Uncut Gems (soundtrack)
Uncut Gems is a soundtrack album by electronic musician Daniel Lopatin, containing the original score for the Safdie brothers' 2019 film "Uncut Gems". It was released via Warp on December 13, 2019. It received positive reviews from critics. It peaked at number 44 on the UK Soundtrack Albums Chart. Background. Film co-director Josh Safdie worked closely with Lopatin on the score, which began with a "Frankenstein" score using library and new-age music before Lopatin began sketching out compositions. Safdie described the soundtrack as "a medicinal new-age soul of a film," in contrast to the  pulse of their previous collaboration "Good Time". Lopatin described it as "more beautiful, ethereal, it's more orchestral, it’s goofier." The "cosmically synthesized" score uses a Moog One synthesizer, and draws inspiration from artists such as Isao Tomita, Tangerine Dream and Vangelis, as well as the 1970s-80s new-age duo Emerald Web. Lopatin and Safdie used Moog's synthesizer library and Omnisphere to search for "earthy melancholic sounds that had a cosmic twist," as well as saxophone and a choir. The track "Fuck You, Howard" is a reinterpretation of Haydn's Symphony No. 88, while "Windows" is a homage  to "Kaneda's theme" from the anime film "Akira". Critical reception. At Metacritic, the album received an average score of 74 out of 100, based on 6 mainstream critical reviews, indicating "generally favorable reviews." Thomas Johnson of "The Line of Best Fit" called the album "further proof Lopatin will be held in the same esteem as Ennio Morricone, John Carpenter, Vangelis and so on." He stated that the album is "filled with heartfelt synth lines, gorgeous revolving, spacey sequences and emotive samples" in contrast to his narrower score for "Good Time". Ben Beaumont-Thomas of "The Guardian" wrote that "lesser  composers try to merely mirror the action on screen and intensify it, boringly magnifying your emotions." He added, "Lopatin is showing how contradictory, confusing and vital our dumb human impulses are." Mina Tavakoli of "Pitchfork" stated that the score "has a large blast radius in the movie, itself a funny character in an ensemble of unintentionally funny characters." Matthew Clark of "Exclaim!" wrote: "Not only does this collection of music have a cinematic quality that lends it its soundtrack purpose, it also stands alone as an engaging set of songs and motifs on their own." Personnel. Credits adapted from liner  notes. Some tracks are intercut with dialogue from the film.