the-french-artist/wikipedia_20220301.simple_sentence_embeddings huggingface dataset:
Lupin 
 In fields they seem to be eradicated by sheep, and hence remain largely restricted to ungrazed roadside verges and stream banks.
Bar (unit) 
 The bar (symbol bar), decibar (symbol dbar) and the millibar (symbol mbar, also mb) are units of pressure.
Bar (unit) 
 They are not SI units, but they are anyhow also used with (although discouraged) for use with the SI.
Bar (unit) 
 The bar is still used in descriptions of pressure because it is about the same as atmospheric pressure.
Bar (unit) 
 Its official symbol is "bar"; the earlier "b" is now no longer used, but still often seen especially as "mb" rather than the correct "mbar" for millibars.
Pascal (unit) 
 In everyday life, the pascal is maybe best known from meteorological air-pressure reports, where it happens in the form of hectopascal (1 hPa = 100 Pa).
Pascal (unit) 
 One hectopascal corresponds to 0.1 and one kilopascal to about 1% of atmospheric pressure (near sea level).
Jerez de la Frontera 
 It is famous as the home of the wine called sherry, whose name comes from the city's old Arabic name, pronounced Sherish.
Jerez de la Frontera 
 Jerez de la Frontera, once called Xeres, has a rich history from the days of the Moorish Arab occupation of the Iberian Peninsula.
Jerez de la Frontera 
 Part of its name, de la Frontera, means "of the frontier" because it was on the border between Islamic and Christian populations.
Limited government 
 Limited government is a form of government with roles and powers given, and limited by law, usually in a written constitution.
Limited government 
 Related to this idea is "small government" – a system that put most of its power in smaller groups, such as private businesses and its own citizens.
Limited government 
 Even monarchs had to accept limits to their power, and parliamentary democracy became more important.
Limited government 
 In the United States, the idea of limited government is written into the United States Constitution.
Azores 
 The Azores () is an archipelago of nine volcanic islands in the North Atlantic Ocean; they are about  west of Lisbon and about  southeast of Newfoundland.
Azores 
 The islands, and their Exclusive Economic Zone, form the Autonomous Region of the Azores, one of the two autonomous regions of Portugal.
Azores 
 Officially, the islands were discovered in the 15th century (in 1431) by Gonçalo Velho Cabral a Captain in the service of Infante Dom Henrique, although credit is also given to the explorer Diogo de Silves (in 1427).
Azores 
 Portuguese settlers came from the provinces of Algarve, Minho, Alentejo and Ribatejo, as well as Madeira.
Azores 
 In 1976, the Azores became the Autonomous Region of the Azores (), an autonomous region of Portugal.
Azores 
 The archipelago is in the Atlantic Ocean between 36º and 43º latitude North and between 25º and 31º longitude West.
Azores 
 The nine islands are in three natural geographic groups, each group separated by more than  of water.
Azores 
 The eastern group also has, to the northeast of Santa Maria, a group of very small islands (islets) and reefs that are named Ilhéus das Formigas (Islets of the Ants), or just Formigas ("Ants"); these smalls islands, together with the Dollabarat reef, form the Reserva Natural do Ilhéu das Formigas.
Azores 
 Their individual areas vary between  of the largest island (São Miguel) to  of the smallest (Corvo).
Azores 
 All the islands have volcanic origins, although some, such as Santa Maria, have had no recorded activity since the islands were settled.
Azores 
 The last volcano to erupt in the archipelago was the Capelinhos Volcano () in 1957, in the western part of the island of Faial.
Azores 
 The Azores are on place where three of the world's large tectonic plates (the North American Plate, the Eurasian Plate and the African Plate) meet.
Azores 
 The westernmost islands of the archipelago, (Corvo and Flores), are in the North American Plate, while the remaining islands are located within the region where the Eurasian plate is separated from the African Plates.
Azores 
 The average annual rainfall increases from east to west, and it ranges from 700 to 1600 annual millimetres (27.6–63 in) on average, reaching  on Mount Pico.
Azores 
 Most of them were either extratropical or tropical storms when they impacted the region, although several hurricanes of Category 1 have reached the Azores.
Azores 
 When the Azores became an Autonomous Region of Portugal, the cities of Ponta Delgada, Angra and Horta were considered capital/administrative cities to the regional government: homes to the President (Ponta Delgada), the Judiciary (Angra) and the Regional Assembly (Horta).
Azores 
 The Azores are divided into 19 municipalities (); each municipality is further divided into parishes (), of which there is a total of 156 in all of the Azores.
Azores 
 According to the 2011 Census, the total population in the Azores was 246,746: 121,533 men and 125,213 women.
Azores 
 Industry in the Azores is based mainly on the production of dairy products (milk, cheese) and transformation of fisheries products, such as tuna.
Azores 
 It is far less developed than those industries of its Macaronesian neighbours, Madeira and Canary Islands.
Wade Robson 
 Wade Jeremy Robson (born 1982) is an Australian professional dancer, choreographer, producer, and songwriter.
Wade Robson 
 He has performed as a dancer since the age of 5 with celebrities such as Michael Jackson and Britney Spears, and is also an award-winning choreographer, known for his own MTV show Wade Robson Project, and the broadcast competition So You Think You Can Dance.
Wade Robson 
 He said that he would sue Jackson's father Joe for slander if he did not stop saying that Robson is lying.
Wade Robson 
 He and fellow accuser James Safechuck told their stories in the controversial documentary Leaving Neverland in 2019.
Adam Stefan Sapieha 
 Adam Stefan Stanisław Bonfatiusz Józef Sapieha (14 May 1867 – 23 July 1951) was a Polish  Roman Catholic Church priest and Cardinal.
Cardinal (Catholic Church) 
 The red hat was a symbol of the cardinal's readiness to shed their blood in the cause of the church.
Faustyna Kowalska 
 Maria Faustina Kowalska, commonly known as Saint Faustina, born Helena Kowalska (August 25, 1905, Głogowiec, then in the Russian Empire – October 5, 1938, Kraków, Poland) was a Polish nun and mystic.
Faustyna Kowalska 
 Helena left for Warsaw, and applied to various convents in the capital, only to be turned down each time.
Faustyna Kowalska 
 She was eventually initiated as a nun on April 30, 1926, with the name Sister Maria Faustina of the Blessed Sacrament.
Faustyna Kowalska 
 On February 22, 1931, Jesus was said to have appeared as the 'King of Divine Mercy', wearing a white garment.
Faustyna Kowalska 
 His right hand was raised in a sign of blessing and the other was touching the garment at the breast.
Faustyna Kowalska 
 With the help of Father Michał Sopoćko, she distributed the images at Kraków and Wilno, and people began to pray before them.
Faustyna Kowalska 
 Saint Faustina wanted to found a "Congregation which will proclaim the Mercy of God to the world, and, by its prayers, obtain it for the world".
Faustyna Kowalska 
 She spent much time in prayer, reciting the Chaplet of Divine Mercy and praying for the conversion of sinners.
Faustyna Kowalska 
 The last two years of St. Faustina’s life were spent working as much as she could between visits to the sanatorium and time spent sick in bed in the convent.
Faustyna Kowalska 
 By June of 1938, she could no longer write in the diary, and it became obvious that she would not live much longer.
Faustyna Kowalska 
 The task of spreading the message of Divine Mercy, already well begun, was continued by her spiritual director, Father Sopoćko.
Faustyna Kowalska 
 Saint Faustina had never been able to found the religious order which Jesus had asked for, but she had left clear rules for the life of the prospective community, and at last in 1941, the order, now known as the Institute of Divine Mercy, was founded.
Faustyna Kowalska 
 Note: With reference to 'religious order' 'able to found' and Saint Sister Faustina please visit Faustinum Association of Apostles of the Divine Mercy for information regarding the apostolic movement which springs from Sr Faustinas' charism and the message of Divine Mercy.
Faustyna Kowalska 
 Cardinal Pacelli (who later became Pope Pius XII) defended The Divine Mercy devotion against heretics.
Faustyna Kowalska 
 Pope Pius XI, and Pope Pius XII, and St. Faustina's Confessor, and her Spiritual Director, and her Bishop, and Cardinal Prince Adam Sapieha (the Cardinal of Poland), and Cardinal Ottaviani (the Prefect of the Holy Office), all favoured The Divine Mercy devotion.
Faustyna Kowalska 
 Divine Mercy Sunday is celebrated the Second Sunday of Easter (which is the first Sunday after Easter, during Octave).
Faustyna Kowalska 
 The fact that her Vatican autobiography directly quotes some of her conversations with Jesus distinguishes her somewhat among other visionaries of Jesus and Mary.
Don Giovanni 
 Plays, operas, and even a ballet were produced on the theme by the time Mozart and da Ponte started work on their opera.
Don Giovanni 
 This passage is also played when the statue of the Commendatore calls for Don Giovanni to repent at the end of the opera.
Don Giovanni 
 The most famous Don Juan play was The Playboy of Seville and His Stone Guest by a Spanish monk named Tirso de Molina.
Don Giovanni 
 Vincenzo Righini wrote an opera that was performed in Vienna and Prague in 1777  ten years before Don Giovanni.
Don Giovanni 
 Three years later, he adapted a French play called The Marriage of Figaro to an opera libretto for Mozart.
Don Giovanni 
 The curtain rose on the world premiere of Don Giovanni at the National Theatre in Prague on October 29, 1787.
Don Giovanni 
 One critic wrote: "On Monday the 29th the Italian Opera performed Maestro Mozart's eagerly awaited Don Giovanni ... Music lovers and musicians say that nothing to equal it has every been seen before in Prague ... Mozart himself conducted and he was given three cheers ... The opera is uncommonly difficult to perform ... The crowd of spectators bears witness to its general acclaim."
Don Giovanni 
 One legend says Luigi Bassi, the 22 year old singer playing Don Giovanni, wanted more music to sing.
Don Giovanni 
 Another legend says Mozart's wife Constanze kept her husband awake with funny stories the night before the first performance so he could complete the overture to the opera.
Don Giovanni 
 1934: Ezio Pinza (Don Giovanni), Rosa Ponselle (Donna Anna), Maria Müller (Donna Elvira), Edita Fleischer, (Zerlina) Tito Schipa (Don Ottavio), Virgilio Lazzari (Leporello), Louis D'Angelo (Masetto), Emanuel List (Commendatore); The Metropolitan Opera Orchestra and Chorus, Tullio Serafin - (Andromeda); (Live performance)
Don Giovanni 
 1936: John Brownlee (Don Giovanni), Ina Souez (Donna Anna), Luise Helletsgruber (Donna Elvira), Audrey Mildmay (Zerlina), Koloman von Pataky (Don Ottavio), Salvatore Baccaloni (Leporello), Roy Henderson (Masetto), David Franklin (Commendatore); Glyndebourne Festival Orchestra and Chorus, Fritz Busch - (EMI Classics)
Don Giovanni 
 1937: Ezio Pinza (Don Giovanni), Elisabeth Rethberg (Donna Anna), Luise Helletsgruber (Donna Elvira), Margit Bokor (Zerlina), Dino Borgioli (Don Ottavio), Virgilio Lazzari (Leporello), Karl Ettl (Masetto), Herbert Alsen (Commendatore); Chor der Wiener Staatsoper, Wiener Philharmoniker, Bruno Walter - (Urania); (Live performance)
Don Giovanni 
 1942: Ezio Pinza (Don Giovanni), Rose Bampton (Donna Anna), Jarmila Novotná (Donna Elvira), Bidu Sayão (Zerlina), Charles Kullman (Don Ottavio), Alexander Kipnis (Leporello), Mack Harrell (Masetto), Norman Cordon (Commendatore); The Metropolitan Opera Orchestra, Bruno Walter - (Andromeda); (Live performance)
Don Giovanni 
 1950: Tito Gobbi (Don Giovanni), Ljuba Welitsch (Donna Anna), Elisabeth Schwarzkopf (Donna Elvira), Irmgard Seefried (Zerlina), Anton Dermota (Don Ottavio), Erich Kunz (Leporello), Alfred Poell (Masetto), Josef Greindl (Commendatore); Chor der Wiener Staatsoper, Wiener Philharmoniker, Wilhelm Furtwängler - (EMI Classics); (Live performance)
Don Giovanni 
 1955: Cesare Siepi (Don Giovanni), Suzanne Danco (Donna Anna), Lisa Della Casa (Donna Elvira), Hilde Gueden (Zerlina), Anton Dermota (Don Ottavio), Fernando Corena (Leporello), Walter Berry (Masetto), Kurt Böhme (Commendatore); Wiener Staatsopernchor, Wiener Philharmoniker, Josef Krips - (Decca)
Don Giovanni 
 1958: Dietrich Fischer-Dieskau (Don Giovanni), Sena Jurinac (Donna Anna), Maria Stader (Donna Elvira), Irmgard Seefried (Zerlina), Ernst Haefliger (Don Ottavio), Karl-Christian Kohn (Leporello), Ivan Sardi (Masetto), Walter Kreppel (Commendatore); RIAS Kammerchor, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay - (Deutsche Grammophon)
Don Giovanni 
 1959: Eberhard Wächter (Don Giovanni), Joan Sutherland (Donna Anna), Elisabeth Schwarzkopf (Donna Elvira), Graziella Sciutti (Zerlina), Luigi Alva (Don Giovanni), Giuseppe Taddei (Leporello), Piero Cappuccilli (Masetto), Gottlob Frick (Commendatore); Philharmonia Orchestra and Chorus, Carlo Maria Giulini - (EMI Classics)
Don Giovanni 
 1959: Cesare Siepi (Don Giovanni), Birgit Nilsson (Donna Anna), Leontyne Price (Donna Elvira), Eugenia Ratti (Zerlina), Cesare Valletti (Don Ottavio), Fernando Corena (Leporello), Heinz Blankenburg (Masetto), Arnold van Mill (Commendatore); Wiener Staatsopernchor, Wiener Philharmoniker, Erich Leinsdorf - (Decca)
Don Giovanni 
 1966: Nicolai Ghiaurov (Don Giovanni), Claire Watson (Donna Anna), Christa Ludwig (Donna Elvira), Mirella Freni (Zerlina), Nicolai Gedda (Don Ottavio), Walter Berry (Leporello), Paolo Montarsolo (Masetto), Franz Crass (Commendatore); New Philharmonia Orchestra & Chorus, Otto Klemperer - (EMI Classics)
Don Giovanni 
 1967: Dietrich Fischer-Dieskau (Don Giovanni), Birgit Nilsson (Donna Anna), Martina Arroyo (Donna Elvira), Reri Grist (Zerlina), Peter Schreier (Don Ottavio), Ezio Flagello (Leporello), Alfredo Mariotti (Masetto), Martti Talvela (Commendatore); Tschechischer Sängerchor Prag, Orchester Des Nationaltheaters Prag, Karl Böhm - (Deutsche Grammophon)
Don Giovanni 
 1968: Gabriel Bacquier (Don Giovanni), Joan Sutherland (Donna Anna), Pilar Lorengar (Donna Elvira), Marilyn Horne (Zerlina), Werner Krenn (Don Ottavio), Donald Gramm (Leporello), Leonardo Monreale (Masetto), Clifford Grant (Commendatore); The Ambrosian Singers, English Chamber Orchestra, Richard Bonynge - (Decca)
Don Giovanni 
 1973: Ingvar Wixell (Don Giovanni), Martina Arroyo (Donna Anna), Kiri Te Kanawa (Donna Elvira), Mirella Freni (Zerlina), Stuart Burrows (Don Ottavio), Wladimiro Ganzarolli (Leporello), Richard Van Allan (Masetto), Luigi Roni (Commendatore); Chorus and Orchestra of the Royal Opera House, Covent Garden, Colin Davis - (Philips)
Don Giovanni 
 1977: Sherrill Milnes (Don Giovanni), Anna Tomowa-Sintow (Donna Anna), Teresa Żylis-Gara (Donna Elvira), Edith Mathis (Zerlina), Peter Schreier (Don Ottavio), Walter Berry (Leporello), Dale Duesing (Masetto), John Macurdy (Commendatore); Wiener Staatsopernchor, Wiener Philharmoniker, Karl Böhm - (Deutsche Grammophon)
Don Giovanni 
 1978: Bernd Weikl (Don Giovanni), Margaret Price (Donna Anna), Sylvia Sass (Donna Elvira), Lucia Popp (Zerlina), Stuart Burrows (Don Ottavio), Gabriel Bacquier (Leporello), Alfred Sramek (Masetto), Kurt Moll (Commendatore); London Opera Chorus, London Philharmonic Orchestra, Georg Solti - (Decca)
Don Giovanni 
 1983: Thomas Allen (Don Giovanni), Carol Vaness (Donna Anna), Maria Ewing (Donna Elvira), Elizabeth Gale (Zerlina), Keith Lewis (Don Ottavio), Richard Van Allan (Leporello), John Rawnsley (Masetto), Dimitri Kavrakos (Commendatore); Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink - (EMI Classics)
Don Giovanni 
 1985: Samuel Ramey (Don Giovanni), Anna Tomowa-Sintow (Donna Anna), Agnes Baltsa (Donna Elvira), Kathleen Battle (Zerlina), Gösta Winbergh (Don Ottavio), Ferruccio Furlanetto (Leporello), Alexander Malta (Masetto), Paata Burchuladze (Commendatore); Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan - (Deutsche Grammophon)
Don Giovanni 
 1990: William Shimell (Don Giovanni), Cheryl Studer (Donna Anna), Carlo Vaness (Donna Elvira), Susanne Mentzer (Zerlina), Frank Lopardo (Don Ottavio), Samuel Ramey (Leporello), Natale de Carolis (Masetto), Jan-Hendrik Rootering (Commendatore); Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Riccardo Muti - (EMI Classics)
Don Giovanni 
 1990: Thomas Allen (Don Giovanni), Sharon Sweet (Donna Anna), Karita Mattila (Donna Elvira), Marie McLaughlin (Zerlina), Francisco Araiza (Don Ottavio), Simone Alaimo (Leporello), Claudio Otelli (Masetto), Robert Lloyd (Commendatore); Ambrosian Opera Chorus, Academy of St. Martin-in-the-Fields, Neville Marriner - (Philips)
Don Giovanni 
 1994: Rodney Gilfry (Don Giovanni), Luba Orgonasova (Donna Anna), Charlotte Margiono (Donna Elvira), Eirian James (Zerlina), Christoph Prégardien (Don Ottavio), Ildebrando D'Arcangelo (Leporello), Julian Clarkson (Masetto), Andrea Silvestrelli (Commendatore); Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner - (Archiv Produktion)
Don Giovanni 
 1996: Bryn Terfel (Don Giovanni), Renée Fleming (Donna Anna), Ann Murray (Donna Elvira), Monica Groop (Zerlina), Herbert Lippert (Don Ottavio), Michele Pertusi (Leporello), Roberto Scaltriti (Masetto), Mario Luperi (Commendatore); London Voices, London Philharmonic Orchestra, Georg Solti - (Decca)
Don Giovanni 
 1997: Simon Keenlyside (Don Giovanni), Carmela Remigio (Donna Anna), Soile Isokoski (Donna Elvira), Patrizia Pace (Zerlina), Uwe Heilmann (Don Ottavio), Bryn Terfel (Leporello), Ildebrando D'Arcangelo (Masetto), Matti Salminen (Commendatore); Coro Di Ferrara Musica, Chamber Orchestra of Europe, Claudio Abbado - (Deutsche Grammophon)
Don Giovanni 
 Vincent Canby wrote in the New York Times on November 6, 1979: " ... the climactic confrontation between the Don and the Commendatore is surprisingly tepid visually.
Don Giovanni 
 I've seen better descents into hell at our own Metropolitan Opera and in any number of Hammer horror pictures.
Don Giovanni 
 Mr. Losey and his associates haven't destroyed "Don Giovanni," but then they haven't illuminated it either.
Don Giovanni 
 The Earl of Harewood writes: "Don Giovanni is too full of arias, many of them famous, for its own dramatic good.
Don Giovanni 
 Singers demanded them, the public expected them; and of course the aria ... is a potent operatic weapon, the moment for the composer to comment in depth on the drama he has set going.
Don Giovanni 
 But ... arias hold up the action in a way it is sometimes hard to defend, because you feel it was the singer who wanted it so."
Don Giovanni 
 He points to Ottavio's "Il mio tesoro", his "Dalla sua pace", and Anna's "Non mi dir" as each being a "magnificent opportunity for singer", but wonders how much they actually contribute to the drama.
Don Giovanni 
 Nicholas Kenyon writes: "The power Don Giovanni unleashes is almost too great; if it is an uneven work then it is only imperfect in the way that King Lear is imperfect, from an excess of feeling.
Don Giovanni 
 As Abert summarized it, in spite of the finale, 'the point of the opera is not to proclaim a universal moral, but to depict the decisive battle between two tremendous forces.
Don Giovanni 
 "We sense the ultimate connection between even the most restless, passion-ridden human existence and the whole universe.'
Don Giovanni 
 Like Figaro, Giovanni has held the stage from its premiere through to the present; it has fitted the nineteenth-century's wish for a Romantic, powerful Mozart and the twentieth-century's for a politicised, critical Mozart".
The Magic Flute 
 The Magic Flute (German: Die Zauberflöte, K. 620) is an opera in two acts with music by Wolfgang Amadeus Mozart and a German libretto by Emanuel Schikaneder.
The Magic Flute 
 It premiered in Vienna on 30 September 1791 at Schikaneder's theater, the Freihaus-Theater auf der Wieden.
The Magic Flute 
 Prince Tamino has got lost in the forest and now finds himself in a country which is ruled by the Queen of the Night.
The Magic Flute 
 Then they see the handsome prince and they argue about which one of them will stay to look after him.
The Magic Flute 
 The three ladies hear what he says and they come and punish him by giving him a stone instead of bread and wine, and by padlocking his mouth so that he cannot speak.
The Magic Flute 
 In fact, Sarastro is a good man, and he is looking after Pamina because her mother, the Queen of the Night, is evil.
The Magic Flute 
 He is already in love with the princess just from looking at her picture, and decides to go and rescue her.
The Magic Flute 
 The three ladies give the Prince a magic flute which will protect him if he finds himself in danger.
The Magic Flute 
 Monostatos runs away, Papageno unties the rope around the princess and tells her about the prince who is on his way to rescue her.
The Magic Flute 
 He is about to tie them up, but Papageno plays his magic bells and, when they hear the music, Monostatos and all the animals cannot help dancing and they disappear, still dancing.
The Magic Flute 
 Sarastro explains to the priests that Tamino and Pamina will have to go through the trials to show that they are worthy of one another.
The Magic Flute 
 Papageno is frightened and finds it difficult to keep quiet, but he continues because he has been promised that a girl called Papagena will be waiting for him.
The Magic Flute 
 In the first trial the Three Ladies try to make them think that the dark place they are in will lead them to death.
The Magic Flute 
 Papagena enters and dances, then, when Papageno promises to be true, she throws off her disguise and disappears.
The Magic Flute 
 Pamina thinks her mother is going to use her dagger, but at the last moment the boys save her and take her to Tamino.
The Magic Flute 
 For example: the number three is an important number in masonry and there are lot of things in the opera that happen in threes:  there are three long chords at the beginning of overture, and the three chords appear again in the scene in the temple.
The Magic Flute 
 The scenery used in the early productions make it look as if the story comes from Egypt or somewhere in the Orient.
George Chuvalo 
 George Louis Chuvalo CM (born September 12, 1937), also known as Jure Čuvalo, was a Canadian heavyweight boxing champion and the multiple contender for the heavyweight title in the 1960s and 1970s.
George Chuvalo 
 Chuvalo was inducted into the Canadian Sports Hall of Fame in 1990 and the World Boxing Hall of Fame in 1997.
George Chuvalo 
 He was made a Member of the Order of Canada in 1998 and was awarded a star on Canada's Walk of Fame in 2005.
George Chuvalo 
 He went to Sarajevo for the revealing of a statue in his honor in Ljubuški on Sunday, December 18, 2011.
George Chuvalo 
 |align="center" colspan=8|73 Wins (64 knockouts, 9 decisions), 18 Losses (2 knockouts, 16 decisions), 2 Draws
Guest worker 
 Many Koreans in Japan came as guest workers early in the 20th century, and in Arab countries late in the century.
Guest worker 
 The PBS newsmagazine NOW focuses on America's "Guest Workers" including interviews with actual guest workers who work in Montana's forests
Tropical Storm Lee (2005) 
 Tropical Storm Lee was a weak tropical storm that hardly reached tropical storm status for a short time while over the central Atlantic Ocean during late August and early September 2005.
Tropical Storm Lee (2005) 
 It strengthened into Tropical Depression Thirteen on August 28 while 960 miles (1550 km) east of the Lesser Antilles.
Tropical Storm Lee (2005) 
 It had been predicted that this was likely to happen, but the National Hurricane Center (NHC) instead chose to forecast a little bit of strengthening in the future.
Tropical Storm Lee (2005) 
 The low slowly moved northwards, then turned to the northeast because of another non-tropical system.
Tropical Storm Lee (2005) 
 As it moved to the northeast, the low began to become organized and began to re-strengthen on August 31.