Assertion: chariot's use | /r/CapableOf | lower seventh
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Source sentences:
text: In Black Song: The Forge and the Flame, John Lovell, Jr. remarked on the presence of African musical transfers to Black American music, especially in the formal structure: the use of the pentatonic, hextatonic, and heptatonic scales; of lowered thirds, raised sixths, and lowered sevenths; of rhythm that dominates metrics; of scale that is ruled by song, rather than song ruled by scale; and, most significantly, the call and response pattern of a lead singer who positions the short choral phrase against the longer melodic line or refrain of a chorus.