Query: wind rose

title: Wintersaga
text: Editorial Reviews "We don't write songs, we smith them against the anvil." And that`s power metallers Wind Rose in a nutshell! The fivepiece that started out in Pisa, Italy in 2009 is no secret to genre connoisseurs thanks to three well-received albums and tours with Wintersun, Ensiferum and many more. But now their big moment in the spotlight has come – Wind Rose are ready for the final breakthrough with Wintersaga! They have perfected their mixture of heroic steel and folky, mead-drenched anthems in the meantime: party tunes don't get better than 'Drunken dwarves'. Seriously. Counterbalance arrives in shape of epic power metal anthems like ‘The art of war‘ or ‘We were warriors‘, carefully treading the fine line between neckbreaking riffing and dramatic orchestration. A highly entertaining and unforgettable ride over mountains, snow and ice! Editorial Reviews "We don't write songs, we smith them against the anvil." And that`s power metallers Wind Rose in a nutshell! The fivepiece that started out in Pisa, Italy in 2009 is no secret to genre connoisseurs thanks to three well-received albums and tours with Wintersun, Ensiferum and many more. But now their big moment in the spotlight has come – Wind Rose are ready for the final breakthrough with Wintersaga! They have perfected their mixture of heroic steel and folky, mead-drenched anthems in the meantime: party tunes don't get better than 'Drunken dwarves'. Seriously. Counterbalance arrives in shape of epic power metal anthems like ‘The art of war‘ or ‘We were warriors‘, carefully treading the fine line between neckbreaking riffing and dramatic orchestration. A highly entertaining and unforgettable ride over mountains, snow and ice!From the brand Previous page Vinyl of the Month Club Amazon Exclusive Vinyl Best Sellers New Releases Digital Albums on Amazon Music Next page From the manufacturer Read more Read more Read more About us Napalm Records is an Austrian independent record label focused on heavy metal and hard rock. Originally, Napalm focused on black metal bands, such as Abigor and Summoning, and folk metal bands, such as Falkenbach and Vintersorg. Read more 

title: Wind Rose
text: Editorial Reviews This third album of Arianna Savall and Petter Udland Johansen with their ensemble Hirundo Maris on Carpe Diem Records is a musical journey along coasts and oceans, an ode to seafarers and travelers from ancient and modern times, to their lives, hopes and dreams. The windrose points into all cardinal points, encompassing all different cultures and places on earth in it's movement. At the same time, it can be a symbol for the inner travels of the human soul which may aim into all different directions and places throughout life. In this sense, the songs on this album connect inner and outer journeying through music and poetry, just as countries and people are connected through oceans, currents, and winds. Editorial Reviews This third album of Arianna Savall and Petter Udland Johansen with their ensemble Hirundo Maris on Carpe Diem Records is a musical journey along coasts and oceans, an ode to seafarers and travelers from ancient and modern times, to their lives, hopes and dreams. The windrose points into all cardinal points, encompassing all different cultures and places on earth in it's movement. At the same time, it can be a symbol for the inner travels of the human soul which may aim into all different directions and places throughout life. In this sense, the songs on this album connect inner and outer journeying through music and poetry, just as countries and people are connected through oceans, currents, and winds.

title: Stonehymn
text: Editorial Reviews 2017 release. Having toured with bands like Wintersun, Eluveitie and Ensiferum, and with two successful albums under their belt, Wind Rose are ready to take things to the next level with the release of their third album Stonehymn, an album filled by the epic, powerful and folk inspired brand of power metal the band is known for. Stonehymn was mixed and mastered by Simone Mularoni [DGM, Ancient Bards, Secret Sphere] and the artwork was created by Jan Yrlund [Apocalyptica, Korpiklaani, Tyr]. Perfect for fans of bands like Wintersun, Blind Guardian and Turisas! Editorial Reviews 2017 release. Having toured with bands like Wintersun, Eluveitie and Ensiferum, and with two successful albums under their belt, Wind Rose are ready to take things to the next level with the release of their third album Stonehymn, an album filled by the epic, powerful and folk inspired brand of power metal the band is known for. Stonehymn was mixed and mastered by Simone Mularoni [DGM, Ancient Bards, Secret Sphere] and the artwork was created by Jan Yrlund [Apocalyptica, Korpiklaani, Tyr]. Perfect for fans of bands like Wintersun, Blind Guardian and Turisas!

title: Goodbye England's Rose: Candle in Wind 1997 by Various Artists

title: Wind Dance Under the Moon by David Rose

title: Ultimate Collection Of Rock & Roll Vol. 8: 70's Dance All Night by Various, Earth Wind & Fire, Rose Royce, Wild Cherry, Andrea True Connection, Emo (1998-09-30)

title: Wardens of the West Wind
text: Editorial Reviews Symphonic Power metallers Wind Rose have signed a deal with Scarlet Records for the release of their new album 'Wardens Of The West Wind'. After having attracted enthusiastic reviews with their debut album 'Shadows Over Lothadruin' in 2012, followed by many shows all over Europe with renowned acts such as Wintersun, Finntroll and Epica to name a few, the band started working on the follow-up with the supervision of musician and producer Cristiano Bertocchi (Labyrinth, Vision Divine), combining their classical background with powerful guitars, huge orchestrations and epic atmospheres. Cristiano was so impressed with the new material that he decided to join the band as their new bass player. 'Shadows Over Lothadruin' was produced by Simone Mularoni (DGM). The beautiful artwork was handled by Felipe Machado Franco (Blind Guardian, Rage Rhapsody Of Fire). Wind Rose surely come as a pleasant surprise for every fan of Melodic Heavy Metal. Editorial Reviews Symphonic Power metallers Wind Rose have signed a deal with Scarlet Records for the release of their new album 'Wardens Of The West Wind'. After having attracted enthusiastic reviews with their debut album 'Shadows Over Lothadruin' in 2012, followed by many shows all over Europe with renowned acts such as Wintersun, Finntroll and Epica to name a few, the band started working on the follow-up with the supervision of musician and producer Cristiano Bertocchi (Labyrinth, Vision Divine), combining their classical background with powerful guitars, huge orchestrations and epic atmospheres. Cristiano was so impressed with the new material that he decided to join the band as their new bass player. 'Shadows Over Lothadruin' was produced by Simone Mularoni (DGM). The beautiful artwork was handled by Felipe Machado Franco (Blind Guardian, Rage Rhapsody Of Fire). Wind Rose surely come as a pleasant surprise for every fan of Melodic Heavy Metal.

title: The Best of Earth, Wind & Fire, Vol.1
text: Editorial Reviews Product description No Description Available No Track Information Available Media Type: CD Artist: EARTH WIND & FIRE Title: VOL. 1-BEST OF EARTH WIND & FI Street Release Date: 07/27/1999 Domestic Genre: SOUL/R & B Amazon.com Like a lot of second-wave funk bands, Earth, Wind & Fire were adept at balancing slickness and rawness. While their albums were occasionally spotty, the outfit achieved truly miraculous moments like the rocking "Shining Star" and the gloriously syncopated "September." (Come to think of it, the screaming guitar of the former was also nicely set off by its rhythmic flow.) In a have-you-never-been-mellow decade, their positivity seemed mostly realistic. With something like their powerhouse transformation of "Got to Get You into My Life"--pulling one of the great Beatles covers out of the awful Sgt. Pepper's Lonely Hearts Club Band movie--they could make even the most churlish listener believe anything was possible. --Rickey Wright Editorial Reviews Product description No Description Available No Track Information Available Media Type: CD Artist: EARTH WIND & FIRE Title: VOL. 1-BEST OF EARTH WIND & FI Street Release Date: 07/27/1999 Domestic Genre: SOUL/R & B Amazon.com Like a lot of second-wave funk bands, Earth, Wind & Fire were adept at balancing slickness and rawness. While their albums were occasionally spotty, the outfit achieved truly miraculous moments like the rocking "Shining Star" and the gloriously syncopated "September." (Come to think of it, the screaming guitar of the former was also nicely set off by its rhythmic flow.) In a have-you-never-been-mellow decade, their positivity seemed mostly realistic. With something like their powerhouse transformation of "Got to Get You into My Life"--pulling one of the great Beatles covers out of the awful Sgt. Pepper's Lonely Hearts Club Band movie--they could make even the most churlish listener believe anything was possible. --Rickey WrightFrom the brand Previous page Vinyl of the Month Club Amazon Exclusive Vinyl Best Sellers New Releases Digital Albums on Amazon Music Next page  

title: You Sing the Songs of Elton John Candle in the Wind Goodbye England's Rose 1997

title: Shadows Over Lotnadruin
text: Editorial Reviews No synopsis available. Editorial Reviews No synopsis available.

title: Hartke: Clarinet Concerto - Landscapes with Blues / The Rose of the Winds / Gradus / Pacific Rim
text: Editorial Reviews The most recent and longest of the works heard here quite possibly makes the longest musical journey as well. The Clarinet Concerto (2001), subtitled Landscape with Blues, was commissioned by the IRIS Chamber Orchestra for Richard Stoltzman. In offering the commission, the orchestra's Executive Director, Albert Pertalion, asked for a work that might reflect in some way on the heritage of Mississippi Delta Blues. As the composer notes fondly, "he even took me on a whirlwind tour of blues country to get a feel for the birthplace of one of America's greatest musical traditions. From that trip, I took away an indelible sense of the countryside, the heat and humidity, the purple martens chasing mosquitoes at twilight". But in it's realization, the piece goes much farther afield than that. It starts in the West African nations of Senegal and The Gambia, or "Senegambia" as they are sometimes known, with their great musical story-telling tradition known as griot singing, audibly one of the roots of American blues. These audible links are heard in their repetitive accompaniment patterns and rhythmically free, declamatory vocal melodies that tend to begin high then work themselves down to a lower register. Here, Hartke casts the clarinet solo as the griot, with the woodwinds engaging in a sort of call and response chorus, all built over a repeated five-note bass line. The second movement, entitled Delta Nights recalls Hartke's impressions of the Delta, but just as importantly owes much to the novel, Train Whistle Guitar, by Albert Murray, about his boyhood in a small African-American community near the Delta during the heyday of the great itinerant bluesmen. Hartke writes: "In Delta Nights, the soloist evokes a blues harmonica wailing away in the night, and even the structure of the movement is loosely related to a series of blues choruses. Moreover, some of the soloist's turns of phrase are derived from the opening motive of Cool Drink of Water Blues by Tommy Johnson, one of my favorite bluesmen. But the predominant influence here was Murray's recollection of the excitement which fired his boyhood imagination, hearing the distant sound of blues music drifting across the fields from juke joints that he was too young to visit." The final movement, Philamayork, takes it's title from Albert Murray, a compound word he uses to denote the nearly mythical cities of the North, where blues had gone and become a hard-driving urban music. Here Hartke's own New York roots are most apparent, and the movement unfolds almost like a nightclub dance-set, starting with a blues, then a faster dance number, a slow torchy ballad and some travelling music at the finish. Editorial Reviews The most recent and longest of the works heard here quite possibly makes the longest musical journey as well. The Clarinet Concerto (2001), subtitled Landscape with Blues, was commissioned by the IRIS Chamber Orchestra for Richard Stoltzman. In offering the commission, the orchestra's Executive Director, Albert Pertalion, asked for a work that might reflect in some way on the heritage of Mississippi Delta Blues. As the composer notes fondly, "he even took me on a whirlwind tour of blues country to get a feel for the birthplace of one of America's greatest musical traditions. From that trip, I took away an indelible sense of the countryside, the heat and humidity, the purple martens chasing mosquitoes at twilight". But in it's realization, the piece goes much farther afield than that. It starts in the West African nations of Senegal and The Gambia, or "Senegambia" as they are sometimes known, with their great musical story-telling tradition known as griot singing, audibly one of the roots of American blues. These audible links are heard in their repetitive accompaniment patterns and rhythmically free, declamatory vocal melodies that tend to begin high then work themselves down to a lower register. Here, Hartke casts the clarinet solo as the griot, with the woodwinds engaging in a sort of call and response chorus, all built over a repeated five-note bass line. The second movement, entitled Delta Nights recalls Hartke's impressions of the Delta, but just as importantly owes much to the novel, Train Whistle Guitar, by Albert Murray, about his boyhood in a small African-American community near the Delta during the heyday of the great itinerant bluesmen. Hartke writes: "In Delta Nights, the soloist evokes a blues harmonica wailing away in the night, and even the structure of the movement is loosely related to a series of blues choruses. Moreover, some of the soloist's turns of phrase are derived from the opening motive of Cool Drink of Water Blues by Tommy Johnson, one of my favorite bluesmen. But the predominant influence here was Murray's recollection of the excitement which fired his boyhood imagination, hearing the distant sound of blues music drifting across the fields from juke joints that he was too young to visit." The final movement, Philamayork, takes it's title from Albert Murray, a compound word he uses to denote the nearly mythical cities of the North, where blues had gone and become a hard-driving urban music. Here Hartke's own New York roots are most apparent, and the movement unfolds almost like a nightclub dance-set, starting with a blues, then a faster dance number, a slow torchy ballad and some travelling music at the finish.

title: I Am The Rose Of Sharon - Early American Vocal Music, Volume 1 New England Anthems & Southern Folk Hymns The Western Wind

title: Rose in the Wind

title: Experience the Divine: Greatest Hits
text: Editorial Reviews Product Description Collection from the Divine Miss M that covers Bette Midler's career up to 1993, Experience the Divine hits all the familiar high points. Yes, "The Rose" and "Wind Beneath My Wings' are here along with longtime favorites like her sultry version of the old '60s dance hit "Do You Wanna Dance?" and her theatrical take on Tom Waits' "Shiver Me Timbers". Midler's true genius, a quality that only her biggest fans have noticed over the years, is the way that she's casually, almost surreptitiously, updated the Great American Songbook, showing how familiar pre-Rock standards, including "One for My Baby (And One More for the Road)" and Cole Porter's "Miss Otis Regrets", fit seamlessly next to songs like the girl-group classic "Chapel of Love" and John Prine's "Hello in There". Truly magical. Atlantic. Amazon.com From her early days in the bathhouses to her rise as the star of her own concert film, Bette Midler has always brought a campy playfulness to her performances. Experience the Divine focuses on her radio hits for the bulk of its resources, although the kicky "Boogie Woogie Bugle Boy" is here. Midler's voice easily adapts itself to the material she's performing: "When a Man Loves a Woman" is charged with a raw sensuality whereas "In My Life," is as tender as a lullaby. The recent standards are here, "From a Distance" and "Wind Beneath My Wings," along with her star-making turn, "The Rose." Whether she's handling Cole Porter ("Miss Otis Regrets") or the Beatles, Bette Midler's voice is dynamic and expressive, according to the needs of the song. This astute ability to interpret without always going for the kill makes her versions of her chosen material some of the best ever recorded. --Steve Gdula Editorial Reviews Product Description Collection from the Divine Miss M that covers Bette Midler's career up to 1993, Experience the Divine hits all the familiar high points. Yes, "The Rose" and "Wind Beneath My Wings' are here along with longtime favorites like her sultry version of the old '60s dance hit "Do You Wanna Dance?" and her theatrical take on Tom Waits' "Shiver Me Timbers". Midler's true genius, a quality that only her biggest fans have noticed over the years, is the way that she's casually, almost surreptitiously, updated the Great American Songbook, showing how familiar pre-Rock standards, including "One for My Baby (And One More for the Road)" and Cole Porter's "Miss Otis Regrets", fit seamlessly next to songs like the girl-group classic "Chapel of Love" and John Prine's "Hello in There". Truly magical. Atlantic. Amazon.com From her early days in the bathhouses to her rise as the star of her own concert film, Bette Midler has always brought a campy playfulness to her performances. Experience the Divine focuses on her radio hits for the bulk of its resources, although the kicky "Boogie Woogie Bugle Boy" is here. Midler's voice easily adapts itself to the material she's performing: "When a Man Loves a Woman" is charged with a raw sensuality whereas "In My Life," is as tender as a lullaby. The recent standards are here, "From a Distance" and "Wind Beneath My Wings," along with her star-making turn, "The Rose." Whether she's handling Cole Porter ("Miss Otis Regrets") or the Beatles, Bette Midler's voice is dynamic and expressive, according to the needs of the song. This astute ability to interpret without always going for the kill makes her versions of her chosen material some of the best ever recorded. --Steve Gdula

title: Goodbye England's Rose: Candle in Wind 1997
text: Editorial Reviews Wonderful 12 Song CD By The Countdown Singers. Editorial Reviews Wonderful 12 Song CD By The Countdown Singers.

title: Tim Hardin 1 / Tracklist: Don't Make Promises. Green Rocky Road. Smugglin' Man. How Long. While You're On Your Way. It'll Never Happen Again. Reason To Believe. Never Too Far. Part Of The Wind. Ain’t Gonna Do Without. Misty Roses.