Elaine Barkin
Elaine Barkin née Radoff (born 15 December 1932) is an American composer, writer, and educator. Early life. Elaine Radoff was born in The Bronx, New York City, lived in the Amalgamated Houses, attended Bronx High School of Science, Third Street Music School Settlement, and Queens College (BA in 1954), where she studied composition and theory with Karol Rathaus, Sol Berkowitz, Leo Kraft, and Saul Novack. At Brandeis University (MFA in 1956, PhD in 1971), her mentors in composition and theory were Irving Fine, Harold Shapero, Arthur Berger, and Seymour Shifrin. In the Summer of 1955 she worked with  Boris Blacher at Tanglewood and then in 1956 and 1957 at the Berlin Hochschule für Musik on a Fulbright fellowship. In 1963, Barkin was asked by Benjamin Boretz, founding editor of the composers' journal "Perspectives of New Music", to join as editor, a post she held until 1985. In 1972 she served as co-editor and when John Rahn became editor in 1984, she remained on for a year as advisory editor. Career. Barkin taught music appreciation, music theory, and composition at Queens College (1964–69), the University of Michigan (1970–74), Princeton University (Spring 1974, Council of the Humanities Fellowship), and  the University of California, Los Angeles (UCLA), 1974–97. She also taught at Sarah Lawrence College (1969); National Chiao Tung University, Taiwan (May 1989); Victoria University of Wellington, New Zealand (Spring 1994); and the Institute for Shipboard Education's Semester at Sea (Fall 1996). Barkin's compositional output includes works for: solo instruments, chamber ensembles, and orchestra; 4-track tape collages; solo voice and chorus; Balinese and Javanese gamelan; dancers and multi-media theater, including a chamber opera; graphic scores and scenarios for improvisation; symphonic wind ensemble; electronic-MIDI media. In the 1980s, Barkin's interests turned to collaborative endeavors, real -time interactive music-making, out of which emerged UCLA's Experimental Workshop. She joined UCLA's Javanese and Balinese Gamelan ensembles and made five trips to Bali and Java to study new music for gamelan under the auspices of a University of California Pacific Rim Research Grant with colleagues Linda Burman-Hall, Sue Carole DeVale, and David Cope. In 1989 Barkin, Benjamin Boretz and James K. Randall co-founded the Open Space music publications series. Barkin has published books and professional articles in journals including "Perspectives of New Music". Personal life. In 1957 she married writer, editor, and computer programmer  George J. Barkin (1928–2020). They have three sons: Victor, Jesse, and Gabriel. Works. Principal compositions Publishers: Mobart Music; Association for the Promotion of New Music; American Gamelan Institute; Yelton-Rhodes Music < www.yrrmusic.com > Recordings: cassettes, CDs, videos Books and articles Barkin has published reviews, analyses, speculative texts, interviews, commentaries, and graphics in: "Perspectives of New Music", "The Musical Quarterly", "Music Review", "Contemporary Music Newsletter", "Journal of Music Theory", "Balungan", "Journal of the Arnold Schoenberg Institute", "American Music", "Grove Dictionary of American Music" and "Grove Online", "Sonus", "Intercultural Music", "News of Music", "G.E.M.S. Online Journal", the "Journal of the International  Alliance for Women in Music", and "The Open Space Magazine".