Question: Q: Donald Trump Calls Hillary Clinton Grossly Incompetent : People.com

By Dave Quinn and Tierney McAfee

09/28/2016 AT 04:15 PM EDT

, in tones that have veered from feisty to "muted" in the two days since his

, is labeling the former secretary of state "grossly incompetent" and promising his supporters he won't just defeat his Democrat opponent at the polls on Nov. 8, he will "get rid of that crooked woman."

On Wednesday, the GOP nominee spoke during a campaign event at the Polish National Alliance, using what the

described as "very muted if not hushed tones." He told the crowd of about 200 voters: "We're going to have a Trump administration that's going to get things done, that's going to lower taxes. Hillary Clinton, who I happen to believe is grossly incompetent, she's going to raise taxes."

"I happen to believe that she'd be very, very bad for our country," he continued. "I think it would be worse than four more years of Obama. It would actually be worse and it won't be great for the people you're representing and it won't be great for the people of our country because we have a chance to really make America great again."

"Whether it's tax, whether it's trade, whether it's regulation, there's so many different things we're going to do. But we're going to spur growth and we're going to spur growth in the right direction, not the wrong direction," he said, adding that he would be "the greatest president for jobs that God ever created."

reports that the "uncharacteristically low-tempoed speech ... fueled further questions about Trump's health" following his infamous

at Monday night's debate. Trump's campaign said he does not have a cold and is feeling "just fine," NBC Chicago said.

Trump struck a feistier tone at a campaign event in Melbourne, Florida, on Tuesday night, where he doubled down on the attacks he made against his opponent during the first presidential debate.

Calling Clinton "virtually incompetent, certainly as secretary of state," he told the crowd, "We're going to get rid of that crooked woman."

"She's a crooked woman," he added. "She's a very, very dishonest woman."

Trump also stood by his comments on two of the most contested issues from Monday's debate – one, in which he claimed he did not support the war in Iraq and another in which he insisted the stop-and-frisk practice in N.Y.C was not ruled unconstitutional in 2013.

as to whether or not Trump publicly opposed the war before it began. Asked whether he supported an Iraq invasion in a 2002 interview with Howard Stern, Trump said, "Yeah, I guess so; I wish the first time it was done correctly."

Federal Judge Shira Scheindlin ruled New York's version of stop-and-frisk unconstitutional in 2013.

Closing the event, Trump reiterated all of his major campaign proposals.

"I am going to lower your taxes by a lot," he said. "I'm going to eliminate every unnecessary and costly regulation. We're going to repeal and replace Obamacare. We're going to unleash American energy. We're going to end illegal and very dangerous immigration. We're going to keep radical Islamic terrorists the hell out of our country. We're going to save your Second Amendment. We are going to support the men and women of law enforcement. And we're going to appoint justices to the supreme court who will uphold and defend the constitution of the United States. We will rebuild our roads, our bridges, our tunnels, highways, airports, schools, hospitals. We will rebuild our country and we are going to put a lot of people to work."
What are the most important parts of this text?

A: Donald Trump also called Hillary Clinton "a crooked woman" at a campaign event in Melbourne, Florida, on Tuesday night


Q: Misty Copeland of American Ballet Theater to Join ‘On the Town’

Misty Copeland, the ballerina who made history last week when she became the first African-American woman to be named a principal dancer with American Ballet Theater, is taking on a new challenge this summer: She is heading to Broadway.

Ms. Copeland plans to join the cast of “On the Town” for two weeks beginning on Aug. 25, stepping into the toe shoes of Megan Fairchild, the New York City Ballet principal dancer who originally played the role of Ivy in the production and is leaving the show next month.

Going to Broadway is the latest step in an extraordinary year for Ms. Copeland that has seen her dance some of ballet’s biggest roles, earn a promotion to principal, be profiled by “60 Minutes” and make the cover of Time magazine. In an interview, she said that she was looking forward to being part of a moment in which several top ballet stars are being featured a mile south of Lincoln Center on Broadway. In addition to “On the Town,” the dance-rich “An American in Paris” is also putting a spotlight on ballet talent: It is directed by Christopher Wheeldon, a leading choreographer, and stars Robert Fairchild, another City Ballet principal, and Leanne Cope, a dancer with the Royal Ballet in London.

“It’s such a beautiful time right now, I think, for dance, and especially for ballet and bringing it to a much broader audience,” Ms. Copeland said. “I always say that it has changed my life, and it’s such a beautiful thing to be a part of — and I think people are realizing that, a new generation is realizing that. It’s so exciting.”

Ms. Copeland could help “On the Town” at the box office. The show, with music by Leonard Bernstein and a book and lyrics by Betty Comden and Adolph Green, was lauded by critics when it opened last year but shut out at this year’s Tony Awards; it played to 70 percent of capacity during the week ending June 28, according to Broadway League data.

During the past year, Ms. Copeland has brought out large, enthusiastic, diverse audiences to watch her dance with Ballet Theater in “The Nutcracker” at the Brooklyn Academy of Music and “Romeo and Juliet” and “Swan Lake” at the Metropolitan Opera House.

With her promotion at American Ballet Theater, Misty Copeland joins only a handful of African-Americans at major companies who became principals. Here’s a look at a few of them.

Of course, the dream ballet sequence in “On the Town” should be right up Ms. Copeland’s alley. But what about the acting and singing?

Ms. Copeland said that she had discussed acting with her friend Taye Diggs, who is soon to take over the title role in “Hedwig and the Angry Inch,” and that he had told her that after seeing all the acting she did while dancing the role of Juliet last month, he did not think she had anything to worry about. “He said, ‘I think you’ve got this,’ ” she recalled.

And while she will not have much singing to do — and the character she plays is taking singing lessons in the show — she said that singing in public would be new for her. She recalled auditioning for a Twyla Tharp show when she was very young, and being asked at the audition, to her surprise, to sing something.

“I suggested Mariah Carey, because I know all of her songs, and the pianist turned to me and said, “Do you really think you can sing a Mariah Carey song?’ ” she recalled, laughing. “So we went with Madonna.”

A version of this article appears in print on July 6, 2015, on page C1 of the New York edition with the headline: A Celebrated Ballerina Heads to Broadway . Order Reprints| Today's Paper|Subscribe
What are the most important parts of this text?

A:
Answer: Misty Copeland of American Ballet Theater will replace Megan Fairchild of New York City Ballet in “On the Town” for two weeks in late August.