English: Thank you, Chair. Good morning both of you. May I ask a question about the pipeline of talent? Are we doing enough to develop talent, not just to foster talent in terms of personal development, but also to develop them in terms of resources and rehearsal spaces and where they are able to play? We know, of course, that in the world of sport, what is vital is, you may have the talent, but if the network of talent development isn't there, you're never going to reach the level that you would, should that network be there. So, first of all I'd ask whether that network is there. And just one idea I'd like to seek your view on. In terms of the Welsh language, there are venues throughout Wales where people can go and speak Welsh. They're cultural venues and they're venues where people can speak Welsh naturally. Those venues have been financially supported by the Government. Is there, therefore, a case to create the same type of structure for music? Now I know that some might say, 'Well, no, music is a commercial activity'. But it's not quite like that is it? We know that, particularly when bands start out, they're not making any money. They get very little money personally. We've heard evidence, particularly from Clwb Ifor Bach, that they lose money when they want to hold a gig or a concert with a new band who are looking for experience, but, of course, commercially it's not viable. So, is there any support for some kind of network where venues would be designated throughout Wales as venues for music, talent or promotion, whether we're talking of folk music or some kind of music that isn't seen as commercial music? Is that something that could be considered? And then, the other question arising: it's crucial that those venues are distributed throughout Wales, so would such a network be something that would assist to ensure that the talent pipeline is still flowing? I know there were lots of questions there.
Welsh: Diolch, Gadeirydd. Bore da i'r ddau ohonoch chi. Gaf i ofyn cwestiwn ynglŷn â'r ffrwd talent? Ydyn ni'n gwneud digon er mwyn hybu talent - nid dim ond eu hybu nhw ynglŷn â'u datblygiad personol, ond hefyd eu hybu nhw ynglŷn ag adnoddau a hefyd lleoliadau i ymarfer a hefyd i chwarae? Rŷn ni'n gwybod, wrth gwrs, os edrychwn ni ar y byd chwaraeon, beth sy'n hollbwysig yw gallwch chi gael y talent, ond os dyw'r rhwydwaith ddim yna o ddatblygu'r talent hynny, fyddech chi byth yn cyrraedd y lefel y byddech chi petasai'r rhwydwaith yna. So, yn gyntaf, fe fyddwn i'n gofyn: a ydy'r rhwydwaith yna? A jest un syniad y byddwn i'n hoff o gael eich barn arno. Ynglŷn â'r iaith Gymraeg, mae yna leoliadau ar draws Cymru, lle mae pobl yn gallu mynd i siarad Cymraeg. Maen nhw'n lleoliadau diwylliannol ac maen nhw'n lleoliadau lle mae pobl yn gallu siarad Cymraeg yn naturiol. Mae'r lleoliadau hynny wedi cael eu helpu'n ariannol gan y Llywodraeth. Oes yna achos felly i greu yr un fath o strwythur yn y byd miwsig? Nawr, dwi'n gwybod bydd rhai yn dweud, 'Wel, na, na, gweithred fasnachol yw miwsig.' Ond nid felly mae e, nage? Dŷn ni'n gwybod, yn enwedig pan mae bandiau'n dechrau, dŷn nhw ddim yn gwneud arian. Bach iawn o arian maen nhw'n ei gael yn bersonol. Rŷn ni wedi clywed tystiolaeth gan Glwb Ifor Bach yn enwedig, eu bod nhw yn colli arian lle maen nhw eisiau cynnal cyngerdd - gig - gydag efallai band newydd, sydd eisiau cael y profiad, ond, wrth gwrs, yn fasnachol dyw e ddim yn gweithio. So, felly, oes yna unrhyw gefnogaeth am ryw fath o rwydwaith lle byddai lleoliadau wedi cael eu penodi ar draws Cymru fel lleoliadau i hybu talent miwsig a'r sector cerdd - gwerin, neu unrhyw fath o gerdd sydd ddim yn cael ei ystyried fel cerdd fasnachol? A ydy hwnna'n rhywbeth a allai gael ei ystyried? Ac, wrth gwrs, y cwestiwn arall sy'n codi wedyn yw: mae'n hollbwysig bod y lleoliadau hynny ar draws Cymru - a fyddai, felly, rhwydwaith fel yna yn rhywbeth fyddai'n helpu i sicrhau bod y ffrwd talent yn dal i lifo? Mae sawl cwestiwn yn fanna.