Question: An example of a movie review. positive.

A: My school's drama club will be putting this show in the spring of 2002, and I can only hope we're as good as this! I watched this film recently as sort of "research" for my role (Rosie Alvarez), and I'd just like to say, Vanessa Williams is the coolest!

Wow! The casting for this movie was right-on (with one exception). Jason Alexander, oh my gawd, is there anything he can't do? He was the most wonderful Albert Peterson ever - I especially loved all of his funny facial expressions and dancing during "Put on a Happy Face!" He is so great! Vanessa Williams, as I said before, is the coolest. She was a beautiful Rosie, and her transition from secretary to seductress was totally believable. Tyne Daly was hilarious as Albert's obnoxious mother and George Wendt was superb as the annoyed Mr. McAfee (however I LOVED Paul Lynde's performance in the 1963 version!). Brigitta Dau cracked me up as Ursula Merkle; she really hammed it up! And Marc Kudisch was an awesome Conrad Birdie..."Suffer!"

There was only one casting that I didn't understand, and, as you'll see from previous comments, many other people didn't understand. Chynna Phillips as Kim McAfee - what was that? I mean she's really pretty and very talented, but...she looks a bit too old for the role. Eh, maybe I'm delusional.

Okay well anyways, I highly recommend this movie. It'll leave you smiling!




An example of a movie review. positive.

A: It may be the remake of 1987 Autumn's Tale after eleven years, as the director Mabel Cheung claimed. Mabel employs rock music as the medium in this movie to express her personal attitude to life, in which love, desire and the consequential frustration play significantly crucial roles. Rock music may not be the best vehicle to convey the profound sentiment, and yet it is not too inappropriate to utilize it as the life of underground rock musicians is bitterly more intense than an ordinary one. The director focuses on the depiction of subtle affection and ultimate vanity of life rather than mere rock music. The love between father and son, lovers, and friends is delicately and touchingly delivered through the fine performance. Mabel does not attempt to beautify rock musicians as artists at all, instead, she tries to reproduce a true life on screen, making huge efforts of years' working on this project and gathering information in Beijing underground pubs.

Daniel has given probably the best performance in all his movies made so far. His innate dispiritedness and reticence fit the blue mood of the film perfectly.


An example of a movie review. positive.

A:
Answer: It's a strange feeling to sit alone in a theater occupied by parents and their rollicking kids. I felt like instead of a movie ticket, I should have been given a NAMBLA membership.

Based upon Thomas Rockwell's respected Book, How To Eat Fried Worms starts like any children's story: moving to a new town. The new kid, fifth grader Billy Forrester was once popular, but has to start anew. Making friends is never easy, especially when the only prospect is Poindexter Adam. Or Erica, who at 4 1/2 feet, is a giant.

Further complicating things is Joe the bully. His freckled face and sleeveless shirts are daunting. He antagonizes kids with the Death Ring: a Crackerjack ring that is rumored to kill you if you're punched with it. But not immediately. No, the death ring unleashes a poison that kills you in the eight grade.

Joe and his axis of evil welcome Billy by smuggling a handful of slimy worms into his thermos. Once discovered, Billy plays it cool, swearing that he eats worms all the time. Then he throws them at Joe's face. Ewww! To win them over, Billy reluctantly bets that he can eat 10 worms. Fried, boiled, marinated in hot sauce, squashed and spread on a peanut butter sandwich. Each meal is dubbed an exotic name like the "Radioactive Slime Delight," in which the kids finally live out their dream of microwaving a living organism.

If you've ever met me, you'll know that I have an uncontrollably hearty laugh. I felt like a creep erupting at a toddler whining that his "dilly dick" hurts. But Fried Worms is wonderfully disgusting. Like a G-rated Farrelly brothers film, it is both vomitous and delightful.

Writer/director Bob Dolman is also a savvy storyteller. To raise the stakes the worms must be consumed by 7 pm. In addition Billy holds a dark secret: he has an ultra-sensitive stomach.

Dolman also has a keen sense of perspective. With such accuracy, he draws on children's insecurities and tendency to exaggerate mundane dilemmas.

If you were to hyperbolize this movie the way kids do their quandaries, you will see that it is essentially about war. Freedom-fighter and freedom-hater use pubescent boys as pawns in proxy wars, only to learn a valuable lesson in unity. International leaders can learn a thing or two about global peacekeeping from Fried Worms.

At the end of the film, I was comforted when two chaperoning mothers behind me, looked at each other with befuddlement and agreed, "That was a great movie." Great, now I won't have to register myself in any lawful databases.