Programa Pintura e colagem 2016
Autor: marco giannotti | Publicado: 2016-07-29T07:06:00-07:00



COLAGEM
CAP 2016&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;


3 feira, das 8:00&nbsp; às 11:45. Prof. Marco Giannotti

http://recortessobreacor.blogspot.com.br/



Objetivos:

O curso
aborda a colagem em suas diversas manifestações artísticas. A utilização de
vários materiais não convencionais ampliou os horizontes pictóricos ao
incorporar objetos da vida cotidiana. Através da colagem a pintura moderna
rompe com a composição clássica e abre novas&nbsp;
possibilidades construtivas para a arte.



Justificativa: A invenção da colagem no início do
séc. XX foi um fator determinante para a arte moderna que merece um estudo
específico.

O curso
também&nbsp; procura preencher a lacuna de
poucas aulas voltadas para a pintura nos segundo semestre da graduação.



Resumo da programação: Serão objetos de estudo os principais
movimentos artísticos sec. XX e XI que utilizam a colagem, &nbsp;do Cubismo Sintético à Arte Contemporânea.
Aulas teóricas abordam os diferentes movimentos artísticos que utilizam a
colagem.&nbsp; Nas aulas praticas há uma
abordagem das diferentes técnicas e materiais utilizados como colas, tintas,
jornal, tecidos, fotografias, suportes distintos





Programa

Exercícios práticos das 8 às 9:30

Comentário dos trabalhos 9:45 às 10:15

Aulas teóricas das 10:30 às 11h45



Agosto

2. I.
Genealogia da colagem 

9. II.&nbsp; Cubismo analítico

16.III.
Cubismo sintético&nbsp; 

23. IV. Futurismo

30.V.
Dadaismo, Merz 



Setembro





 

  
5 a 10

  
Semana da Pátria. Não haverá aula.

 


13. VI.
Readymade



20. VII.Surrealismo

27. VIII. Construtivismo 

Outubro

6. IX.Construtivismo



 

  
12

  
Dia da Padroeira do Brasil, Nossa
  Senhora Aparecida. Não haverá aula.

 


13. X.&nbsp;Neo-concretismo


20. XI. Matisse

27. XII.Expressionismo abstrato &amp;Arte pop

 

  
28

  
Consagração ao Funcionário Público. Não
  haverá aula.

 


Novembro



1. XIII.
Europa pós II guerra

 

  
2

  
Finados. Não haverá aula.

 




 

  
8.XIV.Minimalismo&amp;Neoexpressionismo



&nbsp;&nbsp;&nbsp; 15 Proclamação da República 

  




.

 




22. XVI. Arte
Contemporânea

29. XVII.
Arte Contemporânea Brasileira

Dezembro

6. XVIII. Avaliação das obras realizadas
durante o curso

&nbsp;Obs.
O&nbsp; aluno deve apresentar uma análise&nbsp; escrita sobre uma colagem &nbsp;vista ao vivo com duas à tres páginas.



 

  
10

  
ENCERRAMENTO DAS AULAS.

 




Bibliografia

ARGAN.G.C. A Arte Moderna,Companhia das
Letras,1998, S.paulo

BATTCOK, G. A Nova Arte. Editora Perspectiva,
1986.&nbsp; S.paulo&nbsp; 

&nbsp;BENJAMIN. W. Magia e Técnica,
Brasiliense, 1985 

&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Passagens, Imprensa
Oficial, 2007, São Paulo

BOIS.Y. A Painting as a Model,&nbsp; MIT.1998

&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Art Press-Où est passée la peinture? 1995

&nbsp;BRITO, Ronaldo. Neoconcretismo. Cosac&amp; naify, 2005

CHIPP.H.B. Teorias da Arte Moderna. Martins
Fontes, 

&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; São
Paulo, 1996

&nbsp;CROW, Thomas. Modern Art in the Common
Culture,Yale Press, 1998

&nbsp;DANTO. A transfiguração do lugar comum-&nbsp; Cosac &amp; naify ,2006&nbsp; 

&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Após o fim da arte. EDUSP, 2006&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 

&nbsp;FAVARETTO, C. A invenção de Hélio Oiticica.
Edusp, 1992.

FRIED M.&nbsp; Art
and Objecthood . T

&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; University of Chicago Press, 1998.

&nbsp;
FOSTER, H. the return of the real. M.I.T Press, 1996

FRANCASTEL. P. Imagem, Visão e Imaginação. Martins
Fontes, 1983

GREENBERG, C. Art and Culture, Beacon Press,
Boston, 1961.

&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Clement Greenberg
e o Debate Crítico, Zahar.,1997.

HALPERN, D. Writers on Artists, North Point
Press, New York, 1988.

&nbsp;JOHNS, J. Writings. Museum of Modern
Art, 1996.

&nbsp;KRAUSS,R..The Originality of the
Avant-Garde and other Modernist Myths,&nbsp;&nbsp;&nbsp;
1986. A Voyage on the North Sea- Post Medium Condition, Thames
and Hudson,&nbsp;&nbsp;&nbsp; 1999. Picasso Papers. MIt Press, 1999

&nbsp;MATISSE, H. Escritos e reflexões sobre arte.
Ulissea, Lisboa , 1972.

OITICICA, H. Aspiro ao Grande Labirinto. Rocco,
1986. 

&nbsp;PERLOFF, M. O Momento Futurista, Edusp,
São Paulo, 1993.

&nbsp;TASSINARI, A. O espaço moderno, Cosac
&amp; Naify, São Paulo, 2001.

&nbsp;SHAPIRO, M. A Arte Moderna. Edusp,1996.

Taylor. Collage The making of modern
art, Thames and Hudson. 2004 

TOMKINS – Duchamp, 2004 CosacNaify , São
Paulo

&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Off the Wall. A Portrait of Raushenberg.
Picador, 2005, New York

&nbsp;ROSENBERG.H. Objeto ansioso. Cosac &amp; Naify, 2005

&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The
de–definition of ART Chicago Press, 1983 

&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The
Tradition of the New. Da Capo Press, New York, , 1994

SELZ, P. Contemporary Art - a
sourcebook of artists’ writings, California Press,&nbsp; 1998.

STEINBERG.
Encounters with Raushenberg

SAPIRO, M. A Arte Moderna. Edusp,1996.

&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; A Unidade da arte de Picasso, Cosac &amp; Naify, 2002

WARHOL, A., October files 2, 2001 M.I.T.

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