techiaith/cofnodycynulliad_en-cy huggingface dataset:
English: Well, it's an interesting opportunity, I think, because it's a large amount of money. Again, it is an important step in terms of getting balance in the creative sector in Britain where there is so much emphasis on London. I also think it's an opportunity, because I think a lot of the story over the past decade has been about drama, and I think there is an opportunity for Wales to develop a reputation on a UK level and internationally in terms of factual output. Certainly, Channel 4 will look at factual. It's important for us in BBC Wales, and I'm sure it's important for Amanda and Owen in S4C, and it would ensure that Wales has more to say in terms of our creative reputation rather than simply being about drama. So, I think that's one of the opportunities to see, in terms of factual output and formats and docs, how we can develop skills in that area, along with the excellent work that's happening in drama.
Welsh: Wel, mae'n gyfle difyr, rydw i'n meddwl, oherwydd mae o'n swm sylweddol o arian. Mae o eto yn un o'r camau pwysig o ran ceisio cael balans yn y sector creadigol ym Mhrydain lle mae yna gymaint o bwyslais ar Lundain. Rydw i hefyd yn meddwl ei fod o'n gyfle, achos rydw i'n meddwl bod lot o'r stori yn y ddegawd ddiwethaf wedi bod ynglŷn â drama, ac rydw i'n meddwl bod yna gyfle i Gymru ddatblygu enw da Prydeinig a rhyngwladol o ran y ffeithiol. Yn sicr, bydd Channel 4 yn edrych ar y maes ffeithiol. Mae'n bwysig i ni yn BBC Cymru, ac rydw i'n siŵr ei fod o'n bwysig i Amanda ac Owen yn S4C. Ac mi fuasai fo'n sicrhau bod gan Gymru fwy i'w ddweud am ein henw da creadigol na'r stori ddrama. Ac felly, dyna, rydw i'n meddwl, yw'r un o'r cyfleoedd, i weld, o ran y ffeithiol, a formats ac ati a docs, sut mae datblygu sgiliau yn y maes yna, ochr yn ochr â'r gwaith rhagorol sy'n digwydd yn y maes drama.
English: I would agree with that. If you look at some of the series that have returned time and time again to Channel 4, such as 24 Hours in A&E, Gogglebox, First Dates, they're factual series that have been able to have been sold on an international level. And those series create cornerstones in the schedule of any broadcaster, and also create regular work that returns to productions companies. So, they are economic cornerstones as well as being creative cornerstones. Sometimes, our focus is on drama, specifically. Sometimes, you feel that we don't acknowledge the value of the factual content, and Channel 4 is an example of how those values can be clear.
Welsh: Byddwn i'n cytuno â hynny. Os edrychwch chi ar rai o'r cyfresi sydd wedi dychwelyd dro ar ôl tro i Channel 4, pethau fel 24 Hours in A&E, Gogglebox, First Dates, maen nhw'n gyfresi ffeithiol sydd wedi gallu cael eu gwerthu'n rhyngwladol. Ac mae'r cyfresi hynny yn creu conglfeini yn amserlen unrhyw ddarlledwr, a hefyd yn creu gwaith cyson sydd yn dychwelyd i gwmnïau cynhyrchu. Felly, maen nhw'n gonglfeini economaidd hefyd yn ogystal â chonglfeini creadigol. Weithiau, mae'n ffocws ni ar ddrama yn benodol. Weithiau, rydych chi'n teimlo nad ydym ni'n cydnabod beth yw gwerth yr ochr ffeithiol, ac mae Channel 4 yn enghraifft o sut mae'r gwerthoedd hynny'n gallu bod yn amlwg.
English: Okay. We have finished in terms of time, and so, thank you very much for attending today. I'm sure we'll be in touch if there are any more questions regarding the inquiry and how it continues over the next few weeks. So, thank you very much. There will now be a break of two minutes.
Welsh: Ocê. Rydym ni wedi gorffen o ran amser, ac felly, diolch yn fawr iawn ichi am ddod i mewn atom heddiw. Rwy'n siŵr y byddwn ni'n cysylltu os bydd mwy o gwestiynau ynglŷn â'r ymchwiliad a sut y mae e'n parhau dros yr wythnosau nesaf. Felly, diolch yn fawr iawn. Seibiant o ddwy funud.
English: Gillane. Gillane Seaborne: Pact's elected representative in Wales, CEO and executive producer at Midnight Oil. Thank you to you all for attending today. What happens usually is that we have questions on different themes, and Assembly Members will ask you questions on the basis of that. So, if it's okay with you, we'll go straight into questions. The first question from me is: how do you believe that Wales is operating at the moment, in terms of the film and major television production sector, compared with the UK, perhaps? Do you think that we're successful and prosperous? Or if you have concerns regarding the system that exists at the moment, that would be great, in order for us to have an idea of what's happening at the moment.
Welsh: Gillane. Gillane Seaborne: cynrychiolydd etholedig Pact yng Nghymru, prif swyddog gweithredol a chynhyrchydd gweithredol yng nghwmni Midnight Oil. Diolch i chi gyd am ddod mewn gerbron. Beth sydd yn digwydd fel arfer yw ein bod ni'n cael cwestiynau ar themâu gwahanol, a bydd Aelodau Cynulliad yn gofyn cwestiynau i chi ar sail hynny. Felly, os mae'n iawn, awn ni'n syth mewn i gwestiynau. Y cwestiwn cyntaf gennyf fi, felly, yw: sut ydych chi'n credu bod Cymru yn gweithredu ar hyn o bryd, o ran y byd ffilm a chynyrchiadau mawr teledu, o gymharu â Phrydain, efallai? A ydych chi'n credu ein bod ni'n llwyddiannus ac yn ffynnu? Neu os oes pryderon gyda chi ynghylch y system sydd ohoni, byddai hynny'n grêt, er mwyn i ni gael rhyw fath o syniad gennych chi o'r hyn sydd yn digwydd ar hyn o bryd.
English: Any other comments?
Welsh: Unrhyw sylwadau cychwynnol eraill?
English: What I would like to add to that is the range of drama productions that are being produced at the moment. We have the adaptations of Philip Pullman that are being produced at the moment - possibly the most expensive hours of drama to be produced in Wales. And then you have smaller dramas being produced, and what is heartening is to see so many dramas that are rooted here in Wales, that have been filmed here in Wales, and have appeared first on S4C - series such as Bang - being distributed, bringing additional money into Wales, and placing Welsh public broadcasters in a position where they fund a proportion rather than the whole of the production. I think that is going to become more important - the ability of the producer to broker these deals, to find other broadcasters who want to buy in, and to find distributors, is going to be absolutely key. I don't know about any producer who wouldn't be pleased to see their production being shown to a wider audience around the world. So, it's very, very good that our series - Craith/Hidden, Bang, other series -
Welsh: Beth hoffwn i ei ychwanegu at hynny, mewn ffordd, yw'r ystod o gynyrchiadau drama sy'n cael eu cynhyrchu ar hyn o bryd. Mae gyda ni yr addasiadau o weithiau Philip Pullman yn cael eu cynhyrchu ar hyn o bryd - o bosib yr oriau drytaf o ddrama erioed i gael eu cynhyrchu o Gymru. Ac wedyn mae gennych chi ddramâu llai yn cael eu cynhyrchu, a beth sydd yn codi calon rhywun yw gweld cynifer o ddramâu sydd wedi'u gwreiddio yma yng Nghymru, sydd wedi'u ffilmio yma yng Nghymru, ac wedi ymddangos am y tro cyntaf ar S4C - cyfresi fel Bang - yn cael eu dosbarthu, yn dod ag arian ychwanegol mewn i Gymru, ac yn rhoi darlledwyr cyhoeddus yng Nghymru mewn sefyllfa lle maen nhw yn ariannu cyfran o'r gyllideb ond nid y gyllideb gyfan. Mae hynny, rydw i'n credu, i gynhyrchwyr y dyfodol, yn mynd i ddod yn fwy a mwy pwysig. Bydd gallu'r cynhyrchydd i frocera'r deals yma, i ffeindio darlledwyr eraill sydd eisiau prynu mewn i gynnyrch, ac i ffeindio dosbarthwyr yn gwbl, gwbl allweddol. Ni wn i am unrhyw gynhyrchydd fyddai ddim wrth ei fodd, neu wrth ei bodd, i gael dangos eu cynnyrch nhw i gynulleidfa o gwmpas y byd. Felly, mae'n dda iawn, iawn fod ein cyfresi ni - Craith, Bang, cyfresi eraill -
English: - Keeping Faith/Un Bore Mercher, and Byw Celwydd. Byw Celwydd is now going to be shown in North America and in Canada, to see how much interest there will be in the political world and stories about the political world here in Wales. That is excellent. These are combinations of Welsh language series, series that also exist in more than one version that are being sold on an international level. So, there is quite a diverse ecology there in terms of the sort of productions that exist. I think there is more room to distribute and to think in terms of an international level about our factual content. We heard evidence given to you earlier making the same point. That is gathering steam at the moment, I think. There is a series that Cwmni Da is producing at the moment, Llanw, which translates as 'tide', which is linked to a broadcaster in China, for example. There is a series that we're producing in Rondo, Y Wal (The Wall), which is a co-production with a broadcaster in South Korea and in Ireland that is being distributed by Cineflix. So, quite suddenly, productions from Wales are being seen and distributed across the world, and I think that is to be welcomed, certainly.
Welsh: - Un Bore Mercher, ac, yn, wir Byw Celwydd. Mae Byw Celwydd nawr yn mynd i fod yn cael ei ddangos yng Ngogledd America ac yng Nghanada, i gael gweld sut ddiddordeb fydd mewn straeon am y byd gwleidyddol yma yng Nghymru. Mae hynny'n wych o beth. Mae'r rheini'n gyfuniad hefyd o gyfresi Cymraeg, cyfresi hefyd sydd yn bodoli mewn mwy nag un fersiwn sydd yn cael eu gwerthu'n rhyngwladol hefyd. Felly, mae yna ecoleg eithaf amrywiol fanna o ran y math o gynnyrch sydd ar gael. Rydw i'n meddwl bod yna fwy o le i ddosbarthu ac i feddwl yn nhermau rhyngwladol o ran ein cynnyrch ffeithiol ni. Fe glywom ni rhai o'r dystiolaeth yn gynharach gyda chi yn gwneud yr un pwynt. Mae hynny'n dechrau magu ychydig o stêm nawr, rydw i'n meddwl. Mae yna gyfres mae Cwmni Da'n ei wneud ar hyn o bryd, Llanw, yntefe, sydd yn gysylltiedig gyda darlledwr yn Tsieina, er enghraifft. Mae yna gyfres rŷm ni'n ei wneud yn Rondo, Y Wal, sydd yn cyd-gynhyrchiad gyda darlledwr yn Ne Corea ac yn Iwerddon, ac mae honno'n cael ei dosbarthu gan Cineflix. Felly, yn sydyn iawn, mae cynnyrch o Gymru'n cael ei ddosbarthu, yn cael ei weld, ledled y byd, ac rydw i'n credu bod hynny i'w groesawu, yn sicr.
English: Not all of you have to answer every question, but if you'd like to comment as well - .
Welsh: Nid oes yn rhaid i chi i gyd ateb pob cwestiwn, gyda llaw, ond os ydych chi eisiau ateb hefyd - .
English: Before I move on to Neil Hamilton, I would just like to know, from Luned perhaps - we've heard about Channel 4, and there are different bids across Wales. Why have you come out to support Cardiff? Because, after listening to a lot of the evidence, I'm not sure whether there's a strategy behind what Wales is saying on this. Many people support different bids, and I would have thought that perhaps it would have been an idea to bring heads together and think about this on a more strategic level, but perhaps you could provide us with more information.
Welsh: Cyn i ni symud ymlaen at Neil Hamilton, byddwn i jest eisiau gwybod, gan Luned efallai - rydym ni wedi clywed am Channel 4, ac mae ceisiadau gwahanol ar draws Cymru. Pam rydych chi wedi dod mas i gefnogi Caerdydd? Achos, ar ôl gwrando ar lot o'r dystiolaeth, nid ydw i'n sicr os oes yna strategaeth y tu ôl i beth mae Cymru yn ei ddweud ar hyn. Mae yna lot fawr o bobl yn cefnogi bidiau gwahanol a byddwn i wedi meddwl efallai y byddai wedi bod yn syniad i roi pennau at ei gilydd efallai i feddwl am hyn yn fwy strategol, ond efallai y gallech chi roi mwy o wybodaeth i ni.
English: Quite simply, had there been an attempt to merge bids from different areas, we would have looked at that, but Cardiff sought our support and we gave that support. The other bids haven't been in touch with us. Clearly, we would have looked at areas where TAC members are concentrated. We're always aware that the economic environment is an important issue, but that's what happened.
Welsh: Yn syml iawn, petasai yna efallai ymdrech wedi bod i gyfuno bidiau gan wahanol lefydd, byddem ni wedi edrych ar hynny, ond mi wnaeth Caerdydd gais i ni ei chefnogi ac fe wnaethom ni. Nid yw'r bidiau eraill wedi bod mewn cysylltiad. Yn amlwg, mi fyddem ni wedi edrych ar ardaloedd lle mae aelodau TAC yn cronni. Rŷm ni bob amser yn ymwybodol bod yr amgylchedd economaidd yn un pwysig, ond dyna fel buodd hi.
English: So, there was no Government leadership in trying to link with those who were making the bids in different areas - nothing like that has happened in your view.
Welsh: Felly, nid oedd dim arweinyddiaeth lywodraethol chwaith yn ceisio cysylltu â'r bobl a oedd yn ceisio mewn ardaloedd gwahanol - nid oedd dim fel yna wedi digwydd yn ôl eich barn chi.
English: But, I think - . We were asked to provide a line of support in terms of the bid led by Cardiff Council. We made the point in a way that that would benefit the whole of Wales. The point that Rosina made on Channel 4 and the expenditure happening outwith London - the sector throughout Wales should be able to benefit from that. It's something that we need to look at so that there isn't overcentralisation of activities in Cardiff. We have a sector in north Wales, companies in Caernarfon, and a company in Criccieth currently doing work for Channel 4. So, we have various members across Wales and it should be easier for those companies that do want to get more work for a broadcaster such as Channel 4 to do so, because I think there's a change in mindset among broadcasters like Channel 4, in shifting decision making and expenditure decisions, and, indeed, commissioners, outwith London, so that those decisions aren't all focused in one area and the expenditure is disseminated across the UK.
Welsh: Ond, rydw i'n meddwl - . Gofynnwyd i ni roi llinell o gefnogaeth o ran cais a oedd yn cael ei arwain gan Gyngor Caerdydd. Roeddem ni'n gwneud y pwynt mewn ffordd bod hwnnw'n mynd i fod o fudd i Gymru gyfan. Mae'r gwariant - y pwynt yr oedd Rosina yn ei wneud ynglŷn â Channel 4 ynglŷn â'r gwariant sydd yn digwydd y tu allan i Lundain - fe ddylai fod y sector trwy Gymru'n gallu elwa o hynny. Mae yn rhywbeth, rwy'n credu, sydd eisiau inni edrych arno - bod yna dim gorganoli o ran gweithgareddau yng Nghaerdydd. Mae gyda ni sector yn y gogledd, cwmnïau yng Nghaernarfon a chwmnïau yng Nghriccieth sydd yn gwneud gwaith i Channel 4 ar hyn o bryd. Felly, mae gennym ni wahanol aelodau ar draws Cymru ac rwy'n credu fe ddylai hi fod yn haws i'r rheini sydd eisiau ennill mwy o waith ar gyfer darlledwr fel Channel 4 gwneud hynny nawr, achos rwy'n credu ei fod yn newid meddylfryd gyda darlledwyr fel Channel 4 nawr o fod yn symud penderfyniadau a gwariant ac, yn wir, comisiynwyr, y tu allan i Lundain fel nad yw'r penderfyniadau yna yn cael eu canoli i gyd mewn un man a bod y gwariant yn cael ei wasgaru ar draws y Deyrnas Unedig.
English: And there is the south-west too. There are independent companies present in the south-west, and, of course, Swansea have been looking at bidding, so -
Welsh: Ac mae'r de-orllewin hefyd. Mae yna bresenoldeb cwmni annibynnol yn y de-orllewin, ac wrth gwrs mae Abertawe wedi bod yn edrych ar gynnig, felly -
English: I was just wondering - I just wanted to have more information, really, because I couldn't see that there was any sort of strategic link, but thank you. Neil Hamilton.
Welsh: Roeddwn i jest yn wyndran - jest eisiau cael mwy o wybodaeth roeddwn i, achos nid oeddwn i'n gweld bod yna unrhyw fath o gysylltiad strategol, ond diolch. Neil Hamilton.
English: I would add that, in addition to festivals, we should be thinking terms of markets, because that's what we're talking about here, if truth be told, and for producers to attain support. Some members have contacted us, thanking us for and appreciating the support that they've had in terms of the costs of accessing those markets, travel costs, registration costs. Colleagues in Pact have been running a stall that was very successful, with a number of independent producers involved. I've benefited from that. There was an opportunity, when Cyfle existed - they had programmes too. I think it's crucially important that creative talent can access the markets, because it's in those places very often that they meet producers and distributors, other broadcasters, and can then start to put deals together or conclude deals, and the conversations can then continue between markets. The world is changing so swiftly in this area at the moment, but we still need that shop window and we need those opportunities for people to come together to network. We saw examples in the Celtic film festival recently, for example, of broadcasters coming together and finding models where they could co-fund and work together, and I think that's something that we should welcome, because it provides a bigger platform for content. That's what producers are looking for, particularly the producers who own the IP and can exploit that and behave as the deal breakers, as it were. Without accessing those markets and without going to film festivals, that's more difficult, possibly.
Welsh: Byddwn i'n ychwanegu, yn ogystal â gwyliau, ein bod ni'n meddwl yn nhermau marchnadoedd, achos dyna ydyn nhw, mewn gwirionedd, ac i gynhyrchwyr gael cefnogaeth. Mae rhai o'n haelodau ni wedi cysylltu â ni yn diolch am ac yn gwerthfawrogi'r gefnogaeth sydd wedi bod i'w helpu nhw o ran costau mynychu marchnadoedd, o ran costau teithio i fynd iddyn nhw, costau cofrestru i fynd iddyn nhw. Mae ein cyfeillion yn Pact wedi bod yn rhedeg stondin a oedd yn llwyddiannus iawn gyda nifer o gynhyrchwyr annibynnol yn mynd iddo fe. Ces i elwa o fod ar hwnnw. Mi oedd Cyfle, pan oedd Cyfle yn bodoli, hefyd â chynlluniau. Rwy'n credu ei fod e'n hollbwysig bod talent greadigol yn cael mynd i farchnadoedd, achos yn y llefydd hynny, yn aml iawn, maen nhw'n cwrdd â chynhyrchwyr a dosbarthwyr, darlledwyr eraill, ac yn gallu dechrau rhoi deals yn eu lle, neu orffen deals, a bod y sgyrsiau'n parhau rhwng y marchnadoedd wedyn. Mae'r byd yn newid mor gyflym yn y maes yma ar hyn o bryd, ond mae'n dal i fod angen y siop ffenest yna a'r cyfleoedd yna i bobl ddod at ei gilydd i drafod. Fe welom ni enghreifftiau, er enghraifft, yn yr ŵyl Geltaidd yn ddiweddar o'r darlledwyr yn dod at ei gilydd ac yn ffeindio models lle bydden nhw'n gallu cydariannu a gweithio gyda'i gilydd, ac rydw i'n credu bod hynny i'w groesawu achos mae'n cael llwyfan ehangach i'r cynnwys. Dyna mae cynhyrchwyr ei eisiau, yn enwedig cynhyrchwyr sydd yn berchen ar yr IP, sydd yn gallu ecsbloetio'r rhain, sydd yn gallu ymddwyn fel y deal breakers, fel petai. Heb fynd i farchnadoedd, heb fynd i wyliau ffilm, mae hynny'n anoddach i'w wneud, o bosib.
English: Although there are fewer such productions, at the same scale as the major films and tv series, there is potential to nurture developments like this in Wales, because there is an indigenous freelance workforce that is very robust and can adapt to different types of productions. The way to nurture the sector is to create opportunities in terms of developing talent and skills. Then, when there are distributors or broadcasters coming in from other countries, the workforce will be there and fit for purpose. We've heard evidence of this from Bad Wolf and other witnesses, that there are possibilities in the market and when they do come, it's vital that the workforce is available and ready and trained. Also, you have long-term series - you shouldn't forget series such as Rownd a Rownd. As well as contributing to S4C's schedule, Rownd a Rownd also contributes to the local economy. It also contributes to the cultural life of the area, and in terms of the location. I know Sgrîn Cymru does good work in promoting Wales as a location, but when there's an offer to go on the set of Rownd a Rownd, you'll see people queuing for about a quarter of a mile around the block. It's so popular, and that's because it's established its home. Even though it's not on the same scale as these large series, it shows what the sector can do in terms of high-quality productions, and they employ tens of dozens of freelance workers throughout the year, which then contributes back into the economy in terms of the work that's available, especially in that area.
Welsh: Er bod llai o ran nifer y cynyrchiadau o'r fath, ar y fath raddfa a'r ffilmiau a'r cyfresi teledu mawr, mae yna botensial i feithrin datblygiadau fel hyn yng Nghymru, achos mae yna weithlu llawrydd cynhenid sy'n gryf iawn ac yn gallu addasu i wahanol fathau o gynyrchiadau. Y ffordd i feithrin y sector ydy i greu cyfleoedd o ran datblygu talent a sgiliau. Wedyn, pan fydd yna ddosbarthwyr neu ddarlledwyr yn dod mewn o wledydd eraill, bydd y gweithlu yno ac yn addas at bwrpas. Rŷm ni wedi clywed tystiolaeth o hyn gan Bad Wolf a thystion eraill, fod yna bosibiliadau yn y farchnad a phan fyddant yn dod, mae'n hollbwysig bod y gweithlu ar gael ac yn barod ac wedi'i hyfforddi. Hefyd, mae gyda chi gyfresi hirdymor, i beidio anghofio cyfresi fel Rownd a Rownd. Mae Rownd a Rownd, yn ogystal â chyfrannu at amserlen S4C, hefyd yn cyfrannu at yr economi yn lleol. Mae hefyd yn cyfrannu at fywyd diwylliannol yr ardal, ac o ran lleoliad. Rwy'n gwybod bod Sgrîn Cymru yn gwneud gwaith da iawn yn hyrwyddo Cymru fel lleoliad, ond pan fydd yna gynnig i fynd ar set Rownd a Rownd, fe welwch chi bobl yn ciwio am chwarter milltir ar y bloc. Mae mor boblogaidd, ac mae hynny achos ei fod wedi sefydlu ei gartref. Er nad yw ar yr un raddfa a'r cyfresi mawr, mae'n dangos beth mae'r sector yn gallu ei wneud o ran cynyrchiadau o safon, ac maen nhw'n cyflogi degau o ddwsinau o weithwyr llawrydd hefyd trwy gydol y flwyddyn, sydd hefyd wedyn yn cyfrannu nôl mewn i'r economi o ran y gwaith sydd ar gael, yn enwedig yn yr ardal honno.
English: Thank you for that. Do you agree with Pact's comments? What would your members say?
Welsh: Diolch am hynny. A ydych chi'n cytuno â beth mae Pact wedi'i ddweud? Beth mae'ch aelodau'n ei ddweud?
English: Well, I think we can see why certain decisions have been made. I understand the rationale surrounding attracting investment into Wales; that's crucially important. And it's crucial that we look at developing major productions. I think the game changer was when we had the major drama productions being made here that returned here, rather than investing into individual projects or short-term series. We now have a volume of work that returns to Wales and that's what enables a business to develop and to grow. But I do think that there is more work to be done in terms of finding ways of working with companies that are already here and across the whole of Wales in terms of collaboration and benefiting from investment. I think sometimes, there is a risk element, of course, in terms of these major expensive films - how much was invested in Take Down, for example - and the media have jumped on the failings and that has perhaps highlighted some of these stories too. We can see the Welsh Government's criteria for investment in terms of economic impact, the number of jobs created.
Welsh: Ydyn. Rwy'n meddwl ein bod ni'n gallu gweld pam bod yna benderfyniadau wedi cael eu gwneud, rŷm ni'n deall y rationale o ran denu buddsoddiad mawr i Gymru; mae hynny'n hollbwysig. Ac mae e'n hollbwysig ein bod ni'n edrych ar ddatblygu cyfresi enfawr. Rwy'n meddwl mai'r peth newidiodd y gêm oedd pan oedd gennym ni gyfresi mawr drama yn cael eu cynhyrchu yma oedd yn dychwelyd, yn hytrach na buddsoddiadau mewn i brojectau unigol neu gyfresi tymor byr. Mae gennym ni nawr drwch, foliwm, swmp o waith sydd yn dychwelyd. Dyna sydd yn galluogi busnes i adeiladu ac i dyfu. Ond rydw i yn meddwl bod yna fwy o waith i'w wneud ar ffeindio dulliau o weithio gyda chwmnïau sydd yma ac ar draws Cymru gyfan, o ran cydweithio a chael buddiannau o gael buddsoddiadau ynddyn nhw. Rwy'n meddwl weithiau, mae yna elfen o risg, wrth gwrs, ar y ffilmiau mawr drud - chi'n gwybod, faint o arian oedd wedi cael ei fuddsoddi mewn project fel Take Down - ac mae'r wasg wedi neidio, efallai, ar y methiannau ac wedyn mae hynny wedi amlygu peth o'r straeon yma hefyd. Rŷm ni'n gallu gweld criteria Llywodraeth Cymru dros wneud buddsoddiadau o ran ardrawiad economaidd, faint o swyddi sydd yn cael eu creu.