English: In addition to that, you need the training to ensure that we make the most of this equipment. If there is any investment provided, then we do need to ensure that it's properly used, too. You mentioned this fund in England, and I do think that one, as Andrew has said, has to think differently. I think we're both coming from the same place, we are part of the scene in Wales working through the medium of Welsh, which, to a great extent, is different. And there are major differences between the Welsh language scene and the English language scene. The Assembly does have the laudable ambition of reaching a million Welsh speakers - I'm entirely supportive of that - and music is a way of attracting young people towards the Welsh language. I would almost say that it's the best way of attracting young people. We can't then compare different worlds and say that they're equal, because we have huge machines over the border, driving international entertainment, which have had years of experience, and, as we've already mentioned, we're talking about very professional and talented people who have major problems to overcome, because they face risks. So, I do think that training - or support, rather - is twofold. You certainly need the equipment in order to stage gigs at venues, but also, somehow, we have to find a way of making it easier for promoters and organisers to stage gigs, because very often costs are the major problem. If we can somehow reduce costs, be that through subsidies for bands so that they can bring their fees down, or by providing support for venues in order to help with costs - I don't know. There are plans such as Night Out in place, which have been quite successful. I do think we need to review that, certainly, because, very often, it doesn't provide that encouragement to the venues to ensure that there are plenty of people in the audience, because they know they won't make a loss; that they're okay. So, perhaps we need to look at that and tweak that a little. I'm not criticising Night Out for a moment, but I do think that there are some tweaks that could be made here and there.
Welsh: Ar ben hynny, mae angen yr hyfforddiant hefyd i wneud yn siŵr ein bod ni'n cael y gorau allan o'r offer yma. Os oes yna unrhyw fuddsoddiad yn cael ei roi, mae angen gwneud yn siŵr ei fod o'n cael ei ddefnyddio'n iawn hefyd, felly. Roeddech chi'n sôn am y gronfa yma'n Lloegr, a dwi'n meddwl bod yn rhaid i rywun feddwl, fel mae Andrew wedi dweud, yn wahanol. Dwi'n meddwl ein bod ni'n dau yn dod o'r un un lle, sef rydyn ni'n rhan o'r sîn yng Nghymru trwy gyfrwng y Gymraeg sydd, i raddau helaeth, yn wahanol. Ac mae yna wahaniaethau mawr rhwng y sîn sy'n gweithredu trwy gyfrwng y Saesneg, felly. Hynny yw, mae gan y Cynulliad yr uchelgais clodwiw o gyrraedd miliwn o siaradwyr Cymraeg - dwi'n hollol gefnogol i hwnnw - ac mae cerddoriaeth yn ffordd o ddenu'r ieuenctid tuag ar yr iaith, felly. Bron iawn y buaswn i'n dweud mai'r ffordd orau o ddenu. Fedrwn ni wedyn ddim cymharu dau fyd a dweud eu bod nhw'n gyfartal, achos mae gennym ni beiriannau mawr dros y ffin yn gyrru adloniant rhyngwladol, sydd wedi cael blynyddoedd o brofiad, ac rydym ni'n sôn, fel rydyn ni eisoes wedi'i ddweud, am bobl hynod o broffesiynol a thalentog sydd hefo problemau mawr i gyrraedd oherwydd bod yna risgiau. Felly, dwi'n meddwl bod yr hyfforddiant - sori, y gefnogaeth - yn ddeublyg. Mae ishio yn sicr yr offer yn y canolfannau er mwyn cynnal gigs, felly, ond hefyd, rywsut, mae'n rhaid cynnal neu ffeindio ffordd o'i gwneud hi'n haws i drefnwyr, i hyrwyddwyr gynnal gigs, achos yn aml iawn, y costau ydy'r bwgan. Os gallwn ni rywsut neu'i gilydd dynnu'r costau i lawr, boed hynny trwy gymorthdal i fandiau, fel eu bod nhw'n gallu tynnu eu ffis i lawr, neu i ganolfannau er mwyn helpu hefo'r costau - dwi ddim yn gwybod. Mae cynlluniau fel Noson Allan ac yn y blaen, sydd yn bur lwyddiannus. Ond dwi'n meddwl bod angen ei adolygu fo, yn sicr, achos yn aml iawn, dydy o ddim yn rhoi'r ysgogiad i'r canolfannau i wneud yn siŵr bod yna ddigon o bobl yn y perfformiad achos mae nhw'n sicr, 'O, wnawn ni ddim colled ar hwn, rydyn ni'n ocê.' Mae ishio efallai edrych a 'tweak-o'. Dwi ddim yn beirniadu Noson Allan am funud, ond dwi'n meddwl efallai bod yna le i 'tweak-o' yma ac acw.