Assertion: chord's interval | /r/HasProperty | minor third
Facets:
value: classically
type: DEGREE
value: in standard tuning
type: OTHER
Source sentences:
text: For triadic chords, doubling the third interval, which is either a major third or a minor third, clarifies whether the chord is major or minor.
text: A major triad can also be described by its intervals: the interval between the bottom and middle notes is a major third and the interval between the middle and top notes is a minor third.
text: An example of complicated progression that can be created this way is the "Coltrane Changes", where the "I" chords move by Major 3rd intervals.
text: When the third is lowered, a minor eleventh chord is formed with a major ninth interval between the two notes in question (e.g. C, E♭, G, B♭, D, F) (help·info) .
text: For instance a minor chord that includes a major second interval while still retaining its minor third holds a great deal more dramatic tension due to the very close intervals of the major second and minor third.[citation needed]
text: The harmonic seventh interval is a minor seventh tuned in the 7:4 pitch ratio, one of the possible "just ratios" defined for this interval in just intonation (slightly below the width of a minor seventh as tuned in equal temperament).
text: In standard tuning, the intervals are four perfect-fourths and one major-third, the comparatively irregular interval for the (G,B) pair.
text: When not otherwise specified, it usually means a major triad with an added major sixth interval (a major sixth chord), such as the chord below.
text: Between the root and the third you will always have four half steps, an interval known as a major 3rd.
text: For triadic chords, doubling the third interval, which is either a major third or a minor third, clarifies whether the chord is major or minor.
text: The reason the interval in G-B-D-F is called a minor seventh and not a perfect fourth is that interval designation is determined from the root of the chord being discussed.
text: For example, an interval of just one semitone is known as a minor second, while an interval of seven semitones is known as a perfect fifth.
text: A major triad can also be described by its intervals: the interval between the bottom and middle notes is a major third and the interval between the middle and top notes is a minor third.
text: Classically, the characteristic interval is a minor third (approximately 300 cents), and the two smaller intervals are equal semitones,
text: In our C-Major example (the illustration above), the distance from E to G is four: E (1), F (2), F# (3), G (4), so the second interval is a minor third.
text: The interval between the root and third is a minor third and the interval between the root and fifth is a perfect fifth.
text: A minor chord has the root and the fifth of the corresponding major chord, but its first interval is a minor third rather than a major third:
text: Classically, the characteristic interval is a ditone or a major third, and the two smaller intervals are quarter tones, e.g.
text: So, the first interval in our C-Major (above) is a major third.
text: The great grip problem exists because we use standard tuning, which means that our guitar is tuned in perfect fourths except between the 2nd and 3rd string where the interval is a major third.
text: An example of complicated progression that can be created this way is the "Coltrane Changes", where the "I" chords move by Major 3rd intervals.