techiaith/cofnodycynulliad_en-cy huggingface dataset:
English: I would agree. The sooner the better children and young people have an opportunity to absorb all kinds of music. I have to say, the wonderful work that Trac are doing in providing opportunities for young people - . I'm thinking back to when I was a teenager, the profile of traditional music wasn't very high at that time, and there were no opportunities either to experience that type of thing. But by partnering - and Danny can expand on this - with the Urdd, I think that is a way of offering opportunities for young people to become more confident, to open their eyes and to open a door to them to an entirely different field of music. And one can see the progress, in a way, in the way that the profile of traditional music has grown among young people through courses such as those Trac hold, and I think that's extremely important.
Welsh: Dwi'n cytuno. Gorau po gyntaf mae pobl ifanc a phlant yn cael y cyfle i amsugno pob math o gerddoriaeth. Mae'n rhaid dweud, mae'r gwaith arbennig y mae Trac yn ei wneud yn darparu cyfleoedd i bobl ifanc - . Dwi'n meddwl yn ôl i pan oeddwn i yn fy arddegau, doedd proffil cerddoriaeth draddodiadol ddim yn uchel iawn adeg hynny, a doedd yna ddim cyfleoedd chwaith i brofi'r math yna o beth. Ond drwy bartneru - bydd Danny'n gallu ymhelaethu ar hyn - efo'r Urdd, dwi'n meddwl bod hynny'n fodd i roi cyfleoedd i bobl ifanc i fagu hyder ac i agor eu llygaid nhw ac i agor y drws iddyn nhw i faes hollol wahanol o gerddoriaeth. Mae rhywun yn gweld y cynnydd, mewn ffordd, yn y ffordd y mae proffil cerddoriaeth draddodiadol ymysg pobl ifanc wedi'i godi trwy gyrsiau fel mae Trac yn gwneud, a dwi'n meddwl bod hwnna'n rhywbeth aruthrol o bwysig.
English: What I think is also a great concern is how many schools now don't offer - there are internal problems in schools so they don't offer music as an A-level, but by now, there are so many schools that don't even offer music GCSE, and I think that the central emphasis on music is being lost entirely. That's a cause of great concern, I think. Because if children have to travel so many miles to study music in some other school, the risk is that they won't choose the subject at all, and that does cause me concern.
Welsh: Beth dwi'n meddwl sy'n bryder mawr hefyd ydy cymaint o ysgolion, erbyn hyn, sydd ddim, wrth gwrs, yn cynnig - mae yna broblemau mewnol o fewn ysgolion sydd ddim yn cynnig lefel A cerddoriaeth, ond erbyn hyn, cymaint o ysgolion sydd ddim yn cynnig TGAU cerddoriaeth, a dwi'n meddwl bod y pwyslais canolog yna ar gerddoriaeth yn cael ei golli'n llwyr. Mae hwnna'n bryder mawr, dwi'n meddwl. Os ydy plant yn gorfod teithio hyn a hyn o filltiroedd i wneud cerddoriaeth mewn rhyw ysgol arall, y peryg ydy eu bod nhw ddim yn mynd i ddewis y pwnc o gwbl, ac mae hwnna'n bryder.
English: Chair, could I just correct you? I am nothing to do with Radio Cymru.
Welsh: Mr Cadeirydd, gaf i jest eich cywiro chi? Dydw i ddim byd i'w wneud efo Radio Cymru.
English: Just to inform you as a committee, I have been involved with the music scene since the 1970s as a band member, usually folk groups, but I'm now the organiser of the Sesiwn Fawr Dolgellau festival, and also involved with Tŷ Siamas, which is a folk centre in Dolgellau. Thank you.
Welsh: Jest i adael i'r panel wybod, dwi wedi bod yn ymwneud â'r sîn gerddoriaeth ers y 1970au fel aelod o fand, grwpiau gwerin fel arfer, ond bellach yn drefnydd gŵyl Sesiwn Fawr Dolgellau, ac hefyd yn ymwneud â Tŷ Siamas, y ganolfan werin yn Nolgellau. Diolch yn fawr i chi.
English: I'm talking now from the point of view of someone who performs a great deal around Wales, because if you don't know, the act that I do, the Welsh Whisperer, is a kind of rural folk music entertainment, and I perform in many small venues, going up to middle-sized venues, so these venues hold up to 100 or sometimes up to 200 people. I'm very busy so that's a good thing for me. My world is a very healthy one but it's very amateur in terms of when I turn up to a venue, there's nothing there - I have to bring everything myself. So, although there's a call for Welsh-medium entertainment, particularly for me out in rural Wales, I certainly think that the world of Welsh entertainment needs some support.
Welsh: Dwi'n siarad o safbwynt rhywun sydd yn perfformio lot o gwmpas Cymru, achos os dydych chi ddim yn gwybod, yr act dwi'n wneud, Welsh Whisperer, mae e'n rhyw fath o adloniant cefn gwlad, adloniant canu gwlad, a dwi'n chwarae mewn lot o leoedd eithaf bach, efallai, i rai canolig, so venues sy'n dal efallai hyd at 100 o bobl, weithiau 200, rhywbeth fel yna. Dwi'n brysur iawn felly mae hwnna'n beth da i mi. Mae'r byd dwi ynddo yn eithaf iach ond mae'n amaturaidd iawn yn y ffordd - . Pan dwi'n troi fyny i lefydd a does yna ddim byd yna - yn aml, dwi'n dod â phopeth fy hun. Felly, er bod yna alw am adloniant Cymraeg, yn enwedig i fi yng nghefn gwlad, dwi'n meddwl bod yna'n bendant angen cymorth ar y byd adloniant Cymreig.
English: Yes, I agree, and I'd just like to add that many of the more traditional venues such as village halls, for example, where I tend to play, and there are many Welsh language gigs in such venues, but you'll often turn up and the set-up isn't great, and this all has an impact on the standard of the night. And then, ultimately, people are going to be less willing to pay £8, £10, £15, to go to something that is essentially quite amateurish. The standard of the entertainment is there, but the set-up is more amateur.
Welsh: Ie, dwi'n cytuno, a jest i ychwanegu at hwnna hefyd, mae lot o leoliadau mwy traddodiadol, fel neuaddau pentref, er enghraifft, lle dwi'n dueddol o chwarae, ac mae yna lot o gigs yn yr iaith Gymraeg yn digwydd yn y llefydd yma, ond yn aml ti'n troi i fyny a dyw'r set-up ddim yn grêt, ac mae hyn i gyd yn effeithio ar safon y noson. Wedyn, yn y pen draw, dwi'n meddwl bod pobl yn mynd i fod yn llai bodlon i dalu £8, £10, £15, i fynd i rywbeth sydd yn y bôn yn rhywbeth eithaf amaturaidd. Mae'r safon adloniant yna, ond mae'r set-up i gyd yn fwy amaturaidd.
English: The reality of the situation is that as bands improve and become more professional, their technical requirements also increase. So a band can't simply turn up with a couple of speakers and get on the stage. You have to hire a PA, which increases the costs. You might need a support band, which again increases costs and increases the risk level every time. So, yes.
Welsh: Realiti'r sefyllfa ydy wrth i'r bandiau wella a mynd yn fwy proffesiynol eu naws, mae eu gofynion technegol nhw yn cynyddu. Felly dydy band ddim jest yn gallu troi i fyny efallai efo cwpwl o speakers, ac ymlaen. Hynny yw, mae rhaid llogi PA, sydd yn cynyddu'r costau. Band arall, efallai, fel support, sydd yn cynyddu'r costau, sydd yn cynyddu'r risg bob tro. Felly, ie.
English: Well, speaking from my knowledge of Gwynedd generally, south Gwynedd, the venues in south Gwynedd are very scarce. There are some pubs that will put on entertainment and some village halls that put on entertainment more generally, and we do have a few centres such as Tŷ Siamas, which I've mentioned. But centres or venues that have as a main aim the holding of musical events in south Gwynedd just aren't in place. There are a few more further north, aren't there, Andrew?
Welsh: Wel, dwi'n siarad o'm gwybodaeth o Wynedd yn gyffredinol, de Gwynedd, ac mae lleoliadau perfformio yn ne Gwynedd yn brin iawn. Hynny yw, mae yna rai tafarndai, efallai, yn rhoi adloniant. Mae yna rai neuaddau pentref sydd yn rhoi adloniant, yn gyffredinol, ac mae gennym ni ambell ganolfan fel Tŷ Siamas dwi wedi nodi. Ond canolfanau sydd yn bennaf efo un gorchwyl o gynnal cerddoriaeth yn ne Gwynedd, dydyn nhw ddim yn bodoli. Mae yna ambell un fwy i'r gogledd, on'd oes, Andrew?
English: Well, yes. I think there may be a gap between the village halls and the larger theatres. There is a gap there, but I don't think that we are necessarily talking about building or opening more centres. I think we need to invest in what we already have. That's the way forward. A village hall is usually run by a handful of people who live locally - often a little older - and they don't necessarily know about lighting, sound, or promotion activities, even down to how to create a poster. I do a number of evenings where the poster has been done on Word and they've used clip art, and it's not really going to attract people, particularly young people. It just looks old-fashioned, if truth be told. So I do think that support to assist people, just to make things look a little more slick and professional will move people in that direction where they're willing to pay £5 or £10 and they're willing to turn up. The better the night, the more confidence it gives the artist, and the more they're going to think, 'Well, yeah, I want to do this again.' Because when it goes brilliantly, it goes brilliantly, but when it doesn't, it doesn't.
Welsh: Oes. Mae yna, dwi'n meddwl, efallai gap rhwng y neuaddau pentref yma a'r theatrau mawr. Mae yna gap ar gyfer pethau fel yna, ond dwi ddim yn meddwl ein bod ni'n sôn am eisiau adeiladu neu agor mwy o ganolfannau, ond buddsoddi yn yr hyn sydd gennym ni, dwi'n meddwl, yw'r ffordd ymlaen. So mae neuadd bentref, er enghraifft, fel arfer yn cael ei rhedeg gan lond llaw o bobl leol - weithiau pobl ychydig bach yn hŷn - ac wedyn efallai nad ydynt yn gwybod llawer am y gofynion golau, sain ac hyrwyddo, hyd yn oed pethau lawr i greu poster. Dwi'n gwneud tipyn o nosweithiau lle mae wedi cael ei wneud ar Word, ac mae clip art yn dal i fynd rownd, a ti'n meddwl, 'Dyw e ddim yn really mynd i ddenu, yn enwedig pobl ifanc.' Mae e jest yn edrych bach yn hen ffasiwn, a dweud y gwir. So dwi'n meddwl byddai cymorth i helpu pobol jest i wneud pethau i edrych bach yn fwy slic - mae e'n symud pobol yn y cyfeiriad, 'Ocê, mi wnaf i dalu £5 neu £10 am hwn, ac mi wnaf i droi i fyny.' Y gorau yw'r noson, y mwyaf o hyder mae'n rhoi i'r artist, ac wedyn y mwyaf maen nhw'n mynd i feddwl, 'Ti'n gwybod beth? Dwi eisiau gwneud hwn eto.' Achos pan mae'n mynd yn grêt, mae'n mynd yn grêt, on'd yw e? Ond pan dyw e ddim, dyw e ddim.
English: These halls and these venues don't know where to turn, very often. The expertise isn't there. It's easy to find the answer. You can buy in resources, perhaps, and of course if you do hold a series of nights, you will be paying quite substantial sums, and quite possibly it would have been easier for them to take advantage of the basic funding of getting that equipment in, so they wouldn't have had to be making these extra payments. But I think there are excellent models out there in places such as France, for example, where they teach sound technicians. If you want to be a sound technician in France, you get that training. And if you go to any village hall or pub, wherever you go, the standard is excellent. And the same is true of performers in France, also. There is financial support available for them at the beginning of their career, when it is quite difficult to start otherwise.
Welsh: Dydy'r neuaddau yma a'r lleoliadau yma ddim yn gwybod lle i droi yn aml iawn am yr arbenigedd chwaith. Mae'n hawdd cael yr ateb. Mae'n hawdd prynu'r adnoddau i mewn, ac os ydych chi'n cynnal cyfres o nosweithiau, yna rydych chi'n talu'n sylweddol, ac yn y pen draw, mae'n bosib iawn y byddai wedi bod yn haws iddyn nhw fanteisio ar wariant sylfaenol i gael yr offer yma i mewn, fel bod yna ddim taliad ychwanegol. Ond, ie, dwi'n meddwl bod yna fodelau gwych allan yna, a dweud y gwir - mewn llefydd fel Ffrainc, er enghraifft. Mae Ffrainc yn dysgu technegwyr sain. Os ydych chi eisiau bod yn dechnegydd sain yn Ffrainc, rydych chi'n cael yr hyfforddiant. Ac ewch chi i unrhyw neuadd bentref, tafarn, rhywle yno, mae'r safon yn arbennig. Ac mae'r un peth yn wir am berfformwyr hefyd yn Ffrainc. Mae yno gymorth ariannol yno iddyn nhw gael cychwyn ar eu gyrfa, lle mae'n anodd iawn cychwyn fel arfer.
English: I have made inquiries about this. I personally haven't received any information on this, because I was made aware of this mapping in the Wrexham meeting, and I have made inquiries and as far as I know, Tŷ Siamas hasn't been contacted. As far as I know at the moment, at least.
Welsh: Dwi wedi gwneud ymholiadau ynglŷn â hyn, a dydw i ddim yn bersonol wedi cael y wybodaeth, achos mi ges i wybod am y mapio yma yn y cyfarfod yn Wrecsam. Dwi wedi gwneud ymholiad, ac hyd y gwn i, nid ydy Tŷ Siamas ddim wedi cael cyswllt. Hyd y gwn i ar hyn o bryd.
English: No, I heard about it for the first time in Wrexham, also. I hadn't heard of it before.
Welsh: Oce, na, ond clywais i am hwnna am y tro cyntaf yn Wrecsam hefyd, a doeddwn i ddim yn gwybod am hwnna.
English: But it would be something we'd want to be part of, certainly.
Welsh: Ond mi fyddai fo'n rhywbeth y byddwn ni'n dymuno bod yn rhan o, yn sicr.
English: Shall I take this?
Welsh: Gwnaf i gymryd hon, ie?
English: Yes, you'd better had.
Welsh: Ie, well i ti, mêt, ie.
English: And they depend a lot on volunteers.
Welsh: Ac maen nhw'n dibynnu lot ar wirfoddolwyr.
English: Well, yes, entirely on volunteers. There is great dependence. We have one person who works for us one day a week, in quite a large festival in the Welsh language sector. And the rest of us, some 20 of us, are volunteers, who offer our time throughout the year to ensure that it works.
Welsh: Yn llwyr ar wirfoddolwyr - yn llwyr ar wirfoddolwyr. Mae gennym ni un person yn gweithio i ni un diwrnod yr wythnos, mewn gŵyl gymharol fawr yn y Gymry Gymraeg. Mae'r gweddill ohonom ni, gryn 20 ohonom ni, yn wirfoddolwyr sydd yn rhoi o'n hamser trwy'r flwyddyn i wneud yn siŵr bod y peth yn gweithio.
English: I never received funding specifically, but I had been involved with it. I did attend a few meetings and a few seminars, but I never benefited financially from it and as far as I know, I don't think Sesiwn Fawr benefited from it, either, but that was perhaps our fault; I'm not blaming the foundation for that. I don't remember the circumstances, but I do remember attending a few meetings, certainly.
Welsh: Gwnes i erioed gael arian yn benodol, ond mi oeddwn i wedi bod yn rhan ohono fo. Mi fues i mewn ambell i gyfarfod, os dwi'n cofio'n iawn, ac mewn ambell i seminar, ond gwnes i erioed gael budd ariannol allan ohono fo. Hyd y gwn i, dwi ddim yn meddwl bod y Sesiwn Fawr chwaith wedi, yn sicr fel clwb, chwaith - naddo. Ond, efallai bod hynny'n fai arnom ni, cofiwch; dwi ddim yn beio'r sefydliad am funud. Dydw i ddim yn cofio'r amgylchiadau'n iawn, ond dwi yn cofio bod mewn ambell gyfarfod, yn sicr.
English: I think that, certainly, professional equipment would be one thing - things such as sound and lighting equipment and also promotion. Promotion is something that is very important, because a great deal of people put a lot of work into these nights, and then, when someone turns up and there aren't many people there, that's a loss to the people who are organising and it's not good for the artists or the community, either - everyone loses out. I'm just comparing this with the world of books, because two years ago, Y Lolfa asked me to write a small book, and I did so. Right from the outset, I was offered support from talking about what the content would be to what the cover would look like. I was assisted in editing the book, I was helped throughout the process, and then, when the book was ready to go, there was an advert on the at tv at Christmas time, there was a small leaflet in all the papurau bro and in Golwg magazine. Just imagine if that were the same for my latest CD, I'm sure I'd have sold a great deal more of them. So, that kind of support is so very valuable. There are so many things that battle against artists, which makes it more likely for them to think, 'Oh, I'm not going to do this seriously; it's just going to be a hobby on the side for me.' But, certainly, I think that equipment, lights and expertise in promotion would be helpful.
Welsh: Dwi'n meddwl, yn bendant, offer proffesiynol - pethau fel offer sain, goleuo a hefyd hyrwyddo. Mae hyrwyddo yn rhywbeth pwysig iawn, achos mae lot o bobl yn rhoi lot o waith i mewn i nosweithiau ac wedyn pan fydd rhywun yn troi i fyny a does dim llawer o bobl yna, mae e'n golled i'r bobl sy'n trefnu ac, wrth gwrs, dyw e ddim yn dda i'r artistiaid na'r gymuned chwaith. Mae pawb yn colli allan, felly. Dwi jest yn cymharu hwn gyda'r byd llyfrau, achos dwy flynedd yn ôl gwnaeth gwasg Y Lolfa ofyn i fi ysgrifennu llyfr bach, a gwnes i wneud. Reit o'r cychwyn, fe ges i gymorth: 'Reit, beth yw cynnwys y llyfr yma? Sut fath o glawr ydyn ni'n mynd i wneud?' Ces i help i olygu'r llyfr a reit trwy'r broses, ac wedyn, pan oedd y llyfr yn barod, roedd hysbyseb ar y teledu amser Nadolig, roedd pamffled bach yn y papurau bro i gyd ac yng nghylchgrawn Golwg. Dwi jest yn dychmygu os oedd hwnna'r un peth gyda fy CD diweddaraf, dwi'n siŵr y byddwn i wedi gwerthu lot mwy ohonyn nhw. So, mae e'n gymorth amhrisiadwy, rili. Mae lot o bethau yn erbyn artistiaid, ac mae'n eu gwneud nhw'n fwy tebygol o jest feddwl 'Dwi ddim yn mynd i wneud hwn; mae e jest yn mynd i fod yn hobi bach ar yr ochr.' Ond yn bendant, dwi'n meddwl offer, goleuni ac arbenigedd hyrwyddo.
English: Following on immediately from that, I wanted to ask a few questions about the Arts Council of Wales and what your experience has been of it. I know - we've already heard earlier today about the Night Out scheme. There may be some things that you would like to see changed there but, generally speaking, do you believe that the support that the arts council offers is sufficient? Andrew, you've suggested that the same support is not available for music as it is for literature. Within the musical world, do you think that the support is equitable between different genres, for the Welsh language, in terms of how funding is decided?
Welsh: Yn dilyn ymlaen yn syth o hynny, rwy'n mynd i ofyn ychydig o gwestiynau am Gyngor Celfyddydau Cymru a'ch profiad chi gyda hwnnw. Rwy'n gwybod - wel, dŷn ni wedi clywed yn barod yn gynharach heddiw am y cynllun Noson Allan. Efallai bod rhai pethau y byddech chi eisiau gweld yn newid o ran hynny ond, yn gyffredinol, ydych chi'n meddwl bod y cymorth mae'r cyngor celfyddydau yn ei roi yn ddigonol? Andrew, dŷch chi wedi awgrymu efallai dydy'r un cymorth ddim ar gael ar gyfer cerddoriaeth ag sydd ar gyfer llenyddiaeth. O fewn y byd cerddorol, ydych chi'n meddwl bod y cymorth yn gyfartal ar gyfer y genres gwahanol, ar gyfer yr iaith Gymraeg, ar gyfer sut mae cyllid yn cael ei benderfynu?
English: In terms of the arts council, I've had a few dealings with them. I've done a few things where I've been paid by them. But I think what's important here is not only looking at, 'Okay, where can we get the next few pounds?', and throwing money at something; I don't think that will work. What's more important is to have a strategy and a structure in place where people can get support, not just financial support but support in terms of career development, because I now am out 60 or 70 times a year, sometimes in very small venues and sometimes in slightly larger venues, and that's fine. But if I wanted to take the next step I'd say, 'Fine, there's demand for this music in Ireland and in Scotland'. If I want to tour Scotland, where am I going to go? How am I going to do it? Other than just phoning people up myself, most agencies and promoters don't - [ Interruption.]
Welsh: O ran y cyngor celfyddydau, dwi wedi delio efo nhw ychydig bach. Dwi wedi gwneud cwpwl o bethau lle dwi wedi cael fy nhalu ganddyn nhw. Ond dwi'n meddwl beth sy'n bwysig fan hyn yw nid yn unig i edrych ar, 'Reit, o le dŷn ni'n gallu cael y geiniog nesaf?', a jest mewn ffordd, taflu arian at wahanol bethau; dwi ddim yn meddwl bod hynny'n mynd i weithio o gwbl. Beth sy'n bwysicach yw cael strategaeth a strwythur lle mae pobl yn gallu cael cymorth hefyd, dim jest cymorth ariannol ond cymorth gyda, 'Reit, lle dwi'n mynd i fynd nesaf yn fy ngyrfa?', achos, er enghraifft, dwi nawr allan 60, 70 gwaith y flwyddyn, weithiau mewn llefydd rili bach, weithiau mewn llefydd bach yn fwy, ac mae'n iawn. Ocê, dwi'n gwneud hynny, ond os dwi eisiau mynd i'r cam nesaf dwi'n meddwl, 'Reit, mae galw am y gerddoriaeth yma yn Iwerddon a'r Alban'. Os dwi eisiau gwneud taith o'r Alban, lle dwi'n mynd i fynd? Sut dwi'n mynd i'w wneud e? Heblaw am trio ffonio pobl i fyny fy hun, dyw'r rhan fwyaf o asiantau neu hyrwyddwyr mawr ddim yn siarad efo pobl - [ Torri ar draws.]
English: That might have been a record deal coming through. But I am surprised that people don't deal with individuals usually, so I do think we need some sort of board or some advice where experienced people who understand Wales and understand the scene in Wales, because it is different, and it's an important point that you make that the Welsh language entertainment scene is slightly different to the English language entertainment scene in Wales, particularly perhaps in terms of the folk scene and my particular genre, where I do quite alternative performances in agricultural shows or in barns, which aren't normal for everyone. But it is important, I think, that we have somewhere to go and somewhere to seek support.
Welsh: Record deal oedd hwnna. Dwi'n synnu nad ydyn nhw'n siarad efo unigolion fel arfer, so mae eisiau rhyw fath o, dwi ddim yn gwybod, bwrdd neu gyngor, neu rywbeth lle mae pobl brofiadol sy'n deall Cymru, deall y byd Cymraeg, achos mae e'n wahanol, ac mae'n bwynt bwysig rwyt ti wedi ei wneud fanna - bod y byd adloniant iaith Gymraeg tipyn bach yn wahanol i'r byd adloniant Saesneg yng Nghymru, yn enwedig efallai'r byd gwerin a'r byd dwi ynddo lle dwi'n gwneud lot o berfformiadau eithaf amgen, mewn sioeau amaethyddol ac weithiau mewn cae neu mewn sied, sydd ddim yn arferol i bob un. Ond mae'n bwysig bod gennym ni rywle i fynd a rhywun i holi.
English: Thank you. Have you had any role in working with the Welsh Government on their plans for Creative Wales?
Welsh: Diolch. Ydych chi wedi cael unrhyw rôl o ran gweithio gyda Llywodraeth Cymru gyda'u cynlluniau nhw ar gyfer Cymru Greadigol?
English: I assumed not, but I just wanted to ask the question. Okay, thank you.
Welsh: Na. Roeddwn i'n cymryd ddim, ond roeddwn i jest eisiau gofyn. Ocê, diolch yn fawr.
English: Thank you. You've talked about the talent pipeline, saying that the standard is high but that the sector is not necessarily healthy. It sounded to me as if there are problems in terms of ensuring that there are enough numbers of professionals working on the production side, perhaps. Now, there are costs for bands, I know, as you've said, but is there a problem there in terms of a lack of talent among those who support bands? So, those who have skills in production or organising some event.
Welsh: Diolch. Roeddech chi'n siarad am y ffrwd o dalent, yn dweud bod y safon yn uchel ond bod y sector ddim yn iach. Roedd e'n swnio i fi fel bod yna broblemau ynglŷn â sicrhau bod digon o bobl broffesiynol yn gweithio yn y maes cynhyrchu, efallai. Mae costau, wrth gwrs, i fandiau, rydych chi wedi dweud hwnna'n iawn. Oes yna broblem fanna ynglŷn â phrinder talent ynglŷn â'r rheina sydd yn cefnogi bandiau, sef rheina sydd â sgiliau cynhyrchu mewn unrhyw fath o ddigwyddiad?