Assertion: harpsichord | /r/HasProperty | heard as rising quaver motif
Facets:
value: in the right hand
type: LOCATION
value: in the next bar
type: LOCATION
Source sentences:
text: As Eppstein (1966) comments, although this new material is quite different from that of the ritornello, Bach subsequently relates it to the ritornello: in the two bar reprise of the fugue subject of the ritornello at the cadence, chromatic fourths are included first in the descending left hand of the harpsichord; and in the next bar they are then heard as a rising quaver motif in the right hand, forming a new countersubject.