English: Could I ask just for one debate today? It's great to see the Minister for Culture, Sport and Tourism in his place as well, because the debate I want to ask for is on the incredible musical cultural heritage of the south Wales Valleys. I was delighted some years ago to unveil - it must have been about 13 years ago - a plaque commemorating the first ever public performance of 'Hen Wlad fy Nhadau' in the old Tabor chapel in Maesteg, which is now long-demolished. It's now Maesteg Workingmens Club. We unveiled the plaque there commemorating a young 16-year-old who first sang 'Hen Wlad fy Nhadau' in the vestry of the chapel there. And the plaque is there. Actually, more importantly, very shortly there's an exciting commemoration coming up that my colleague Mike Hedges will know all about: it's of Daniel James 'Bad Boy' Gwyrosydd, who of course was the author of the lyrics for 'Calon Lân'. It's fascinating of course, because of its heritage as one of the favourite songs and hymns within Wales. Many people will know it. It was sung at my father's funeral as well there. But what most people will not know is the spell that Daniel James Gwyrosydd, known as 'Bad Boy' - . Why 'Bad Boy'? Because he was as fond of the public house as he was of the pulpit. It was composed, myth has it, but there's no reason to doubt it, on the back, literally, of cigarette papers in the Blaengarw Hotel across the road. So we are commemorating that very shortly and there'll be a choir coming in and a social event that Daniel James Gwyrosydd would have loved, alongside the commemorations in Swansea as well - his place of birth, the place where he passed away as well - to recognise that. But wouldn't it be great to have a debate here that could celebrate that deep rich history that is still with us? They're things that we take for granted now when we stand up in the terraces and we sing these songs, whether it's anthems or songs, and to recognise that these came from working-class people in working-class communities and the threads go deep into those communities still. Let's have a debate on that.
Welsh: A gaf i ofyn am un ddadl heddiw yn unig? Mae'n wych gweld y Gweinidog Diwylliant, Chwaraeon a Thwristiaeth yn ei le hefyd, oherwydd mae'r ddadl yr wyf i eisiau gofyn amdani'n ymwneud â threftadaeth ddiwylliannol gerddorol anhygoel Cymoedd y De. Roeddwn i'n falch iawn rai blynyddoedd yn ôl - mae'n rhaid bod hynny tua 13 mlynedd yn ôl - o ddadorchuddio plac i goffáu perfformiad cyhoeddus cyntaf erioed 'Hen Wlad fy Nhadau' yn hen gapel Tabor ym Maesteg, sydd bellach wedi'i hen ddymchwel. Erbyn hyn mae'n glwb Gweithwyr Maesteg. Roeddem wedi dadorchuddio'r plac yno er mwyn coffáu'r unigolyn ifanc 16 oed a ganodd 'Hen Wlad fy Nhadau' am y tro cyntaf yn festri'r Capel yno. Ac mae'r plac yno. Mewn gwirionedd, yn bwysig iawn, cyn bo hir bydd coffâd cyffrous yn digwydd y bydd fy nghydweithiwr Mike Hedges yn gwybod popeth amdano: mae'n cynnwys Daniel James Gwyrosydd, y 'bachgen drwg', a oedd wrth gwrs yn awdur geiriau 'Calon Lân '. Mae'n hynod ddiddorol wrth gwrs, oherwydd ei threftadaeth fel un o hoff ganeuon ac emynau Cymru. Bydd llawer o bobl yn gwybod hynny. Cafodd ei ganu yn angladd fy nhad yno hefyd. Ond yr hyn na fydd y rhan fwyaf o bobl yn ei wybod yw'r adeg y cafodd Daniel James Gwyrosydd ei alw'n 'fachgen drwg' - . Pam 'bachgen drwg '? Oherwydd ei fod mor hoff o'r tŷ tafarn ag yr oedd o'r pwlpit. Cyfansoddwyd 'Calon Lân', yn ôl y sôn, ond nid oes unrhyw reswm i amau hynny, ar gefn papurau sigarét yng Ngwesty Blaengarw ochr draw'r ffordd. Felly rydym ni'n coffáu hynny'n fuan iawn a bydd côr yn dod i mewn a bydd digwyddiad cymdeithasol y byddai Daniel James Gwyrosydd wedi ei garu, ynghyd â'r digwyddiadau coffáu yn Abertawe hefyd - ei dref enedigol, y man lle bu farw hefyd - i gydnabod hynny. Ond oni fyddai'n wych cael dadl yma a allai ddathlu'r hanes cyfoethog dwfn hwnnw sydd gyda ni o hyd? Maen nhw'n bethau yr ydym ni'n eu cymryd yn ganiataol nawr pan safwn yn y terasau yn canu'r caneuon hyn, yn anthemau neu'n ganeuon, ac i gydnabod bod y rhain wedi dod o bobl dosbarth gweithiol mewn cymunedau dosbarth gweithiol a bod y gwreiddiau'n yn mynd yn ddwfn i'r cymunedau hynny o hyd. Gadewch i ni gael dadl ar hynny.