O prazer de ler e escrever crônicas
Autor: João Gabriel Nani | Publicado: 2011-11-15T17:51:00-08:00

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Por
Giuseppe Rindoni

Foto:
Patrícia Souza



M.
Shirts conta a história das crônicas no Brasil e aponta novos rumos



No dia de encerramento do Fórum das Letras
2011, no Anexo do Museu da Inconfidência, realizou-se a oficina de crônicas com
o apoio da Revista Bravo! e
apresentação do cronista Matthew Shirts, que falou principalmente da
proximidade da crônica com a literatura. 

“A
crônica representa o momento de prazer do jornal.” Disse Shirts. Ela faz um
contraponto às notícias tristes e trágicas. Shirts escreve atualmente para o
Jornal Estadão e Revista Vejinha. Disse que já escreveu mais de
mil crônicas, mas se não fosse o ritmo das redações teria feito umas quatro,
brincou com o auditório.



“A crônica representa o momento de prazer do
jornal.”



O
problema da crônica é o assunto.&nbsp; Shirts
explica que o jornalista precisa ler muito, se não haverá dificuldade em
escrever bem. A rotina com o seu filho propicia bastante assunto para crônicas,
mas também se inspira nos livros, que são as melhores fontes. Ele disse nunca
ter mentido nas crônicas, mas reconhece que há como valorizar os detalhes
favorecendo a criatividade dos textos, visto a facilidade de publicação
virtual. 



A
crônica no Brasil renasceu na década de 1940, época de Ouro que foi
representada por Rubem Braga, Raquel de Queirós, Fernando Sabino, entre outros;
foi quando a narrativa migrou para as revistas, como O Cruzeiro, que foi marcante no jornalismo brasileiro. Shirts comentou que essa ascensão
ocorreu até meados de 1960. A ditadura e a resistência dominavam os temas nas
revistas e jornais, segundo a tese de Shirts, o momento não era favorável para
a leveza que acredita ter nas crônicas.



Shirts
comentou que os bons cronistas são disputados nas metrópoles, como o Luiz
Fernando Veríssimo, escritor bastante reconhecido no Brasil. Outro que fez
ótimas crônicas esportivas foi Nelson Rodrigues. Ele ironicamente não enxergava
muito bem da arquibancada os campos de futebol, de que tirava suas histórias,
mas tinha habilidade de ouvir a reação da torcida, e criatividade para não
falar mais do mesmo.



Matthew
demonstrou preocupação com a cultura brasileira, criticou as universidades que
oferecem apostilas e cópias de parte de livros, ao invés de disponibilizar as
obras aos alunos. “Não há como escrever livros, sem ter intimidade com eles.
Você tem que sentir o livro, namorá-lo também.”