the-french-artist/wikipedia_20220301.simple_sentence_embeddings huggingface dataset:
Liu Huan 
 On 8 August 2008, Liu sang the official theme song You and Me with British singer Sarah Brightman at the 2008 Summer Olympics opening ceremony in Beijing.
Ghazanchetsots Cathedral 
 Ghazanchetsots Cathedral (Cathedral of Christ the Holy Savior), also called the Shushi Cathedral is an Armenian church in Shusha, Nagorno-Karabakh.
Ghazanchetsots Cathedral 
 It used to have large statues of angels blowing trumpets at each corner of the bell tower's second story.
Ghazanchetsots Cathedral 
 New angel statues were made to replace the destroyed originals; an image of one is part of the coat of arms of Shusha.
Ghazanchetsots Cathedral 
 In 1998 it was re-consecrated as a church, and is now the main cathedral and headquarters of the Armenian Apostolic Church's Diocese of Artsakh.
Mount Kosciuszko 
 The mountain is in the south east corner of New South Wales, where it is part of the Great Dividing Range.
Greater Bangladesh 
 Greater Bangladesh, or Great Bengal, is a political idea in Bangladesh to unite the region of Bengal.
Franck Goldnadel 
 He has worked for 15 years in air transport before being nominated head of Paris-Charles de Gaulle Airport.
Franck Goldnadel 
 Académie nationale de l'air et de l'espace and Lucien Robineau, Les français du ciel, dictionnaire historique, Le Cherche midi, June 2005, 782 p. ()
Tsukasa Shiotani 
 From 2013, he played many matches as right back of three back defense with Kazuhiko Chiba and Hiroki Mizumoto.
Tsukasa Shiotani 
 In 2016, he was also selected the Japan U-23 national team as over aged player for 2016 Summer Olympics.
The Black Balloon 
 The Black Balloon is a 2008 Australian drama movie about an unusual suburban family in Sydney in the early 1990s.
The Black Balloon 
 It stars Rhys Wakefield as 15 year old Thomas Mollison, Luke Ford as his slightly older brother Charlie, Toni Collette as his pregnant mother Maggie and Erik Thomson as his father Simon, who is in the army.
The Black Balloon 
 Charlie is mentally retarded, severely autistic, unable to speak, hyperactive, overemotional and has outbursts of inappropriate, sometimes destructive, behaviour.
Colin Farrell 
 He has starred in many movies, including: Tigerland, Minority Report, Phone Booth, The Recruit, S.W.A.T., Alexander, Miami Vice, Widows, Dumbo and In Bruges, for which he won a Golden Globe Award.
Labrinth 
 Timothy McKenzie (born 1 April 1989 in Hackney, London), better known by his stage name  Labrinth is a British musician, composer and record producer.
Labrinth 
 In 2012, he released his debut studio album Electronic Earth, which charted in Australia, Ireland and Great Britain.
BAFTA Award for Best Actor in a Supporting Role 
 Best Actor in a Supporting Role is a British Academy Film award presented each year by the British Academy of Film and Television Arts (BAFTA).
BAFTA Award for Best Actress in a Supporting Role 
 Best Actress in a Supporting Role is a British Academy Film award presented each year by the British Academy of Film and Television Arts (BAFTA).
BAFTA Award for Best Actress in a Supporting Role 
 1968 – Billie Whitelaw – Charlie Bubbles as Lottie Bubbles and Twisted Nerve as Joan Harper Pat Heywood – Romeo and Juliet
BAFTA Award for Best Actress in a Supporting Role 
 1969 – Celia Johnson – The Prime of Miss Jean Brodie as Miss Mackay Peggy Ashcroft – Three Into Two Wont Go
BAFTA Award for Best Actress in a Supporting Role 
 1974 – Ingrid Bergman – Murder on the Orient Express as Greta Ohlsson Sylvia Sidney – Summer Wishes, Winter Dreams
BAFTA Award for Best Actress in a Supporting Role 
 1976 – Jodie Foster – Bugsy Malone as Tallulah and Taxi Driver as Iris "Easy" Steensma Annette Crosbie – The Slipper and the Rose
BAFTA Award for Best Actress in a Supporting Role 
 1982 – Rohini Hattangadi – Gandhi as Kasturba Gandhi and Maureen Stapleton – Reds as Emma Goldman Candice Bergen – Gandhi
BAFTA Award for Best Actress in a Supporting Role 
 Tuesday Weld – Once Upon a Time in America 1985 – Rosanna Arquette – Desperately Seeking Susan as Roberta Glass
BAFTA Award for Best Actress in a Supporting Role 
 Tracey Ullman – Plenty 1986 – Judi Dench – A Room with a View as Eleanor Lavish Rosanna Arquette – After Hours
BAFTA Award for Best Actress in a Supporting Role 
 1988  – Judi Dench – A Handful of Dust Maria Aitken – A Fish Called Wanda Anne Archer – Fatal Attraction as Beth Gallagher
BAFTA Award for Best Actress in a Supporting Role 
 1989 – Michelle Pfeiffer – Dangerous Liaisons as Madame de Tourvel Peggy Ashcroft – Madame Sousatzka Laura San Giacomo – Sex, Lies, and Videotape as Cynthia Bishop
BAFTA Award for Best Actress in a Supporting Role 
 1993 – Miriam Margolyes – The Age of Innocence as Mrs. Mingott Holly Hunter – The Firm as Tammy Hemphill
BAFTA Award for Best Actress in a Supporting Role 
 1994 – Kristin Scott Thomas – Four Weddings and a Funeral as Fiona Charlotte Coleman – Four Weddings and a Funeral
BAFTA Award for Best Actress in a Supporting Role 
 1996 – Juliette Binoche – The English Patient as Hana Lauren Bacall – The Mirror Has Two Faces as Hannah Morgan
BAFTA Award for Best Actress in a Supporting Role 
 2006 – Jennifer Hudson – Dreamgirls as Effie White Abigail Breslin – Little Miss Sunshine as Olive Hoover
BAFTA Award for Best Actress in a Supporting Role 
 2007 – Tilda Swinton – Michael Clayton as Karen Crowder Cate Blanchett – I'm Not There as Jude Quinn
BAFTA Award for Best Actress in a Supporting Role 
 2010 – Helena Bonham Carter – The King's Speech as Queen Elizabeth Amy Adams – The Fighter as Charlene Fleming
BAFTA Award for Best Cinematography 
 Best Cinematography is a British Academy Film award presented each year by the British Academy of Film and Television Arts (BAFTA).
BAFTA Award for Best Cinematography 
 Those Magnificent Men in Their Flying Machines or How I Flew from London to Paris in 25 hours 11 minutes – Christopher Challis
BAFTA Award for Best Sound 
 The British Academy of Film and Television Arts (BAFTA) Award for Best Sound has been presented to its winners since 1968.
BAFTA Award for Best Sound 
 Tim Burke, John Richardson, Greg Butler, David Vickery  – Harry Potter and the Deathly Hallows – Part 2
BAFTA Award for Best Sound 
 2007 - The Bourne Ultimatum - Kirk Francis Scott Millan Dave Parker Karen Baker Landers Per Hallberg
BAFTA Award for Best Sound 
 There Will Be Blood - Christopher Scarabosio Matthew Wood John Pritchett Michael Semanick Tom Johnson
BAFTA Award for Best Sound 
 Pirates of the Caribbean: Dead Man's Chest - Christopher Boyes George Watters II Paul Massey Lee Orloff
BAFTA Award for Best Sound 
 2003 - Master and Commander: The Far Side of the World - Richard King Doug Hemphill Paul Massey Art Rochester
BAFTA Award for Best Sound 
 The Lord of the Rings: The Return of the King - Ethan Van der Ryn Mike Hopkins David Farmer Christopher Boyes Michael Hedges Michael Semanick Hammond Peek
BAFTA Award for Best Sound 
 Pirates of the Caribbean: The Curse of the Black Pearl - Christopher Boyes George Watters II Lee Orloff David Parker David E. Campbell
BAFTA Award for Best Sound 
 Harry Potter and the Chamber of Secrets - Randy Thom Dennis Leonard John Midgley Ray Merrin Graham Daniel Rick Kline
BAFTA Award for Best Sound 
 The Lord of the Rings: The Two Towers - Ethan Van der Ryn David Farmer Mike Hopkins Hammond Peek Christopher Boyes Michael Semanick Michael Hedges
BAFTA Award for Best Sound 
 Harry Potter and the Philosopher's Stone - John Midgley Eddy Joseph Ray Merrin Graham Daniel Adam Daniel
BAFTA Award for Best Sound 
 The Lord of the Rings: The Fellowship of the Ring - David Farmer Hammond Peek Christopher Boyes Gethin Creagh Michael Semanick Ethan Van der Ryn Mike Hopkins
BAFTA Award for Best Sound 
 The Perfect Storm - Keith A. Wester John T. Reitz Gregg Rudloff David E. Campbell Wylie Statesman Kelly Cabral
BAFTA Award for Best Sound 
 Star Wars: Episode I - The Phantom Menace - Ben Burtt Tom Bellfort John Midgley Gary Rydstrom Tom Johnson Shawn Murphy
BAFTA Award for Best Sound 
 1997  - L.A. Confidential - Terry Rodman Roland N. Thai Kirk Francis Andy Nelson Anna Behlmer John Leveque
BAFTA Award for Best Sound 
 The English Patient - Mark Berger Pat Jackson Walter Murch Christopher Newman David Parker Ivan Sharrock
BAFTA Award for Best Sound 
 Independence Day - Bob Beemer Bill W. Benton Chris Carpenter Sandy Gendler Val Kuklowsky Jeff Wexler
BAFTA Award for Best Sound 
 1993  - The Fugitive - John Leveque Bruce Stambler Becky Sullivan Scott D. Smith Donald O. Mitchell Michael Herbick Frank A. Montaño
BAFTA Award for Best Sound 
 Schindler's List - Charles L. Campbell Louis L. Edemann Robert Jackson Ron Judkins Andy Nelson Steve Pederson Scott Millan
BAFTA Award for Best Sound 
 The Last of the Mohicans - Simon Kaye Lon Bender Larry Kemp Paul Massey Doug Hemphill Mark Smith Chris Jenkins
BAFTA Award for Best Sound 
 1990  - The Fabulous Baker Boys - J. Paul Huntsman Stephan von Hase Chris Jenkins Gary Alexander Doug Hemphill
BAFTA Award for Best Sound 
 Greystoke: The Legend of Tarzan, Lord of the Apes - Ivan Sharrock Gordon K. McCallum Les Wiggins Roy Baker
BAFTA Award for Best Sound 
 1982  - Pink Floyd The Wall - James Guthrie Eddy Joseph Clive Winter Graham V. Hartstone Nicolas Le Messurier
BAFTA Award for Best Sound 
 E.T. the Extra-Terrestrial - Charles L. Campbell Gene S. Cantamessa Robert Knudson Robert Glass Don Digirolamo
BAFTA Award for Best Sound 
 1978 - Star Wars - Sam Shaw Robert R. Rutledge Gordon Davidson Gene Corso Derek Ball Don MacDougall Bob Minkler Ray West Michael Minkler Les Fresholtz Richard Portman Ben Burtt
BAFTA Award for Best Sound 
 Close Encounters of the Third Kind - Gene S. Cantamessa Robert Knudson Don MacDougall Robert Glass Stephen Katz Frank E. Warner Richard Oswald
BAFTA Award for Best Sound 
 Saturday Night Fever - Michael Colgan Les Lazarowitz John Wilkinson Robert W. Glass Jr. John T. Reitz
BAFTA Award for Best Sound 
 Superman - Chris Greenham Gordon K. McCallum Peter Pennell Mike Hopkins Pat Foster Stan Fiferman John Foster Roy Charman Norman Bolland Brian Marshall Charles Schmitz Richard Raguse Chris Large
BAFTA Award for Best Sound 
 A Star Is Born - Robert Glass Robert Knudson Marvin I. Kosberg Tom Overton Josef von Stroheim Dan Wallin
BAFTA Award for Best Sound 
 All the President's Men -Milton C. Burrow James E. Webb Les Fresholtz Arthur Piantadosi Rick Alexander
BAFTA Award for Best Sound 
 One Flew Over the Cuckoo's Nest - Mary McGlone Robert R. Rutledge Veronica Selver Larry Jost Mark Berger
BAFTA Award for Best Sound 
 Dog Day Afternoon - Jack Fitzstephens Richard P. Cirincione Sanford Rackow Stephen A. Rotter James Sabat Dick Vorisek
BAFTA Award for Best Sound 
 The Exorcist - Christopher Newman Jean-Louis Ducarme Robert Knudson Fred J. Brown Bob Fine Ross Taylor Ron Nagel Doc Siegel Gonzalo Gavira Hal Landaker
BAFTA Award for Best Film Music 
 The Anthony Asquith Award for Film Music (or BAFTA Award for Best Film Music) is an award given each year by British Academy of Film and Television Arts.
BAFTA Award for Best Film Music 
 A Star Is Born – Paul Williams Barbra Streisand Kenny Ascher Rupert Holmes Leon Russell Kenny Loggins Alan Bergman Marilyn Bergman Donna Weiss
BAFTA Award for Best Film Music 
 Flash Gordon – John Deacon, Brian May, Freddie Mercury, Roger Taylor and Howard Blake1981: The French Lieutenant's Woman - Carl Davis
BAFTA Award for Best Film Music 
 Inception – Hans Zimmer2011: The Artist   Ludovic Bource' Tinker Tailor Soldier Spy   Alberto Iglesias
BAFTA Award for Best Production Design 
 List of winners of the BAFTA Awards from 1964 to the present in the category "Best Production Design".
BAFTA Award for Best Production Design 
 The Wrong Box – Ray Simm1967: no award given1967: A Man for All Seasons – John Box Accident – Carmen Dillon
BAFTA Award for Best Production Design 
 Best Production Design (and Art Direction)1968: 2001: A Space Odyssey – Ernest Archer, Harry Lange and Anthony Masters The Charge of the Light Brigade – Edward Marshall
BAFTA Award for Best Production Design 
 Scrooge – Terence Marsh1971: Death in Venice (Morte a Venezia) – Ferdinando Scarfiotti The Go-Between – Carmen Dillon
BAFTA Award for Best Production Design 
 The Tales of Beatrix Potter – Christine Edzard1972: Cabaret – Rolf Zehetbauer A Clockwork Orange – John Barry
BAFTA Award for Best Production Design 
 Young Winston – Donald M. Ashton and Geoffrey Drake1973: The Hireling – Natasha Kroll England Made Me – Tony Woollard
BAFTA Award for Best Production Design 
 The Towering Inferno – William J. Creber1976: Bugsy Malone – Geoffrey Kirkland All the President's Men – George Jenkins
BAFTA Award for Best Production Design 
 The Slipper and the Rose – Ray Simm1977: Fellini's Casanova (Il casanova di Federico Fellini) – Danilo Donati and Federico Fellini A Bridge Too Far – Terence Marsh
BAFTA Award for Best Production Design 
 Valentino – Philip Harrison1978: Close Encounters of the Third Kind – Joe Alves Julia – Gene Callahan, Carmen Dillon and Willy Holt
BAFTA Award for Best Production Design 
 Star Wars Episode V: The Empire Strikes Back – Norman Reynolds1981: Raiders of the Lost Ark – Norman Reynolds Chariots of Fire – Roger Hall
BAFTA Award for Best Production Design 
 Tess – Pierre Guffroy1982: Blade Runner – Lawrence G. Paull E.T. the Extra-Terrestrial – James D. Bissell
BAFTA Award for Best Production Design 
 Gandhi – Stuart Craig1983: La Traviata – Gianni Quaranta and Franco Zeffirelli Heat and Dust – Wilfred Shingleton
BAFTA Award for Best Production Design 
 WarGames – Angelo P. Graham 1984: The Killing Fields – Roy Walker The Company of Wolves – Anton Furst
BAFTA Award for Best Production Design 
 Nineteen Eighty-Four – Allan Cameron1985: Brazil – Norman Garwood Amadeus – Patrizia von Brandenstein
BAFTA Award for Best Production Design 
 A Passage to India – John Box1986: A Room with a View – Brian Ackland-Snow and Gianni Quaranta Aliens – Peter Lamont
BAFTA Award for Best Production Design 
 The Untouchables – William A. Elliott1988: Tucker: The Man and His Dream – Dean Tavoularis Empire of the Sun – Norman Reynolds
BAFTA Award for Best Production Design 
 Who Framed Roger Rabbit – Elliot Scott1989: The Adventures of Baron Munchausen – Dante Ferretti Batman – Anton Furst
BAFTA Award for Best Production Design 
 The Sheltering Sky – Gianni Silvestri1991: Edward Scissorhands – Bo Welch The Addams Family – Richard MacDonald
BAFTA Award for Best Production Design 
 Terminator 2: Judgment Day – Joseph C. Nemec III1992: Strictly Ballroom – Catherine Martin Chaplin – Stuart Craig
BAFTA Award for Best Production Design 
 The Last of the Mohicans – Wolf Kroeger1993: The Piano – Andrew McAlpine The Age of Innocence – Dante Ferretti
BAFTA Award for Best Production Design 
 Schindler's List – Allan Starski1994: Interview with the Vampire: The Vampire Chronicles – Dante Ferretti The Adventures of Priscilla, Queen of the Desert – Colin Gibson and Owen Paterson
BAFTA Award for Best Production Design 
 Sense and Sensibility – Luciana Arrighi1996: Richard III – Tony Burrough The English Patient – Stuart Craig
BAFTA Award for Best Production Design 
 Hamlet – Tim Harvey1997: Romeo + Juliet – Catherine Martin L.A. Confidential – Jeannine Claudia Oppewall
BAFTA Award for Best Production Design 
 Shakespeare in Love – Martin Childs1999: Sleepy Hollow – Rick Heinrichs American Beauty – Naomi Shohan
BAFTA Award for Best Production Design 
 The Lord of the Rings: The Two Towers – Grant Major2003: Master and Commander: The Far Side of the World – William Sandell
BAFTA Award for Best Production Design 
 Pirates of the Caribbean: Dead Man's Chest – Cheryl Carasik and Rick Heinrichs2007: Atonement – Sarah Greenwood and Katie Spencer
BAFTA Award for Best Production Design 
 Slumdog Millionaire – Michelle Day and Mark Digby2009: Avatar – Rick Carter, Robert Stromberg and Kim Sinclair
BAFTA Award for Best Production Design 
 Jess Gonchor and Nancy Haigh – True Grit2011: Dante Ferretti, Francesca Lo Schiavo – Hugo Laurence Bennett, Robert Gould – The Artist Rick Carter, Lee Sandales – War Horse Stuart Craig, Stephenie McMillan – Harry Potter and the Deathly Hallows – Part 2 Maria Djurkovic, Tatiana MacDonald – Tinker Tailor Soldier Spy''
Mark Selby 
 Mark Anthony Selby (born 19 June 1983, Leicester, England) is an English professional snooker and pool player.
World population 
 The world's population is increasing all the time because more people are being born than are dying.
World population 
 The population of the world can be changed by other causes such as extinction level events, and natural and un-natural disasters (e.g., earthquakes, war).
World population 
 The tendency equation of the population and its limit value in the United Kingdom (Brief annotation of the connection equation(R)), Xi'an: Xi'an Modern Nonlinear Science Applying Institute.
Larry Lamb 
 He is best known for his BBC television roles as Archie Mitchell in EastEnders and as Mick Shipman in Gavin & Stacey.
Bench press 
 The bench press is a weight training exercise for the chest muscles and some helping muscles in the shoulders and arms.
Bench press 
 The most people who have bad form in this exercise will push with the feet to make their back bent and lifted up off the bench.
Bench press 
 Because the weight is directly above the body, a "spotter" or helper is used by many people in this exercise.
Bench press 
 If after doing some of the exercise the person doing the exercise cannot move the weight, the "spotter" will help the person move the weight back up to the starting position by taking hold of the bar and lifting together with the person.
Hylas 
 About 300 BC, the poet Theocritus wrote that Heracles loved "the curly-haired Hylas, [and], like a father would with a well loved son, he taught the youth everything that had made him a powerful and famous man."
Pull up (exercise) 
 A pull-up is a kind of exercise that uses the weight of the body (body weight) to make a person stronger.
Pull up (exercise) 
 To do this exercise one holds something that is high above the head with both hands so their body is hanging free under it.
Pull up (exercise) 
 This mostly helps the back muscles but also uses the muscles on top of the arms (biceps) and stomach (abdominals).
Pull up (exercise) 
 It is an exercise that does not need any special equipment except something high that a person can hold on to.
Pull up (exercise) 
 Many who use bad form on this exercise will kick with their legs or jump and jerk with the legs to help the motion.
Ancient Greek wrestling 
 A wrestler's objective (aim, goal) was to throw his opponent to the ground from a standing position.
Ancient Greek wrestling 
 As a result, the sport was dominated by large strong men and boys who could defeat smaller but more skillful opponents.
Ancient Greek wrestling 
 Leontiskos is infamous for winning the Olympics after breaking his opponent's fingers, and Milo is famous for winning five Olympic championships.
Ancient Greek wrestling 
 Wrestling on the ground was permitted only in the sports known to the Greeks as kato pale ("ground wrestling") and pankration.
Ancient Greek wrestling 
 It was an event in the pentathlon (and could be the deciding event) but it was a separate event as well, with the same techniques.
Ancient Greek wrestling 
 The remains of a papyrus wrestling manual from the 2nd century AD reveal that the Greeks were familiar with headlocks, joint locks, shoulder holds, and other techniques used by modern wrestlers.
Ancient Greek wrestling 
 Wrestlers were sometimes killed in contest, but their opponents were never held responsible for homicide.
Ancient Greek wrestling 
 They were privately owned, but by the 5th century BC palaestras were being built at the public expense.
Ancient Greek wrestling 
 The ancient Greek scholar Plutarch writes that only wrestling and the pankration were taught and practiced in the palaestra.
Ancient Greek wrestling 
 Rooms adjoining the colonnades were used for lectures, bathing, dressing and undressing, game playing, socializing, and the storage of equipment and olive oil.
Ancient Greek wrestling 
 Homer's wrestlers in Iliad wore loincloths, but shortly after the Age of Homer, Greek athletes started to strip.
Ancient Greek wrestling 
 Pausanias says athletes wanted to imitate Orsippos of Megara, a runner who won a footrace at Olympia in 720 BC after losing his loincloth.
Ancient Greek wrestling 
 Some say that athletes stripped to prove that they were males, or because they could run better in the nude.
Ancient Greek wrestling 
 Other reasons have been given: athletes stripped for erotic reasons, or for cult reasons, or for good luck, or as a democratic equalizer.
Ancient Greek wrestling 
 The oil flask (aryballos) was a ceramic container with a wide lip and narrow mouth that held a wrestler's daily allotment of olive oil.
Ancient Greek wrestling 
 Some were fashioned to resemble  birds, animals, or human body parts such as the head, foot, or penis.
Ancient Greek wrestling 
 It was used to treat inflammations of the joints, the vulva and anus, for genital warts and syphilitic lesions, muscle sprains, and pains.
Ancient Greek wrestling 
 Heavy athleteswrestlers, pankratiasts, and boxersshared the same buildings, practiced the same exercises, used the same equipment (punching bags), and followed the same high-protein diets of meat.
Ancient Greek wrestling 
 He sometimes practiced with a partner to learn tactics, but, for the most part, wrestlers simply wrestled.
Ancient Greek wrestling 
 Wrestlers kept their hair cut short to avoid giving opponents something to grasp or wore a skullcap to keep their hair in place.
Ancient Greek wrestling 
 A wrestler might lunge forward gripping his opponent's shoulders or wrapping his arms around his opponent's torso in a "bear hug".
Ancient Greek wrestling 
 The two might avoid close contact during the initial struggle, with each fighting for a grip on his opponent's legs or arms.
Ancient Greek wrestling 
 A wrestler might try to grip the hands, wrists, or arms of his opponent and throw him with a sudden twist (akrocheirismos), or come to close quarters and gain a hold on the body.
Ancient Greek wrestling 
 In Combat Sports in the Ancient World, Michael Poliakoff points out that Greek wrestling was a brutal sport and tolerated some rough tactics.
Ancient Greek wrestling 
 It was less brutal than the other two combat sportsthe pankration and boxingbut, while striking was forbidden and finger-breaking was eventually made illegal, some limb-threatening moves, neckholds, and strangleholds were permitted.
Ancient Greek wrestling 
 It was a sport that tested the "martial virtues: cunning, boldness, courage, self-reliance, and perseverance" Poliakoff writes, and the Greeks "expected that an accomplished and educated man would practice and enjoy wrestling as an adult."
Ancient Greek wrestling 
 The ancients never awarded points for successful tactics, as in modern wrestling, and "pinning" or holding an opponent to the earth was unknown.
Ancient Greek wrestling 
 Keeping an opponent in a hold from which he could not escape was also a fall, as was stretching a man full length on the ground.
Ancient Greek wrestling 
 Once two wrestlers fell to the earth together, it was sometimes difficult to determine exactly what was happening, and disputes arose.
Ancient Greek wrestling 
 Throwing an opponent out of the skamma (wrestling pit) was not a fall, but counted as a victory nonetheless.
Ancient Greek wrestling 
 Three classic moves in Greek wrestling were the "flying mare", the "body hold", and fancy foot trips.
Ancient Greek wrestling 
 In the flying mare, the wrestler would grip his opponent's arm, throw him over his shoulder, and send him to the ground flat on his back.
Ancient Greek wrestling 
 In the body hold, a wrestler would grip his opponent about the waist, lift him in the air, flip him, and drop him head first to the ground.
Ancient Greek wrestling 
 Elaborate foot trips would send a wrestler crashing to the ground, but old school wrestlers who relied on sheer strength scorned fancy foot trips.
Ancient Greek wrestling 
 Wrestling, boxing, and the pankration (the contact sports), were held on the fourth day of the Olympic festival.