Virginia Reh
Virginia Reh grew up in New York City and studied dramatic arts in Berkeley, California. She joined the faculty of Dramatic Arts at Brock University from a professional career as an actor, director, dramaturg and coach, working in theatre, opera and film and television. For 13 years she taught part-time at Brock and officially became full-time in 2006, teaching acting, directing and voice. Her vocal work includes directing all the voices for the last 76 episodes of Sailor Moon that were dubbed into English. She has directed Ring Round the Moon, Marat/Sade, A Little Night  Music, Phedre, Orpheus Descending, and The Blue Room for mainstage DART productions. She has worked professionally with Opera In Concert, Toronto Operetta Theatre and Tapestry New Opera. Reh was founding co-director of Script Lab, developing plays, musicals and film scripts. She was artistic director of the Gryphon Theatre. For many years Reh was acting coach and production manager to the Canadian Children's Opera Chorus. In 1994, Reh received the Theatre Ontario's Maggie Bassett award for outstanding contribution to theatre in Ontario. Reh organized a national conference, Lyric Canada 2010, bringing together the creators and scholars of Canadian  music theatre and opera. Reh was an Ontario councillor for the Canadian Actors' Equity Association and secretary/treasurer of the executive through 2012. In the course of nine years at Brock she directed seven main stage. Early life. Reh began acting at a young age with the Emerson Players, a community theatre company based out of the unitarian church which she participated in with her parents in New York. She attended the University of Berkeley as a French major but soon transitioned to Dramatic Arts major after her first audition. In her studies at Berkeley, it was required for her  to take directing courses for her masters, which then lead her to the Scholar Director PHD program. She dropped out of the PHD program so that she could pursue acting in a small theatre company in California. The company did not have enough directors, so she volunteered. She started directing seriously in the early 1980s, at a time when a movement of women playwrights and directors was beginning.