A trajetória de Salomão Habib na pesquisa da música e cultura indígena.
Autor: Salomão Habib | Publicado: 2013-04-19T12:04:00-07:00

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Salomão Habib em 1989 iniciou suas
atividades de pesquisa em campo sobre Música Indígena. Participou, na
categoria de pesquisador, do Projeto RENAS – Museu paraense Emílio Goeldi, apresentando
trabalhos sobre idioma tupi e sonoridades indígenas (ROCINHA – MPEG- Setembro
de 1989). No mesmo ano fez seu primeiro contato com a Funai e recebeu autorização
para visitar a aldeias TEMBÉ situadas no Alto Rio Gurupi

Em 1995 participou da ‘SEMANA DOS POVOS
INDÍGENAS” em Altamira – Pará. Compôs mais de vinte trabalhos musicais
utilizando o tronco lingüístico TUPI GUARANY. Tendo sido também&nbsp; premiado no Festival de Música Paraense com a
Peça “GUATÁ N’DÉ N’GOTY XÊ TABA PUPÉ NDAÁ SOÔ RUÃ IXÉ” (Um dia vais passear
comigo em minha aldeia; eu não sou bicho!)

&nbsp;&nbsp;&nbsp;&nbsp; No ano 2000 deu continuidade à composição de peças
baseadas em rituais indígenas, realizando nova pesquisa de campo nas etnias: WAI-WAI,
WAIÃPI, APALAY, KRAHÔ, JURUNA, GAVIÃO, MUNDURUCÚ, TEMBÉ, TIKUNA, CINTA-LARGA, GUAJAJARA,
ASSURINI, TXUCARRAMÃE e CAIAPÓ.

Realizou em 2002 pesquisa e elaboração
de música indígena infantil e a pesquisa e elaboração da tese: “O SOM INDÍGENA
E O ORIENTE” - Música Guardada. Trabalho de cunho etno-musical, com bases
antropológicas que debate a conservação das primeiras manifestações musicais do
homem, ocorrida em tribos do continente americano há 40.000 anos, face ao
hermetismo étnico, biológico e social das comunidades indígenas as quais por
esse fator conservaram a forma e utilização dos primeiros sons organizados pelo
ser humano, não mais observadas em seus sítios autóctones.

&nbsp;No ano de 2008 foi premiado pelo Instituto
de Artes do Pará – IAP com a “Bolsa De Incentivo À Composição De Peças De
Caráter Ritualístico Indígena Para Violão Solo.”. Publico o trabalho
“AUIARAMANHE” – ( Para Sempre – Tupi Guarany) na Sede do IAP em setembro de
2009. Neste mesmo ano foi premiado pela Funarte com a &nbsp;“Bolsa De Incentivo À Criação Artística”. Compôs
então os 12 Rituais Sinfônicos Para Orquestra de Violões e peças solo para
violão clássico, baseado em rituais autênticos de indígenas brasileiros.

Atualmente Salomão Habib continua
engajado nas pesquisas indígenas, nos aspectos culturais e antropológicos.