(723) Encontro de musicologia e recital de Pascal Gallet em Brasília
Autor: Semibreve | Publicado: 2014-04-07T12:09:00-03:00


  
  
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Para quem não puder ir às a presentações de Pascal Gallet em São Paulo, a chance ce ouvir uma das sonatas de piano e violino de Mozart , em Brasília, sábado, 12 de abril, na Escola de Música de Brasília, Teatro Carlos Galvão, às 20 horas, com entrada franca.

International Musicological Meeting - Brasília 2014
  
  







  
International&nbsp;Musicological Meeting in Brasília 2014, at the Brasília Music School with University of Brasília Musicology Lab.

Call for papers: all fields in Musicology, composition and chamber music.
Date: 12 April 2014, 14:30.
Address: TCG, Escola de Música de Brasília, 601 Sul (Brasília Music School, 601 South).
Support: PPGUS-University of Brasília (+55.61) 3107-1113
Languages: English and Portuguese.
Keynote speaker: Dr Christopher Dromey (UK).
Organization and information: Dr Zoltan Paulinyi, UnIMeM; Paulinyi@yahoo.com (+55.61) 8653.4811.
Deadline for submitting abstracts, papers and articles: 5 April 2014. Please, use template at:
https://www.dropbox.com/s/8cissuzusrvwqye/ArticleTemplate-UnB2014.doc

Send works with CV to Paulinyi@yahoo.com (please send copy to Zoltan.Paulini@gmail.com).

PROGRAMME (sketch):&nbsp;12 April 2014
18:00 - Arrival.
18:30 - Meeting opening with Dra. Beatriz Magalhães Castro
19:00 - Dr Christopher Dromey’s keynote on “Anglo-Brazilian Perspectives on the Pierrot Ensemble” followed by round table.
20:00 - Concert with Pascal Gallet (piano). Zoltan Paulinyi (violin) joins in to perform Mozart's Sonata IV (K304).
The
 University of Brasília will provide certificates for all active 
participants. This Meeting aims to publish the proceedings in PDF.
The Musicological Lab, coordinated by 
Dr Beatriz Magalhães Castro, focuses on “Theories and contexts in 
musicology”, at the University of Brasília Post-graduate and 
undergraduate Program in Musicology.
Meeting homepage:
http://paulinyi.blogspot.com.br/2014/03/encontro-internacional-de-musicologia.html






Dr Christopher Dromey




Dr Christopher Dromey joined Middlesex 
University in 2005, having previously taught at King’s College London 
(music analysis), the Open University (music theory), the Royal Opera 
House (Thomas Adès’s The Tempest), and Birkbeck College, University of 
London (twentieth-century music). In addition to music theory and 
analysis, Chris teaches musicology and copyright law.

A synopsis of his book on The Pierrot 
Ensembles: Chronicle and Catalogue, 1912-2012 (London: Plumbago, 2013), 
the first of its kind, is available to read here. He has also published 
on Benjamin Britten, Alexander Zemlinsky and Peter Maxwell Davies. For 
several years Chris worked for the copyright collection society PRS for 
Music. An active organist and pianist, he also regularly writes for the 
London Chamber Music Society.

http://www.mdx.ac.uk/aboutus/staffdirectory/Christopher_Dromey.aspx

DROMEY, Christopher. The Pierrot Ensembles (Poetics of Music), BOYE6 (UK), 2013. Available at &lt;http://www.amazon.com/Pierrot-Ensembles-Poetics-Music/dp/0956600727/ref=la_B00E9CRTLS_1_1?s=books&amp;ie=UTF8&amp;qid=1394188385&amp;sr=1-1&gt;










Pascal Gallet


Le pianiste Pascal GALLET
 fit sa première apparition télévisée à l’âge de 10 ans et entra au CNSM
 de Paris très jeune où il obtint plusieurs prix. Il y suivit le cycle 
de perfectionnement en piano. Ses jeunes années furent couronnées par de
 nombreux prix de concours internationaux, Viotti, Porto, Trapani, 
Fondation Menuhin, Senigalia, Ministère de la Culture en France. Il 
commença alors une carrière internationale de soliste avec les 
orchestres les plus prestigieux dans le monde.

Pascal Gallet eu le privilège de 
rencontrer Olivier Messiaen de façon très proche. Le Maître lui dédicaça
 deux extraits de son catalogue d’oiseaux.

Son ouverture et son originalité 
l’ammenèrent à créer des spectacles dans des programmes originaux où la 
musique reste reine avec des comédiens tels que Macha Méril, Marie-Rose 
Carlié, Patrick Topaloff ou encore Bernard Bilis.

Son expérience pédagogique, unanimement
 reconnue, l’a conduit à créer « Le Récital », projet pédagogique dont 
le but est de démocratiser la musique classique auprès des jeunes. Il a 
également donné de nombreuses master class au Conservatoire Supérieur de
 Brasilia, Hoshulle de Kitzingen, Seoul Université, Académie de Belgrade
 et de Nis, Académie internationale de Nancy… Il enseigne depuis de 
nombreuses années au conservatoire national de Montreuil.

Ses premiers enregistrements furent 
plébicités par la critique, notamment son CD Turina qui fut comparé à 
celui d’Alicia de Larocha. Son DVD Chopin pour le bicentenaire de la 
naissance de Chopin. Le compositeur français André Jolivet tient une 
place à part dans le travail de Pascal GALLET car il reste aujourd’hui 
le seul pianiste au monde à avoir enregistré l'Intégrale de son œuvre 
pour piano. Cet enregistrement fut unanimement récompensé et admiré par 
la presse spécialisée. Un concert avec l’Orchestre Philharmonique 
allemand de Duisburg a également permis l’enregistrement live de 
l’unique concerto de Jolivet par Pascal Gallet.

Pascal Gallet est un familier des 
radios et télévisions : Radio Classique, France Musique, France Culture,
 France Inter, RCF, France Bleue, France 2, Arte, Mezzo l’ont accueilli.
 A l’occasion du bicentenaire de la naissance de Liszt, Pascal Gallet a 
enregistré l'album (DVD) « Liszt Immortel », en Allemagne sur le piano 
Steingraëber (daté de 1873) ayant appartenu à Liszt lui-même.

The pianist Pascal Gallet
 appeared on television for the first time at the age of 10. He began 
studying at the "CNSM" in Paris at a very young age. Having won several 
international prizes, awards- Viotti, Porto, Trapani, the Menuhin 
Foundation, Senegalia, the French Ministry of Culture, he began an 
international career as a soloist working with some of the world's most 
prestigious orchestras.

Olivier Messiaen epigraphed two extracts 
from the "Bird's Catalogue" "le merle bleu (the blue blackbird) et la 
rousserolle effarvatte (the reed warbler) .
His open-mindedness and his originality 
have enabled him to put together shows with performers such as Macha 
Méril, Marie-Rose Carlié, Patrick Topaloff, Bernard Bilis.

His first recordings were praised by 
critics, particularly the one dedicated to Turina that was said to match
 Alicia de Larocha's, a Chopin DVD commemorating the bicentenary 
anniversary of the composer's birth. Jolivet occupies a special place in
 Pascal Gallet's work since the latter remains the only pianist in the 
world to have made a recording of the artist's complete works, including
 the concerto. These recordings have been unanimously acclaimed by 
specialized press.

Recently, Pascal Gallet's DVD dedicated to Liszt performed on Liszt's Steingraeber piano (1873), was a huge success.

November 2012 &nbsp; new edition cd Chopin

October 2013 &nbsp; &nbsp;cd « live » Preludes from Debussy acclaimed by the critical press

January 2014 Pascal Gallet is nominate teacher of piano in the C.N.R.R of Marseille.







Zoltan Paulinyi (violin)


Zoltan Paulinyi, violinist, violist, composer, private teacher; director of the SPES Exchange Program for Chamber Music, director of the MSB Children's Choir.
 Dr Mus at University of Évora (2013), where he is researcher at UnIMeM;
 violinist at the National Theatre Symphonic Orchestra in Brasília since
 2000.





Chamada de trabalhos para o “Encontro Internacional de Musicologia em 
Brasília 2014” em evento inaugural do Laboratório de Musicologia da 
Universidade de Brasília. Evento em parceria com a Escola de Música de 
Brasília.

Temática: todas as áreas da musicologia, composição e principalmente música de câmara.
Data: 12 de abril de 2014, sábado, 14:30.
Local: TCG da Escola de Música de Brasília, 601 Sul.
Apoio: PPGUS-UnB (+55.61) 3107-1113
Idiomas: inglês e português.
Palestrante convidado: Dr Christopher Dromey (UK).
Organização e informação: Dr Zoltan Paulinyi, UnIMeM; Paulinyi@yahoo.com (+55.61) 8653.4811.
Data limite para inscrever apresentação de trabalhos: 5 de abril de 2014.

Para submeter resumos e artigos preferencialmente em inglês, utilizar obrigatoriamente o modelo:
https://www.dropbox.com/s/8cissuzusrvwqye/ArticleTemplate-UnB2014.doc

Enviar submissões com sucinto CV para Paulinyi@yahoo.com (cópia para Zoltan.Paulini@gmail.com).

Programação (esboço):
18:00 - Recepção dos participantes.
18:30 - Abertura com Dra. Beatriz Magalhães Castro
19:00 - Palestra de Dr Christopher Dromey. “Perspectivas 
anglo-brasileiras sobre Grupos de Câmara Pierrot”. “Anglo-Brazilian 
Perspectives on the Pierrot Ensemble”
20:00 - Recital com Pascal Gallet (piano). Com Zoltan Paulinyi (violino), incluem a Sonata IV de Mozart, K304.

Certificados de participação serão emitidos pela Universidade de Brasília.

Este Encontro propõe a publicação de suas atas em formato digital sob a 
organização de Zoltan Paulinyi, pesquisador integrado da Unidade de 
Investigação em Música e Musicologia (UnIMeM) na Universidade de Évora, 
ex-aluno do Programa de Pós-graduação "Música em Contexto." Tem como 
objetivo discutir a área da musicologia com foco sobre Conjuntos de 
Câmara “Pierrot”, formação decorrente da obra Pierrot Lunaire de Arnold 
Schoenberg.

O Laboratório de Musicologia é coordenado pela Profa. Beatriz Magalhães 
Castro e tem como objetivo coordenar as atividades musicológicas 
relativas à linha C "Teorias e contextos em musicologia" do Programa de 
Pós-graduação Música em Contexto, e da nova habilitação em Musicologia 
do Bacharelado em Música do Departamento de Música da UnB.

Dr Christopher Dromey é professor da Universidade Middlesex desde 2005, 
tendo lecionado no King’s College de Londres (análise musical), na Open 
University (teoria musical), no Royal Opera House (The Tempest de Thomas
 Adès), e Birkbeck College, Universidade de Londres (música do séc. XX).
 Além de teoria musical e análise, Dromey leciona musicologia e 
legislação de direitos autorais.