CHARADAS - second chance
Autor: Profª Marcia E. G. Leite | Publicado: 2014-08-25T20:14:00-03:00

Hello, teams!

Those teams that forgot the CHARADAS EXPOTUTI have a second chance now.
Each team below has a different question to answer. It is a part of 2nd. trimester evaluation.

Post your answer untill Wednesday 27th / August.


DESAFIO: descobrir o nome da canção dos Beatles descrita na charada.

TURMA 103

AEROSMITH

...a song written
and originally recorded by&nbsp;Arthur Alexander. His version was
released as asingle&nbsp;by&nbsp;Dot Records&nbsp;on September 17, 1962. A cover version was performed by
English rock group&nbsp;The Beatles&nbsp;and included on their 1963 debut album&nbsp;Please Please Me.

CREEDENCE CLEARWATER REVIVAL

The song was
covered by&nbsp;the Beatles&nbsp;for
a live BBC performance during 1963, this version was released on the 1994
compilation album&nbsp;Live at the BBC.

EARTH, WIND &amp; FIRE

...a
pop song composed by Frank Pingatore and recorded by&nbsp;the Jodimars&nbsp;(a group made of
former members of&nbsp;Bill Haley &amp; His
Comets) in 1956. Today,
it is best known for being recorded by&nbsp;the
Beatles&nbsp;for the radio programme "Pop Go the
Beatles" on 2 July 1963, which was broadcast on the 16th of that month.

OASIS

Written by John
Lennon in India, it was about Mia Farrow's younger sister, who refused to leave
her chalet at the meditation retreat in Rishikesh, and had to be coaxed out by
Lennon and George Harrison.

THE CARPENTERS

Paul McCartney came up with
the initial idea in the music room in the basement of&nbsp;Jane Asher's family home in
Wimpole Street, London.




TURMA 104

CHICAGO

The last song
recorded for Rubber Soul, this song was mostly written by John Lennon. It
explored the notion of the ideal woman, and touched upon John Lennon's feelings
towards Christianity.

METALLICA

It is the first
release on The Beatles' own Apple Records label, was a ballad by Paul
McCartney. It was written to comfort John Lennon's son Julian during the
divorce of his parents.

PINK FLOYD

It was written by John Lennon
for his mother, who&nbsp;died in a road
accident&nbsp;in 1958. It is the only solo Lennon recording
in The Beatles' canon.

RADIOHEAD

It was the Beatles' first
release of 1968, was a bluesy number written by Paul McCartney, and recorded
just prior to the group's trip to India to study meditation with&nbsp;Maharishi Mahesh
Yogi.

VAN HALLEN

The song was
originally released by Little Richard in March 1956, and was a staple of The
Beatles' live set from 1957 right up to their final show in San Francisco in
1966 - the most enduring of any of their songs.

TURMA 201

FLEETWOOD MAC

Paul McCartney's
affectionate tale of a female traffic warden was originally written as an
anti-authority satire. As McCartney later explained, "I was thinking it
should be a hate song... but then I thought it would be better to love her."

THE CLASH

The song was
first released in February 1957, and became an international hit for Little
Richard. It was co-written by blues musician Albert Collins.

THE SMITHS

Although the
title was widely perceived to be a coded reference to LSD, it in fact took its
name from a drawing of a schoolfriend by the four-year-old Julian Lennon.

THE TALKING HEADS

A traditional
Liverpool folk song about a prostitute who robbed a sailor, this song (as it is
more commonly known) is believed to date from the early 19th century.

TURMA 203

GUNS N' ROSES

Many listeners
have interpreted the song as a message of love to Jane Asher, who McCartney
intended to marry in 1968. However, in 1997 he revealed that it was his dog
that had been the inspiration behind&nbsp;the
song.

RED HOT CHILI PEPPERS

The French
element, meanwhile, was inspired by parties held by Austin Mitchell - one of
John Lennon's tutors at the Liverpool College of Art, and potentially the
inspiration behind the song's title.

THE SCORPIONS

The Beatles'
first commercially-released record, featured English singer Tony Sheridan on
lead vocals and was recorded in Hamburg in 1961.

TURMA 301

ABBA

It was written
by Paul McCartney in the music room at his London home, 7 Cavendish Avenue,
near to Abbey Road Studios. It was composed on an upright piano which he had
recently had painted in psychedelic rainbow patterns by artist David Vaughan.

THE ROLLING STONES

George Harrison began writing this
song in 1966, the same year he composed the similarly ascerbic&nbsp;Taxman. Both songs, though
musically quite different, contain social commentary about financial greed and
class differences.

TURMA 302

ERASURE

The song
recounts, with some poetic licence, the tale of a Liverpool scrubber with an
almost comical fetish. Sung in a thick Scouse accent for earthy authenticity,
it harks back to The Beatles' early days performing in Merseyside's seedier
venues.&nbsp;

MOTORHEAD

A jokey song
about a cuckolded young American man seeking revenge against a love rival.

THE JACKSON 5

The opening
lines may have been inspired by Smokey Robinson's song I've Been Good To You,
which begins with the lines: "Look what you've done/You made a fool of
everyone". One of Lennon's favourites, the song was briefly busked by The
Beatles during the Get Back sessions in January 1969.

TURMA 303

QUEEN

Chuck Berry
first released the song as a single in January 1958. Like the majority of
Berry's songs performed by The Beatles, John Lennon took lead vocals.

RUSH

A light-hearted
- and musically lightweight - tale of a boy whose mother tells him about his
soldier father, it was clearly disliked by John Lennon, who sabotaged
McCartney's early attempts to teach it to the group.

THE KINKS

The song was
written in the days immediately following Lennon and Ono's wedding.

THE POLICE

The lyrical
playfulness of the song suggests it was written in India or shortly afterwards.
Based on the phrase "What a shame Mary Jane had a pain at the party",
it was, along with&nbsp;Revolution 9, one of Lennon's first forays into the world of the avant
garde.

U2

It took its
title from the screenplay of A Taste Of Honey, and the music harked back to
Busby Berkeley showtunes and the golden age of music hall.