English: Yes, and BAFTA Cymru is an important part of the film, television and games network in Wales, in two ways. First of all, our big shop window is our annual awards night, when we are very proud to display the excellent work done in Wales, and to showcase that excellence. I think we are a shop window for all of that. But more importantly, perhaps, are all the other events that happen in Wales through BAFTA Cymru. We have over 100 events annually, and they can be, for example, something like the premiere of Their Finest with Bill Nighy last year, when funding was invested in that project, and it was filmed in Wales, and that was very important. Then you have something like a premiere or a special screening of a BBC Wales series such as War and Peace - that's also very important. And in London this year, in March, we had a screening of Apostle. Ed Talfan was with you this morning, and he produced that for Netflix. Through all of those events, one of the most important things we do, I think, is to ensure that there is a shop window for the Welsh brand: for the work that is done here, or the work done by people from Wales. And more important than just providing a screening, what we also do is ensure that the major players involved in those projects - for example, actors like Bill Nighy, or Andrew Davies with War and Peace, or Ed Talfan and Michael Sheen with Apostle - that there is always room for questions and answers, so that the people who want to come into the industry, or who want to hear from the crème de la crème in the industry - . That's all important so that we're part of that network. One of the most important events that we've ever had, and it was for the first time this year, was Guru Live in Cardiff, following the great success of Guru Live in London. That was a day when young people between 16 and 25 who are either students or who are seeking work in the industry can be inspired. On that day, there were all sorts of different events. There were over 600 people there to hear people like Abi Morgan, the screenwriter who won the Siân Phillips Award for her international work. She wrote The Iron Lady, and she wrote Suffragette. So, young people could come and speak to someone like her, or someone like Ray Holman who made the costumes for many of the best productions you see in the UK - he comes from Pontypridd; it shows how people can be successful in Wales - people who can truly inspire in that way. I think perhaps in terms of our awards, there is a difference between the work done in Wales and the work that we can reward as being of excellence from Wales. There are rules as to who can participate in our awards, and there are some films that are made in Wales - and this was mentioned this morning - that wouldn't qualify for something like a BAFTA Cymru award because they use Wales as a location but then don't have a sufficient number of people working on the ground in Wales. One of the things we see specifically - and this was also mentioned this morning, I know - is that people such as the heads of department should be in Wales, and that the production should be based in Wales, rather than people simply coming in and then leaving Wales without leaving much of a legacy in their wake, apart from, perhaps, a film location.
Welsh: Ydy, ac rydw i'n meddwl - hynny yw, mae BAFTA Cymru yn rhan bwysig o rwydwaith ffilm a theledu a gemau yng Nghymru, mewn dwy ffordd. Wrth gwrs, ein ffenest siop fawr ni yw'r noson wobrwyo unwaith y flwyddyn, pan ydym ni'n falch iawn o fod yn gallu dangos y gwaith gwych sy'n cael ei wneud yng Nghymru, a phan ydym ni'n croesawu'r rhagoriaeth honno. Rydw i'n meddwl ein bod ni'n ffenest siop i hynny i gyd. Ond hefyd, efallai, yr hyn sy'n bwysicach yw'r holl ddigwyddiadau gwahanol sy'n digwydd yng Nghymru drwy BAFTA Cymru. Mae gyda ni dros 100 o ddigwyddiadau bob blwyddyn, ac maen nhw'n gallu bod, er enghraifft, yn rhywbeth fel premiere Their Finest gyda Bill Nighy y llynedd, pan oedd arian wedi cael ei roi mewn i'r ffilm honno, ac roedd hi wedi cael ei ffilmio yng Nghymru - mae hynny'n rhywbeth pwysig iawn. Wedyn, efallai bod gyda chi rywbeth fel premiere neu ddangosiad arbennig o ddrama gyfres BBC Cymru fel War and Peace - mae hynny'n bwysig hefyd. Ac wedyn yn Llundain eleni, ym mis Mawrth, roedd gennym ni ddangosiad o Apostle. Roedd Ed Talfan yma y bore yma - mae e wedi cynhyrchu honno ar gyfer Netflix. Yn y rheini i gyd, beth rŷm ni'n ei wneud, rydw i'n meddwl, neu un o'r pethau pwysicaf rŷm ni'n ei wneud, yw gwneud yn siŵr bod yna ffenest i frand Cymru: y gwaith sy'n cael ei wneud yma, neu'r gwaith sy'n cael ei wneud gan Gymry. Ac yn bwysicach na dim ond gwneud rhyw fath o ddangosiad, beth rŷm ni'n ei wneud hefyd yw gwneud yn siŵr bod y bobl bwysig sy'n ymwneud â'r rheini - er enghraifft, actorion fel Bill Nighy, neu Andrew Davies gyda War and Peace, neu Ed Talfan a Michael Sheen gydag Apostle - bod yna bob amser le wedyn i questions and answers, fel bod pobl sydd eisiau dod mewn i'r diwydiant, neu sydd eisiau clywed wrth y goreuon yn y diwydiant - . Mae hynny'n hollbwysig fel ein bod ni'n rhan o'r rhwydwaith hwnnw. Un o'r digwyddiadau pwysicaf, yn sicr, rŷm ni wedi cael erioed, am y tro cyntaf eleni, yw Guru Live yng Nghaerdydd, yn dilyn llwyddiant mawr Guru Live yn Llundain. Diwrnod oedd hwnnw i bobl ifanc rhwng 16 a 25 oed sydd naill ai'n fyfyrwyr neu sydd eisiau cael rhywfaint o waith yn y diwydiant, â diddordeb - eu bod yn cael eu hysbrydoli. Yn hwnnw, roedd pob math o wahanol ddigwyddiadau yn ystod y diwrnod. Cawsom ni dros 600 o bobl yno i glywed pobl fel Abi Morgan, yr ysgrifennydd wnaeth ennill Gwobr Siân Phillips am ei gwaith rhyngwladol hi. Hi ysgrifennodd The Iron Lady, a hi ysgrifennodd Suffragette. Felly, roedd pobl ifanc yn gallu dod i siarad â rhywun fel hi, neu roedd gennym ni rywun fel Ray Holman sydd wedi creu'r gwisgoedd ar gyfer nifer fawr o'r cynyrchiadau gorau rŷch chi'n eu gweld ym Mhrydain - mae e'n dod o Bontypridd; mae e'n gallu dangos sut mae rhywun yn gallu bod yn llwyddiannus yng Nghymru - pobl sy'n wirioneddol yn gallu ysbrydoli fel yna. Rydw i'n meddwl efallai mai'r un lle, o ran y gwobrwyon sydd gyda ni, yw bod yna wahaniaeth rhwng gwaith sydd yn cael ei wneud yng Nghymru a gwaith rŷm ni'n gallu ei gwobrwyo fel rhagoriaeth o Gymru. Achos mae gyda ni reolau o ran pwy sy'n cael bod yn rhan o'r gwobrwyon, ac mae ambell ffilm sy'n cael ei gwneud yng Nghymru - ac fe soniwyd am hynny'r bore yma - na fuasai'n gymwys i rywbeth fel gwobrwyon BAFTA Cymru achos eu bod nhw'n defnyddio Cymru fel lleoliad ond wedyn heb ddigon o bobl yn gweithio yn y maes. Un o'r pethau rŷm ni'n ei weld yn benodol - a soniwyd am hyn y bore yma hefyd, rydw i'n gwybod - yw bod pobl fel yr heads of department yng Nghymru, a bod y cynhyrchiad yng Nghymru, yn hytrach na phobl sydd ddim ond yn dod i mewn ac wedyn yn gadael Cymru heb adael fawr o waddol ar eu hôl, heblaw, efallai, am leoliad ffilm.