techiaith/cofnodycynulliad_en-cy huggingface dataset:
English: Thinking about you as a Minister trying to see what the long-term trends are with regard to raising standards and improving educational attainment, is that difficult, because the performance measures have changed, haven't they? We can't compare like-for-like now, because of the changes that have been made in the way that performance is measured. So, to begin with, is that a challenge, to see whether progress has been made? And secondly, what evidence do you as Minister use to look at the long-term trends?
Welsh: Gan feddwl amdanoch chi fel Gweinidog yn ceisio gweld beth ydy'r tueddiad tymor hir ynglŷn â chodi safonau a chodi a gwella canlyniadau addysgol, ydy hynny'n anodd, oherwydd mae'r mesurau perfformiad wedi newid, onid ydyn nhw? Dydyn ni ddim yn gallu cymharu tebyg wrth debyg erbyn hyn, oherwydd y newidiadau sydd wedi bod yn y ffordd y mae'r perfformiad yn cael ei fesur. Felly, i ddechrau, ydy hynny'n her, i weld a oes yna gynnydd yn digwydd? Ac yn ail, pa dystiolaeth ydych chi fel Gweinidog yn ei defnyddio i edrych ar y tueddiadau tymor hir?
English: Why have you decided to ask the consortia, Estyn and so on not to report on local data or regional level data? How do we then come to conclusions about what is working if it isn't presented on a local authority and regional basis?
Welsh: Pam eich bod chi wedi penderfynu gofyn i'r consortia, Estyn ac yn y blaen i beidio â defnyddio nac adrodd ar ddata ar lefel leol a rhanbarthol? Sut ydym ni'n mynd i ddod i gasgliadau am yr hyn sy'n gweithio os nad ydy o yn gweithio ar lefel awdurdod lleol a rhanbarthol?
English: But again, the Welsh Government - . You have continued to publish the local and regional level data. So, doesn't that contradict what you've been telling the consortia and everyone else?
Welsh: Ond eto, mae Llywodraeth Cymru - . Rydych chi wedi parhau i gyhoeddi'r data ar lefel leol a rhanbarthol. Onid ydy hynny yn mynd yn groes i'r hyn rydych chi wedi bod yn ei ddweud wrth y consortia a phawb arall?
English: I just want to discuss an issue that I know is important to you, namely closing the attainment gap between pupils who are eligible for free school meals and those who are not eligible for free school meals. Unfortunately, the problem persists, doesn't it?
Welsh: Dwi jest eisiau trafod mater dwi'n gwybod sydd yn bwysig gennych chi, sef cau'r bwlch cyrhaeddiad rhwng disgyblion sy'n derbyn cinio am ddim a'r rhai sydd ddim yn derbyn cinio am ddim. Yn anffodus, mae'r broblem yn dal i fod yno, onid ydyw?
English: But, this is despite the fact that there is £475 million that has been invested in the pupil development grant, for this exact purpose of closing the attainment gap. But, the problem persists, and in some places, it's deteriorating.
Welsh: Ond, mae hyn er gwaetha'r ffaith bod yna £475 miliwn wedi cael ei fuddsoddi yn y grant datblygu disgyblion, i'r union bwrpas yma o leihau'r bwlch cyrhaeddiad. Ond, mae'r broblem yn dal i fod yno, ac mewn rhai llefydd, mae'n mynd yn waeth.
English: But I'm sure that that is a disappointment to you, because it has been a personal priority for you as well. In terms of minority ethnic learners, while there are some groups within that category who are achieving, there is underachievement happening here as well, isn't there? It's not consistent across the minority ethnic group. Is that something that you will be focusing upon?
Welsh: Ond dwi'n siŵr ei fod yn fater o siom i chi, oherwydd mae o wedi bod yn flaenoriaeth bersonol i chi hefyd. O ran dysgwyr o leiafrifoedd ethnig, tra bod yna rhai grwpiau o fewn y grŵp sy'n cyflawni, mae yna dangyflawni yn fan hyn hefyd, onid oes? Dydy o ddim yn gyson ar draws y grŵp lleiafrifoedd ethnig. Ydy hynny'n rhywbeth y byddwch chi'n rhoi ffocws arno fo?
English: Fine. In terms of looked-after children, which is one of the groups where attainment isn't where we would like it to be, there was some improvement in 2016 at key stage 4, but it has been disappointing. Do we know what's been happening in 2019?
Welsh: Iawn. Ynglŷn â phlant mewn gofal, sef un o'r grwpiau yma lle dydy cyflawniad ddim yn beth fyddai rhywun yn hoffi iddo fo i fod, bu rhywfaint o welliant yn 2016 yng nghyfnod allweddol 4, ond eto, mae o wedi bod yn siomedig. Oes gennym ni syniad beth sydd wedi bod yn digwydd yn 2019?
English: Welcome to the Culture, Welsh Language and Communications Committee this morning, and item 1 on the agenda is introductions, apologies, substitutions and declarations of interest. I'd like to welcome everybody to the committee meeting and, if nobody has anything to declare, we'll go straight to item 2 on the agenda.
Welsh: Croeso i Bwyllgor Diwylliant, y Gymraeg a Chyfathrebu'r bore yma, ac eitem 1 ar yr agenda yw cyflwyniad, ymddiheuriadau, dirprwyon a datgan buddiannau. Hoffwn i groesawu pawb i'r pwyllgor ac, os nad oes gan unrhyw un rhywbeth i'w ddatgan y bore yma, awn ni'n syth ymlaen at eitem 2 ar yr agenda.
English: Item 2: inquiry into live music in Wales, and we welcome this morning Welsh Government and, of course, we welcome Dafydd Elis-Thomas, Deputy Minister for Culture, Sport and Tourism; Gerwyn Evans, deputy director of Creative Wales; and then, head of sector development Creative Wales, Joedi Langley. Welcome to you all - for attending this morning. You have been before us a number of times, Deputy Minister, and we'll be asking questions on the basis of different themes, if that's okay with you. We'll go straight into those, so, first of all, from me, this inquiry has been a very fruitful one and I think many people have been engaging positively with all aspects of the inquiry as there is so much happening here in Wales. First of all, I'd like to ask you: are you aware of how many venues in Wales have closed down in recent years?
Welsh: Eitem 2: ymchwiliad i gerddoriaeth fyw yng Nghymru, ac rydym ni'n croesawu atom ni'r bore yma Llywodraeth Cymru ac, wrth gwrs, rydym ni'n croesawu Dafydd Elis-Thomas, sef y Dirprwy Weinidog Diwylliant, Chwaraeon a Thwristiaeth; Gerwyn Evans, sef dirprwy gyfarwyddwr Cymru Greadigol; ac wedyn pennaeth datblygu sector Cymru Greadigol, Joedi Langley. Croeso i chi oll - am ddod atom y bore yma. Rydych chi wedi bod ger ein bron nifer fawr o weithiau nawr, Ddirprwy Weinidog, felly byddwn ni'n gofyn cwestiynau ar sail themâu gwahanol, os ydy hynny'n iawn gyda chi, ac wedyn, byddwn ni'n bwrw ymlaen yn hynny o beth. Felly, yn gyntaf, gen i, mae'r ymchwiliad yma wedi bod yn un ffrwythlon iawn, dwi'n credu, ac mae lot o bobl wedi ymwneud yn bositif gyda'r holl ymchwiliad gan fod yna gymaint yn digwydd yma yng Nghymru. Yn gyntaf oll, hoffwn i ofyn: ydych chi'n ymwybodol o faint o'r lleoliadau cerddoriaeth fyw sydd wedi cau yma yng Nghymru?
English: That's a difficult question to answer, and I wouldn't want to give it a definite figure, because one of the problems is that many of these performance venues do change their function and that's why they cease to be performance venues; they become restaurants or bars or whatever else they may be. There is a definition of a venue - I'm not sure what the appropriate Welsh word for 'grassroots' is, because the word simply doesn't make sense in Welsh, but we are talking here about a grassroots venue -
Welsh: Mae hwnnw'n gwestiwn anodd i'w ateb, a buaswn i ddim yn hoffi rhoi ffigur pendant arno fo, oherwydd un o'r problemau ydy bod llawer iawn o'r lleoliadau perfformio yn newid eu swyddogaeth am mai dyna sut maen nhw'n dod i ben fel lleoliad perfformio; maen nhw'n llefydd bwyta neu maen nhw'n fariau neu beth bynnag arall ydyn nhw. Mae yna ddiffiniad o leoliad - beth bynnag ydy'r gair Cymraeg priodol - grassroots. Dwi'n cael trafferth gyda hwn, oherwydd dyw'r gair ddim yn gwneud synnwyr yn Gymraeg. Rydym ni'n sôn am leoliad ar y stryd neu leoliad -
English: Community?
Welsh: Cymunedol?
English: No, a community venue is something different altogether. But I will think about that when I have a little more time than I have this morning. So, we have asked Landsker Business Solutions to carry out a thorough mapping exercise in terms of performance venues and, included within that, we have asked them to discuss - . I haven't seen the report, as of yet, because this inquiry is taking place this morning. We've received the report as a Government, but I haven't yet had an opportunity to read it or make recommendations on it. But I do hope that there will be some assistance for us there to create an appropriate definition for venues where music is performed live in Wales.
Welsh: Na, dyw hwnna ddim yr un peth. Mae lleoliad cymunedol yn rhywbeth arall. Ond mi wnaf feddwl am hwnna, pan mae gen i fwy o amser nag sydd gen i'r bore yma i ateb y cwestiwn. Felly, rydym ni wedi gofyn i gwmni Landsker Business Solutions i wneud astudiaeth drylwyr a mapio'r lleoliadau perfformio, ac yn gynwysiedig yn hynny, rydym ni wedi gofyn iddyn nhw drafod - . Dwi ddim wedi gweld yr adroddiad eto, achos mae'r digwyddiad - mae'r ymholiad hwn - yn digwydd y bore yma. Pan mae'r adroddiad wedi dod i law - . Mae o gyda ni fel Llywodraeth, ond dwi ddim eto wedi ei weld o nac wedi cael argymhellion arno fo. Ond mi fydd yna, dwi'n gobeithio, help i ni greu diffiniad addas ar gyfer lleoliadau lle mae miwsig yn cael ei berfformio'n fyw yng Nghymru.
English: Thank you for that. Could you tell us when you will have more information regarding coming to any conclusions as a result of this mapping process? You say the Government has received it. What is the process now? Has the industry been completely a part of this process? What have they been telling you? And how are you going to use this mapping process to assist the industry here in Wales?
Welsh: Diolch am hynny. Allwch chi ddweud wrthym ni pryd fyddwch chi'n cael mwy o wybodaeth ynglŷn â gwneud unrhyw fath o gasgliadau yn sgil y broses fapio yma? Rydych chi'n dweud bod y Llywodraeth wedi ei chael hi. Beth yw'r broses nawr? A yw'r diwydiant wedi bod yn hollol - rhan o'r broses yma? Beth maen nhw wedi bod yn dweud wrthych chi? A sut ydych chi'n mynd i ddefnyddio'r broses fapio yma i helpu'r diwydiant yma yng Nghymru?
English: Great. I'm pleased to hear that you have provided an extension, because we were hearing in this committee that many people perhaps hadn't seen the e-mail or hadn't engaged, so we are grateful for that. But, just in terms of the scope of it, is it going to look at rehearsal spaces as well? For example, we've heard that there is a problem with regard to accessing rehearsal spaces across Wales. Or is it just regarding the gig venues?
Welsh: Grêt. Dwi'n falch i glywed eich bod chi wedi rhoi estyniad, achos rydym ni wedi clywed yn y pwyllgor yma hefyd bod lot o bobl efallai heb weld yr e-bost neu heb ymwneud, felly rydym yn ddiolchgar am hynny. Ond, jest o ran sgôp y peth, ydy e'n mynd i edrych ar lefydd ymarfer hefyd? Er enghraifft, rydym wedi clywed bod yna broblem o ran cael mynediad at lefydd i ymarfer ar draws Cymru. Neu a ydy jest am y lleoliadau yn benodol o ran gigio?
English: I'm waiting to see the report, and I'll need to see it before I can give a clear answer to that, but I think it's important that we focus on live performance venues. And if there are venues that are also used for rehearsal - I understand that those lines can become blurred - we would be flexible on that. But the advice that we've received from companies in the sector, and I'm sure that this is what Landsker Business Solutions, as the company that has been responsible for this study - . And I have great respect for the work that they have done for the Welsh Government and the wider public sector in the past, and I'm confident that the recommendations that they make and the brief opportunity that I will have to consider them will mean that we can make progress with activity in this area, before Easter, I would hope.
Welsh: Dwi'n aros i weld yr adroddiad i ateb hwnna yn glir, ond dwi'n meddwl ei fod yn bwysig ein bod ni'n canolbwyntio ar leoliadau perfformio byw. Ac os oes yna leoliadau sydd hefyd yn cael eu defnyddio ar gyfer perfformio byw ac ymarfer - dwi'n deall bod y llinell yn gallu bod yn un denau weithiau - mi fyddwn ni'n bod yn hyblyg ynglŷn â hynny. Ond y cyngor rydym wedi ei gael gan y cwmnïau yn y sector, a dwi'n sicr mai dyma fydd Landsker Business Solutions, fel y cwmni sydd wedi paratoi'r astudiaeth - . Ac mae gen i dipyn o barch at y gwaith maen nhw wedi ei wneud ar gyfer Llywodraeth Cymru a'r sector cyhoeddus yn y gorffennol, felly dwi'n eithaf ffyddiog y bydd yr argymhellion bydd gyda nhw a'r cyfle cyflym fydd gyda fi i'w hystyried nhw yn golygu y gallwn ni fynd ymlaen efo gweithgaredd yn y maes yma, wel, cyn y Pasg, buaswn i'n gobeithio.
English: Do you intend to do this on a regular basis? Or is this a one-off thing? Are you going to do it regularly?
Welsh: Ac ydych chi'n bwriadu gwneud hyn yn rheolaidd? Neu ydy hyn yn one-off? Ydych chi'n bwriadu gwneud hyn yn aml?
English: No, the intention is - . This is going to be - . I will ask Gerwyn and Joedi to say a few words about this. This will be one of the central responsibilities of Creative Wales, because the difference between Creative Wales and the Arts Council of Wales is that Creative Wales has a commercial emphasis. Creative Wales also emphasises the role of businesses in the creative areas, whilst the arts council, of course, are involved with arts policy and the sponsorship of individual artists, authors and so on and so forth. So, I would say that is the main difference between the two bodies, and when I was handed the responsibility from the First Minister emeritus, who is a member of your committee here, it was made clear to me that if I was to be responsible for creative activities and to make progress in implementing the Welsh Labour manifesto commitment with the support of other parties in establishing Creative Wales, that we would do that with this emphasis on not trying to take over the responsibilities of any other arm's-length public body. And the important decision for us, and that decision was initially made with another similar organisation, namely Cadw, was that we would keep Cadw within Government, but we would ensure that there was a clear and defined budget line and that there was a relationship established through a chair and a board with the sector more generally, and the same is the model. I'm sure you will have seen that we have advertised for members of the board and a chair for Creative Wales, and I hope that all of this will be in operation, as I've said, before Easter, and I think Easter is late this year. Gerwyn.
Welsh: Na, y bwriad ydy - . Mae hwn yn mynd i fod - . Ac mi ofynnaf i Gerwyn a Joedi i ddweud gair am hyn. Mi fydd hwn yn un o gyfrifoldebau canolog Cymru Greadigol, oherwydd y gwahaniaeth rhwng Cymru Greadigol a Chyngor Celfyddydau Cymru yw bod gan Cymru Greadigol bwyslais masnachol. Mae gan Cymru Greadigol hefyd bwyslais sydd yn ymwneud â busnesion yn y maes creadigol, tra bod cyngor y celfyddydau yn ymwneud, wrth gwrs, â pholisi celfyddyd a noddi artistiaid unigol a llenorion unigol ac yn y blaen. Dyna fuaswn i'n meddwl ydy'r prif wahaniaeth, a phan ges i'r cyfrifoldeb gan y Prif Weinidog emeritws, sydd yn aelod o'ch pwyllgor chi fan hyn, mi wnaed yn hollol glir i fi, os oeddwn i'n gyfrifol am weithgaredd creadigol a symud ymlaen i weithredu ar ymrwymiad maniffesto Llafur a gyda chefnogaeth y pleidiau eraill i sefydlu Cymru Greadigol, y byddem ni'n gwneud hynny gyda'r pwyslais yma ar beidio ceisio cymryd drosodd gwaith unrhyw gyrff cyhoeddus eraill hyd braich. A'r penderfyniad pwysig i ni ei wneud, ac mi wnaed o yn y lle cyntaf gyda chorff arall tebyg, sef Cadw, oedd ein bod ni'n cadw Cadw o fewn y Llywodraeth, ond yn sicrhau bod yna gyllideb glir ddiffiniedig a bod yna berthynas yn cael ei sefydlu drwy gadeirydd a bwrdd gyda'r sector yn gyffredinol, a'r un ydy'r model. Rydych chi wedi gweld mae'n siŵr ein bod ni wedi hysbysebu'r bwrdd a chadeiryddiaeth Cymru Greadigol, a dwi'n gobeithio bydd y cyfan hyn yn weithredol, fel dwi'n dweud, cyn y Pasg, ac mae'r Pasg yn hwyr eleni, dwi'n meddwl. Gerwyn.
English: The Minister, I think, had moved on and and answered my next question, but in terms of -
Welsh: Roedd y Gweinidog, dwi'n credu, wedi mynd heibio ac ateb fy nghwestiwn nesaf i, ond o ran -
English: I do apologise.
Welsh: Mae'n ddrwg gen i am hynna.
English: But perhaps you could answer the question in terms of - . We've had the arts council in, and they've had a pot of money for venues and for artists, but nobody had made a request for money from that fund because they told us, at least, that they didn't know about it. So, just to make sure, do you think that you, with this new group in place, will have this involvement and not the arts council, or will they continue to do things in this area as well? Just for us to understand. It's difficult now that people don't know who to go to. Are they going to go to you, are they going to go to the arts council, or both, in the future?
Welsh: Ond efallai allwch chi ateb y cwestiwn o ran - . Dŷn ni wedi cael y cyngor celfyddydau mewn, ac maen nhw wedi cael pot o arian ar gyfer lleoliadau ac ar gyfer artistiaid, ond doedd neb wedi ceisio am y pot hwnnw o arian o ran lleoliadau achos roedden nhw'n dweud wrthym ni, o leiaf, eu bod nhw ddim yn gwybod amdano fe. So, jest i'w wneud yn glir, dŷch chi'n credu mai chi, gyda'r grŵp newydd yma, fydd yn lle ar gyfer yr ymwneud yma ac nid y cyngor celfyddydau, neu a fyddan nhw'n parhau i wneud pethau yn y maes yma hefyd? Jest i ni ddeall pwy - . Mae'n ddigon anodd nawr, dyw pobl ddim yn gwybod pwy i fynd atynt. Ydyn nhw'n mynd i fynd atoch chi neu ydyn nhw'n mynd i fynd at gyngor y celfyddydau, neu'r ddau ohonoch chi, yn y dyfodol?
English: Okay. A lack of time means that we have to move on, so on to support and advice, Helen Mary Jones.
Welsh: Ocê. Mae diffyg amser yn golygu ein bod ni'n symud ymlaen yn awr, felly cymorth a chyngor, Helen Mary Jones.
English: Well, I'm very proud of this, that we have been able to take swift action on it in terms of a signal of our intent for the future.
Welsh: Wel, dwi'n falch iawn o hwn, ein bod ni wedi gallu gweithredu ar hwn yn gyflym, fel arwydd o beth rydym ni'n bwriadu ei wneud yn y dyfodol.
English: But generally speaking, the first round is now closed, I believe. Fourteen applications have been made. There'll be a second round in May, and the intention is that there will be an opportunity for venues to make proposals or bids for up to £5 million, with £120,000 available in total.
Welsh: Ond yn gyffredinol, mae'r rownd gyntaf wedi cau, dwi'n meddwl. Mae yna 14 cais wedi cael eu gwneud. Mae yna ail rownd ar gyfer mis Mai, a'r bwriad ydy y bydd yna gyfle i leoliadau i wneud cynigion, i wneud ceisiadau, i fyny i £5 miliwn, gyda £120,000 ar gael fel cyfanswm.
English: Five million?
Welsh: Pum miliwn?
English: I did say 'thousand'. Perhaps I'm speaking quickly.
Welsh: 'Mil' ddywedais i. Na, 'mil'. Efallai fy mod i'n siarad yn gyflym.
English: No, you did say 'five million'.
Welsh: Na, 'pum miliwn' ddywedoch chi.
English: I meant to say 'five thousand'.
Welsh: 'Pum mil' roeddwn i'n bwriadu ei ddweud.
English: Thank you, Chair. You're aware of the Forté project and how that works. Are there any plans to roll out that project to the rest of Wales in order to develop young people's talent?
Welsh: Diolch yn fawr, Cadeirydd. Rŷch chi'n wybyddus, wrth gwrs, o broject Forté a'r ffordd mae hwnna'n gweithio. Oes yna unrhyw gynllun i ehangu'r cynllun hwnnw i weddill Cymru er mwyn datblygu talent pobl ifanc?
English: Certainly, the intention is that our schemes, including that particular programme, will be increasingly available throughout Wales, and that will happen through the collaboration that's already developed in the music world. I don't see there being a problem in having various funds or various organisations available as long as they understand how they collaborate and work together. You've mentioned Forté, but there is also Horizons, of course, and we have different activities - Momentum, Forté, PYST, which we haven't yet mentioned, which is a partnership with Cymdeithas yr Iaith, and sponsorship through the Welsh Music Prize. These are things that are increasingly available across Wales, and that is the intention, so that we have a useful map available to us. Creative Wales has secured funding for the Forté project specifically in order to develop venues, and, of course, that will depend on the outcomes of the Landsker report. We will seek to ensure that the map of support is clear for everyone who makes bids and is clear to us as well.
Welsh: Wel, yn sicr, y bwriad ydy y bydd ein cynlluniau ni, gan gynnwys y project penodol yna, ar gael yn gynyddol drwy Gymru, ac mi fydd hynny'n digwydd drwy'r cydweithrediad sydd wedi datblygu'n barod yn y maes cerddorol. Dwi ddim yn gweld problem bod yna wahanol gyrff na gwahanol gronfeydd ar gael cyhyd â'u bod nhw'n deall sut maen nhw'n gallu cydweithio gyda'i gilydd. Rydych chi wedi sôn am Forté. Wel, mae Horizons, wrth gwrs; mae gyda ni wahanol weithgareddau - Momentwm, Forté, PYST, dydyn ni ddim wedi sôn amdano fe, sydd yn bartneriaeth gyda Cymdeithas yr Iaith. Mae nawdd gan y Wobr Gerddoriaeth Cymru. Mae'r rhain i gyd yn bethau sydd yn gynyddol ar gael ar draws Cymru, a dyna ydy'r bwriad, fel bod gyda ni fap defnyddiol. Mae Cymru Greadigol wedi sicrhau cyllid ar gyfer y project Forté yn benodol ar gyfer datblygu lleoliadau, ac mae hynny'n dibynnu eto ar ba fath ganlyniad a gawn ni o adroddiad Landsker. Mi fyddwn ni'n ceisio sicrhau bod y map o gefnogaeth yn glir i bawb sydd yn ceisio amdano fo ac yn glir i ni'n hunain hefyd, wrth gwrs.
English: Two questions, perhaps - two other questions I have. Firstly, with regard to the professions that support music - not only producers, but promoters, managers, the structure that is around any artist that ensures that they can sell their skills and market their skills and know how to do so - what sort of support is available in order to develop the non-musical structure but one that is crucial to the development of music in Wales?
Welsh: Dau gwestiwn, efallai, arall sydd gyda fi. Yn gyntaf, ynglŷn â'r proffesiynau sydd yn cefnogi cerdd, sef nid dim ond cynhyrchwyr ond hefyd hyrwyddwyr, rheolwyr, so y strwythur sydd o gwmpas unrhyw artist sydd yn sicrhau eu bod nhw'n gallu gwerthu eu sgiliau ac, wrth gwrs, marchnata eu sgiliau a gwybod fel mae gwneud hynny, pa fath o gymorth sydd ar gael er mwyn datblygu'r strwythur di-gerddorol ond hefyd hollbwysig i ddatblygiad cerdd yng Nghymru?
English: Well, that's crucially important across all arts activities, and I would link this with the Creative Wales emphasis on the commercial side of things. Joedi might want to say a few words about this, but we have been having discussions with Skills Wales specifically to see how we can be more positive in ensuring that the arts economy and the music economy does work, and there are options that we have discussed with various businesses and that would be something that we would expect Creative Wales to focus on, because I do anticipate Creative Wales working on that boundary between art as business and business creating art, if you like.
Welsh: Mae hyn yn allweddol bwysig ar draws y celfyddydau a'r gweithgaredd celfyddydol i gyd, a buaswn i'n cyplysu hyn efo pwyslais Cymru Greadigol ar yr ochr fasnachol. Felly, dwi'n meddwl bydd yn rhaid inni edrych - a rydym ni wedi bod yn trafod, ac efallai hoffai Joedi ddweud rhywbeth am hyn - efo Sgiliau Cymru'n benodol i weld sut y gallwn ni fod yn fwy positif yn sicrhau bod yr economi gelfyddydol, yr economi gerddorol, yn gweithio, ac mae yna opsiynau rydym ni wedi eu trafod gyda'r gwahanol fusnesion. Mi fyddai hwnna'n rhywbeth byddwn i'n disgwyl i Gymru Greadigol dalu sylw penodol iddo fo gan fy mod i'n rhagweld Cymru Greadigol yn gweithio ar y ffin yna rhwng celfyddyd fel busnes a busnes yn creu celfyddyd, mewn gwirionedd.