In the upstairs picture galleries, the dukes' close links with the Flemish masters of their day are illustrated by works such as the fine Nativit?? of the anonymous Ma?®tre de Fl??malle and Dierick Bouts's Tate de Christ.
Most of the Flemish masters preferred to be anonymous.
mnli hypothesis: Most of the Flemish masters preferred to be anonymous. premise: In the upstairs picture galleries, the dukes' close links with the Flemish masters of their day are illustrated by works such as the fine Nativit?? of the anonymous Ma?®tre de Fl??malle and Dierick Bouts's Tate de Christ.