Assertion: chord's function | /r/HasProperty | dominant
Facets:
Source sentences:
text: This alteration of fa to fi turns a regular subdominant chord into a chord that has a dominant function in the “key of the dominant.
text: As with other chords which often precede the dominant, subdominant chords typically have predominant function.
text: Riemann described three abstract functions, the tonic, the dominant (its upper fifth) and the subdominant (its lower fifth).
text: This chord is said to have dominant function, which means that it creates an instability that requires the tonic for resolution.
text: This chord has a dominant function.
text: The dominant function of the half-diminished seventh chord may also occur in a secondary dominant context, i.e., as part of a progression where the chord performs the dominant function with respect to the overall key's dominant chord.
text: In the classical practices of western music, extended chords most often have dominant function (dominant or secondary dominant), and will resolve in circle progression (down a fifth) in much the same way that V7, V7/ii, V/IV, etc. might resolve to their respective tonics.
text: Extended chords usually must be resolved when used in a dominant function, whereas added chords are most often textures added to a tonic.
text: Dominant triads, seventh chords, and ninth chords typically have dominant function.
text: Leading-tone triads and seventh chords may also have dominant function.
text: It typically has dominant function and contains two diminished fifths, which often resolve inwards.
text: The diminished seventh chord normally possesses a dominant function, and this is most straightforwardly shown when the root of a dominant seventh chord is omitted.
text: If the tonicized chord has dominant function in the current key, the applied chord will be an altered subdominant of the current key.