Assertion: chord | /r/HasProperty | major
Facets:
value: normally
type: DEGREE
value: always
type: DEGREE
value: in the first row
type: LOCATION
value: in the nineteenth
type: TEMPORAL
value: in early twentieth centuries
type: TEMPORAL
value: in a swing arrangement
type: OTHER
value: in a classical piece
type: OTHER
value: with a sixth added
type: OTHER
value: from the key of c
type: OTHER
value: sometimes
type: TEMPORAL
Source sentences:
text: For example, if the chord was A major.
text: For triadic chords, doubling the third interval, which is either a major third or a minor third, clarifies whether the chord is major or minor.
text: The first chord to learn is C Major.
text: In Roman numeral analysis, the subdominant chord is typically symbolized by the Roman numeral "IV" in a major key, indicating that the chord is a major triad.
text: In a minor key, it is symbolized by "iv", indicating that the chord is a minor triad.
text: The two chords below are major chords from the key of C with a sixth added.
text: Some bebop tunes use a dominant chord as the tonic chord and also use dominant chords for the chords that would typically be minor chords in a Classical piece or a swing arrangement.
text: The I, IV, and V chords in the key of C are a C major triad, an F major triad, and a G major triad.
text: The interval between the root note and the third determines whether a chord is a major or minor.
text: In the nineteenth and early twentieth centuries, these chords were sometimes called 'minors.'
text: An A chord built on a minor scale is called A Minor, and written as Am.
text: However, chords that are not generally found in the style of the piece (for example, major VII chords in a Bach-style chorale) are also not likely to be chosen as the pivot chord.
text: When a chord has these three notes alone, it is called a major triad.
text: When a chord has these three notes alone, it is called a minor triad.
text: The most common chords are the major and minor triads and then the augmented and diminished triads.
text: Most textbooks name these chords formally by the type of triad and type of seventh; hence, a chord consisting of a major triad and a minor seventh above the root is referred to as a major/minor seventh chord.
text: Let's play a simple song with only one chord, A major.
text: For triadic chords, doubling the third interval, which is either a major third or a minor third, clarifies whether the chord is major or minor.
text: But in terms of harmony, the 3rd and 7th not only dictate whether the chord is major, dominant, or minor, they also define the primary voice leading of chord tones from one chord to the next.
text: In most chords the 3rd decides wheter a chord is major or minor.
text: This works for any scale, and whether the chord formed is minor or major depends on the scale: the I, IV, V chords are major, and the rest are minor, with the seventh being diminished.
text: These Roman numerals represent a formula which will be the same in every major key (i.e., the ‘I’ chord will always be major, the ‘ii’ chord will always be minor, etc).
text: Note that all these chords are major.
text: The third of a chord defines its modality - whether a chord is major or minor.
text: This creates a chord that is neither major or minor and the ear interprets the chord as harmonically ambiguous.
text: That is, the I chord is always major, the ii chord is always minor, etc.
text: These chords are neither major nor minor
text: Or, if the chord was minor and the root note was an ‘A’.
text: But in terms of harmony, the 3rd and 7th not only dictate whether the chord is major, dominant, or minor, they also define the primary voice leading of chord tones from one chord to the next.
text: In most chords the 3rd decides wheter a chord is major or minor.
text: This works for any scale, and whether the chord formed is minor or major depends on the scale: the I, IV, V chords are major, and the rest are minor, with the seventh being diminished.
text: If the root note is(C sharp), and the chord built on this root note is achord, the chord will be C# minor.
text: The interval between the root note and the third determines whether a chord is a major or minor.
text: The third of a chord defines its modality - whether a chord is major or minor.
text: This creates a chord that is neither major or minor and the ear interprets the chord as harmonically ambiguous.
text: It’s worth mentioning that up until now we have studiously avoided talking about minor keys––keys where the “one chord” is minor: i.
text: The chord would be ‘A minor’.
text: The chords shown are F major, G major, and C major.
text: Thus in the first row, the chord is C major, which is made up of the individual pitches C, E and G.
text: The chords shown are F major, G major, and C major.
text: It's not a coincidence that I chose to teach you these three chords (C major, F major and G major) for they are very strongly related.
text: The chord would be ‘C Major’.
text: Key of C Root 3 5 Chord Harmonic Analysis C C E G C major triad
text: By combining the “m” and “Δ” symbols, a chord (minor triad with major seventh) is indicated.
text: You can see that the chords are all major chords, but they can be other chords also.
text: Sometimes, especially in blues music, musicians will take chords which are normally minor chords and make them major.
text: For example, the notes of a C major triad, C–E–G, may be arranged in many different vertical orders and the chord will still be a C major triad.