Assertion: chord's use | /r/CapableOf | lower second degree
Facets:
value: at cadences
type: TEMPORAL
Source sentences:
text: According to Richard Taruskin, "The daughter’s lament… makes especially affective use of the ‘Phrygian’ lowered second degree at cadences, producing what would later be called the Neapolitan (or ‘Neapolitan sixth) harmony.