Assertion: chord's triad | /r/HasProperty | major
Facets:
value: in the major scale
type: OTHER
value: in a major key
type: DEGREE
value: in music theory
type: OTHER
Source sentences:
text: An added ninth chord is a major triad with an added ninth.
text: Chord details Type : triad (minor)
text: In some jazz charts, the “minus” symbol (-) indicates a minor triad (C- = C minor); this will also not be used in this course.
text: These two major triads, C major and F♯ major – a tritone apart – clash, "horribly with each other", when sounded together and create a dissonant chord.
text: The following three chords are all C-major triads in root position with different voicings.
text: In music theory, the dominant triad is a major chord, symbolized by the Roman numeral "V" in the major scale.
text: In the natural minor scale, the triad is a minor chord, denoted by "v".
text: Therefore a C major triad (C-E-G) and the first position C major chord below (C-E-G-C-E) are both still C major chords though the 5 note version will sound fuller due to the note doubling.
text: iii triads will be minor triads containing mi, sol, and ti, etc.
text: This chord progression instructs the performer to play, in sequence, a C major triad, an A minor chord, a D minor chord, and a G dominant seventh chord.
text: The term augmented triad arises from an augmented triad being considered a major chord whose top note (fifth) is raised.
text: Typically, the triad is a major triad and the additional sixth interval is major (major sixth chord).
text: An added ninth chord is a major triad with an added ninth.
text: If no chord quality is specified, the chord is assumed to be a major triad by default.
text: If no chord quality is specified, the chord is assumed to be a major triad by default.
text: Most textbooks name these chords formally by the type of triad and type of seventh; hence, a chord consisting of a major triad and a minor seventh above the root is referred to as a major/minor seventh chord.
text: The four triads, all built on C: major (C), minor (C–), augmented (C+), and diminished (C o )
text: When a chord has these three notes alone, it is called a major triad.
text: The most common chords are the major and minor triads and then the augmented and diminished triads.
text: When a chord is referred to in Classical music or popular music without a reference to what type of chord it is (either major or minor, in most cases), it is assumed a major triad, which for C contains the notes C, E and
text: Key of C Root 3 5 Chord Harmonic Analysis C C E G C major triad
text: Chord details Type : triad (major)
text: triad (major)
text: Chord details Type : triad (major)
text: In Roman numeral analysis, the subdominant chord is typically symbolized by the Roman numeral "IV" in a major key, indicating that the chord is a major triad.
text: Nowadays, this is mostly for academic study or analysis (see figured bass) but the Neapolitan sixth chord is an important example; a major triad with a flat supertonic scale degree as its root that is called a "sixth" because it is almost always found in first inversion.
text: A C major chord, the major triad built on the note C (C–E–G), is referred to as the one chord of that key and notated in Roman numerals as I.
text: Major chords are defined by the major triad.
text: The most important seventh-chords concatenate a major triad with a third interval, supplementing it with a seventh interval:
text: It is unlike the major sixth chord, which is often substituted for a major triad; the minor sixth plays a number of different harmonic roles.
text: When not otherwise specified, a "seventh chord" usually means a dominant seventh chord: a major triad together with a minor seventh.
text: The harmonic seventh chord is a dominant seventh chord formed by a major triad plus a harmonic seventh interval.
text: The harmonic seventh chord is a major triad plus the harmonic seventh interval (ratio of 7:4, about 968.826 cents).
text: In rock and popular music songs following the blues progression, the IV and V chords are "almost always" dominant seventh chords (sometimes with extensions) with the tonic chord most often being a major triad.
text: Chord details Type : triad (minor)
text: The chord consists of a minor triad with a tone added a major sixth above the root.
text: When a chord has these three notes alone, it is called a minor triad.
text: If the tonicized triad is minor, the leading-tone chord is fully diminished seventh chord.
text: The most common chords are the major and minor triads and then the augmented and diminished triads.
text: —the triad must be minor
text: By combining the “m” and “Δ” symbols, a chord (minor triad with major seventh) is indicated.
text: In a major key, the supertonic triad (ⅱ) is minor, and in a minor key it is diminished.
text: triad (minor)
text: In a minor key, it is symbolized by "iv", indicating that the chord is a minor triad.
text: triad (minor)
text: By combining the “m” and “Δ” symbols, a minor/major chord (minor triad with major seventh) is indicated.
text: The minor 6/9 chord is a minor triad with an added 6th of the Dorian mode and an added 9th, and is also suitable as a minor tonic in jazz.
text: The minor 6/9 chord is a minor triad with an added 6th of the Dorian mode and an added 9th, and is also suitable as a minor tonic in jazz.
text: The minor sixth chord (min6 or m6, e.g., Cm6) is a minor triad, still with a major 6.
text: In some jazz charts, the “minus” symbol (-) indicates a minor triad (C- = C minor); this will also not be used in this course.