Assertion: violin's string | /r/SimilarTo | common scordatura
Facets:
Source sentences:
text: The instrument is tuned so that the IV and III strings (G and D on a western-tuned violin) and the II and I (A and E) strings are sa–pa (do–sol) pairs and sound the same but are offset by an octave, resembling common scordatura or fiddle cross-tunings such as G–D–G–D or A
text: The instrument is tuned so that the IV and III strings (G and D on a western-tuned violin) and the II and I (A and E) strings are sa–pa (do–sol) pairs and sound the same but are offset by an octave, resembling common scordatura or fiddle cross-tunings such as G–D–G–D or A
text: The instrument is tuned so that the IV and III strings (G and D on a western-tuned violin) and the II and I (A and E) strings are sa-pa (do-sol) pairs and sound the same but are offset by an octave, resembling common scordatura or fiddle cross-tunings such as CGCG or AEAE.
text: The instrument is tuned so that the IV and III strings (G and D on a western-tuned violin) and the II and I (A and E) strings are sa-pa (do-sol) pairs and sound the same but are offset by an octave, resembling common scordatura or fiddle cross-tunings such as CGCG or AEAE.
text: The instrument is tuned so that the IV and III strings (G and D on a western-tuned violin) and the II and I (A and E) strings are sa–pa (do–sol) pairs and sound the same but are offset by an octave, resembling common scordatura or fiddle cross-tunings such as G3–D4–G4–D5 or A3–E4–A4–E5.
text: The instrument is tuned so that the IV and III strings (G and D on a western-tuned violin) and the II and I (A and E) strings are sa–pa (do–sol) pairs and sound the same but are offset by an octave, resembling common scordatura or fiddle cross-tunings such as G3–D4–G4–D5 or A3–E4–A4–E5.