Crítica: Cavalo de Guerra (2011)
Autor: Rodrigo Carvalho | Publicado: 2012-03-14T17:36:00-07:00



 






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Havia certa comoção em relação ao filme
Cavalo de Guerra, por muitos defenderem a
ressurreição de um dos ícones do cinema, surgido em meio à prodigiosa geração de setenta: Steven Spielberg.
Sintoma interessante que demonstra o poderio do diretor e que suscita o público a clamar pelo o ressurgimento de seu incontestável
talento. Fato este, em minha opinião, não consumado.



Há sim, lampejos de sua genialidade ao longo da projeção,
mas não mais que isso. Spielberg demonstra ter
procurado o conforto do cinema clássico dos idos
da década de 40, estruturando uma narrativa linear que não foge do lugar comum
e que falha em suas homenagens pouco convincentes. Os personagens naufragam no
pouco material que possuem para trabalhar, comunicam-se invariavelmente por meio
de frases prontas, de efeito, dignas das traseiras dos caminhões. A fotografia,
apesar de bela, por vezes mostra-se artificial e a narrativa se perde num
melodrama fácil e pedante. Até mesmo John Williams parece limitado entregando
uma trilha óbvia e descartável.



O filme tem em Jeremy Irvine, companheiro de cena do cavalo,
sua maior fraqueza. O texto choroso torna-se ainda mais superficial proferido
pelo inexpressivo rapaz. Spielberg não só errou em sua escolha como também em
dirigi-lo. Os personagens coadjuvantes são pálidos e os encontros narrativos
não adubam a história, sendo facilmente esquecidos ao longo da trama. 


 



Os lampejos do bom cinema em Cavalo de Guerra, em sua maioria, estão em meio às cenas de combate
na Primeira Grande Guerra. Empolga a habilidade com que o diretor percorre o
campo de batalha, nos mostrando a brutalidade entre as trincheiras, a clareza
com que entendemos os embates, a facilidade com que nos envolvemos com aqueles
personagens em meio ao limite, o perfeccionismo dos cenários e dos figurinos...
Enfim, Steven Spielberg.



Mas é decepcionante constatar que ele poderia nos oferecer
um épico da pouco registrada guerra de 1914. Recriando seu novo O Resgate do Soldado Ryan sem melodramas
baratos, lições de moral desnecessárias, apenas um relato humanista de um
diretor genial sobre um fato triste da História. O espectador hoje percebe que
a realidade é fantástica por si só, pois como negar tal afirmação quando
descobrimos que, nesta mesma guerra, soldados ingleses e alemães comemoraram
juntos o natal em pleno campo de batalha. E se lá o espírito reconciliador
provém da comemoração do nascimento de Jesus, aqui é a compaixão por um animal
ferido.



Não a toa o Oscar ignorou suas duas obras deste ano,
demonstrando que ele está longe de voltar a velha forma. Spielberg há tempos
não busca se reciclar. Parece-me que sua alma lúdica e desbravadora perdera-se
à deriva em águas conhecidas e pouco desafiadoras.&nbsp;&nbsp;