Question: Problem: OPTIONS:
- negative
- positive positive
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Answer: I admit, the first time I watched Even Cowgirls Get the Blues, I didn't think it was very memorable in any regard. But now after viewing it the 7th time, I admit that it has very much grown on me. The characters of Sissy, Ms. Jellybean, and the Countess have become very endearing. And the romance between Sissy and Jellybean seems very sweet. Though the plot is very weak, I think the satirical humor more than makes up for it. Then there's the kick-ass soundtrack which features the tremendously talented K.D. Lang (who reminds me a little of Patsy Cline) at her best. I can't think of any movie that has "grown on me" after an inauspicious first impression, as much as Cowgirls has.


An example of a movie review. negative (OPTIONS:
- negative
- positive).

A: Some of my old friends suggested me to watch this movie but I got chance only recently. I had high hopes of seeing something interesting from Kamal Hans, what I saw was bunch of garbage camera angles mixed at high speed. I could not understand what was the message except demeaning Hinduism. I am more like many religion type but I felt Kamal Hasan is a man low character to have orchestrated this kind of thought. He could have made a horror movie than this crap. He tried to add Hollywood genre of viruses and god forbid he did not convert that guy into a mutant and ultimately going to go for world domination. This is a much befitting movie for a film school vs regular public. Shame on him for not holding up to the talent he has. Starting of story tried Chaos to borrow ideas from Butterfly effect, then in between little religious harmony at the cost of insulting Hinduism (Once again I insult Hinduism more but this movie has no equal and my insult is same for religion in general which may have made this movie intellectual one.)


Q: What's an example of a movie review?
An example of a movie review is here: "Revolt of the Zombies" proves that having the same director revamp and recycle an idea doesn't necessarily make lightning strike twice.

The Halperin brothers, responsible for the horror classic "White Zombie", made this trite piece of garbage a mere few years later to cash in on its popularity and even recycled close-ups of Lugosi's eyes from that previous film. There was a court battle with the "White Zombie" film's rights owners, who didn't want the Halperins to be able to use the word 'zombie' in this title. That word was the only thing that could help this film, because, as everyone knows, bad films can make much more money simply by having the word 'Zombie' appear in the title. Knowing what Victor Halperin was capable of a few years before only makes this uninteresting film more insulting. It seems he never directed another horror film after this debacle. The zombies here seem not to be true walking dead, but simply hypnotism victims.

Wanna create a mind-controlled army of zombies? Be ready to crack a few eggs, including your own.

THE LAME PLOT: Man falls in love with scheming woman who plays with his heart and becomes engaged to him only to make his friend, whom she loves, jealous. This sends man into a spiral of madness in which he tries using zombie mind-control techniques to change things to his advantage in an attempt to win over a woman who isn't worth spit.

This includes one of the most blatantly obvious plot developments I've ever seen. You'd have to be blind or stupid not to see the ending coming. The acting isn't even good. This movie makes the racially insensitive "King of the Zombies" (which appeared on the same double bill DVD I bought) seems like an atmospheric horror masterpiece by comparison and reminds us that not every black and white film is a classic. It makes the atomic age sci-fi alien zombie cheese fest "Invisible Invaders" seem like a serious drama. This is one big ball of cheese so ridiculously melodramatic it could probably make many a Korean film fan twitch (South Korean films are often known for their use of melodrama). The credits list the ironically named company Favorite Films. I'm not sure whose favorite film this would be, but they're obviously an idiot.

Not recommended for fans of: zombies, romance, or classic films.


Problem: Write a positive (OPTIONS:
- negative
- positive) movie review.

Answer: First off, I dislike almost all Neil Simon movies. But there is something about this that is unique, that draws me in, and I would say it is among the most entertaining comedies I have seen. The second time I watched it, the connection was clear. When did Neil Simon meet my grandmothers? 

Ah, afraid they might sue, so he changed them into men. And how dull would it be if they were only housewives, show biz stars is more fun. Well this is a personal review, and my still living grandmother at age 97 (she even outlived Walter Matthau's magnificent impersonation of her!)would deny it -- but some of you must find resonance in these characters.

Secondly, I have little tolerance for George Burns, but somehow he turned in one of the finest supporting performances I can recall (and my late grandmother even enjoyed it, although failing to recognize the remarkable similarities she shared with the film character).

Very ethnic in flavor, and over the top, you will either laugh and laugh or turn this off. For me, the pleasure lingers.


Problem: OPTIONS:
- negative
- positive positive
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Answer: This has long been one of my favourite adaptations of an Austen novel. Although it is definitely not in the same category as the spectacular "Pride and Prejudice," "Emma" is a lush and relatively faithful TV version of Austen's novel -- especially considering its short length. The biggest change between the novel and the movie is a good one, as the unnecessary snobbishness that Austen exhibits at the end of the story is removed here and replaced with someone much more akin to Emma's character in the rest of the book. I thought the characters chosen to portray the roles were well-picked. Kate Beckinsale walks the fine line between girlishness and the social snob with a grace completely lost in Gwyneth Paltrow's '96 version. Samantha Morton's wispy blonde locks suit her attitude and character as the simper that accompanies her role in previous characterisations is replaced with the Harriet we know from the book. Mister Knightly's role is carried out extremely well in my opinion; both the seriousness and the gentle compassion that the hero is painted with in the novel are present here in this much-neglected, sumptuous film.


Problem: OPTIONS:
- negative
- positive positive
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Answer:
Answer: Just a note to add to the above comment. Fear of a Black Hat doesn't have the criminal who's image has been ripped off by the band, that's in CB4. Easily confused as the two films are so similar, but Black Hat is vastly the superior of the two..... yeah.