Question: Problem: Write a negative (OPTIONS:
- negative
- positive) movie review.

Answer: My friends usually can put up with a lot of hopeless movies but this one was too poor for us to even watch it to the end. It was just so boring and unoriginal. Not even the "hot" girls that starred in this movie could keep me watching. Everything was just predicable and annoying.

The acting was at times good.....but more times bad. The most annoying character in the whole movie that you just wanted to die would have to be the main characters best friend. The more i saw him the more i wanted to smash my screen. (you know what fat ugly kid I'm talking about)

The plot has been done so many times before i think they should be sued by other movie companies. OK, it is a good idea but thats all this movie had.

Overall this movie can only be watched if by your self, to save any abuse from your friends. Or, if you have absolutely nothing better to do.


Problem: OPTIONS:
- negative
- positive negative
=++++=
Answer: Somewhere, out there, there must be a list of the all time worst gay films every made. One's that have overlong camera shots of the stars sitting and staring pensively into space, or one's where they focus unbearably long on kitty kats eating spaghetti. This motion sickness picture is a story of a boy and a boy and they live and love and swim and get stuck in grottos and one of them has a depressed mother and another has no mother and they talk and walk and swim and have sex and get drunk and then break up and someone goes to the hospital for eight days and then gets out and there is a lot of fast forward and rewind and there are long pensive shots of one of them looking into space or just sitting and doing nothing. I think it's some sort of gimmicky film making technique or maybe it's that the film is so bad they have to fill it up with long, wasted shots because otherwise if they had to rely on plot or story the film would be about 14 minutes. Don't get me wrong, this is about the 30th gay film I"ve watched in the past 6 months and some of them (most of them) have been very formulmatic, predictable and boring but this is one is really a terrible waste of time. The best one so far was "Beautiful Thing". So, I watched this and after the very first opening shot which lingered and lingered I thought "Oh, no, its going to be creative sinny mah" But I gave it a chance and watched it and then when it ended I tossed the DVD in the trash. Sorry I didn't like it and if you did, sorry if I offend.


An example of a movie review. positive (OPTIONS:
- negative
- positive).

A: Im really addicted to Caprica, because it's a really good prequel series to Battlestar Galactica. It really has a slow pace start, but surely to pick up soon after new episodes continue to air.

I have heard great things about future episodes and guest stars for the first season.

This Sci Fi drama is sure to please us fans who love a mix of both genres.

Eric Stoltz does an amazing job, as well as Polly Walker as Clarice Willow!!

Totally worth checking out!!

Catch Caprica On Fridays At 9pm/8pm central on SYFY


Q: What's an example of a movie review?
An example of a movie review is here: I watched mask in the 80's and it's currently showing on Fox Kids in the UK (very late at night). I remember thinking that it was kinda cool back in the day and had a couple of the toys too but watching it now bores me to tears. I never realised before of how tedious and bland this cartoon show really was. It's just plain awful! It is no where near in the same league as The Transformers, He-man or Thundercats and was very quickly forgot by nearly everyone once it stopped being made. I only watch it on Fox Kids because Ulysses 31 comes on straight after it (that's if mask doesn't put me to sleep first). One of the lesser 80's cartoons that i hope to completely forget about again once it finishes airing on Fox Kids!


Problem: Write a positive (OPTIONS:
- negative
- positive) movie review.

Answer: This murder mystery with musical numbers is long on atmosphere and character but rather short on suspense and plausibility. Based on a stage play by Broadway showman Earl Carroll and others, it combines a whodunit plot with a backstage ambiance (a homicide investigation takes place on opening night at the theatre where a musical revue is being staged).

The cast is impressive and varied: tough-goofy Victor McLaglen as the police officer who leads the investigation and never fails to leer idiotically at whatever showgirl happens to be in sight; Jack Oakie (the prewar Jack Lemmon  or was Jack Lemmon the postwar Jack Oakie?) as the harassed director who must coordinate the staged performance as well as the chaos behind the scenes; the ever-homely Jessie Ralph as a wardrobe mistress with deep, dark secrets; Dorothy Stickney, who has a stunning close-up monologue near the end, as the tremulous maid madly in love with the male lead; Carl Brisson, the Danish star, as that very male lead, warbling the classic "Cocktails for Two" not once but twice; Kitty Carlisle, operatically delivering "Where Do They Come from and Where Do They Go" and other Johnston-Coslow songs; the glorious Gertrude Michael, who parted from us too soon, as a mean-spirited showgirl whose love for Brisson is spurned; the usually ridiculous Toby Wing who here at least is the center of a laugh-getting running joke.

When the plot complications get out of hand there is always an interesting performer or fun and tuneful musical number to distract the viewer. The film's most celebrated sequence is the "Marahuana" number, led by Michaels, but aside from its controversial history, it's really one of the lesser musical offerings. All of the songs here are staged as if they could actually have fit into a standard proscenium theatre space, as opposed to the cinematic fantasy setup of the Busby Berkeley style.


Problem: Write a negative (OPTIONS:
- negative
- positive) movie review.

Answer:
Answer: The film begins with promise, but lingers too long in a sepia world of distance and alienation. We are left hanging, but with nothing much else save languid shots of grave and pensive male faces to savour. Certainly no rope up the wall to help us climb over. It's a shame, because the concept is not without merit.

We are left wondering why a loving couple - a father and son no less - should be so estranged from the real world that their own world is preferable when claustrophobic beyond all imagining. This loss of presence in the real world is, rather too obviously and unnecessarily, contrasted with the son having enlisted in the armed forces. Why not the circus, so we can at least appreciate some colour? We are left with a gnawing sense of loss, but sadly no enlightenment, which is bewildering given the film is apparently about some form of attainment not available to us all.