Shirley Walker
Shirley Anne Walker (née Rogers; April 10, 1945 – November 30, 2006) was an American film and television composer and conductor. She was one of the few female film score composers working in Hollywood. Walker was one of the first female composers to earn a solo score credit on a major Hollywood motion picture (preceded by Suzanne Ciani, 1981) and according to the "Los Angeles Times", is remembered as a pioneer for women in the film industry. Walker often wrote her film scores entirely by hand, and always orchestrated and conducted her own scores by herself. She won two  Emmy Awards during her career, while the ASCAP Shirley Walker Award was created in her honor in 2014. Life and career. Walker (née Rogers) was born in Napa, California on April 10, 1945. Walker was a piano soloist with the San Francisco Symphony during high school, and later attended San Francisco State University on a piano scholarship. She studied music composition under Roger Nixon and piano studies with Harald Logan of Berkeley, California. For several years, she wrote jingles and composed for industrial films. Walker's career in film began in 1979, when she was hired to play the synthesizers  on Carmine Coppola's score for "Apocalypse Now". In 1992, Walker became one of the first female composers to earn a solo score credit on a major Hollywood motion picture - for John Carpenter's "Memoirs of an Invisible Man" (one of Carpenter's few movies he did not score himself - Walker later collaborated with Carpenter on "Escape From L.A."). Shirley Walker served as composer for numerous productions, including films such as "Willard", the first three "Final Destination" movies, and television series such as "Falcon Crest", "", "China Beach", and "The Flash". "The Flash" was one of many collaborations Walker did with  composer Danny Elfman. She was his conductor on projects such as "Scrooged" and "Batman". She served as a Board Member (1986–1994) and Vice President (1988–1992) for The Society of Composers & Lyricists (SCL), often speaking out on behalf of composers and their working conditions. Articles and interviews are written by and about Shirley Walker in the SCL's publication, THE SCORE, a publication in print since 1986 by and about professional film/television/video game composers, songwriters and lyricists—and where Shirley spoke her mind. Her association with DC Comics extended to television where she served as composer for "" (1992–1995), "" (1996–2000 ), "The New Batman Adventures" (1997–1999), and "Batman Beyond" (1999–2001); setting a standard for the musical tone of the DC Animated Universe. Despite the fact that very few female composers had worked in Hollywood at the time of her death, Shirley Walker was not recognized during the "In Memoriam" segment of the 79th Academy Awards. Walker worked with Danny Elfman on many DC Comics works. She served as conductor for the film "Batman", wrote most of the scores for "Batman: The Animated Series" using a theme inspired by Elfman's, scored the pilot and all the episodes of "The Flash" (the  main theme was written by Elfman) and scored episodes of "Batman Beyond" with Michael McCuistion, Lolita Ritmanis and Kristopher Carter. Though her involvement in the DC Animated Universe ended after "Beyond", several of her themes would be used in "Justice League" and "Justice League Unlimited". Death. Shirley Walker died on November 30, 2006, at Washoe Medical Center in Reno, Nevada, due to complications from a stroke that she had experienced two weeks before. She died only eight months after the death of her husband Don. At the time of her death, Walker had scored more major-studio motion pictures than  any other American woman. A memorial service was held at the Warner Bros. Eastwood Scoring Stage, and a plaque was placed in her honor. Awards. In 1996, Shirley Walker won her first Daytime Emmy Award as music director for "". She won another Daytime Emmy in music-composition for "Batman Beyond" in 2001. In 2014, ASCAP presented its first Shirley Walker Award, honoring those whose achievements have contributed to the diversity of film and television music. Recipients include Wendy & Lisa, Germaine Franco and Deborah Lurie.