the-french-artist/wikipedia_20220301.simple_sentence_embeddings huggingface dataset:
Sozin's Comet: The Final Battle 
 Just ten days later, on 29 July, the "Book 3: Fire – Volume 4" DVD was released, which contained the four episodes as well as episodes 56 and 57 (episodes 16 & 17 of third season), audio commentary from the series' co-creators, cast, and crew, and a comic book.
Sozin's Comet: The Final Battle 
 ReceptionSozin's Comet received many positive critical reviews; Ed Liu of Toon Zone stated that it made Avatar "one of the finest animated television series ever made", and IGN stating that this "film" deserved an Academy Award.
Sozin's Comet: The Final Battle 
 Toon Zone praised the skill of the animation directors in designing the sweeping movements of the battle scenes, as well as the slower scenes, "including one moving reconciliation and the quiet coda that ties off many of the remaining loose ends of the series".
Sozin's Comet: The Final Battle 
 She also praised the artistic skill of the designers, stating that the "whole dark tone was gorgeous to look at", especially the "art of the Lion Turtle".
Sozin's Comet: The Final Battle 
 She thought that Sozin's Comet lacked plot holes, as well as unnecessary plot devices, stating that the "story moved and kept us moving right along with it from beginning to end".
Sozin's Comet: The Final Battle 
 Reviewers commented about the difficulty in understanding the voice of a new character: the Lion Turtle.
Sozin's Comet: The Final Battle 
 Bryan Konietzko disliked how the Lion Turtle turned out; he felt that the art was not up to standards of the original design he had received.
Sozin's Comet: The Final Battle 
 CraveOnline felt that because "the series was for children, the writers were at a loss of ideas to work around the murder angle," and the decision not to kill the Fire Lord introduced "so many convenient plot twists [that] set us up for a humongous deus ex machina that allows the Fire Lord to be thwarted without dying".
Sozin's Comet: The Final Battle 
 The premiere of Sozin's Comet averaged 5.6 million viewers, 195% more viewers than Nickelodeon had received in mid-July 2007.
Sozin's Comet: The Final Battle 
 The premiere of episodes 52–61 (episodes 12–21 of third season) throughout the week of Sozin's Comet's release received a total of 19 million views, and Avatar reached Nielsen's list of Top 20 Cable Results for the week ending 20 June 2008 four times.
Sozin's Comet: The Final Battle 
 Sozin's Comet's popularity affected online media as well; "Rise of the Phoenix King", a Nick.com online game based on Sozin's Comet, generated almost 815,000 game plays within three days.
Sozin's Comet: The Final Battle 
 A video game loosely based on the third season, Avatar: The Last Airbender - Into the Inferno'', was released on 13 October 2008.
Sozin's Comet: The Final Battle 
 Joaquim Dos Santos won the "Best Directing in an Animated Television Production" caption in the 2008 Annie Awards for his directing in "Into the Inferno".
Sozin's Comet: The Final Battle 
 Additionally, music editor and composer Jeremy Zuckerman and the sound editing team were nominated a Golden Reel award for "Best Sound Editing in a Television Animation" for their work in "Avatar Aang".
Lennox Lewis 
 Lennox Claudius Lewis CM CBE (born September 2, 1965 in West Ham, London, England, United Kingdom) is a British/Canadian retired professional boxer.
Lennox Lewis 
 Lewis was inducted into the Canada's Sports Hall of Fame in 2008 and was inducted into the International Boxing Hall of Fame in 2009.
Lennox Lewis 
 Lewis holds notable victories over many people: Mike Tyson, Donovan Ruddock, Tony Tucker, Frank Bruno, Andrew Golota, Michael Grant, David Tua, Hasim Rahman, and Vitali Klitschko.
Lennox Lewis 
 Lewis lives in Miami Beach with his wife, former Miss Jamaica runner-up Violet Chang and their two children, a daughter named Ling and a son named Landon.
Canadian Tire 
 Canadian Tire has their own kind of money which distinguishes the company from other retailers in Canada.
Canadian Tire 
 2006:  "__ Starts at Canadian Tire" and the blank would be filled with various seasons or situations ("Home Improvement", "Spring Cleaning", "Car Care", Etc.).
Tony Hawk's Pro Skater 3 
 Tony Hawk's Pro Skater 3 is a 2001 skateboarding game that was developed by Neversoft, Edge of Reality for the Nintendo 64 port, Shaba Games for the PlayStation port, Vicarious Visions for the Game Boy Advance port, Gearbox Software for the PC port and HotGen for the Game Boy Color port and was published by Activision.
Tony Hawk's Pro Skater 3 
 It was also the first PlayStation 2 game to support online play, predating the actual online hook up.
Felix Hernandez 
 Félix Abraham Hernández (nicknamed "King Felix"), was born on April 8, 1986, in Valencia, Venezuela.
Avatar: The Last Airbender - The Burning Earth 
 Avatar: The Last Airbender—The Burning Earth (in Europe known as Avatar: The Legend of Aang—The Burning Earth) is a video game for Xbox 360, Wii, PlayStation 2, Nintendo DS, Game Boy Advance, and based on the animated television series Avatar: The Last Airbender.
Avatar: The Last Airbender - The Burning Earth 
 The Xbox 360 version of the game is notorious among 360 gamers as the easiest game to earn 1000/1000 achievement points, which can be done in less than a minute.
Avatar: The Last Airbender - The Burning Earth 
 The game is the sequel of Avatar: The Last Airbender series, which is about the war the Fire Nation started.
Avatar: The Last Airbender - The Burning Earth 
 As the Avatar, Aang has to master all four elements and stop the Fire Nation from destroying the Earth Kingdom, just as they did with the Air Nomads.
Avatar: The Last Airbender - The Burning Earth 
 Experience for first time in the Avatar games the bending of all four elements, playing as Aang, Sokka, Katara, Toph, Zuko, Iroh, Jet and even Appa and Momo.
Avatar: The Last Airbender - The Burning Earth 
 Unlike Avatar: The Last Airbender, Avatar: The Last Airbender - The Burning Earth features a multiplayer mode.
Avatar: The Last Airbender - The Burning Earth 
 Zuko's in-game character icon shows the scar over his right eye, rather than his left, when Zuko is Player 2.
Avatar: The Last Airbender - The Burning Earth 
 The Xbox 360 version of the game is derided as the easiest game to earn all achievements and Gamerscore among all titles released for the platform.
Avatar: The Last Airbender - The Burning Earth 
 The game features just five achievements, and all 1000 Gamerscore can be easily earned in just 59 seconds in the first level of the game.
Avatar: The Last Airbender - The Burning Earth 
 The publisher of the game was interviewed by MTV.com game blogger Tracey John, regarding the easiness of the achievements, and stated that they were simply created with kids in mind.
Avatar: The Last Airbender - The Burning Earth 
 Laura Massey referred to the controversy while watching a trailer during Microsoft's Kinect reveal at E3 in 2010.
Faust (opera) 
 Valentin and his friends use the cross-shaped hilts of their swords to drive off what they now know is an infernal power (chorus: De l'enfer).
Faust (opera) 
 Faust sends Méphistophélès in search of a gift for Marguerite and sings a cavatina (Salut, demeure chaste et pure) idealizing Marguerite as a pure child of nature.
Faust (opera) 
 Méphistophélès brings in a decorated box containing exquisite jewelry and a hand mirror and leaves it on Marguerite's doorstep, next to Siébel's flowers.
Faust (opera) 
 Marguerite enters, pondering her encounter with Faust at the city gates, and sings a melancholy ballad about the King of Thulé (Il était un roi de Thulé).
Faust (opera) 
 Marguerite tries on the jewels and is captivated by how they enhance her beauty, as she sings in the famous aria, the Jewel Song (Ah!
Faust (opera) 
 Marguerite allows Faust to kiss her (Laisse-moi, laisse-moi contempler ton visage), but then asks him to go away.
Faust (opera) 
 Under the watchful eye and malevolent laughter of Méphistophélès, it is clear that Faust's seduction of Marguerite will be successful.
Faust (opera) 
 [Note: The scenes of acts 4 and 5 are sometimes given in a different order and portions are sometimes shortened or cut in performance.]
Faust (opera) 
 Valentin's company returns from the war to a military march (Deposons les armes and Gloire immortelle de nos aïeux, the well-known "soldiers' chorus").
Faust (opera) 
 While he is inside Faust and Méphistophélès appear, and Méphistophélès, thinking that only Marguerite is there, sings a mocking burlesque of a lover's serenade under Marguerite's window (Vous qui faites l'endormie).
Faust (opera) 
 The three men fight, Méphistophélès blocking Valentin's sword, allowing Faust to make the fatal thrust.
Faust (opera) 
 With his dying breath Valentin blames Marguerite for his death and condemns her to Hell before the assembled townspeople (Ecoute-moi bien Marguerite).
Faust (opera) 
 Marguerite goes to the church and tries to pray there but is stopped, first by Méphistophélès and then by a choir of devils.
Faust (opera) 
 Faust is transported to a cave of queens and courtesans, and Méphistophélès promises to provide Faust with the love of the greatest and most beautiful women in history.
Faust (opera) 
 Méphistophélès states that only a mortal hand can deliver Marguerite from her fate, and Faust offers to rescue her from the hangman, but she prefers to trust her fate to God and His angels (Anges purs, anges radieux).
Faust (opera) 
 At the end she asks why Faust's hands are covered in blood, pushes him away, and falls down motionless.
Faust (opera) 
 1912: Leon Beyle (Faust), Jeanne Campredon (Marguerite), Ardré Gresse (Méphistophélès), Jean Noté (Valentin); Chœurs et Orchestre du Théâtre de l'Opéra-Comique de Paris, François Ruhlman - (Marston)
Faust (opera) 
 1920: Giuliano Romagnoli (Faust), Gemma Bosini (Marguerite), Fernando Autori (Mephistopheles), Adolfo Pacini (Valentin); Coro e Orchestra del Teatro alla Scala di Milano, Carlo Sabajno - (La Voce del Padrone)
Faust (opera) 
 1958: Nicolai Gedda (Faust), Victoria de Los Angeles (Marguerite), Boris Christoff (Méphistophélès), Ernest Blanc (Valentin); Chœurs et Orchestre du Théâtre National de l'Opéra de Paris, André Cluytens - (EMI Classics)
Faust (opera) 
 1966: Franco Corelli (Faust), Joan Sutherland (Marguerite), Nicolai Ghiaurov (Méphistophélès), Robert Massard (Valentin); Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge - (Decca)
Faust (opera) 
 1978: Plácido Domingo (Faust), Mirella Freni (Marguerite), Nicolai Ghiaurov (Méphistophélès), Thomas Allen (Valentin); Chœurs et Orchestre du Théâtre National de l'Opéra de Paris, Georges Prêtre - (EMI Classics)
Faust (opera) 
 1986: Francisco Araiza (Faust), Kiri Te Kanawa (Marguerite), Evgeny Nesterenko (Méphistophélès), Andreas Schmidt (Valentin); Chor und Symphonieorchester des Bayerischen Rundfunks, Colin Davis - (Philips)
Faust (opera) 
 1991: Richard Leech (Faust), Cheryl Studer (Marguerite), José van Dam (Méphistophélès), Thomas Hampson (Valentin); Chɶur De L'Armée Française, Chœur et Orchestre du Capitole de Toulouse, Michel Plasson - (EMI Classics)
Faust (opera) 
 1993: Jerry Hadley (Faust), Cecilia Gasdia (Marguerite), Samuel Ramey (Méphistophélès), Alexander Agache (Valentin); Chorus and Orchestra of Welsh National Opera, Carlo Rizzi - (Teldec/Warner Classics)
Faust (opera) 
 2009: Piotr Beczala (Faust), Soile Isokoski (Marguerite), Kwangchul Youn (Méphistophélès), Adrian Eröd (Valentin); Chor und Orchester der Wiener Staatsoper, Bertrand de Billy - (Orfeo)
Avatar: The Last Airbender - Into the Inferno 
 Avatar: The Last Airbender – Into the Inferno (known as Avatar: The Legend of Aang — Into the Inferno in Europe) is a video game based on the Nickelodeon animated series Avatar: The Last Airbender.
Avatar: The Last Airbender - Into the Inferno 
 In the Nintendo DS version, the characters have very large heads, giving the game a cartoonish, or chibi, feel.
Avatar: The Last Airbender - Into the Inferno 
 One of the DS screenshots show that Katara's ice bridge ability will return from the previous games.
Avatar: The Last Airbender - Into the Inferno 
 Sokka's boomerang is used to break hard to reach objects or to solve puzzles; it has been discovered (from the screenshots) that the player draws a path for the boomerang to follow.
Avatar: The Last Airbender - Into the Inferno 
 Fire, rocks and water can all be picked up by holidng the B button and are guided using the Wii remote provided there is a nearby source.
Avatar: The Last Airbender - Into the Inferno 
 Aang can form an "air ball" (sphere of high winds) to break down obstacles and blow away objects by making a circle with the Wii Remote.
Lucia di Lammermoor 
 The opera is celebrated for the sextet "Chi mi frena" and Lucia's lengthy Mad Scene, a technically and dramatically demanding double-aria tour de force.
Who Feels Love? 
 Mark Stent was praised for his production on the song, creating a "trippy" feel like that found on Beatles songs such as "Rain".
Who Feels Love? 
 With the psychedelic and Eastern sound, the song also reminds of George Harrison achievements like "Within You Without You" and also some of his solo work.
Who Feels Love? 
 However, despite the high-quality production, the song was not well received by the critics, NME said that the production "triumphs over any real sort of feeling... pure mock Maharishi spirituality that not even Liam can salvage from the realm of self-parody".
Rigoletto 
 1915-18: Antonio Armentano Anticorona (Rigoletto), Angela de Angelis (Gilda), Fernando de Lucia (Duca di Mantova), Vida Ferluga (Maddalena), Luis Muñoz (Sparafucile, Monterone); Coro e Orchestra del Teatro di San Carlo di Napoli, Salvatore Sassano - (Phonotype)
Rigoletto 
 1927-28: Luigi Piazza (Rigoletto), Lina Pagliughi (Gilda), Tino Folgar (Duca di Mantova), Vera de Christoff (Maddalena), Salvatore Baccaloni (Sparafucile), Aristide Baracchi (Monterone); Coro e Orchestra del Teatro alla Scala di Milano, Carlo Sabajno - (Arkadia)
Rigoletto 
 1930: Riccardo Stracciari (Rigoletto), Mercedes Capsir (Gilda), Dino Borgioli (Duca di Mantova), Anna Masetti-Bassi (Maddalena), Ernesto Dominici (Sparafucile), Duilio Baronti (Monterone); Coro e Orchestra del Teatro alla Scala di Milano, Lorenzo Molajoli - (Arkadia)
Rigoletto 
 1950: Leonard Warren (Rigoletto), Erna Berger (Gilda), Jan Peerce (Duca di Mantova), Nan Merriman (Maddalena), Italo Tajo (Sparafucile), Richard Wentworth (Monterone); Robert Shaw Chorale, RCA Italiana Orchestra, Renato Cellini - (RCA Victor)
Rigoletto 
 1954: Aldo Protti (Rigoletto), Hilde Gueden (Gilda), Mario Del Monaco (Duca di Mantova), Giulietta Simionato (Maddalena), Cesare Siepi (Sparafucile), Fernando Corena (Monterone); Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Alberto Erede - (Decca)
Rigoletto 
 1955: Tito Gobbi (Rigoletto), Maria Callas (Gilda), Giuseppe Di Stefano (Duca di Mantova), Adriana Lazzarini (Maddalena), Nicola Zaccaria (Sparafucile), Plinio Clabassi (Monterone); Coro e Orchestra del Teatro alla Scala di Milano, Tullio Serafin - (EMI Classics)
Rigoletto 
 1956: Robert Merrill (Rigoletto), Roberta Peters (Gilda), Jussi Björling (Duca di Mantova), Anna Maria Rota (Maddalena), Giorgio Tozzi (Sparafucile), Vittorio Tatozzi (Monterone); Coro e Orchestra del Teatro dell'Opera di Roma, Ionel Perlea - (RCA Victor)
Rigoletto 
 1959: Renato Capecchi (Rigoletto), Gianna D'Angelo (Gilda), Richard Tucker (Duca di Mantova), Miriam Pirazzini (Maddalena), Ivan Sardi (Sparafucile), Vito Susca (Monterone); Coro e Orchestra del Teatro di San Carlo di Napoli, Francesco Molinari-Pradelli - (Philips)
Rigoletto 
 1959: Mario Sereni (Rigoletto), Victoria de Los Angeles (Gilda), Carlo Del Monte (Duca di Mantova), Elena Nicolai (Maddalena), Nicola Rossi-Lemeni (Sparafucile), Ferruccio Mazzoli (Monterone); Coro e Orchestra del Teatro dell'Opera di Roma, Tullio Serafin - (EMI Classics)
Rigoletto 
 1960: Ettore Bastianini (Rigoletto), Renata Scotto (Gilda), Alfredo Kraus (Duca di Mantova), Fiorenza Cossotto (Maddalena), Ivo Vinco (Sparafucile), Silvio Maionica (Monterone); Orchestra e coro del Maggio Musicale Fiorentino, Gianandrea Gavazzeni - (Urania)
Rigoletto 
 1961: Cornell MacNeil (Rigoletto), Joan Sutherland (Gilda), Renato Cioni (Duca di Mantova), Stefania Malagù (Maddalena), Cesare Siepi (Sparafucile), Fernando Corena (Monterone); Coro e Orchestra dell'Accademia di Santa Cecilia, Nino Sanzogno - (Decca)
Rigoletto 
 1963: Robert Merrill (Rigoletto), Anna Moffo (Gilda), Alfredo Kraus (Duca di Mantova), Rosalind Elias (Maddalena), Ezio Flagello (Sparafucile), David Ward (Monterone); RCA Italiana Orchestra and Chorus, Georg Solti - (RCA Victor)
Rigoletto 
 1964: Dietrich Fischer-Dieskau (Rigoletto), Renata Scotto (Gilda), Carlo Bergonzi (Duca di Mantova), Fiorenza Cossotto (Maddalena), Ivo Vinco (Sparafucile), Lorenzo Testi (Monterone); Coro e Orchestra del Teatro alla Scala di Milano, Rafael Kubelik - (Deutsche Grammophon)
Rigoletto 
 1967: Cornell MacNeil (Rigoletto), Reri Grist (Gilda), Nicolai Gedda (Duca di Mantova), Anna Di Stasio (Maddalena), Agostino Ferrin (Sparafucile), Ruggero Raimondi (Monterone); Coro e Orchestra del Teatro dell'Opera di Roma, Francesco Molinari-Pradelli - (EMI Classics)
Rigoletto 
 1971: Sherrill Milnes (Rigoletto), Joan Sutherland (Gilda), Luciano Pavarotti (Duca di Mantova), Huguette Tourangeau (Maddalena), Martti Talvela (Sparafucile), Clifford Grant (Monterone); Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge - (Decca)
Rigoletto 
 1978: Sherrill Milnes (Rigoletto), Beverly Sills (Gilda), Alfredo Kraus (Duca di Mantova), Mignon Dunn (Maddalena), Samuel Ramey (Sparafucile, Monterone); Ambrosian Opera Chorus, Philharmonia Orchestra, Julius Rudel - (EMI Classics)
Rigoletto 
 1979: Piero Cappuccilli (Rigoletto), Ileana Cotrubas (Gilda), Plácido Domingo (Duca di Mantova), Elena Obraztsova (Maddalena), Nicolai Ghiaurov (Sparafucile), Kurt Moll (Monterone); Wiener Staatsopernchor, Wiener Philharmoniker, Carlo Maria Giulini - (Deutsche Grammophon)
Rigoletto 
 1983: Thomas Allen (Rigoletto), Fiamma Izzo D'Amico (Gilda), José Carreras (Duca di Mantova), Helga Müller-Molinari (Maddalena), Evgeny Nesterenko (Sparafucile), José van Dam (Monterone); Coro del Teatro La Fenice di Venezia, Berliner Philharmoniker, Herbert von Karajan - (Deutsche Grammophon)
Rigoletto 
 1984: Renato Bruson (Rigoletto), Edita Gruberova (Gilda), Neil Shicoff (Duca di Mantova), Brigitte Fassbaender (Maddalena), Robert Lloyd (Sparafucile), Kurt Rydl (Monterone); Orchestra e Coro dell'Accademia Nazionale di Santa Cecilia, Giuseppe Sinopoli - (Philips)
Rigoletto 
 1988: Leo Nucci (Rigoletto), June Anderson (Gilda), Luciano Pavarotti (Duca di Mantova), Shirley Verrett (Maddalena), Nicolai Ghiaurov (Sparafucile), Natale de Carolis (Monterone); Coro e Orchestra del Teatro Comunale di Bologna, Riccardo Chailly - (Decca)
Rigoletto 
 1988: Giorgio Zancanaro (Rigoletto), Daniela Dessi (Gilda), Vincenzo La Scola (Duca di Mantova), Martha Senn (Maddalena), Paata Burchuladze (Sparafucile), Giorgio Surjan (Monterone); Coro e Orchestra del Teatro alla Scala di Milano, Riccardo Muti - (EMI Classics)
Rigoletto 
 1993: Vladimir Chernov (Rigoletto), Cheryl Studer (Gilda), Luciano Pavarotti (Duca di Mantova), Denyce Graves (Maddalena), Roberto Scandiuzzi (Sparafucile), Ildebrando D'Arcangelo (Monterone); The Metropolitan Opera Orchestra and Chorus, James Levine - (Deutsche Grammophon)
Rigoletto 
 1993: Alexander Agache (Rigoletto), Leontina Vaduva (Gilda), Richard Leech (Duca di Mantova), Jennifer Larmore (Maddalena), Samuel Ramey (Sparafucile), Alastair Miles (Monterone); Welsh National Opera Orchestra and Chorus, Carlo Rizzi - (Teldec)
Terror birds 
 They were the dominant predators in South America during the Cainozoic, from 62–2 million years ago.
Terror birds 
 This makes the phorusrhacids the only known example of large South American predators migrating north during the Great American Interchange.
Terror birds 
 This took place after the volcanic Isthmus of Panama land bridge rose about three million years ago.
Terror birds 
 A recently discovered species, Kelenken guillermoi from Middle Miocene some 15 million years ago, discovered in Patagonia in 2006, had the largest bird skull yet found.
Terror birds 
 Most species described as phorusrhacid were smaller,  tall, but the new fossil belongs to a bird that probably stood about  tall.
Terror birds 
 Simulations of a terror bird strike produced by the Discovery Channel using a pneumatic model have demonstrated the larger species could easily crush the skull of its prey and puncture through bone with its beak.
Terror birds 
 They had a fearsome weapon, a beak which could be driven into prey with the force of a sledgehammer, and could at speed over long distances.
Terror birds 
 The Phorusrhacids are colloquially known as "terror birds", as the larger species were apex predators during the Miocene.
Phorusrhacos 
 It was nicknamed the "Terror Bird" for obvious reasons: it was one of the largest carnivorous birds ever to have existed, along with Titanis, Kelenken and Brontornis.
Phorusrhacos 
 Its rudimentary wings had claws shaped like a meat hook for tackling prey, which was then killed with the massive beak.
Phorusrhacos 
 It raced over the grassy plateaus and hills of Patagonia, catching small reptiles and mammals leaving larger prey to its more massive relatives such as Brontornis.
Alessandro Santos 
 In Asia, the club won the champions 1999–00 Asian Cup Winners' Cup and the 3rd place 2000–01 Asian Cup Winners' Cup.
Alessandro Santos 
 After won the 2nd place at J1 League for 2 years in a row (2004, 2005), the club won the champions in 2006 J1 League.
Alessandro Santos 
 He made his first appearance for Japan national team on March 21, 2002 against Ukraine, and he was part of Philippe Troussier's selection for the 2002 World Cup.
Alessandro Santos 
 He was the second foreign-born person to play for Japan in the World Cup after Wagner Lopes, who played in the 1998 World Cup and also the fifth naturalized citizen to play for Japan after Daishiro Yoshimura, George Yonashiro, Ruy Ramos, and Lopes.
Alessandro Santos 
 Since Zico took over as the national team manager, Santos was a constant on the left side of the Japanese lineup, as a side back in 4-4-2 formation or midfielder in 3-5-2 formation.
Alessandro Santos 
 He was selected to Japan's 2006 World Cup squad in May 2006, providing an assist for Keiji Tamada in a group stage match against his former country Brazil.
Morning Glory (Oasis song) 
 The song was written by Noel Gallagher, and which was released on the band's second album (What's the Story) Morning Glory?
The Importance of Being Idle 
 It was the second single released from the album in the UK, on 22 August 2005, where it debuted at number one.
The Importance of Being Idle 
 It was written by Gallagher in the summer of 2004, before the band made their final attempt at recording what would become Don't Believe the Truth.
The Importance of Being Idle 
 He got the title from the book of the same name, which he found whilst cleaning out his garage (it belonged not to him but to girlfriend Sara McDonald).
List of songs recorded by Oasis 
 Since forming in 1994, the band have released seven studio albums, one live album, two compilation albums, one extended play (EP), thirty singles and five video albums.
List of songs recorded by Oasis 
 A ^  "(It's Good) To Be Free", "Acquiesce", "Fade Away", "Going Nowhere", "Half the World Away", "Headshrinker", "I Am the Walrus", "Listen Up", "Rockin' Chair", "Stay Young", "Talk Tonight", "The Masterplan", "The Swamp Song" and "Underneath the Sky" were later included on The Masterplan.
List of songs recorded by Oasis 
 B ^  "Bonehead's Bank Holiday" was included on the vinyl edition of (What's the Story) Morning Glory?
List of songs recorded by Oasis 
 F ^  "Eyeball Tickler" was also included on the UK and Canadian iTunes editions of Don't Believe the Truth.
List of songs recorded by Oasis 
 G ^  "I Believe in All" was included on the bonus CD and Japanese edition of Dig Out Your Soul only.
List of songs recorded by Oasis 
 K ^  "Sittin' Here in Silence (On My Own)" was also included on the Japanese edition of Don't Believe the Truth.