techiaith/cofnodycynulliad_en-cy huggingface dataset:
English: We've been at arm's length in terms of accessing those funds, because it is the producers who go, off their own bat, to have these discussions. But we're supportive wherever we can be. We're supportive of any assistance that the Government can provide, but also supportive of the companies as they try and structure those deals. Of course, the efficiency and swiftness of that process has an impact on us too, because if we invest and intend to commission a programme that is reliant on funding from elsewhere, then it's crucially important for us that that process is simple, clear and swift, and also that it responds to the needs of the industry and the production timetable that we're working to.
Welsh: Rydym ni wedi bod lled braich o gael access i'r arian hwnnw oherwydd y cynhyrchwyr sydd yn mynd, o fodd eu hunain, i drafod. Ond rŷm ni'n gefnogol ble bynnag y gallem ni fod - yn gefnogol o unrhyw help mae'r Llywodraeth yn gallu cynnig, ond hefyd yn gefnogol o'r cwmnïau cynhyrchu wrth iddyn nhw drio strwythuro'r ddêl. Wrth gwrs, mae effeithlonrwydd a pha mor chwim mae'r broses yna'n digwydd yn effeithio arnom ni hefyd, oherwydd, os ŷm ni'n buddsoddi ac yn golygu comisiynu rhaglen sydd yn ddibynnol ar arian yn dod o le arall, mae'n hollbwysig i ni fod y broses yna'n syml, yn eglur ac yn chwim, a hefyd ei bod hi'n ymateb i anghenion, fel rwy'n dweud, y diwydiant a'r amserlen gynhyrchu rŷm ni'n gweithio iddi.
English: Is it fast enough?
Welsh: A yw e'n chwim? A yw e'n ddigon cyflym?
English: We've had experience in the past, second hand, through our producers saying that they did feel some frustrations with that process. But, as I said, that's anecdotal because we're not directly involved. So, anything that can happen to make that process more efficient and swifter, we would welcome.
Welsh: Rydym ni wedi cael profiad, yn y gorffennol, yn ail-law, trwy'n cynhyrchwyr ni yn dweud eu bod nhw'n teimlo rhai rhwystredigaethau gyda'r broses hynny. Ond, fel rwy'n dweud, yn ail-law rydym ni'n clywed hynny, oherwydd nid ydym ni'n ymwneud yn uniongyrchol. Felly, unrhyw beth sydd yn gallu digwydd i wneud y broses yn fwy chwim ac effeithlon byddwn ni'n ei groesawu.
English: Any other comments on that?
Welsh: A oes unrhyw sylwad ar hynny?
English: I think the discussion you've had with the sector is interesting. Clearly, there is - . I can understand the view of the Government on this; there was a need to support productions that were going to create work. I can understand, in terms of the Government's economic policy, that creating jobs and attracting work to Wales is a priority. I think what's also necessary to understand is that there is great competition in the UK and internationally to attract work to different regions. Therefore, what's important in terms of the Government's attitude is that the offer for the sector or these productions is clear. I've also been involved with Northern Ireland Screen and some other regions, and it is a very competitive world. So, the availability of money is important. Of course, I would say, as the head of BBC Wales, that ensuring that there is a balance between bringing work such as large American productions into Wales and also ensuring support for companies that want to tell the stories that are at the core of our experience here in Wales is also important. But that is difficult for the Government. It is more difficult to create that as a policy issue, because I can understand the priority on jobs.
Welsh: Wel, rydw i'n meddwl bod y drafodaeth yr ŷch chi wedi'i chael gyda'r sector yn ddifyr. Mae'n amlwg bod yna - . Fe allaf i ddeall, o ran barn y Llywodraeth ar hyn, mi oedd angen cefnogi cynyrchiadau a oedd yn mynd i greu gwaith. Fe allaf i ddeall, o ran polisi economaidd y Llywodraeth, fod creu gwaith a denu gwaith i Gymru yn flaenoriaeth. Rydw i'n meddwl beth sydd hefyd angen ei ddeall yn hwn yw bod yna gystadleuaeth anferthol ym Mhrydain ac yn rhyngwladol i ddenu gwaith i wahanol ranbarthau. Felly, beth sy'n bwysig, buaswn i'n dweud, o ran agwedd y Llywodraeth, yw bod y cynnig i'r sector neu i'r cynyrchiadau hyn yn glir. Rydw i wedi ymwneud, hefyd, â Northern Ireland Screen a rhai rhanbarthau eraill, ac mae o'n fyd cystadleuol tu hwnt. Felly, mae argaeledd yr arian yn bwysig. Wrth gwrs, buaswn i'n dweud, fel pennaeth BBC Cymru, bod sicrhau bod yna falans rhwng dod â gwaith fel cynyrchiadau mawr Americanaidd i mewn i Gymru a hefyd sicrhau bod yna gefnogaeth i gwmnïau sydd eisiau dweud straeon sydd yn wreiddiol i'n profiad ni yma yng Nghymru hefyd yn bwysig. Ond mae hynny'n anodd i'r Llywodraeth, rydw i'n credu. Mae'n anoddach i greu hynny fel mater polisi, achos fe allaf i ddeall y flaenoriaeth ar swyddi.
English: So, you wouldn't agree that there is a need for a new fund, or that, perhaps, we need to provide more funding for Ffilm Cymru to assist smaller companies to get more opportunities to grow their markets.
Welsh: Felly, ni fyddech chi'n cytuno bod angen cronfa newydd, neu fod angen, efallai, rhoi mwy o arian i Ffilm Cymru er mwyn helpu'r cwmnïau llai i allu cael mwy o siawns i dyfu'u marchnad.
English: I'm very supportive of the work of Ffilm Cymru and we're in partnership with Ffilm Cymru. I think they do excellent work. What's important about the contribution of Ffilm Cymru is that there is a commitment to develop and nurture talent. So, it's not just about what is the best project; they look in detail at the individuals who are offering these projects and they consider the potential to nurture that talent over a period of time. Going back to what we were just discussing in terms of skills, some investments take time to pay back. They don't, sometimes, come back directly on that project, but nurturing talent and ensuring that there are directors and script writers and that we sustain them and support them over time is important. I think Ffilm Cymru's successful in that.
Welsh: Rydw i'n gefnogol iawn o waith Ffilm Cymru ac rydym ni'n bartneriaid gyda Ffilm Cymru. Rydw i'n meddwl eu bod nhw'n gwneud gwaith ardderchog. Beth sy'n bwysig am gyfraniad Ffilm Cymru yw bod yna ymroddiad i ddatblygu a meithrin talent. Felly, nid yw e jest ynglŷn â beth ydy'r project gorau; maen nhw'n edrych yn fanwl ar yr unigolion sy'n cynnig y projectau ac yn ystyried os oes yna botensial i hybu ac i feithrin y talent yna dros gyfnod. Yn mynd yn ôl i beth roeddem ni jest yn trafod o ran sgiliau, mae rhai buddsoddiadau'n cymryd amser i gael eu talu'n ôl. Nid ydyn nhw, weithiau, yn dod nôl yn uniongyrchol ar y project hwnnw, ond mae meithrin talent a sicrhau bod yna gyfarwyddwyr a phobl sgriptio a'n bod ni'n eu cynnal nhw ac yn eu cefnogi nhw dros amser yn bwysig. Rydw i'n meddwl bod Ffilm Cymru'n llwyddiannus iawn yn hynny.
English: Do you think that there's a need for an additional fund, or that more funding should be provided to Ffilm Cymru, or are you happy with the status quo?
Welsh: A ydych chi'n meddwl bod angen cronfa ychwanegol, neu fod angen mwy o arian i Ffilm Cymru, neu a ydych chi'n hapus gyda'r sefyllfa sydd ohoni?
English: We would always want more money; everybody would. The element, for me, that we have to watch out for, on Rhodri's point, is that we go for the baubles. The big projects come into Wales now and again. What's important for us all is that there is a self-sufficient sector, that we can continue the work so that companies can grow, that companies can establish here, in every area of Wales. And for me, perhaps, that is the most important issue. Of course, for Wales, attracting these large projects in is important in terms of work and the portrayal of the country, but what is more important for S4C, perhaps, is to ensure that we have a self-sufficient sector in Wales that can bid for work, of course, over the border, but also that has the sustainability to work in Wales, to grow those ideas, and to prosper.
Welsh: Buasem ni wastad eisiau mwy o arian; buasai pawb yn. Yr elfen i fi yw, beth mae'n rhaid i ni wylio mas sydd ddim yn digwydd yw pwynt Rhodri ein bod ni'n mynd am the baubles. Mae'r projectau mawr yn dod i mewn i Gymru bob hyn a hyn. Beth sy'n bwysig i ni i gyd yw bod yna sector hunangynhaliol, ein bod ni'n gallu cadw ymlaen y gwaith fel bod cwmnïau'n gallu tyfu, bod cwmnïau'n gallu sefydlu, ym mhob ardal o Gymru. Ac i fi, efallai mai dyna'r peth pwysicaf i ni. Wrth gwrs, i Gymru, mae cael y projectau mawr yma i mewn yn bwysig o ran gwaith, o ran portread y wlad, ond beth sydd efallai'n bwysicach i S4C yw gwneud yn siŵr bod gyda ni sector hunangynhaliol yng Nghymru sy'n gallu bidio am waith, wrth gwrs, dros y ffin, ond hefyd sydd â sefydlogrwydd yng Nghymru, eu bod nhw'n gallu cario ymlaen i weithio, i gynnig syniadau, i dyfu, ac i ffynnu.
English: And there's no doubt that the Government needs to be robust in this area. Wales has had major success over the last decade, but, if you look at the creative industries across Britain, then over 60 per cent of the posts are in London and the south-east of England, and so the balance of the industry in Britain is very lopsided indeed. So, I wouldn't want anyone to suggest that the Government doesn't need to be innovative and active in this area. The creative ecology in Britain is still over-reliant, or overly focused, on activity in London and the M25 corridor.
Welsh: A nid oes dwywaith bod angen i'r Llywodraeth fod yn egnïol yn y maes yma. Mae Cymru wedi cael llwyddiant mawr yn y degawd diwethaf yma, ond, os ydych chi'n edrych ar y diwydiannau creadigol dros Brydain, mae dros 60 y cant o'r swyddi yn Llundain ac yn ne-ddwyrain Lloegr, ac felly mae balans y diwydiant ym Mhrydain dal yn unochrog dros ben. Ac felly fyddwn i ddim am i unrhyw un awgrymu nad oes angen i'r Llywodraeth fod yn flaengar yn y maes yma. Mae'r ecoleg creadigol ym Mhrydain dal yn or-ddibynnol, neu yn or-ffocysu, ar weithgaredd yn Llundain a'r ardal o fewn yr M25.
English: And what's important - . Sorry to interrupt.
Welsh: A beth sy'n bwysig - . Sori i dorri ar draws.
English: Just on that point.
Welsh: Jest ar y pwynt yna.
English: What's important from any investment, and any campaign to create a prosperous creative industry, is that there is a legacy from whatever investment comes into the country, and that that legacy appears in terms of training and mentoring, where people can learn from each other how to be creative and how to collaborate and how to push the boundaries. So, the fact that we think of clusters of these things happening is interesting, because it's recognising that need to generate that legacy. I would be in favour of doing that across the board, if truth be told.
Welsh: Felly, beth sy'n bwysig o unrhyw fuddsoddiad, ac unrhyw ymgyrch i greu diwydiant creadigol sy'n ffynnu, yw bod yna waddol i ba bynnag fuddsoddiad sydd yn dod mewn i'r wlad, a bod hwnnw'n waddol sydd yn ymddangos o ran hyfforddiant a mentora, lle mae pobl yn dysgu ei gilydd sut i fod yn fwy creadigol, sut i weithio gyda'i gilydd a sut i wthio'r ffiniau. Felly, mae'r ffaith ein bod ni'n meddwl am glystyrau o'r pethau yma yn digwydd yn ddiddorol, oherwydd mae e'n cydnabod yr angen i greu'r gwaddol hwnnw, mewn ffordd. Byddwn i o blaid gwneud hynny ar draws y bwrdd, mewn gwirionedd.
English: Okay. And the impact of that would be felt across Wales.
Welsh: Ocê. Ac effaith hynny yn mynd ar draws Cymru, mewn rhyw ffordd.
English: Indeed, yes.
Welsh: Yn hollol, ie.
English: I think what's strong about what the UK is doing is that they weave the creative sector within everything else, and that's what comes out strongly. What struck me in looking at things like Bang was that, of course, Tata is very important for the country, but the fact that we can promote a different industry, perhaps more long term, is important as well.
Welsh: Rwy'n credu beth sy'n gryf amboutu beth mae'r Deyrnas Unedig yn ei wneud yw eu bod nhw'n plethu'r sector creadigol o fewn popeth arall, a dyna beth sy'n gryf yn dod mas o'r peth. Roedd yn fy nharo i, wrth edrych ar bethau fel Bang, wrth gwrs mae Tata yn bwysig iawn, iawn, iawn i'r wlad, ond mae'r ffaith ein bod ni'n gallu hybu diwydiant gwahanol, efallai mwy hirdymor, yn bwysig hefyd.
English: I just have questions on what we can learn from other countries, in a way, in trying to establish the industry here in Wales and to become more self-sufficient and to tell more of our story, if you like. Are there any lessons that we can look at? Are there any countries that we can look at and learn from?
Welsh: Jest cwestiynau ynglŷn â beth fedrwn ni ddysgu o wledydd eraill, mewn ffordd, wrth geisio gwreiddio'r diwydiant yma yng Nghymru a dod yn fwy hunangynhaliol a dweud mwy o'n stori ni, os leiciwch chi. A oes yna wersi y medrwn ni edrych arnyn nhw? A oes yna wledydd eraill y medrwn ni edrych arnyn nhw i ddysgu ohonyn nhw?
English: As a producer who worked internationally for many years before starting at S4C, there are a number of different international models that we can learn from. They vary a great deal from one nation to another and I think what we have to decide is - . To return to the point of how we can collaborate, I think we should advise the Government using our skills as a sector and as broadcasters to tell you where we see the particular needs lie; we should look at models abroad such as the one in Ireland where there are a number of pots of funding for TG4, for example, that they can pursue in order to promote production and to fund production; and we could look at those models and take the best of what's available. There are numerous models. I don't think there is one specific model that works particularly well compared to the others, but there's a smorgasbord that we could look at and we could work with you in order to tell you what we see as the requirements. As Rhodri said, training is one of the major things that we feel that we need assistance with so that we can strategise for that in Wales. Use us and our expertise and our understanding of the sector and the industry, as well as working with the production companies, in order to identify what the objectives really are that we should be aiming for over the next three or four years.
Welsh: Fel cynhyrchydd sydd wedi gweithio yn y maes rhyngwladol ers blynyddoedd, cyn i fi ddechrau yn S4C, mae yna nifer o lefydd a nifer o fodelau gwahanol, rhyngwladol, rwy'n credu y gallwn ni ddysgu ohonyn nhw. Maen nhw'n amrywio'n fawr o wlad i wlad, ac rwy'n credu beth mae'n rhaid i ni benderfynu ydy - . I ddod yn ôl at y pwynt o fel y gallwn ni gydweithio, rwy'n credu y dylem gynghori'r Llywodraeth gan ddefnyddio ein sgiliau a'n gwybodaeth ni fel darlledwyr a sector i ddweud wrthych chi lle rŷm ni'n gweld yr anghenion penodol; edrych ar fodelau o dramor fel yr un yn Iwerddon lle mae yna sawl pot o arian ar gyfer TG4, er enghraifft, ac maen nhw'n yn gallu mynd ar eu hôl er mwyn cael hybu eu cynnyrch ac er mwyn cael ariannu'u cynnyrch; ac edrych ar y modelau hynny a chymryd y gorau ohonyn nhw. Mae yna sawl, sawl model. Nid oes un yn benodol, rwy'n credu, sy'n gweithio yn arbennig o dda o'i gymharu â'r lleill, ond mae yna damaid bach o bopeth y gallem ni ei fenthyg, a gweithio ar y cyd gyda chi i ddweud wrthych chi beth yr ŷm ni'n gweld yw'r anghenion. Fel mae Rhodri yn ei ddweud, hyfforddiant ydy un o'r pethau mawr, mawr rŷm ni'n teimlo y mae angen cymorth arnom ni i helpu i strategaethu yng Nghymru. Defnyddiwch ni, a'n harbenigedd ni a'n dealltwriaeth ni o'r sector ac o'r diwydiant, yn ogystal â hefyd gweithio gyda'r cwmniau cynhyrchu, i adnabod beth yw'r amcanion, really, y dylem ni fod yn anelu atyn nhw o fewn y tair, pedair blynedd nesaf.
English: You mentioned Ireland there, for example. So, how does Ireland compare with us? How does the picture look there in terms of the indigenous companies and how they've evolved now to sustain the industry?
Welsh: Roeddech chi'n sôn am Iwerddon yn y fanna, er enghraifft. Felly, sut mae Iwerddon yn cymharu efo ni? Sut mae'r darlun yn edrych yn y fanna, o ran cwmniau cynhenid wedi esblygu erbyn hyn i fod yn cynnal y diwydiant?
English: I think, perhaps, looking at what's happening in Ireland, and that is part of what I was talking about earlier, the attitude in Wales is relatively passive - 'This is the money - this is what we support'. In Ireland it's quite clear. They work alongside the broadcaster to see at an economic level where there is a need to invest. Perhaps that's one of the things I'd like to see in the future.
Welsh: Rwy'n credu, efallai, o edrych ar beth sy'n digwydd yn Iwerddon, a dyna ran o beth yr oeddwn i'n siarad amdano gynnau fach, mae'r agwedd yng Nghymru yn weddol pasif - 'Dyma'r arian - dyma beth rŷm ni'n gefnogi'. Yn Iwerddon mae'n weddol amlwg. Maen nhw'n gweithio ochr yn ochr efo'r darlledwr i weld yn economaidd lle mae eisiau buddsoddi. Rwy'n credu efallai dyna un o'r pethau liciwn i weld yn y dyfodol.
English: Do you have a view?
Welsh: A oes gennych chi farn?
English: No - perhaps 'too defensive'. I think Wales has a very good story. Certainly, there are lessons to be learned from elsewhere, but if I look at the success that S4C and BBC Cymru/Wales has in drama at the moment, if I look at the developments in terms of the international sector and the work that Bad Wolf and others are doing in that area - . I think there is a tendency to think that everyone else is performing better than we are. Certainly, from having discussed this with many colleagues in the BBC across the UK, many people are looking to Wales as an exemplar of where the ambition, the energy and the willingness to collaborate is. There are many elements in Wales working well. Certainly, there's room for improvement, but I would say that we are slightly defensive on occasion. We need to understand that we have something special at the moment, and that this is an opportunity for us to grow. The fact that Craith and Byw Celwydd or Keeping Faith - the fact that all of these programmes are now selling internationally, the fact that they are providing an international platform for the Welsh language - . I think this is a very special time. I think it is a golden age in terms of production in Wales, and we need to take full advantage of that.
Welsh: Nac oes - efallai 'rhy amddiffynol'. Rwy'n meddwl bod stori dda gan Gymru. Hynny yw, mae'n sicr bod yna wersi o wledydd eraill, ond os rydw i'n edrych ar y llwyddiant mae S4C a BBC Cymru yn ei gael yn y maes drama ar hyn o bryd, os rydw i'n edrych ar y datblygiadau o ran y sector rhyngwladol, ar y gwaith mae Bad Wolf ac eraill yn ei wneud yn y maes yna - . Rydw i'n meddwl weithiau mae yna dueddiad i feddwl bod pawb arall yn gwneud yn well na ni. Yn sicr, o drafod gyda lot o'm cydweithwyr yn y BBC ar draws Prydain, mae lot o bobl yn edrych ar Gymru fel enghraifft o lle mae'r uchelgais, yr egni a'r parodrwydd i gydweithio. Mae yna lot o elfennau yng Nghymru yn gweithio'n dda. Yn sicr, mae yna le i wella, ond fe fuaswn i'n dweud 'bach yn amddiffynnol'. Mae eisiau i ni ddeall bod gennym ni rywbeth arbennig ar hyn o bryd, ac mae hwn yn gyfle i ni dyfu ac i fynd tu hwnt. Mae'r ffaith bod Craith bellach neu Byw Celwydd neu Keeping Faith - mae'r ffaith bod y rhaglenni yma nawr yn gwerthu yn rhyngwladol, mae'r ffaith eu bod nhw'n gallu rhoi llwyfan rhyngwladol i'r Gymraeg o ran iaith - . Rydw i'n meddwl bod hwn yn gyfnod arbennig. Rydw i'n meddwl ei fod o'n gyfnod euraidd o ran cynhyrchu yng Nghymru, ac mae eisiau i ni fanteisio ar hynny.
English: Will you then be emphasising the need to develop that further? Because, yes, we need to praise what's happening now and we need to continue to be ambitious, push things forward and root the industry even more, don't we? You've mentioned the challenge regarding skills. Do you see that as the key, in a way, to rooting the industry in a proper way so that we can start telling our story, and from that, therefore - ? I know Rhianon has questions on skills, but where would the gaps be and where we do need to concentrate our strategy on in developing those skills?
Welsh: Ac a fyddwch chi wedyn yn rhoi'r pwyslais ar ddatblygu hynny ymhellach? Achos, ie, mae eisiau clodfori beth sy'n digwydd rŵan ac mae eisiau parhau i fod yn uchelgeisiol a gwthio pethau ymlaen a gwreiddio'r diwydiant hyd yn fwy, onid oes? Rydych chi wedi sôn am yr her sgiliau. A ydych yn gweld mai hynny ydy'r allwedd, mewn ffordd, i wreiddio'r diwydiant yn iawn fel ein bod ni wedyn yn gallu dechrau dweud ein stori, ac o hynny felly - ? Rwy'n gwybod bod gan Rhianon gwestiynau ar sgiliau, ond lle fyddai'r bylchau a lle rydym ni angen canolbwyntio yn strategol ar ddatblygu'r sgiliau yna?
English: It's a challenge that's - . It's true in Wales and it's true elsewhere. There are certain things that we have. There are certain assets that we have. The fact that Pobol y Cwm and Casualty are based here in Wales in terms of the need for scriptwriting, and it's huge - these machines in terms of those productions are there, and there are opportunities to nurture new writing talent that aren't available in certain other areas of the UK. But the pace of growth over the past decade has been such that there's no doubt that there are needs that we need to address if we are going to continue with that growth.
Welsh: Mae'n sialens sydd - . Mae'n wir yng Nghymru, mae'n wir yn bob man. Mae yna rai pethau sydd gennym ni. Mae yna asedau gennym ni sy'n bwysig. Mae'r ffaith bod Pobol y Cwm a Casualty yma yng Nghymru o ran yr angen am sgriptio, ac mae'n anferthol - mae'r peiriannau yma o ran y cynyrchiadau yna; mae yna gyfleoedd i ddatblygu a meithrin ysgrifenwyr newydd nad oes ar gael mewn rhai lleoedd eraill ym Mhrydain. Ond mae cyflymder y twf dros y degawd diwethaf wedi bod gymaint fel nad oes yna ddim dwywaith bod yna anghenion mae'n rhaid i ni fynd i'r afael â nhw os ydym ni yn mynd i barhau gyda'r twf.
English: Do you see that through the education system - that perhaps the universities and the media courses aren't keeping up with the training needs, in a way? Is the emphasis on writing scripts and so on? Is there sufficient emphasis on the right places, or do we need some sort of full audit of what's happening and to start addressing those specific gaps?
Welsh: A ydych chi'n gweld hynny drwy'r system addysg - bod efallai y prifysgolion a'r cyrsiau cyfryngau, ac yn y blaen, ddim yn dal i fyny efo'r anghenion hyfforddi, mewn ffordd? A ydy'r pwyslais ar ysgrifennu sgriptiau, ac yn y blaen? A ydy'r pwyslais yn ddigonol yn y llefydd iawn, neu a ydym ni angen rhyw fath o awdit llawn o'r hyn sydd yn digwydd a dechrau cyfarch y bylchau penodol?
English: I wouldn't focus too much on the universities, because that's one small link in the chain. Of course, we need to look at that, but I would focus in a far more holistic way on how training and skills development and the mentoring of individuals within the industry more broadly works. Within drama -
Welsh: Ni fuaswn i'n ffocysu'n ormodol ar y prifysgolion, oherwydd un tamaid bach yn y gadwyn ydy'r prifysgolion. Wrth gwrs, fe fyddwn i'n edrych ar hynny, ond fe fyddwn i'n ffocysu yn llawer mwy holistig ar sut y mae hyfforddiant a datblygu sgiliau a mentora unigolion o fewn y diwydiant yn gyffredinol yn gweithio. O fewn drama -
English: I just wanted to pick up on the business of Channel 4 and the opportunities that that brings. How important is that, and how do you go about this now to grasp that opportunity?
Welsh: Roeddwn i jest eisiau pigo i fyny ar y busnes Channel 4 yma, a'r cyfleoedd mae hynny'n eu codi. Pa mor bwysig ydy hyn, a sut ydych chi'n mynd ati rŵan i afael yn y cyfle yna?