Japanese pagoda
Pagodas in Japan are called , sometimes or and historically derive from the Chinese pagoda, itself an interpretation of the Indian "stupa". Like the "stupa", pagodas were originally used as reliquaries but in many cases they ended up losing this function. Pagodas are quintessentially Buddhist and an important component of Japanese Buddhist temple compounds but, because until the Kami and Buddhas Separation Act of 1868, a Shinto shrine was normally also a Buddhist temple and vice versa, they are not rare at shrines either. The famous Itsukushima Shrine, for example, has one. After the Meiji Restoration the word "tō , once used exclusively in a religious context, came to mean also tower" in the western sense, as for example in . Of the Japanese pagoda's many forms, some are built in wood and are collectively known as , but most are carved out of stone (. Wood pagodas are large buildings with either two stories (like the , see photo below) or an odd number of stories. Extant wood pagodas with more than two storeys have almost always either three stories (and are therefore called ) or five (and are called . Stone pagodas are nearly always small, usually well below 3 metres, and as  a rule offer no usable space. If they have more than one storey, pagodas are called or . A pagoda's size is measured in "ken", where a "ken" is the interval between two pillars of a traditional-style building. A "tahōtō" for example can be either 5x5 ken or 3x3 "ken". The word is usually translated in English as "bay" and is better understood as an indication of proportions than as a unit of measurement. History. The "stupa" was originally a simple mound containing the Buddha's ashes which in time became more elaborate, while its finial grew proportionally larger . After reaching China, the stupa met the Chinese watchtower and evolved into the pagoda, a tower with an odd number of storeys. Its use then spread to Korea and, from there, to Japan. Following its arrival in Japan together with Buddhism in the 6th century, the pagoda became one of the focal points of the early Japanese "garan". In Japan it evolved in shape, size and function, finally losing its original role as a reliquary. It also became extremely common, while on the Asian continent it is rare. With the birth of new sects in later centuries, the pagoda lost  importance and was consequently relegated to the margins of the "garan". Temples of the Jōdo sects rarely have a pagoda. During the Kamakura period the Zen sect arrived in Japan and their temples do not normally include a pagoda. Pagodas originally were reliquaries and did not contain sacred images, but in Japan many, for example Hōryū-ji's five-storied pagoda, enshrine statues of various deities. To allow the opening of a room at the ground floor and therefore create some usable space, the pagoda's central shaft, which originally reached the ground, was shortened to the upper stories, where  it rested on supporting beams. In that room are enshrined statues of the temple's main objects of worship. Inside Shingon pagodas there can be paintings of deities called ; on the ceiling and on the central shaft there can be decorations and paintings. Design and structure evolution. The edge of a pagoda's eaves forms a straight line, with each following edge being shorter than the other. The more difference in length (a parameter called in Japanese) between stories, the more solid and secure the pagoda seems to be. Both "teigen" and the finial are greater in older pagodas, giving  them a sense of solidity. Vice versa, recent pagodas tend to be steeper and have shorter finials, creating svelter silhouettes. From the structural point of view, old pagodas had a over which stood the . Around it would be erected the first storey's supporting pillars, then the beams supporting the eaves and so on. The other stories would be built over the completed one, and on top of the main pillar would at last be inserted the finial. In later eras, all of the supporting structures would be erected at once, and later to them were fixed parts of more  cosmetic function. Early pagodas had a central pillar that penetrated deep into the ground. With the evolution of architectural techniques, it was first put to rest on a base stone at ground level, then it was shortened and put to rest on beams at the second storey to allow the opening of a room. Their role within the temple declined gradually while they were being functionally replaced by main halls ("kondō"). Originally the centerpiece of the Shingon and Tendai "garan", they were moved later to its edges and finally abandoned, in particular by the Zen sects, the last to appear  in Japan. Loss of importance of the pagoda within the garan. Because of the relics they contained, wooden pagodas used to be the centerpiece of the "garan", the seven edifices considered indispensable for a temple. They gradually lost importance and were replaced by the "kondō" (golden hall), because of the magic powers believed to lie within the images the building housed. This loss of status was so complete that Zen schools, which arrived late in Japan from China, normally do not have any pagoda in their "garan". The layout of four early temples clearly illustrates this trend: they are in  chronological order Asuka-dera, Shitennō-ji, Hōryū-ji, and Yakushi-ji. In the first, the pagoda was at the very center of the "garan" surrounded by three small "kondō" (see the reconstruction of the temple's original layout). In the second, a single "kondō" is at the center of the temple and the pagoda lies in front of it. At Hōryū-ji, they are one next to the other. Yakushi-ji has a single, large "kondō" at the center with two pagodas on the sides. The same evolution can be observed in Buddhist temples in China. Stone pagodas. Stone pagodas  ("sekitō") are usually made of materials like apatite or granite, are much smaller than wooden ones and are finely carved. Often they bear sanskrit inscriptions, Buddhist figurines and Japanese lunar calendar dates "nengō". Like wooden ones, they are mostly classifiable on the basis of the number of stories as "tasōtō" or "hōtō", but there are however some styles hardly ever seen in wood, namely the "gorintō", the "muhōtō", the "hōkyōintō" and the "kasatōba". Section::::"Tasōtō" or "tajūtō". With a few very rare exceptions, "tasōtō" (also called "tajūtō", 多層塔) have an odd number of stories, normally comprised between three and thirteen. They  are usually less than three meters tall, but they can occasionally be much taller. The tallest still extant is a 13-storey pagoda at Hannya-ji in Nara, which is 14.12 m. They are often dedicated to Buddha and offer no usable room, but some have a small space inside which holds a sacred image. In the oldest extant specimen, while the edge of each storey are parallel to the ground, each successive storey is smaller than the next, resulting in a strongly slanted curve. More modern "tasōtō" tend to have a less pronounced curve. Section::::"Hōtō". A is a pagoda  consisting of four parts: a low foundation stone, a cylindrical body with a rounded top, a four-sided roof and a finial. Unlike the similar "tahōtō" (see section below) it has no enclosed pent roof ("mokoshi") around its circular core. Like the "tahōtō" it takes its name from Buddhist deity . The "hōtō" was born during the early Heian period, when the Tendai and Shingon sects first arrived in Japan. Indeed, because it does not exist on the Asian continent, it is believed to have been invented in Japan. There used to exist full-size "hōtō", but almost only miniature ones  survive, normally made of stone and/or metal. Section::::"Gorintō". The is a pagoda found almost only in Japan and believed to have been first adopted by the Shingon and Tendai sects during the mid Heian period. It is used as a tomb marker or as a cenotaph, and is therefore a common sight in Buddhist temples and cemeteries. It is also called ("five-ringed stupa") or , where the term "sotoba" is a transliteration of the Sanskrit word stupa. In all its variations, the "gorintō" is made of five blocks (although that number can sometimes be difficult to detect), each having one  of the five shapes which symbolize of the Five Elements believed to be the basic building blocks of reality: earth (cube), water (sphere), fire (pyramid), air (crescent), and ether, energy, or void (lotus). The last two rings (air and ether) are visually and conceptually united into a single subgroup. Section::::"Hōkyōintō". The is a large stone pagoda so called because it originally contained the sūtra. It was originally used as a cenotaph for the King of Wuyue - Qian Liu in China. The "hōkyōintō" tradition in Japan is believed to have begun during the Asuka period (550–710 CE). They used to be  made of wood and started to be made in stone only during the Kamakura period. It is also during this period that they started to be used as tombstones and cenotaphs. The "hōkyōintō" started to be made in its present form during the Kamakura period. Like a "gorintō", it is divided in five main sections representing the five elements of Japanese cosmology. The sūtra it sometimes hides contain all the pious deeds of a Tathagata Buddha, and the faithful believe that, by praying in front of the "hōkyōintō", their sins will be canceled, during their lives they will be protected  from disasters and after death they will go to heaven. Section::::"Muhōtō" or "rantō". The or is a pagoda which usually marks the gravesite of a Buddhist priest. It was originally used by just the Zen schools, but it was later adopted by the others too. Its characteristic egg-shaped upper portion is supposed to be a phallic symbol. Section::::"Kasatōba". A (see photo in the gallery below) is simply a square stone post placed over a square base and covered by a pyramidal roof. Over the roof stand a bowl-shaped stone and a lotus-shaped stone. The shaft can be  carved with Sanskrit words or low-relief images of Buddhist gods. Within the shaft there can be stone wheels which allow the faithful to turn the stupa around while praying as with a prayer wheel. Section::::"Sōrintō". The is a type of small pagoda consisting just of a pole and a "sōrin". Wooden pagodas. Section::::"Tasōtō". Wooden "tasōtō" are pagodas with an odd number of stories. Some may appear to have an even number because of the presence between stories of purely decorative enclosed pent roofs called "mokoshi" A famous example is Yakushi-ji's eastern pagoda (see photo to the left ), which seems to have six stories but has in fact only three. Another is the "tahōtō" (see below), which has a single storey, plus a "mokoshi" under its roof, and seems therefore to have two stories. There existed specimen with seven or nine stories, but all extant ones have either three (and are therefore called ) or five (and are called .（Tanzan Jinja in Sakurai, Nara, has a pagoda having thirteen, which however for structural reasons is classified separately, and is not considered a "tasōtō".) The oldest three-storied pagoda stands at Nara's Hokki-ji and was built between 685  and 706. The oldest extant five-storied pagoda belongs to Hōryū-ji and was built some time during the Asuka period (538 -710). The tallest wooden "tasōtō" belongs to Tō-ji, Kyoto. It has five stories and is 54 m tall. Section::::"Hōtō". A wooden "hōtō" is a rare type of pagoda consisting of four parts: a low foundation stone, a cylindrical body with a rounded top, a pyramidal roof and a finial. Unlike the similar "tahōtō" (see section below) it has no square enclosed pent roof ("mokoshi") around its cylindrical core. Like the "tahōtō" it takes its name from Buddhist  deity . The "hōtō" was born during the early Heian period, when the Tendai and Shingon Buddhist sects first arrived in Japan. There used to be many full-size "hōtō", but almost only miniature ones survive, normally made of stone and/or metal. A good example of full-size "hōtō" can be seen at Ikegami Honmon-ji in Nishi-magome, Tokyo. The pagoda is 17.4 meter tall and 5.7 meter wide. Section::::"Tahōtō". The "tahōtō" is a type of wooden pagoda unique for having an even number of stories (two), the first square with a rounded core, the second circular. This style of  tō was created surrounding the cylindrical base of a "hōtō" (see above) with a square, roofed corridor called "mokoshi". The core of the pagoda has just one storey with its ceiling below the circular second storey, which is inaccessible. Like the "tasōtō" and the "rōmon", in spite of its appearance it therefore offers usable space only at the ground floor. Because its kind does not exist either in Korea or in China, it is believed to have been invented in Japan during the Heian period (794 - 1185). The "tahōtō" was important enough to be considered one of the seven indispensable  buildings (the so-called "shichidō garan") of a Shingon temple. Kūkai himself is responsible for the construction of the "tahōto" at Mount Kōya's Kongōbu-ji. Section::::"Daitō". Usually the base of a "tahōtō" is 3-"ken" across with four main, supporting pillars called at the corners (see drawing). The room the "shitenbashira" form houses a sanctuary where the main objects of worship (the "gohonzon") are enshrined. Larger, 5x5 "ken" "tahōtō" however exist and are called because of their dimensions. This is the only type of "tahōtō" to retain the original structure with a wall separating the corridor ("mokoshi") from the core  of the structure. This type of pagoda used to be common but, of all "daitō" ever built, only three are still extant. One is at Wakayama prefecture's Negoro-ji, another at Kongōbu-ji, again in Wakayama, and the last at Kirihata-dera, Tokushima prefecture. The "daitō" at Kongōbu-ji was founded by Shingon sect's Kūkai. The specimen found at Negoro-ji (see photo above) is 30.85 meters tall and a National Treasure. Section::::"Sotōba". Often offertory strips of wood with five subdivisions and covered with elaborate inscriptions called can be found at tombs in Japanese cemeteries (see photo in  the gallery below). The inscriptions contain sūtra and the posthumous name of the dead person. Their name derives from the Sanskrit stūpa, and they can be also considered pagodas.