Barbara Probst
Barbara Probst (born 1964) is a contemporary artist whose photographic work consists of multiple images of a single scene, shot simultaneously with several cameras via a radio-controlled system. Using a mix of color and black-and-white film, she poses her subjects, positioning each lens at a different angle, and then triggers the cameras’ shutters all at once, creating tableaux of two or more individually framed images. Although the pictures are of the same subject and are taken at the same instant, they provide a range of perspectives. She lives and works in both New York City  and Munich. She relocated to New York City in 1997. Early life and education. Probst was born in Munich. She studied at the Academy of Fine Arts, Munich (Akademie der Bildenden Künste, München) and Kunstakademie Düsseldorf in Germany. Work. Probst experiments with the temporality and point of view of the shot/counter-shot technique of film by presenting multiple photographs of one scene shot simultaneously with several cameras via a radio-controlled release system. As a result, the subject of the work becomes the photographic moment of exposure itself. Using a radio-controlled release system, or multiple photographers, she simultaneously  triggers the shutters of several cameras pointed at the same scene from various viewpoints. The resulting sequences of images suspend time and stretch out the split second. Artistic Director and Publisher of Camera Austria Reinhard Braun writes of this saying: Moreover, Probst employs backdrops, often enlarged stills from well-known movies or landscapes. This enhances the sense of artifice by presenting multiple locations within the same moment. Furthermore, equipment such as cameras, studio lights, tripods are visible in the crossfire of images. These including the photographer(s) themselves become subjects of the moment. Artforum Critic Brian Scholis asserts her work disregards  photography's standard concept of “decisive moment,” and instead references cinema's practice of multiple cameras to create movement and diversion in a "Rashomon-like multiplicity of perspectives".