Edward Everett Horton
Edward Everett Horton Jr. (March 18, 1886 – September 29, 1970) was an American character actor. He had a long career in film, theater, radio, television, and voice work for animated cartoons. Early life. Horton was born in Brooklyn, New York (then an independent city) to Edward Everett Horton, a compositor for "The New York Times", and his wife Isabella S. (née Diack) Horton. His father had English and German ancestry, and his mother was born in Matanzas, Cuba to George and Mary (Orr) Diack, natives of Scotland. He attended Boys' High School, Brooklyn and Baltimore City College , where he later was inducted into its Hall of Fame. He was a student at Oberlin College in Ohio. However, he was asked to leave after he climbed to the top of a building and, after a crowd gathered, threw off a dummy, making them think he had jumped. He then attended Brooklyn Polytechnic, followed by Columbia University, where he was a member of Phi Kappa Psi. Stage and film career. Horton began his stage career in 1906, singing and dancing and playing small parts in vaudeville and in Broadway productions. In 1919, he moved to Los Angeles, California, where  he began acting in Hollywood films. His first starring role was in the comedy "Too Much Business" (1922), and he portrayed the lead role of an idealistic young classical composer in the comedy "Beggar on Horseback" (1925). In 1928 and 1929, he starred in eight two-reel silent comedies produced by Harold Lloyd for Paramount Pictures release. He made the transition to sound films with Educational Pictures in 1929. As a stage-trained performer, he found more film work easily and appeared in some of Warner Bros.' movies, including "The Terror" (1928) and "Sonny Boy" (1929). His father persuaded him  to adopt his full name professionally. "Originally, I went under the name of Edward Horton. My father said, 'I think you're making a mistake, Edward. Anybody could be Edward Horton, but nobody else could be Edward Everett Horton.' I said, 'I think I like that.'" Horton soon cultivated his own special variation of the double take (an actor's reaction to something, followed by a delayed, more extreme reaction). In Horton's version, he smiled ingratiatingly and nodded in agreement with what just happened; then, when realization set in, his facial features collapsed entirely into a sober, troubled mask . Horton starred in many comedy features in the 1930s, usually playing a mousy fellow who put up with domestic or professional problems to a certain point and then finally asserted himself for a happy ending. He is best known, however, for his work in supporting roles. These include "The Front Page" (1931), "Trouble in Paradise" (1932), "Alice in Wonderland" (1933), "The Gay Divorcee" (1934, the first of several Astaire/Rogers films in which Horton appeared), "Top Hat" (1935), "Biography of a Bachelor Girl" (1935), "Danger - Love at Work" (1937), "Lost Horizon" (1937), "Holiday" (1938), "Here Comes Mr. Jordan" (1941), "Arsenic  and Old Lace" (1944), "Pocketful of Miracles" (1961), "It's a Mad, Mad, Mad, Mad World" (1963), and "Sex and the Single Girl" (1964). His last role was in the comedy film "Cold Turkey" (1971), in which his character communicated only through facial expressions. Horton continued to appear in stage productions, often in summer stock. His performance in the play "Springtime for Henry" became a perennial in summer theaters. Edward Everett Horton was so prolific and so popular that he sometimes found himself committed to two projects at the same time. One project would be in progress while the second  project suddenly came up sooner than expected, forcing Horton to make other arrangements. In 1953 Horton announced on the ABC-TV game show "The Name's the Same" that his next picture would be one of the "Ma and Pa Kettle" comedies. A scheduling conflict compelled Horton to bow out, and his role in "Ma and Pa Kettle at Home" was played by Alan Mowbray. In 1960 Horton was approached by his former director Frank Capra to work in the new film "Pocketful of Miracles". Horton wanted to rejoin Capra, but had a commitment to finish a stage run of  the play "Once Upon a Mattress"; the show wouldn't be closing for another two weeks. Horton phoned Buster Keaton, who had played the same role in an earlier production, and asked if Keaton could replace him. Keaton finished the play's run, and Horton made the Capra film. Radio and television. From 1945 to 1947, Horton hosted radio's "Kraft Music Hall". An early television appearance came in the play "Sham", shown on "The Chevrolet Tele-Theatre" on December 13, 1948. During the 1950s, Horton worked primarily in television. One of his best-remembered appearances is in an episode  of "I Love Lucy", broadcast in 1952, in which he is cast against type as a frisky, amorous suitor. In 1960, he guest-starred on "The Real McCoys" as J. Luther Medwick, grandfather of the boyfriend of series character Hassie McCoy (Lydia Reed). In the story, Medwick clashes with the equally outspoken Grandpa Amos McCoy (played by Walter Brennan). He remains, however, best known to the Baby Boomer generation as the venerable narrator of "Fractured Fairy Tales" on "The Rocky and Bullwinkle Show" (1959–61), an American animated television series that originally aired from November 19, 1959, to June 27, 1964 . In 1962, he portrayed the character Uncle Ned in three episodes of "Dennis the Menace". In 1965, he guest-starred in an episode of "The Cara Williams Show" and also played the medicine man, Roaring Chicken, in "F Troop". He echoed this role, portraying Chief Screaming Chicken, on "Batman" as a pawn to Vincent Price's Egghead. Personal life. Edward Everett Horton never discussed his private life publicly, but in 1968 he granted an interview to writers Bernard Rosenberg and Harry Silverstein in which he reviewed his life and career, punctuated by self-effacing remarks ("Nobody's older than I  am. Oh, a few people are, but they are not in circulation."). Published in 1970, the interview only touches on his personal relationships: Horton recalled that, rather than dating or nightclubbing, he would invite his female co-stars to attend parties he was throwing. "I never married. However, I have not given up hope. This is Leap Year , you know." Death and legacy. Horton died of cancer in 1970 at age 84 in Encino, California. His remains were interred in Glendale's Whispering Pines section of Forest Lawn Memorial Park Cemetery. In 1925, Horton purchased several acres in the  district of Encino, Los Angeles and lived on the property at 5521 Amestoy Avenue until his death. He named the estate Belleigh Acres, and it contained Horton's own house and houses for his brother, his sister and their respective families. In 1939 the author Scott Fitzgerald rented a house on the estate - he was working on his unfinished novel The Last Tycoon in his final years. In the 1950s, the state of California forced Horton to sell a portion of his property for construction of the Ventura Freeway. The freeway construction left a short stump of Amestoy Avenue south  of Burbank Boulevard, and shortly after his death the city of Los Angeles renamed that portion Edward Everett Horton Lane. Edward Everett Horton Lane begins in the shadow of the Ventura Freeway and ends at Burbank Boulevard. On the other side of the boulevard is a bus stop, also named for Edward Everett Horton, between bus stops at Aldea and Balboa. The borderline of Anthony C. Beilenson Park is directly across the street from the corner of Burbank Boulevard and Edward Everett Horton Lane. The opposite end of the lane leads to a foot bridge that overlooks the Ventura Freeway  and ends on the Amestoy Avenue side. British Radio DJ and Comedian Kenny Everett adopted the name of Everett in honor of Horton, who was a childhood hero of his. (Kenny's real name was Maurice Cole.) For his contribution to the motion picture industry, Horton has a star on the Hollywood Walk of Fame at 6427 Hollywood Boulevard.