Assertion: ritual | /r/HasProperty | philadelphia
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text: Basic ritual theory exploring the relationships among aesthetic, religious, and social performances can be found in a number of texts, including Arnold van Gennep, The Rites of Passage (Chicago, 1909; reprint, 1960); Emile Durkheim, The Elementary Forms of Religious Life, (London, 1915; reprint, New York, 2001); Mircea Eliade, Rites and Symbols of Initiation (New York, 1958); Victor Turner, The Forest of Symbols (Ithaca, N.Y., 1967), The Ritual Process (Chicago, 1969), Dramas, Fields, and Metaphors (Ithaca, N.Y., 1974), From Ritual to Theater (New York, 1982), and On the Edge of the Bush (Tucson, Ariz., 1985); Erving Goffman, The Presentation of Self in Everyday Life (Garden City, N.Y., 1959) and Interaction Ritual (Chicago, 1967); Edith Turner, Experiencing Ritual (Philadelphia, 1992); Clifford Geertz, The Interpretation of Cultures (New York, 1973); Richard Schechner, Between Theater and Anthropology (Philadelphia, 1985), The Future of Ritual (London, 1993), and Performance Theory (London, 2003); James Redmond, ed., Drama and Religion (Cambridge, U.K., 1983); Sally F. Moore and Barbara G. Myerhoff, eds., Secular Ritual (Assen, Netherlands, 1977); Catherine Bell, Rituals: Perspectives and Dimensions (New York, 1997) and Ritual Theory, Ritual Practice (New York, 1992); Roy A. Rappaport, Ecology, Meaning, and Religion (Berkeley, Calif., 1979); Robert P. Armstrong, The Powers of Presence:
text: Consciousness, Myth, and Affecting Presence (Philadelphia, 1981); Ronald Grimes, ed., Readings in Ritual Studies (Upper Saddle River, N.J., 1996); and John Emigh, Masked Performance: The Play of Self and Other in Ritual and Theatre (Philadelphia, 1996).