Autor: Ida Mara | Publicado: 2013-04-25T07:37:00-07:00









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Serviço Público Federal

UNIVERSIDADE FEDERAL DE SANTA CATARINA

CENTRO DE CIÊNCIAS DA EDUCAÇÃO

PROGRAMA DE PÓS-GRADUAÇÃO EM EDUCAÇÃO



NÍVEL: Mestrado/DOUTORADO

SEMESTRE: 2013.1

CÓDIGO: PGE 410096

Seminário Especial : Fenomenologia da Dança: Alteridade, Corpo e Educação.

CRÉDITOS: 02

CARGA-HORÁRIA: 30 HORAS

HORÁRIO: QUINTAS-FEIRAS, 14:00 as 17:00 HORAS

&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; PROFESSORA: DRª IDA MARA
FREIRE



Plano de Ensino

EMENTA: 

Fenomenologia da dança: vivido, temporalidade e intercorporeidade. Dança
e existência.&nbsp; Apreciação da dança:
observação, execução e criação. O ensino da dança na África do Sul: política,
corpo e alteridade. 



OBJETIVO GERAL E/OU
ESPECÍFICO:

<!--[if !supportLists]-->·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <!--[endif]-->Proporcionar
aos estudantes aprofundamento teórico e prático acerca das noções
fenomenológicas de vivido, temporalidade e intercorporeidade tendo como base a
experiência da dança. 

<!--[if !supportLists]-->·&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
<!--[endif]-->Estudar sistemas da dança







CONTEÚDO PROGRAMÁTICO




Tema I: Fenomenologia da dança: vivido, temporalidade e
intercorporeidade. 



Tema II: Dança e existência.&nbsp; 



Tema III: Apreciação da dança: observação, execução e criação. 



Tema IV: Sistemas da Dança Contemporânea



Tema V: O ensino da dança na África do Sul: política, corpo e
alteridade. 





Cronograma

1º. Encontro – &nbsp;Fenomenologia da
dança: observação, execução e criação

Apresentação do processo criativo Jornadas em Dança 

Jornada I :Sistema: Rudolf von Laban – kinesfera (espaço vital) 

2º. Encontro –&nbsp; De volta às coisas
mesmas

Jornada II:&nbsp; Sistema Body-Mind
Centering: Movimento Filogenético e ontogenético

3o. Encontro – Fenomenologia&nbsp;
da Percepção:

Jornada III: Os sentidos do corpo



4o Encontro –&nbsp; A
escrita no presente do tempo verbal 

Jornada IV: Sistema: Movimento Autêntico

5o Encontro – A noção de Temporalidade na dança

Jornada V: &nbsp;Diagonal da Vida 

6o. Encontro – Apreciação da Dança: Observar, executar e
Criar



7o Encontro – A expressão do vivido

Jornada VI: Sistema: Rasa Boxes O corpo e as emoções

8o Encontro – Experiências intersubjetivas

Jornada VII: A dança &nbsp;e o feminino

9o Encontro – Dança e Transcendência

Jornada VIII:&nbsp; A dança e o sagrado

10o Encontro – Corpo e&nbsp;
alteridade

Jornada IX: dança e a jornada existencial 

– &nbsp;Apresentação dos trabalhos







METODOLOGIA 



Aulas Expositivas

Aulas Práticas 







AVALIAÇÃO



Frequência e participação nas aulas

Escrita de um diário de campo

Elaboração e apresentação de um processo criativo









Bibliografia
complementar





ADLER,
Janet. Offering from the conscious body: the discipline of Authentic Movement.
Rochester: Inner Traditions. 2003

CARMO, Paulo (2002) Merleau-Ponty:
uma introdução. São Paulo: Educ.

COHEN,
Bonnie Bainbridge. Sensing, Feeling and Action: the experiential anatomy of
body-mind centering. Northampton: Contact. 1997.

FRIEDMAN, Sharon. Post-Apartheid Dance: Many Bodies, Many Voices, Many
Stories. Cambrige Scholars Publishing. 

FREIRE, Ida Mara. Ação política e afirmativa: corpo e alteridade no
discurso educacional sul-africano pós-apartheid.
O teatro transcende.&nbsp; Vol. 16. N.2.
2011.

FREIRE,&nbsp; Ida Mara. Dança-educação: o corpo e o
movimento no espaço do conhecimento. Cadernos
Cedes, 53. Campinas, SP; Papirus. p. 31-55.&nbsp;
2000.

JORDAN,
A.C. Tales from Southern Africa. Johannesburg
&amp; Cape Town. AD Donker. 2004

KOZEL,
Susan. Closer: performance, technologies, phenomenology. 2007. Massachusets
Institute of Technology. 

LABAN,
Rudolf. Danza Educativa moderna. Buenos Aires: Paidós. 1984.

LÉVINAS, Emmanuel. Ensaios sobre a alteridade. Petrópolis, Vozes. 2009

MERLEAU-PONTY,
Maurice (2000) O visível e o invisível. São Paulo:&nbsp; Perspectiva.

MERLEAU-PONTY,
Maurice (1994) A Fenomenologia
da Percepção. São Paulo: Martins Fontes.

MERLEAU-PONTY,&nbsp; Maurice.&nbsp; A experiência do Outro. In:
_________________. Merleau-Ponty na Sorbonne resumo de cursos psicossociologia
e filosofia. Campinas SP: Papirus, 1988.

MILNE,
Dido.&nbsp; The phenomenology of dance. Art &amp; Designe. London;&nbsp; 1993, p.88-89. 

MINNICK,
Michele Sheen. A dramaturgy of the flesh. Women e Performance, Issue 26,

NDEBELE,
Njabulo S. Fines lines from the box: further thoughts about our country.
Houghton. Umuzi. 2008.

OPONDO,
Patrícia Achieng. Expressing an explicitly african aesthetic in neo-traditional
dance expressions. Cape Town. Confluences. 1997.

PHILIP, Marlene NourbeSe. Looking for Livingstone: an odyssey of
silence. Toronto: The Mercury Press. 2003.

SCHÜES, Christina,&nbsp; OLKOWSKI,
Dorothea E., and FIELDING, Helen A. Time in Feminist Phenomenology.&nbsp; Blomington and Indianapolis. Indiana
University Press. 2011.

SOKOLOWKI,
Robert. Introdução a Fenomenologia. Rio
de Janeiro, Loyola. 2000.

SAMUEL,
Gerard. &nbsp;Undressing the (w)rapper:
disability dance. Florianópolis. NUP. Ponto de Vista. N.9 2007.


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