30a Bienal | coleção de livros 
Autor: Carolina Barmell | Publicado: 2012-10-27T16:50:00-07:00








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Falar imagens

Leitmotiv: Projeto educativo - Projeto Filóstrato



Certeza factual que as imagens são mudas

Artistas: ofício de coisas mudas

Nós é que falamos dela

Não cessam de produzir glosas, palavras, textos e polêmicas

Complexa relação entre o verbo e a imagem



Nessa relação existe a possibilidade de um nicho na imagem
para o verbo 

Ou de um lugar na palavra para a imagem

Isso como uma potência de vínculo, matéria constituinte da
30a.



Vínculos: exercício analógico sem fim

Devir analógico das coisas, dos figuráveis e do dizível



1a Convicção lógica para adentrar num território
não tão lógico das artes:

As obras de arte somente significam na medida em que marcam
uma diferença e uma distância com relação a outras obras de arte



2a Convicção lógica para a curadoria:

as obras de arte, assim como a curadoria, são atos de
enunciação

uma voz



A curadoria compartilha a certeza de Bergamín de que a
cultura morre quando é totalmente submetida à imposição da letra inerte



Se falar [as] imagens é um exercício inconcluso,

A razão talvez esteja na densidade natural do mundo e na
resistência antifilosófica da voz



Não confunda nunca a linguagem com seu voo – Quignard



Filóstrato e Vínculos são testemunho de um mistério: da
relação com a voz e com o pensamento, assim como os mitos&nbsp; e a cultura ocidental da imagem



Mitos: de origem impossível de discernir, mas que produzem
efeitos reais



O que o livro do Filóstrato gerou é impossibilidade de
distinguir qualquer antecedência entre palavra e imagem



Toda palavra tem por iminência uma imagem, à qual serve como
fundação

Toda palavras tem por iminência uma imagem que te serve como
ressonância 



Reflexões centrais da 30a:

A primazia da voz sobre a letra,

O impulso antifilosófico da imagem,

A novidade do arcaico que jaz no fundo de nosso alento,

A entonação e afasia,

A fascinação e a metamorfose,

A nudez da linguagem,

A cena invisível da origem.



Luis Pérez-Oramas\
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