Pan Am (TV series)
Pan Am is an American period drama television series created by writer Jack Orman. Named for the iconic Pan American World Airways, the series features the aircraft pilots and stewardesses of the airline as it operated in the early 1960s at the beginning of the commercial Jet Age. "Pan Am" premiered on ABC on September 25, 2011, and ended on February 19, 2012. ABC canceled the series on May 11, 2012. In May 2012, Sony Pictures Television had conversations with Amazon about picking up the series for a second season because of its international success. It  won the "Best Series" at the "Rose d'Or" TV awards, Europe's equivalent of the Emmys. Unable to reach a deal with Amazon, the producers officially ended the series on June 20, 2012. Production. Sony licensed the rights to use the Pan Am name and logo from Pan Am Systems, a New Hampshire–based railroad company that acquired the Pan Am brand in 1998. The pilot episode cost an estimated $10 million. The series was produced by Sony Pictures Television, and was optioned by ABC in May 2011 for the 2011–2012 schedule. ABC commissioned five more scripts in November  2011. The broadcaster later added a fourteenth episode to the series. In the middle of the season, Steven Maeda was hired as "Pan Am"s new showrunner, with the mandate to "serialize and embrace the soap aspect" of the show. In November 2011, there was media speculation that the series had been canceled by ABC, based on a comment from Karine Vanasse about the future of "Pan Am" and its absence from the mid-season schedule. The network denied the rumors; it planned to complete fourteen episodes and delay any announcement regarding a second season to a later date. The series  was canceled on May 11, 2012. Although its episodes depict the characters in various cities around the world, the show was filmed at the Brooklyn Navy Yard and other locations around New York City. The pilot was filmed partly at Gold Coast Studios in Bethpage on Long Island. According to "Entertainment Weekly" magazine, a life-size recreation of a Pan Am 707 jet is "the biggest star of the series—in all senses." The 707 model is kept in a hangar near the Brooklyn waterfront. Nancy Hult Ganis, a Pan Am stewardess from 1968 to 1976, was one of the  show's executive producers and is credited as the series developer; she conducted research for the series at the Pan Am Historical Foundation and at Pan Am's archives at the University of Miami. In addition, Ganis advised the actors, props department, production designers, and costumers in making details for the show as accurate as possible. The program featured the trademark, sky-blue Pan Am uniforms worn by stewardesses. Costume design was overseen by Anne Crabtree, who ensured attention to detail. The department made the replicas based on an old uniform which was thoroughly studied. Twenty craftsmen worked to produce  each outfit. The technique was the same used by Pan Am in the sixties, and Crabtree remarked that the process was very "old school." At the time, girdles were mandatory to improve posture; some of the cast members found them "extremely restricting" during filming. Crabtree said that male costumes were inspired by James Dean and Steve McQueen. Promotion. The September 12, 2011, edition of "TV Guide"s Fall Preview issue included an advertisement on the back of the magazine, shown upside-down, featuring Ricci, Garner, Vanasse, and Robbie appearing as their characters for a fictional cover of "TV Guide", using the  magazine's 1960s logo. Between December 20, 2011, and January 5, 2012, the first nine episodes of the series were made available free of charge on Internet download sites in an effort to increase viewer interest in the series. Canadian Karine Vanasse responded to a question on her Twitter account by saying that the promotion was only available in the United States. Broadcast. The series aired in Canada on CTV on the same night as the ABC broadcasts, but was shown in different time slots by region. It also aired on CTV's sister cable channel Bravo! on Saturdays. The  series premiered in Brazil and Panama on Sony Entertainment Television on March 18, 2012. In Costa Rica the channel Teletica aired "Pan Am" on October 15, 2012. In Ireland, the show premiered on RTÉ Two on October 17. The series premiered in the United Kingdom on BBC Two on November 16, 2011. The BBC suspended its broadcast after eight episodes and stated that further episodes would return on January 28, 2012. Canal+ began broadcasting the series in Spain on October 29, 2011. The series premiered in Sweden on TV3 on October 16, 2011. On November 6, 2011, the series premiered  on SIC in Portugal. On December 26, 2011, the series premiered in the Netherlands on NET 5. In Australia the series was broadcast on the Nine Network in 2012. In the Flemish part of Belgium, the airing started on Vijf on February 15, 2012., In the French part of Belgium the airing started on BeTV on May 7, 2012. In Finland the show premiered in January 2012 on Yle TV2. In Denmark, "Pan Am" was aired on TV3 (Danmark), TV3 Puls & TV3+ (Denmark). In Catalonia, TV3 started broadcasting the series on February 10, 2013. In South East Asia, the  channel beTV (a Sony Pictures Entertainment Networks Asia, SPENA television) airs the TV Show from February 4, 2012, every Saturday at 9:00 p.m. It started airing on STAR World India from February 11, 2012. In New Zealand the show premiered on November 24, 2012 with TVNZ, which rescheduled episode "Romance Languages" into chronological order to maintain series flow. It was shown every Saturday at 9:35pm on their TV One channel before being moved to a later time slot after episode 9 due to lower than expected viewing numbers. Home media. The complete-series DVD was released on January 29, 2013  through Sony Pictures Home Entertainment. Mill Creek Entertainment re-released that format on August 13, 2019. Reception. Critical and industry reception. The show was given a 67 out of 100 on Metacritic based on 28 reviews, indicating generally favorable reception. Heather Hogan of "AfterEllen" rated the show highly, saying, "I continue to be impressed by the unapologetic way "Pan Am" pushes the women to the forefront of every story ... I don't think "Pan Am" really knows what kind of show it wants to be just yet. But I also don't think that's a problem because every variation —Cold War drama, nostalgic soap opera, feminist —has something to offer." Later episodes, however, received lower reviews for the loss of focus on the women and the addition of romantic storylines. Matthew Gilbert of "The Boston Globe" gave the show a "B" grade, commenting, "Next to "The Playboy Club" it's the better network 1960s drama. The romance and the attractively stylized innocence of the era is addictive, but the espionage plot, with its link to political history, is absurd. And the female empowerment message grows feeble." "The Insider" included "Pan Am" in its list of "10 Best New Fall  TV Shows." Media coverage has noted that no major characters smoke, although the practice was common on flights and in the terminal during the 1960s. ABC and its parent Disney banned tobacco use by the show's stars. Citing "an enormous impressionable element," Thomas Schlamme called the anachronism "the one revisionist cheat," and said he had encountered a similar restriction directing a previous show for ABC. Other characters can be seen holding cigarettes in the background. In the UK, Melissa Whitworth of "The Daily Telegraph" said that "Pan Am" chose to "airbrush" the sixties because it depicts a "romanticised" view  of the period. Colin Kennedy and Sharon Lougher of the "Metro" said the series is "irritatingly in love with its own sense of style," though they said the storylines made it a "soapy guilty pleasure" and included it in their "pick of the day" television feature. Euan Ferguson from "The Guardian" praised Ricci's casting as a positive indicator of the quality of acting, but criticized the overall casting, saying similar looks and identical uniforms make it difficult for viewers to learn the characters. Emma Brockes from the "Guardian" said that "Pan Am" is "bubble gum bright" and praised the  whole cast for putting in "strong performances." In Ireland, Pat Stacey of the "Evening Herald" said the series portrays "silly storylines" and "cheesy dialogue," calling it "mile-high mediocrity." Scott McCartney of "The Wall Street Journal" noted that the show highlights the "elegance and excitement" of air travel during the early 1960s. He said that former employees of the airline thought the series is an accurate portrayal, aside from some "Hollywood glamorization." The Association of Flight Attendants (CWA, the world's largest flight attendants' union) released a statement following the premiere of "Pan Am". It said that the show is  a reminder of the progress of flight attendants in relation to previous social injustices: About the show's demise, Christina Ricci said, "I think it should not have been on network television. I think if that had been [on] a cable show or streaming, they would’ve been able to do so much more. Making a show about that period of time and having to be so PC, it doesn’t make sense, because there’s no substance there." But she is still very proud of the show, saying, "It was beautiful. It was really well made." Viewership. The series  premiere attracted 11.06 million viewers, but viewership declined thereafter. The second episode attracted 7.76 million, and by the sixth episode, ratings were less than half of the show's premiere. By the season's 12th episode, audiences had fallen to 3.74 million. Following ABC's announcement of its mid-season schedule in November 2011, TV by the Numbers called "Pan Am" "defacto canceled" given its ratings and the fact that ABC had ordered only one further episode. A tweet by cast member Karine Vanasse ("Well, we received THE call, #PanAm is only coming back for one more episode after Christmas . But up to the end, we'll give it our all!") appeared to confirm the cancellation, though weeks later Vanasse told "The Hollywood Reporter", "What I was saying is that we would come back to shoot one more episode after Christmas." In a "Los Angeles Times" interview published just before the series finale, showrunner Steven Maeda said that "Pan Am" has a "good upscale core of viewers" both live and DVR; the series finale "tie[s] up some loose ends but ... also add[s] some new threads in there to explore later. But, should [the show] not get picked up, it's  a sendoff to the show viewers will be happy with." Awards and accolades. In 2012, the show's cinematographer John Lindley earned a nomination for Outstanding Achievement in Cinematography in One-Hour Episodic/Pilot Television by the American Society of Cinematographers. "Pan Am's" pilot episode was nominated for Best One-Hour Single Camera Television Series at the ADG Excellence in Production Design Awards. The series received recognition from gay critics with a Dorian Award nomination for Unsung TV Show of the Year. In May 2012, "Pan Am" won the Golden Rose Award for Best Series at the international Rose  d'Or TV awards, beating Martina Cole's "The Runaway" and "The Jury".