techiaith/cofnodycynulliad_en-cy huggingface dataset:
English: That's a difficult question to ask. We're still in discussions with the licensing officials at Cardiff Council. That might be something that - . Well, it is something that I know has been raised in the consultation held by Sound Diplomacy, and I take it that that's something that's still being discussed. Can I leave it there for now?
Welsh: Mae hwnna'n gwestiwn anodd ei ateb ar hyn o bryd. Rŷn ni'n dal mewn perthynas â swyddogion trwyddedu Caerdydd. Efallai y buasai'n rhywbeth y buaswn i'n - . Mae e'n rhywbeth dwi'n gwybod sydd wedi cael ei godi yn yr ymgynghoriad a wnaethpwyd gan Sound Diplomacy, a dwi'n cymryd ei fod e'n rhywbeth sydd yn cael ei drafod. Gaf fi ei adael o fanna, ar hyn o bryd?
English: Yes, well, it's clear that there is a story there that we're not going to uncover today, but perhaps, Chair - . It's clear - perhaps there is evidence there. If we could have that evidence that gives our witnesses confidence today, perhaps that's something we could consider later on.
Welsh: Ie, wel, mae'n amlwg bod yna ryw stori yna sydd ddim yn mynd i gael ei ddweud heddiw, ond efallai, Gadeirydd - . Mae'n amlwg bod yna - efallai fod yna dystiolaeth yna. Os oes unrhyw ffordd i gael y dystiolaeth yna mewn ffordd sydd yn rhoi hyder i'n tystion heddiw, efallai bydd hwnna'n rhywbeth y gallwn ni ei ystyried yn nes ymlaen.
English: Yes, we'll look into it. We heard about it in the Tramshed, so it is evidence that has been heard, but we recognise that you are in discussions at the moment, so it's very sensitive, but we'll look into this issue further. We need to move on because we've gone over time, but we're waiting for the next witnesses. We do have important questions on business rates, so David Melding's going to ask those.
Welsh: Ie. Fe wnawn ni edrych mewn i'r peth. Gwnaethon ni ei glywed e yn y Tramshed, felly mae'n dystiolaeth sydd wedi cael ei chlywed, ond dwi'n cydnabod eich bod mewn trafodaethau ar hyn y bryd, felly mae'n sensitif, ond fe wnawn ni edrych mewn i'r peth. Dŷn ni angen symud ymlaen achos dŷn ni wedi mynd dros amser, ond dŷn ni'n aros am y tystion eraill. Mae yna gwestiynau pwysig, dwi'n credu, ar ardrethu busnes, so mae David Melding yn mynd i'w gofyn nhw.
English: It hasn't increased as much as I foresaw in the last assessment. I'm aware of some places where the increase has been enormous and has had a detrimental impact on their efforts to continue as a business. It's not an unsubstantial sum but, for whatever reason, it hasn't changed much for us over the last 10 years. We're in the process, as it happens, of making a bid to have a charity to look after the arts activities at Clwb Ifor Bach, and if that bid was successful, then the local tax rates would be something we'd hopefully be able to deal with there. Many live music venues are, by now, community-benefit organisations, but for different reasons, they're not set up as charities. I know that there's one in Manchester, but if we're successful with our bid, we might be one of the other first ones to do that. But in looking at the difficulties that the sector's had and how difficult it's been for the sector, and the fact that funding is difficult to obtain, looking at the option of forming a charity is something that more locations should look at in order to open more funding doors to support them with their programmes. But evidently, it then has implications in terms of local taxation as well.
Welsh: Dyw e ddim wedi cynyddu cymaint ag yr oeddwn i'n ei ragweld yn yr asesiad diwethaf. Dwi'n ymwybodol o rai llefydd lle mae'r cynnydd wedi bod yn aruthrol ac wedi cael effaith andwyol ar eu gallu nhw i fedru parhau fel busnes. Mae e'n swm nid ansylweddol ond, am ba bynnag reswm, dyw e ddim wedi newid llawer dros y 10 mlynedd diwethaf. Dŷn ni yn y broses, fel mae'n digwydd, o wneud cais i lunio elusen i edrych ar ôl ochr gelfyddydol ein gweithgaredd ni yng Nghlwb Ifor Bach. Pe bai'r cais yna'n llwyddiannus, yn amlwg mi fydd, gobeithio, y trethi lleol yn rhywbeth y byddwn ni'n gallu delio â nhw. Achos mae lot o ganolfannau cerddoriaeth fyw, erbyn hyn, yn gwmnïau buddiant cymunedol, ond am wahanol resymau, does dim llawer ohonyn nhw wedi ffurfio fel elusen. Dwi'n ymwybodol o un ym Manceinion, ond mae'n bosibl taw ni, os byddwn ni'n llwyddiannus, fydd un o'r rhai cyntaf eraill i wneud hynny. A dwi'n meddwl, o edrych ar y trafferthion mae'r sector wedi'u cael, a pha mor anodd mae wedi bod i'r sector, a'r ffaith bod nawdd yn anodd cael gafael arno, dylai, efallai, edrych ar yr opsiwn i ffurfio elusen fod yn rhywbeth buasai mwy o leoliadau yn ei wneud er mwyn agor mwy o ddrysau i nawdd posibl i fedru eu cynorthwyo nhw efo'u rhaglen. Ond hefyd, mae'n amlwg mae ganddo oblygiadau o ran trethi lleol wedyn hefyd.
English: Yes, we have, and I just want to go back to that point that we started to make earlier, namely the talent stream or pipeline. First of all, before we move on to this idea of having some kind of revenue funding, is the pipeline still there? Is it still flowing in the way that it should, or have things changed?
Welsh: Rŷn ni wedi, ac roeddwn i'n moyn jest mynd yn ôl i'r pwynt yna y gwnaethon ni ei ddechrau yn gynharach, sef y ffrwd o dalent. Yn gyntaf, cyn ein bod ni'n symud ymlaen i'r syniad o gael rhyw fath o gyllido refeniw, ydy'r ffrwd yn dal i fod yna? Ydy e dal yn llifo yn y ffordd y dylai, neu ydy pethau wedi newid?
English: Yes. Just in this last week - . Sam Fender, an artist that Sŵn put on at 10 Feet Tall 18 months ago - tickets have gone on sale for a gig at the Motorpoint this morning. So, in 18 months he's gone from a 100-person local venue to a 7,000-person venue. And there are other examples of that, of artists who come through. I always say that we have bands on the way up, and we have them on the way back down. Coldplay last year - they played in Clwb in 2002. When they did two gigs in the stadium last year, they said they hadn't been in Cardiff since they played in Clwb 15 years ago, and part of that has been the lack of infrastructure in the city to have them when they play to 1,000 people, 2,000, 5,000 or 10,000. I can list dozens of artists that have started off touring in places like Clwb, which are now headlining in big festivals or performing in major arenas. And I think the latest statistics said that 60 per cent of the arena-level artists started in venues such as Clwb. And that's the point - without places like us, bands don't start off. That's where they develop their skills and see what works, but also that's where they develop their audience. If they go on tour, 10 dates around Britain, playing to 200 people each time, then when it comes to the summer festivals, those 200 people attend, and then that's 2,000 people watching them. So, it develops and builds, and if they have the commitment and the songs, then they can make a career out of that.
Welsh: Ydy. Dim ond yn yr wythnos diwethaf yma - . Sam Fender, artist y gwnaeth Sŵn roi ymlaen yn 10 Feet Tall 18 mis yn ôl - mae tocynnau wedi mynd ar werth ar gyfer gig yn y Motorpoint y bore yma. So, mewn 18 mis mae e wedi mynd o leoliad a oedd yn dal 100 o bobl i leoliad sy'n dal 7,000. Ac mae yna esiamplau di-ri fel hynny o artistiaid sy'n dod trwyddo. Dwi wastad yn dweud, dŷn ni'n cael bandiau ar y ffordd i fyny, a dŷn ni'n eu cael nhw ar y ffordd nôl i lawr. Coldplay llynedd - gwnaeth Coldplay chwarae yn Clwb yn 2002. Pan wnaethon nhw wneud dwy gig yn y stadiwm llynedd, gwnaethon nhw ddweud nad ydyn nhw wedi bod yng Nghaerdydd ers iddyn nhw chwarae Clwb 15 mlynedd yn ôl, a rhan o hynny ydy bod yna ddiffyg isadeiledd yn y ddinas i'w cael nhw pan maen nhw'n chwarae i 1,000 o bobl, 2,000 o bobl, 5,000 neu 10,000. Ond galla i restru degau o artistiaid sydd wedi dechrau gan deithio o amgylch llefydd megis Clwb, sydd bellach erbyn hyn yn perfformio mewn arenas neu'n ' headline -io' festivals. A dwi'n meddwl bod ystadegau diweddar yn dweud bod 60 y cant o'r arena-level artists wedi dechrau eu gyrfa mewn canolfannau megis Clwb. A dyna'r pwynt - heb lefydd fel ni, dyw bandiau ddim yn cychwyn. Dyna le maen nhw'n datblygu eu crefft, gweld beth sy'n gweithio, ond hefyd dyna le maen nhw'n datblygu cynulleidfa. Os ydyn nhw'n mynd ar daith yn gwneud 10 dyddiad rownd Prydain, yn chwarae i 200 o bobl yr un, ac wedyn pan maen nhw'n dod i'r gwyliau yn yr haf, mae 200 o bobl o'r lleoliadau yna i gyd, ac wedyn mae 2,000 o bobl yn eu gwylio nhw. Wedyn mae'n datblygu ac yn adeiladu, ac os oes ganddyn nhw'r ymroddiad a'r caneuon, yna maen nhw'n gallu gwneud gyrfa allan ohono fo.
English: So, no problem in terms of that pipeline at the moment. Okay. Now, with regard to revenue funding, one of the things that we were considering when I was a Minister responsible for the Welsh language, for example, was whether it would be sensible to have a network of venues that are funded by the Government, or in another way, to promote music through the medium of Welsh. Now, I understand it's not just Welsh-medium music that's important, but, obviously, it was in the context of the Welsh language. [ Interruption. ] Someone agrees with me already - I'm very pleased to hear that. [ Laughter.] It's very difficult to hear or listen to Welsh language music if you don't plan ahead of time and know where to go. Very often in Ireland, somebody just turns up in a pub and plays in the corner, so you cannot escape from that Irish music, if I can say it like that - it's a vital part of everyday life there. Would it work if we then had a network of clubs or venues, whatever, across Wales - and we'd have to consider in what way they were funded, and whether it would be a tender process and so on. But if we had a network like that, where clubs received funding in order to put on at least a few local bands in order to ensure that talent is developed in the Welsh language and English - that would also help with consideration of what kind of venues the clubs would be, namely clubs that develop talent and not just nightclubs. Would that be something that could work, do you think?
Welsh: Felly, dim problem ynglŷn â bwydo ar hyn o bryd. Ocê. Nawr, y syniad hyn o gyllido refeniw - un o'r pethau roeddwn ni'n ei ystyried pan oeddwn i'n Weinidog a oedd yn gyfrifol am yr iaith Gymraeg, er enghraifft, oedd a fyddai'n beth synhwyrol i gael rhwydwaith o fannau sydd yn cael eu cyllido gan y Llywodraeth, neu mewn ffordd arall, er mwyn hybu cerddoriaeth yn Gymraeg. Nawr, nid jest cerddoriaeth Cymraeg sy'n bwysig, rwy'n deall hynny, ond roedd hyn yn cael ei ystyried â chefndir yr iaith Gymraeg. [ Torri ar draws. ] Mae rhywun yn cytuno'n barod - dwi'n falch iawn o hynny. [ Chwerthin.] Mae'n anodd iawn clywed cerddoriaeth yn Gymraeg os dŷch chi ddim yn cynllunio ymlaen llaw a'n gwybod lle i fynd. Yn Iwerddon, mae yna gerddoriaeth, wrth gwrs, a phobl jest yn troi lan ac yn chwarae, mewn tafarn ar y gornel, felly does dim modd dianc, os ŷch chi'n moyn dweud fel yna, rhag cerddoriaeth Wyddelig - mae'n rhan hanfodol o fywyd yna. A fyddai e'n gweithio petasai ni'n cael rhwydwaith o glybiau, mannau, beth bynnag, ar draws Cymru - a byddai'n rhaid ystyried ym mha ffordd bydden nhw'n cael eu cyllido, ai system tendro fyddai fe neu beth bynnag. Ond petasen ni'n cael rhwydwaith fel yna, lle byddai clybiau yn cael arian er mwyn o leiaf cael rhai bandiau lleol er mwyn sicrhau bod talent yn cael ei ddatblygu yn Gymraeg ac yn Saesneg - hefyd, wrth gwrs, byddai hwnna'n helpu gyda'r ystyriaeth o ba fath o venue yw'r clybiau, sef venue sydd yn datblygu talent ac nid rhywbeth sydd yn cael ei ystyried fel clwb nos, os gallaf i ei roi fe fel yna. A fyddai hwnna yn rhywbeth a allai weithio, ydych chi'n credu?
English: It's difficult. I'm not sure whether, beyond the main cities, there are sufficient audiences to maintain a venue throughout the year. There are places - Aberystwyth, Ceredigion and so forth - but they're backrooms in pubs mostly. Maybe there's more scope to encourage people who are already providing events to do more and to support them, because there are examples that we've seen recently of places, in Carmarthen and so forth, where they've found it very difficult to make it work, to make it financially viable. Part of the problem - . Part of the reason why we put club nights on is that live music isn't sufficient to maintain the business. We need the club nights as well to make it work financially -
Welsh: Mae'n anodd. Dwi ddim yn sicr os oes, tu hwnt i'r prif ddinasoedd, digon o gynulleidfa i gynnal rhywle trwy gydol y flwyddyn. Mae yna lefydd - Aberystwyth, Aberteifi - ond ystafelloedd cefn tafarnau ydy'r rhai yna yn aml. Efallai bod yna fwy o le i annog pobl sydd wrthi'n darparu'n barod i wneud mwy a rhoi cefnogaeth iddyn nhw, achos mae yna esiamplau dŷn ni wedi eu gweld yn ddiweddar o lefydd, yng Nghaerfyrddin neu ble bynnag, lle maen nhw wedi ei ffeindio fe'n anodd iawn i wneud iddo fo weithio, i'w wneud o'n ariannol hyfyw. Rhan o'r broblem - . Dŷn ni, er enghraifft - rhan o'r rheswm dŷn ni'n rhoi nosweithiau clwb ymlaen yw dyw'r gerddoriaeth fyw ei hunan ddim yn ddigon i gynnal y busnes. Mae angen y club nights hefyd i wneud iddo fo weithio'n ariannol -
English: Sorry, just to add one thing, what I'm talking about is a system where there would be revenue funding available. I understand about the other problems -
Welsh: Sori, jest i ychwanegu un peth, beth dwi'n sôn amdano yw system lle bydd yna gyllido refeniw ar gael. Rwy'n deall am y problemau -
English: So, the new idea is that there would be funding - . Well, yes, if there was revenue there, I think that there are plenty of places out there that would welcome the ability to do that, and also promoters in some areas where there is a lack of regular venues - that it would be possible to support promoters who promote in those areas to make it easier for them to put on programmes and then they can do it in more than one place. So, it doesn't have to be perhaps just centred on buildings, but also individuals - .
Welsh: [ Anhyglyw. ] - newydd felly, bod y cyllido - . Ie, petasai yna refeniw yna, dwi'n meddwl bod yna ddigon o lefydd allan yna fuasai'n croesawu'r gallu i wneud hynny, a hefyd hyrwyddwyr mewn rhai ardaloedd lle mae yna ddiffyg lleoliadau rheolaidd - fod yna fodd i gefnogi hyrwyddwyr sydd yn hyrwyddo yn yr ardal yna i'w wneud o'n haws iddyn nhw i roi rhaglen ymlaen, ac wedyn maen nhw'n gallu ei wneud o mewn mwy nac un lle. So, efallai ei fod o ddim yn gorfod bod yn adeiladau yn unig, ond ei fod e'n unigolion gweithgar hefyd neu - .
English: But some kind of fund that promotes and develops talent that is at present not receiving that opportunity. We see that a lot of money is going into the world of opera and so on, and to classical music, but, for me, I don't see that anything similar is available for other categories of music.
Welsh: Ond rhyw fath o gronfa sydd yn hybu a datblygu talent sydd ar hyn o bryd ddim yn cael y cyfle yna. Dŷn ni'n gweld bod yna lot o arian yn mynd i mewn i opera, er enghraifft - dŷn ni'n gallu gweld hynny - ac i gerdd clasurol. Jest, i fi, dwi ddim yn gweld bod yr un peth ar gael i gategorïau eraill o gerdd.
English: What's there is that there's a lot of support for the artists - whether it's the Gorwelion/Horizon scheme, or there are the forms of support that artists can pursue. But what's not there at present is anything for the contemporary music industry. To a certain extent, the artists come and go, but, if there's a way to support the infrastructure behind those artists, there's more structure then to support those artists for longer, hopefully.
Welsh: Beth sydd yna - mae yna lot o gefnogaeth i'r artistiaid, boed y cynllun Gorwelion, neu mae yna gwpwl o bethau nawdd eraill mae artistiaid yn gallu mynd ar eu hôl. Beth sydd ddim yna ar hyn o bryd ydy unrhyw beth ar gyfer y diwydiant cerddoriaeth gyfoes. I ryw raddau, mae'r artistiaid yn mynd a dod, ond, os oes yna fodd o gefnogi'r is-adeiledd sy'n sefyll tu ôl i'r artistiaid, yna mae yna fwy o strwythur wedyn i gefnogi'r artistiaid am gyfnod hirach, gobeithio.
English: So, there is funding for you as an artist, but you have to play out on the street.
Welsh: So, mae arian ar gael ichi fel artist, ond mae'n rhaid ichi chwarae ar yr hewl.
English: Okay. One other thing, just with regard to rehearsal spaces: what's the situation in Wales in that regard?
Welsh: Ocê, un peth arall te, jest ynglŷn â mannau ymarfer: beth yw'r sefyllfa yng Nghymru ynglŷn â hynny?
English: I know that in Cardiff it's good, but you -
Welsh: Dwi'n gwybod yng Nghaerdydd, mae o'n dda, ond rwyt ti'n -
English: We have no time for further questions. We've gone way over time, but if there are any additional comments that you have, particularly perhaps with regard to a lack of people studying music, we'd be very interested in those views, if you could send in a short passage on that. It's not direct to you.
Welsh: Does dim amser gyda ni am fwy. Dŷn ni wedi mynd lot dros amser, ond os oes unrhyw sylwadau ychwanegol, yn enwedig am efallai y diffyg pobl yn astudio cerddoriaeth, byddai diddordeb - os oes pwt ychwanegol rydych chi'n gallu ei roi inni fel pwyllgor, byddai hwnna'n helpu. Dyw e ddim yn direct ichi.
English: Okay. If it's not relevant, please don't feel that you have to write anything. Thank you for coming in to give evidence. We look forward to collaborating with you on this report. Thank you very much. We'll take a short break of two minutes now, Members. Thank you.
Welsh: Ocê. Wel, os dyw e ddim yn berthnasol, paid â phoeni; paid ag ysgrifennu unrhyw beth atom ni, felly. Diolch ichi am ddod mewn i roi tystiolaeth, a dŷn ni'n edrych ymlaen at gydweithio gyda chi ar yr adroddiad yma. Diolch yn fawr iawn. Fe wnawn ni gymryd seibiant o ddwy funud nawr, Aelodau. Diolch.
English: Thank you and welcome back to committee. We move on to item 3, the music industry in Wales, and an evidence session with venue owners and those who manage venues across Wales. Welcome to Samantha Dabb, who works at Le Public Space in Newport, and then Gary Lulham, from Sin City Club in Swansea. So, thank you very much for joining us today. We're going to have themed questions from Assembly Members, so we'll go straight to questions, if that's okay with you, and the first question is from me: what are your views on what's changed in the music scene? Has it improved? Has it evolved? Have you seen changes that aren't quite as positive? What's your general view?
Welsh: Diolch, a chroeso nôl i'r pwyllgor. Rydym ni'n symud ymlaen nawr at eitem 3, ymchwiliad i gerddoriaeth fyw yng Nghymru, sesiwn dystiolaeth gyda pherchnogion a phobl sy'n rheoli lleoliadau ar draws Cymru. Croeso i Samantha Dabb, sydd yn gweithio yn Le Public Space yng Nghasnewydd, ac wedyn i Gary Lulham, Clwb Sin City Abertawe. Felly, diolch ichi am ddod atom. Rydym ni'n mynd i gael cwestiynau ar sail themâu gwahanol gan Aelodau Cynulliad, felly awn ni yn syth mewn i gwestiynau, os yw hwnna'n iawn gyda chi. Y cwestiwn cyntaf gen i yw: beth ydych chi'n credu sydd wedi newid o ran y sîn gerddoriaeth? Ydy hi wedi gwella? Ydych chi wedi ei gweld hi yn esblygu? Ydych chi wedi gweld newidiadau sydd ddim mor bositif? Beth yw'ch barn gyffredinol?
English: We have touched on venues, and I know that there is a new major venue being created in Cardiff Bay. Do you think that that's the answer? Do you think that we need more investment and funding for the smaller venues so that they can inspire other people to play, then, later in their careers in those larger venues? What's your opinion on that?
Welsh: Rŷn ni wedi cyffwrdd â lleoliadau, a dwi'n gwybod bod lleoliad newydd eithaf mawr yn mynd i gael ei greu ym Mae Caerdydd. A ydych chi'n credu mai dyna yw'r ateb, neu ydych chi'n credu bod angen mwy o arian a buddsoddiad mewn llefydd llai fel eu bod nhw'n gallu bod yn ysbrydoliaeth i bobl allu chwarae yn y llefydd mawr yna sy'n bodoli hefyd? Beth yw'ch barn chi ar hynny?
English: Moving on to John Griffiths.
Welsh: Symud ymlaen nawr - John Griffiths.
English: We move on now to item 4 and the motion to exclude the public from the remainder of the meeting. Everyone content? Thank you.
Welsh: Rydym ni'n symud ymlaen nawr at eitem 4, cynnig o dan Reol Sefydlog 17.42 i wahardd y cyhoedd o weddill y cyfarfod. Ydy pawb yn hapus ac yn llawen? Diolch.
English: Thank you very much, Chair. Just going into some of the details of this issue, do you believe that legislation is necessary in relation to the duty of quality that is set out in Part 2 of the Bill? Why isn't it sufficient to issue detailed guidance in relation to the existing duty under the 2006 Act?
Welsh: Diolch yn fawr, Cadeirydd. I jest fynd i mewn i rhai o'r manylion, felly, ydych chi'n credu, felly - a oes angen deddfwriaeth mewn perthynas â'r dyletswydd ansawdd a nodir yn Rhan 2 o'r Bil? Pam nad yw hi'n ddigonol cyhoeddi canllawiau manwl mewn perthynas â'r ddyletswydd bresennol o dan Ddeddf 2006?
English: Moving on to Part 3 of the Bill, which places a duty of candour on NHS bodies, why has the detail of what the duty of candour actually is and how it will work in practice not been included on the face of the Bill?
Welsh: Ocê. Symudwn ni ymlaen i Ran 3 o'r Bil, sy'n rhoi dyletswydd gonestrwydd ar gyrff y gwasanaeth iechyd. Pam nad oes manylion wedi'u cynnwys ar wyneb y Bil am beth yw'r ddyletswydd gonestrwydd mewn gwirionedd a sut y bydd yn gweithio yn ymarferol?
English: We'll move on now to section 4, which follows on from this and which requires regulations to be made in relation to when the duty of candour has come into effect. Is there mention of any sanction in relation to a failure to comply with the duty of candour? In England, such failures in terms of adhering to the regulations are subject to a fine or a similar sanction. So, is there an intention to use penalties or sanctions for failing to comply with the duty of candour, and, if so, why are they not referenced on the face of the Bill?
Welsh: Ocê. Symudwn ni ymlaen i adran 4, sy'n dilyn o'r hyn ac sy'n ei gwneud hi'n ofynnol i reoliadau gael eu gwneud mewn perthynas â phryd mae'r ddyletswydd gonestrwydd yn dod i rym. Oes yna unrhyw sôn am unrhyw fath o gosb pan fydd y rheoliadau yma ddim yn cael eu gweithredu fel y dylen nhw? Yn Lloegr, mae methiannau i beidio â dilyn rheoliadau o'r fath yn cael eu dirwyo neu sancsiwn tebyg. Felly, oes yna fwriad i ddefnyddio cosbau neu sancsiynau am fethu â chydymffurfio efo'r ddyletswydd gonestrwydd, ac, os felly, pam nad oes yna gyfeiriad atyn nhw ar wyneb y Bil?
English: In the same manner - the final question I have in this section - sections 5, 6, 7 and 8 of the Bill require reports on the duty of candour to be prepared, to be supplied and to be published, and I quote, 'as soon as practicable' after the end of each financial year. What are the consequences of failing to comply with these requirements as soon as practicable?
Welsh: Yn yr un modd - dyma'r cwestiwn olaf sydd gen i nawr - mae adrannau 5, 6, 7 ac 8 o'r Bil yn ei gwneud hi'n ofynnol i adroddiadau dyletswydd gonestrwydd gael eu paratoi, eu darparu a'u cyhoeddi - a dwi'n dyfynnu nawr - 'cyn gynted ag y bo'n ymarferol' ar ôl diwedd pob blwyddyn ariannol. Beth ydy canlyniadau methu â chydymffurfio â'r gofynion cyn gynted ag y bo'n ymarferol?
English: Moving on to delegated powers now, under this Bill. And again, given the significance of the content of the regulations relating to the duty of candour procedure again, as set out in section 4 (2) and section 4 (3) of the Bill, why are those regulations not subject to the affirmative procedure?
Welsh: Symud ymlaen i bwerau dirprwyedig rŵan, o dan y Bil yma. Ac eto, o ystyried arwyddocâd cynnwys y rheoliadau sy'n ymwneud â'r weithdrefn dyletswydd gonestrwydd eto, a'r rheini sydd wedi cael eu nodi yn adran 4 (2) ac adran 4 (3) o'r Bil, pam nad yw'r rheoliadau hynny'n ddarostyngedig i'r weithdrefn gadarnhaol i ddod â nhw i mewn i fodolaeth?