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İngiltere'de özellikle kadınların ilgisini çeken bir sergi geçtiğimiz Cumartesi günü konuklarına kapılarını açtı. 18. yüzyıldan bu yana dünyaca ünlü kadınların giydikleri gelinlikler V&A de sergileniyor. Sergilenen gelinlikler arasında Kate Moss, Sarah Jessica Parker gibi ünlü isimler ve kraliyet ailesine ait gelinliklerde yer alıyor. Happy Thursday morning all. I m so content this morning to hand over the blogging reigns to my buddy and colleague, Tamryn Lawrence, of The Candid Apple. Tamryn attended the V&A in London on behalf of Enjoy My Dress yesterday for a press viewing of the soon to launch exhibition Wedding Dresses: 1775 2014. Here, Tamryn shares her experience of getting amongst the first in the globe to view this beautiful collection of historic wedding dresses. I d adore to know, in the comments section beneath, if you will be visiting this exhibition which runs from 3rd May possibly 2014 to 15th March 2015, and what you believe tends to make an iconic dress? Baba Beaton ;s Charles James gown from 1934 On Saturday 3rd May, the V&A opens the doors to a major new exhibition Wedding Dresses 1775-2014. What could be far more gorgeous, much more indulgent and far more of an absolute should-check out than this? Envision the silks, the tulles, the lace, the pearls and the satins that will be on show. Pure unadulterated escapism. Kate Moss ;s wedding dress by designer John Galliano But, just hold on a minute since there s a lot more on show here than you may well think. This exhibition is element social history, part time-travelling experience and a total testimony to really like and the capability of weddings to let us step outside of the every day. For us, the lucky visitors to this exhibition, we are invited to share in the country weddings, society weddings, wartime weddings and celebrity weddings that are showcased right here. Gwen Stefani & Gavin Rossdale in Dior The exhibition s curator, Edwina Ehrman, says that the collection is about the wedding day itself and the exclusive alternatives that we all make for these occasions. The undeniable magic of weddings is, she says, proven by the fact that the wedding business was one particular of the only sectors left reasonably untouched by the monetary wobbles of 2008. Every person getting married, what ever their religion, culture, social position and individual history desires a wedding that s theirs and dresses are a best expression of this want for individuality. From a 1775 s bride s new dress to a full-on designer spectacle made for a supermodel, it is clear that, even in these cynical days, wedding days are beyond special. Katie Shillingford in her Gareth Pugh wedding dress Nevertheless, what struck me most as I wandered in open-mouthed rapture from gown to glorious gown are the quantity of things that all brides share the nerves, the excitement, the hopes, the dreams and the feeling of beginning out on a new life. It is incredible to feel that we all share a lot more than we may possibly picture with an eighteenth century farmer s daughter, a sociality from the 1930s, a wartime bride and a supermodel. So, when you ve caught your breath and ready oneself for all the quite, you can indulge and drop oneself in this completely put together exhibition. The ground floor takes you on a journey from the late eighteenth century by means of to the finish of Planet War Two. For me, some of the highlights here are two wildly distinct dresses from the 1930s. The 1st, a Standard Hartnell creation with a 3.6m tulle train and a silk satin sheath dress bought site visitors to a standstill for 3 hours when Margaret Whigham wore it to her 1933 wedding. The other, from 1934, couldn t be much more various with a high neck, a dramatic divided train and a extremely figure hugging reduce. Margaret Whigham ;s Norman Hartnell gown becoming worn on the day and on exhibition at the V&A Also, on this floor, are two wartime gowns one from 1914 with evening-dress influences, scalloped hems and a ruffled train and one from 1941 when, unable to acquire a far more conventional bridal fabric due to strict rationing, florist Elizabeth King wore a dress made from un-rationed upholstery fabric. Image of Alda Woolf ;s 1914 wedding gown above, taken by Tamryn on her iPhone If history is not really your point then head upstairs and prepare to be dazzled. Bridget Bardot inspired quick dresses, hand painted coats from the 1970, a silver collared creation and gowns inspired by every culture from around the world are all here. They are all lovely and they all demand your attention. Pictures above taken by Tamryn on her iPhone On this floor are the gowns of the A-listers. The dresses of the superstars that we ve observed in magazines and also dresses by designers we know Ian Stuart, Alice Temperley and Jenny Packham to name a handful of. Dita Von Teese s interest grabbing purple gown stands unashamedly apart from the rest whilst Gwen Stefani s dip-dyed Dior dress and Kate Moss s Phoenix Galliano gown, total with 270,000 sequins and embroidery that took more than 700 hours to total, stand close by and scream character. Image above taken by Tamryn on her iPhone The Duchess of Cornwall s sophisticated dress and coat is one more piece that is worth lingering by. The contrast of this beautifully restrained piece and the riotous Flower Bomb by Ian Stuart that occupies the identical case is very one thing. Once more, it is all about personal style. It is all about picking a gown that is all you. Now and for years to come. Shots above of Kate Moss ;s wedding dress taken by Tamryn on her iPhone The exhibition is not just dresses there are hats, headdresses, garters, corsets, satin and leather slippers from centuries past, killer heels from the modern day celebs, veils and even the suits of the males who had been lucky adequate to escort these brides. What ever your obsession, there s more than adequate to swoon over. As a celebration of bridal design, the V&A exhibition is a triumph. To bring collectively so numerous stunning gowns that are in such immaculate condition is absolutely nothing brief of a miracle. Elizabeth Ehrman puts this down to the truth that wedding dresses are precious, not just to the bride in that moment but to her loved ones, her young children and her grandchildren for decades and even centuries afterwards. Our interest in weddings and all that comes with them lasts for several lifetimes. Shots above of the Duchess of Cornwall ;s dress, taken by Tamryn on her iPhone Don t go to this exhibition if you are brief on time. It is to be enjoyed and savoured as anything particular. Don t just appear at the dresses search out the stories behind them. Don t count on to feel practically nothing the clever staging, the photographs, the old newsreels, the quotes from brides, parents, grooms and close friends by means of the years draw you in, just like every single wedding does. Photos above taken on Tamryn ;s iPhone So, do whatever you need to do to make it to the V&A to visit the dresses. Ooh and ahh at the information and the craftsmanship, sigh more than the types of years gone by and just feel, your wedding, your dress and your selections, wherever and even so you decide on to get married, will be making history. You ll share a little some thing with each and every bride who s gone prior to and every single a single that will come following. Shots above of Annabel ;s book, Style Me Vintage Weddings, taken on Tamryn ;s iPhone. The book is one of the only non V&A publications obtainable for obtain as component of this exhibition selen16 hayırlı bir kapı aç Rabbim.. tek ayak