Resumo da Literatura
Autor: Professor Michael Bonadio | Publicado: 2012-10-04T18:12:00-07:00


Era Medieval

<!--[if !supportLists]-->*&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
<!--[endif]-->Trovadorismo (Portugal)

<!--[if !supportLists]-->®&nbsp;&nbsp;&nbsp;
<!--[endif]-->Cantigas

<!--[if !supportLists]-->®&nbsp;&nbsp;&nbsp;
<!--[endif]-->Teocentrismo

<!--[if !supportLists]-->*&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
<!--[endif]-->Humanismo

<!--[if !supportLists]-->®&nbsp;&nbsp;&nbsp;
<!--[endif]-->Transição do pensamento teocêntrico para
o antropocêntrico

Era
clássica

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<!--[endif]-->Renascimento ou classicismo

<!--[if !supportLists]-->®&nbsp;&nbsp;&nbsp;
<!--[endif]-->Perfeição

<!--[if !supportLists]-->®&nbsp;&nbsp;&nbsp;
<!--[endif]-->Equilíbrio

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<!--[endif]-->Antropocentrismo

<!--[if !supportLists]-->*&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
<!--[endif]-->Quinhentismo (Brasil)

<!--[if !supportLists]-->®&nbsp;&nbsp;&nbsp;
<!--[endif]-->Literatura de informação

<!--[if !supportLists]-->®&nbsp;&nbsp;&nbsp;
<!--[endif]-->Literatura jesuíta

<!--[if !supportLists]-->®&nbsp;&nbsp;&nbsp;
<!--[endif]-->Antropocentrismo

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<!--[endif]-->Barroco (Portugal e Brasil)

<!--[if !supportLists]-->®&nbsp;&nbsp;&nbsp;
<!--[endif]-->Crise do antropocentrismo

<!--[if !supportLists]-->®&nbsp;&nbsp;&nbsp;
<!--[endif]-->Contradição

<!--[if !supportLists]-->®&nbsp;&nbsp;&nbsp;
<!--[endif]-->Oposição

<!--[if !supportLists]-->*&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
<!--[endif]-->Arcadismo ou neoclassicismo

<!--[if !supportLists]-->®&nbsp;&nbsp;&nbsp;
<!--[endif]-->Restauração do renascimento

<!--[if !supportLists]-->®&nbsp;&nbsp;&nbsp;
<!--[endif]-->Vida simples (bucolismo)


Era
moderna (era romântica)

<!--[if !supportLists]-->*&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
<!--[endif]-->Romantismo

<!--[if !supportLists]-->®&nbsp;&nbsp;&nbsp;
<!--[endif]-->Burguesia

<!--[if !supportLists]-->®&nbsp;&nbsp;&nbsp;
<!--[endif]-->Idealização

<!--[if !supportLists]-->®&nbsp;&nbsp;&nbsp;
<!--[endif]-->Subjetividade

<!--[if !supportLists]-->®&nbsp;&nbsp;&nbsp;
<!--[endif]-->Exagero

<!--[if !supportLists]-->*&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
<!--[endif]-->Realismo

<!--[if !supportLists]-->®&nbsp;&nbsp;&nbsp;
<!--[endif]-->Objetividade

<!--[if !supportLists]-->®&nbsp;&nbsp;&nbsp;
<!--[endif]-->Real

<!--[if !supportLists]-->®&nbsp;&nbsp;&nbsp;
<!--[endif]-->Cientificismo

<!--[if !supportLists]-->®&nbsp;&nbsp;&nbsp;
<!--[endif]-->Questionador

<!--[if !supportLists]-->*&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
<!--[endif]-->Parnasianismo

<!--[if !supportLists]-->®&nbsp;&nbsp;&nbsp;
<!--[endif]-->Culto a forma

<!--[if !supportLists]-->®&nbsp;&nbsp;&nbsp;
<!--[endif]-->Desprezo teórico ao conteúdo poético

<!--[if !supportLists]-->*&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;
<!--[endif]-->Simbolismo

<!--[if !supportLists]-->®&nbsp;&nbsp;&nbsp;
<!--[endif]-->Valoriza a intuição do poeta

<!--[if !supportLists]-->®&nbsp;&nbsp;&nbsp;
<!--[endif]-->Sonoridade

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<!--[endif]-->Símbolos

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<!--[endif]-->Modernismo

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<!--[endif]-->Vanguardas europeias

<!--[if !supportLists]-->®&nbsp;&nbsp;&nbsp;
<!--[endif]-->Semana de arte moderna de 22