Can-I-Bus are parthenogenic; females do not require fertilization by males to reproduce. Females are common throughout its range, but males are rare in the United States and Canada specially in some populations, and more common farther south. Pelecinus polyturator Pelecinus polyturator is a species of wasp in the family Pelecinidae. The large (up to 7 cm) glossy black insects are the most common and well-known members of the family. The adults drink nectar, and they live in crop fields, woods, and suburban gardens throughout North, Central, and South America. Their antennae are long and the females have an elongated, cylindrical	Pelecinus polyturator
9726151	Can-I-Bus Can-I-Bus Can-I-Bus is the debut album by rapper Canibus, released on September 8, 1998 through Universal Records. The album was released after the rapper's success with his LL Cool J diss track, Second Round K.O.", which was included on "Can-I-Bus", with additional support from heavyweight boxer Mike Tyson. However, the album received mixed reviews. The beats, created mostly by Wyclef Jean, were criticized for their blandness and unoriginality (with a fair amount of the criticism coming from Canibus), but lyrically, the album was praised. Tower Records referred to Canibus as "one of the  most innovative new MCs in hip-hop. With "Can-I-Bus", the debut album, Canibus delivers more of the battle-rhyme lyrics that are his stock in trade. Still, he manages to cover new ground with conceptually strong cuts like 'I Honor U,' which is dedicated to his mother. With his lyrical skills, Canibus represents the elements that helped build rap music." The album was certified gold by the RIAA 13th October 1998. The song "How We Roll" also appeared on the bonus 3rd disc of Eightball's album "Lost". Critical reception. "Can-I-Bus" garnered mixed reviews from music  critics who admired Canibus' battle rap skills but felt exhaustive at times, along with subpar production and half-hearted attempts at different topics. Hugo Lunny of MVRemix praised Canibus' battle rhymes but felt that the production didn't give them the necessary energy needed, highlighting "I Honor U" and "Channel Zero" for finding the right balance, concluding that "Overall, this is a good album, although anyone who's heard Canibus on 'Desperados' or 'Making A Name 4 Ourselves' is likely to find the album a bit too over hyped. However, listen to the album with fair expectations, and you'll  enjoy it." David Browne, writing for "Entertainment Weekly", praised Canibus for being able to go beyond the battle rapper image and show versatility in his topics but found the production a hindrance to his goal, concluding that "His devotion to the lyrical slam and to self-respect earmark Canibus as a contender, but it wouldn’t hurt him to learn a few things about record making–from, say, LL?" AllMusic's Stephen Thomas Erlewine found Canibus' aggro delivery tiring at times no matter the beat or subject but still gave credit for remaining impactful, concluding that "Unfortunately, those moments only  occur sporadically over the course of this overlong debut, but when they do happen, it's easy to see what all the hype is about." Wall of Sound's Oliver Wang felt that Wyclef Jean and Jerry Wonda's pop-sounding production didn't suit Canibus' tight flow and dark lyricism and preferred Clark Kent, Salaam Remi and LG as being a perfect match for his content, saying that "Like his West Coast counterpart, Ras Kass, Canibus proves that his rhyme rep isn't totally fabricated, but both artists blow their bets in trying to appeal to both underground and  pop audiences." Kevin Powell of "Rolling Stone" felt the album lacked more personal tracks and intellectual insight to clear up the lyrical venom found throughout, concluding that "In these smoke-filled last days of the 1990s, Canibus and "Can-I-Bus" are exactly what much of hip-hop has become: a lot of hype. Don't believe it." DJ Fatboy of "RapReviews" found the album a big disappointment, criticizing Canibus for trying to change his hardcore lyricist image in order to appeal to a mainstream audience, saying that "It's as if he's embarrassed to be known as a  battle rapper. What's wrong with that? Sure, it's a one note performance, but if he can play that one note better than all the other herbs out there, then he shouldn't waste his time and ours by switching up to a style he can't rock." Samples. "Get Retarded" "Negronometry" "Second Recond K.O." "How We Roll" "Channel Zero" "Let's Ride" "Rip Rock" "What's Goin' On" "Hype-nitis" Can-I-Bus Can-I-Bus is the debut album by rapper Canibus, released on September 8, 1998 through Universal Records. The album was released after the rapper