Resenha crítica do filme Quarto Poder e do documentário Muito Além do Cidadão Kane
Autor: ESTRADEIRO II | Publicado: 2012-10-23T02:08:00-07:00

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Universidade
Aberta do Brasil – UAB/UnB 
Instituto de Artes 
Departamento de Artes Visuais
Licenciatura em Artes Visuais 
Disciplina Tecnologias
Contemporâneas na Escola 3

Tutora: Irinéia Fernandes
Discente: Dário Trindade Mattos&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 

Tarefa: Resenha crítica do
filme Quarto Poder e do documentário Muito Além do Cidadão Kane



O diretor&nbsp; Costa-Gravas, no filme “Quarto Poder”, mostra
um tipo de jornalismo que troca o profissionalismo por índices de audiência.
Assim, o jornalista Max Brackett (Dustin Hoffman), se depara com um
ex-segurança de museu, Sam Baily (John Travolta), que deseja uma conversa séria
com a sua ex-chefe, para saber porque ela o despediu do emprego. Para tanto,
ele invade o Museu, naquele momento cheio de crianças de uma escola. Carregando
na sacola muita dinamite e uma espingarda, seu objetico é conversar e ter o seu
emprego de volta.

O jornalista
Max Brackett , as crianças, uma funcionária e Mrs. Banks (Blythe Danner), o
chefe do Museu, se tornam reféns de Sam Bailey. Escondido no banheiro, Brackett
liga para a sua estagiária e, com a ajuda desta, fala ao vivo na TV, pelo
telefone. 

O sequestrador
acaba ferindo, inadvertidamente, um seu ex-colega de trabalho – vigilante e
negro. Com a chegada dos pais apreensivos e do povo acusando o antigo segurança
de racismo e se aglomerando na frente do museu, o jornalista passa a relatar os
fatos com exclusividade e volta a ser o grande astro da informação. Os
dirigentes do canal de TV estavam felizes com o conflito e o mostravam no
horário nobre

Mas, em
determinado momento, alguma coisa começa a mudar: o jornalista esquece a sua
obsessão pelo sensacionalismo e passa a se comportar de uma forma mais
humanista. Tem pena do ex-segurança, quepede ajuda para que o deixem ir embora.

O
sequestrador, em entrevista ao vivo e em rede nacional com Larry King, surge
como um lunático. Enquanto isso, do lado de fora, o FBI espera para agir. O
segurança negro morre no hospital e a mídia fala de racism. O repórter Kevin
Hollander (Alvin Alda), rival de Max, em reportagem, acusa o colega de ser
cúmplice do sequestrador. O FBI cerca o lugar. Sam&nbsp; solta todos os reféns e se suicida, em
explosão. Max sai ferido e diz ao microfone: “Nós o Matamos”. A estagiária,
agora, é repórter e trabalha com Hollander. 



O documentário
televisivo britânico Muito Além do Cidadão Kane, do diretor Simon
Hartog, exibido em 1993 pelo Channel 4 do Reino Unido, detalha a posição
dominante da Rede Globo na sociedade brasileira, debate a influência do grupo,
seu poder e suas relações políticas. É calcado nas relações entre a mídia e o
poder do Brasil e mostra uma Globo manipuladora e formadora de opinião, enquanto
foca a sua análise na figura do seu ex-presidente/fundador, Roberto Marinho.

Charles Foster
Kane é o personagem criado por Orson Welles, em 1941, para o filme Cidadão
Kane, baseado na trajetória de William Randolph Hearst. A Globo empregaria a
mesma manipulação grosseira de notícias do filme.