Saturday Evening Girls
The Saturday Evening Girls club (1899-1969) was a Progressive Era reading group for young immigrant women in Boston's North End. The club hosted educational discussions and lectures as well as social events, published a newspaper called the "S. E. G. News", and operated the acclaimed Paul Revere Pottery. Financed by philanthropist Helen Storrow and run by librarian Edith Guerrier and her partner, artist Edith Brown, the club originated at the North Bennet Street Industrial School (NBSIS), a community charity building that provided educational opportunities and vocational training. Meetings were later held at the Library Club  House at 18 Hull Street. Storrow also provided a house in Gloucester, Massachusetts, where club members could vacation in the summer. Mission. The purpose of the club was to provide intellectual and social stimulation for the young working-class women of the North End, most of whom were from Italian Catholic or Eastern European Jewish immigrant families. At the time, the North End was an overcrowded tenement neighborhood with the highest child mortality rate in the city. Like many other clubs and charity organizations of the era, those at NBSIS were designed to Americanize young people by exposing them to  middle-class White Anglo-Saxon Protestant culture. Additionally, Guerrier was instructed to "draw these girls in, from the perils of the street"; that is, to keep them away from saloons, dance halls, and other amusements which were seen as unsavory and leading to prostitution. In reality, most Jewish and Italian immigrant girls in those days were closely watched over by their families and forbidden to leave the house at night without a chaperone. History. Founding. In 1899, a young art student named Edith Guerrier applied for a position in the day nursery at the North Bennet Street Industrial School. She  approached the school's founder, Helen Storrow, with a letter of introduction from her uncle, William Garrison, Jr., who was an old friend of Guerrier's father. Soon afterwards, Guerrier was tasked with maintaining the school's reading room, officially known as "Station W" of the Boston Public Library. Her story-hour quickly gained immense popularity with young women at the school, forming the foundation of what in 1901 became the Saturday Evening Girls' Club (S.E.G.). Activities. The multiple reading groups that Guerrier led were organized and named after the day of the week the women met; the Saturday Evening  Girls consisted mostly of young women with jobs or family obligations that kept them busy the rest of the week. Through activities and group discussions, the S.E.G. exposed the women to an array of experiences across religious, language, and ethnic divides. Weekly meetings covered subjects such as music, literature, art, economics, and job opportunities. Often, prominent members of the Boston community would attend the S.E.G. meetings and give lectures or lead group discussions on historical or contemporary issues. Speakers included a variety of professionals, academics, religious leaders, activists, artists, and writers. The club also organized parties, plays, folk-dancing recitals , and concerts by local performers. Around 1906, Storrow bought a 14-bedroom house on Wingaersheek Beach in West Gloucester, Massachusetts, as a summer camp for club members. Storrow paid for a director and an assistant, and the members paid most of their own expenses. In addition to the funding from Helen Storrow, the club depended on volunteer work and donations. To raise funds, club members ran a restaurant and put on plays and other performances. In 1910 they staged a production of "The Merchant of Venice" at the home of Isabella Stewart Gardner. S. E. G. Club members contributed financially  to the clubs for the younger women and girls, as well as mentoring them. Each member was also expected to contribute an hour of service each week to the clubhouse. In 1914, busy with other projects, Storrow withdrew her support for the library clubs, and the Saturday Evening Girls took over the responsibility. The clubs were moved to a space in the new North End branch of the library. Involvement in the S.E.G. provided the space to advance women's education in a manner that worked outside of traditional education methods, exposing the young women to opportunities for socializing without  fear of provocation for being female, or for belonging to a specific religious group or ethnicity. The women participating in S.E.G. stand out from turn-of-the-century women at large, as S.E.G.'s members pursued higher education at a significantly higher rate than the native-born women surrounding them. The S. E. G. News. The club published a newspaper, the "S. E. G. News", from 1912 to 1917. The editor in chief was Fanny Goldstein (May 15, 1895 - December 26, 1961), a Russian immigrant who had left school to go to work at 13. Goldstein continued her education part -time, taking evening classes at Simmons College (now Simmons University), Boston University, and Harvard University. She went on to head the West End branch of the Boston Public Library, where she worked with noted journalist and librarian George Washington Forbes. Goldstein conceived the idea for Jewish Book Week in Boston in the 1920s; her idea was later adopted by Jewish communities across the country. The "S. E. G. News" printed club announcements, editorials (such as "Dire Dress" by Fanny Goldstein), informational articles (such as "Telegraphy as a Vocation for Women" by Sarah Wolk), personal reminiscences (such as "Fifteen Years Later  by Frank Rizzo), poetry by Charlotte Perkins Stetson and Evelyn Underhill, children's plays by Edith Guerrier, book reviews, lists of recommended magazine articles, and advertisements for local businesses such as Hood's Milk. Contemporary issues such as Zionism and preparedness for war were also addressed. Newsletters such as the S. E. G. News" made a small but significant contribution to the education of their readers. The Paul Revere Pottery. In 1908, Edith Guerrier and Edith Brown, with financial help from Helen Storrow, started a small pottery in the cellar of their home in Chestnut Hill, Massachusetts. Soon afterwards it  was moved to the basement of the Library Club House at 18 Hull Street. It was named the Paul Revere Pottery because of its proximity to the Old North Church, where friends of Paul Revere had famously hung two lanterns to signal to him that the British were coming. In 1915 it moved to the Aberdeen section of Boston's Brighton neighborhood. In 1916, it was incorporated as the Paul Revere Pottery Company. The pottery was more than an arts and crafts project designed to keep young women off the streets; it provided them with decent jobs. Working conditions at  the pottery were better than the women could have expected elsewhere: they worked an eight-hour day and received a fair wage, daily hot lunches, and a yearly paid vacation. The pottery flourished for several decades, garnering national and international recognition through features in magazines, journals, and newsletters. It closed its doors in 1942. Paul Revere wares are now valuable collectors' items. Disbandment. Although the club's membership began to dwindle after World War I, the Saturday Evening Girls continued to meet on an irregular basis until the club was dissolved in 1969. Papers and photographs pertaining to the club  were collected by Barbara Maysles Kramer and are available in the Joseph P. Healey Library, University of Massachusetts Boston. 18 Hull Street, formerly the Library Club House, is a site on the Boston Women's Heritage Trail.