Escalas Exóticas
Autor: Antonio Tiasques | Publicado: 2011-09-16T09:59:00-07:00

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Para que seja entendido melhor o novo assunto, pergunto: O QUE É UMA ESCALA MUSICAL?
E OS INTERVALOS? 





Escala Musical nada mais é do que uma determinada ordem de notas musicais, organizadas em
seqüência lógica, onde consideramos uma delas como NOTA FUNDAMENTAL ou TÔNICA e devem ser
estudadas (tocadas) de forma que comecemos e terminemos nessa fundamental,
tanto como nota inicial ou oitava acima e Intervalo é a distância que cada nota musical tem em relação a NOTA
FUNDAMENTAL, esta é medida em TONS. Este intervalo é válido para todas as
escalas. 






Veja a tabela a seguir: 







I – IIb = 2m;b9 







I – II = 2M;9 







I – II# = 2aum;alt9 ou 9# 







I – IIIb = 3m 







I – III = 3M 







I – IV = 4J;11 







I – IV# = 4 aum;11# 







I – Vb = b5 ou 5dim 







I – V = 5J 







I – V# = 5aum;aug5 







I – VIb = 6m;b13 







I – VI = 6M;13 (I – VIIbb é "igual" a VI transformando –se em 7dim) 







I – VIIb = 7m 







I – VII = 7M 







I – VIII = 8J 




Como todos devem saber, existe uma escala que a GrandMother de todas as
escalas, essa é a ESCALA CROMÁTICA, possui 12 notas (todas as notas), dá-se o
nome de escala “temperada”, esta mesma foi desenvolvida pelo compositor e
mestre J. Sebastian Bach, todas as escalas (diatônicas, menor natural,
melódica, harmônica, pentas, hexa e etc.) são variações desta escala temperada.
Baseando-se neste pequeno resumo, abordaremos nessa novs matéria as ESCALAS
EXÓTICAS.



Existem dezenas de Escalas, mas muitas são apenas "cópias" de escalas
conhecidas. 





Em relação a estas escalas usarei da linguagem de intervalos para que vocês
possam desenvolver a sensibilidade musical naturalmente, diferente das
explicações e relações aos MODOS GREGOS. 





Começaremos pela escala HINDU: 







HINDU 





Esta é uma variação da diatônica, vamos lá: 





T – 2M – 3M – 4J – 5J – 6m – 7m, esta escala possui uma sonoridade muito
peculiar e meio estranha, cuidado com a sua utilização, treine-a com
harmonização, ex.: C F G e use a escala dentro deste padrão. 







ENIGMÁTICA 





T – 2m – 3M – 4aum(#) – 5aum(#) – 6M – 7M 







Como
diria o professor e saxofonista Jammey Aebersold: "Não existem notas erradas e
sim escolhas POBRES". 





MENOR HUNGARIANA: 





T – 2M – 3m – 4 aum(#) – 5J – 6m – 7M 







BIZANTINA: 





T – 2m – 3M – 4J – 5J – 6m – 7M 







CIGANA: 





T – 2M – 3m – 4aum(#) – 5J – 6m – 7m 







JAVANESA: 





T – 2m – 3m – 4J – 5J – 6M – 7m 







Vai de brinde mais uma escala, mas essa não é do tipo exótica, esta é
conhecida por músicos profissionais como escala NORDESTINA, observem: 





T – 2M – 3M – 4aum(#) – 5J – 6M – 7m 





Sei que poucos estão reconhecendo esta escala, trata-se de uma Escala Menor
Melódica, a Lídio (b7).

























Para encerrar esta parte sobre as ESCALAS EXÓTICAS, vamos abordar três escalas da terra do Sol Nascente, são elas: HIRAJOSHI, ORIENTAL e
JAPONESA. 







HIRAJOSHI 





Obs: esta escala possui 5 notas, mas não é exatamente uma pentatônica
clássica, pelo fato de que a penta não possui o 4 e o 7 grau da sua escala
natural Maior e nem o 2 e o 6 grau no modo Menor, veja: 





T – 2M – 3m – “4J” – 5b







ORIENTAL 





T – 2m – 3M – 4J – 5b – 6M – 7m 







JAPONESA 





T – 2m – 4J – 5J – 6m 







Estudem, pratiquem as escalas em todos os tons possíveis.