Autor: Kellynha | Publicado: 2012-05-02T03:31:00-07:00






Figuras
de linguagem - exercícios 



&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Nos exercícios de número 1 a 22, faça a associação de acordo com o seguinte
código: 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
a) elipse g) anacoluto 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
b) zeugma h) silepse de gênero 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
c) pleonasmo i) silepse de número 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
d) polissíndeto j) silepse de pessoa 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
e) assíndeto l) anáfora 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
f) hipérbato m) anástrofe 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
1. (&nbsp;&nbsp;&nbsp;) “Dizem que os cariocas somos pouco dados aos jardins
públicos.”(Machado de Assis) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
2. (&nbsp;&nbsp;&nbsp;) “Aquela mina de ouro, ele não ia deixar que outras
espertas botassem as mãos.” (José Lins do Rego) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
3) (&nbsp;&nbsp;&nbsp;) “Este prefácio, apesar de interessante, inútil.” (Mário
Andrade) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
4. (&nbsp;&nbsp;&nbsp;) “Era véspera de Natal, as horas passavam, ele devia de
querer estar ao lado de lá-Dijina, em sua casa deles dois, da outra banda, na
Lapa-Laje.” (Guimarães Rosa) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
5. (&nbsp;&nbsp;&nbsp;) “Em volta: leões deitados, pombas voando, ramalhetes de
flores com laços de fitas, o Zé-Povinho de chapéu erguido.” 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
(Aníbal Machado) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
6. (&nbsp;&nbsp;&nbsp;) “Sob os tetos abatidos e entre os esteios fumegantes,
deslizavam melhor, a salvo, ou tinham mais invioláveis esconderijos, os
sertanejos emboscados. “ (Euclides da Cunha) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
7. (&nbsp;&nbsp;&nbsp;) V. Exa. está cansado? 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
8. (&nbsp;&nbsp;&nbsp;) “Caça, ninguém não pegava... (Mário de Andrade) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
9. (&nbsp;&nbsp;&nbsp;) “Mas, me escute, a gente vamos chegar lá.”(Guimarães
Rosa) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
10. (&nbsp;&nbsp;&nbsp;) “Grande parte, porém, dos membros daquela assembléia
estavam longe destas idéias.”(Alexandre Herculano) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
11. (&nbsp;&nbsp;&nbsp;) “E brinquei, e dancei e fui 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Vestido de rei....”(Chico Buarque) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
12. (&nbsp;&nbsp;&nbsp;) “Wilfredo foge. O horror vai com ele, inclemente.
Foge, corre, e vacila, e tropeça e resvala, E levanta-se, e foge
alucinadamente....”(Olavo Bilac) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
13. (&nbsp;&nbsp;&nbsp;) “Agachou-se, atiçou o fogo, apanhou uma brasa com a
colher, acendeu o cachimbo, pôs-se a chupar o canudo do taquari cheio de
sarro.” (Graciliano Ramos) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
14. (&nbsp;&nbsp;&nbsp;) “Tão bom se ela estivesse viva me ver assim.” 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
(Antônio Olavo Pereira) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
15. (&nbsp;&nbsp;&nbsp;) “Coisa curiosa é gente velha. Como comem!” (Aníbal
Machado) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
16. (&nbsp;&nbsp;&nbsp;) “Sonhei que estava sonhando um sonho
sonhado.”(Martinho da Vila) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
17. (&nbsp;&nbsp;&nbsp;) “Rubião fez um gesto. Palha outro; mas quão
diferentes.”( Machado de Assis) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
18. (&nbsp;&nbsp;&nbsp;) “Estava certo de que nunca jamais ninguém saberia do
meu crime.” (Aurélio Buarque de Holanda) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
19. (&nbsp;&nbsp;&nbsp;) “Fulgem as velhas almas namoradas.... 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
- Almas tristes, severas, resignadas, 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
De guerreiros, de santos, de poetas. “ 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
(Camilo Pessanha) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
20. (&nbsp;&nbsp;&nbsp;) “Muita gente anda no mundo sem saber pra quê: vivem
porque vêem os outros viverem.” 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
(J. Simões Lopes Neto) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
21. (&nbsp;&nbsp;&nbsp;) “Um mundo de vapores no ar flutua.” 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
(Raimundo Correa) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
22. (&nbsp;&nbsp;&nbsp;) “Tende piedade de mulher no instante do parto. 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Onde ela é como a água explodindo em convulsão 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Onde ela é como a terra vomitando cólera 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Onde ela é como a lua parindo desilusão.” 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
(Vinícius de Morais) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Nos exercícios de números 23 a 40, faça a associação de acordo com o
seguinte código: 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
a) metáfora f) sinédoque 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
b) comparação g) sinestesia 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
c) prosopopéia h) onomatopéia 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
d) antonomásia i) aliteração 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
e) metonímia j) catacrese 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
23. (&nbsp;&nbsp;&nbsp;) “Asas tontas de luz, cortando o firmamento!” 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
(Olavo Bilac) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
24. (&nbsp;&nbsp;&nbsp;) “Redondos tomates de pele quase estalando.”(Clarice
Lispector) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
25. (&nbsp;&nbsp;&nbsp;) “O administrador José Ferreira 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Vestia a mais branca limpeza.” 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
(João Cabral de Melo Neto) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
26. (&nbsp;&nbsp;&nbsp;) “A cidade inteira viu assombrada, de queixo caído, o
pistoleiro sumir de ladrão, fugindo nos cascos de seu cavalo.” 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
(José Cândido de Carvalho) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
27. (&nbsp;&nbsp;&nbsp;) “A noite é como um olhar longo e claro de mulher. “
(Vinícius de Morais) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
28. (&nbsp;&nbsp;&nbsp;) A virgem dos lábios de mel é um das personagens mais
famosas de nossa literatura. 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
29. (&nbsp;&nbsp;&nbsp;) “O pé que tinha no mar a si recolhe.” (Camões) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
30. (&nbsp;&nbsp;&nbsp;) “Se os deuses se vingam, que faremos nós os mortais? “
( V. Bergo) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
31. (&nbsp;&nbsp;&nbsp;) “Solução onda trépida e lacrimosa; geme a brisa
folhagem; o mesmo silêncio anela de opresso.” 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
( José de |Alencar) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
32. (&nbsp;&nbsp;&nbsp;) “Avista-se o grito das araras.” (Guimarães Rosa) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
33. (&nbsp;&nbsp;&nbsp;) “Da noite a tarde ea taciturna trova 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Soluça...” 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
34. (&nbsp;&nbsp;&nbsp;) “O Forte ergue seus braços para o céu de estrelas e de
paz.” ( Adonias Filho) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
35. (&nbsp;&nbsp;&nbsp;) “Lá fora a noite é um pulmão ofegante.” (Fernando
Namora) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
36. (&nbsp;&nbsp;&nbsp;) “O meu abraço te informará de mim.” 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
(Alcântara Machado) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
37. (&nbsp;&nbsp;&nbsp;) “Iam-se as sombras lentas desfazendo 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Sobre as flores da terra frio orvalho. “( Camões) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
38. (&nbsp;&nbsp;&nbsp;) “Não há criação nem morte perante a poesia 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Diante dela, a vida é um sol estático 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Não aquece, nem ilumina” 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
(Carlos Drummond de Andrade.) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
39. (&nbsp;&nbsp;&nbsp;) “Um olhar dessa pálpebra sombra.” 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
(Álvares de Azevedo) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
40. (&nbsp;&nbsp;&nbsp;) “O arco-íris saltou como serpente multicolor nessa
piscina de desenhos delicados. “ (Cecília Meireles) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Nos exercícios de números 41 a 50, faça a associação de acordo com o
seguinte código: 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
a) ironia d) paradoxo 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
b)eufemismo e) hipérbole 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
c) antítese f) gradação 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
41. (&nbsp;&nbsp;&nbsp;) “Na chuva de cores 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Da tarde que explode 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
A lagoa brilha (Carlos Drummond de Andrade) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
42. (&nbsp;&nbsp;&nbsp;) “Nasce o sol, e não dura mais que um dia. 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Depois de luz, se segue a noite escura, 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Em tristes sombras morre a formosura 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Em contínuas tristezas, a alegria.” 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
(Gregório de Matos) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
43. (&nbsp;&nbsp;&nbsp;) “Se eu pudesse contar as lágrimas que chorei na 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
véspera e na manhã, somaria mais que todas as vertidas desde Adão e Eva.
“(Machado de Assis) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
44. (&nbsp;&nbsp;&nbsp;) “Todo sorriso é feito de mil prantos, 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
toda vida se tece de mil mortes.”( Carlos de Laet) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
45. (&nbsp;&nbsp;&nbsp;) “Eu era pobre. Era subalterno. Era nada.” 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
(Monteiro Lobato) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
46. (&nbsp;&nbsp;&nbsp;) “Residem juntamente no teu peito 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Um demônio que ruge e um deus que chora.” 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
(Olavo Bilac) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
47. (&nbsp;&nbsp;&nbsp;) “Quando a indesejada das gentes chegar.” 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
(Manuel Bandeira) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
48. (&nbsp;&nbsp;&nbsp;) “Voando e não remando, lhe fugiram. “ 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
(Camões) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
49. (&nbsp;&nbsp;&nbsp;) “O dinheiro é uma força tremenda, onipotente,
assombrosa.” ( Olavo Bilac) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
50. (&nbsp;&nbsp;&nbsp;) “Moça linda, bem tratada, três séculos de família,
burra como uma porta: um amor.” (Mário de Andrade) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Identifique nos textos abaixo os tipos de recursos expressivos que ocorrem.



&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
51. “Olha a bolha d’água 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
no galho 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Olha o orvalho!” (Cecília Meireles) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
R. 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
52. “Bomba atômica que aterra! 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Pomba atônita da paz! 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Pomba tonta, bomba atômica.” (Vinícius de Morais) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
R. 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
53. “Belo belo belo. 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Tenho tudo quanto quero.” (Manuel Bandeira) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
R. 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
54. “Não quero amar, 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Não quero ser amado, 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Não quero combater 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Não quero ser soldado.”(Manuel Bandeira) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
R. 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
55. “Lá vem o vaqueiro, pelos atalhos, 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
tangendo as reses para os currais... 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Blém... Blém... blém... cantam os chocalhos 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
dos tristes bodes patriarcais.” (Ascenso Ferreira). 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
R. 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
56. “dúvida sombra 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Sem dúvida na sombra 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Na dúvida, sem sombra.” (Haroldo de Campos) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
R. 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
57. “E fria, fluente, frouxa claridade 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Flutua como as brumas de um letargo....“ (Cruz e Souza) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
R. 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
58. “A onda anda 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
aonde anda 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
a onda? 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
a onde ainda 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
ainda onda 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
ainda onda 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
aonde? 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
aonde? 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
a onda a onda.” (Manuel Bandeira) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
R. 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Estabeleça a correlação: 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
a) assonância 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
b) paronomásia 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
c) onomatopéia 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
d) aliteração 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
59. (&nbsp;&nbsp;&nbsp;) “Se você gritasse 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Se você gemesse, 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
se você tocasse 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
a valsa vienense, 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
se você dormisse 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
se você cansasse 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
se você morresse 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Mas você não morre, 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
você é duro, José!” (Drummond) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
60. (&nbsp;&nbsp;&nbsp;) Rua 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
torta, 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Lua 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
morta. 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Tua 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
porta.” (Cassiano Ricardo) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
61. (&nbsp;&nbsp;&nbsp;) “Diamante. Vidraça 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
arisca, áspera asa risca 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
o ar. E brilha. E passa.” (Guilherme de Almeida) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
62. (&nbsp;&nbsp;&nbsp;) “É pleno dia. O ar cheira a passarinho, 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
O lábio se dissolve em açúcares breves. 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
O zumbido da mosca embalança de sede. 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
.... Assurbanipa!....”(Mário de Andrade) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
63. (&nbsp;&nbsp;&nbsp;) “Do amor morto motor da saudade 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
(...) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Divindade do duro totem futuro total” (Caetano Veloso) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Nomeie as figuras encontradas nos exercícios abaixo: 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
64. (&nbsp;&nbsp;&nbsp;) “Adeus: vamos para a frente, 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
recuando de olhos acesos.” (Drummond) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
R. 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
65. “Plantava tudo que era verdura, que ficavam velhas no chão. “(José Lins do
Rego) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
R. 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
66 “A igreja era grande e pobre. Os altares, humildes.” (Carlos Drummond de
Andrade) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
R. 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
67. “Algumas janelas, aqui e ali, continuam acesas, esquecidas da noite que se
foi.”( Fernando Sabino) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
R. 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
68. “- Ninguém não vê nem um pé de cana.” (J. Lins do Rego) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
R. 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
69. “E o olhar estaria ansioso esperando 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
e a cabeça ao saber da mágoa balançando 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
e o coração fugindo e o coração voltando 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
e os minutos passando e os minutos passando...” 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
(Vinícius de Morais) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
R. 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
70. “E os sessenta milhões de brasileiros falamos e escrevemos de inúmeras
maneiras a língua que nos deu Portugal.” 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
(Raquel de Queirós) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
R. 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
71. “Guardei na memória pedaços de conversas.” 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
(Graciliano Ramos) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
R,. 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
72. “Essas que ao vento vêm 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Belas chuvas de junho!” (Joaquim Cardoso) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
R. 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
73. “Foi por ti que num sonho de ventura 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
a flor da mocidade consumi.” (Álvares de Azevedo) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
R. 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
. 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Identificar nos textos abaixo as figuras presentes nas frases: 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
74. (&nbsp;&nbsp;&nbsp;) “A casa tem muitas gavetas 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
e papéis, escadas compridas. 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Quem sabe a malícia das coisas 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
quando a matéria se aborrece?” (Drummond) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
a) antítese b) assíndeto c) prosopopéia d) catacrese 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
e) comparação. 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
75. (&nbsp;&nbsp;&nbsp;) “Senhora, partem tão tristes 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
meus olhos por vós, meu bem, 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
que nunca tão tristes vistes 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
outros nenhum por ninguém.” (Camões) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
a) metáfora e sinestesia 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
b) silepse e catacrese 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
c) catacrese e comparação 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
d) anáfora e hipérbole 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
e) hipérbato e sinédoque 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
76. (&nbsp;&nbsp;&nbsp;) “O préstito passando 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Bando de clarins em cavalos fogosos 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Utiaritis aritis assoprando cometas sagradas 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Fanfarras fanfarrans 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
fenferrens 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
finfirrins 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
forrobodó de cuia.” (Mário de Andrade) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
a) aliteração e metáfora 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
b) comparação e silepse 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
c) onomatopéia e aliteração 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
d) onomatopéia e metáfora 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
e) prosopopéia e comparação 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Relacione as figuras de palavras: 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
a) sinestesia d) metonímia 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
b) catacrese e) sinédoque 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
c) metáfora f) comparação 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
77. (&nbsp;&nbsp;&nbsp;) “Deixe em paz meu coração 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Que ele é um pote até aqui de mágoa.”(Chico Buarque) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
78. (&nbsp;&nbsp;&nbsp;) “... como um lustro de seda dentro de um confuso
montão de trapos de chita.” (Raquel de Queirós) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
79. (&nbsp;&nbsp;&nbsp;) “Por uma única janela envidraçada, entravam claridades
cinzentas e surdas, sem sombras.” (Clarice Lispector) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
80. (&nbsp;&nbsp;&nbsp;) Folheada, a folha de um livro retoma....” 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
(João Cabral de Melo Neto) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
81. (&nbsp;&nbsp;&nbsp;) “Navegam fome e cansaço nas profundezas do rio.”
(Mauro Mota). 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
82. (&nbsp;&nbsp;&nbsp;) “A cidadezinha está calada, entrevada.” (Carlos Drummond
de Andrade) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Relacione as figuras de construção: 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
a) silepse de gênero f) anáfora 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
b) elipse g) pleonasmo 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
c) zeugma h) hipérbato 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
d) assíndeto i) anacoluto 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
e) polissíndeto j) silepse de número 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
l) silepse de pessoa 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
83. (&nbsp;&nbsp;&nbsp;) “Política, Samuel não discutia.” (Carlos Drummond de
Andrade) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
84. (&nbsp;&nbsp;&nbsp;) “Eu, parece-me que sim; pelo menos nada conheço, que
se lhe aparente.” (Mário de Sá Carneiro) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
85. (&nbsp;&nbsp;&nbsp;) “Vossa Senhoria pode ficar descansado; não digo nada;
cá estou para outras.”( Machado de Assis) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
86. (&nbsp;&nbsp;&nbsp;) “Os outros reparos, aceitei-os todos.” 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
(Mário de Andrade) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
87. (&nbsp;&nbsp;&nbsp;) “Entramos os cinco, em fila, na sacristia escura.” 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
(Carlos Drummond de Andrade) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
88. (&nbsp;&nbsp;&nbsp;) “Ama, e treme, e delira, e voa, e foge e engana.” 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
(Alberto de Oliveira) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
89. (&nbsp;&nbsp;&nbsp;) “- E o povo de Marvalha? perguntava ele aos canoeiros.



&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
- Estão em São Miguel.” (José Lins do Rego) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
90. (&nbsp;&nbsp;&nbsp;) “Tenho certeza que fala de amor.”(Otto Lara Resende). 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
91. (&nbsp;&nbsp;&nbsp;) “noite sem lua, concha sem pérola”( Guimarães Rosa). 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
92. (&nbsp;&nbsp;&nbsp;) “Tudo cura o tempo, tudo gasta, tudo digere.”( Vieira)



&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
93. (&nbsp;&nbsp;&nbsp;) “Não nos movemos, as mãos é que se estenderam pouco a
pouco, todas quatro,pegando-se, apertando-se, fundindo-se.” (Machado de Assis) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Relacione as figuras de pensamento: 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
a) antítese 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
b) paradoxo 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
c) ironia 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
d) eufemismo 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
e) hipérbole 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
f) gradação 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
g) prosopopéia ou personificação 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
apóstrofe 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
94. (&nbsp;&nbsp;&nbsp;)“Parece que toda cidade precisava ter um louco na rua
para chamar o povo à razão.” (José J Veiga) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
95. (&nbsp;&nbsp;&nbsp;)“E me beija com alma e fundo/ até minh’alma se sentir
beijada...” (Chico Buarque) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
96. (&nbsp;&nbsp;&nbsp;) “Holanda defenderá a verdade de vossos sacra-mentos.
Holanda edificará templos, Holanda levantará altares...” (Vieira) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
97. (&nbsp;&nbsp;&nbsp;)“As florestas ergueram os braços peludos.” (Raul Bopp) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
98. (&nbsp;&nbsp;&nbsp;) “Colombo, fecha a porte dos teus mares.” (Castro
Alves) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
99. (&nbsp;&nbsp;&nbsp;) “Tendes a volúpia suprema da vaidade, qu é a vaidade
da modéstia.” (Machado de Assis) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
100. (&nbsp;&nbsp;&nbsp;) “Gente que nasceu, amou, sofreu aqui.” (Fernan-do
Brandt) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
101. (&nbsp;&nbsp;&nbsp;) “E pela paz derradeira que enfim vai nos redi-mir.
Deus lhe pague.” (Chico Buarque) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
Relacione as figuras de som: 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
a) aliteração 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
b) assonância 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
c) kparonomásia 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
d) onomatopéia 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
102. (&nbsp;&nbsp;&nbsp;) “Leis perfeitos seus peitos direitos 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
me olham assim 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
fino menino me inclino 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
pro lado do sim 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
rapte-me adapte-me capte-me coração.” 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
(Caetano Veloso) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
103.(&nbsp;&nbsp;&nbsp;) “Plunct, plact, zum, você não vai a lugar ne-nhum.”
(Raul Seixas) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
104, (&nbsp;&nbsp;&nbsp;) “Toda gente homenageia Januária na janela.” 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
(Chico Buarque) 


&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
105. (&nbsp;&nbsp;&nbsp;) “Há um pinheiro estático e extático.” (Rubem Braga) 








Respostas
- figuras de linguagem – exercícios 


1. j &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
2. g &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 3. a &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 4. c
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 5. e &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 6. f
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 7. h &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 8. g &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
9. j &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 10. i &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 11. d
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 12. d &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 13. e


14. a
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 15. i &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 16. c
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 17. b &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 18. c
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 19. b &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 20. I
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 21. m &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 22. l
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 23. f &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 24. j
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 25. e


26. f &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 27. g
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 28. d &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 29. j
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 30. f &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 31. c
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 32. g &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 33. i/c
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 34. c &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 35. a &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
36. e


37. f &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 38. a
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 39. f &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 40. b
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 41. e &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 42. c
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 43. e &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 44. e/c
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 45. f &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 46. c
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 47. b


48. e &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 49. f
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 50. a &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 51.
assonância, aliteração, paronomásia &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 52.
paronomássia, assonância


53. assonância, paronomásia &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 54.
anáfora, assonância &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 55. onomatopéia, antítese


56. aliteração, assonância &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 57.
aliteração &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 58. aliteração, assonância,
paronomásia, onomatopéia


59. anáfora &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 60. a/b
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 61. a/d &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 62. a/d
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 63. b/d &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 64.
paradoxo &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 65. silepse de número


66. zeugma &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 67. sinédoque
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 68. pleonasmo, catacrese
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 69. metonímia, polissíndeto


70. silepse de pessoa &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 71. metáfora
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 72. hipérbato &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 73.
anástrofe


74. c &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 75. e
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 76. c &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 77. c
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 78. f &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 79. a
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 80. b &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 81. d
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 82. e &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 83. i
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 84. i


85. a &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 86. i/g
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 87. l &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 88. e
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 89. j &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 90. b
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 91. b &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 92. f
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 93. d &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 94. a
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 95. e


96. c &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 97. g
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 98. h &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 99. b
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 100. f &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 101. d
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 102. b/c &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 103. d
&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 104. a &nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 105. c