Lucille Ball
Lucille Désirée Ball (August 6, 1911 – April 26, 1989) was an American actress, comedian, and producer. She was nominated for 13 Primetime Emmy Awards, winning five times, and was the recipient of several other accolades, such as the Golden Globe Cecil B. DeMille Award and two stars on the Hollywood Walk of Fame. She earned many honors, including the Women in Film Crystal Award, an induction into the Television Hall of Fame, the Lifetime Achievement Award from the Kennedy Center Honors, and the Governors Award from the Academy of Television Arts & Sciences. Ball's career began in 1929  when she landed work as a model. Shortly thereafter, she began her performing career on Broadway using the stage name Diane (or Dianne) Belmont. She later appeared in films in the 1930s and 1940s as a contract player for RKO Radio Pictures, being cast as a chorus girl or in similar roles, with lead roles in B-pictures and supporting roles in A-pictures. During this time, she met Cuban bandleader Desi Arnaz, and they eloped in November 1940. In the 1950s, Ball ventured into television, where she and Arnaz created the sitcom "I Love Lucy". She gave birth to  their first child, Lucie, in 1951, followed by Desi Arnaz Jr. in 1953. They divorced in March 1960, and she married comedian Gary Morton in 1961. Ball produced and starred in the Broadway musical "Wildcat" from 1960 to 1961. In 1962, she became the first woman to run a major television studio, Desilu Productions, which produced many popular television series, including "" and "". After "Wildcat", she reunited with "I Love Lucy" co-star Vivian Vance for "The Lucy Show", which Vance left in 1965. The show continued, with Ball's longtime friend and series regular Gale Gordon, until 1968. Ball immediately  began appearing in a new series, "Here's Lucy", with Gordon, frequent show guest Mary Jane Croft, and Lucie and Desi Jr.; this program ran until 1974. Ball did not retire from acting completely, and in 1985 she took on a dramatic role in the television film "Stone Pillow". The next year she starred in "Life with Lucy", which, unlike her other sitcoms, was not well-received; it was cancelled after three months. She appeared in film and television roles for the rest of her career until her death in April 1989 from an abdominal aortic aneurysm and arterioscleroitic heart  disease at the age of 77. Early life. Lucille Désirée Ball was born on August 6, 1911, at 60 Stewart Avenue in Jamestown, New York, the daughter of Henry Durrell "Had" Ball (1887–1915), a lineman for Bell Telephone, and Désirée Evelyn "DeDe" Ball (née Hunt; 1892–1977). Her family belonged to the Baptist church. Her ancestors were mostly English, but a few were Scottish, French, and Irish. Some were among the earliest settlers in the Thirteen Colonies, including Elder John Crandall of Westerly, Rhode Island, and Edmund Rice, an early emigrant from England to the Massachusetts Bay Colony. Ball's father 's Bell Telephone career frequently required the family to move during Lucy's early childhood. They moved from Jamestown, where Lucy was born, to Anaconda, Montana, and later to Trenton, New Jersey. In February 1915, while living in Wyandotte, Michigan, Lucy's father died of typhoid fever at age 27 when Lucy was only three. At that time, DeDe Ball was pregnant with her second child, Fred Henry Ball (1915–2007). Ball recalled little from the day her father died, except a bird getting trapped in the house, which caused her lifelong ornithophobia. Ball's mother returned to New York, where  maternal grandparents helped raise Lucy and her brother Fred in Celoron, a summer resort village on Lake Chautauqua. Their home was at 59 West 8th Street (later renamed to 59 Lucy Lane). Ball loved Celoron Park, a popular amusement area at the time. Its boardwalk had a ramp to the lake that served as a children's slide, the Pier Ballroom, a roller-coaster, a bandstand, and a stage where vaudeville concerts and plays were presented. Four years after Henry Ball's death, DeDe Ball married Edward Peterson. While they looked for work in another city, Peterson's parents cared  for Lucy and Fred. Ball's step-grandparents were a puritanical Swedish couple who banished all mirrors from the house except one over the bathroom sink. When Lucy was caught admiring herself in it, she was severely chastised for being vain. She later said that this period of time affected her so deeply, it lasted seven or eight years. When Lucy was 12, her stepfather encouraged her to audition for his Shriner's organization that needed entertainers for the chorus line of its next show. While Ball was onstage, she realized performing was a great way to gain praise. In  1927, her family was forced to move to a small apartment in Jamestown after their house and furnishings were sold to settle a legal judgment. Career. Early career. In 1925, Ball, then only 14, started dating Johnny DeVita, a 21-year-old local hoodlum. Her mother was unhappy with the relationship, and hoped the romance she was unable to influence would burn out. After about a year, her mother tried to separate them by exploiting Ball's desire to be in show business. Despite the family's meager finances, in 1926, she enrolled Ball in the John Murray Anderson School  for the Dramatic Arts, in New York City, where Bette Davis was a fellow student. Ball later said about that time in her life, "All I learned in drama school was how to be frightened." Ball's instructors felt she would not be successful in the entertainment business, and were unafraid to directly state this to her. In the face of this harsh criticism, Ball was determined to prove her teachers wrong and returned to New York City in 1928. That same year, she began working for Hattie Carnegie as an in-house model. Carnegie ordered Ball to bleach her  brown hair blond, and she complied. Of this time in her life, Ball said, "Hattie taught me how to slouch properly in a $1,000 hand-sewn sequin dress and how to wear a $40,000 sable coat as casually as rabbit." Her acting forays were still at an early stage when she became ill with rheumatic fever and was unable to work for two years. 1930s. In 1932, she moved back to New York City to resume her pursuit of an acting career, where she supported herself by again working for Carnegie and as the Chesterfield cigarette girl. Using  the name Diane (sometimes spelled Dianne) Belmont, she started getting chorus work on Broadway, but it did not last. Ball was hired – but then quickly fired – by theatre impresario Earl Carroll from his "Vanities", and by Florenz Ziegfeld from a touring company of "Rio Rita". After an uncredited stint as a Goldwyn Girl in "Roman Scandals" (1933), starring Eddie Cantor and Gloria Stuart, Ball moved permanently to Hollywood to appear in films. She had many small movie roles in the 1930s as a contract player for RKO Radio Pictures, including a two-reel comedy short with the Three Stooges ("Three  Little Pigskins", 1934) and a movie with the Marx Brothers ("Room Service", 1938). Her first credited role came in "Chatterbox" in 1936. She also appeared in several Fred Astaire and Ginger Rogers RKO musicals: as one of the featured models in "Roberta" (1935), as the flower shop clerk in "Top Hat" (1935), and in a brief supporting role at the beginning of "Follow the Fleet" (1936). Ball played a larger part as an aspiring actress alongside Ginger Rogers, who was a distant maternal cousin, and Katharine Hepburn in the film "Stage Door" (1937). In 1936, she landed the role she  hoped would lead her to Broadway, in the Bartlett Cormack play "Hey Diddle Diddle", a comedy set in a duplex apartment in Hollywood. The play premiered in Princeton, New Jersey, on January 21, 1937, with Ball playing the part of Julie Tucker, "one of three roommates coping with neurotic directors, confused executives, and grasping stars, who interfere with the girls' ability to get ahead". The play received good reviews, but problems existed with star Conway Tearle, who was in poor health. Cormack wanted to replace him, but producer Anne Nichols said the fault lay with the character and insisted the  part needed to be rewritten. Unable to agree on a solution, the play closed after one week in Washington, DC, when Tearle became gravely ill. 1940s. In 1940, Ball appeared as the lead in the musical "Too Many Girls" where she met and fell in love with Desi Arnaz, who played one of her character's four bodyguards in the movie. Ball signed with Metro-Goldwyn-Mayer in the 1940s, but never achieved major stardom there. She was known in Hollywood circles as "Queen of the Bs" – a title previously held by Fay Wray and later more closely associated with  Ida Lupino and Marie Windsor – starring in a number of B-movies like "Five Came Back" (1939). Like many budding actresses, Ball picked up radio work to supplement her income and gain exposure. In 1937, she appeared regularly on "The Phil Baker Show". When its run ended in 1938, Ball joined the cast of "The Wonder Show" starring Jack Haley. There began her 50-year professional relationship with the show's announcer, Gale Gordon. "The Wonder Show" lasted one season, with the final episode airing on April 7, 1939. In 1942 Lucy starred opposite Henry Fonda in "The Big Street . MGM producer Arthur Freed purchased the Broadway hit musical play DuBarry Was a Lady" (1943) especially for Ann Sothern, but when she turned down the part, that role went to Ball, Sothern's real-life best friend. In 1943, Ball portrayed herself in "Best Foot Forward". In 1946, Ball starred in "Lover Come Back". In 1947, she appeared in the murder mystery "Lured" as Sandra Carpenter, a taxi dancer in London. In 1948, Ball was cast as Liz Cooper, a wacky wife in "My Favorite Husband", a radio comedy for CBS Radio. (At first, the character's name was Liz  Cugat; this was changed because of confusion with real-life bandleader Xavier Cugat, who sued.) 1950s. "My Favorite Husband" was successful, and CBS asked her to develop it for television. She agreed, but insisted on working with her real-life husband, Cuban bandleader Desi Arnaz. CBS executives were reluctant, thinking the public would not accept an Anglo-American redhead and a Cuban as a couple. CBS was initially unimpressed with the pilot episode, produced by the couple's Desilu Productions company. The pair went on the road with a vaudeville act, in which Lucy played the zany housewife, wanting to  get into Arnaz's show. Given the great success of the tour, CBS put "I Love Lucy" into their lineup. "I Love Lucy" was not only a star vehicle for Lucille Ball, but also a potential means for her to salvage her marriage to Arnaz. Their relationship had become badly strained, in part because of their hectic performing schedules, which often kept them apart, but mostly due to Desi's attraction to other women. Along the way, Ball created a television dynasty and achieved several firsts. She was the first woman to head a TV production company, Desilu, which she  had formed with Arnaz. After their divorce in 1960, she bought out his share and became a very actively engaged studio head. Desilu and "I Love Lucy" pioneered a number of methods still in use in TV production today, such as filming before a live studio audience with more than one camera, and distinct sets, adjacent to each other. During this time, Ball taught a 32-week comedy workshop at the Brandeis-Bardin Institute. She was quoted as saying, "You cannot teach someone comedy; either they have it or they don't." During the run of "I Love Lucy , Ball and Arnaz wanted to remain in their Los Angeles home, but time-zone logistics made that difficult. Since prime time in Los Angeles was too late to air a major network series live on the East Coast, filming in California would have meant giving most of the TV audience an inferior kinescope picture, delayed by at least a day. Sponsor Philip Morris pressured the couple into relocating, not wanting day-old kinescopes airing in major East Coast markets, nor did they want to pay the extra cost that filming, processing, and editing would require. Instead, the couple offered to 	Lucille Ball
21614549	take a pay cut to finance filming, which Arnaz did on better-quality 35 mm film and on the condition that Desilu would retain the rights of each episode once it aired. CBS agreed to relinquish the post-first-broadcast rights to Desilu, not realizing they were giving up a valuable and enduring asset. In 1957, CBS bought back the rights for $1,000,000 ($ in today's terms), giving Ball and Arnaz's down payment for the purchase of the former RKO Pictures studios, which they turned into Desilu Studios. I Love Lucy" dominated U.S. ratings for most of  its run. An attempt was made to adapt the show for radio using the "Breaking the Lease" episode (in which the Ricardos and Mertzes argue, and the Ricardos threaten to move, but find themselves stuck in a firm lease) as the pilot. The resulting radio audition disc has survived, but never aired. A scene in which Lucy and Ricky practice the tango, in the episode "Lucy Does The Tango", evoked the longest recorded studio audience laugh in the history of the show – so long that the sound editor had to cut that section of the soundtrack in half. During the  show's production breaks, Lucy and Desi starred together in two feature films: "The Long, Long Trailer" (1954) and "Forever, Darling" (1956). After "I Love Lucy" ended its run in 1957, the main cast continued to appear in occasional hour-long specials under the title "The Lucy–Desi Comedy Hour" until 1960. Desilu produced several other popular shows, such as "The Untouchables", "", and "". Lucy sold her shares of the studio to Gulf+Western in 1967 for $17,000,000 ($ in today's dollars) and it was renamed Paramount Television. 1960s and 1970s. The 1960 Broadway musical "Wildcat" ended its run early  when producer and star Ball could not recover from a virus and continue the show after several weeks of returned ticket sales. The show was the source of the song she made famous, "Hey, Look Me Over", which she performed with Paula Stewart on "The Ed Sullivan Show". Ball hosted a CBS Radio talk show entitled "Let's Talk to Lucy" in 1964–65. She also made a few more movies including "Yours, Mine, and Ours" (1968), and the musical "Mame" (1974), and two more successful long-running sitcoms for CBS: "The Lucy Show" (1962–68), which costarred Vivian Vance and Gale  Gordon, and "Here's Lucy" (1968–74), which also featured Gordon, as well as Lucy's real-life children, Lucie Arnaz and Desi Arnaz, Jr. She appeared on the Dick Cavett show in 1974 and discussed her work on "I Love Lucy", and reminisced about her family history, the friends she missed from show business, and how she learned to be happy while married. She also told a story about how she helped discover an underground Japanese radio signal after accidentally picking up the signal on the fillings in her teeth. Ball's close friends in the business included perennial co -star Vivian Vance and film stars Judy Garland, Ann Sothern, and Ginger Rogers, and comedic television performers Jack Benny, Barbara Pepper, Ethel Merman, Mary Wickes, and Mary Jane Croft; all except Garland appeared at least once on her various series. Former Broadway co-stars Keith Andes and Paula Stewart also appeared at least once on her later sitcoms, as did Joan Blondell, Rich Little, and Ann-Margret. Ball mentored actress and singer Carole Cook, and befriended Barbara Eden, when Eden appeared on an episode of "I Love Lucy". Ball was originally considered by Frank Sinatra for the role of Mrs.  Iselin in the Cold War thriller "The Manchurian Candidate". Director/producer John Frankenheimer, however, had worked with Angela Lansbury in a mother role in "All Fall Down", and insisted on having her for the part. Ball was the lead actress in a number of comedy television specials to about 1980, including "Lucy Calls the President", which featured Vivian Vance, Gale Gordon, and Mary Jane Croft, and "Lucy Moves to NBC", a special depicting a fictionalization of her move to the NBC television network. In 1959, Ball became a friend and mentor to Carol Burnett. She guested on Burnett's highly  successful CBS-TV special "Carol + 2" and the younger performer reciprocated by appearing on "The Lucy Show". Ball was rumored to have offered Burnett a chance to star on her own sitcom, but in truth, Burnett was offered (and declined) "Here's Agnes" by CBS executives. She instead chose to create her own variety show due to a stipulation that was on an existing contract she had with CBS. The two women remained close friends until Ball's death in 1989. Ball sent flowers every year on Burnett's birthday. Aside from her acting career, she became an assistant  professor at California State University, Northridge in 1979. 1980s. During the 1980s, Ball attempted to resurrect her television career. In 1982, she hosted a two-part "Three's Company" retrospective, showing clips from the show's first five seasons, summarizing memorable plotlines, and commenting on her love of the show. In 1983, both Lucille Ball and Gary Morton had partnered to set up a film and television production house at 20th Century Fox, that encompasses all film and television productions, and has plans to produce plays. A 1985 dramatic made-for-TV film about an elderly homeless woman, "Stone Pillow , received mixed reviews, but had strong viewership. Her 1986 sitcom comeback Life with Lucy", costarring her longtime foil Gale Gordon and co-produced by Ball, Gary Morton, and prolific producer Aaron Spelling, was cancelled less than two months into its run by ABC. In February 1988, Ball was named the Hasty Pudding Woman of the Year. In May 1988, Ball was hospitalized after suffering a mild heart attack. Her last public appearance, just one month before her death, was at the 1989 Oscars telecast, in which fellow presenter Bob Hope and she were given a standing ovation. HUAC Testimony. When  Ball registered to vote in 1936, she listed her party affiliation as Communist, as did her brother and mother. To sponsor the Communist Party's 1936 candidate for the California State Assembly's 57th District, Ball signed a certificate stating, "I am registered as affiliated with the Communist Party." The same year, the Communist Party of California appointed her to the state's Central Committee, according to records of the California Secretary of State. In 1937, Hollywood writer Rena Vale, a self-identified Communist, attended a class at an address identified to her as Ball's home according to her  testimony given before the US House of Representatives' Special House Un-American Activities Committee (HUAC), on July 22, 1940. Two years later, Vale affirmed this testimony in a sworn deposition: In a 1944 British Pathé newsreel, titled "Fund Raising for Roosevelt", Ball was featured prominently among several stage and film stars at events in support of President Franklin D. Roosevelt's fundraising campaign for the March of Dimes. She stated that in the 1952 US Presidential Election, she voted for Republican Dwight Eisenhower. On September 4, 1953, Ball met voluntarily with HUAC investigator William A. Wheeler in Hollywood and gave  him sealed testimony. She stated that she had registered to vote as a Communist "or intended to vote the Communist Party ticket" in 1936 at her socialist grandfather's insistence. She stated she "at no time intended to vote as a Communist". Her testimony was forwarded to J. Edgar Hoover in an FBI memorandum: Immediately before the filming of episode 68 ("The Girls Go Into Business") of "I Love Lucy", Desi Arnaz, instead of his usual audience warm-up, told the audience about Lucy and her grandfather. Reusing the line he had first given to Hedda Hopper in an interview , he quipped: Personal life. In 1940, Ball met Cuban-born bandleader Desi Arnaz while filming the Rodgers and Hart stage hit "Too Many Girls". When they met again on the second day, they connected immediately. They stopped and were married on November 30, 1940. Although Arnaz was drafted into the Army in 1942, he was classified for limited service due to a knee injury. He stayed in Los Angeles, organizing and performing USO shows for wounded GIs brought back from the Pacific. Ball filed for divorce in 1944, obtaining an interlocutory decree; however, she and Arnaz reconciled, precluding the entry  of a final decree. On July 17, 1951, less than three weeks prior to her 40th birthday, Ball gave birth to daughter Lucie Désirée Arnaz. A year and a half later, she gave birth to Desiderio Alberto Arnaz IV, known as Desi Arnaz, Jr. Before he was born, "I Love Lucy" was a solid ratings hit, and Ball and Arnaz wrote the pregnancy into the show. Ball's necessary and planned caesarean section in real life was scheduled for the same date that her television character gave birth. CBS insisted that a pregnant woman could not be shown on television , nor could the word "pregnant" be spoken on-air. After approval from several religious figures, the network allowed the pregnancy storyline, but insisted that the word "expecting" be used instead of "pregnant". (Arnaz garnered laughs when he deliberately mispronounced it as "spectin' ".) The episode's official title was "Lucy Is Enceinte", borrowing the French word for pregnant; however, episode titles never appeared on-screen. The episode aired on the evening of January 19, 1953, with 44 million viewers watching Lucy Ricardo welcome little Ricky, while in real life Ball delivered her second child, Desi Jr., that same day in Los  Angeles. The birth made the cover of the first issue of "TV Guide" for the week of April 3–9, 1953. In October 1956, Ball, Arnaz, Vance, and William Frawley all appeared on a Bob Hope special on NBC, including a spoof of "I Love Lucy", the only time all four stars were together on a color telecast. By the end of the 1950s, Desilu had become a large company, causing a good deal of stress for both Ball and Arnaz. On March 3, 1960, a day after Desi's 43rd birthday (and one day after filming the final episode of  The Lucy-Desi Comedy Hour), Ball filed papers in Santa Monica Superior Court, claiming married life with Desi was "a nightmare" and nothing at all as it appeared on "I Love Lucy". On May 4, 1960, they divorced; however, until his death in 1986, Arnaz and Ball remained friends and often spoke fondly of each other. Her real-life divorce indirectly found its way into her later television series, as she was always cast as an unmarried woman, each time a widow. The following year, Ball starred in the Broadway musical "Wildcat", co-starting Keith Andes and Paula Stewart. It  marked the beginning of a 30-year friendship with Stewart, who introduced Ball to second husband Gary Morton, a Borscht Belt comic 13 years her junior. According to Ball, Morton claimed he had never seen an episode of "I Love Lucy" due to his hectic work schedule. She immediately installed Morton in her production company, teaching him the television business and eventually promoting him to producer; he also played occasional bit parts on her various series. They had homes in Beverly Hills and Palm Springs, California, and in Snowmass Village, Colorado. Ball was outspokenly against the relationship her son had  with actress Patty Duke. Later, commenting on when her son dated Liza Minnelli, she said, "I miss Liza, but you cannot domesticate Liza." Illness and death. On April 18, 1989, Ball was admitted to Cedars-Sinai Medical Center in Los Angeles after experiencing chest pains. She was diagnosed with a dissecting aortic aneurysm and underwent surgery to repair her aorta and a successful seven-hour aortic valve replacement. Shortly after dawn on April 26, Ball awoke with severe back pain, then lost consciousness; she died at 5:47 am PDT at the age of 77. Doctors determined that Ball had  succumbed to a ruptured abdominal aortic aneurysm not directly related to her surgery. A greater incidence of aortic aneurysm is seen in cigarette smokers and Ball had been a heavy smoker most of her life. Three memorial services were held for Ball. She was cremated and the ashes were initially interred in Forest Lawn – Hollywood Hills Cemetery in Los Angeles, where her mother was also buried. In 2002, Ball and her mother's remains were re-interred at the Hunt family plot at Lake View Cemetery in Jamestown, in accordance with Ball's wishes to be buried near her mother . Her brother's remains were also interred there in 2007. Recognition and legacy. Ball received many tributes, honors, and awards throughout her career and posthumously. On February 8, 1960, she was given two stars on the Hollywood Walk of Fame: at 6436 Hollywood Boulevard, for contributions to motion pictures; and at 6100 Hollywood Boulevard, for her contribution to the arts and sciences of television. Acting on advice given to her by Norman Vincent Peale in the early 1960s, Ball collaborated with Betty Hannah Hoffman on an autobiography that covered her life until 1964. Her former attorney found the manuscript, postmarked  1966, while going through old files. He sent it and the tapes of interviews, conducted by Hoffman and used to write the manuscript, to Lucie Jr. and Desi Jr, who had been put in charge of Ball's estate. It was subsequently published by Berkley Publishing Group in 1997. The book was released on audio through Audible on July 9, 2018, read by her daughter. In 1976, CBS paid tribute to Ball with the two-hour special "CBS Salutes Lucy: The First 25 Years." On December 7, 1986, Ball was recognized as a Kennedy Center Honors recipient. The part of  the event focused on Ball was particularly poignant, as Desi Arnaz, who was to introduce Lucy at the event, had died from cancer just five days earlier. Friend and former Desilu star Robert Stack delivered the emotional introduction in Arnaz's place. Posthumously, Ball received the Presidential Medal of Freedom from President George H. W. Bush on July 6, 1989, and The Women's International Center's Living Legacy Award. The Lucille Ball Desi Arnaz Museum & Center for Comedy is in Ball's hometown of Jamestown, New York. The Little Theatre was renamed the Lucille Ball Little Theatre in her  honor. The street she was born on was renamed Lucy Street. Ball was among "Time" magazine's "100 Most Important People of the Century". On June 7, 1990, Universal Studios Florida opened a walk-through attraction dedicated to Ball, "Lucy – A Tribute." It featured clips of shows, facts about her life, displays of items she owned or that were associated with her, and an interactive quiz. It remained open until August 17, 2015. In 1991, CBS aired "", starring Frances Fisher. On August 6, 2001, the United States Postal Service honored what would have been Ball's 90th birthday with a  commemorative postage stamp as part of its Legends of Hollywood series. Ball appeared on 39 covers of "TV Guide," more than any other person, including its first cover in 1953 with her baby son, Desi Arnaz Jr. "TV Guide" voted her the "Greatest TV Star of All Time", and ilater commemorated the 50th anniversary of "I Love Lucy" with eight covers celebrating memorable scenes from the show. In 2008, it named "I Love Lucy" the second-best television program in American history, after "Seinfeld". For her contributions to the Women's Movement, Ball was inducted into the National Women's  Hall of Fame in 2001. The Friars Club named a room in its New York clubhouse the Lucille Ball Room. She was posthumously awarded the Legacy of Laughter Award at the fifth Annual TV Land Awards in 2007. In November 2007, she was chosen as number two on a list of the 50 Greatest TV Icons; however, a public poll chose her as number one. On August 6, 2011, Google's homepage showed an interactive doodle of six classic moments from "I Love Lucy" to commemorate what would have been Ball's 100th birthday. On the same day, 915 Ball  look-alikes converged on Jamestown to celebrate the birthday and set a new world record for such a gathering. Since 2009, a statue of Ball has been on display in Celoron, New York, that residents deemed "scary" and not accurate, earning it the nickname "Scary Lucy". On August 1, 2016, it was announced that a new statue of Ball would replace it on August 6. However, the old statue had become a local tourist attraction after receiving media attention, and it was placed from its original location so visitors could view both statues. Rachel York and Madeline Zima portrayed Ball  in a biographical television film titled "Lucy" which was directed by Glenn Jordan and originally broadcast on CBS on May 4, 2003. In 2015, it was announced that Ball would be played by Cate Blanchett in an untitled biographical film, to be written and directed by Aaron Sorkin. Subsequently, Nicole Kidman was hired to portray Ball when Sorkin's film entitled "Being the Ricardos" was produced in 2021. On February 8, 2022, Nicole Kidman received a nomination for the Academy Award for Best Actress for her portrayal of Ball. Kidman also won the Golden Globe Award for Best Actress in  a Motion Picture – Drama for her performance. A 2017 episode of "Will & Grace" paid homage to Ball by replicating the 1963 shower scene from the episode “Lucy and Viv Put in a Shower" from "The Lucy Show". Three years later, an entire episode was dedicated to her by recreating four scenes from "I Love Lucy". Ball's character Lucy Ricardo was portrayed by Gillian Anderson in the "American Gods" episode "The Secret of Spoons" (2017). Ball was portrayed by Sarah Drew in the play "I Love Lucy: A Funny Thing Happened on the Way to the Sitcom", a comedy about  how Ball and her husband battled to get their sitcom on the air. It premiered in Los Angeles on July 12, 2018, co-starring Oscar Nuñez as Desi Arnaz, and Seamus Dever as "I Love Lucy" producer-head writer Jess Oppenheimer. The play was written by Oppenheimer's son, Gregg Oppenheimer. BBC Radio 4 broadcast a serialized version of the play in the UK in August 2020, as "LUCY LOVES DESI: A Funny Thing Happened on the Way to the Sitcom," starring Anne Heche as Ball. Ball was a well-known gay-rights supporter, stating in a 1980 interview with  People: "It's perfectly all right with me. Some of the most gifted people I've ever met or read about are homosexual. How can you knock it?" Works and accolades. Awards and nominations. Ball's awards and nominations references: External links.