Baretbr)t/.
Property "Balinese word" (as page type) with input value "br)t/." contains invalid characters or is incomplete and therefore can cause unexpected results during a query or annotation process.
- gust of wind, strong wind, storm with clouds, often from the west, not as severe as bakungan (Adjective)
Andap
Baret
Kasar
Baret
Alus sor
-
Alus mider
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Alus madya
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Alus singgih
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Mider
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Bali dataran dialect
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Bali aga dialect
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Usage Examples
Baret pramuka mawarnan coklat
No translation exists for this example.
Luh Ayu Manik nundén timpal-timpalné apang tusing bas ka tengah macanda krana anginné baret tur ombaké gedé.[example 1]
Luh Ayu Manik told her friends not to go too far out because of the strong winds and big waves.
⚙ Usage examples pulled from the Virtual Library
In Balinese: Ri tepengan nénten ibuk magarapan ring sawahé, dané pepes nyilib malali ka jeron uwannyané, I Gusti Ketut Kobot lan I Gusti Made Baret.
In English: Though he was busy working in the rice fields, he often managed to find time to play at the home of his uncles, I Gusti Ketut Kobot and I Gusti Made Baret.
In Indonesian: Mokoh remaja tidak kehabisan akal.
In Balinese: Dané seneng nlektekang lan angob rikala Gusti Kobot lan Gusti Baret sedekan ngambar.
In English: He loved watching and admiring them while they were painting and he also learned a lot of traditional art techniques from them: such as sketching, colour blocking, shading, highlighting, gradation, etc.* Mokoh later met Rudolf Bonnet (1895-1978), a Dutch painter who had lived in Ubud since 1929.
In Indonesian: Di tengah kesibukan menggarap sawah, dia sering mencuri-curi waktu untuk bermain ke rumah pamannya, I Gusti Ketut Kobot dan I Gusti Made Baret.
In Balinese: Mawit saking Gusti Kobot dan Gusti Baret akéh mauruk ngambar nganggén teknik tradisional, makadin ipun nyekét, ngabur, ngasir, nyigar, ngontur miwah sané siosan.
In English: Bonnet was one of the initiators and founders of Pita Maha (1936) and the Ubud Painters’ Group (1951).
In Indonesian: Dia senang memerhatikan dan mengagumi Kobot dan Baret ketika sedang melukis.
In Balinese: Marep ring Bonnet, Dewa Mokoh ketah nyihnayang gegambaran sané muruk saking Gusti Kobot lan Gusti Baret.
In English: These included techniques for color recognition, mixing colors, composition, discovering one’s own creativity, as well the principle of freedom in painting.
In Indonesian: Bonnet adalah salah seorang penggagas dan pendiri Pita Maha (1936) dan Golongan Pelukis Ubud (1951).
In Balinese: Bonnet setata nglémékin mangda Dewa mokoh ngarereh kreasi gambaran, néntén setata nulad pamargin Gusti Kobot lan Gusti Baret sané seneng ring tema tradisional.
In English: His confidence grew.
In Indonesian: Antara lain teknik pengenalan warna, mencampur warna, komposisi, penggalian kreativitas, dan prinsip kebebasan dalam melukis.
In Balinese: Naenin muruk ring Gusti Kobot lan Gusti Baret, sujatinnyane dané embas saking seni lukis tradisional.
In English: Personal character is very strong in Mokoh's paintings which are often considered eccentric.
In Indonesian: Dalam konteks seni rupa di Bali, Mokoh adalah sosok anomali.
In Balinese: Santukan anginne baret, genine punika ngeseng alas ring desa-desa tiosan sane nampek irika minakadi Desa Batur Selatan, Desa Batur Tengah, Desa Subaya, miwah Desa Sukawana.
In English:
In Indonesian: