Portland bank foreclosures has seen some good periods with less number of filings and some bad period with higher number of filings. A foreclosure means that the current homeowner will lose his/her home. This usually happens when the homeowner defaults on the bank loan. First the property is filed for foreclosure and then it goes through a pre-foreclosure period. If the homeowner is unable to pay back the loan amount during the pre-foreclosure period then it will be listed in foreclosure homes.
According to a new report, Portland is ranked at 84 among the top 100, which means that the rate of foreclosure in the state of Oregon is not as high as it is in New York or California. The area of Portland-Vancouver saw one foreclosure per 353 households in the first six months of 2007. This has definitely added some more homes into the list of Oregon bank foreclosures.
According to another foreclosures report, Portland has had an increase in the foreclosure rate by almost 7% as compared to the rate at the beginning of the year. As a result there are more bank foreclosures in Portland out there that investors and first time homebuyers can choose from. Is it good or is it bad? It is good for investors as they will have a variety of foreclosure homes to choose from but bad for existing homeowners who will lose their homes.
All these homes are available in a comprehensive database called foreclosure listings. These lists are available with banks, lenders and other financial or government institutions but you can also check for them online. According to another recent study, Portland is ranked 25th among the top 100. It started the second half of 2006 with an increase of almost 188% as compared to the last quarter.
We develop a model of dealer intermediation in bond markets that takes account of how changing regulatory requirements for banks since the financial crisis, in particular, the introduction of minimum leverage ratio requirements, affect the cost and ability of dealer banks to provide intermediation services. The framework considers two distinct dealer functions: that of provider of repo financing (to prospective bond market participants) and that of market-maker. The cost and ability of dealers to provide these services under different regulatory constraints determines the price impact of a given trade on the market — or the level of ‘market liquidity premia’. In the model the impact on market liquidity varies for different levels of market volatility or ‘stress’. We find that under normal market conditions estimates of corporate bond liquidity risk premia are higher under the new regulations, but also that corporate bond market liquidity is more resilient due to better-capitalised dealers continuing to intermediate markets under higher levels of market stress than pre-crisis. Mapping these changes in liquidity premia to GDP, via their impact on the cost of borrowing for corporates in the real economy, the results of the model suggest that under normal market conditions there may be a greater cost of regulation via corporate bond markets than incorporated in earlier studies. However, once offset against the benefits of greater dealer resilience, including the benefits to market functioning, there remain net benefits to new regulations.
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The first UK survey of American documentary photographer Dorothea Lange (1895-1965) and first major UK solo exhibition of British contemporary photographer Vanessa Winship open in Barbican Art Gallery.
Taylor Mac reframes the social history of America through three decades of song in this no-holds-barred extravaganza of music, art, activism and entertaining mass ritual in Barbican Theatre.
A Night with Boy Blue sees more than a hundred performers present an empowering showcase in Barbican Theatre.
A rare opportunity to hear Wynton Marsalis in a small group setting, with Headspace Quartet opening the concert, in the Barbican Hall.
With racial tension brewing in Notting Hill, nineteen-year-old photographer Colin is hopelessly in love with model Crepe Suzette (Patsy Kensit), but her relationships are strictly connected with her progress in the fashion world. So Colin gets involved with a pop promoter and tries to crack the big time.
An aspiring young opera singer Christine Daaé (Mary Philbin) discovers that she has a mysterious admirer intent on making her a star. Enticing her to his secret vault, he asks only one thing, that she never remove his mask. But soon, admiration turns to obsession, and her masked protector becomes her masked captor. When the Phantom (Lon Chaney) takes her prisoner, Christine’s suitor, the Vicomte Raoul de Chagny (Norman Kerry) sets out to rescue her. Chaney's hideous but complex and fascinating creation influenced a century of film-makers, from Hollywood to China.
Following the Bavarian Radio Symphony Orchestra’s appearance at the Barbican earlier in the season, a second celebrated orchestra from Munich comes to the Barbican in summer 2018: the Bavarian State Orchestra, orchestra of Munich’s renowned Bavarian State Opera. With a history going back over 350 years, the orchestra come to the Barbican for the first time, conducted by the opera’s Generalmusikdirektor Kirill Petrenko (also chief conductor designate of the Berliner Philharmoniker). They will perform Mahler’s Symphony no 7. Petrenko began his tenure in Munich in 2013 and has been gaining tremendous critical acclaim for the extraordinary virtuosity, precision, energy and emotion of his performances with the orchestra.
Tigran Hamasyan returns to London offering a blend of his own solo piano and choral works with the exciting addition of guest trumpeter, Nils Petter Molvaer. Hamasyan brings us an impassioned view of Armenia, his home, a nation steeped in a rich musical heritage. In this concert Armenian melodies will be interpreted by top British Choristers, accompanied by Nils’ avant-garde trumpet tones.
June 2018 sees a return visit from the illustrious Venice Baroque Orchestra, following a hugely acclaimed performance of Vivaldi’s Juditha Triumphans on the Barbican stage in November 2016. Here directed by Gianpiero Zanocco, the orchestra joins Argentinian counter-tenor Franco Fagioli, one of the leading singers of our time, renowned as much for his artistry as for the beauty of his voice and masterful technique. He will perform virtuosic arias by Vivaldi and Handel, while the ensemble enrich the programme with instrumental music from both composers and a rediscovered orchestral work from Florentine master Francesco Veracini.
The live iteration of a highly anticipated collaboration between Thomas Bartlett, also known as Doveman, and contemporary classical composer Nico Muhly features as part of the Barbican’s contemporary music programme in 2018. Bartlett and Muhly will perform their forthcoming record Peter Pears: Balinese Ceremonial Music (Nonesuch Records, spring 2018) in its entirety at LSO St Luke’s on Friday 8 July. Ten years in the making, this recording was born from a love of Colin McPhee’s (1900-1964) transcriptions of Balinese ceremonial music for two pianos. The dual pianos translate the complicated overlapping patterns of gamelan music into a stylised, Western approximation. McPhee lived, in 1940, with the composer Benjamin Britten, his partner Peter Pears, W.H. Auden and other artists.
The project is named after Peter Pears, who, in addition to being Britten’s partner, was an observer and collaborator not just of Britten, but of a larger community of musicians, writers, and thinkers.
On 9 June 2018, Cork band Microdisney reconvene after some 30 years for a one-off exclusive UK performance of their seminal album, The Clock Comes Down The Stairs, plus more material from their back catalogue. This concert at the Barbican features the original line up of Cathal Coughlan (vocals), Sean O’Hagan (guitar), Jon Fell (bass) and Tom Fenner (drums).
Released on Rough Trade records in 1985 and reaching No 1 in the UK Indie Charts, The Clock Comes Down The Stairs is born of an insecure and troubled Irish emigrant experience of London in the 80s. Iconic Radio 1 DJ John Peel was amongst the band’s many fans, famously describing the group as “the iron fist in a velvet glove”.
Microdisney formed in 1980 in Cork, Ireland, where they recorded their first material including the single Pink Skinned Man, released on indie label Kabuki records (1983).
To celebrate the 75th birthday of Sir John Eliot Gardiner, the Barbican has invited him to curate a Bach weekend on 15-17 June 2018, featuring his personal selection of works and performers. The weekend will incorporate highlights from the Bachfest Leipzig, where Gardiner is President. This includes a three-concert cycle of cantatas performed by the Monteverdi Choir and English Baroque Soloists, as well as featuring an outstanding line-up of artists in motets, violin sonatas, cello suites, and the Goldberg Variations.
Beginning the weekend’s events is a concert in the Barbican Hall on 15 June 2018 of cantatas written for the Advent period. On 16 June 2018 violinist Isabelle Faust and harpsichordist Kristian Bezuidenhout perform a selection of Bach’s music in the intimate surroundings of LSO St Luke’s. The same day sees eminent baroque collective Solomon’s Knot perform sacred motets in St Giles’ Cripplegate, and an evening performance in the Barbican Hall of cantatas from the liturgical period between Easter and Ascension, once again with the Monteverdi Choir and English Baroque Soloists . On 17 June 2018, charismatic and energetic harpsichord player Jean Rondeau performs Bach’s Goldberg Variations at Milton Court. Also at Milton Court that afternoon will be a concert of Bach’s first three Cello Suites, performed by internationally celebrated French cellist Jean-Guihen Queyras. Drawing the celebratory weekend to a close that evening in the Barbican Hall is a final performance from the Monteverdi Choir and English Baroque Soloists, of four cantatas written for the Trinity period. Sololists for the cantata concerts include sopranos Hana Blažíková and Julia Doyle, countertenor Reginald Mobley and bass-baritone Peter Harvey.
A rare opportunity to hear Wynton Marsalis in a small group setting – a quartet led by his brother, drummer Jason Marsalis – where the depth and sonic range of Wynton’s sound can take centre stage, evoking memories of the great masters of the jazz trumpet whilst – in the true spirit of the music – resolutely remaining a powerful voice in his own right. Opening the concert is the Headspace Quartet, a group led by Wynton’s friend, Clarence Adoo, whose career as a virtuoso trumpeter was cut short by a life-changing car accident. A founder member of the British Paraorchestra, Clarence has become an active teacher and committed advocate for disabled issues. Determined to continue sharing his musical gifts, Clarence now plays the Headspace, a custom built breath-controlled electronic instrument which gives its name to the ensemble playing this concert’s opening set.
Wynton Marsalis, in his role as managing and artistic director of the world-renowned Jazz at Lincoln Center Orchestra (JLCO), recently completed a Barbican International Associate Ensemble residency.
Michael ‘Mikey J’ Asante, co-founder of award-winning hip-hop dance company Boy Blue, musician, DJ and producer, brings a dynamic combination of music, dance and video to the Barbican this summer in the form of Outliers. This new work is part of the Barbican’s 2018 Season, The Art of Change, which explores how artists respond to, reflect and can potentially effect change in the social and political landscape.
On stage Mikey will take the helm on electronics, accompanied by an ensemble of musicians and a number of special guest performers, all assembled to bring his compositions to life. Outliers will feature contributions from his long-time collaborator and fellow Boy Blue founder, choreographer Kenrick ‘H2O’ Sandy MBE.
As Mikey reflects on his recent achievements – invitations to Buckingham Palace and Number 10 Downing Street, five star reviews and an Olivier Award nomination – he thinks back to his younger self, who never considered the thought of success, and only ever focused on creating what was true to himself. Outliers challenges this thinking and its blind spot to opportunities.
Also coming up in June is a recital from revered pianist Yuja Wang on 5 June, in which she demonstrates her virtuosic flair in a programme to include Chopin, Ligeti and Scriabin.. Les Arts Florissants return to the Barbican on 8 June, this time with members of Le Jardin des Voix Academy, under the direction of Paul Agnew, for a celebration of 18th century English song. On 16 June at LSO St Luke’s, performer and composer Laura Cannell showcases her new project [Modern Ritual], which features solo sets from acclaimed musicians Charles Hayward, Laura Cannell herself, and Hoofus (André Bosman), alongside new sound performance/talks from writer/researchers Jennifer Lucy Allan and Luke Turner, and a brand new collaboration between all of the artists and invited guests. German artist Alva Noto joins forces with Academy Award-wining Japanese musician Ryuichi Sakatomo for a special concert at the Barbican on 20 June, while one of the world's most respected pianists, Murray Perahia returns to the Barbican for a recital on 21 June.
Gianandrea’s Noseda’s Shostakovich Symphony cycle with the London Symphony Orchestra continues on 24 June with a performance of Shostakovich’s Symphony No.10, in a concert which also features violin superstar Nicola Benedetti as soloist in Shostakovich's Violin Concerto. The whole concert is streamed live on medici.tv, a leading online classical music channel, and the Symphony will be live streamed on the LSO’s YouTube channel (www.youtube.com/user/lso). This concert follows a major 3-week LSO tour to Thailand and China with Noseda, the Orchestra’s Principal Guest Conductor, ahead of which, on 3 June in the Barbican Hall, they perform Ravel’s Rhapsodie espagnole, his arrangement of Mussorgsky’s Pictures at an Exhibition, and Beethoven’s Piano Concerto No.3, with the soloist Yefim Bronfman.
A Night with Boy Blue sees more than a hundred performers present an empowering showcase. Pumping music and intricate choreographic formations of impressive precision build to create an infectious atmosphere.
Boy Blue’s founders Kenrick ‘H2O’ Sandy MBE and Michael ‘Mikey J’ Asante continue to inspire and mentor the next generation of dancers in the training room. Ground-breaking choreography, original compositions and incredible young artists highlight the calibre of talent emerging from the company that has been at the forefront of presenting hip-hop as an art form in its own right.
A Night with Boy Blue is followed by a BSI Jam: Beats, Streets & Inspiration after the Saturday night show where Asante and guests play their favourite tunes.
Lady Eats Apple is a tale of creation and destruction in which the epic and every day, mythic and mundane coexist. The audience enters an inflatable universe in which binaural sound design and visuals are used to ingenious effect.
Lady Eats Apple is part of LIFT 2018, a London-wide festival of international performance taking place throughout June and part of our 2018 Season, The Art of Change, which explores how artists respond to, reflect and can potentially effect change in the social and political landscape.
The Barbican presents the UK premiere of The Wooster Group’s The Town Hall Affair in the Theatre this June. The mixed-media piece from New York’s iconic theatre company channels a raucous debate on gender equality that still reverberates today. The Town Hall Affair is part of the Barbican’s 2018 season, The Art of Change, which explores how artists respond to, reflect and can potentially effect change in the social and political landscape.
In 1971, an audience of literary heavyweights gathered at Town Hall in New York for a discussion – A Dialogue on Women’s Liberation – in which American novelist Norman Mailer moderated a panel including the prominent feminists Germaine Greer and Diana Trilling and the radical lesbian Jill Johnston. The occasion was documented in Chris Hegedus and D.A. Pennebaker’s 1979 film Town Bloody Hall.
The Town Hall Affair, directed by Elizabeth LeCompte, features extended clips from the film, and revisits that explosive night by framing it from the point of view of Jill Johnston who disrupted the panel and wrote about the experience later in her book Lesbian Nation. Enver Chakartash, Ari Fliakos, Greg Mehrten, Erin Mullin, Scott Shepherd, Maura Tierney and Kate Valk play the real-life participants from the film onstage. The Town Hall Affair draws on experimental theatre techniques to delve into the revolutionary fervour of 1970s’ feminist thinking, and is a timely look at how the struggle for gender equality has evolved, nearly 50 years after the landmark debate.
Following the performance on Friday 22 June, there is a post-show talk with members of the company, chaired by host of The Guilty Feminist podcast, Deborah Frances-White.
The film, Town Bloody Hall, upon which The Town Hall Affair is based, is screened at the Barbican on Saturday 23 June at 4pm, to coincide with The Wooster Group's London performances.
This June, the Barbican brings Taylor Mac’s Pulitzer Prize-nominated A 24-Decade History of Popular Music: The First Act to the Theatre as part of LIFT 2018. Taylor Mac reframes the social history of America through three decades of song in this no-holds-barred extravaganza of music, art, activism and entertaining mass ritual. A 24-Decade History of Popular Music: The First Act is part of our 2018 Season, The Art of Change, which explores how artists respond to, reflect and can potentially effect change in the social and political landscape.
Joined onstage by a 24-piece orchestra and a host of special guests drawn from London’s own performance community, New York’s Taylor Mac has created a once-in-a-lifetime performance in a quest to chronicle how communities grow stronger as they are being torn apart.
Charting the years 1776–1806, Mac asks the audience to conspire with him to reimagine rebellions, revolutions, triumphs and tragedies. Pub song sing-alongs and subversive anthems are rearranged as musical mash-ups to take on a chapter of the defining early years of America’s history. Exquisite costumes and headdresses by Machine Dazzle change throughout the performance to evoke each decade.
This summer in the Curve, Dutch-Flemish dance company WArd/waRD, founded by dancer and choreographer Ann Van den Broek creates a ten-day performance installation for the first time in the UK. Informed by the work undertaken during her Barbican residency in 2017 and following her participation in Doug Aitken’s Station to Station: A 30 Day Happening in Barbican Art Gallery in 2015, this exhibition continues Van den Broek’s research into the concept of a ‘total experience’ whereby visitors can experience live performance, spoken word, sound and video projections.
This summer, Barbican Art Gallery stages the first ever UK survey of one of the most influential photographers of the 20th century, the American documentary photographer Dorothea Lange (1895–1965). A formidable woman of unparalleled vigour and resilience, the exhibition charts Lange’s outstanding photographic vision from her early studio portraits of San Francisco’s bourgeoisie to her celebrated Farm Security Administration work (1935–1939) that captured the devastating impact of the Great Depression on the American population. The show features the iconic Migrant Mother as well as rarely seen photographs of the internment of Japanese-Americans during the Second World War and several post-war series documenting the changing face of the social and physical landscape of 1950s America, including a collaboration with fellow photographer Pirkle Jones.
The Architecture Foundation and the Barbican in partnership, present Architecture on Stage – a programme of talks by the world's leading architects.
NP2F is an architecture and urban planning office created in 2007 by Francois Chas, Nicolas Guérin, Fabrice Long and Paul Maître-Devallon. Join Nicolas Guerin for a lecture that will reveal the questions and narrative driving their emerging practice.
Cristina De Middel is a Magnum photographer whose work investigates photography’s ambiguous relationship to truth. Blending documentary and conceptual photographic practices, she plays with reconstructions and archetypes in order to build a more layered understanding of the subject she approaches. This talk will explore Cristina de Middel's methods of storytelling and play within her documentary photographic practice.
Originally from New Zealand and now based in London, designer/maker Phil Cuttance will be demonstrating the art of casting stone objects and vases using Jesmonite Stone (an eco-friendly water based fine cement-like material), alongside an installation of large sculptural pieces.
Participants will learn how to cast a bud vase from Jesmonite Stone with designer/maker Phil Cuttance. They will choose from six different vase shapes, assemble their mould and then mix and cast their own vase in a unique colour scheme.
• BHP freezes its manganese project in Gabon. ... • MOIL gets prospecting licence for 11 manganese ore blocks in India; plans to achieve a production
largest producer of manganese ore in world ... · PDF . BHP Billiton owning 60% and having management ... Largest producer of manganese ferroalloys in North ...
Manganese ore: Where is the recovery? ... BHP Billiton Global Mn ore production by company, ... • Manganese ore for export from the Kalahari mines is subject to severe
S.Africa China Australia Gabon Brazil India Ukraine Kazakhstan Ghana Others Manganese ore production by country and company, 2014 – BHP more than twice the size of the next largest producer
(TEMCO), with BHP Billiton owning 60% and having management control. Samancor is the world's largest producer of seaborne manganese ore and is among the top three global producers of manganese alloy. Its operations produce a combination of ores, alloys and metal from sites in South Africa and Australia. In July 2009, Samancor sold 26% of Hotazel Manganese …
Manganese ore prices fell further on Friday July 26, after large producers cut offers and buyers anticipated even lower numbers in the coming weeks.
The manganese ore industry is segmented by ore characteristics, and comprises of high grade ore (with more that 35% manganese contents) producers who account for two thirds of production, and low grade ore producer contributing a third of production. Alloy production is
MANGANESE – HOTAZEL 29% ownership (BHP Billiton owns 44% and has management control. Empowerment partners own 27% ) Wessels is an underground mine of hydro-thermally enriched manganese of a high grade. Mamatwan is an opencast operation. The ore lends itself to technologically advanced beneﬁ ciation processes. Wessels reserve …
Effects of Manganese as an Alloying Element. Manganese is ... In addition to these operations, BHP Billiton manages manganese ... It extracts manganese ores and ...
Board Member Johan Kriek and Elsabe Muller, General Manager Marketing Manganese for BHP Billiton. Executive Director Anne Tremblay moderates the exchange. • IMnI hosts a seminar in Malaysia on "Manganese Science and Regulatory Issues", in Kuala Lumpur, in November. The select audience is made up of local regulators and academics come …
Manganese ore is much less abundant than iron ore and consequently the manganese price is significantly higher than the iron ore price (currently double the iron ore price per tonne). In addition, a large amount of iron for steel …
Mining Industry Overview ... Australian Broken Hill Proprietary Company Limited (BHP) and ... products include manganese,
PDF; BHP Billiton Ltd does not currently have any hardcopy reports ... copper, coal, iron ore, nickel, manganese, metallurgical ... BHP Billiton was founded in ...
34-2 MANGANESE ORE M anganese in alloy form is an essential input in steel making and is one of the most important metals in an industrial economy.
expanded, so also did manganese ore mining activity and the acceptance of ores containing less than 50% ... mined respectively by BHP-Billiton and Assmang, ...
Toy Story 3 is a 2010 American 3D computer-animated comedy-drama film ... The Video Game, which was released for Microsoft Windows, Xbox 360, Wii, PlayStation 3, ...
In the feature film Woody, Buzz Lightyear and their fellow toy friends are sent to a nearby nursery when childhood owner Andy grows up and moves out to go to college.
Toy Story 3: The Video Game is a Disney Interactive Studios platform video game based on Toy Story 3.The game was released on June 15, 2010 for Wii, PlayStation 3, PlayStation 2, Xbox 360, Nintendo DS, PSP and PC.