Query: vinyl records the replacements

title: Pleased to Meet Me
text: Editorial Reviews Breakout from Sire Box. Editorial Reviews Breakout from Sire Box.From the brand Previous page Vinyl of the Month Club Amazon Exclusive Vinyl Best Sellers New Releases Digital Albums on Amazon Music Next page  

title: Pleased To Meet Me
text: Editorial Reviews The highly acclaimed album from The Replacements, featuring the song Alex Chilton. Presented on 1LP, 140g blue vinyl. Editorial Reviews The highly acclaimed album from The Replacements, featuring the song Alex Chilton. Presented on 1LP, 140g blue vinyl.

title: Don't Tell A Soul Clear
text: Editorial Reviews The Replacements’ 1989 album, which features the band’s hit single I’ll Be You. Presented on 1LP, 140g clear vinyl. Editorial Reviews The Replacements’ 1989 album, which features the band’s hit single I’ll Be You. Presented on 1LP, 140g clear vinyl.

title: The Replacements: All Shook Down (Colored Vinyl) Vinyl LP
text: Editorial Reviews final album from The Replacements limited edition translucent red vinyl music label: Rhino 1990 / 2019 Editorial Reviews final album from The Replacements limited edition translucent red vinyl music label: Rhino 1990 / 2019

title: Tim Magenta
text: Editorial Reviews One of Rolling Stone’s 500 Greatest Albums of All, Tim is The Replacements first major label release on Sire and was produced by Tommy Ramones. Contains the acclaimed single Swingin Party and Bastards of Young. Presented on 140g Translucent pink vinyl. Editorial Reviews One of Rolling Stone’s 500 Greatest Albums of All, Tim is The Replacements first major label release on Sire and was produced by Tommy Ramones. Contains the acclaimed single Swingin Party and Bastards of Young. Presented on 140g Translucent pink vinyl.

title: Another Planet
text: Editorial Reviews Side A : Bastards Of Young / Hold My Life / I.O.U. / Never Mind / Cross-Tie Walker / Nightclub Jitters Side B : Within Your Reach / The Ledge / Lay It Down Clown / Little Mascara / Can’t Hardly Wait / Kiss Me On The Bus Side C : Another Girl, Another Planet / Happy Birthday / Girl From Ipanema / Born In The USA / Dedicated To The One I Love / Waitress In The Sky / I Just Don’t Give A Damn / Unsatisfied Side D : Black Diamond / Gary’s Got A Boner / Go / If Only You Were Lonely / Sweet Home Chicago / Be My Lover / Hear You Been To College Editorial Reviews Side A : Bastards Of Young / Hold My Life / I.O.U. / Never Mind / Cross-Tie Walker / Nightclub Jitters Side B : Within Your Reach / The Ledge / Lay It Down Clown / Little Mascara / Can’t Hardly Wait / Kiss Me On The Bus Side C : Another Girl, Another Planet / Happy Birthday / Girl From Ipanema / Born In The USA / Dedicated To The One I Love / Waitress In The Sky / I Just Don’t Give A Damn / Unsatisfied Side D : Black Diamond / Gary’s Got A Boner / Go / If Only You Were Lonely / Sweet Home Chicago / Be My Lover / Hear You Been To College

title: For Sale: Live at Maxwell's 1986
text: Editorial Reviews For Sale: Live at Maxwell’s 1986 is the first official delve into the vaults for The Replacements since the 2008 expanded CD reissues, and hopefully the first of a series of albums of unreleased material. And what better place to start that with this live recording from Maxwell’s in 1986, a relic from the much beloved era of the band with Bob Stinson as the guitarist. This 29-song performance, captures the Replacements just a couple weeks removed from their performance on Saturday Night Live, with a set list touches on all five of the band’s albums to that point, plus a few rarities and covers. Editorial Reviews For Sale: Live at Maxwell’s 1986 is the first official delve into the vaults for The Replacements since the 2008 expanded CD reissues, and hopefully the first of a series of albums of unreleased material. And what better place to start that with this live recording from Maxwell’s in 1986, a relic from the much beloved era of the band with Bob Stinson as the guitarist. This 29-song performance, captures the Replacements just a couple weeks removed from their performance on Saturday Night Live, with a set list touches on all five of the band’s albums to that point, plus a few rarities and covers.

title: Don't Tell a Soul
text: Editorial Reviews Breakout from Sire Box. Editorial Reviews Breakout from Sire Box.

title: The Twin/Tone Years
text: Editorial Reviews The Replacements signed with Minneapolis-based Twin/Tone Records in 1980. Over the next four years, the band helped shape the future of alternative rock with its "Left of the Dial" sound and notorious live shows, where the band often danced the razor's edge between brilliant and belligerent.Rhino revisits the influential quartet's early years with a new vinyl boxed set that includes the Replacement's first four releases, which are being pressed on vinyl for the first time in over two decades.The collection features: Sorry Ma, Forgot to Take Out the Trash (1981), the Stink EP (1982), Hootenanny (1983) and Let It Be (1984). Later this year, Rhino will also release a second vinyl boxed set that highlights the four albums the band recorded for Sire Records between 1985-90. Editorial Reviews The Replacements signed with Minneapolis-based Twin/Tone Records in 1980. Over the next four years, the band helped shape the future of alternative rock with its "Left of the Dial" sound and notorious live shows, where the band often danced the razor's edge between brilliant and belligerent.Rhino revisits the influential quartet's early years with a new vinyl boxed set that includes the Replacement's first four releases, which are being pressed on vinyl for the first time in over two decades.The collection features: Sorry Ma, Forgot to Take Out the Trash (1981), the Stink EP (1982), Hootenanny (1983) and Let It Be (1984). Later this year, Rhino will also release a second vinyl boxed set that highlights the four albums the band recorded for Sire Records between 1985-90.

title: All Shook Down
text: Editorial Reviews Breakout from Sire Box. Editorial Reviews Breakout from Sire Box.

title: Sorry Ma, Forgot To Take Out The Trash
text: Editorial Reviews Part of the Replacements' appeal always was that they didn't quite fit into any tidy category. Nowhere was that truer than on their 1981 debut, Sorry Ma, Forgot to Take Out the Trash. They didn't fit anywhere within American punk, but there's no defiance here; there's a celebration of who and what they are that's genuinely, infectiously guileless. It may not quite sound like any other American punk record but Sorry Ma, Forgot to Take Out the Trash is one of the best LPs the entire scene produced in the early '80s. Editorial Reviews Part of the Replacements' appeal always was that they didn't quite fit into any tidy category. Nowhere was that truer than on their 1981 debut, Sorry Ma, Forgot to Take Out the Trash. They didn't fit anywhere within American punk, but there's no defiance here; there's a celebration of who and what they are that's genuinely, infectiously guileless. It may not quite sound like any other American punk record but Sorry Ma, Forgot to Take Out the Trash is one of the best LPs the entire scene produced in the early '80s.From the brand Previous page Vinyl of the Month Club Amazon Exclusive Vinyl Best Sellers New Releases Digital Albums on Amazon Music Next page  

title: Hootenanny
text: Editorial Reviews Hootenanny is the place where the Replacements began to branch out from the breakneck punk that characterized their first two records. The brilliant thing about Hootenanny is that it teeters at the brink of maturity but never makes the dive into that deep pool. Paul Westerberg nevertheless dips a toe into those murky waters with "Color Me Impressed," as good an angst-ridden rocker as he would ever write, and the heartbroken "Within Your Reach," which presented a break from the Replacements' past in its slower tempo. It lurches to life with the folk piss-take "Hootenanny" before spinning out of control with "Run It," a piece of faux-core harder and funnier than anything on Stink. It continues to bounce from extreme to extreme, stopping for a Beatles parody on "Mr. Whirly" and the instrumental "Buck Hill". Editorial Reviews Hootenanny is the place where the Replacements began to branch out from the breakneck punk that characterized their first two records. The brilliant thing about Hootenanny is that it teeters at the brink of maturity but never makes the dive into that deep pool. Paul Westerberg nevertheless dips a toe into those murky waters with "Color Me Impressed," as good an angst-ridden rocker as he would ever write, and the heartbroken "Within Your Reach," which presented a break from the Replacements' past in its slower tempo. It lurches to life with the folk piss-take "Hootenanny" before spinning out of control with "Run It," a piece of faux-core harder and funnier than anything on Stink. It continues to bounce from extreme to extreme, stopping for a Beatles parody on "Mr. Whirly" and the instrumental "Buck Hill".

title: Let It Be
text: Editorial Reviews Let It Be looms large among '80s rock albums, generally regarded as one of the greatest records of the decade. Nothing about Let It Be is clean; it's all a ragged mess, careening wildly from dirty jokes to wounded ballads, from utter throwaways to songs haunting in their power. This blend of bluster and vulnerability is why the Replacements were perhaps the most beloved band of their era, as they captured all the chaos and confusion of coming of age in the midst of Reaganomics, and Let It Be is nothing if not a coming-of-age album, perched precisely between adolescence and adulthood. There's just enough angst and tastelessness to have the album speak to teenagers of all generations and just enough complicated emotion to make this music resonate with listeners long past those awkward years, whether they grew up with this album or not. Editorial Reviews Let It Be looms large among '80s rock albums, generally regarded as one of the greatest records of the decade. Nothing about Let It Be is clean; it's all a ragged mess, careening wildly from dirty jokes to wounded ballads, from utter throwaways to songs haunting in their power. This blend of bluster and vulnerability is why the Replacements were perhaps the most beloved band of their era, as they captured all the chaos and confusion of coming of age in the midst of Reaganomics, and Let It Be is nothing if not a coming-of-age album, perched precisely between adolescence and adulthood. There's just enough angst and tastelessness to have the album speak to teenagers of all generations and just enough complicated emotion to make this music resonate with listeners long past those awkward years, whether they grew up with this album or not.From the brand Previous page Vinyl of the Month Club Amazon Exclusive Vinyl Best Sellers New Releases Digital Albums on Amazon Music Next page  

title: Farewell Gig
text: Editorial Reviews No synopsis available. Editorial Reviews No synopsis available.

title: The Replacements: Tim Vinyl LP
text: Editorial Reviews stylistically diverse effort from pioneering alt rockers Editorial Reviews stylistically diverse effort from pioneering alt rockers

title: The Replacements I Will Dare / Color Me Impressed