On this day in 1951, WCBS debuted the "John Henry Faulk Show," which featured music, political humor, and listener participation. Faulk, a native Austinite and an accomplished story-teller, had broken into radio with the help of Texas folklorist Alan Lomax. Faulk's radio career ended in 1957, a victim of the Cold War and the blacklisting of the 1950s. AWARE, Incorporated, a for-profit corporation that investigated the political attitudes of entertainers, branded Faulk a Communist. The charge cost him his contract with CBS. He filed suit against AWARE in 1957. On June 28, 1962, the long-drawn-out case ended when a jury awarded Faulk the largest libel judgment in history to that date, $3.5 million. In 1974 CBS broadcast a version of Faulk's book Fear on Trial, which described his battle against AWARE. In later years he toured the country urging university students to be ever vigilant in protecting their constitutional rights. Faulk died in Austin in 1990.
On this day in 1778, Juan Martín de Veramendi, future Mexican governor of Coahuila and Texas, was born in San Fernando de Béxar (San Antonio). Veramendi, an early friend to Anglo-American colonists, and Juan José Erasmo Seguín met Stephen F. Austin at Natchitoches, Louisiana, in 1821 and accompanied him to Bexar. In 1822-23 Veramendi served in Bexar as collector of foreign revenue, from which office he was elected as alternate deputy of the Texas Provincial Deputation to the Mexican National Constitutional Congress. Veramendi was the first alcalde of Bexar in 1824 and 1825. He was elected vice governor of Coahuila and Texas in 1830, whereupon he moved with his family from Bexar to Saltillo. In April 1831, his daughter, Ursula María de Veramendi, married James Bowie. Bowie and Veramendi formed a partnership to establish cotton mills in Saltillo, and Veramendi began to divide his time between Texas and Coahuila. He assumed the office of governor upon the death of José María Letona in 1832 and served until 1833. His administration was favorable to the Anglo-American colonists and therefore unpopular with many Mexicans. In the summer of 1833, while at his summer home at Monclova, he died in a cholera epidemic.
On this day in 1867, Justus Julius Schott opened a drugstore in Galveston. Schott, born in Germany in 1846, came to Galveston with his family in 1851 and was orphaned two years later when both his parents died of yellow fever. He was just twenty-one when he opened the J. J. Schott Drug Company, which became the main conduit of medical supplies from Europe to other drugstores and physicians in Galveston and throughout Texas. In 1869 Schott began to experiment with chicle, and for several years he imported and sold chewing gum wholesale to druggists throughout the country, until the Adams Chewing Gum Company sued him for infringement of patent. Schott won the case, but did not pursue his rights further. In 1885 he ventured into another enterprise with Moxie, a carbonated drink popular in the North, which he distributed throughout the state. Its popularity made Schott one of Galveston's major manufacturers. He died in 1928.
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“I feel like the reason we’ve done so well and we continue to do well is because we kind of just have chosen to embrace our city and embrace our sound.”
After the census of 2010, demographers discovered that a Texas city had surpassed New York and Los Angeles as the most diverse metropolis in the United States. Perhaps, then, it was inevitable that group of musicians like The Suffers would emerge about the same time out of Space City.
There was a terrific local singer, Kam Franklin, and bass player Adam Castaneda. And Castaneda knew someone, who knew someone else – and that person wanted to play with this other person. And, before they knew it, a full-fledged eight-piece band emerged and made its debut. That was seven years ago. The Suffers have come a long way since that early gig, playing a prom in Jackson, Mississippi.
“If you think you’re an entertainer, and you’ve never played for a group of teenagers, you are not an entertainer, because teenagers hate everything,” Franklin says.
The Suffers release their newest collection of songs Friday. It’s titled Everything Here. Franklin calls it Gulf Coast Soul, a label that pays tribute to the band’s roots. Franklin says drawing from Gulf Coast culture — its people, its music, even its food – has helped The Suffers succeed.
“I feel like the reason we’ve done so well and we continue to do well is because we kind of just have chosen to embrace our city and embrace our sound,” Franklin says. “It’s not a familiar sound but, at the same time, when you listen to it, it kind of is.”
At least some Houstonians and hip-hop fans will find familiar voices in “Everything Here,” which features appearances by Texas rappers Paul Wall and Bun B.
Overall, Castaneda sees the new album as a branching out from their first album, which he calls a “homemade project.” In contrast, “Everything Here” involved two producers and a string section.
“I might be able to unclog a drain but that doesn’t mean I can plumb a whole house, so we need to have plumbers come in here,” Castaneda says. “So, we had our specialist friends come in and help out in places that made the record better.”
Production value wasn’t the only sound influence on “Everything Here.” While none of The Suffers were directly affected by Hurricane Harvey, its impact is felt in one of the songs.
“‘After the Storm’ is a song about, basically, trying to make a hurricane boo,” Franklin says. “But at the same time, it’s about extending your hand to your neighbor but in a more sensual way, and telling them ‘hey, I probably should have said this before the storm, but I wanna see you after the storm, I wanna know how you’re doing, I wanna check in on you, I wanna make sure you’re okay in more ways than one.’”
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