Assertion: repeat | /r/CapableOf | trap listener
Facets:
Source sentences:
text: David Schawrz (1992, p. 134) argues that the repetition in John Adams's Nixon in China is "trapping listeners in a narrow acoustic corridor of the Real" while Naomi Cumming (1997, p. 129–152) argues that the repetitive string ostinatos of Steve Reich's Different Trains are "prearticulate" pieces of the Real providing a refuge from the Holocaust and its "horror of identification.
text: David Schawrz (1992, p. 134) argues that the repetition in John Adams's Nixon in China is "trapping listeners in a narrow acoustic corridor of the Real" while Naomi Cumming (1997, p. 129–152) argues that the repetitive string ostinatos of Steve Reich's Different Trains are "prearticulate" pieces of the Real providing a refuge from the Holocaust and its "horror of identification.