Anyways, I feel like posting a short article about my first experience in the video game market. It is important to know that I've never worked in a video game company before.
With two friends, I participated the Indies Vs. Pewdiepie game jam, a 72 hours gamejam with emphasis on "fun to watch and to play". We had to post it on Game Jolt.
It was being played. While the winning games had around 300 players, we had over 10.000, and we never knew why (we still don't!).
We saw it as our chance to make a quick game and try how the mobile market works. So we developed a new, improved version of LPT in two weeks, and released it on mobile, without any form of communication or advertisement other than letting our current players know.
The game had a glitch. A big one, a game-breaking one. It simply quits, without crashing, on some phones, and we haven't found why. It can crash on one phone, and work on a similar one, it can crash on any version...
After looking for a solution (and not finding one), we felt sorry for the people who liked the original game but couldn't play the improved version. So, we released the new version on Game Jolt.
Over the last two years, the dream of many developers, A.K.A. the Steam store, got several sad stories of games that managed to get in.
Two of them are actually scaring me. These games are The War Z (now know as Infestation : Survivor stories), and very recently, Earth : Year 2066.
These games share the same problem : they got in steam, people got really pissed at them, and they got removed.
Both of these games got people angry for the same reasons : stolen copyrighted work, fake description on the store page, fake reviews and terrible customer service. (Earth : Year 2066 is accused of changing people's negative posts to positive posts).
Did they deserve getting banned ? Sure. On one hand, Steam shows that they care about their customers satisfaction and the quality of the products they're selling. But it scares me that a crowd of angry people have the possibility to stop a game from being sold, because I really hope they did deserve it, and they really were looking for easy money and making fun of their customers.
I am a bit naive. I want to make games for people to have fun, or, even better, to be amazed. I want to make money out of it because I want to live to make people laugh, cry, think or rage. I consider myself full of good will. I check if what I am downloading can be legally used in my game, I want to listen to critics, and I surely don't want to lie about what I'll sell.
I can reassure myself by seeing that don't want to do what these developers did, but I can't help but wonder "What if the developer was like me, a naive dreamer ? ".
I mean, seven millions of curious people online daily, half of them checking the recent obscure games, quarter of them clicking on your game, an eighth of them waiting for a sale, and a small percentage actually buying the game. Do the math, that's still a lot of copies for an indie developer !
The depth of the universe, the sense of detail, the thoughts, the quality of the puzzles, the everything.
The man was saying what he thinks, and, to be honest, if I ever spend 5 years of my life making a game that gets an IGF award, and somebody angrily tells me that I never released a video game, I would probably want to insult him too.
This game isn't good. It isn't terrible, or unfinished, but it has a lot of problems, and they mostly come from the same source : the Game Design.
When we started thinking about the game, we put on the table every single idea, wrote them down, during about a week. Then, we chose the good ones an struck out the bad ones.
And we were done. There has litteraly been no more game design for the game. If you can try the game (it is available for free) I suggest you do by wondering "What is fun in this game ? What did the developers do to make this level unique ?".
You'll quickly notice that the answer is always the same. And that's the problem, the game is more than repetitive, because we made the same level over and over with different assets.
Sure, there are some programming problems (a precise enemy tend to fall through the ground) and a bad difficulty flow (the first level is harder than the final boss) but it all comes up to the same problem.
We had a basic idea of what the game was about. We made a prototype and it was good. Not "good enough", it was really good. We had fun, it had everything we wanted. And we added levels, but that's it.
The Game Design Document is a pain to do, but a game simply can NOT be done without it. It's like making a movie without a storyboard, or even a script !
You can have fun with the game, mostly with friends, but it won't feel different than the other games, and you'll quickly forget about it. What it misses is a soul.
Anyways, if you are playing the game, here's a tip : to unlock levels, you have to do certain special actions in the previous level.
I love random generation in games. They give the most surprises, force you to play some different ways and teach you to improvise. You can't know a generated game by heart.
a list of blocks that can be placed. Each block has a list of doors (can I go out by going north ? west ? east ? and south ?) and a probability to be picked.
Then, for each door this block has (north, west, east and/or south), we pick a new random block, and we rotate this block so the two doors are communicating.
Do this again for your new block, and do this again for your new new block, etc... until there are no new block needed.
It's slow. It takes about 30 seconds to generate a level in a 50x50 grid. So you must find a way to take this time from the player without him noticing.
It can be used as a coroutine (as shown above) so you can generate the next level while the player plays the current level.
You can put an element of a room or a full room in a block ; there is no size limit, so you can use prebuilt rooms instead of generating a labyrinth.
With the first version of the editor, the user can easily change the probability of each block, and create new blocks.
It would also be interesting to be able to add bigger blocks, that takes several places in the grid. So the user can used both prefab rooms AND generate labyrinths. (Half-way done here, I need to add the rotations)
It's small, it's pretty, it's cheap, and it's very interesting for developers and curious players, but don't expect groundbreaking graphics compared to other consoles. That's not what it is for.
So, when you are afraid of using particles or shaders, you are looking for any low-cost effect possible.
Just attach it to the camera, disable the script, and when you want to shake it, set magnitude, duration, and enable it.
While I was at the university, the most interesting course was the shaders. It was also the hardest.
Today, for the game we are currently developing, I had to go back to the shaders, but also, I had to learn a lot from the shader system Unity offers.
It's really good, but it's really confusing. Plus, the tutorials don't have a clear starting point, nor a clear end.
So, With the help of the shader showed above, I created a pass that draws a colored overlay Silhouette of the character.
It draws the silhouette whenever an object is overlapping (using the ZBuffer to determinate this) with a threshold of 3000 units.
My "company" received the developers' OUYA yesterday. If you don't know about OUYA, you'll easily find a lot of articles about that console. If you read them, please, keep in mind that Minecraft is the most played game on the xbox 360.
So, after realizing our game looked bad after looking at Hawken, we plugged the OUYA to the TV and started goofing around.
After a nice, encouraging message, we got to the UI. It's not finished, they are still working on it, but it's promising !
Anyways, I'm not here to really talk about OUYA, more to talk about the unique experience I'm having with it.
Except with XNA on XBLAI, it's hard for an indie developer to make a game for console. It's way easier to publish on PC with sites like Desura or Steam, or on smartphones, because there, people are used to go on the internet to get their games. (How many people have I seen that never even looked at the fabulous games on XBLA ? I bought my xbox only for this !)
Android publishing costs 25 $ (if you decide to publish on the play store) and for the iPhone, it's around 99 bucks per year (I'm not sure about that, never got to the end of publishing an iPhone game, and they make sure you don't really know how much you're about to spend).
And boy, even if I knew what was coming, having a console without any games available feels really weird ! An empty UI, an USB cable to plug into your computer, the console sitting right next to you, controlled by the PC.
That's a hundred mile away from buying a console with some games with it. You almost don't care what the UI looks like, or if you plugged everything right.
"It works ? Let's play some games!" feels so different than "It works ? Yes ? You're sure ? I don't... it's... yes, it... well, let's make a test game to try it."
II generation progesterone. Have main progesterone activity and less androgenic activity. Used as contraceptive.