Query: behringer bdi21

title: Behringer V-TONE ACOUSTIC ADI21 Acoustic Amp Modeler Direct Recording Preamp DI Box and Accessory Bundle w/Cables + Fibertique Cloth
text: Product Description Enhance the performance of your acoustic guitar with the Behringer V-Tone Acoustic AD121 . Featuring a three-band EQ, the AD121 allows for greater flexibility of tone, accurate feedback control, and eliminates the harsh harmonics of certain pickups. The authentic tube/microphone modeling circuitry provides the natural warmth and presence of an acoustic guitar that was miked through a tube pre-amp and the ground lift switch eliminates typical ground loop problems. You can use the AD121 in dual DI mode for either direct recording output with tube/microphone emulation or a standard active direct injection box in bypass mode. The AD121 features a ¼” TS phone input and output and the inputs and outputs retain maximum signal integrity and dynamics. Make your sound be rich, loud, and electrifying with the Behringer V-Tone Acoustic AD121. Accessory Bundle: Xpix Professional Quality XLR Cable 2X 6-Pack ¼” Right Angle Phone Male to ¼” Right Angle Phone Male Cable FiberTique Cleaning Cloth - designed with extremely fine microfiber the cloth and leaves zero scratches, streaks or marks and is safe for use on all surfaces of electronic devices Product Description Enhance the performance of your acoustic guitar with the Behringer V-Tone Acoustic AD121 . Featuring a three-band EQ, the AD121 allows for greater flexibility of tone, accurate feedback control, and eliminates the harsh harmonics of certain pickups. The authentic tube/microphone modeling circuitry provides the natural warmth and presence of an acoustic guitar that was miked through a tube pre-amp and the ground lift switch eliminates typical ground loop problems. You can use the AD121 in dual DI mode for either direct recording output with tube/microphone emulation or a standard active direct injection box in bypass mode. The AD121 features a ¼” TS phone input and output and the inputs and outputs retain maximum signal integrity and dynamics. Make your sound be rich, loud, and electrifying with the Behringer V-Tone Acoustic AD121. Accessory Bundle: Xpix Professional Quality XLR Cable 2X 6-Pack ¼” Right Angle Phone Male to ¼” Right Angle Phone Male Cable FiberTique Cleaning Cloth - designed with extremely fine microfiber the cloth and leaves zero scratches, streaks or marks and is safe for use on all surfaces of electronic devices

title: Behringer TD-3-SR Analog Bass Line Synthesizer - Silver (BehrTD3SRd1)
text: Product Description Analog bass line synthesizer with VCO, vcf, 16-Step sequencer, distortion effects and 16-voice poly Chain. Product Description Analog bass line synthesizer with VCO, vcf, 16-Step sequencer, distortion effects and 16-voice poly Chain.From the manufacturer TD-3-SR Analog Bass Line Synthesizer with VCO, VCF, 16-Step Sequencer, Distortion Effects and 16-Voice Poly Chain Amazing Bass Line synthesizer with true analog circuitry for bass and groove sounds Authentic reproduction of original circuitry with matched transistors Pure analog signal path based on legendary VCO, VCF and VCA designs Sawtooth and square waveform VCO with transistor wave-shaping circuitry Amazing 4-pole low-pass resonant filter with cut-off, resonance, envelope, decay and accent controls Easy-to-use 16-step sequencer with 7 tracks, each with 250 user patterns Arpeggiator with wide patterns for great sound effects Distortion circuitry modeled after the DS-1* adds insane spice and edge to your sounds 16-voice Poly Chain allows combining multiple synthesizers for up to 16 voice polyphony 11 controls and 28 switches to give you direct and real-time access to all important parameters Read more TD-3-SR Rock Right out-of-the Box! Your TD-3-SR comes ready to rock, thanks to its default signal routing that doesn’t require lifting a single patch cable to instantly create amazing sounds. The highly-intuitive layout lets you easily tap into the inspired sounds of 1980s and ’90s progressive rock, wave, EDM and synth-pop music tracks that made rock and roll history – or to design incredibly fat and original sounds that will make you a legend in your own right! Versatile VCF The very heart of TD-3-SR’s sound is its versatile 24 dB/octave filter, which lets you freely experiment with the low-pass Cutoff frequency and Resonance settings to dial in the perfect sound. Vintage Oscillator TD-3-SR’s authentic Voltage Controlled Oscillator (VCO) with transistor wave-shaping circuitry is ultra-easy to use and provides your choice of reverse-sawtooth or pulse waveforms for the ultimate in sound creation. Onboard Sequencer & Arpeggiator The onboard sequencer with 7 tracks allows you to program up to 16 steps of notes and rests and save them as a Pattern. You can record, save and recall up to 250 patterns, all of which can be stored in the 4 Groups. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode which allows you to interact while composing a pattern. The onboard Arpeggiator features wide patterns you can build to provide a virtually-endless array of sound effects. Both the sequencer and arpeggiator in the TD-3-SR are fun, mesmerizing and totally addictive... Read more TD-3-SR Kick it Into Distortion! We saved one of the most exciting features for the last stage in the all-analog signal path – Distortion! When you want to add even more power to your performance, just flip the Distortion On/Off switch and dial in the perfect amount of Drive to push the “envelope” to the max. The crowd won’t know what hit ‘em! 16-Note Poly Chain Ready While it is a monophonic instrument (one note at a time), TD-3-SR’s 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony – plus provides vastly improved reliability and stability over its 1970s and '80s predecessors. Controls & Connectivity We just can’t help ourselves – like you, we're gear-heads, too. For those who want the numbers, TD-3-SR has 11 controls and 28 switches to give you direct and real-time access to all important parameters, all laid out in a highly-intuitive format that puts the joy back into your music creation. And you can expand TD-3-SR’s tone-sculpting capabilities beyond your wildest dreams by utilizing the multi-I/O patchbay to connect external devices! Unleash Your Imagination When it comes to not just pushing envelopes but creating them, TD-3-SR gives your imagination its voice – and it’s so very affordable. When modern performance calls for classic analog sound – it calls for the Behringer TD-3-SR! Visit your dealer to experience the stunning TD-3-SR or get yours online today. MUSIC never felt this good! Read more 

title: Behringer TD-3-RD Analog Bass Line Synthesizer - Red
text: Product Description Analog Bass Line Synthesizer with VCO, VCF, 16-Step Sequencer, Distortion Effects and 16-Voice Poly Chain. Authentic reproduction of original circuitry with matched transistors Product Description Analog Bass Line Synthesizer with VCO, VCF, 16-Step Sequencer, Distortion Effects and 16-Voice Poly Chain. Authentic reproduction of original circuitry with matched transistorsFrom the manufacturer TD-3-RD Analog Bass Line Synthesizer with VCO, VCF, 16-Step Sequencer, Distortion Effects Amazing Bass Line synthesizer with true analog circuitry for bass and groove sounds Authentic reproduction of original circuitry with matched transistors Pure analog signal path based on legendary VCO, VCF and VCA designs Sawtooth and square waveform VCO with transistor wave-shaping circuitry Amazing 4-pole low-pass resonant filter with cut-off, resonance, envelope, decay and accent controls Easy-to-use 16-step sequencer with 7 tracks, each with 250 user patterns Arpeggiator with wide patterns for great sound effects Distortion circuitry modeled after the DS-1* adds insane spice and edge to your sounds 16-voice Poly Chain allows combining multiple synthesizers for up to 16 voice polyphony 11 controls and 28 switches to give you direct and real-time access to all important parameters Read more TD-3-RD Rock Right out-of-the Box! Your TD-3-RD comes ready to rock, thanks to its default signal routing that doesn’t require lifting a single patch cable to instantly create amazing sounds. The highly-intuitive layout lets you easily tap into the inspired sounds of 1980s and ’90s progressive rock, wave, EDM and synth-pop music tracks that made rock and roll history – or to design incredibly fat and original sounds that will make you a legend in your own right! Versatile VCF The very heart of TD-3-RD’s sound is its versatile 24 dB/octave filter, which lets you freely experiment with the low-pass Cutoff frequency and Resonance settings to dial in the perfect sound. Vintage Oscillator TD-3-RD’s authentic Voltage Controlled Oscillator (VCO) with transistor wave-shaping circuitry is ultra-easy to use and provides your choice of reverse-sawtooth or pulse waveforms for the ultimate in sound creation. Onboard Sequencer & Arpeggiator The onboard sequencer with 7 tracks allows you to program up to 16 steps of notes and rests and save them as a Pattern. You can record, save and recall up to 250 patterns, all of which can be stored in the 4 Groups. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode which allows you to interact while composing a pattern. The onboard Arpeggiator features wide patterns you can build to provide a virtually-endless array of sound effects. Both the sequencer and arpeggiator in the TD-3-RD are fun, mesmerizing and totally addictive... Read more TD-3-RD Kick it Into Distortion! We saved one of the most exciting features for the last stage in the all-analog signal path – Distortion! When you want to add even more power to your performance, just flip the Distortion On/Off switch and dial in the perfect amount of Drive to push the “envelope” to the max. The crowd won’t know what hit ‘em! 16-Note Poly Chain Ready While it is a monophonic instrument (one note at a time), TD-3-RD’s 16-note Poly Chain function lets you combine multiple synthesizers for up to 16-voice polyphony – plus provides vastly improved reliability and stability over its 1970s and '80s predecessors. Controls & Connectivity We just can’t help ourselves – like you, we're gear-heads, too. For those who want the numbers, TD-3-RD has 11 controls and 28 switches to give you direct and real-time access to all important parameters, all laid out in a highly-intuitive format that puts the joy back into your music creation. And you can expand TD-3-RD’s tone-sculpting capabilities beyond your wildest dreams by utilizing the multi-I/O patchbay to connect external devices! Unleash Your Imagination When it comes to not just pushing envelopes but creating them, TD-3-RD gives your imagination its voice – and it’s so very affordable. When modern performance calls for classic analog sound – it calls for the Behringer TD-3-RD! Visit your dealer to experience the stunning TD-3-RD or get yours online today. MUSIC never felt this good! Read more 

title: Behringer Poly D Polyphonic Analog Synthesizer
text: Product Description Analog synthesizer with quadruple VCO design allows for insanely fat music creation. Product Description Analog synthesizer with quadruple VCO design allows for insanely fat music creation.From the manufacturer POLY D Analog 4-Voice Polyphonic Synthesizer with 37 Full-Size Keys, 4 VCOs, Classic Ladder Filter, LFO, BBD Stereo Chorus, Distortion, 32-Step Sequencer and Arpeggiator Analog synthesizer with quadruple VCO design allows for insanely fat music creation 4-Voice polyphonic/paraphonic design with mono, unison and polyphonic mode 37 semi-weighted full-size keys featuring velocity functionality Authentic reproduction of original "D Type" circuitry with matched transistors and JFETs Ultra-high precision 0.1% Thin Film resistors and Polyphenyline Sulphide capacitors Pure analog signal path based on authentic VCO, VCF and VCA designs Easy-to-use voltage controlled 32-step sequencer with 64 sequence locations Arpeggiator with wide patterns for great sound effects Switchable low/high pass filter mode for enhanced sound creation Dedicated and fully analog triangle/square wave LFO Noise generator dramatically expands waveform generation Read more POLY D POLY D The 1970s spawned the first truly portable analog synthesizer, and while it was quickly adopted by lots of renowned musical artists including Jan Hammer, Chick Corea, Rick Wakeman, Jean-Michel Jarre, Isao Tomita and Keith Emerson to name a few, it was somewhat temperamental and very expensive. An ultra-affordable homage to that iconic synthesizer, with all the features of the original and then some, the Behringer POLY D lets you conjure up virtually any monophonic or polyphonic sound imaginable with incredible finesse and ease. The pure analog signal path is based on authentic VCO, VCF, VCA and ladder filter designs in conjunction with a dedicated and fully analog triangle/square wave LFO. Owning a POLY D is like having your own personal time machine, enabling you to freely embrace the past – or shape the future! True to the Original Great care has been taken in designing the POLY D including the true to the original “D Type” circuitry with its matched transistors and JFETs, ultra-high precision 0.1% thin film resistors and polyphenylene sulphide capacitors. This highly-focused attention to detail is what gives the POLY D its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones, stunning effects, progressive organ sounds – and all the way out to the otherworldly sounds of your imagination. Big, Fat Tones The inspired synthesizer tracks laid down in the 1970s and '80s are etched in the annals of progressive rock, wave and synth-pop music forever, making them truly classic in every sense of the word. POLY D’s pure analog signal path with legendary VCO, VCF and VCA circuits, lets you recreate all of that magic – or design incredibly fat and original sounds that will make you a legend in your own right! Three Modes to Choose From With the POLY D, you can get the best of three worlds by switching between monophonic, polyphonic or unison modes. With the POLY D set to Mono, you can have the characteristics of a classic monophonic synth with fuller, more expressive solos, bass lines and portamentos. Flipping the switch to Poly allows you to play more than one note at the same time to produce stunning chord harmonies and luscious pads that add soul and depth to your music. Unison Mode thickens up your sound by layering all of the POLY D’s voices on top of each other, adding more harmonic content and creating a richer sound. Read more POLY D Four VCOs The POLY D has four highly-flexible Voltage Controlled Oscillators (VCOs) that provide an incredible range of 5 waveforms for sculpting the perfect sound. Oscillators 1, 2 and 3 options include: triangular; triangular/saw; saw; square; wide pulse; and narrow pulse, while OSC 4 features: triangular; reverse saw; saw; square; wide pulse; and narrow pulse. Additionally, all 4 VCOs can be adjusted across an extremely-wide, 6-octave range (LO, 32’, 16’, 8’, 4’ and 2’). This amazing flexibility gives you all the tools you need to be your creative best. 24 dB Ladder Filter and VCA The very heart of the POLY D’s sound is its highly flexible 24 dB Ladder Filter, which lets you freely experiment with the Cutoff Frequency, Emphasis and Contour to dial in the perfect sound. POLY D’s Filter Mode switch can be set to either Lo- or Hi-pass for selecting the range of your choice. You can also adjust the Attack, Decay and Sustain controls to affect the cutoff frequency with time. Controls & Connectivity We just can’t help ourselves – like you, we're gear-heads, too. For those who want the numbers, POLY D has 84 controls, all laid out in a highly-intuitive format that puts the joy back into your music creation. Input and output connections include: MIDI I/O and Thru over USB/MIDI DIN; After Pressure and Velocity outputs with their own dedicated volume controls; internal and external V-Trig I/O; external Loudness, Filter, OSC, and modulation source outputs. Unleash Your Imagination When it comes to not just pushing envelopes but creating them, POLY D gives your imagination its voice – and it’s so very affordable. When modern performance calls for classic analog sound – it calls for the Behringer POLY D! Visit your dealer to experience the stunning POLY D or get yours online today. Music never felt this good! Read more 

title: Behringer Ultra-DI Pro DI800v2 8-Channel Active Instrument Direct Box
text: Product Description Active phantom powered 8-channel DI box, with +20dB gain switch and switchable input attenuation. Product Description Active phantom powered 8-channel DI box, with +20dB gain switch and switchable input attenuation.From the manufacturer DI800 V2 Professional Mains/Phantom Powered 8 Channel DI-Box Professional and multi-purpose 8-channel direct injection box for stage and studio applications Provides impedance and signal matching for the direct connection of instruments to mixers and amplifiers Ultra-flat frequency response due to servo-balanced operation Optional mains or phantom-powered operation Allows direct connection to speaker outputs with up to 3,000 Watts +20 dB gain switch for pre-amplification of low-level signals Read more DI800 V2 ULTRA-DI PRO DI800 V2 The ULTRA-DI PRO DI800 is a professional mains/phantom powered 8-channel active DI-box. If you need a rack-mountable DI unit with enough inputs to accommodate everyone on stage, or in the studio – then you need to plug into the DI800! PRO-Active Direct Injection (DI) boxes make it possible to connect guitars, basses and keyboards (as well as other line-level devices) to audio mixers and recorders. They are absolutely essential for proper impedance-matching and to maintain signal integrity. Our active DI800 features “buffered” inputs that respect your source signal much better than passive DI boxes. Balanced signals leaving the DI800 are extremely low-impedance (typically less than 680 Ω), and far less susceptible to noise and RF Interference (RFI). 1/4" In, XLR Out – There has to be More? When it comes right down to it, all DI boxes do the same thing, right? Yes, in a manner of speaking, but the DI800 does much more than just bass guitar in, mic-level signal out. It really is a highly versatile input-signal toolkit. Here are just two advantages the DI800 has over standard passive DI boxes: Maybe you'd like to connect your guitar amps speaker output to your mixer? Not a problem, the DI800 features a -30 dB attenuation switch, allowing you to connect to speaker outputs rated up to 3,000 Watts and convert them to balanced XLR outs! Weak incoming signal? The DI800 has a +20 dB switch, which really comes in handy for boosting low-level input signals to balanced signals with real power and rock-solid impact. Of course, the DI800 provides a Link output for easy connection to other equipment, such as your onstage amplifiers and monitor consoles. Power Trip Unlike their passive counterparts, active DI boxes require a power source to make their internal electronics work. The DI800 provides two power options: 100 – 240 V~ from the nearest wall outlet or power strip, or +48 V DC from your mixer phantom power supply. Read more Superior Sound, Incredible Value The 8-channel ULTRA-DI PRO DI800 delivers exceptional sound quality. Find out how the DI800 can instantly improve your sound at your nearest BEHRINGER dealer, or place your order online today! Read more 

title: Tech 21 SansAmp Bass Driver DI V2 Bundle with 2 Patch Cables and Clip-On Tuner

title: Tech 21 SansAmp Bass Driver DI (Version 2)
text: Product Description Capable of dialing up big vintage tube tones Features three different outputs Controls include presence, blend, and active EQ Added a mid-range control Features a switch to adjust its frequency Features a switch to adjust the bass frequency Product Description Capable of dialing up big vintage tube tones Features three different outputs Controls include presence, blend, and active EQ Added a mid-range control Features a switch to adjust its frequency Features a switch to adjust the bass frequency

title: Caline Pedals Driver Guitar Effects Pedal Classic Tube Bass Guitar Amp Pedal Metal Ture Bybass Wine Cellar Yellow CP-60
text: Product Description Caline Driver DI for Bass Effect Pedal Wine Cellar Yellow CP-60 This CP-60 captures all the sound of a mic's classic tube bass amp It has Drive, Hight, Mid and Low frequency HF harmonics, and Mix controls and boasts analog cabinet emulation circuitry It includes an XLR out for DI (perfect for live shows and pro recording) and paralle to connect those pure Enjoy the great effect sound brought to you by Caline Features: Sound of a mic's classic tube bass amp Small and exquisite appearance, it is convenient to carry Different sound effects give you a variety of your dream sounds True bypass can eliminate any signal interference It is easy to operate, suitable for electric guitar Specifications: Power requirements: AC adapter 9V DC Current: 50mA Caline Guitar Effect Pedal Driver DI for bass American Sound Bass Compressor Reflector reverb Candy Floss 

title: Behringer Europower PMP4000 Powered Mixer - 16 Channels, 1600 Watts with Multi-FX Processor and FBQ Feedback Detection System
text: Product Description The amazing PMP4000 Powered Mixer packs tremendous power (2 x 800 Watts stereo or 1,600 Watts in Bridged mode), while maintaining an incredible power-to-weight ratio. These mixers employ high-efficiency Class-D technology and a state-of-the- art switch-mode power supply, which significantly reduces weight and heat. The 16-channel PMP4000 features 8 built-in, studio-grade XENYX mic preamps, 4 stereo channels, a 24-bit Multi-FX processor with 100 awesome presets including studio-class reverbs, delays, pitch shifter and various multi-effects, plus a 7-band stereo graphic EQ with our proprietary FBQ Feedback Detection System – for the ultimate in feedback-free performance. -Ultra-compact 2 x 800-Watt stereo powered mixer (1600-Watt bridged mode) -Revolutionary Class-D amplifier technology: enormous power, incredible sonic performance and super-light weight -Ultra-compact design at nearly half the weight of conventional powered mixers -16-channel mixer section features 8 mono and 4 stereo channels plus separate CD/Tape input/output -Studio-grade 24-bit stereo FX processor with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects -Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies for easy feedback removal -8 high-quality XENYX Mic Preamps with switchable +48 V phantom power for condenser microphones -Effective, extremely musical 3-band EQ, switchable Low cut filter, and Clip LEDs on all mono channels -Stereo 7-band graphic EQ allows precise frequency correction of monitor or main outputs -Voice Canceller function removes singer’s voice from recordings for karaoke applications -Selectable stereo (main L/R), double mono (main/monitor) or bridged mono amplifier operation mode -Breathtaking XPQ 3D stereo surround effect for more vitality and enhanced stereo image -Adjustable stereo CD/Tape input for connecting external signal sources -Multi-functional stereo Preamp outputs for added flexibility -Internal switch-mode power supply, noise-free audio, superior transient response and very low power consumption Product Description The amazing PMP4000 Powered Mixer packs tremendous power (2 x 800 Watts stereo or 1,600 Watts in Bridged mode), while maintaining an incredible power-to-weight ratio. These mixers employ high-efficiency Class-D technology and a state-of-the- art switch-mode power supply, which significantly reduces weight and heat. The 16-channel PMP4000 features 8 built-in, studio-grade XENYX mic preamps, 4 stereo channels, a 24-bit Multi-FX processor with 100 awesome presets including studio-class reverbs, delays, pitch shifter and various multi-effects, plus a 7-band stereo graphic EQ with our proprietary FBQ Feedback Detection System – for the ultimate in feedback-free performance. -Ultra-compact 2 x 800-Watt stereo powered mixer (1600-Watt bridged mode) -Revolutionary Class-D amplifier technology: enormous power, incredible sonic performance and super-light weight -Ultra-compact design at nearly half the weight of conventional powered mixers -16-channel mixer section features 8 mono and 4 stereo channels plus separate CD/Tape input/output -Studio-grade 24-bit stereo FX processor with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects -Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies for easy feedback removal -8 high-quality XENYX Mic Preamps with switchable +48 V phantom power for condenser microphones -Effective, extremely musical 3-band EQ, switchable Low cut filter, and Clip LEDs on all mono channels -Stereo 7-band graphic EQ allows precise frequency correction of monitor or main outputs -Voice Canceller function removes singer’s voice from recordings for karaoke applications -Selectable stereo (main L/R), double mono (main/monitor) or bridged mono amplifier operation mode -Breathtaking XPQ 3D stereo surround effect for more vitality and enhanced stereo image -Adjustable stereo CD/Tape input for connecting external signal sources -Multi-functional stereo Preamp outputs for added flexibility -Internal switch-mode power supply, noise-free audio, superior transient response and very low power consumptionFrom the manufacturer PMP4000 1600 Watt 16 Channel Powered Mixer with Multi-FX Processor and FBQ Feedback Detection System Ultra-compact 2 x 800-Watt stereo powered mixer (1600-Watt bridged mode) Revolutionary Class-D amplifier technology: enormous power, incredible sonic performance and super-light weight Ultra-compact design at nearly half the weight of conventional powered mixers 16-channel mixer section features 8 mono and 4 stereo channels plus separate CD/Tape input/output 8 high-quality XENYX Mic Preamps with switchable +48 V phantom power for condenser microphones Stereo 7-band graphic EQ allows precise frequency correction of monitor or main outputs Voice Canceller function removes singer?s voice from recordings for karaoke applications Read more PMP4000 EUROPOWER PMP4000 The amazing PMP4000 Powered Mixer packs tremendous power (2 x 800 Watts stereo or 1,600 Watts in Bridged mode), while maintaining an incredible power-to-weight ratio. These mixers employ high-efficiency Class-D technology and a state-of-the- art switch-mode power supply, which significantly reduces weight and heat. The 16-channel PMP4000 features 8 built-in, studio-grade XENYX mic preamps, 4 stereo channels, a 24-bit Multi-FX processor with 100 awesome presets including studio-class reverbs, delays, pitch shifter and various multi-effects, plus a 7-band stereo graphic EQ with our proprietary FBQ Feedback Detection System – for the ultimate in feedback-free performance. Class-D - Massive Power, Perfect Sound Thanks to our revolutionary Class-D amplifier technology, we are able to provide you with enormous power and incredible sonic performance in an easy-to-use, ultra-portable and lightweight package. Class-D amplification makes all the difference, offering the ultimate in energy efficiency – and eliminating the need for heavy power supplies and massive heat sinks. This amazing technology makes it possible to design and build extremely-powerful products that are significantly lighter in weight than their traditional counterparts, while using less energy and protecting the environment. All-In-One Solution The powerful PMP4000 gives you the choice of 2 x 800-Watt stereo or 2 x 800-Watt dual mono mode (mono Mains powered output, 1 Monitor send signals through the second powered input) or 1,600-Watt bridged mono sound. Whether the center of attention happens to be a folk trio, a speech, or a synth- rock band with mind-boggling stereo patches, the PMP4000 can accommodate with ease. This sonic versatility also makes it an excellent choice for churches, where vocals and stereo recordings often share face time. Sonically Superior Mic Preamps The PMP4000 features our legendary, high headroom XENYX mic preamps, which have been praised by audio engineers all over the world. These state-of-the-art mic pres represent a major step in the evolution of audio technology – and they can easily hold their own, even when compared to the most expensive stand-alone mic preamps. XENYX preamps offer a staggering 130 dB of dynamic range, with a bandwidth that extends from below 10 Hz to well above 200 kHz. Armed with these outstanding mic preamps, the PMP4000 provides such transparent, crystal-clear performance you just might think someone upgraded your mics while you weren’t looking. Read more PMP4000 Built-in Digital Multi-FX Processor Equipped with our studio-grade 24-bit Multi-FX processor, the PMP4000 gives you 100 mind- blowing digital effect presets such as delay, chorus and reverb. Apply them to any channel, as well as to the monitors and main output. Of course, if you have treasured outboard gear you’ve grown attached to, these mixers can integrate them into the mix while bypassing the built-in FX processor. FBQ - Totally Feedback-Free For more than 20 years, Behringer has designed and manufactured some of the most successful FBQ Feedback Elimination processors. Now you can own and enjoy the benefits of this technology, as we have integrated the revolutionary FBQ Feedback Detection System into this product, so your sound system is completely feedback-free, allowing you to focus on your performance. Utilizing an ultra-fast feedback detection system, this ingenious circuitry helps you recognize and tame feedback frequencies immediately. When feedback is sensed in a specific frequency range, the LED on the associated EQ fader illuminates, showing you at a glance which fader to lower to overcome the feedback. That simple! Special Features... The PMP4000 also comes equipped with our Voice Canceller technology, which eliminates the vocals from pre-recorded music for instant karaoke applications – and our proprietary XPQ 3D stereo surround effect, which lets you create a much broader and enhanced stereo image. Getting Connected Use the CD/Tape RCA inputs to feed in external stereo signals from CD players or tape decks. Conversely, the CD/Tape RCA outputs send line-level signals from the mixer to a recording device. The left and right output 1⁄4" connectors can be used for a variety of purposes, including connecting to additional power amps. Connect your monitor power amps or active monitor speakers to the Monitor Sound output. Powered outputs on these mixers are available in the professional, twist-lock Speakon-compatible variety. And when you’re ready to take a break, the convenient Standby switch mutes all of the mic channels – but lets your background music keep the party going! Read more Powerful, Lightweight, Reliable Medium-sized events call for the lightweight PMP4000 (22.9 lbs/10.4 kg), easy-to-use 16-channel, 1600-Watt powered mixer. The PMP4000 is the most efficient and affordable powered mixer for the job, and can even be used as a pure analog mixer – or a pure power amplifier. With its highly- acclaimed XENYX mic preamps, 24-bit Multi-FX processor, and stereo 7-band graphic EQ with our FBQ Feedback Detection System – the PMP4000 makes it easier than ever to lend exceptional sound quality to all kinds of public performances. Read more 

title: Behringer Virtualizer 3D FX2000 Effects Processor
text: Product Description BEHRINGER VIRTUALIZER 3D FX2000 High-Performance 3D Multi-Engine Effects Processor 71 breathtaking new algorithms - true RSM (Real Sound Modeling) stereo and 3D effects Wave-adaptive virtual Room reverb algorithms for natural reverb and delay Awesome modulation, dynamic, psychoacoustic and EQ algorithms Authentic amp simulation, distortion and special effects 11 effect combinations with selectable serial / parallel configuration Up to 7 adjustable parameters plus 2-band EQ per effect 24-bit A/D and D/A converters with 64/128-times oversampling True stereo processing for realistic channel separation in stereo image 100 factory presets plus 100 user memory locations Extensive MIDI implementation Accurate LED level meters for perfect level setting and optimum performance Servo-balanced XLR and1/4'' TRS inputs and outputs High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany Get even more mind-expanding power for your keyboard, bass, guitar or vocals with the VIRTUALIZER PRO 3D FX2000 Effects Processor. This amazing rack unit has 71 incredible new algorithms, including true studio-grade stereo and 3D effects that will add a head-spinning new dimension to your sound, both live and in the studio. The FX2000 employs BEHRINGER RSM (Real Sound Modeling) technology to simulate acoustic environments with stunning accuracy. Effects options include powerful modulation, amp simulation, distortion and special effects, as well as effective dynamic and psychoacoustics processing. Performance is further enhanced through user-addressable high and low EQ and wave-adaptive VIRTUAL ROOM reverb algorithms. Reverbs Delays Because it is one of the most desired effects, the FX2000 provides 12 different reverb programs, so you always have the ideal reverb for your live performance or studio needs. Reverbs include: CATHEDRAL GOLD PLATE SMALL HALL ROOM STUDIO CONCERT STUDIO STAGE SPRING REVERB AMBIENCE EARLY REFLECTIONS Specialty reverbs include: REVERB - reverb is synthetically turned off after a predetermined amount of time REVERSE REVERB - reverb envelope is reversed - it slowly gets louder Delays include: STEREO DELAY - delay is processed across the entire stereo image TAPE ECHO - simulates classic tape echo devices, pre-dating the advent of digital delays PING PONG - delay signal is "bounced" from left to right at an adjustable tempo Much More than Just Reverb and Delay The FX2000 has some of the best-sounding reverb and delay programs, but that's not all. It also provides excellent modulation effects (such as chorus, flanger and phaser), including special variations like musical pitch shifter, tremolo and even a rotary speaker simulation. Modulation and Pitch Shifter FX: STEREO FLANGER (originally generated by playing back two synchronized "reel to reel" tape recorders with a finger rubbing on the flange of one of the take-up reels) VINTAGE FLANGER simulates a guitar fl anger stomp box JET STREAM FLANGER sounds like a classic analog flanger STEREO CHORUS (combines a slightly detuned signal with the original) ANALOG CHORUS simulates a guitar chorus stomp box VINTAGE CHORUS imitates a classic analog studio chorus ULTRA CHORUS creates the sound of an eight person chorus STEREO PHASER (combines a second, phaseshifted signal to the original) VINTAGE PHASER represents a guitar phaser stomp box DUAL PHASER processes the left and right channels separately ROTARY (simulation of the rotating speakers typically used on an organ) - Slow or Fast PITCH SHIFTER (changes the pitch of the original signal) - can be used to create harmonies with the original signal or replace it entirely with the altered pitch. Choices include stereo, two and three vocal pitch shifter VIBRATO - the peak frequency of the tone is periodically and uniformly changed (quickly or slowly) TREMOLO (common vintage guitar amplifier effect) - a fast or slow periodic variation in volume AUTO PANNING - signal is automatically sent from one side of the stereo image to the other, either once or multiple times Dynamic FX: COMPRESSOR - reduces the dynamic range of the signal, maintains consistent signal level and thus avoids distortion associated with excessive input levels EXPANDER - effectively broadens the dynamic range of source signals while reducing background noise GATED REVERB - helps reduce background clutter by turning reverb off below a predetermined threshold level. Particularly effective on drum mics and vocals ANA. KOMPR/LIM. - similar to COMPRESSOR but with Limiting functionality ULTRAMIZER - analyses incoming signal and automatically applies compression across two independent frequency bands DENOISER - eliminates or reduces noise and other interference DE-ESSER - reduces or removes sibilance (Ssss sound) from signal WAVE DESIGNER - allows you to influence the envelope by adjusting Attack and Release of the signal Psychoacoustic FX: EXCITER - adds artificially generated overtones to the original signal, increasing presence and perceived loudness without significant increase in signal level ENHANCER - functions much like a dynamic pitch equalizer ULTRA BASS - sub-harmonic processor combined with bass exciter and limiter STEREO IMAGER - divides the signal into middle and side signals, allowing individual signals to be amplif ed when desired and placed on the stereo image ULTRA WIDE - creates a broader stereo image BINAURALIZER - also creates a broader stereo image and compensates for crosstalk between both speakers Filter/EQ FX: AUTO FILTER - influences the frequency response of a signal. Two filters are included: low pass allows low frequencies to pass and suppresses high frequency content; high pass does the exact opposite LFO FILTER - Controls the rate of oscillation effects PARAMETRIC EQ - allows you to control the bandwidth, frequency and amplitude of a signal GRAPHIC EQ - the sound spectrum is divided into eight (8) adjacent frequency bands, which can be cut or boosted, bandwidth is predetermined Distortion FX and Amp Simulations The FX2000 is also equipped with distortion, amplifier and speaker simulation including VOCAL DISTORTION, TUBE DISTORTION, GUITAR AMP, TRI FUZZ, SPEAKER SIMULATION, RING MODULATOR and LO-FI. Special FX: VINYLIZER - adds clicks and/or noise to the signal, reminiscent of old vinyl records and tape machines SAMPLER - allows you to record and playback up to five (5) seconds of program material VOCODER - allows the input signal to modulate another signal (usually a synthesizer sound), creating the familiar "talking synthesizer" effect VOICE CANCELER - removes mono vocal parts from stereo recordings for "instant Karaoke" RESONATOR - simulates and oscillating system that amplifies a specific frequency Our FX Combinations Go to 11 Sometimes you want to add a little (or a lot) of color to your reverb and delay patches. The FX2000 allows you to layer modulation effects like chorus, flanger, pitch or tremolo with your reverb or delay selections. FX Combinations include: Chorus Reverb Flanger Reverb Leslie Reverb Pitch Reverb Delay Reverb Tremolo Reverb Phaser Reverb Chorus Delay Flanger Delay Pitch Delay Tremolo Delay Enhanced User Editability Logical grouping of parameters, along with the combination of encoders, buttons, LEDs and an easily readable LED display, make operating the FX2000 a breeze. You are free to edit up to seven parameters per preset, and then save them for future use in the 100 provided memory locations. Value With its extremely powerful processing capability and versatile array of features, the FX2000 will become the busiest tool in your audio arsenal. Stop by your BEHRINGER dealer today and find out why more professional sound engineers are turning to the FX2000 as their primary FX processor - both in the studio and on the road. Product Description BEHRINGER VIRTUALIZER 3D FX2000 High-Performance 3D Multi-Engine Effects Processor 71 breathtaking new algorithms - true RSM (Real Sound Modeling) stereo and 3D effects Wave-adaptive virtual Room reverb algorithms for natural reverb and delay Awesome modulation, dynamic, psychoacoustic and EQ algorithms Authentic amp simulation, distortion and special effects 11 effect combinations with selectable serial / parallel configuration Up to 7 adjustable parameters plus 2-band EQ per effect 24-bit A/D and D/A converters with 64/128-times oversampling True stereo processing for realistic channel separation in stereo image 100 factory presets plus 100 user memory locations Extensive MIDI implementation Accurate LED level meters for perfect level setting and optimum performance Servo-balanced XLR and1/4'' TRS inputs and outputs High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany Get even more mind-expanding power for your keyboard, bass, guitar or vocals with the VIRTUALIZER PRO 3D FX2000 Effects Processor. This amazing rack unit has 71 incredible new algorithms, including true studio-grade stereo and 3D effects that will add a head-spinning new dimension to your sound, both live and in the studio. The FX2000 employs BEHRINGER RSM (Real Sound Modeling) technology to simulate acoustic environments with stunning accuracy. Effects options include powerful modulation, amp simulation, distortion and special effects, as well as effective dynamic and psychoacoustics processing. Performance is further enhanced through user-addressable high and low EQ and wave-adaptive VIRTUAL ROOM reverb algorithms. Reverbs Delays Because it is one of the most desired effects, the FX2000 provides 12 different reverb programs, so you always have the ideal reverb for your live performance or studio needs. Reverbs include: CATHEDRAL GOLD PLATE SMALL HALL ROOM STUDIO CONCERT STUDIO STAGE SPRING REVERB AMBIENCE EARLY REFLECTIONS Specialty reverbs include: REVERB - reverb is synthetically turned off after a predetermined amount of time REVERSE REVERB - reverb envelope is reversed - it slowly gets louder Delays include: STEREO DELAY - delay is processed across the entire stereo image TAPE ECHO - simulates classic tape echo devices, pre-dating the advent of digital delays PING PONG - delay signal is "bounced" from left to right at an adjustable tempo Much More than Just Reverb and Delay The FX2000 has some of the best-sounding reverb and delay programs, but that's not all. It also provides excellent modulation effects (such as chorus, flanger and phaser), including special variations like musical pitch shifter, tremolo and even a rotary speaker simulation. Modulation and Pitch Shifter FX: STEREO FLANGER (originally generated by playing back two synchronized "reel to reel" tape recorders with a finger rubbing on the flange of one of the take-up reels) VINTAGE FLANGER simulates a guitar fl anger stomp box JET STREAM FLANGER sounds like a classic analog flanger STEREO CHORUS (combines a slightly detuned signal with the original) ANALOG CHORUS simulates a guitar chorus stomp box VINTAGE CHORUS imitates a classic analog studio chorus ULTRA CHORUS creates the sound of an eight person chorus STEREO PHASER (combines a second, phaseshifted signal to the original) VINTAGE PHASER represents a guitar phaser stomp box DUAL PHASER processes the left and right channels separately ROTARY (simulation of the rotating speakers typically used on an organ) - Slow or Fast PITCH SHIFTER (changes the pitch of the original signal) - can be used to create harmonies with the original signal or replace it entirely with the altered pitch. Choices include stereo, two and three vocal pitch shifter VIBRATO - the peak frequency of the tone is periodically and uniformly changed (quickly or slowly) TREMOLO (common vintage guitar amplifier effect) - a fast or slow periodic variation in volume AUTO PANNING - signal is automatically sent from one side of the stereo image to the other, either once or multiple times Dynamic FX: COMPRESSOR - reduces the dynamic range of the signal, maintains consistent signal level and thus avoids distortion associated with excessive input levels EXPANDER - effectively broadens the dynamic range of source signals while reducing background noise GATED REVERB - helps reduce background clutter by turning reverb off below a predetermined threshold level. Particularly effective on drum mics and vocals ANA. KOMPR/LIM. - similar to COMPRESSOR but with Limiting functionality ULTRAMIZER - analyses incoming signal and automatically applies compression across two independent frequency bands DENOISER - eliminates or reduces noise and other interference DE-ESSER - reduces or removes sibilance (Ssss sound) from signal WAVE DESIGNER - allows you to influence the envelope by adjusting Attack and Release of the signal Psychoacoustic FX: EXCITER - adds artificially generated overtones to the original signal, increasing presence and perceived loudness without significant increase in signal level ENHANCER - functions much like a dynamic pitch equalizer ULTRA BASS - sub-harmonic processor combined with bass exciter and limiter STEREO IMAGER - divides the signal into middle and side signals, allowing individual signals to be amplif ed when desired and placed on the stereo image ULTRA WIDE - creates a broader stereo image BINAURALIZER - also creates a broader stereo image and compensates for crosstalk between both speakers Filter/EQ FX: AUTO FILTER - influences the frequency response of a signal. Two filters are included: low pass allows low frequencies to pass and suppresses high frequency content; high pass does the exact opposite LFO FILTER - Controls the rate of oscillation effects PARAMETRIC EQ - allows you to control the bandwidth, frequency and amplitude of a signal GRAPHIC EQ - the sound spectrum is divided into eight (8) adjacent frequency bands, which can be cut or boosted, bandwidth is predetermined Distortion FX and Amp Simulations The FX2000 is also equipped with distortion, amplifier and speaker simulation including VOCAL DISTORTION, TUBE DISTORTION, GUITAR AMP, TRI FUZZ, SPEAKER SIMULATION, RING MODULATOR and LO-FI. Special FX: VINYLIZER - adds clicks and/or noise to the signal, reminiscent of old vinyl records and tape machines SAMPLER - allows you to record and playback up to five (5) seconds of program material VOCODER - allows the input signal to modulate another signal (usually a synthesizer sound), creating the familiar "talking synthesizer" effect VOICE CANCELER - removes mono vocal parts from stereo recordings for "instant Karaoke" RESONATOR - simulates and oscillating system that amplifies a specific frequency Our FX Combinations Go to 11 Sometimes you want to add a little (or a lot) of color to your reverb and delay patches. The FX2000 allows you to layer modulation effects like chorus, flanger, pitch or tremolo with your reverb or delay selections. FX Combinations include: Chorus Reverb Flanger Reverb Leslie Reverb Pitch Reverb Delay Reverb Tremolo Reverb Phaser Reverb Chorus Delay Flanger Delay Pitch Delay Tremolo Delay Enhanced User Editability Logical grouping of parameters, along with the combination of encoders, buttons, LEDs and an easily readable LED display, make operating the FX2000 a breeze. You are free to edit up to seven parameters per preset, and then save them for future use in the 100 provided memory locations. Value With its extremely powerful processing capability and versatile array of features, the FX2000 will become the busiest tool in your audio arsenal. Stop by your BEHRINGER dealer today and find out why more professional sound engineers are turning to the FX2000 as their primary FX processor - both in the studio and on the road.From the manufacturer FX2000 High-Performance 3D Multi-Engine Effects Processor 71 breathtaking new algorithms?true RSM (Real Sound Modeling) stereo and 3D effects Wave-adaptive virtual Room reverb algorithms for natural reverb and delay Awesome modulation, dynamic, psychoacoustic and EQ algorithms Authentic amp simulation, distortion and special effects 11 effect combinations with selectable serial / parallel configuration Up to 7 adjustable parameters plus 2-band EQ per effect Read more VIRTUALIZER 3D FX2000 Get even more mind-expanding power for your keyboard, bass, guitar or vocals with the VIRTUALIZER 3D FX2000 effects processor. This amazing rack-mountable FX unit has 71 incredible algorithms, including true studio-grade stereo and 3D effects that will add a head-spinning new dimension to your sound, both live and in the studio. The FX2000 uses our RSM (Real Sound Modeling) technology to simulate acoustic environments with stunning accuracy. Effects options include powerful modulation, amp simulation, distortion and special effects, as well as effective dynamic and psychoacoustics processing. Performance is further enhanced through user-addressable high and low EQ and wave-adaptive Virtual Room reverbs. Enhanced User Editability Logical grouping of parameters, along with the combination of encoders, buttons, LEDs and an easily readable LED display, make operating the FX2000 a breeze. You are free to edit up to 7 parameters per preset, and then save them for future use in the 100 provided memory locations. And the FX2000 features extensive MIDI capability, so you can integrate it into your MIDI setup – and even save your data via SysEx to protect all those incredible presets you’ll be customizing! Reverbs & Delays Because it is one of the effects you will use all the time, the FX2000 provides 12 uniquely different reverb programs, so you always have the ideal reverb no matter what your live performance or studio calls for. Much More than Just Reverb and Delay The FX2000 has some of the best-sounding reverb and delay programs, but that’s not all. It also provides exceptional modulation effects, such as chorus, flanger and phaser – including special variations, such as a musical pitch shifter, tremolo and even a rotating speaker simulation. Read more Extraordinary Value With its extremely-powerful processing capability and versatile array of features, the FX2000 will quickly become the busiest tool in your audio arsenal. And you won’t believe how great the FX2000 sounds – or how affordable it is to own! Stop by your Behringer dealer, or order yours online today, and find out why more professional sound engineers are turning to the amazing FX2000 as their primary FX processor – both in the studio and on the road. Read more 

title: Behringer PSU-SB - General-Purpose DC 9V Power Adapter
text: Product Description Product Description BEHRINGER POWER SUPPLY PSU-SB POWER SUPPLY PSU-SB General Purpose DC 9 V Power Adapter Converts to DC 9 V for use with virtually all stomp boxes and effects pedals Typical DC-type 2.2 mm plug with negative tip and positive sleeve Provides a generous 100 mA current to power even digital products High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany Use our new general purpose DC 9 V power adapter PSU-SB to power virtually all your guitar or bass guitar stomp boxes and effects pedals. This adapter provides a generous 100 mA current to power even digital products. For connection, it features a typical DC-type 2.2 mm plug with negative tip and positive sleeve. This universal power supply gives you ultimate power for your most demanding gigs End user can also obtain additional information at http://www.behringer.com/EN/Products/PSU-SB.aspx Amazon.com Use Behringer's general purpose DC 9 V power adapter PSU-SB to power virtually all your guitar or bass guitar stomp boxes and effects pedals. This adapter provides a generous 100 mA current to power even digital products. For connection, it features a typical DC-type 2.2 mm plug with negative tip and positive sleeve. The ultimate power for your most demanding gigs. What's in the Box Behringer PSU-SB Power Supply General Purpose DC 9V Power Adaptor Product Description Product Description BEHRINGER POWER SUPPLY PSU-SB POWER SUPPLY PSU-SB General Purpose DC 9 V Power Adapter Converts to DC 9 V for use with virtually all stomp boxes and effects pedals Typical DC-type 2.2 mm plug with negative tip and positive sleeve Provides a generous 100 mA current to power even digital products High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany Use our new general purpose DC 9 V power adapter PSU-SB to power virtually all your guitar or bass guitar stomp boxes and effects pedals. This adapter provides a generous 100 mA current to power even digital products. For connection, it features a typical DC-type 2.2 mm plug with negative tip and positive sleeve. This universal power supply gives you ultimate power for your most demanding gigs End user can also obtain additional information at http://www.behringer.com/EN/Products/PSU-SB.aspx Amazon.com Use Behringer's general purpose DC 9 V power adapter PSU-SB to power virtually all your guitar or bass guitar stomp boxes and effects pedals. This adapter provides a generous 100 mA current to power even digital products. For connection, it features a typical DC-type 2.2 mm plug with negative tip and positive sleeve. The ultimate power for your most demanding gigs. What's in the Box Behringer PSU-SB Power Supply General Purpose DC 9V Power AdaptorFrom the manufacturer PSU-SB General Purpose DC 9 V Power Adapter Converts to DC 9 V for use with virtually all stomp boxes and effects pedals Typical DC-type 2.2 mm plug with negative tip and positive sleeve Provides a generous 100 mA current to power even digital products Read more PSU-SB PSU-SB When the time comes to put your best foot forward on stage, you need the most dependable power you can get for your stomp boxes – and that’s where the PSU-SB General Purpose DC 9 V Power Adapter comes in… Works with Virtually all FX Pedals The PSU-SB provides a more than generous 100 mA of current to power both your analog and digital devices. For connection, the PSU-SB features a standard DC-type 2.2 mm plug with negative tip and positive sleeve, making it ideal for virtually all stomp boxes and effects pedals. Value The PSU-SB universal power supply gives you ultimate power for your most demanding gigs – and it’s so very affordable. Visit your Behringer dealer or get yours online today, and step up to the most dependable power supply you can get – the PSU-SB! Read more 

title: Behringer V-TONE ACOUSTIC DRIVER DI ADI21 Acoustic Amp Modeler/Direct Recording Preamp/DI Box
text: Product Description NOTE :AC Adapter must be 9V DC, 100mA minimum, 2.2 mm plug with negative tip and positive sleeve. Acoustic Amp Modeler / Direct Recording Preamp/DI box Product Description NOTE :AC Adapter must be 9V DC, 100mA minimum, 2.2 mm plug with negative tip and positive sleeve. Acoustic Amp Modeler / Direct Recording Preamp/DI boxFrom the manufacturer ADI21 Acoustic Amp Modeler/Direct Recording Preamp/DI Box Analog modeling acoustic guitar preamp/stompbox with DI recording output This Behringer product has been designed to compete head to head with leading products on the market Authentic tube/microphone modeling circuitry provides the natural warmth and presence, as if your acoustic guitar was miked through a tube pre-amp Ultra-musical 3-band EQ with sweepable mids for accurate feedback control and to eliminate the harsh harmonics of piezos Output available on ¼'' TS or balanced, gold-plated XLR connectors Ground lift switch eliminates typical ground loop problems Runs on 9 V battery or the Behringer PSU-SB DC power supply (not included) Read more ADI21 V-TONE ACOUSTIC DRIVER DI ADI21 For an unplugged sound that’s rich, loud and electrifying, step on the V-TONE ACOUSTIC DRIVER DI ADI21. This amazing little box is essential for piezo-equipped guitars and will make your acoustic guitar sound come to life! The ADI21 combines the features of an active DI (direct injection) box with our proprietary tube/mic emulation circuitry. Enjoy a full 3-band EQ with sweepable mids and a Blend control that allows you to mix the amount of amp and mic emulation you want with your direct signal. And if you prefer the “old-school” approach, just step on the switch and the ADI21 functions as a rather superb active DI box. Great Sound, Naturally By their very nature, piezo pickups tend to be very bright, with somewhat reduced bass response and warmth. The ADI21 combines the features of an active DI (direct injection) box with our proprietary microphone/tube emulation. The BLEND control allows you to mix the amount of modeled tone with your instrument’s normal output. The resulting sound is more natural with smooth saturation, just as if your guitar were being mic’ed in the great outdoors. EQ and More… Armed with an onboard 3-band EQ, with sweepable mids to keep feedback under control, the ADI21 effectively eliminates the harsh harmonics of piezo pickups. The output is laid out on 1⁄4" TS or balanced gold-plated XLR connectors, which can be used to send a low-impedance signal to the mixing console or straight to tape. You also get a ground lift switch to eliminate annoying ground loop hum problems. You can power this little lifesaver with a 9 V battery or our PSU-SB DC power supply (not included). Sound Value Putting some acoustic glory into your recordings or live performances has never been this easy—or sounded this incredible. The ADI21 gives you a full DI, amp/microphone simulation and a 3-band EQ with sweepable mids – a lot of value in one little box! Try the V-TONE ACOUSTIC ADI21 at your local Behringer dealer and find out just how affordable great acoustic sound can be. Read more 

title: Behringer V-TONE BASS DRIVER DI BDI21 Bass Amp Modeler/Direct Recording Preamp/DI Box, Silver
text: Product Description BEHRINGER V-TONE BASS DRIVER DI BDI21 Bass Amp Modeler/Direct Recording Preamp/DI Box Analog modeling bass preamp/stompbox with DI recording output This BEHRINGER product has been designed to compete head to head with leading products on the market Authentic V-TONE modeling technology capable of dialing up big vintage tube tones, funky slap sounds, crunchy distortions and all in between Provides a truckload of great amps in a single stomp box-from traditional bass amps to modern overdriven amp tones that would typically require a multitude of effects units Authentic tube emulation circuitry can be mixed with the direct bass signal via blend control Presence control for definition and upper harmonics plus ultra-musical 2-band EQ specifically tuned for bass guitars Dual DI mode for either direct recording output with tube emulation or standard active direct injection box in bypass mode Output available on 1/4'' TS or balanced, gold-plated XLR connectors Ground lift switch eliminates typical ground loop problems Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included) High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany There are DI boxes...and then there's the V-TONE BASS BDI21 - the feature-packed analog DI box built especially for bass. Not Your Average DI Box The BDI21 combines the features of an active DI (direct injection) box with our proprietary tube emulation circuitry. It's like having a truckload of vintage tube amps right at your toes! The Blend control allows you to mix the amount of tube emulation you want with your direct bass signal. And if you don't want to use the tube emulation feature, just step on the switch and the ADI21 functions as a superb active DI box. So Easy to Use With its dedicated DRIVE, TREBLE, BASS, LEVEL, and PRESENCE dials, the BDI21 DI box goes above and beyond, giving you vintage tube tones for some funked-up slap, gonzo overdrive and everything in-between. You can use the BDI21 as a recording output DI, with tube emulation, or as a standard active DI box, when running in bypass mode. The output is laid out on 1/4" TS or balanced, gold-plated XLR connectors. There's also a ground lift switch that eliminates typical ground loop hum problems. You can power this bad boy with a 9V battery or our PSU-SB DC power supply (not included). Value When it comes to DI boxes, you can go with simple injection, or plug into the BDI21 to add some badass tube-like fuel injection to your bass. Try the V-TONE BASS BDI21 at your local BEHRINGER dealer and find out just how great your bass can sound. Product Description BEHRINGER V-TONE BASS DRIVER DI BDI21 Bass Amp Modeler/Direct Recording Preamp/DI Box Analog modeling bass preamp/stompbox with DI recording output This BEHRINGER product has been designed to compete head to head with leading products on the market Authentic V-TONE modeling technology capable of dialing up big vintage tube tones, funky slap sounds, crunchy distortions and all in between Provides a truckload of great amps in a single stomp box-from traditional bass amps to modern overdriven amp tones that would typically require a multitude of effects units Authentic tube emulation circuitry can be mixed with the direct bass signal via blend control Presence control for definition and upper harmonics plus ultra-musical 2-band EQ specifically tuned for bass guitars Dual DI mode for either direct recording output with tube emulation or standard active direct injection box in bypass mode Output available on 1/4'' TS or balanced, gold-plated XLR connectors Ground lift switch eliminates typical ground loop problems Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included) High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany There are DI boxes...and then there's the V-TONE BASS BDI21 - the feature-packed analog DI box built especially for bass. Not Your Average DI Box The BDI21 combines the features of an active DI (direct injection) box with our proprietary tube emulation circuitry. It's like having a truckload of vintage tube amps right at your toes! The Blend control allows you to mix the amount of tube emulation you want with your direct bass signal. And if you don't want to use the tube emulation feature, just step on the switch and the ADI21 functions as a superb active DI box. So Easy to Use With its dedicated DRIVE, TREBLE, BASS, LEVEL, and PRESENCE dials, the BDI21 DI box goes above and beyond, giving you vintage tube tones for some funked-up slap, gonzo overdrive and everything in-between. You can use the BDI21 as a recording output DI, with tube emulation, or as a standard active DI box, when running in bypass mode. The output is laid out on 1/4" TS or balanced, gold-plated XLR connectors. There's also a ground lift switch that eliminates typical ground loop hum problems. You can power this bad boy with a 9V battery or our PSU-SB DC power supply (not included). Value When it comes to DI boxes, you can go with simple injection, or plug into the BDI21 to add some badass tube-like fuel injection to your bass. Try the V-TONE BASS BDI21 at your local BEHRINGER dealer and find out just how great your bass can sound.From the manufacturer BDI21 Bass Amp Modeler/Direct Recording Preamp/DI Box Analog modeling bass preamp/stompbox with DI recording output This Behringer product has been designed to compete head to head with leading products on the market Authentic V-TONE modeling technology capable of dialing up big vintage tube tones, funky slap sounds, crunchy distortions and all in between Provides a truckload of great amps in a single stomp box—from traditional bass amps to modern overdriven amp tones that would typically require a multitude of effects units Authentic tube emulation circuitry can be mixed with the direct bass signal via blend control Output available on ¼'' TS or balanced, gold-plated XLR connectors Ground lift switch eliminates typical ground loop problems Read more BDI21 V-TONE BASS DRIVER DI BDI21 The BDI21 combines the features of an active DI (direct injection) box with our proprietary tube emulation circuitry. It’s like having a truckload of vintage tube amps right at your toes! The Blend control allows you to mix the amount of tube emulation you want with your direct bass signal. And if you just want your instruments straight, pure tone – just step on the switch and the ADI21 functions as a superb active DI box. You’ve Got Control With its dedicated Drive, Treble, Bass, Level, and Presence dials, the BDI21 goes above and beyond the call of duty, giving you vintage tube tones for funked-up slap, gonzo overdrive and everything in-between. You can use the BDI21 as a recording output DI with tube emulation, or as a standard active DI box, when running in bypass mode. The output is presented in ¼ " TS or balanced, gold-plated XLR connectors. There's also a ground lift switch that eliminates typical ground loop hum problems. You can power this bad boy with a 9V battery or our PSU-SB DC power supply (not included). Sound Value Thanks to our revolutionary Class-D amplifier technology, we are able to provide you with enormous power and incredible sonic performance in an easy-to-use, ultra-portable and lightweight package. Class-D amplification makes all the difference, offering the ultimate in energy efficiency and eliminating the need for heavy power supplies and massive heat sinks. This amazing technology makes it possible to design and build extremely-powerful products that are significantly lighter in weight than their traditional counterparts, while using less energy and protecting the environment. Read more 

title: Behringer V-TONE GUITAR DRIVER DI GDI21 Guitar Amp Modeler/Direct Recording Preamp/DI Box
text: Product Description BEHRINGER V-TONE GUITAR DRIVER DI GDI21 Guitar Amp Modeler/Direct Recording Preamp/DI Box Analog guitar modeling preamp/stompbox with DI recording output This BEHRINGER product has been designed to compete head to head with leading products on the market Authentic V-TONE modeling technology for 3 classic guitar amps, 3 gain modes and 3 mic placements for a total of 27 configurations. Easily achieve the most sought-after tube amp sounds from clean, crunch to super-fat distortion Provides a truckload of great amps in a single stomp box - simply choose your favourite sounds with a flick of a switch Precise level and drive control plus musical 2-band EQ for ultimate sound Dual DI mode for either direct recording output with speaker simulation or standard active direct injection box in bypass mode Output available on1/4'' TS or balanced, gold-plated XLR connectors Ground lift switch eliminates typical ground loop problems Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included) High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany Our authentic V-TONE modeling technology recreates three of the most sought-after classic guitar amps, with three gain modes and three mic placements for a total of 27 possible configurations. You get a truckload of great amps in one convenient stomp box, allowing you to go from clean or crunch to super-fat distortion in a flash. Extremely User-Friendly Operation is simple; just choose the type of amp, from the smooth Calif (Californian), the bright, punchy TWED (Tweed), or the BRIT (British) with its incredible sustain and aggressive mids. Then select the gain mode, CLN (clean), HOT or HI G (high gain). Lastly, choose the mic placement from the three available selections. This feature is a BEHRINGER exclusive, allowing you to place the "virtual mic" in any of three positions: (OFF X) - At the edge of the speaker cone, producing a smoother, softer sound with less midrange content (CNTR) - Positioned at the center of the cone, for more upper mids and beefy low-end (CLSIC) - Slightly in front of the cabinet, for high midrange content with tons of definition It's a Tone Thing We've also included a dedicated Drive control, for adjusting the amount of gain. This control effectively mimics the amount of push applied to the output stage of a tube amplifier, from a gentle nudge to full-out, tube-melting overdrive. Further tone shaping is provided by a highly musical 2-band EQ. Versatility The GDI21 can be used for direct recording output, with speaker simulation or, when used in bypass mode, as a superb active DI box. A 1/4" output jack is provided for connecting to your amp and the gold-plated, balanced XLR connector will link you cleanly to the front of house console. Ground loop problems are nonexistent, thanks to the onboard ground lift switch. Value Whether you use it on the stage or for recording, the BEHRINGER V-Tone Guitar GDI21 is the ultimate choice for musicians seeking an extremely versatile array of time-tested, classic tones. With the GDI21, you get the sound of three classic guitar amps and a superb DI box, all for the price of a single stomp box! Try one at your local BEHRINGER dealer today. Product Description BEHRINGER V-TONE GUITAR DRIVER DI GDI21 Guitar Amp Modeler/Direct Recording Preamp/DI Box Analog guitar modeling preamp/stompbox with DI recording output This BEHRINGER product has been designed to compete head to head with leading products on the market Authentic V-TONE modeling technology for 3 classic guitar amps, 3 gain modes and 3 mic placements for a total of 27 configurations. Easily achieve the most sought-after tube amp sounds from clean, crunch to super-fat distortion Provides a truckload of great amps in a single stomp box - simply choose your favourite sounds with a flick of a switch Precise level and drive control plus musical 2-band EQ for ultimate sound Dual DI mode for either direct recording output with speaker simulation or standard active direct injection box in bypass mode Output available on1/4'' TS or balanced, gold-plated XLR connectors Ground lift switch eliminates typical ground loop problems Runs on 9 V battery or the BEHRINGER PSU-SB DC power supply (not included) High-quality components and exceptionally rugged construction ensure long life Conceived and designed by BEHRINGER Germany Our authentic V-TONE modeling technology recreates three of the most sought-after classic guitar amps, with three gain modes and three mic placements for a total of 27 possible configurations. You get a truckload of great amps in one convenient stomp box, allowing you to go from clean or crunch to super-fat distortion in a flash. Extremely User-Friendly Operation is simple; just choose the type of amp, from the smooth Calif (Californian), the bright, punchy TWED (Tweed), or the BRIT (British) with its incredible sustain and aggressive mids. Then select the gain mode, CLN (clean), HOT or HI G (high gain). Lastly, choose the mic placement from the three available selections. This feature is a BEHRINGER exclusive, allowing you to place the "virtual mic" in any of three positions: (OFF X) - At the edge of the speaker cone, producing a smoother, softer sound with less midrange content (CNTR) - Positioned at the center of the cone, for more upper mids and beefy low-end (CLSIC) - Slightly in front of the cabinet, for high midrange content with tons of definition It's a Tone Thing We've also included a dedicated Drive control, for adjusting the amount of gain. This control effectively mimics the amount of push applied to the output stage of a tube amplifier, from a gentle nudge to full-out, tube-melting overdrive. Further tone shaping is provided by a highly musical 2-band EQ. Versatility The GDI21 can be used for direct recording output, with speaker simulation or, when used in bypass mode, as a superb active DI box. A 1/4" output jack is provided for connecting to your amp and the gold-plated, balanced XLR connector will link you cleanly to the front of house console. Ground loop problems are nonexistent, thanks to the onboard ground lift switch. Value Whether you use it on the stage or for recording, the BEHRINGER V-Tone Guitar GDI21 is the ultimate choice for musicians seeking an extremely versatile array of time-tested, classic tones. With the GDI21, you get the sound of three classic guitar amps and a superb DI box, all for the price of a single stomp box! Try one at your local BEHRINGER dealer today.From the manufacturer GDI21 Guitar Amp Modeler/Direct Recording Preamp/DI Box Analog guitar modeling preamp/stompbox with DI recording output This Behringer product has been designed to compete head to head with leading products on the market Authentic V-TONE modeling technology for 3 classic guitar amps, 3 gain modes and 3 mic placements for a total of 27 configurations. Easily achieve the most sought-after tube amp sounds from clean, crunch to super-fat distortion Provides a truckload of great amps in a single stomp box—simply choose your favourite sounds with a flick of a switch Precise level and drive control plus musical 2-band EQ for ultimate sound Output available on ¼'' TS or balanced, gold-plated XLR connectors Ground lift switch eliminates typical ground loop problems Runs on 9 V battery or the Behringer PSU-SB DC power supply (not included) Read more GDI21 V-TONE GUITAR DRIVER DI GDI21 Our authentic V-TONE modeling technology recreates three of the most sought-after classic guitar amps, with three gain modes and three mic placements for a total of 27 possible configurations. You get a truckload of great amps in one convenient stomp box, allowing you to go from clean or crunch to super-fat distortion in a flash. Extremely User-Friendly Operation is simple; just choose the type of amp, from the smooth Calif (Californian), the bright, punchy Twed ( Tweed), or the Brit (British) with its incredible sustain and aggressive mids. Then select the gain mode, Cln (clean), Hot or Hi G (high gain). Lastly, choose the mic placement from the three available selections. This feature is a Behringer exclusive, allowing you to place the “virtual mic” in any of three positions: (OFF X)—At the edge of the speaker cone, producing a smoother, softer sound with less midrange content (CNTR)—Positioned at the center of the cone, for more upper mids and beefy low-end (CLSIC)—Slightly in front of the cabinet, for high midrange content with tons of definition It’s a Tone Thing We’ve also included a dedicated Drive control, for adjusting the amount of gain. This control effectively mimics the amount of push applied to the output stage of a tube amplifier, from a gentle nudge to full-out, tube-melting overdrive. Further tone shaping is provided by a highly musical 2-band EQ. Versatility The GDI21 can be used for direct recording output, with speaker simulation or, when used in bypass mode, as a superb active DI box. A 1⁄4" output jack is provided for connecting to your amp and the gold-plated, balanced XLR connector will link you cleanly to the front of house console. Ground loop problems are nonexistent, thanks to the onboard ground lift switch. Read more Sound Value Whether you use it on the stage or for recording, the V-Tone Guitar GDI21 is the ultimate choice for musicians seeking an extremely versatile array of time-tested, classic tones. Read more 

title: MXR Bass D.I.+
text: Product Description A powerful dual-channel EQ and distortion stomp box with blend function, noise gate, and XLR direct out. It also has a parallel output for routing flexibility. The MXR M-80 Bass Direct Box with Distortion is more than just a direct box. It's got so many features, you may wonder how you ever did without it! It includes a distortion channel with gain, volume, and blend controls; a noise gate to help keep it clean; a Color control; and 3-band EQ control that lets you dial in any tone you need. It also provides phantom power, and sports a parallel output jack for flexibility in routing. Whether you like it sweet and clean or hot and nasty, this DI does it all! Product Description A powerful dual-channel EQ and distortion stomp box with blend function, noise gate, and XLR direct out. It also has a parallel output for routing flexibility. The MXR M-80 Bass Direct Box with Distortion is more than just a direct box. It's got so many features, you may wonder how you ever did without it! It includes a distortion channel with gain, volume, and blend controls; a noise gate to help keep it clean; a Color control; and 3-band EQ control that lets you dial in any tone you need. It also provides phantom power, and sports a parallel output jack for flexibility in routing. Whether you like it sweet and clean or hot and nasty, this DI does it all!

title: MXR Bass Preamp
text: Product Description The MXR Bass Preamp combines a pristine bass preamp with astudio-quality Direct Out in a Phase 90-sized box, providing clear tonewithout hogging precious pedalboard space. Use it to add a new voice toan old passive bass, sweeten up any amp, or put some special sauce on aparticular song. Dial it in just the way you want it and send itstraight to the house—pre or post-EQ—with the built-in Direct Out. Product Description The MXR Bass Preamp combines a pristine bass preamp with astudio-quality Direct Out in a Phase 90-sized box, providing clear tonewithout hogging precious pedalboard space. Use it to add a new voice toan old passive bass, sweeten up any amp, or put some special sauce on aparticular song. Dial it in just the way you want it and send itstraight to the house—pre or post-EQ—with the built-in Direct Out.