Mordant's Need
Mordant's Need is a fantasy two-part book series by American writer Stephen R. Donaldson, comprising the novels "The Mirror of Her Dreams" (1986) and "A Man Rides Through" (1987). Synopsis. It tells the story of a woman named Terisa who travels from our modern world to a medieval setting through a mirror, where political and military struggles are entwined with the power of Imagery, a form of magic based on mirrors. The Mirror of Her Dreams, the first volume, was published in 1986 and A Man Rides Through, the second volume, was published in 1987 . The books deal with themes of reality, power, inaction and love in the context of a fantasy adventure. This series is much lighter in tone than Donaldson's "The Chronicles of Thomas Covenant, the Unbeliever" or "The Gap Cycle". Plot summary. Terisa Morgan opens the series living a vacant life, supported by her father from afar and volunteering at a mission for lack of anything more purposeful to do with her time. She fills her apartment with mirrors so as to see her reflection, and thus be constantly reassured of her existence. Geraden, an apprentice Imager (magician) from a land  called Mordant appears in her apartment, searching for aid against a powerful enemy who has been plaguing Mordant with monsters "translated" from other worlds. As mirrors are inextricably linked with magic in Mordant, Terisa's home decor convinces him that he has stumbled into the lair of a powerful sorceress. He persuades her to accompany him back to the Castle Orison, where she finds herself embroiled in a morass of intrigue and danger from both the political plotting of a corrupt court and from the frightening magical creatures that appear without warning and can't seem to be defended against . As she soon finds out, the mirrors of this world show "anything but" what is in front of them; in fact, mirrors are gateways to other worlds (or to a different point in the same world) and could be manipulated in a variety of ways to effect what amounts to magic. Terisa is suddenly the center of attention, a position that she has never before held, which is not easy because Geraden is held in little regard at the castle; so court opinion naturally is divided on whether she should be taken seriously as a potentially powerful ally, threat, or  treated as an object of ridicule and proof of Geraden's perceived incompetence. She must deal with the ever-earnest Geraden, the (seemingly) senile King Joyse and his headstrong daughters, the mad Adept Havelock, the inimical Castellan Lebbick, Geraden's mostly-well-meaning brothers, the lascivious Master Eremis and the rest of the disorganized group of Imager masters Geraden belongs to known collectively as the Congery. Unsurprisingly, the story twists and turns, very little is as it seems in Orison and various groups plot to depose King Joyse and take over Mordant. The mysterious rogue Imager is still sending magical  creatures to cause destruction seemingly without rhyme or reason; the High King's Monomach, the best swordsmen in the land, appears in Orison by seemingly impossible translations; and Geraden remains firmly convinced that he has not made a mistake and that Terisa definitely is to be Mordant's champion and salvation despite her own doubts, protests, and debilitating passivity. Themes. The story deals deeply with themes of what reality is, and how we can know what is real. Terisa is a troubled young woman who doubts the reality of her own existence, even before she is summoned to Mordant, where  the prevailing belief among Imagers is that the things they summon from their magic mirrors (such as Terisa) do not actually exist before Imagery brings them into the world of Mordant. There is a similarity between the handling of this theme in "Mordant's Need" and in Donaldson's "Thomas Covenant" series, where Thomas Covenant, the "Unbeliever", commits at least one reprehensible act because he refuses to believe that the world he perceives around him could be real. Mordant's Need can be read as a reflection, or mirror image, of the Covenant story, where the reality questioned is not  the fantasy world and the reality of those around the male protagonist, but the original world and the female protagonist's own reality. The dynamic between the aged King Joyse and his daughters strongly echoes Shakespeare's "King Lear". The author has written in an interview: