CARACTERÍSTICAS DO TEXTO TRADICIONAL EM CORDEL
Autor: GELP | Publicado: 2011-09-21T08:21:00-07:00

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•&nbsp;&nbsp; A PEQUENA EXTENSÃO da obra, com poucas páginas, poucos personagens e poucos conflitos (mais próxima do conto);•&nbsp;&nbsp;&nbsp;&nbsp; UMA VARIANTE LINGÜÍSTICA MARCADA PELO REGIONALISMO E POR UMA LINGUAGEM NÃO-CULTA.•&nbsp;&nbsp;&nbsp;&nbsp; A ORALIDADE: Trata-se de um a literatura feita para o ouvido e não para os olhos. Citação: “O poeta Manoel de Almeida Filho, entrevistado por Mauro Almeida, explica que: […] a grande maioria dos nossos fregueses lê o livro cantando. Como a gente lê, eles aprendem as músicas dos violeiros, e eles cantam aquilo. […] E, em casa reúnem uma família, três, quatro, e cantam aquilo, como violeiro mesmo […] O folheto tem esta doçura do verso. E o povo nordestino se acostumou a ler o verso. Então o livro em prosa mesmo, ele não gosta e nem gosta do jornal, a notícia do jornal. […] Ele não entende. […] Porque está acostumado a ler rimado, a ler versado. […] Aquela notícia não é boa para ele, o folheto sim, porque o folheto ele lê cantando. (Almeida, 1979, f. 202) “.•&nbsp;&nbsp;&nbsp;&nbsp; A RIMA A SERVIÇO DA MEMÓRIA.•&nbsp;&nbsp;&nbsp;&nbsp; A SEXTILHA: 80% dos cordéis (Joseph Luyten, O que é literatura de cordel, coleção Primeiros Passos)•&nbsp;&nbsp;&nbsp;&nbsp; O Nordeste como palco por excelência das narrativas•&nbsp; VISÃO DE MUNDO POPULAR. Citação: “A superioridade dos folhetos deve-se também ao fato de eles apresentarem as notícias interpretadas segundo os valores compartilhados pelo público“. • Economia (na linguagem e na exposição de elementos): O folheto é sucinto e direto, rejeitando os circunlóquios, as perífrases; foco apenas no principal, no necessário: 'Se a espingarda&nbsp;não vai atirar no&nbsp;conto, convém tirá-la da sala'&nbsp;(Tchekov).• Os cordelistas preferem a ordem sintática mais comum: artigo + substantivo + verbos + objetos verbais + adjuntos adverbiais •&nbsp;&nbsp;&nbsp;&nbsp; A simplificação do enredo (enredos não complicados)•&nbsp;&nbsp;&nbsp;&nbsp; Predomínio da linearidade temporal (não é comum os flashbacks ou a montagem paralela)•&nbsp;&nbsp;&nbsp;&nbsp; Literatura exemplar: como a fábula, o cordel passa mensagens; O final feliz (punição do mal; recompensa do bom); a ausência do narrador neutro, que apenas conta a história, deixando para o leitor o julgamento. Comentário: Ao narrador cabe também interpretar as atitudes dos personagens e o sentido geral da narrativa, sobretudo no início e no final do texto, quando se dirige ao leitor para tecer considerações de ordem ética ou moral.•&nbsp;&nbsp;&nbsp;&nbsp; Maniqueísmo: o mundo dividido em bem e mal•&nbsp;&nbsp;&nbsp;&nbsp; A opção preferencial pelos pobres, pelos oprimidos: implicações: a) o vilão é o patrão, o rico, o coronel, etc; b) o herói é o amarelinho astuto (João Grilo, Canção de Fogo, Pedro Malasartes, etc.), uma espécie de vingador do povo.•&nbsp;&nbsp;&nbsp;&nbsp; Conservadorismo: ideologia católica, resíduos da sociedade patriarcal (ginofobia ou infantilização da mulher, racismo, etc.);•&nbsp;&nbsp;&nbsp;&nbsp; Religiosidade popular: superstições com liturgia, canonização sem o aval de Roma (Padre Cícero, Antônio conselheiro, o cangaceiro Jarararaca), etc.