Ash (album)
Ash is the second studio album of French-Cuban R&B duo Ibeyi, consisting of twin sisters Lisa-Kaindé Diaz and Naomi Diaz. It was recorded in November 2016 and produced by Richard Russell. "Ash" differs from their self-titled first album for its more societal themes, features from high-profile artists such as Kamasi Washington, Meshell Ndegeocello, and Chilly Gonzales, and its upbeat tone. "Ash" has themes similar to those on Beyoncé's "Lemonade" (2016) and Solange's "A Seat at the Table" (2016) regarding racism, empowerment, and female problems. In presenting them, it uses samples from writings  such as Claudia Rankine's "" (2014), a diary by Frida Kahlo, and Michelle Obama's speech about Donald Trump and his sexual misconduct. "Ash" was released on 29 September 2017 by XL Recordings and was critically well received in general. Multiple reviewers highlighted its uplifting take on political issues and its dynamic sound and style. However, some critics disliked the addition of electronic processing such as auto-tune as well as the preachy way it presented it messages. The album landed on the year-end lists of publications such as "Pitchfork", "Rolling Stone", "Clash", and "Exclaim!". Commercially, it peaked at  number 19 on the French Albums Chart, and two of its songs, "Away Away" and "Deathless", reached number 175 and 190 on the French Singles Chart respectively. Production. Ibeyi wrote most of "Ash" while touring, one song, "I Wanna Be Like You", "written a long time ago", Ibeyi stated. "Numb" was originally made for an American television series, but Ibeyi claimed that it "didn't quite fit in the end" and landed on "Ash"<nowiki>'</nowiki>s track listing. Produced by XL Recordings founder Richard Russel, "Ash" was tracked in November 2016 at his private London studio The Copper House. "Ash  differs from Ibeyi's previous self-titled album for its use of auto-tune processing, its increased amount of lead vocal parts performed by Naomi, and performances from other well-known musicians. Lisa explained in a Stereogum" interview that they used auto-tune because it was "really organic", "a way to lighten some words and leave some others in the shadows." Artists such as Spanish rapper Mala Rodríguez, American saxophonist Kamasi Washington, bassist Meshell Ndegeocello, and pianist Chilly Gonzales, one of Ibeyi's favorite artists, contributed to "Ash". As Lisa stated in regards to Ndegeocello's work on the song  Transmission, "We couldn’t even really believe it and the fact that she’s on that song called Transmission, when we feel like she transmitted so much to us through her albums, we were absolutely delighted." Composition. While continuing the musical stylings of Ibeyi's self-titled LP, "Ash" has a brighter tone, and Lisa stated, "We made this album thinking about people at our shows, thinking about how to make them move, and how to make them sing loud and how to give them energy." As with the duo's first album, "Ash" features lyrics that are in the  English and Yoruba languages and a Spanish song titled "Me Voy." "The Skinny" noted its use of "contrast and duality", in particular the differences between the timbre of the two Dias sisters, the variety of languages and tempos. The magazine used "Away Away" as an example, which has a dark instrumental that plays with an otherwise bright lead riff. "Ash" also follows more societal topics than the personal themes on Ibeyi's previous record. Recorded during the 2016 presidential election and described by "Vogue" magazine as a "sounding board for global resistance," "Ash" deals with themes of racism, empowerment, and  conditions related to being a female. The lyrical themes were compared to the works of Beyoncé, Solange, and Dev Hynes, "other artists who have met today’s emboldened hate with meditations on resilience and mindful resistance," Stacey Anderson wrote in a 2017 review. More specifically, the LP is similar to Beyoncé's "Lemonade" (2016) and Solange's "A Seat at the Table" (2016) for its method of combining personal emotions with political aspects. Anderson also analyzed, "At first, Ibeyi’s bright rhythms can feel deceptively stable, their harmonies uninhibited as they dip into dissonance, but they are deliberate in revealing  the depth of their sadness." Writer Nadia Younes states that on "Ash", "there’s a sense of grieving for humanity and society and they express an anger towards the way we treat each other while ultimately trying to remain hopeful for the future." Several of "Ash"<nowiki>'</nowiki>s themes are presented via the use of references and samples to other works. The title of "No Man is Big Enough for My Arms" is a line Lisa read in Jennifer Clement's book "Widow Basquiat: A Memoir" (2000). Suzanne Mallouk says the line in the part of the novel where she 's seven years old talking to an old man. The track includes audio snippets of a speech by Michelle Obama criticizing Donald Trump's misbehavior towards other women. The start and end of the song depicts Obama saying "The measure of any society is how it treats its women and girls," and original lyrics and more lines from the speech are performed together in the middle of the song. Naomi explained that "it was a powerful speech because it was not politics anymore. It was a woman talking to other women." "Deathless" is a song about racial profiling and is  based on a time when Lisa Dias was searched by a policeman in Paris Métro at the age of 16. She sings, "He said, he said / You’re not clean / You might deal / All the same with that skin." The producer of "Ash", XL owner Richard Russell, recommended Lisa to write a song based on the experience, but she was reluctant to do so at first, feeling it wasn't as "brutal or disturbing" as worse events she had seen reported in the news. However, Naomi then told her, "You don’t have to be raped or killed or pushed  in order to say something, what happened to you is already wrong and enough," which influenced both sisters to write "Deathless." The choir-heavy rumba song "Transmission" include samples of Claudia Rankine reading parts of her novel "" (2014) and Naomi and Lisa-Kaindé Diaz's mother Maya Dagnino reading lines from a diary by Frida Kahlo. Lisa felt it was one of "Ash"<nowiki>'</nowiki>s most "important" cuts, claiming that it's "about everything we believe in. We believe in transmission. We believe in saying to people this is how I felt, this is me. Thank God I have music ! Thank God!" She also said that it regarded "Not only saying how you feel, but looking at how people are feeling around you and trying to understand them; finding what links us more than what divides us. Then, learning from our past and learning from other people’s past and learning from history, which is really hard." "Noisey" states that "Vale", a "lullaby" for a daughter of the duo's deceased sister Yanira, is meant to "offer hope to a younger generation of women. Women who have to grow up in the tumultuous current times that have shaped much of  this album." Release and promotion. In an article for "The Fader" published on 4 May 2017, Anupa Mistry revealed that she listened to a rough mix of the yet-untitled second Ibeyi album while interviewing the duo at their Havana home. She noted that it consisted of "crystalline parallel harmonies and minimalist Latin percussion that Russell embellishes with drum machines and twinkling synth lines" and also announced the musicians featured on it. It was also revealed that it was going to be more "playful" and less "emotional" than Ibeyi's self-titled debut. The lead single of Ibeyi's second  album, "Away Away" (which a snippet of was released on Ibeyi's Instagram on 7 June 2017) was issued on 9 June 2017. "The Fader" premiered its video, which depicts Ibeyi singing and dancing in a recording studio, the same day. On 31 August 2017, the title of the album was announced as "Ash" and "Deathless" and its music video were released. The video, directed by Ed Morris, is a surrealistic depiction of a woman giving birth to a child. The third single and video from "Ash", "Me Voy", was released on 14 September 2017. The video depicts Ibeyi and  Mala Rodríguez dancing on colorful stages. A video for "I Wanna Be Like You", directed by Remi Besse, was released 28 September 2017 and depicts the Dias sisters "as each other's opposite", "Under the Rader" magazine stated. XL Recordings finally distributed "Ash" on 29 September 2017. Reception. Many critics praised how "Ash" handled its political themes, more specifically its uplifting tone in doing so. Adriane Pontecorvo of "Popmatters" was enthusiastic towards Ibeyi's "unquestionable virtuosity" in presenting its messages, also claiming that they "show far older, wiser souls than most of their peers." The album garnered a "Best New  Music" label from "Pitchfork", where Anderson claimed, "Ibeyi could have laid down, many times over, in the ashes of their idealism. Instead, with the same ascendant spirit, with soaring harmonies and conviction, they continue to smile, and they defy. They rise." An AllMusic journalist praised "Ash" for being "many things: militant, vulnerable, and tender; it is urgent yet unhurried, its sharp edges unapologetically exposed. It is rooted in struggles and seeks victory, not deliverance. It is not only memorable, but indomitable and beautiful." "Drowned in Sound" applauded the LP for being "characterised by defiance: rather than wallowing, it soberly reflects ; rather than crying it howls." He also praised it for having "a true sense of journey through its beginning, middle and end, an element often disregarded in an industry gluttonously obsessed with hit singles." Another common praise was "Ash"<nowiki>'</nowiki>s dynamic sound and style. "Houston Chronicle" writer Andrew Dansby called it his third favorite album of 2017, reasoning that it was "more striking and assertive in establishing a sonic identity that pulls from points near, far and further" than Ibeyi's first album. "Now" critic Chaka V. Grier called "Ash" a "dynamic experience", also claiming it "can only emerge  from the souls and mouths of these two sisters, an organic extension of their lives, beliefs and traditions." However, she found it "preachy" and "heavy-handed" in a few moments. "Q" magazine also felt the record's themes were "glib" and "never quite strikes the right note." Critic Kitty Empire felt "Ash" was weaker than Ibeyi's self-titled record in that it sacrificed the Yoruba element of it for "just-so production", unoriginal political themes, and performances from guest musicians. "God is in the TV" panned the use of auto-tune of the album, reasoning that it "devalues the  beauty of [the duo's] pure and humble personalities," "takes away their harmonic uniqueness and replaces it with a sound that threatens to blend in with chart-topping radio-friendly credentials." "The Times" also disliked the addition of more electronic processing in Ibeyi's style, reasoning that the album does not have "enough of the elegantly soulful Cuban lightness the twins evoked so well." In "The Village Voice"<nowiki>'</nowiki>s Pazz & Jop, an poll regarding the best albums of the year as voted by more than 400 American music critics, "Ash" tied with "Beach House 3" (2017) by Ty Dolla  Sign at number 87, garnering 85 points. Track listing. Track lengths derived from Apple Music. Sample credits Personnel. Derived from the liner notes of "Ash". Charts. Singles. Notes