Assertion: psalm | /r/HasProperty | set to music
Facets:
value: often
type: TEMPORAL
value: by heinrich schütz
type: OTHER
value: over centuries
type: TEMPORAL
value: many times
type: TEMPORAL
value: completely
type: DEGREE
value: by johannes brahms
type: OTHER
value: in palestrina's sicut cervus
type: LOCATION
value: by john rutter
type: OTHER
value: in several languages
type: LOCATION
value: by antonín dvořák
type: OTHER
value: by ralph vaughan williams
type: OTHER
value: in german
type: OTHER
value: in three voices
type: OTHER
value: by many composers
type: OTHER
value: in music for vespers
type: TEMPORAL
value: by oskar gottlieb blarr
type: OTHER
value: by lili boulanger
type: OTHER
value: for women's choir
type: TRANSITIVE-OBJECT
value: by joseph haydn
type: OTHER
value: by johann sebastian bach
type: OTHER
Source sentences:
text: It has been set to music often.
text: It has been set to music often, notably by Heinrich Schütz and Lili Boulanger.
text: It has been set to music often, notably by Heinrich Schütz, by Johann Sebastian Bach who began a cantata with its beginning, by Joseph Haydn, who based a movement from Die Schöpfung on the psalm, and by Beethoven who set a paraphrase by Gellert in "Die Himmel rühmen des Ewigen Ehre".
text: Psalm 19 has been set to music several times.
text: It has been set to music often, notably by Heinrich Schütz and by Johannes Brahms who included it in his Ein deutsches Requiem.
text: It has been set to music often, and has inspired hymns such as "For the Beauty of the Earth" and "How Great Thou Art".
text: It has been set to music often; George Frideric Handel set nine verses in Part II of his Messiah.
text: The psalm has been set to music often, both completely and using specific sections such as "Illumina faciem tuam" (Make thy face to shine).
text: The psalm is a regular part of Jewish, Catholic, Anglican and other Protestant liturgies, and has been set to music many times over centuries.
text: It has been paraphrased in hymns and set to music.
text: It was set to music often, especially in music for vespers which its beginning opens, such as in Monteverdi's Vespro della Beata Vergine.
text: It has been set to music often, and was paraphrased in hymns.
text: The psalm has been set to music by many composers.
text: Psalm 118 (117) was set to music by various composers including the motet of Lobet den Herrn, and alle Heiden (BWV 230) by Johann Sebastian Bach.
text: In German, the psalm was set to music by Johannes Brahms for women's choir in three voices, "Herr, wie lange willst du".
text: It has been set to music often.
text: It has been set to music often, notably by Antonín Dvořák who set several verses in Czech in his Biblical Songs.
text: It has been set to music often, notably by Heinrich Schütz, Ralph Vaughan Williams, John Rutter and Oskar Gottlieb Blarr.
text: The psalm and selected verses were set to music often, focusing on the call to clap and sing, and related to the line "God is gone up with a shout" which has been related to the Ascension of Jesus.
text: They have been set to music often.
text: It has been set to music often.
text: The psalm has been paraphrased in hymns, and has been set to music often.
text: It has been set to music often throughout centuries.
text: It has been set to music often, notably by Heinrich Schütz, Friedrich Kiel, and as the conclusion of Bernstein's Chichester Psalms.
text: It has been set to music often, by composers such as Claudio Monteverdi, Heinrich Schütz, Michel Richard Delalande, Josef Rheinberger and Stefans Grové.
text: The psalm is used as a regular part of Jewish, Catholic, Anglican and Protestant liturgies, and has been set to music often.
text: It has been set to music in several languages.
text: The psalm is a regular part of Jewish, Catholic, Anglican and Protestant liturgies and has often been set to music, notably in Palestrina's Sicut cervus, Handel's As pants the hart and Mendelssohn's Psalm 42.
text: Calling to sing, Psalm 96 has been paraphrased to hymns, and set to music often.
text: It has been set to music completely and in single verses.
text: It has been set to music often, notably by Otto Nicolai as a German motet, and by Antonín Dvořák who set it in Czech in his Biblical Songs.
text: It has been set to music often.
text: Metrical hymns in English and German were derived from the psalm, and it has been set to music.