Lillian (film)
Lillian is a 2019 Austrian drama film directed by Andreas Horvath. It was screened in the Directors' Fortnight section at the 2019 Cannes Film Festival and was nominated for the Camera d'Or. Plot. During a job interview a Russian producer of pornographic films tells Lillian he cannot hire her because she overstayed her visa, besides she does not speak English. He suggests Russia is the new Land of Opportunities and advises her to go back to her home country. In the next scene Lillian discards her passport. She aimlessly wanders around New York City at first, reaching  ever bigger highways that eventually lead her out of the metropolis. After Lillian finds a map of North America in an empty weekend home, her endeavor gradually takes shape. She seems determined to walk across the North American continent and to reach Russia via the Bering Strait. In what follows we witness the changing seasons and Lillian's journey through Pennsylvania, Ohio, Indiana, Illinois, Iowa, Nebraska, South Dakota, North Dakota, Montana, Alberta, British Columbia, The Yukon and Alaska. The film's final destination is the Bering Strait, the place where North America and Russia almost meet. Background. The film is  inspired by the true story of Lillian Alling, an Eastern European immigrant to the United States who, in the 1920s, attempted a return by foot to her homeland. Starting in New York, she walked across the United States and Canada trying to cross the Bering Strait. Alling disappeared and to this day it is unknown if she ever reached Russia. Horvath's fictionalized version of this story is set in present-day America and, according to the director, was shot without a script over the course of roughly nine months with a minimal team traveling from New York City to  Anchorage, Alaska. Principal photography in North America took place in 2016, while the final chapter of the film was shot in 2015 on the Russian side of the Bering Strait, on the Chukchi Peninsula, in Eastern Siberia. Apparently most scenes were developed from chance encounters en route, with locals playing themselves, including a Nebraskan sheriff who frisks Lillian. The film blends documentary and fiction elements. One episode interweaves the Native American uprising against the Dakota Access Pipeline at the Standing Rock Indian Reservation with the storyline. The title role is played by Patrycja Planik, a Polish visual artist who had  no previous acting experience. Reception. On the occasion of the world premiere at the Cannes Film Festival Kaleem Aftab wrote in "Cineuropa": "The Cannes Directors' Fortnight has unearthed an absolute gem this year. Andreas Horvath's Lillian is a road movie across America, which serves up a history lesson on Native Americans, a state-of-the-nation assessment on rural living and an otherworldly thriller with an environmental undertone." He continues: "It's a fascinating journey with a myriad of characters that continues in the great vein of European filmmakers, from Bruno Dumont to Wim Wenders, who use the road  movie as a template to explore America, and especially the rural areas away from the metropolises. Where Michelangelo Antonioni was fascinated with the Black Panthers in Zabriskie Point, Horvath shows the racial divide with the treatment of Native Americans and the genocide that the modern-day United States is built upon." In "The Hollywood Reporter" Deborah Young called Lillian "a fascinating walk through a mysterious land", adding that Andreas Horvath "combines his knowledge of the American Midwest and the Yukon in an enigmatic road movie — never was a term more descriptive — that is at once a portrait of female spirit  and determination and a reflection on the loneliness at the heart of America today." In his mixed review for "Variety" Guy Lodge stressed Patrycja Planik's part, acknowledging that "what eerie charge 'Lillian' does possess comes largely courtesy of its lead, Polish visual artist Patrycja Planik, who utters not one word in the film's two-hour-plus running time, but does hold the camera with a fixed, blank-slate gaze — making her updated Lillian Alling a kind of stoic proxy for anyone who has felt isolated and voiceless in the great American vastness." In "Le Figaro" French critic Olivier  Delcroix noted that the film "convokes Hitchcock, Antonioni, Nicolas Roeg and even Charlie Chaplin's "The Gold Rush"." Jak-Luke Sharp wrote on "Letterboxd" that "Andreas Horvath's Lillian is a masterful dynamic and profound examination of modern-day America wrapped in a dark Lynchian-esque vibe to show the power of the soul and human nature." "Coupled with an extraordinary central performance from Patrycja Planik, beautifully intrusive cinematography from Horvath's and a sublime emotive score from the writer-director, undeniably stands Lillian as a profound cinematic venture." The film holds approval rating on Rotten Tomatoes. Lillian (film) Lillian