ESPECIAL JANE AUSTEN
Autor: T' AA | Publicado: 2009-10-07T10:57:00-07:00

<!--[if gte mso 9]>     Normal   0         21         false   false   false      PT-BR   X-NONE   X-NONE                                                     MicrosoftInternetExplorer4                                                   <![endif]--><!--[if gte mso 9]>                                                                                                                                                                                                                                                                                                                                                                                                                                   <![endif]--> <!--  /* Font Definitions */  @font-face 	{font-family:Century; 	panose-1:2 4 6 4 5 5 5 2 3 4; 	mso-font-charset:0; 	mso-generic-font-family:roman; 	mso-font-pitch:variable; 	mso-font-signature:647 0 0 0 159 0;} @font-face 	{font-family:"Cambria Math"; 	panose-1:2 4 5 3 5 4 6 3 2 4; 	mso-font-charset:0; 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	mso-tstyle-rowband-size:0; 	mso-tstyle-colband-size:0; 	mso-style-noshow:yes; 	mso-style-priority:99; 	mso-style-qformat:yes; 	mso-style-parent:""; 	mso-padding-alt:0cm 5.4pt 0cm 5.4pt; 	mso-para-margin:0cm; 	mso-para-margin-bottom:.0001pt; 	mso-pagination:widow-orphan; 	font-size:11.0pt; 	font-family:"Calibri","sans-serif"; 	mso-ascii-font-family:Calibri; 	mso-ascii-theme-font:minor-latin; 	mso-fareast-font-family:"Times New Roman"; 	mso-fareast-theme-font:minor-fareast; 	mso-hansi-font-family:Calibri; 	mso-hansi-theme-font:minor-latin; 	mso-bidi-font-family:"Times New Roman"; 	mso-bidi-theme-font:minor-bidi;}  <![endif]-->  Romancista britânica nascida em Steventon, Hampshire, cuja obra literária deu ao romance inglês o primeiro impulso para a modernidade, ao tratar do cotidiano de pessoas comuns com aguda percepção psicológica e um estilo de uma ironia sutil, dissimulada pela leveza da narrativa. Filha de um pastor anglicano, toda a sua vida transcorreu no seio de um pequeno grupo social, formado pela aristocracia rural inglesa. Aos 17 anos, escreveu seu primeiro romance, Lady Susan, uma paródia do estilo sentimental de Samuel Richardson.     Seu segundo livro, Pride and Prejudice (1797), tornou-se sua obra mais conhecida, embora, inicialmente, tenha sido malvisto pelos editores, o que levou por algum tempo ser descriminada no meio editorial. Depois conseguiu publicar o romance Sense and Sensibility (1811), cujo sucesso levou à publicação, ainda que sob pseudônimo, de obras anteriormente recusadas. Vieram ainda outros grandes sucessos como Mansfield Park (1814) e Emma (1816) em um estilo menos ágil e humorístico, porém ganhando em serenidade e sabedoria, sem perda de sua típica ironia.      Morreu em Winchester, um ano antes de serem publicadas as obras Persuasion e Northanger Abbey, uma deliciosa sátira, escrita na juventude, ao gênero truculento da novela gótica. Seu poder de observação do cotidiano forneceu-lhe material suficiente para dar vida aos personagens de suas obras, e a crítica considerou-a a primeira romancista moderna da literatura inglesa.  Seu poder de observação do cotidiano forneceu-lhe material suficiente para dar vida aos personagens de suas obras, e a crítica considerou-a a primeira romancista moderna da literatura inglesa.    <!--[if gte mso 9]>     Normal   0         21         false   false   false      PT-BR   X-NONE   X-NONE                                                     MicrosoftInternetExplorer4                                                   <![endif]--><!--[if gte mso 9]>                                                                                                                                                                                                                                                                                                                                                                                                                                   <![endif]--> <!--  /* Font Definitions */  @font-face 	{font-family:Century; 	panose-1:2 4 6 4 5 5 5 2 3 4; 	mso-font-charset:0; 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	mso-header-margin:36.0pt; 	mso-footer-margin:36.0pt; 	mso-paper-source:0;} div.Section1 	{page:Section1;} --> <!--[if gte mso 10]>   /* Style Definitions */  table.MsoNormalTable 	{mso-style-name:"Tabela normal"; 	mso-tstyle-rowband-size:0; 	mso-tstyle-colband-size:0; 	mso-style-noshow:yes; 	mso-style-priority:99; 	mso-style-qformat:yes; 	mso-style-parent:""; 	mso-padding-alt:0cm 5.4pt 0cm 5.4pt; 	mso-para-margin:0cm; 	mso-para-margin-bottom:.0001pt; 	mso-pagination:widow-orphan; 	font-size:11.0pt; 	font-family:"Calibri","sans-serif"; 	mso-ascii-font-family:Calibri; 	mso-ascii-theme-font:minor-latin; 	mso-fareast-font-family:"Times New Roman"; 	mso-fareast-theme-font:minor-fareast; 	mso-hansi-font-family:Calibri; 	mso-hansi-theme-font:minor-latin; 	mso-bidi-font-family:"Times New Roman"; 	mso-bidi-theme-font:minor-bidi;}  <![endif]-->     OBRAS     *Lady Susan (1794, 1805)       * Razão e Sensibilidade  (1811)      * Orgulho e Preconceito (1813)      * Mansfield Park (1814)      * Emma (1815)      * Abadia de Northanger  (1818) póstumo      * Persuasão (Persuasion) (1818) póstumo<!--[if gte mso 9]>     Normal   0         21         false   false   false      PT-BR   X-NONE   X-NONE                                                     MicrosoftInternetExplorer4                                                   <![endif]--><!--[if gte mso 9]>                                                                                                                                                                                                                                                                                                                                                                                                                                   <![endif]--> <!--  /* Font Definitions */  @font-face 	{font-family:"Cambria Math"; 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	text-indent:-18.0pt; 	font-family:"Times New Roman","serif";} ol 	{margin-bottom:0cm;} ul 	{margin-bottom:0cm;} --> <!--[if gte mso 10]>   /* Style Definitions */  table.MsoNormalTable 	{mso-style-name:"Tabela normal"; 	mso-tstyle-rowband-size:0; 	mso-tstyle-colband-size:0; 	mso-style-noshow:yes; 	mso-style-priority:99; 	mso-style-qformat:yes; 	mso-style-parent:""; 	mso-padding-alt:0cm 5.4pt 0cm 5.4pt; 	mso-para-margin:0cm; 	mso-para-margin-bottom:.0001pt; 	mso-pagination:widow-orphan; 	font-size:10.0pt; 	font-family:"Times New Roman","serif";}  <![endif]-->  FILMES, SERIE, DOCUMENTARIOS             ORGULHO E PRECONCEITO           - PRIDE AND PREJUDICE  1938           - PRIDE AND PREJUDICE 1940           - PRIDE AND PREJUDICE   1952  - PRIDE AND PREJUDICE   1958  - PRIDE AND PREJUDICE   1967  - PRIDE AND PREJUDICE   1980  - PRIDE AND PREJUDICE   1995         -  PRIDE AND PREJUDICE   2005     RAZÃO &amp; SENSIBILIDADE              -    SENSE AND SENSIBILITY   1971  <!--[if !supportLists]-->-          <!--[endif]-->SENSE AND SENSIBILITY   1981  <!--[if !supportLists]-->-          <!--[endif]-->SENSE AND SENSIBILITY   1995  <!--[if !supportLists]-->-          <!--[endif]-->SENSE AND SENSIBILITY    2008     EMMA  <!--[if !supportLists]-->-          <!--[endif]-->EMMA  1948  <!--[if !supportLists]-->-          <!--[endif]-->EMMA   1960  <!--[if !supportLists]-->-          <!--[endif]-->EMMA  1972  <!--[if !supportLists]-->-          <!--[endif]-->EMMA  1996 com Gwyneth Patrol  <!--[if !supportLists]-->-          <!--[endif]-->EMMA  1996  com Kate  Beckinsale     MANSFIELD PARK           -          <!--[endif]-->MANSFIELD PARK  1983    -    MANSFIELD PARK   1999 (No Brasil, Palacio das Ilusões)              -    MANSFIELD PARK    2007     PERSUASÃO              -   PERSUASION  1960                -   PERSUASION  1971-  PERSUASION  1995              -   PERSUASION  2007            ABADIA DE NORTHANGER  <!--[if !supportLists]-->                    -          <!--[endif]-->NORTHENGER ABBEY   1986  <!--[if !supportLists]-->         -          <!--[endif]-->NORTHENGER ABBEY   2007        Paródias e influências de Jane Austen                -  AS PATRICINHAS DE BERVELY HILLS – 1995              -   PRIDE AND PREJUDICE : A LATTER-DAY COMEDY - 2003           -   BRIDE AND PREJUDICE: BOLLYWOOD MUSICAL- 2004  <!--[if !supportLists]-->-          <!--[endif]-->O DIÁRIO DE BRIGDET JONES- 2001  <!--[if !supportLists]-->-          <!--[endif]-->BRIGDET JONES: NO LIMITE DA RAZÃO - 2004Filmes baseados na vida de Jane Austen   <!--[if !supportLists]-->-          <!--[endif]-->BECOMING JANE/ AMOR E INOCÊNCIA – 2007  <!--[if !supportLists]-->-          <!--[endif]-->MISS AUSTEN REGRETS - 2008           Documentários sobre Jane Austen   <!--[if !supportLists]-->-         <!--[endif]-->FAMOUS AUTHORS : JANE AUSTEN –1996  <!--[if !supportLists]-->-         <!--[endif]-->THE REAL JANE AUSTEN – 2002  <!--[if !supportLists]-->-         <!--[endif]-->GREAT WOMAN WRITERS: JANE AUSTEN - 2002