Resenha de David Bowie - No Plan EP
Autor: Andre Felipe | Publicado: 2017-01-10T06:10:00-08:00




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&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Hoje,
10/01/17, completa um ano da morte de David Bowie, que deixou o mundo estupefato,
pois aconteceu poucos dias depois do lançamento de Blackstar, um disco vigoroso
e intrigante que, mesmo imerso em inúmeras simbologias e mensagens pessoais
indiretas (que logo se tornaram diretas), fez com que as pessoas continuassem
pensando no prolongamento da espetacular carreira de David Bowie na música. Mas
no dia 10 duas trágicas notícias chegaram de uma vez: não apenas Bowie estava
profundamente doente, coisa que ninguém sabia, mas à essa altura, ele já estava
morto. Isso mesmo, algumas horas depois de aparentar ser a pessoa mais viva e
enérgica do mundo, David Bowie estava morto. 



&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Um
ano depois, o que podemos dizer é que ainda não digerimos totalmente essa
perda. Para nos ajudar com o luto, a BBC apresentou um especial inédito sobre
os últimos cinco anos da carreira de David Bowie, The Last Five Years, que em
outra oportunidade farei uma resenha específica. Esta postagem de hoje se
refere ao lançamento surpresa de um novo EP no dia do aniversário do cantor, que
compila as últimas músicas inéditas conhecidas – até o momento – de David Bowie
( que já foram lançadas numa versão do musical Lazarus).









&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; “No
Plan” é tão emocionante e tão impactante quanto “Larazus”, que foi totalmente
ressignificada após a notícia da morte de David Bowie. Em “No Plan”, ao
contrário, já a ouvimos conscientes que ele não está mais aqui e se encontra
nesse lugar em que ele menciona na letra da música. Musicalmente, ela se
enquadra num jazz meio sombrio com alguns belos solos de saxofone de Doug
McCaslin, que conhecemos tão bem em Blackstar.

Vale a pena transcrevê-la na íntegra: 



Here, there's no music here

I'm lost in streams of sound

Here, am I nowhere now?

No plan

Wherever I may go

Just where, just there

I am



All of the things that are my life

My desire, my beliefs, my moods

Here is my place without a plan



Here, second avenue

Just out of view

Here, is no traffic here?

No plan



All the things that are my life

My moods, my beliefs

My desires, me alone

Nothing to regret

This is no place, but here I am

This is not quite yet



&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; “Killing
a Little Time”, por sua vez, é um rock pesado que relembra um pouco a fase de
Outside. Parece que aqui ele está lidando com a raiva de saber que o momento
está próximo, pensando no que ainda poderia oferecer. “This rage in me / I've got a handful of songs
to sing / To sting your soul / To fuck you over / This furious reign”. 

&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;“When I Met You” finaliza esse conjunto de últimas
músicas gravadas por David Bowie de forma melancólica: "Now It's all the
same, it's all the same/ The sun is gone, it's all the same." 

&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mas nisso David Bowie
errou. Prefiro outra citação de uma música dele próprio (“Sunday”):

“Everything has changed

For in truth, it's the beginning of nothing

And nothing has changed

Everything has changed

For in truth, it's the beginning of an end

And nothing has changed

And everything has changed”