Less grandiosely than Harmony Korine in Julien Donkey-Boy , Soderbergh pores over every scene in search of its essential dramatic gesture.
Soderbergh was only interested in scenes that were flat and lifeless, with minimal dramatic flare.
mnli hypothesis: Soderbergh was only interested in scenes that were flat and lifeless, with minimal dramatic flare. premise: Less grandiosely than Harmony Korine in Julien Donkey-Boy , Soderbergh pores over every scene in search of its essential dramatic gesture.