For plot construction, this is a big plus--something Hollywood has recognized in pro-IRA films dating back to John Ford's The Informer (1935) and Carol Reed's Odd Man Out (1947).
This is not good for plot construction.
mnli hypothesis: This is not good for plot construction. premise: For plot construction, this is a big plus--something Hollywood has recognized in pro-IRA films dating back to John Ford's The Informer (1935) and Carol Reed's Odd Man Out (1947).