timescale/wikipedia-22-12-simple-embeddings huggingface dataset:
In a campaign to generate social media awareness of their "time for peace" message, the organization's slogan was printed next to photos of group participants from both sides of the conflict. Kiss was joined by Palestinian artist Muhammad El-Wahush, who expressed a belief in "a shared future" while sharing his dream of "establishing schools for Jews and Arabs specifically in the West Bank." A campaign of joint photographs of Jews and Arabs showing their friendships were shared on social media raising awareness of the "silent majority" wishing for peace. These encounters used the participants' experience of suffering to develop social representations of reconciliation. These encounters broadened the dialogue from adult activists to whole families, bringing together several generations to meet the other side face to face.
From his beginnings as a graffiti artist, Kiss infused activism into his work, creating dialogue and social practice art. Kiss’ site-specific exhibitions are in close dialogue with his activism and advocacy efforts, which explore the power of art to respond to crises caused by exclusion from society, structural violence, depression, mental illness, and addiction.""
Autism, often considered as taboo within ultraorthodox Jewish communities, was a subject Kiss focused on since his early career, seeking to bring awareness to the cause."" Kiss mentioned in interviews that he grew up with a cousin with autism, which gave Kiss a positive and affectionate experience of people on the autistic spectrum."" Wishing to show autism as a blessing rather than a curse, Kiss used his art of portraiture to encourage inclusion and to embrace children of autism and their families.""
One particular issue that Kiss strongly opposed was Judaism's traditional rejection of autistic children from the bar mitzvah ceremony. In the Jewish religion, the ceremony is the rite of passage from childhood towards adulthood. In classical Jewish tradition, the ceremony requires developed mental capacities proving the child is "eligible" to be announced as an adult; thus, exemptions or disqualifications from the ceremony were given, traditionally, to the mentally handicapped, essentially rejecting these youngsters from the bar mitzvah ceremony for being "ineligible."
Kiss pursued strategies to include youngsters with autism in this coming-of-age ritual."" He partnered with Israeli NGO Small Heroes (Hebrew: "Giborim Ktanim") to bring hundreds of youngsters with autism to celebrate the rite of passage ritual. Kiss collaborated with these children to show these pre-teens' creative abilities and prove their "eligibility" to participate in the bar mitzvah ceremony.
Kiss distributed 200 of his illustrations among these pre-teens and their families. Kiss then created an art installation from the joint drawings of these 200 children. These illustrations, colored by the autistic boys and girls, were joined together to a large-scale mural. The mural, presented at Jerusalem's Western Wall, drew public attention to the cause of inclusion. Presenting the 200-piece-mural in front of Judaism's holiest site was to encourage Jewish reflection at what Kiss called "the dark rejection" of people with special needs, and to turn the page towards a more inclusive future."" The autistic children who participated in the initiative were subsequently welcomed into the bar mitzvah ceremony.
Kiss partnered with curators Doron Polak and Iris Elhanani to create a series of permanent parking lot exhibits, to be well-lit and to bring a sense of calm to these "forgotten" areas."" These installations were aimed at making the experience of the car owners and passers-by "safer and friendlier.""" The goal of the project was "to bring inspiration even at surprising and unexpected venues." Unlike a museum, which requires an entry ticket, this exhibition was open to the public for free. The idea was "to make art accessible to the wide public" as well as "add art and culture" to an otherwise mundane experience, an ongoing project that Kiss was involved in for several years. The exhibitions were staged in parking lots throughout Israel and included the "best" of Israeli artists, including Dudu Gerstein, Raphael Perez, Naftali Bezem, Nachum Gutman, Menashe Kadishman, Lea Nikel, Eran Shakine and others. Kiss himself presented some of his "Naïve Series" works in these exhibitions, a large scale triptych of Tel Aviv was presented in Herzliya, as well as other paintings of large scale.
Kiss contributed his paintings for "The Peace Envelopes" exhibitions in 2019, commemorating the 40th anniversary of Israel's peace agreement with Egypt. According to curator Iris Elhanani, the exhibition was to express the artists' "longing and dream for peace and tranquility." The exhibition was aimed at "promoting peace" to "mark peace agreements with Jordan and Egypt." Among Kiss' works in the exhibition was a painting with a pomegranate at Mamilla, as well as a large scale painting of Jerusalem.
According to Haaretz's Haneen Majadala, Kiss' textual graffiti "Jews and Arabs refuse to be enemies" was considered "condescending." These works were signs not of peaceful intentions but of gentrification, and in their nature alluded to "symmetry" which did not exist. As such, Kiss' work was repeatedly criticized as naïve.
According to "Booknik"'s Ariel Bulstein, Kiss' omissions of certain elements in his naive paintings raise a question of possible ignorance. Depicting "Jerusalem without traffic jams and exhaust gases, a city without dirty streets and hindering issues" presents a complicated albeit ignorant view. This is also evident in the absence of people in Kiss' urban cityscapes, which may be interpreted as "misanthropy."
According to "The Forward," Kiss""' graffiti attempts to encourage change but missed the point. The simplicity and aesthetics of the works serve as a detractor from their messages: "it would be easy to mistake an appreciation for them for a real understanding of the wrongs they tried to address." Any social activism hoped to be encouraged through the form of graffiti is bound to be forgotten as viewers turn their "backs on [the work], laughing and chatting, and moving on."
Author Samuel Thrope criticized Kiss' portrayal of an ideal Jerusalem, stating that "depicting the church, mosque, and synagogue as sharing the same urban space is not a replacement for, and will not bring about, a just solution to the violence and oppression that plague this city." Thrope blamed the artist for disengagement from the political reality of the city as one of "graft, poverty, demolitions, oppression, hate" and called Kiss' approach "a counterfeit coin."
"Very Good Word: Mila Tova Me'od," 2016. Matah Press, Tel Aviv. "Israeli Dana Code:" 78-1052623, p. 251
Anthony Claude Leach, Jr., known as Buddy Leach (March 30, 1934 – August 6, 2022) was an American businessman and Democratic politician. For one term, he was a U.S. Representative for Louisiana's 4th congressional district. He also was a member of the Louisiana House of Representatives and as chairman of the Louisiana Democratic Party.
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Anthony Samuel Selby (26 February 1938 – 5 September 2021) was an English actor. He was born in Lambeth, London, England. His career began in 1956. He played Sabalom Glitz in "Doctor Who" between 1986 until 1987. He played Salter in the 1968 movie "Witchfinder General". He was also in "Mulberry", "Get Some In!" and "EastEnders".
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Mother Teresa: No Greater Love is an American documentary movie directed, written and produced by David Naglieri. The movie stars Fr. Brian Kolodiejchuk, Ridoyanul Hoq, Patrick Kelly, Sister Mary Bernice and George Weigel.
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Alan Tudor Blaikley (23 March 1940 – 4 July 2022) was an English songwriter and composer. He was best known for writing the UK number one singles "Have I the Right?" and "The Legend of Xanadu". He also wrote the theme music for the BBC's long-running series of Agatha Christie's "Miss Marple".
Anton Eduardovich Polyakov (11 November 1987 – 8 October 2021) was a Ukrainian politician and businessman. He was born in Chernihiv, Ukraine. Polyakov was a member of the Servant of the People Party. Between 2019 until his death, he was a member of the Verkhovna Rada.
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Occidental began having followers because it was easy to read and understand, despite a complete lack of grammars and dictionaries. Two years later in 1924, de Wahl wrote that he was exchanging letters with 30 people "in good Occidental" despite the lack of learning material.
The Summit League now has 10 full members. The most recent change in membership took place in 2021, when the University of St. Thomas, located in the Minneapolis–Saint Paul area, joined the conference to start an unprecedented move from NCAA Division III directly to Division I.
"Kosmoglott" was also a forum for various other planned languages, while still mainly written in Occidental. The name was changed to "Cosmoglotta" in 1927 as it began to officially promote Occidental instead of other languages, and in January of the same year the magazine's editorial and administrative office was moved to Vienna in the region of Mauer, now part of Liesing. Much of the early success for Occidental in this period came from the office's new central location, along with the efforts of Engelbert Pigal, also from Austria, whose article "Li Ovre de Edgar de Wahl" (The Work of Edgar de Wahl) led to interest in Occidental from users of the Ido language. By early 1930, the language was spoken in Germany, Austria, Sweden, Czechoslovakia, Switzerland, and most recently in France where it began to be used two years before.
The Summit League has six "associate" members—schools that play in a few sports, usually but not always one. Three of these schools play three sports in the conference, and three more house one sport in the conference. (Note that the NCAA counts men's and women's teams in the same sport as playing two different sports, and also considers swimming and diving to be a single sport.)
Her collection of short stories, "Indigo", was published in 2013 by Parrésia Publishers. "Indigo" was well received, with "Critical Literature Review" calling it "a reader's pleasure".
When the magazine Cosmoglotta was based in Vienna, the users of the language had enough money for the first time and were in a city with a convenient location. Two important supporters were Hans Hörbiger, also from Vienna, and G.A. Moore from London, from which ""Cosmoglotta" was able to live without difficulty and gained a circle of readers despite the economic crisis". But Hörbiger and Moore both died in 1931, so this period did not last long. After this "Cosmoglotta" had to find money from other places: subscriptions, books, magazines, and so on.
The growing movement began a more strong and self-confident campaign for the language in the early 1930s in which it took advantage of its easy way to be understood at first sight. They contacted organizations such as companies, embassies and printing houses using letters completely in Occidental that were often understood and responded to, were produced at this time as well to introduce the idea of an international language and support Occidental as the answer to Europe's "tower of Babel". Recordings of spoken Occidental on gramophone records for distribution also began to be made in this period.
Silvaplana () is a municipality of the district of Maloja in the Swiss canton of Graubünden and the name of a lake in the municipality.
The years 1935 to 1939 were even more active. This is when "Cosmoglotta" started publishing a second edition. First it had the name "Cosmoglotta-Informationes", but was soon called "Cosmoglotta B." Cosmoglotta B had more discussions that were interesting to the users of Occidental such as the language's development, Occidental in the news, and how much money they had.
Meanwhile, the years leading up to World War II led to problems for Occidental and other planned languages which were made illegal in Germany, Austria and Czechoslovakia, forced to break up, kept watched over by Gestapo, and had their educational materials destroyed. The prohibition of auxiliary languages in Germany was especially damaging as this was where most Occidentalists lived at the time. The inability to accept payment for subscriptions was a financial blow, and a difficulty that continued after the war along with Germany's division into zones of influence. No communication happened between de Wahl in Tallinn and the Occidental Union in Switzerland from 1939 to October 1947, first due to the war itself and after that from intercepted mail between Switzerland and the Soviet Union. Not knowing this, de Wahl was confused at the lack of response to his continued letters and even a large collection of translated poetry into Occidental which were never delivered; the only letter of his received in Switzerland was one that arrived in 1947 asking the Occidental Union "why it never responded to any letters from Tallinn". Meanwhile, de Wahl's house and his whole library had been destroyed during the bombardment of Tallinn. De Wahl himself was in jail for a time after refusing to leave Estonia for Germany, and later hid in a psychiatric hospital where he lived during his final years.
The sudden start of war in 1939 stop the publications of both Cosmoglottas extending into 1940, but in 1941 Cosmoglotta B began publication once again and continued until 1950. An edition of either Cosmoglotta A or B was published every month between January 1937 and September 1939, and then (after the first shock of the war) every month from September 1941 to June 1951. During the wartime period, only those in neutral Switzerland and Sweden were able to fully work on the language, carrying on activities in a semi-official form.
During the war, Occidentalists saw that the language was often permitted to be sent by telegram within and outside of Switzerland (especially to and from Sweden)[58] even without official recognition, guessing that censors were able to understand it[59] and may have thought them to be written in Spanish or Romansch,[60] a minor yet official language in Switzerland that at the time dind't have a standardized orthography. This allowed a certain amount of communication to take place between the Occidentalists in Switzerland and Sweden. The other centres of Occidental activity in Europe did not continue, with the stocks of study materials in Vienna and Tallinn having been destroyed in bombings[61] and numerous Occidentalists sent to concentration camps in Germany and Czechoslovakia.[62][63] Contacts were reestablished shortly after the war by those who remained, with letters from countries such as France, Czechoslovakia, Finland and Great Britain reaching Cosmoglotta by users informing the editorial office that they were ready to begin activities again for the language.[64][65] Cosmoglotta had subscribers in 58 cities in Switzerland[66] a few months before the end of World War II in Europe, and Cosmoglotta A began publication again in 1946.[42]
Orthography was another area in which several possibilities existed: etymologic orthography (adtractiv, obpression), historic orthography (attractiv, oppression), or simplified orthography (atractiv, opression).[50] Simplified orthography became the standard by 1939.[51] Much of the standardization of the language took place in this way through community preference (e.g. both ac[52] and anc were proposed for the word "also" but the community quickly settled on anc), but not all. With questions still remaining about the official form of some words and a lack of general material destined for the general public,[53] much time during World War II was spent on language standardization and course creation, and in August 1943 the decision was made, given the length of the war, to create an interim academy to officialize this process.[45] This process had just about begun not long before the war, and the Swiss Occidentalists, finding themselves isolated from the rest of the continent, opted to concentrate on didactic materials to have prepared by the time the war reached its end.[54][55] While doing so, they frequently found themselves confronted with the decision between two "theoretically equally good" forms that had remained in popular usage, but whose presence could be confusing to a new learner of the language.[56] The academy maintained that standardization efforts were based on actual usage, stating that "...the standardization of the language has natural limits. 'Standardizing' the language does not mean randomly randomly one of the possible solutions and rejecting the others as indesirable and irritating. One only standardizes solutions that have already been sanctioned through practice."[57]
The Consent to Establish is a clearance that is required before any industry, plant or process can be established.  The consent to establish is the first step in the process and it requires a business to obtain all necessary consents from the relevant authorities. The CTE allows for the establishment of a business and details such as ownership, location and management. It also outlines how the company will be governed and run by its directors. The consent to establish is issued once the agency has reviewed all environmental impact studies and conducted site-specific investigations. The agency also verify if there are no effects on soil, water, air and noise pollution.
The International Auxiliary Language Association (IALA), founded in 1924[67] to study and decide the best planned language for international communication, was at first viewed with disbelief by the Occidental community. The co-founder Alice Vanderbilt Morris was an Esperantist, as were many of its staff members,[68] and many Occidentalists including de Wahl himself[68] believed that its leadership under Esperantist William Edward Collinson (known among readers of Cosmoglotta for an article of his entitled "Some weak points of Occidental")[69] meant that it had been set up with a staff of professional language experts under a neutral and scientific pretext to help a final recommendation for Esperanto. Relations soon improved, however, as it became clear that the IALA intended to be as impartial as possible by familiarizing itself with all existing planned languages. Ric Berger, a prominent Occidentalist who later joined Interlingua in the 1950s, described one such visit he made in 1935 to Morris (whose husband was the US representative in Brussels) that hugely improved his opinion of the organization:
As a result, opinions in the Occidental community of the IALA and its activities began to improve and reports on its activities in Cosmoglotta became more and more positive. In 1945, the IALA announced that it planned to create its own language and showed four possible versions under consideration, all of which were naturalistic[71] as opposed to schematic. Occidentalists were pleased that the IALA had decided to create a language so almost the same in nature to Occidental, seeing it as a credible association that gave weight to their argument that an auxiliary language should proceed from study of natural languages instead of attempting to fit them into an artificial system. Ric Berger was particularly positive in describing the language the IALA was creating as a victory for the natural school ("Li naturalitá esset victoriosi!")[71] and "almost the same language" in 1948,[72] though was not without reservations, doubting whether a project with such a almost the same aspect and structure would be able to "suddenly cause prejudices [against planned languages] to fall and create unity among the partisans of international languages"[73] and fearing that it might simply "disperse the partisans of the natural language with nothing to show for it" after Occidental had created "unity in the naturalistic school" for so long.[73]
While the two languages had a 90% identical vocabulary[74] without orthographic differences taken into account (e.g. with filosofie and philosophia considered the same word), they were very different with regards to structure and derivation. De Wahl's Rule in Occidental had eliminated Latin double stem verbs (verbs such as act: ager, act- or send: mitter, miss-), while Interlingua simply accepted them as an important part of a naturalistic system.[75] The control languages (Italian, Spanish and/or Portuguese, French, English) used by Interlingua to form its vocabulary for the most part require an eligible word to be found in three source languages (the "rule of three"),[76] which would conflict with Occidental's Germanic substrate and various other words which would be by definition ineligible in a unified language that retained Interlingua's methodology. Accepting Occidental words such as mann, strax, old and sestra (Interlingua: viro, immediatemente, vetere, soror) into Interlingua could only be done by doing away with the control languages, the very core of Interlingua's methodology for determining its vocabulary. Interlingua also allowed optional irregular verbal conjugations (such as so, son and sia[77] as the first-person singular, third-person plural and subjunctive form of esser, the verb 'to be') that Occidental had never even considered and viewed as incompatible with an easy international auxiliary language.
All of this happened in a time when Occidental, based in Europe, was still recovering from the war. The movement had economic difficulties, not like the well-funded[81] IALA which was based in New York.
International politics was another difficulty for Occidentalists after the war. The beginning of the Cold War created a particularly uncomfortable situation for the Occidental-Union,[82][83][84] which had the same name as an anti-Russian political league, and which the Occidentalists in Switzerland believed to be the reason for the interception of all of de Wahl's letters sent from Tallinn.[85] De Wahl remained in the dark about developments in the language and the proposal up to his death in 1948.[86] In early 1948 the Czechoslovak Occidentalists had begun asking for the approval for a new name that would allow them to continue their linguistic activities without problems, proposing the name Interal (International auxiliari lingue), to which the union responded that the term Interlingue would be more appropriate and that they were free to introduce the language as "Interlingue (Occidental)", or even remove the mention of Occidental in parentheses if they felt it necessary.[87] Ric Berger began supporting a change of name from Occidental to Interlingue in 1948[88] which he also hoped would help in uniting both languages.[89] The official vote on the name change to Interlingue took place at the plenum of the Occidental Union in 1949 and was passed with 91% support, making the official name Interlingue, with Interlingue (Occidental) also permitted, valid as of 1 September 1949.[90]
Once Interlingua was announced in 1951, Interlingue-Occidental suffered as now it had a competitor in the field of naturalistic planned auxiliary languages. Vĕra Barandovská-Frank's perception of the situation at the time was as follows (translated from Esperanto):[91]
André Martinet, the second-last director of the IALA, made similar observations to those of Matejka. He confessed that his preferred variant of Interlingua was the one closer to Interlingue than the one officialized by Gode. In these circumstances the efforts by Ric Berger to move all users of Interlingue en masse to Interlingua de IALA was a shock. His heresy caused doubt and interruptions in Interlingue circles, especially after he became involved in the publication of "Revista de Interlingua". The former idea of a natural fusion of both languages was shown to be unrealistic, with the new language becoming a rival.[92]
While the moving of so many users to Interlingua had very much weakened the Interlingue movement, the following drop in activity was gradual and happened over decades. "Cosmoglotta B" stopped being published after 1950, and the frequency of "Cosmoglotta A" began to slowly drop: once every second month from 1952, and then once per quarter from 1963. Other bulletins in Interlingue continued to appear during this time such as "Cive del Munde" (Switzerland), "Voce de Praha" (Czechoslovakia), "Sved Interlinguist" (Sweden), "International Memorandum" (United Kingdom), "Interlinguistic Novas" (France), "Jurnale Scolari International" (France), "Buletine Pedagogic International" (Francia), "Super li Frontieras" (France), "Interlingue-Postillon" (1958, Germany), "Novas de Oriente" (1958, Japan), "Amicitie european" (1959, Switzerland), "Teorie e practica" (Switzerland-Czechoslovakia, 1967), and "Novas in Interlingue" (Czechoslovakia, 1971). Barandovská-Frank believed that the decrease of interest in Occidental-Interlingue happened at the same time as generation that was first drawn to it from other planned languages was getting older (translated from Esperanto):Most of those interested in Interlingue belonged to the generation that became familiar in turn with Volapük, Esperanto and Ido, later on finding the most aesthetic (basically naturalistic) solution in Occidental-Interlingue. After that, many moved to IALA's Interlingua, which however did not prove to be much more successful despite the impression its scientific origin made, and those who remained loyal to Occidental-Interlingue did not succeed in giving their excitement to a new generation.Activity in Interlingue eventually reached a low during the 1980s and early 1990s, when "Cosmoglotta" publication stopped for a some years. This can be seen in the frequency of "Cosmoglotta": while issue 269 was published in 1972 after publishing once per season between 1963, issue 289 was not reached until summer 2000 for an average of less than one issue per year. According to Harlow, "in 1985 Occidental's last periodical, "Cosmoglotta", ceased publication, and its editor, Mr. Adrian Pilgrim, is quoted as having described Occidental as a 'dead language.'" A decade later, a documentary film in 1994 by Steve Hawley and Steyger on planned languages introduced Interlingue speaker Donald Gasper as "one of the last remaining speakers of the language Occidental".
As was the case for other planned languages, it was the arrival of the internet that allowed the language to revive. In the year 1999 the first Yahoo! Group in Occidental was founded, "Cosmoglotta" had begun publishing intermittently again, and the language became a subject of discussion in literature on auxiliary languages. One example is "The Esperanto Book" published in 1995 by Harlow, who wrote that Occidental had an intentional emphasis on European forms and that some of its leading followers espoused a Eurocentric philosophy, which may have set back its spread. Still, the opposite view was also common in the community and Occidental gained supporters in many nations including Asian nations. An Interlingue Wikipedia was approved in 2004. In recent years official meetings between Interlingue speakers have begun taking place again: a meeting in Ulm on 10 January 2013, another in Munich in 2014 with three participants, and a third in Ulm on 16 August 2015 with five.
The most recent edition of the magazine "Cosmoglotta" is volume 325, for the period January to December 2019.
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Van de Kerkhof and his twin brother played as amateurs for RKSV MULO. They both made their professional debuts with FC Twente in 1970 and three years later they also went to PSV together . Their brother Gerard also played as a professional football player. Father Renier van de Kerkhof (1910–1956), was an amateur footballer for Deurania, which was merged into SV Deurne in 1942. Van de Kerkhof played seventeen seasons with PSV, in ten from 1973 to 1983 together with René. The last two were with the PSV amateurs (1988–1990). He is also a member of merit of PSV. When PSV won the UEFA Cup in 1977–78, he scored the opening goal in the 3–0 final against Bastia.
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