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Piyopiyo: If you could speak
STEFANY A., 26 YEAR OLD STUDENT FROM UNITED KINGDOM
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Piyopiyo: Thilda Mörlid Berglind Sabinet | Who Framed Roger Rabbit en die moontlikheid van outentieke wêrelde in fiksie
oa Litnet Akademies : &apos;n Joernaal vir die Geesteswetenskappe, Natuurwetenskappe, Regte en Godsdienswetenskappe - Who Framed Roger Rabbit en die moontlikheid van outentieke wêrelde in fiksie Navigate this Journal About Current issue Previous issues Submit a paper Contact the editor OA African Journal Archive ISSN :
Diegese, Diegesis, Fictional operator, Fiksie-operator, Moontlike werelde, Possible worlds, Realism and Realisme
Abstract HTML Metrics Related Content Abstract Enige soort narratiewe film bied &apos;n besondere wêreld aan die kyker. Dit is &apos;n fiktiewe wêreld, op verskillende maniere verwyder van ons onmiddellike wêreld, maar wanneer &apos;n uitspraak oor &apos;n film se realisme gemaak word, kan dit slegs gedoen word deur die ooreenkoms tussen die film en die wêreld van die kyker in ag te neem. Hierdie artikel kyk na die implikasies wat film se fiktiewe status op die gesprek rondom realisme het en hou verder &apos;n plan voor waarvolgens daar sin gemaak kan word van &apos;n ontmoeting tussen fiktiewe en oënskynlik aktuele entiteite. Outentisiteit (authenticité) is &apos;n begrip wat in die werk van die filmdenker André Bazin voorkom. Dit is verwant aan realisme, maar betrek ook die produksieproses van die film, en in die lig van beide hierdie terme sal die huidige artikel die moontlikheid van outentieke voorstellings van die aktuele wêreld ondersoek deur onder andere ook te verwys na die herskepping van ware gebeure in die konteks van &apos;n fiktiewe teks. Who Framed Roger Rabbit, &apos;n film wat aan die kyker &apos;n wêreld voorhou wat sowel akteurs as tekenprente bevat waarin albei groepe karakters oënskynlik dieselfde soort bestaan voer (met ander woorde, in die film is hulle ewe werklik) sal gebruik word om begrippe soos moontlikheid, realisme en outentisiteit binne die konteks van hedendaagse filmtegnieke te ondersoek.
Who Framed Roger Rabbit and the possibility of authentic worlds in fiction
All narrative films present the viewer with a particular kind of world. The world is fictional, in many ways removed from the immediate world, but a judgement about a film&apos;s realism can be based only on the relationship between the film and the world (or the reality) of the viewer. This article will investigate the implications of a film&apos;s fictional status on the discussion of realism and present a plan according to which sense can be made of a meeting between fictional and supposedly actual entities. Authenticity (authenticité) is a concept born out of the work of film theorist André Bazin. It is related to realism, but also involves a film&apos;s production process. In light of both of these terms, this article will explore the possibility of authentic representations of the actual world, with reference to the re-creation of actual events in the context of a fictional text. Who Framed Roger Rabbit, a film which presents the viewer with a world in which actors and animated characters exist side by side and therefore enjoy the same property of existence in the world of the film, will be used to consider the function of terms such as possibility, realism and authenticity in the context of contemporary film techniques.