykruski leaves town, he is able to talk with Victor and advise the boy to use science  wisely. Edgar reveals to Toshiaki, Nassor, and Bob that he and Victor had brought the invisible fish back from the dead, and that Victor had done the same with Sparky, which inspires them to try reanimation themselves. Victor's parents discover Sparky in the attic and are frightened, causing the dog to flee. His father starts to talk to him about the seriousness of what he has done, but Victor says he just wanted his dog back and tears begin to fill his eyes, so his parents decide to help him find Sparky and continue the conversation later. When the  family leaves, Victor's classmates invade the lab and discover the reanimation instructions. They perform their experiments separately, but each of their dead animals is turned into a monster: Mr. Whiskers holds a dead bat while he is electrocuted, resulting in him becoming a grotesque vampiric feline; the dead rat Edgar found in the garbage turns into a wererat; Nassor's mummified hamster, Colossus, comes back to life; Toshiaki's turtle, Shelley, is covered in Miracle Gro and becomes a huge Gamera-like monster; and Bob's Sea-Monkeys grow into Gremlin-like amphibious humanoids. The monsters converge on the  town fair, where they wreak havoc. After Victor finds Sparky at the town's pet cemetery, Bob and Toshiaki find him and ask for his help dealing with the monsters. They go to the fair, where the Sea-Monkeys explode after eating salted popcorn, Colossus is stepped on by Shelley, and the wererat and Shelley both return to their original, deceased forms after getting electrocuted. During the chaos, Persephone, Elsa's pet poodle, is grabbed by Mr. Whiskers and carried to the town windmill, with Elsa and Victor giving pursuit. The townsfolk blame Sparky for Elsa's disappearance and chase  him to the windmill, which Elsa's uncle accidentally ignites with his torch. Victor and Sparky enter the burning windmill and rescue Elsa and Persephone, but Victor is trapped inside. Sparky rescues Victor, only to be dragged back inside by Mr. Whiskers, who is fatally impaled by a flaming piece of wood just before the windmill collapses, killing Sparky again. To reward him for his bravery, the townsfolk gather and revive Sparky with their car batteries. Persephone runs to Sparky and they touch noses, producing a spark. Actor Christopher Lee, who had worked with Tim Burton on five earlier films , makes an appearance via the inclusion of a live-action clip from his 1958 film "Dracula". Production. Development. Although Tim Burton signed with Walt Disney Pictures to direct two films in Disney Digital 3-D ("Alice in Wonderland" and this film), development of a full-length stop motion "Frankenweenie" dates as far back as November 2005, when scripts had been written by Josann McGibbon and Sara Parriott. John August was approached to do a rewrite in 2006, but was not hired until January 2009. Like the original short film, this feature version was shot in black and white. Many of  the animation artists and crew from "Corpse Bride" were involved in the production of the film. Burton borrowed heavily from his design for the titular character of "Family Dog" for Sparky. Filming. Filming began at 3 Mills Studios in July 2010. The crew created three giant sound stages, including Victor's cluttered family attic, a cemetery exterior, and a school interior. The sound stages were then divided into 30 separate areas to deal with the handcrafted, frame-by-frame style of filmmaking. Compared to other stop-motion animation sets, "Frankenweenie"s set was much larger. As IGN noted, the main character  Sparky had to be "'dog-size' compared to the other human characters, but also large enough to house all the elements of the mechanical skeleton secreted within his various foam and silicon-based incarnation". The mechanics were small and delicate, and in some instances the filmmakers had to have Swiss watchmakers create the tiny nuts and bolts. Around 200 separate puppets were used in the film, with roughly 18 different versions of Victor. The puppets had human hair, with 40–45 joints for the human characters and about 300 parts for Sparky. Music and soundtrack. In early 2011, it was announced  that Danny Elfman would score "Frankenweenie", with work already started on pre-production music. Prior to the film's release, both an "inspired by" soundtrack album, "Frankenweenie: Unleashed!", and Elfman's "Frankenweenie: The Original Motion Picture Soundtrack" were released by Walt Disney Records on September 25, 2012. The download of "Frankenweenie: Unleashed!" contained bonus content, including a custom icon and an app that loaded a menu to view more bonus content, provide input, or buy more music from Disney Music Group. Release. Marketing. In the lead up to the film's release in October 2012, there was a traveling art  exhibition detailing the work that went into creating the film. During the exhibition, it was possible to see sets and characters that were used for this stop motion feature film. From September 14 to November 5, 2012, Disney California Adventure offered exclusive scenes from the film during nighttime operating hours of Muppet*Vision 3D. At Disneyland, Sparky's tombstone was added to the pet cemetery outside of Haunted Mansion Holiday, a seasonal attraction that features characters from Burton's "The Nightmare Before Christmas". Premiere and theatrical release. The film premiered on September 20, 2012, on the opening night of Fantastic Fest , an annual film festival in Austin, Texas. It also opened the London Film Festival, on October 10, 2012. Initially set for theatrical release in November 2011, Walt Disney Studios Motion Pictures moved the film twice, first to March 9, 2012, and then, in January 2011, to October 5, 2012, with "John Carter" taking the March 9 release date. Box office. "Frankenweenie" grossed $35,291,068 in North America and $46,200,000 in other countries for a worldwide total of $81,491,068. In North America, it earned $11,412,213 its opening weekend, finishing fifth at the box office (behind "Taken 2", "Hotel  Transylvania", "Pitch Perfect", and "Looper"). Its second weekend, the film dropped to seventh place, grossing an additional $7,054,334. Its third weekend, it dropped to ninth place, grossing $4,329,358, and its fourth weekend, it dropped to twelfth place, grossing $2,456,350. Home media. The film was released by Walt Disney Studios Home Entertainment on DVD, Blu-ray, and Blu-ray 3D on January 20, 2013. The Blu-ray releases included the original live-action "Frankenweenie" short and a new two-minute animated short, titled "Captain Sparky vs the Flying Saucers", as bonus features. Reception. Critical response. The film received  generally positive reviews from critics. Based on reviews, it holds an approval rating of on review aggregator Rotten Tomatoes, with an average rating of ; the website's critical consensus reads: ""Frankenweenie" is an energetic stop-motion horror movie spoof with lovingly crafted visuals and a heartfelt, oddball story." On Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, it has a score of 74, based on 38 reviews. Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale. Justin Chang of "Variety" reacted positively to the  film, saying that it "evinces a level of discipline and artistic coherence missing from the director's recent live-action efforts". Todd McCarthy of "The Hollywood Reporter" gave it a mediocre review, explaining that, while the various creative elements "pay homage to a beloved old filmmaking style", the film mostly feels "like second-generation photocopies of things Burton has done before". Roger Ebert gave the film three out of four stars, writing that it is "not one of Burton's best, but it has zealous energy" and "the charm of a boy and his dog retains its appeal". Chris Packham  of "The Village Voice" gave the film a positive review, saying: ""Frankenweenie", scripted by John August, and based on a screenplay by Lenny Ripps from Burton's original story, is tight and brief, hitting all the marks you'd expect from an animated kid's film, and enlivened by Burton's visual style. The man should make more small movies like this one." Christy Lemire of the Associated Press gave the film three out of four stars, saying: "Revisiting the past - his own, and that of the masters who came before him - seems to have brought this filmmaker's boyish  enthusiasm back to life, as well." Kerry Lengel of "The Arizona Republic" gave the film three out of five stars, saying: "It's all perfectly entertaining, but never really reaches the heights of hilarity, perhaps because everything about the plot is underdeveloped." Lisa Schwarzbaum of "Entertainment Weekly" gave the film an A−, saying: "The resulting homage to "Frankenstein" in particular and horror movies in general is exquisite, macabre mayhem and a kind of reanimation all its own." Michael Phillips of the "Chicago Tribune" gave the film two and a half stars out of four, saying: "The monster-movie component of  Frankenweenie stomps all over the appeal of the original 30-minute version." Linda Barnard of the "Toronto Star" gave the film three out of four stars, saying: "High-concept and stylish, "Frankenweenie" is a playlist of films and characters from Burton's movie-loving childhood." James Berardinelli of "ReelViews" gave the film three out of four stars, saying: "Even as the narrative becomes progressively more ghoulish and a Godzilla wannabe shows up, "Frankenweenie" never loses its heart." Joe Williams of the "St. Louis Post-Dispatch" gave the film three out of four stars, saying: "Some audiences might feel that "Frankenweenie  is creaky, but those on the same wavelength as Burton will gratefully declare it's alive. Alonso Duralde of "The Wrap" gave the film a positive review, saying: "Fans of Tim Burton 1.0, rejoice: "Frankenweenie" hearkens back to the director's salad days and, in turn, to the old-school horror classics that inspired him in the first place." Claudia Puig of "USA Today" gave the film three and a half stars out of five, saying: ""Frankenweenie" is enlivened with beguiling visuals and captivating action sequences. The science is murky at best, but the underlying themes are profound, and the  story is equal parts funny and poignant. It's Burton's most moving film." Rafer Guzmán of "Newsday" gave the film two and a half stars out of four, saying: "It's a quintessential Burton film, but also more Disney than a lot of Disney films." Amy Biancolli of the "San Francisco Chronicle" gave the film four out of four stars, saying: "The overall effect is great cinema, good fun, a visual feast for pie-eyed Burton fans - and a terrifically warped reminder of just how freaky a PG film can be." Elizabeth Weitzman of the "New York Daily News  gave the film four out of five stars, saying: Burton's extraordinary powers of imagination are in dazzling bloom, from the gorgeous stop-motion animation to the goofy, homemade horror movies the children direct." Peter Travers of "Rolling Stone" gave the film three and a half stars out of four, saying: "Only Tim Burton could envision this Frankenstein-inspired tale, and it's a honey, a dark and dazzling spellbinder that scares up laughs and surprising emotion." Colin Covert of the "Star Tribune" gave the film four out of four stars, saying: "The story brims with self-parody, social satire , horror, nostalgia, wit and emotional insight, with Burton keeping all the plates spinning." David Hiltbrand of "The Philadelphia Inquirer" gave the film two out of four stars, saying: ""Frankenweenie" is the apotheosis of goth director Tim Burton's oeuvre: artistic yet sterile, incredibly meticulous and totally misbegotten." Stephanie Zacharek of NPR gave the film a negative review, saying: "Burton half succeeds in making this revamped "Frankenweenie" its own distinctive creature, pieced together from the essential bits of the 29-minute original. But he just doesn't know when to stop, and his overgrown creation gets the better of him." Betsy  Sharkey of the "Los Angeles Times" gave the film three out of five stars, saying: "There are so many horror auteurs Burton wants to thank that the film is absolutely bursting at the seams with knowing nods." A. O. Scott of "The New York Times" gave the film three out of five stars, saying: "While "Frankenweenie" is fun, it is not nearly strange or original enough to join the undead, monstrous ranks of the classics it adores." Ty Burr of "The Boston Globe" gave the film four out of four stars, saying: ""Frankenweenie" is a mere 87 minutes long, which  turns out to be just the right length; there's not enough time for Burton to go off the rails as he does in so many of his films." Tom Long of "The Detroit News" gave the film a B+, saying: ""Frankenweenie" may just be a wacky horror cartoon, but it's an awfully good wacky horror cartoon. Frighteningly good, you might say." Lou Lumenick of the "New York Post" gave the film three and a half stars out of four, saying: ""Frankenweenie" is still the most Tim Burton-y of the director's films, and not just because it  contains a vast catalog of references to his own movies - everything from "Edward Scissorhands" to the underrated 1989 "Batman"." Richard Corliss of "Time" gave the film a positive review, saying: "This 3-D, black-and-white 'family' comedy is the year's most inventive, endearing animated feature." Stephen Whitty of the "Newark Star-Ledger" gave the film four out of four stars, saying: "The stop-motion animation - a favorite tool of Burton's - is given loving attention, and the character design is full of terrific touches, such as the hulking flat-topped schoolmate who looks a bit like a certain  man-made monster." Michael O'Sullivan of "The Washington Post" gave the film three out of four stars, saying: "Designed to appeal to both discriminating adults and older kids, the gorgeous, black-and-white stop-motion film is a fresh, clever and affectionate love letter to classic horror movies." Moira Macdonald of "The Seattle Times" gave the film three out of four stars, saying: "Older kids, horror-movie buffs and Burton fans will likely enjoy this oddly gentle tale of a boy and his dog."