timathom/yale-library-note-classifications-classification-data huggingface dataset:
Binding: Romanesque, with undecorated white (deerskin?) leather over rounded wooden boards, sewn on three leather thongs (spine repaired). There was originally one leather strap fixed with two nails to the front board and closing over a pin in the center of the rear board. Later this strap was replaced by two straps similarly fixed with iron nails to the front board. This arrangement appears to have been changed at the end of the Middle Ages, when a title was inscribed on the front cover and an iron chain was attached at the bottom of the front board by means of an iron staple. The endleaves are two parchment bifolios from an antiphonary (Italy, 11th century), containing text and music for the offices of Ash Wednesday and the first weeks of Lent. The notation is diastematic. Rubrics and initials are missing.
Decoration: Red stroking of the majuscules and red underlining. Red plain initials, normally 1-2 lines; the initial of the first lemma beginning with a given letter of the alphabet is larger (up to 7 lines) and may be a flourished initial with penwork in the same red colour. Many initials are given strange and fancy forms. Erroneous initials are found on ff. 109r, 246v, 248v. An initial “U” is missing on f. 246r, and in art. 4, no initials “T”, “X”, “Y” and “Z” were provided by the scribe.
Decoration: In the original parts, there are countless red rubrics, 1-line versals, red underlinings, red stroking of majuscules and red running headlines. Some articles open with a larger red plain initial. In art. 3 there is red underlining and red stroking of majuscules. Art. 4 is undecorated. In artt. 7-9 there is red stroking of majuscules and extensive parts of the text are in red underline.
Decoration: Long red headings up to f. 29r (artt. 1-2). In artt. 3-4, space for headings was provided, but they were not executed. Space was reserved for 2-line initials, but these were not executed. Artt. 4 and 5 are undecorated; there are no guide letters for the 1-line initials at the opening of each of these articles, for which space was reserved.
Notes: deliberate parallel cuts appear on f. 75; and deliberate parallel cuts with wax remnants are preserved on ff. 29 and 43; seals stamped in ink appear on ff. 20, 21, 171, 173, 329, 332, 334, 346, 348-351, 356, 358, 360, 362, 364, 370, 372, 374-376, 388, 390, 392, 406, 408bis, 410, 411, 413, 415, 417, 419, 421, 423, 425, 426, 428, 430, 432-435, 440, 448, 450, 452-456, 458, 460, 462, 463, 466, 467, 467bis, 469, 471, 473, 475, 477-524, 526, 528, 530, 531, 534-538, 541-545, 556, 558, 560, 562, 564, 566, 568, 570, 572, 574, 576, 578, 580, 582, 584, 587, 588, 590, 592, 596, 598, 600, 602, 604, 606, 608, 610, 612, 614, 616, 618, 621, 623, 625, 627, 628, 630, 632, 634, 636, 638, 639, 640, 642, 644, 646, 648, 650, 652, 654, 656, 658, 660, 662, 666, 668, 670, 672, 674, 675, 677, 678, 681, 683, 685, 686, 689, 692, 694, 696, 698, 700-705, 712, 713, 716.
Notes: wax seals appear on ff. 22 and 88; seals stamped in ink appear on ff. 1, 3-5, 7, 9, 10, 12, 14-16, 20, 22, 25, 26, 28, 29, 31-33, 36, 38, 44, 45, 48, 50, 52, 53, 55, 57, 58, 61, 63, 64, 67, 69, 70, 72, 74, 76, 78, 80, 82, 84-86, 92, 94, 95, 98, 100-102, 104, 106, 108, 110, 112, 113, 116, 118, 120, 121, 124, 126, 127, 130, 132, 134, 136, 137, 139-144, 150, 152, 154, 160, 162, 164, 171, 173, 175-187, 201, 202, 205, 207-212, 214, 215, 218, 220, 221, 224, 226, 228, 230, 235, 237, 239.
Notes: Seals stamped in ink appear on ff. 1-8, 17-21, 27-32, 39-44, 51-56, 63-68, 75-80, 87-92, 99bis, 100-104, 110bis, 111bis, 112-116, 123-128, 135-140, 147-152, 159-164, 171-176, 183-187, 192-195, 199, and 200; the remains of two wax seals appear on the second f. 200, which is the second page following f. 200; and the remains of many pages cut along the inside margin follow f. 200.
"Notice. Goods left on the Quay longer than 48 hours, will be Warehoused at the risk and expense of consignees. Whitehaven, [July 16], 1851. [Mr. L. Whittle], The Steamer Whitehaven has arrived from Liverpool with the undermentioned goods consigned to you; they have now landed on the Old Tongue, and are at your risk. Fisher & Steward. Agents, 36, King Street. To be paid on delivery. Received the above for the Whitehaven Steam Navigation Company [T. Thompson]"
Billhead of John Fletcher, late Ravenscroft & Fletcher, draper, tailor, &c. 1. Red Lion Street. St. Ann's Square, recording two purchases by Mr. Davenport on August 6, 1827 and October 8, 1827 of 3 3/8 yard of serpentine cloth and the making of a coat, vest, silk buttons, and trousers and of 1 1/4 yard of fine black cloth and the making of trousers and 2 pairs of twill'd cotton drawers totally £8/13/6. Bears no receipt of payment.
Tax bill for William Hanham of Cranley totaling £53/7/3. Taxes to be paid include £14/8/9 for windows, £12/5/0 for servants, £10/10/0 for four wheel carriage drawn by more than 1 horse, £4/4/6 for horses for riding or drawing taxable carriages, £4/4/0 for dogs and a £10 per cent, thereon of £4/17/0.
"Assessed taxes to William Hanham Esq. of the Parish of Cranley. Your first assessment in my duplicate for the present year ending 5th April, 1843, of duties not compounded for, delivered to me on the 27 day of August under the acts relating to the duties of assessed taxes, amounts to the sum of 53/7/3 the particulars of which are stated on the back hereof, and the assessment may be seen at my house as undermentioned. If you have any cause to appeal against the same, you must give notice in writing, within twenty-eight days after the above mentioned day to the surveyor of taxes, or to one of the assessors of this place,. Signed: Charles Herington Collector. Residing at Cranley."
A QSL is generated when a first-time contact between two amateur radio operators (hams) or stations occurs. It is an acknowledgement of the listening and is usually the size of a postcard. Each card includes the call sign of its sender along with date and time of the call, equipment used to make the call, and any words or illustrations that describe the ham and his/her home. QSL means, "Do you confirm receipt of my transmission?" or "I confirm receipt of your transmission."
Binding: blind-tooled leather over beveled wooden boards. Front board has compartments containing labeled busts of Apollo and the muses, surmounted by the title "Sermones Dei." A gilt tableau of the Crucifixion is in the central panel, above the Biblical verse "os non cominu: ex eo." Back board has busts of the muses with busts of Peter and David in the central panel. Remains of metal clasps.
Decoration: 1-line initials in brown uncials; brown and/or orange-red rustic capitals on ff. 5r, 6r, and 12v; brown or/and orange-red uncials on f. 11r and v; punctuation consisting of punctus, punctus elevatus, punctus versus, and punctus interrogativus; and quire signatures "v," "vi," and "vii" appear on ff. 4v, 8v, and 10v, respectively, suggesting the manuscript fragments preserve portions of the last five quires of a ten-quire manuscript.
Former call numbers: Beinecke MS 482.6A (f. 4), B (f. 9), C (f. 3), D (f. 6), E (f. 11), F (f. 2), G (f. 1), H (f. 8), I (f. 7), J (f. 5), K (f. 10); Beinecke MS 482.5A (f. 6), B (f. 9), D (f. 12), A (f. 14), and C (f. 15).
Decoration: crude 6-line initial "D" and 5-line initial "L" in brown and orange-red ink, L terminates in a bird's head; 1-line initials in brown uncials with enlarged minuscule "e" and frequently touched in red on f. 1r; incipits and explicits in brown rustic capitals and the word explicit traced in red; punctuated primarily with punctus; three scribes; scribe one occasionally uses punctus elevatus and punctus versus; contemporary corrections in lighter ink.
Decoration: written in two sizes, with a smaller script for the chants and a larger script for the lessons; drawing of a face with the words " Vita S. Uodalrici episcopi et confessoris" in brown ink; 2-line initial "V" at the beginning of the office on f. 2r is a red square capital; 1- and 2-line initials of lessons are in red uncials or square capitals; 1-line chant initials are brown uncials; rubrics written in red capitals; punctuated with the punctus for end of chants and punctus elevatus for lessons; antiphons and responses have interlinear neumes in the St. Gall style.
Decoration: written in two sizes, a smaller module for the chants and a larger one for the lessons; 2-line initials are in red square capitals; 1-line initials in brown square capitals; rubrics written in red minuscule; punctuated with punctus in chants and the punctus, punctus elevatus, and punctus versus within the lessons; accents in same ink as the text; interlinear neumes in the St. Gall style.
Decoration: 2-line initials at the beginning of offices and lessons are in red square capitals; 1-line initials at beginning of chants are in brown square capitals with occasional use of uncial M and round E or an enlarged minuscule "m"; rubrics written in red rustic capitals; rubric letters for chants frequently written in left margin; liturgical directions written in brown rustic capitals touched with red; punctuated with punctus for the end of chants, and punctus, punctus versus, and punctus interrogativus for the lessons; chants have interlinear neumes in the St. Gall style.
Decoration: 3-line initial on f. 1v in orange that has been filled with crude, brown cross-hatching, perhaps later; 2-line initials at the beginning of lessons are in orange square capitals; 1-line initials are in brown rustic capitals; rubrics written in orange minuscules with rustic capitals; punctuated with punctus in chants and punctus and punctus elevatus within lessons; chants have interlinear neumes in the St. Gall style; marginal notation in a contemporary hand on 3r.
Decoration: 1-line initials at beginning of lessons and of lauds are in orange square capitals or uncials; other 1-line initials are in brown rustic capitals with enlarged minuscule "e" are occasionally highlighted in orange; initials of responses ornamented with orange dots; rubrics written in orange capitals; punctuated with punctus in chants and punctus, punctus versus, and punctus interrogativus in lessons; antiphons and responses contain interlinear neumes in St. Gall style.
Decoration: 3-line initials in red; "D" in square capital and "E" in uncial; 1-line initials are either red square capitals or brown rustic capitals; rubrics written in red, usually as rustic capitals; punctuated with punctus placed on the bottom line at the end of chants; interlinear neumes in the St. Gall style; numbered cues added in red above all abbreviated chants; rubrics in red miniscule.
Decoration: 1-, 3-, and 4-line homily initials and lesson initials are in red square capitals; 1-line initials are in brown rustic capitals; rubrics written in red minuscule; first word of sermon on 3r written in brown rustic capitals highlighted with red; punctuated with punctus, with rare use of punctus elevatus; punctus interrogativus also used; accents and hyphenations in same ink as the text.
Decoration: two 7-line initials in yellow on a square ground, colored with blue, red, dark red, and green and decorated with white interlacing foliage; 2-line initials at the beginning of lessons in red square capitals; 1-line initials in brown uncials; rubrics written in red uncials with rustic capital "D"; first words of the homily and the first initial of the biblical text are written in brown uncials with rustic capital "D" filled with red; punctuated with punctus, punctus elevatus, and punctus interrogativus.
Decoration: only the upper eight lines of the homily initial "I" are preserved; the initial is yellow on a red, blue, purple, and green ground; 1-line initials are a mixture of brown rustic capitals and uncial forms with the occasional use of an enlarged minuscule "e"; rubric in red minuscule; punctuated with the punctus, punctus elevatus, and punctus interrogativus; hyphenation and diacritical marks in same ink as text.
Decoration: the Psalms begin with 4-line initials in brown ink, with vine-stem decoration, partially outlined in orange; 1-line initials at the beginning of verses are in orange; 1-line initials "Q" on f. 2r in black dotted with red; rubrics are written in orange uncials; first line of each Psalm is written in brown uncials with long ticks descending from each letter; punctuated with the punctus.
Decoration: the beginning of each Psalm has a 4-line initial in orange or brown square capitals with a single round form of "D", occasionally filled with yellow and green wash; 1-line initials at the beginning of verses alternate in brown and orange filled with yellow wash and in brown rustic capitals and uncials; rubrics are mostly written in orange minuscule, which are written in rustic capitals; punctuated with the punctus, punctus elevatus, and punctus interrogativus.
Decoration: initials of the first antiphons of lauds and of second vespers are 1-line red capitals; other 1-line initials are in brown rustic capitals; those for the antiphons and responses of matins are dotted or traced in red; rubrics are written in red rustic capitals; the name "maria" is sometimes written with uncial "M" and mostly with capital "R"; punctuated with the punctus; chants and marginal tonary letters have neumes in the St. Gall style.
Decoration: three-quarter page initial "A" on green, red, and pale yellow ground with vine-stem decoration; 5-line initial "O" with a face; 4-line initial "C" with a face; 5-line initial "U" with portrait of Christ on a red and gree ground with modest foliate appendages; other 3- and 4-line initials, some with herringbone patterns in red; rubrics written in a mixture of red capitals and minuscule.
Decoration: the responsorial liturgy of most feasts begins with a 3- to 5-line initial in red with red vine-stem decoration and violet bands and foliage drawn by Gottschalk; three historiated initials of a trumpeter, Prophet Isaiah, and Gregory the great; 1-line red capitals are present in many antiphons as are 1-line initials of responses in thick brown uncials traced or dotted with red; rubrics written in red rustic capitals; punctuated with the punctus; interlinear neumes in the St. Gall style; tonary letters are written in the outer margin of each folio drawn on tiers of a column representing architectural support.
Decoration: inelegant 9-line initial "D" on the verso in rough gold with silver bands, outlined in red and with red in the center; the initial is on an orange, green, and blue ground. In the middle of the initial there is an eagle in gold and silver, with red dots, which holds a vine with flowers in his beak; 1-line initials in brown rustic capitals; scribal guidewords preserved in margin; heading written in red minuscule; punctuated with the punctus, punctus elevatus, and punctus interrogativus.
Decoration: 1-line initials are in red with blue penwork; smaller 1-line initials are in brown; paragraph marks, letters of running titles, and the roman numerals which are in the margins to designate chapters alternate in red and blue; biblical text written in the inner column although on fol. 2r commentary also appears to the left of the biblical passage; occasional interlinear glossing; punctuated with the punctus; hyphenation in the same ink as the text.
Decoration: 2- to 4-line initials in red; 1-line initials at the beginning of responses are in thick brown ink, sometimes highlighted in red; smaller 1-line initials at the beginnings of antiphons, psalms, and verses are in brown, highlighted in red; rubrics written in red in the same script as the text; punctuated with the punctus; chants have interlinear neumes; another hand has added interlinear hufnagel neumes over several lessons.
Decoration: 2- to 4- line initials at the beginning of the feasts and lessons are writte in red square capitals; 1-line initials at beginning of lessons written in red square capitals; 1-line initials for other chants are in brown rustic capitals and frequently traced or dotted in red; 1-line initials of lessons are in brown rustic capitals; rubrics written in red minuscule; punctuated with the punctus for chants, and the punctus, punctus elevatus, and punctus interrogativus for the lessons; interlinear neumes in the St. Gall style; neumed differentiae and tonary letters for antiphons are in the outer margins.
Decoration: 1- to 3-line initials at the beginning of lessons and prayers are in red square capitals; the responsorial liturgy on fol. 4v begins with a 2-line round "D" in red; initials at the beginning of the Benedictus and Magnificat antiphons are 1-line red capitals; other 1-line initials are in a mixture of brown uncials or rustic capitals with initials of responses dotted in red; rubrics are written in red in the same script as the text; punctuated with the punctus for the chants, and the punctus, punctus elevatus, and punctus interrogativus for the lessons; interlinear neumes in the St. Gall style; hyphenation is in the same ink as the text.
Decoration: two initials, "I" (4-line) and "C" (3-line) are in red and yellow. The red 1-line initial "D" beginning the lesson is round and highlighted with yellow; other 1-line initials are in brown uncials with some rustic capital and enlarged minuscule forms, usually highlighted in red; rubric in red minuscule highlighted with yellow; punctuated with the punctus and punctus elevatus; hyphenation in the same ink as the text.
Decoration: 2- and 3-line initials are in red capitals with an uncial M and round E decorated with small round balls or with two or three cross-hatches; 1-line initials are in brown and a mixture of rustic capitals, uncials, and enlarged minuscules; rubrics are in red minuscule with some capital forms; punctuated with the punctus, punctus elevatus, and the punctus versus; hyphenation in the same ink as the text; accents added by later hand.
Decoration: 2-line initial "O" is in red, decorated with two small red dots protruding into the interior of the letter; 1-line initials are in a mixture of brown uncial and rustic capital forms; punctuated with the punctus and punctus interrogativus; marginal hymn has 1-line capitals, rubrics, and paragraphs marks in brown highlighted with red as well as interlinear neumes in the St. Gall style.
Decoration: 2-line initials are the beginning of the Psalms are in red, which has oxidized in places to silver and decorated with with two or three small round red dots protruding into the interior of the letter; 1-line initials at the beginning of verses in red uncials and square capitals; rubrics written in red capitals; punctuated with the punctus and punctus elevatus; there are several antiphons in the margins in a contemporary hand with interlinear neumes in the St. Gall style.
Decoration: 3- to 4-line initials at the beginning of Psalms in red; some decorated with two or three small round red dots protruding from the interior of the letter; these initials are similar to those in Beinecke MS 481.48 and MS 481.52 and the Lambach Rituale (Cml LXXIII); 1-line initials at the beginning of verses in red square capitals; rubrics in red minuscule; first few words of each Psalm written in brown rustic capitals; punctuated with the punctus and punctus elevatus.
Decoration: initials for masses on fols. 1-3 are 2- to 5-line square capitals or uncials in red; on fols. 4-5 they are 1-line capitals in red; other 1-line initials are in red; rubrics, many rubbed and illegible, written in red minuscule; guide words for the rubricator written in brown minuscule; occasional chants have interlinear neumes in the St. Gall style; punctuated with the punctus and punctus elevatus.