Query: jean-baptiste lully

title: THÉSÉE (Highlights) by Jean Baptiste Lully
text: Editorial Reviews Jean Baptiste Lully: These (Highlights) RCA Victrola Vics-1686 Stereo Editorial Reviews Jean Baptiste Lully: These (Highlights) RCA Victrola Vics-1686 Stereo

title: Phaeton / Atys / Armide by JEAN-BAPTISTE LULLY (2012-04-24)

title: Les Grandes Eaux Musicales de Versailles (The Musical Fountains of Versailles) by Jean-Baptiste Lully (2005-08-09)

title: Lully: Complete Grand Motets
text: Editorial Reviews Te Deum - Miserere - Plaude lætare Gallia - Quare fremuerunt - O Lachrymae - Dies irae - De profundis - Benedictus - Notus in Judæa Deus - Exaudiat te Dominus - Laudate pueri Dominum - O dulcissime Domine / Le Concert Spirtuel - Hervé Niquet, direction Editorial Reviews Te Deum - Miserere - Plaude lætare Gallia - Quare fremuerunt - O Lachrymae - Dies irae - De profundis - Benedictus - Notus in Judæa Deus - Exaudiat te Dominus - Laudate pueri Dominum - O dulcissime Domine / Le Concert Spirtuel - Hervé Niquet, direction

title: Court of the Sun King: The Glory of French Baroque

title: Jean-Baptiste Lully - Alceste Original Disques Montaigne Box Set - Lafont Malgoire et al.

title: Jean-Baptiste Lully: Persre 1770
text: Editorial Reviews Nearly a century after it's composition, Lully's Persée was recreated in 1770 to mark an exceptional event: the inauguration of the Royal Opera House at Versailles Palace, built to celebrate the wedding of the Dauphin and Marie Antoinette. For this unique occasion, three composers (Antoine Dauvergne, Francois Rebel and Bernard de Bury) were commissioned to revise Lully's work and adapt it to the new circumstances and the new venue, which was regarded as absolutely extraordinary in it's time. Lovers of Lully's opera will therefore meet their mythological hero again, now with a richer orchestration and more for the chorus and the ballet dancers to do. There were only two performances in 1770, but they were absolutely sumptuous: 95 choristers, 15 soloists, 80 dancers, 100 extras, 80 instrumentalists, five sets and 350 costumes. Listeners can now re-live that historic event thanks to a recording conducted by the leading specialist in this repertory, Hervé Niquet. Editorial Reviews Nearly a century after it's composition, Lully's Persée was recreated in 1770 to mark an exceptional event: the inauguration of the Royal Opera House at Versailles Palace, built to celebrate the wedding of the Dauphin and Marie Antoinette. For this unique occasion, three composers (Antoine Dauvergne, Francois Rebel and Bernard de Bury) were commissioned to revise Lully's work and adapt it to the new circumstances and the new venue, which was regarded as absolutely extraordinary in it's time. Lovers of Lully's opera will therefore meet their mythological hero again, now with a richer orchestration and more for the chorus and the ballet dancers to do. There were only two performances in 1770, but they were absolutely sumptuous: 95 choristers, 15 soloists, 80 dancers, 100 extras, 80 instrumentalists, five sets and 350 costumes. Listeners can now re-live that historic event thanks to a recording conducted by the leading specialist in this repertory, Hervé Niquet.

title: Lully - Thésée
text: Editorial Reviews Product Description CPO presents The Boston Early Music Festival in a follow up to their GRAMMY nominated recording of Conradi's Ariadne with a World Premiere recording of Lully's Thesee. Renowned Musical Directors Paul O'Dette and Stephen Stubbs present this highly anticipated edition, which was first performed by the BEMF in 2001, to international acclaim. Review "BEST OF 2007" "...Thésée" (Lully), with Boston Early Music Festival Orchestra and Chorus, Paul O'Dette and Stephen Stubbs, directors; CPO. BEMF mounted a production of this resplendent Lully opera in 2001. The singing here by the principals is generally distinguished, but it is the orchestra and chorus that shine the brightest..." -- BOSTON GLOBE, Jeremy Eichler December 17, 2007 (10/10) This performance, by the Boston Early Music Festival Orchestra and Chorus under both Paul O'Dette and Stephen Stubbs, is superb, filled with precisely the right frills and pomp one would hope for. -- ClassicsToday.com, Robert Levine BEMF operas set the gold standard for sophistication, elegance and artistic sensibility. -- Early Music America Led by Paul O'Dette and Stephen Stubbs, the performance crackles with ornate, embroidered brilliance and vocal crispness. Unlike most other Lully performances on disc, which often feel stiff and artificial -- caught up in getting the details right while losing the flow of the music -- the Boston group's delivery is supple, alert, thoroughly engaging. -- Atlanta Journal-Constitiution, July 15, 2007 The absolute mastery of Lully shone through . . . a major achievement of the Boston Early Music Festival. -- The Boston Globe The last act moves dramatically from fiery discord to a cosmic sense of order imposed by a sublime and joyous chorus. -- San Francisco Chronicle, Sunday, August 5th, 2007, Joshua Kosman The performance of this opera is virtually flawless. The musicianship of the Boston Early Music Festival Orchestra & Chorus is unimpeachable and the singing of the principal performers is equally impressive. -- Scene Magazine (London, Ont.), July 19th-August 1st, 2007,Chris Morgan Thesee - as put on by the Boston Early Music Festival. . .(puts) opera in terms of the Parc Monceau, emotions manicured like a row of hedges. -- New York Times Editorial Reviews Product Description CPO presents The Boston Early Music Festival in a follow up to their GRAMMY nominated recording of Conradi's Ariadne with a World Premiere recording of Lully's Thesee. Renowned Musical Directors Paul O'Dette and Stephen Stubbs present this highly anticipated edition, which was first performed by the BEMF in 2001, to international acclaim. Review "BEST OF 2007" "...Thésée" (Lully), with Boston Early Music Festival Orchestra and Chorus, Paul O'Dette and Stephen Stubbs, directors; CPO. BEMF mounted a production of this resplendent Lully opera in 2001. The singing here by the principals is generally distinguished, but it is the orchestra and chorus that shine the brightest..." -- BOSTON GLOBE, Jeremy Eichler December 17, 2007 (10/10) This performance, by the Boston Early Music Festival Orchestra and Chorus under both Paul O'Dette and Stephen Stubbs, is superb, filled with precisely the right frills and pomp one would hope for. -- ClassicsToday.com, Robert Levine BEMF operas set the gold standard for sophistication, elegance and artistic sensibility. -- Early Music America Led by Paul O'Dette and Stephen Stubbs, the performance crackles with ornate, embroidered brilliance and vocal crispness. Unlike most other Lully performances on disc, which often feel stiff and artificial -- caught up in getting the details right while losing the flow of the music -- the Boston group's delivery is supple, alert, thoroughly engaging. -- Atlanta Journal-Constitiution, July 15, 2007 The absolute mastery of Lully shone through . . . a major achievement of the Boston Early Music Festival. -- The Boston Globe The last act moves dramatically from fiery discord to a cosmic sense of order imposed by a sublime and joyous chorus. -- San Francisco Chronicle, Sunday, August 5th, 2007, Joshua Kosman The performance of this opera is virtually flawless. The musicianship of the Boston Early Music Festival Orchestra & Chorus is unimpeachable and the singing of the principal performers is equally impressive. -- Scene Magazine (London, Ont.), July 19th-August 1st, 2007,Chris Morgan Thesee - as put on by the Boston Early Music Festival. . .(puts) opera in terms of the Parc Monceau, emotions manicured like a row of hedges. -- New York Times

title: Great Baroque Masters: Jean Baptiste Lully

title: Lully: Les Divertissements de Versailles
text: Editorial Reviews CD Editorial Reviews CD

title: Molière 1978 Film
text: Editorial Reviews HMF 1951020; HARMONIA MUNDI - Francia; Editorial Reviews HMF 1951020; HARMONIA MUNDI - Francia;

title: Lully: Grands Motets - Dies Irae; Miserere /La Chapelle Royale * Herreweghe

title: Lully - Ballet Music for the Sun King / Mary Enid Haines · Aradia Baroque Ensemble · Kevin Mallon
text: Editorial Reviews The Aradia Baroque Ensemble, Mary Enid Haines & Sharla Nafziger, Sopranos. Conducted by Kevin Mallon. Recorded at the Church of St. Mary Magdalene, Toronto, Canada October 8-10, 1996. Played on original instruments. Editorial Reviews The Aradia Baroque Ensemble, Mary Enid Haines & Sharla Nafziger, Sopranos. Conducted by Kevin Mallon. Recorded at the Church of St. Mary Magdalene, Toronto, Canada October 8-10, 1996. Played on original instruments.

title: Tous les Matins du Monde: Bande Originale du Film
text: Editorial Reviews Amazon.com Whether or not you saw the film Tous les matins du monde, you owe it to yourself to either discover or revisit its soundtrack, which features the music of two great figures of 17th-century France: Saint Colombe and his pupil Marin Marais. Saint Colombe, about whom little is known, was a great viol player who was acclaimed for his improvisations. Marais became a member of the famed court orchestra under Lully (some of whose music also appears on the disc) at a very young age. One of the joys of this recording is the sound of the bass viol, an instrument rarely played by itself, especially in such a virtuoso manner. Jordi Savall is the undisputed modern master of the instrument, and he shows us why on this program. As an added bonus, two outstanding vocal pieces are sung with endearing purity, flawless technique, and impeccable intonation by two perfectly matched sopranos. --David Vernier Editorial Reviews Amazon.com Whether or not you saw the film Tous les matins du monde, you owe it to yourself to either discover or revisit its soundtrack, which features the music of two great figures of 17th-century France: Saint Colombe and his pupil Marin Marais. Saint Colombe, about whom little is known, was a great viol player who was acclaimed for his improvisations. Marais became a member of the famed court orchestra under Lully (some of whose music also appears on the disc) at a very young age. One of the joys of this recording is the sound of the bass viol, an instrument rarely played by itself, especially in such a virtuoso manner. Jordi Savall is the undisputed modern master of the instrument, and he shows us why on this program. As an added bonus, two outstanding vocal pieces are sung with endearing purity, flawless technique, and impeccable intonation by two perfectly matched sopranos. --David Vernier

title: Music at the Hanoverian Court / Capella Agostino Steffani · Lajos Ravatkay

title: Lully: L'Orchestre du Roi Soleil
text: Editorial Reviews - LULLY Jean Baptiste: Orchestre du Roi Soleil; Borghese gentiluomo (1670) Suite n.1; Divertissement royal (1664 - 1670) 2' Suite; Alceste (1674) 3' suite; Chaconne de l'Amour medicin (1665) Editorial Reviews - LULLY Jean Baptiste: Orchestre du Roi Soleil; Borghese gentiluomo (1670) Suite n.1; Divertissement royal (1664 - 1670) 2' Suite; Alceste (1674) 3' suite; Chaconne de l'Amour medicin (1665)