O CARNAVAL NÃO É MAIS AQUELE...
Autor: AUGUSTO PINHEIRO | Publicado: 2012-02-24T01:20:00-03:00

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&nbsp;A milionária estrutura da “axé music”, acompanhada de um eficiente trabalho de marketing, conseguiu introduzir o estilo musical baiano nas principais festas carnavalescas do Brasil. O vil metal pega pesado, quem for podre que se quebre. Adeus o carnaval do samba, das marchinhas, do pierrô, da colombina, do arlequim, da odalisca, do confete e da serpentina.&nbsp; O Carnaval virou uma festa soteropolitana. 
Somente as cidades de Rio de Janeiro e Recife resistem e continuam produzindo um carnaval voltado para as raízes culturais. Muito embora, nos últimos anos, já vislumbramos tentativas de incursões de outros estilos musicais. O samba e o frevo arrostam com galhardia às milionárias investidas das trupes baianas que execram o carnaval tradicional e investem em efêmeros hits acompanhados de bizarras coreografias adredemente planejadas. 
Não fugindo a regra, os festejos de carnaval em nossa cidade vêm definhando visivelmente. Aboliram os tradicionais bailes carnavalescos em clubes sociais. Antecedendo a festa noturna, foi introduzida uma festa vespertina, tradicional nos carnavais da orla marítima, denominada mela-mela, realizada na Praça Waldemar Falcão, ao som dos execráveis “PAREDÕES DE SOM”. Os paredões, engenhocas eletrônicas, sem qualquer compromisso com qualidade de som, derramam milhões de decibéis de péssima música sobre os transloucados e embriagados foliões. 
Os brincantes, adultos e crianças, imersos numa nuvem de poeira de goma (fécula de mandioca), se digladiam numa batalha ridícula, fétida e perigosa, vez que alguns inescrupulosos misturam a goma substâncias nocivas a saúde humana, inclusive cal virgem (óxido de cálcio). &nbsp;
O baile noturno, antes realizado nos clubes locais, foi transferido para a praça pública (Praça da Matriz) onde bandas tocam todo tipo de música, menos músicas de carnaval. Nos intervalos entre uma banda e outra, os “paredões” são acionados transformando o ambiente num autêntico baile funk. A festa rola a noite toda sem qualquer liame com o espírito carnavalesco. 
  Desconfio que, a exemplo do Olimpo, o Rei Momo foi definitivamente expulso do Carnaval baturiteense