She lowers her voice a full octave and intones the words in a constrained fury--the voice not of Nora but of wronged women forever.
She is a hurt woman, so she always sounds like she has to cry
mnli hypothesis: She is a hurt woman, so she always sounds like she has to cry premise: She lowers her voice a full octave and intones the words in a constrained fury--the voice not of Nora but of wronged women forever.