the-french-artist/wikipedia_20220301.simple_sentence_split huggingface dataset:
Of Dumilâtre he wrote, "... in spite of her coldness, [Dumilâtre] deserved the success she achieved by the correctness and the 'mythological' quality of her poses: perhaps this word may seem a little pretentious, but I can think of no other to express such cold and noble dancing as would suit Minerva in a merry mood, and in this respect [Dumilâtre] seems to bear a strong resemblamce to that goddess."
Giselle made 6500 francs between June and September 1841.
This was twice the amount for the same time period in 1839.
Grisi's salary was increased to make her the top earner among the dancers at the Opéra.
Souvenirs were sold.
Pictures of Grisi as Giselle were printed, and sheet music arrangements were made for social dancing.
The sculptor Emile Thomas made a statuette of Giselle in her Act 2 costume.
A silk cloth was manufactured called façonné Giselle, and Madame Lainné, a milliner, sold an artificial flower called 'Giselle'.
The ballet was parodied at the Théâtre du Palais-Royal in October 1841.
Giselle was performed in Paris from its debut in 1841 to 1849.
It was then dropped from the repertory.
Grisi always danced the title role.
The ballet was revived in 1852 and 1853, but without Grisi.
The work was dropped from the repertory after 1853.
It was revived in 1863 for a Russian ballerina then dropped in 1868.
It was revived almost 50 years later in 1924 for the debut of Olga Spessivtzeva.
This production was revived in 1932 and 1938.
Giselle was produced by other ballet companies in Europe and America almost immediately after its first night.
The British had their first taste of Gisellenot with the ballet but with a drama based on the ballet called Giselle, or The Phantom Night Dancers by William Moncrieff.
He had seen the ballet in Paris the same year.
The play was performed on 23 August 1841 at the Theatre Royal, Sadler's Wells.
The actual ballet was first staged in London at Her Majesty's Theatre on 12 March 1842 with Grisi as Giselle and Perrot as Albrecht.
The dances were credited to Perrot and one Deshayes.
It was revived many times, once in 1884 with a Mlle.
Sismondi in the role of Albrecht.
This production was received with little enthusiasm.
It was preceded by the operetta Pocahontas.
The ballet was staged by Diaghilev's Ballets Russes in 1911 at the Royal Opera, Covent Garden with Tamara Karsavina and Nijinsky as Giselle and Albrecht.
Anna Pavlova danced Giselle with her own company in 1913.
Alicia Markova danced the role with the Vic-Wells Ballet in 1934, and Margot Fonteyn took the role in 1937 when Markova left the company.
The English loved Giselle.
In 1942, for example, three different companies were dancing the ballet in London.
Giselle was first performed in Russia at the Bolshoi Theatre, St. Petersburg, on 18 December 1842.
Gedeonov, the Director of the St. Petersburg Imperial Theatres, sent his Ballet Master Titus to Paris to find a new ballet for ballerina Elena Andreyanova.
Titus picked Giselle.
The Ballet Master then staged the work completely from memory in St. Petersburg.
Perrot produced Giselle in St. Petersburg in 1851.
He made many changes to the ballet in his years of service to the Imperial Ballet.
In the 1880s, Ballet Master Marius Petipa made many changes to the Perrot production.
Giselle was first staged in Italy at Teatro alla Scala in Milan on 17 January 1843.
The music however was not Adam's, but that of one N. Bajetti.
The dances were not the original either, but those of one A. Cortesi.
It is possible, but unknown if, the ballet was first staged in the provincial theatres.
In 1844, American ballerina Mary Ann Lee arrived in Paris to study with Coralli for a year.
She returned to the United States in 1841 with the directions for Giselle and other ballets.
Lee was the first to present Giselle in the United States.
She did this on 1 January 1846 in Boston at the Howard Athenæum.
George Washington Smith played Albrecht.
Lee danced Giselle (again with Smith) on 13 April 1846 at the Park Theatre in New York City.
Modern productions
Nijinsky was going to dance Albrecht for the first time in St. Petersburg in January 1911.
The Czar and his family would be present.
Diaghilev wanted Nijinsky to wear the Renaissance-style costume he had worn in Paris the same month.
It was easier to dance in than the thick pants of traditional Russian Albrechts, but his genitals (though covered) could be detected.
He was ordered not to wear it.
Nijinsky said that he only wanted to dance well.
According to Stravinsky, Nijinsky wore not much more than the tightest tights and a padded athletic supporter (jockstrap).
The next day, the angry director of the Imperial Theatres ordered Nijinsky to apologize.
Complaints about the dancer were collected here and there.
Nijinsky knew Diaghilev would give him work, so he resigned.
On 24 January 1911 he was officially dismissed from the Imperial Theatres.
no.1 Introduction
no.2 Scène première
no.3 Entrée d'Albrecht
no.4 Entrée de Giselle
no.5 Scène dansante
interpolation - Pas de deux pour Mlle.
Maria Gorshenkova (Ludwig Minkus; 1884; this piece was only included in Imperial-era productions)
no.6 Scène de Hilarion
no.7 Retour de la vendange
interpolation - Pas de cinq pour Mlle.
Carlotta Grisi (Cesare Pugni; 1850; only included for Grisi's performance)
no.8 Valse
no.9 Scène dansante
no.10 Le récit de Berthe
no.11 Scène: Le chasse royale
no.12 Scène de Hilarion
no.13 Marche des vignerons
interpolation - Variation pour Mlle.
Elena Cornalba (aka Pas seul) (likely composed by Riccardo Drigo, c. 1888)
Nathalie Fitzjames (aka Peasant pas de deux)
Fashioned from Souvenirs de Ratisbonne by Johann Friedrich Franz Burgmüller, c.1841 –
a. Entrée
b. Andante
c. Variation
d. Variation
interpolation - supplemental female variation (Mariinsky Theatre staging) (Riccardo Drigo?;
from the ballet Cupid's Prank; 1890.)
e. Variation
f. Coda
no.14 Galop générale
no.15 Grand scène dramatique: La folie de Giselle
no.16 Introduction et scène
no.17 Entrée et danse de Myrthe
no.18 Entrée des Wilis
no.19 Grand pas des Wilis
no.20 Entrée de Giselle
no.21 Entrée d'Albrecht
no.22 L'apparition de Giselle
no.23 La mort de Hilarion
no.24 Scène des Wilis
no.25 Grand pas d'action —
a. Grand adage
b. Variation de Giselle
c. Variation d'Albert
Adèle Grantzow (likely composed by Cesare Pugni; 1867)
d. Coda
no.26 Scène finale
"Fantômes" Hugo's original poem in French
The Earliest Russian Giselles - discusses the first interpretors of the role of Giselle in imperial Russia
Some dance history of Giselle by Suzanne McCarthy for the Royal Ballet
Ballets choreographed by Jules Perrot
La double compétence : l’antidote à l’obsolescence professionnelle, Ivry-sur-Seine, FYP Éditions, 2019, 192 p. (ISBN 978-2-36405-176-8)
2009 establishments in France
was a  after Eichō and before Kōwa.
This period started in November 1097 and ended in August 1099.
Events of the Jōtoku Era
1097 (Jōtoku 1, 1st month): Minamoto no Tsunenobu died at age 82.
1097 (Jōtoku 1, 4th  month): The emperor visited the temple at Gion.
1097 (Jōtoku 1, 10th  month): The emperor visited the home of Fujiwara no Moromichi.
was a  after Jōtoku and before Chōji.
This period started in August 1099 and ended in February 1104.
Events of the Kōwa Era
1099 (Kōwa 1, 6th month): Fujiwara no Moromichi died at age 38; and Moromichi's son, Fujiwara no Tadazane took over his father's role in court.
1100 (Kōwa 2): Tadazane  is given the office of Minister of the Right (udaijin).
1101 (Kōwa 3, 2nd month): Fujiwara no Morozane died at age 60.
Robert Vince (born April 8, 1962) is a Canadian director, producer, writer and screenwriter.
He is the director of the Air Buddies movies and the brother of William Vince.
Vince is the CEO of PeyPix Productions.
was a  after Kōwa and before Kashō.
This period started in February 1104 and ended in April 1106.
Events of the Chōji era
1104 (Chōji 1, 3rd month): The emperor visited Sonshō-ji in northeastern Kyoto.
1105 (Chōji 2, 6th month): A red snow was reported in a number of Japanese provinces.
Roux  is a cooking mixture of wheat flour and butter (or other fat).
It is the basis of many types of French sauce for cooking.
Roux is the thickening agent of three of the mother sauces of classical French cuisine: sauce béchamel, sauce velouté and sauce espagnole.
Clarified butter, vegetable oils, or lard are commonly used fats.
It thickens gravy, other sauces, soups and stews.
It is made from equal parts of flour and fat by weight.
When used in Italian cooking, roux is traditionally equal parts of butter and flour.
In Cajun cuisine, roux is almost always made with oil instead of butter and is dark brown in colour.
This lends much richness of flavour, but less thickening power.
Hungarian cuisine uses rendered lard or vegetable oil instead of butter for the preparation of roux (called rántás in Hungarian).
The "Minute Waltz" is the nickname for the Waltz in D flat major, Op.
1 by Frederic Chopin.
It was written in 1847.
It is a piece of music for the piano.
It is sometimes called "The Waltz of the Little Dog" ().
This is because Chopin was watching a little dog chase its tail when he wrote it.
The little dog was "Marquis".
He belonged to Chopin's friend George Sand.
Marquis had befriended Chopin.
The composer mentioned Marquis in several of his letters.
In one letter dated 25 November 1846, Chopin wrote: "Please thank Marquis for missing me and for sniffing at my door."
The waltz was published by Breitkopf & Härtel.
It was the first of three waltzes in a collection of waltzes called Trois Valses, Op.
The publisher gave the waltz its popular nickname "Minute".
The word here means small or little.
The tempo marking is Molto vivace (), but Chopin did not intend the waltz to be played in one minute as some believe.
A typical performance will last between one and a half to two and a half minutes.
The time signature is 3/4.
The waltz is 138 measures long with one fifteen-measure repeat.
The waltz is written in ternary, or ABA form.
The A section is characterized by a whirling line of eighth notes and triplets over the "om-pah-pah" rhythm of the waltz.
The whirling line of the A section is abandoned in the B section.
This section consists of a consistent half note and quarter note pattern from bar to bar.
The B section breaks off and a long trill heralds the return of the A section, which is repeated in full.
The waltz ends with a descending scale.
Minute Waltz sheet music available at Musopen.com
Quatre Mains version for Piano Duet.
Free recording of Minute Waltz
Lesbian, gay, bisexual, and transgender (LGBT) persons in Cyprus may face legal challenges not experienced by non-LGBT residents.
Both male and female same-sex sexual activity are legal in Cyprus and civil unions became legal in November 2015.
In Cyprus, the socially conservative Eastern Orthodox Church has a significant influence over public opinion when it comes to LGBT-rights.
However, ever since Cyprus sought membership in the European Union it has had to change its human rights legislation, including its laws regarding sexual orientation and gender identity.
LGBT rights in Turkish Republic of Northern Cyprus
Same-sex sexual activity is Legal within the Turkish Republic of Northern Cyprus since the 7th of February in 2014.
Previous laws allowed three years prison sentences, according to articles 171 and 173 of its criminal code.
Female homosexuality was not criminalised.
Arrests for Homosexuality have occurred as recently as 2011.
The Laws were a legacy of British colonial rule, left over after the Island gained Independence in the 1960s.
While the south decriminalised homosexuality in 1998 in order to accede to the European Union (EU) in 2004, the North's disputed status means it lies outside the EU's jurisdiction.
On the 27th of January in 2014, the Assembly of the Republic, the Northern Cypriot Parliament, voted to abolish the criminal code provisions that outlawed Same-sex relations between men and males, becoming the last territory in do so within Europe in order to decriminalise Sexual relations between consenting, Adult men.
The Bill was signed into Law, and published in the official gazette on the 7th of February in 2014.
It took immediate effect upon publication.
Calls have been made by non-governmental organisations to legalise Same-sex marriage.
In 2012, the Communal Democracy Party proposed a law that would have Legalised Same-sex marriages, but the Legislation was opposed by the then-ruling National Unity Party.
Legislative summary
was a  after Kajō and before Ten'ei.
This period started in August 1108 ended in July 1110.
Events of the Tennin Era
1108 (Tennin 1): Minamoto no Tameyoshi became clan leader of the Seiwa Genji after the death of Minamoto no Yoshiie.
1108 (Tennin 1): Mount Asama erupts, causing widespread damage.
1109 (Tennin 2, in the 1st month): The emperor visited Iwashimizu Shrine and the Kamo Shrines.
Lesbian, gay, bisexual, and transgender (LGBT) people in Turkey may face legal challenges not experienced by non-LGBT residents.
Homosexuality is legal in the Republic of Turkey, but the law does not include sexual orientation or gender identity in its civil rights laws and there is no legal recognition for same-sex couples.
But sexual reassignment surgery is allowed and legal sex change has been possible since 1988.
In 1858, the Ottoman Caliph decriminalised homosexuality.
This affected many countries in the three continents of the Old World, respectively.
When Turkey became a solo nation in 1920, it didn’t see a need to change this law.
Omer Akpinar, who is with KAOS LG, which is one of the largest LGBT organizations in Turkish Republic, told Mashable that their organization was never censored.
Jack Scott, a British writer who moved to Turkey with his partner and who is the author of Perking the Pansies: Jack and Liam Move to Turkey, said his  talking to the real estate company Quest Turkey.
The Sonata No.
16 in C major, K. 545, is a piece of music for solo piano.
It was composed by Wolfgang Amadeus Mozart.
On 26 June 1788, he added the piece to his catalogue as "a little Piano Sonata for beginners".
He may have written the piece for a pupil.
If he did, that pupil is not known.
In the end, the story behind the sonata is a mystery.
On 2 August 1788 Mozart wrote a letter to his sister Nannerl.
She was living in Salzburg.
He had sent her some pieces for the piano.
He wrote, "Indeed you have every reason to be vexed with me!
But will you really be so, when you receive by this mail coach my very latest compositions for the keyboard?
Surely not!
This, I hope, will make everything all right again."
This passage might refer to the Sonata in C. But it may refer to other keyboard compositions Mozart wrote the same year.
The manuscript is lost.
The piece was not published during Mozart's lifetime.
It was first published in February 1805 by the Bureau des arts et d'Industrie in Vienna.
It was titled "Sonate facile pour le pianoforte" ().
At least three more editions were published within a short time.
Breitkopf & Härtel did not include it in their Oeuvres complettes.
A typical performance lasts about 14 minutes.
The first movement is written in sonata form.
It is in the key of C major.
The tempo marking is Allegro (Fast).
The opening theme is accompanied by an Alberti bass played in the left hand.
A bridge passage composed of scales follows, arriving at a cadence in G major, the key in which the second theme is then played.
A codetta follows to conclude the exposition.
The exposition is repeated.
The development starts in G minor and modulates through several keys.
The recapitulation begins in the subdominant key of F major.
According to Charles Rosen, the practice of beginning a recapitulation in the subdominant was "rare at the time [the sonata] was written"..
The second movement is in the key of G major, the dominant key of C major.
The music modulates to the dominant key of D major, and then back to G major in which the exposition is heard again.
For the development, the music modulates to G minor, then B♭ major, then C minor, then G minor and finally back to G major, at which point the recapitulation occurs followed by a short coda.
The third movement is in rondo form.
It is in the tonic key of C major.
The first theme is lively.
It sets the mood of the piece.
The second theme is in G major.
It has an Alberti bass in the left hand.
The first theme appears again.
A third theme is in a minor key.
It modulates through different keys before returning to C major.
It is followed by a coda, and the rondo ends in C major.
The finale was transcribed to F major.
It was put together with a solo piano arrangement of the second movement of the violin sonata in F major.
It became the Piano Sonata in F major, K. 547a.
Complete score
The Minuet in G, WoO 10, No.
2 is a piece of music for the piano.
It was composed by Ludwig van Beethoven.
The piece  was originally written for orchestra.
This version was lost.
Only an arrangement for piano exists.
It is a very popular piece, especially among beginning pianists.
The piece is composed in what is called ternary form or ABA form.
This means that the piece has three distinct sections.
The first and the third sections (the A sections) are the same.
The second section (the B section) is entirely different music.
The B section often provides a contrast in some way to the A section.
The tempo marking for the Minuet in G is Moderato.
The meter is 3/4.
The A section is composed of two 8 bar passages for a total of 16 bars.
The tune is characterized by a repetitious but elegant dotted eighth note and sixteenth note legato pattern.
The first 8 bars are played and repeated.
This passage begins in the tonic key of G major, and modulates to the dominant key of D major.
The second 8 bars are played and repeated.
This passage begins in the dominant key of D major, and modulates to the tonic key of G major.
The first phrase of this passage begins with 4 bars of principally quarter notes.
The phrase returns to the dotted eighth note pattern at its close.
Thus, the entire A section begins and ends in the tonic key with brushes on the dominant here and there.
The right hand is occupied with playing mostly thirds and sixths through the A section.
The left hand plays only  quarter notes.
Like the A section, the B section (or the Trio) is composed of two 8 bar passages for a total of 16 bars.
Like the A section, it begins in the tonic key of G major, and modulates to the dominant key of D major at the end of the first 8 bars.
This passage is repeated.
The second 8 bars begin in the dominant key and end in the tonic key.
These 8 bars are repeated.
The entire B section is characterized by flowing, uninterrupted eighth notes in the right hand.
The left hand plays quarter notes but briefly joins the right hand in playing eighth notes at the beginning of the second 8 bar passage.
The left hand returns to playing quarter notes as the passage closes.
When the B section is completed and all the repeats have been taken, the piece returns the A section.
This return is usually played without performing the repeats.
Minuet orchestral performance by the Philadelphia Orchestra
Minuet free scores at IMSLP
was a  after Tennin and before Eikyū.
This period started in July 1110 and ended in July 1113.
Events of the Ten'ei Era
1109 (Ten'ei 1, in the 5th month): Emperor Toba visited Hosho-ji where he donated a Buddhist manuscript which had been created using gold characters on blue paper.
1110 (Ten'ei 1, in the 6th month): The Miidera-ji burned down.
1110 establishments
1110s establishments in Japan
1113 disestablishments
Singles released off of the album include the title track, "That Don't Impress Me Much", "Man!
I Feel Like A Woman!",
"Honey, I'm Home", "You're Still The One", "From This Moment On", "You've Got A Way", "Love Gets Me Every Time," "Don't Be Stupid!", "
When", "Rock This Country!",
and "I'm Holding On To Love (To Save My Life)".
Shania Twain albums
is the fourth studio album released by country music artist Shania Twain.
Shania Twain and Mutt Lange wrote all of the songs.
Singles released off the album include the title track, "It Only Hurts When I'm Breathing", "Ka-Ching!", "
I'm Gonna Getcha Good!", "
Forever and For Always", "She's Not Just A Pretty Face", and "When You Kiss Me".
The Newbery Medal has been given since 1922.
It was the first children's literary award in the world.
It is named for John Newbery, an 18th century English publisher of books for children.
Since 1971, there has also been the "Newbery Honor".
Each year, one or more books are named "Newbery Honor books".
Some books from before 1971 were also named Newbery Honor books.
Books with a yellow background won the Newbery Medal.
Books with a white background are Newbery Honor Books.
Newbery Medal Home Page, American Library Association
Interview with Newbery Judge, on Beyond the Margins
was a town in Minamikoma District, Yamanashi, Japan.
On March 8, 2010, two towns combined to become a new town.
Masuho and Kajikazawa became Fujikawa.
Masuho official website  (in Japanese)
Fujikawa  is a town in Minamikoma District, Yamanashi, Japan.
Fujikawa official website
Muroran  is a city and port in Iburi, Hokkaidō, Japan.
It is the capital city of Iburi Subprefecture.
Shizuoka, since 1976
Knoxville, Tennessee, since 1991
Joetsu, since 1995
Muroran official website
English page in Official site
was a  after Ten'ei and before Gen'ei.
This period started in July 1113 and ended in April 1118.
Events of the Eikyū Era
1113 (Eikyū 1, 4th month): Fujiwara Tadasane was given the office of kampaku.
1113 (Eikyū 1, 4th month): Emperor Toba visited Matsunoo-taisha and the Kitano Tenman-gū.
1113 (Eikyū 1, 10th month): Toba visited the temples on Mount Hiei near Kyoto.
1113 (Eikyū 1, 11th month ): Toba visited the Inari Shrine and the Yasaka Shrine  which was then called the "Gion Shrine".
1113 establishments
1118 disestablishments
was a  after Eikyū and before Hōan.
This period started in April 1118 and ended in April 1120.
Events of the Gen'ei Era
1118 (Gen'ei 1, 9th month): The emperor made a pilgrimage to the Kumano Shrines at Wakayama.
The Kumano sanzan are:  Hongu Taisha, Hayatama Taisha, and Nachi Taisha.
1118 (Gen'ei 1, 12th month): Emperor Toba attended a festival at Saishō-ji.
1118 establishments
1120 disestablishments
1120s disestablishments in Japan
was a  after Gen'ei and before Tenji.
This period spanned the years from April 1120 through April 1124.
Events of the Hōan era
1121 (Hōan 2, 5th month): The priests of Mt. Hiei set fire to Mii-dera.
25 February 1123 (Hōan 4, on the 28th day of the 1st month): In the 17th year of Emperor Toba's reign, the emperor abdicated.
Toba took the title Daijō-tennō.
The succession (senso) was received by a his son, Akihito.
1123 (Hōan 4, 2nd month): Sutoku accepted the monarch's role and duties and powers (sokui).
1120 establishments
1120s establishments in Japan
1124 disestablishments
was a  after Hōan and before Daiji.
This period spanned the years from April 1124 through January 1126.
Events of the Tenji Era
1124 (Tenji 1, 2nd month): Former-Emperor Horikawa and former-Emperor Toba went in carriages to see the flowers outside the city..
1124 (Tenji 1, 10th month): Horikawa visited Mount Koya.
1125 (Tenji 2, 10th month): Sutoku visited Iwashimizu Shrine and the Kamo Shrines; and afterward, he also visited the shrines Hirano, Ōharano, Mutsunoo, Kitano, Gion and several others.
1124 establishments
1126 disestablishments
was a  after Tenji and before Tenshō.
This period started in January 1126 and ended in January 1131.
Events of the Daiji Era
1128 (Daiji 3, in the 3rd month): Taiken-mon In ordered the construction of Enshō-ji because of a sacred vow.
This was one in a series of "sacred vow temples" (gogan-ji).
1128 (Daiji 3, 6th month): Fujiwara Tadamichi is given the role of kampaku.
24 July 1129 (Daiji 4, 7th day of the 7th month): Former-Emperor Shirakawa died at the age of 77.
1126 establishments
1131 disestablishments
1130s disestablishments in Japan
was a  after Daiji and before Chōshō.
This period started in January 1131 and ended in August 1132.
Events of the Tenshō Era
1131 (Tenshō 1, 12th month): Fujiwara Yetada was promoted to the office of Minister of the Left (sadaijin); and Fujiwara no Munetada was given the office of Minister of the Center (nadaijin).
1131 establishments
1132 disestablishments
A standing start is a type of start in auto racing events where cars are standing still when the race begins.
In a standing start, cars are completely still when a green signal is given to start the race.
This often follows a set of lights that count down to the start of the race.
Standing starts are common in many motorsports, including drag racing, most single-seat (Formula One and GP2 Series), Touring Cars (most notably British and World Touring Cars), V8 Supercars, and many types of short-course off-road races.
The standing start often occurs following a parade lap.
The opposite of a standing start is a rolling start.
Standing starts are often deemed safer in Formula sports because of high acceleration speeds, which could cause problems if a rolling start were used.
A standing start can cause problems like stalled cars being hit by the driver who starts behind them on the grid.
Motorsports using standing starts usually penalize drivers who "jump the start", or redlight, by moving before the green light is lit.
The Communist Party of the Russian Federation (CPRF; Russian: Коммунистическая партия Российской Федерации) is a Communist and Marxist–Leninist political party in Russia.
It is the second largest political party in Russia.
The party is often viewed as the successor of the Communist Party of the Soviet Union (CPSU).
The CPSU was banned in 1991 by then-Russian President Boris Yeltsin after a failed coup attempt.
The youth organisation of the party is the Leninist Young Communist League.
The party is led by a Central Committee.
The CPRF was founded on 14 February 1993.
It is founded  as the successor of the Communist Party of the Russian Soviet Federative Socialist Republic (CPRSFSR).
As of 2015, the party has 160,000 members.
The party's goal is to establish a new, modernized form of socialism in Russia.
The party wants to nationalize natural resources, agriculture and large industries.
The party believes in Marxism-Leninism and patriotism.
The party is known to have extreme patriotism towards Russia.
The party is also known to greatly like Joseph Stalin.
"Set Fire to the Rain" is the second hit song from Adele's second album 21.
It was her third number-one single in the United States.
It hit #1 on Billboard Hot 100, becoming her third song to do so.
It reached number 12 on the year-end chart of 2012 in the US.
It has also been certified quadruple-Platinum for shipments of over four million copies in the US.
No proper music video was shot for "Set Fire to the Rain" {as well as other singles from 21, "Rumor Has It" and "Turning Tables") as Adele had recently undergone vocal surgery.
Instead, a live performance video was uploaded to her Vevo account and has received more than 380 million views as of October 2017.
Adele – Songwriting, vocals
Fraser T. Smith – Songwriting, production, mixer, bass guitar, piano
Eleanor Mathieson, Hayley Pomfrett, Jenny Sacha, Jo Allen, Kotono Sato, Natalia Bonner, Rustom Pomeroy, Stephanie Cavey, Wired Strings – violin
Amy Stanford, Emma Owens, Jane Oliver, Lucy Shaw – strings
Isabel Seeliger-Morley, Beatriz Artola, Steve Price – engineers
Ash Soan – drums
Rosie Danvers – string arrangement, strings
"Set Fire to the Rain" Lyrics
Lippelo is a small town in the Belgian province of Antwerp.
Lippelo had 1173 people as of 01/01/2006.
Lippelo was an independent municipality until 1976.
Then, it became, along with Oppuurs, part of the municipality of Sint-Amands.
20th century until 1976
The Seattle Thunderbirds are an American professional ice hockey team that began playing in 1977.
They play their home games in Kent, Washington, south of Seattle, at the ShoWare Center.
They were known as the Vancouver Nats from 1971 to 73, the Kamloops Chiefs from 1973 to 77, and the Seattle Breakers from 1977 to 85.
Twelve Variations on "Ah vous dirai-je, Maman", K. 265/300e, is a piece of music for piano.
It was composed by Wolfgang Amadeus Mozart in 1781 or 1782.
The variations were first published in Vienna in 1785.
The piece consists of twelve variations on the French folk song "Ah!
vous dirai-je, Maman".
The French melody first appeared in 1761.
It has been used for many children's songs, such as "Twinkle Twinkle Little Star", "Baa, Baa, Black Sheep" and the "Alphabet Song".
Only Variations XI and XII have tempo indications, Adagio and Allegro respectively.
It was once thought that this piece was composed in 1778 when Mozart was briefly living in Paris.
It was assumed that he could only have picked up a French folk song while living in France.
Based on this assumption, the piece was re-numbered from K. 265 to K. 300e in the chronological catalogue of Mozart's compositions.
Later analysis of Mozart's manuscript indicated 1781/1782 as the probable composition date.
by Wim Winters
The Communist Workers Party of Russia - Revolutionary Party of Communists (RCWP-RPC) (Russian: Российская Коммунистическая Рабочая Партия – Революционная Партия Коммунистов)is a Communist political party in Russia.
The party was created in October 2001, wanting to bring Communism and the Soviet Union back.
In the 1999 State Duma Election, the party got 1,481,890 votes overall.
As of 2006, the party claims 55,000 members.
The party also has no representatives in the State Duma or the Regional Parliaments.
Izhevsk (Russian: Иже́вск) is the capital city of Udmurt Republic in Russia.
The population is 628,116 people.
From 1984 to 1987, the city's name was Ustinov (in honour of the  Minister of Defense of the USSR and the Marshal of the Soviet Union, Dmitry Ustinov).
Izhevsk is a major economic center for the Udmurt Republic.
Military industry is the most popular type of economy in Izhevsk.
Many military companies operate in the city.
The companies produce military guns that are popular in Russia and other countries.
The companies also are known to produce automobiles.
In 2006, the Venezuelan president Hugo Chávez took a tour in the city, and he wanted to purchase many of the popular weapons available.
Popular Buildings and Structures
St. Michael's Cathedral
Alexander Nevsky Cathedral
Izhevsk Pond
The Izhevsk Pond is one of the most famous recreational places.
It is about 22 km2, and it was artificially made (some parts were even made by hand).
The pond was created in the 1760s for the industry.
Update; December 31, 2020
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Eijun Kiyokumo (1974-1980, 42/0)
Hiroshi Ochiai (1974-1980, 63/9)
Tatsuhiko Seta (1973-1980, 25/0)
Yoshikazu Nagai (1971-1980, 69/9)
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Shigemi Ishii (1974-1979, 15/0)
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Nobuo Fujishima (1971-1979, 65/7)
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Takaji Mori (1966-1976, 56/2)
Aritatsu Ogi (1963-1976, 62/11)
Michio Ashikaga (1971-1975, 7/0)
Kazumi Takada (1970-1975, 16/0)
Koji Funamoto (1967-1975, 19/0)
Kazuhisa Kono (1974, 1/0)
Shusaku Hirasawa (1972-1974, 11/1)
Kenzo Yokoyama (1964-1974, 49/0)
Noritaka Hidaka (1972-1973, 4/0)
Minoru Kobata (1970-1973, 13/0)
Yoshitada Yamaguchi (1964-1973, 49/0)
George Kobayashi (1972, 3/0)
Seiichi Sakiya (1971-1972, 3/0)
Tadahiko Ueda (1970-1971, 13/7)
Yoshio Kikugawa (1969-1971, 16/0)
Takeshi Ono (1965-1971, 3/0)
Kiyoshi Tomizawa (1965-1971, 9/2)
Hiroshi Katayama (1961-1971, 38/0)
Ryuichi Sugiyama (1961-1971, 56/15)
Teruki Miyamoto (1961-1971, 58/19)
Masakatsu Miyamoto (1958-1971, 44/1)
Norio Yoshimizu (1970, 4/1)
Teruo Nimura (1970, 5/0)
Masafumi Hara (1970, 5/0)
Yusuke Omi (1970, 5/1)
Eizo Yuguchi (1969-1970, 5/1)
Yasuyuki Kuwahara (1966-1970, 12/5)
Takeo Kimura (1966-1970, 14/4)
Tadao Onishi (1969, 1/0)
Tsuyoshi Kunieda (1969, 2/0)
Junji Kawano (1968-1969, 2/0)
Ikuo Matsumoto (1966-1969, 11/1)
Masashi Watanabe (1958-1969, 39/12)
Mitsuo Kamata (1958-1969, 44/2)
Hisao Kami (1964-1968, 15/0)
Ryozo Suzuki (1961-1968, 24/0)
Shigeo Yaegashi (1956-1968, 45/11)
Masahiro Hamazaki (1966, 2/0)
Kazuo Imanishi (1966, 3/0)
Masanobu Izumi (1965, 1/0)
Katsuyoshi Kuwahara (1965, 2/0)
Shozo Tsugitani (1961-1965, 12/4)
Saburo Kawabuchi (1958-1965, 26/8)
Nobuyuki Oishi (1964, 1/0)
Takao Nishiyama (1964, 1/0)
Tsukasa Hosaka (1960-1964, 19/0)
Michihiro Ozawa (1956-1964, 36/0)
Yasuo Takamori (1955-1963, 30/0)
Yoshinobu Ishii (1962, 1/0)
Takayuki Kuwata (1961-1962, 5/2)
Takehiko Kawanishi (1959-1962, 8/0)
Yoshio Furukawa (1956-1962, 19/0)
Masao Uchino (1955-1962, 18/3)
Ryuzo Hiraki (1954-1962, 30/1)
Tatsuya Shiji (1961, 1/1)
Kenji Tochio (1961, 2/0)
Hiroshi Saeki (1958-1961, 4/0)
Hiroshi Ninomiya (1958-1961, 12/9)
Koji Sasaki (1958-1961, 14/1)
Ken Naganuma (1954-1961, 4/1)
Seishiro Shimatani (1959, 1/0)
Akira Kitaguchi (1958-1959, 10/1)
Hiroaki Sato (1955-1959, 15/0)
Masanori Tokita (1951-1959, 12/2)
Gyoji Matsumoto (1958, 1/0)
Yoshinori Shigematsu (1958, 1/0)
Kenzo Ohashi (1958, 1/0)
Waichiro Omura (1956-1958, 5/0)
Isao Iwabuchi (1955-1958, 8/2)
Takashi Takabayashi (1954-1958, 9/2)
Tadao Kobayashi (1956, 3/0)
Toshio Iwatani (1951-1956, 8/4)
Yukio Shimomura (1955, 1/0)
Takashi Tokuhiro (1955, 1/0)
Yozo Aoki (1955, 1/0)
Reizo Fukuhara (1955, 2/0)
Shunichiro Okano (1955, 2/0)
Yasukazu Tanaka (1955, 4/0)
Kakuichi Mimura (1955, 4/0)
Hisataka Okamoto (1955, 5/0)
Tomohiko Ikoma (1955, 5/0)
Nobuo Matsunaga (1954-1955, 4/0)
Arawa Kimura (1954-1955, 6/1)
Takeshi Inoue (1954, 1/0)
Osamu Yamaji (1954, 1/0)
Hidemaro Watanabe (1954, 2/0)
Hiroto Muraoka (1954, 2/0)
Masao Ono (1954, 3/0)
Shigeo Sugimoto (1951-1954, 3/0)
Taro Kagawa (1951-1954, 5/0)
Koji Miyata (1951-1954, 6/0)
Yoshio Okada (1951-1954, 7/0)
Takashi Kano (1951-1954, 7/2)
Hirokazu Ninomiya (1940-1954, 6/1)
Taizo Kawamoto (1934-1954, 9/4)
Seki Matsunaga (1951, 1/0)
Ken Noritake (1951, 1/0)
Nobuyuki Kato (1951, 1/0)
Ko Arima (1951, 3/0)
Megumu Tamura (1951, 3/0)
Yukio Tsuda (1940-1951, 4/0)
Kim Sung-gan (1940, 1/0)
Kazu Naoki (1940, 1/0)
Saburo Shinosaki (1940, 1/0)
Takashi Kasahara (1940, 1/0)
Lee Yoo-hyung (1940, 1/0)
Kunitaka Sueoka (1940, 1/0)
Kim Yong-sik (1936-1940, 3/0)
Tokutaro Ukon (1934-1940, 5/1)
Shogo Kamo (1936, 2/0)
Takeshi Kamo (1936, 2/0)
Koichi Oita (1936, 2/0)
Rihei Sano (1936, 2/0)
Akira Matsunaga (1936, 2/1)
Yasuo Suzuki (1934-1936, 2/0)
Tadao Horie (1934-1936, 3/0)
Motoo Tatsuhara (1934-1936, 4/0)
Teizo Takeuchi (1930-1936, 4/0)
Takeshi Natori (1934, 1/1)
Shunichi Kumai (1934, 2/0)
Teruo Abe (1934, 2/0)
Hiroshi Kanazawa (1934, 2/0)
Shoichi Nishimura (1934, 2/1)
Teiichi Matsumaru (1934, 3/0)
Takashi Kawanishi (1934, 3/0)
Hideo Sakai (1934, 3/0)
Shiro Misaki (1934, 3/0)
Ichiji Otani (1934, 3/1)
Akira Nozawa (1934, 3/3)
Yukio Goto (1930-1934, 4/0)
Tameo Ide (1930, 1/0)
Masao Nozawa (1930, 2/0)
Saizo Saito (1930, 2/0)
Tokizo Ichihashi (1930, 2/1)
Tadao Takayama (1930, 2/1)
Hideo Shinojima (1930, 2/1)
Shiro Teshima (1930, 2/2)
Takeo Wakabayashi (1930, 2/4)
Yasuo Haruyama (1927-1930, 4/0)
Nagayasu Honda (1927-1930, 4/0)
Shigemaru Takenokoshi (1925-1930, 5/1)
Michiyo Taki (1927, 1/0)
Shojiro Sugimura (1927, 1/0)
Shigeru Takahashi (1927, 2/0)
Tamotsu Asakura (1927, 2/0)
Haruo Arima (1927, 2/0)
Ko Takamoro (1927, 2/0)
Daigoro Kondo (1927, 2/0)
Junji Nishikawa (1927, 2/0)
Misao Tamai (1927, 2/1)
Shigeyoshi Suzuki (1927, 2/1)
Kinjiro Shimizu (1925, 1/0)
Kiyonosuke Marutani (1925, 1/0)
Sakae Takahashi (1925, 1/0)
Masao Takada (1925, 2/0)
Sachi Kagawa (1925, 2/0)
Jiro Miyake (1925, 2/0)
Hifuyo Uchida (1925, 2/0)
Masuzo Madono (1925, 2/0)
Uichiro Hatta (1925, 2/0)
Toshio Miyaji (1925, 2/0)
Yoshimatsu Oyama (1925, 2/0)
Yanosuke Watanabe (1925, 2/0)
Shiro Azumi (1923-1925, 3/0)
Kiyoo Kanda (1923-1925, 4/0)
Shumpei Inoue (1923, 1/0)
Yoshio Fujiwara (1923, 1/0)
Kikuzo Kisaka (1923, 2/0)
Setsu Sawagata (1923, 2/0)
Toshio Hirabayashi (1923, 2/0)
Shizuo Miyama (1923, 2/0)
Usaburo Hidaka (1923, 2/0)
Fukusaburo Harada (1923, 2/0)
Ryuzo Shimizu (1923, 2/1)
Naoemon Shimizu (1923, 2/1)
Lists of Japanese football players