The virtual output framebuffer now has an option to change its aspect ratio to match the scene played to it, rather than the project’s format.
A new timed sequence group mode to allow a timed group to be advanced manually (using scripting or by double-clicking the scene group).
A new a timed sequence group mode to use the default Scene Director of a scene to control when the group should advance. This allows paused scenes to prevent the timed group from advancing.
An option in the video shader to trigger the scene to go offline when the end of the video is reached.
Video materials set to ‘take scene offline at end’ will now update the countdown field in the sequencer on play.
A new check box in the video shader to have the material adjust the main Scene Director to match the clip length.
A preference to allow the sequencer preview to be rendered with a checkerboard background (also available by right-clicking the Preview window).
A preference to process UPNEXT commands from OverDrive even when no preview output is defined in the hardware setup.
With focus in the Project Manager, typing the start of a category name will take you to that category (press Enter to select it).
Play, stop, and pause properties added to the face properties of objects (for use with Visual Logic and Tessera).
Visual Logic Output Selector block for routing a single input to multiple outputs based on a given index.
The As Run log format can now be set to the standard layout required by the (external) XPression As Run Log Formatter.
Video materials set to ‘take scene offline at end’ will now update the countdown field in the sequencer on play (functionality added with Tessera).
The continuous animation sync to clock mechanism is now based on the Tessera clock (when using Tessera).
A Clip Store sync user now requires “deletion rights” in order for deletions to be synced across Clip Stores.
A VDCP option in the Media Control Gateway to clear the CUE/INIT flag as soon as CUE/INIT DONE is set.
A button in Sequencer has been added to revert modified template data of MOS items back to the original MOS data from the NRCS.
An option in the Visual Logic editor to set Visual Logic to run after the scene directors are stopped so that any objects linked to animated objects will move in sync.
•The material manager now has an ‘Ungrouped’ folder which will show all materials that have not been grouped into folders.
When importing scenes/materials from another project, when matching folder names (parent folder needs to match as well) are found, the newly imported material will be placed into the matching existing folder.
The viewport now has a configurable zoom level. Holding Ctrl and scrolling the mouse wheel will adjust the zoom level.
The cue item keyboard shortcut can now cue a specific take item by ID and can optionally set focus to that item.
All published object properties of type int, float, and boolean can now be keyframed. This allows for things such as the keyframing of cylinder angles, object effect parameters, etc.
The sequencer can now show a countdown column which will indicate how much time is left playing the default scene director (useful only when the scene director plays linearly to its end).
Scripts can now use globally defined methods (functions and subs) by using the Edit > Scripting > Global Scripts Method Editor.
A new Visual Logic property for Text Objects, “TextWithTags” to get the value of a text object which includes its font tags.
The TextWithTags property in Visual Logic now includes two children properties to configure if the TextWithTags should include either Font Tags, Material Tags, or both.
The Render View shader can now be set to use the “Owner Scene” as its target; to allow the shader to point to itself and still support Scene Copies, Previews, etc.
The CII X\ command can now send **** for the Tab Data Message ID, controlled by a global preference setting.
The Import from Project dialog now has an option to use existing fonts that match the imported font, rather than creating duplicate fonts. This feature can be disabled if it is preferred to not have the existing fonts reused.
Selecting regions in the Tessera region mapper will now select the mapping entries as well and the other way around.
The XML DataLinq now has an option to interpret the XML file using different encodings such as UTF8, UTF16, and ISO-8859.
A DataLinq comparison key such as <club=ross> can now have an additional index parameter as well, such as <club=ross<2>>, which will retrieve the second item matching the key.</club=ross<2></club=ross>
When dragging clips from the clip browser to the sequencer, the Take ID assigned will use the Recall ID or the next highest available number.
The server channel now has a “pause mode” option to determine which field/frame to display when a server channel is paused.
Each video server channel can now have a preview channel where clips can be cued while still allowing the on-air clip to be controlled and have its timecode and countdown visible.
The server channel now has an “Auto Take” feature to automatically take the clip cued on its preview channel when the on-air clip has finished.
The OpenMAM button has been moved to the lower toolbar in the MOS plug-in so it is available on all tabs.
An option in the MOS Gateway to exclude item timing from being put in the editorial time fields of the MOS object.
Added support for UHD (4K) and other traditional broadcast standards for AJA framebuffers using a new AJA framebuffer board driver as the hardware option AJA NTV2 Video. The new driver supports the latest AJA driver (12.3.7) and has been tested on Corvid22, Corvid88, Kona3G, ioXT, and io4K with existing features (8-channel audio, up/down conversion when available) plus the following:
The Scene Director Trigger Event now has a check box to only look for scene directors in the current scene.
Matrox hardware can now output 608 closed caption (in a 708 CDP) when a video shader is playing back a file with embedded captioning.
Added a new Visual Logic “Sort Selector” block to sort inputs and cascade the sorting into other blocks.
Implemented options in the Export to Video dialog to override the duration of the scene, and whether to include the Out Transition.
PBus driver can now support different Recall IDs being recalled on each Device ID and then triggered with a single combined trigger.
Added the ability to set the Recall ID of a clip, or a range of Recall IDs for a selection of clips, from the Clip Browser (Ctrl+R).
Single frame clips (Stills) in the Clip Browser can now have an icon overlaid onto their thumbnail to indicate they are a still.
The Clip Browser search panel now includes a setting to force the Quick Find to search for exact matches of Name or Recall ID.
When adding a clip to the Sequencer, the Take ID will be the clip Recall ID (if it is numerical and not already in use).
The MOS gateway now opens a port (10560) to receive connections from OverDrive to allow for automatic rundown activation.
The MOS gateway has a feature to put it in offline mode, where it will not communicate with the engines (useful when multiple gateways are connecting to shared engines).
The MOS plugin can now contain a list of gateways to connect to, rather than a single primary and secondary.
When there is only one openMAMTM source configured, the MOS plugin should not use a dropdown button for launching it.
The Sequencer will now display “” rather than “” for still images loaded from the Clip Store into the Sequencer or a MOS rundown.
INcoder can optionally use the clip name to populate the Recall ID field (if no other Recall ID has been explicitly set).
Added an option in the Media Control Gateway to crash record from AMP when the RECORD command is received without CUE.
Added a new RossTalk command, “UPNEXT” that will set the preview in the Sequencer without moving the focus bar.
Added an option in the server channel shader to automatically start (play) its server channel when the shader goes online.
Server channels that are not assigned to a framebuffer (for server channel shaders) now behave like other server channels in terms of transport controls, cue (including “cue to framebuffer” option), and the “hold last frame” clip option.
Any sequencer Take item (not only clips) can now be loaded into server channels that are not assigned to a frame buffer (for server channel shaders). Those server channels can also be the target output of Take items with support for cue, take online/offline, and swap from the sequencer.
Active animation controllers can now be scaled in time through the context menu of an animation controller in the edit layout.
A backup copy of the preferences and hardware setup is now made whenever they’re saved. In case of a failure or corruption, XPression will now automatically try to load the backup.
Added an option in the video shader to sync the free-running material to the clock to avoid looping volatile textures from restarting when used back to back.
The record client now has preferences to remember the last folder, or default to the project folder, or a fixed folder.
The PBUS driver can now support different recall ID’s being recalled on each Device ID and then triggered with a single combined trigger.
Added an alpha column in the Clip Browser to show the clip’s alpha (requires existing clips to be re-ingested or their thumbnail needs to be reset).
The visibility of each of the clip browser columns is now user controllable. The columns’ width, position, and visiblity are stored/recalled with the docking layout.
The selected out transition will now apply to clips that are taken offline automatically (“hold last frame” option not set) in the sequencer and in the server channels.
Sequencer groups that are timed per item will be timed in such a way that clips will reach their end point at the end of the chosen “Out” transition (or the “In” transition of the next item).
The Export to Video dialog now has the ability to load/save codec and other settings to profiles on disk.
New options have been added in the Export to Video dialog, to override the duration of the scene, and whether to include the Out Transition.
The XPression Gateway now reports the MOS status of graphics and clips to NCRS that support it (Inception).
An XPression Clip asset from the Clip Store can now be used in an existing MOS graphic by dragging the clip onto the published field in the Edit tab of the MOS plug-in.
Added an option in the XPression Gateway to prevent rundowns from being removed when they are still activated for playout.
Added a notification to the users of any open ActiveX plug-in if a new revision of a project is published to the project server of the project they currently have open.
Implemented options in the gateway to configure the MOS workflow as graphics only, clips only, or both.
The XPression Gateway has a feature to put it into offline mode where it will not communicate with the engines (useful when multiple gateways are connecting to shared engines).
The XPression Gateway now opens a port (10560) to receive connections from OverDrive to allow for automatic rundown activation.
Added an option in the INcoder to require underscores prior to the automatic parsing of the Recall ID.
XPression Video Codec video files placed into the INcoder watch folder will now be ingested to the Clip Store without being re-encoded.
The QuickTime video source now applies the pixel aspect ratio during transcoding to handle clips that are encoded at a different aspect ratio than they should be displayed at.
Improved the refresh of the screen logs in the Media Control Gateway to be more robust against VDCP/AMP client connections flooding the gateway with messages.
The XPression MOS Plug-in has been modified to present XPression scenes in a tiled view instead of a list (with controls to scale the thumbnail size).
The categories from an XPression project will now be visible in the XPression MOS Plug-in template list, as a way to organize scenes into logical groups.
The Rundown View in the XPression MOS Plug-in now includes thumbnails (with controls to scale the thumbnail size). › Selecting the rundown node in the saved graphics will now show all items from all stories. The list views in the MOS plugin now include a sizeable thumbnail in List, Tile or Thumbnail view of the rundown(s).
User Input Controls have been added to the text object Data Sources: › Published text objects can now be assigned different User Input Control types such as:
Combo Boxes › The User Input Controls are presented to users in the XPression MOS Plug-in as well as the Sequencer to provide better selection of the template data required for a field. › Published text controls with User Input Controls can retrieve data from static, global, or DatLinq lists, and one User Input Control text object can be used to populate other published text objects, or select the list provided to other User Input Control input fields. › Added ability to set loop points in the video shader (useful for free-running 3-point looping videos).
xpSequencer objects can now trigger the OnFocusItemChanged event when take item focus changed in the sequencer.
The “Templates” tab of the MOS plugin has been split into multiple tabs: “Browse” (browsing of the saved MOS items), “Graphics” (graphics template selection) and optionally, “Clips” (clips selection).
Implemented a MOS workflow for XPression clips (with a Clip Store configured on the Gateway, the MOS plugin now provides the ability to browse, preview, and select clips as MOS items to include in an NCS running order; integrates with XPression’s output and preview engines and the Remote Sequencer).
Added a new Geometric Primitive “Slab” to XPression. Slab provides functionality for rounded corners, skewing of the object and the material (independently), bevels, and extrusion.
Improved down-conversion quality by adding an “oversampling” option in the hardware output configuration.
Added functionality so xpOutputFrameBuffer objects can now trigger the OnSceneState event when scene going on/offline.
Support added so xpOutputFrameBuffer objects can now trigger the OnClear event when the framebuffer is cleared.
New functionality has been added to Visual Logic for properties of lights (color, falloff, range, etc.).
A new Visual Logic Metadata Selector block has been added to be used in combination with Metadata properties.
Support has been added in the form of an XMP/EXIF metadata parser to the texture system. XMP and EXIF metadata is published through the material’s new Metadata property.
A preference setting has been added so that XPression can now reload cached textures that have been changed on the local file system, based on date stamps.
Items in the sequencer can now have server channels as output target (clips and scenes can now be cued or played back on server channels from the sequencer).
Added he PBus Learn command, which can be used to assign the currently loaded clip from the ClipStore into the PBus Map.
Fixed issue so XPression Gateway would not count a license for the NLE plugin until the plugin GUI is loaded, or until some XPression content is loaded into the NLE.
Added an option in the Project Server to respect the air-date field so projects can be uploaded with a future air date and they will not be autonomously deployed until such air-date occurs.
Sphere, Torus, Background, and Cylinder objects can now have DataLinqs assigned directly to their faces to replace the respective material.
Multiple OpenMAM drivers can now be added to the OpenMAM configuration. (Note: Any existing OpenMAM setup will need to be reconfigured when upgrading to 5.7 build 3032, from any prior version)
Added an advanced preference that allows the XPression Debug Monitor to show errors/warnings from the scripting engine
the Bluebox edition now has a menu entry “CII Script…” which allows you to edit the CII handler scripts from within the Bluebox
Timecode-sync based tracking sources are now plug and play, always sync and with consistent I/O latency
When using automatic depth sorting, and two objects are at the same Z position, they would previously render in a random order; now the order is fixed based on their position within the object manager tree
The object manager and viewports now have a shortcut to “frame in view” to make the active camera frame an object into view (Ctrl+F)
A visual grid at the origin can now be enabled using the viewport’s view menu (location of origin can be set in later versions)
Materials published to the sequencer can now be assigned a solid color from within the template data tab
Static Take ID numbers can now be assigned to MOS objects. No checks are performed for duplicate IDs
The search in the Sequencer can now also search the text data that came from a Datalinq source. (it does not refresh any of the Datalinq data)
A cued item in XPression Connect can now be removed from the feed, and the next item will become cued
During automated deployment of projects from the project server, the overall progress is now displayed to the user
The Project Server now notifies clients when a revision has changed for projects that have no category or style assigned
XPression Template Builder has been implemented, allowing offline editing of Templates for use in MOS, NLE, or Live playback.
XPression Gateway combines the functionality of the MOS and NLE gateway in a single application creating a seamless workflow between the newsroom and the edit suite.
A new option in the Virtual Output Framebuffer to render at the refresh rate of the monitor instead of at the project rate (results in much smoother virtual outputs when the project and monitor refresh rate are the same).
Visual logic has been implemented, which allows users to create intelligent templates using a visual node-based interface without having to write script.
The perspective camera now has a ‘Use Global Camera’ setting. This allows a single tracking data source to be used in multiple scenes simultaneously.
Added support for copy and paste of animation controllers with the ability to remap to which objects the keyframes will be applied.
A check box in the Quad Object Inspector to force a quad to render last (on top of all other layers/objects).
The MOS and NLE Plugin, as well as Template Builder, now have the ability to save graphics to folders on the XPression Gateway and to recall those saved graphics for later use. Saved graphics can be categorized in user defined folders or automatically created daily folders. These graphics can be dragged or copied directly into stories in the newsroom system, applied to editing timelines, or used for playback in the Sequencer.
Any Scene Director can be set to be the Scene Director from which previews and thumbnails are rendered
Scene Director clips can now be trimmed/resized by moving the mouse over the beginning or end of the clip
Dragging a Renderview Material onto the Scene Director of a scene which uses that material will play the Scene Director of the scene pointed to by the Renderview material
The Video Shader now has an option to override the field mode of the video clip to force it to be interpreted as progressive, upper field first, or lower field first
Added Align Center and Align Middle functions to horizontally or vertically align a number of objects based on their center points
The thumbnail of a scene is now calculated based on the preview frame set in the Take Item Inspector tab
The Remote Sequencer now has an option to advance the focus when taking an item offline with the minus key
Implemented a new effects system that allows various post-effects to be applied to individual objects or the entire scene. Effects can be dropped onto object tracks in the Scene Director or onto the Effects Stack in the Object Inspector. * When upgrading from versions prior to 5.0, any objects that used the chroma key effect will need to be updated to use the new effects system chromakeyer. (This does not apply to the material system’s chroma keyer).
Added visual indication of the presence of keyframes, materials, scripts, and stagger & continuous animations on objects in the Object Manager.
Right-clicking on a track in the Scene Director to add a new event now has options to Insert Pause, Take Offline, and Reverse Direction.
When editing Datalinq settings in Layout mode, the Viewport will show the new data immediately, instead of having to be taken to air.
The currently focused Take Item in the Sequencer will continuously show Datalinq updates and generate previews when the data changes.
The “Cancel” button in the Export To Images dialog now changes to “Close” when the export is complete.
Exporting single frames from the Sequencer would not work when the Play Range tab had the item set to play backwards – fixed.
Exporting single images from the Sequencer would not work when the scene had no animation controllers on the Scene Director – fixed.
New assignable keyboard shortcut “Move To Focused Item” in the Sequencer group causes the Sequencer list to immediately scroll to the currently selected item and generate a preview.
Added a new Sequence Group type called “Data Pages” to enable text/materials in an on-air scene to be updated via another Take Item in the Sequencer (often called “row pops”).
The XML data source now supports searching for records with specific attribute values (e.g. – recall by player jersey number).
The Scene object now has a new tab for “Datalinq Keys” which allows for the creation of key values for data selection from a data source.
Shaders can now use the fill from the previous shader as their alpha channel by setting the alpha blend mode to “from previous stage (fill)”
Added a Sequencer preference to disable a parent group from being expanded when selected with Fast Recall
The * key in the number pad will scroll the Sequencer list to the currently focused item and expand the group, if necessary
8/15:The Houston Texans and San Francisco 49ers participated in a quiet practice Wednesday morning until a scuffle broke out between Texans star wide receiver DeAndre Hopkins and 49ers cornerback Jimmie Ward. Hopkins was running a route versus Ward, and the two got physical after Hopkins made the catch. Ward pushed Hopkins and knocked his helmet off, which led to a brawl between the two. Head coach Bill O'Brien removed Hopkins from practice after the scuffle was over. Hopkins is looking to pick up where he and second-year quarterback Deshaun Watson left off last season after posting 1,378 receiving yards and 13 touchdowns. This scuffle should not impact Hopkins' fantasy value.--Chris Nalls - RotoBaller
All is not well in sleepy suburbia....Woken in the middle of the night, teenager Sara finds her parents tied to their bed by a terrifying intruder. An intricate hour-glass filled with blood is placed before her and she is told that she has 60 seconds to choose which of her parents should die. If she doesn't make the choice then both of them will perish at the hands of the deranged killer. Who is the scarred man and why has he chosen Sara and her famliy as his victims? Marcus Graves' new slasher flick will have you squirming in your seat as the gruesome horror unfolds. -- (c) IFC
Some of the plotting feels trite, erratic, but overall I enjoyed this genre entry, as much for Pollak's fussbudget sheriff as the memorably haunting denouement.
But the last third is a disaster, everything that happens both asinine and illogical, and by the time it was over I could have cared less about any of the characters, their plight or if the killer was going to be stopped one smidgen of a single bit.
after several torturous Saw-like moral dilemmas and lots of delving into characters' troubled histories, the film fails to deliver a satisfying ending.
What. A. Film! The number of films that are nowadays just generic trash with very little thought put into them or with a lack of story. This film may not be the best at conveying story, but it is certainly a good film with a good story. Many people who know me well enough will be able to tell I have a strong passion for horror films because they tend to have a quality that other film genres don't have: fear. But now I am finding horrors are becoming, again, generic, predictable and unscary. Choose may not be scary, but certainly shocked and put me on edge a lot of the time, with four life-changing and impossible choices that were ridiculously harsh, whilst still cleverly crafted. What helps keep this film only on the border of torture porn is the fact that it tends to focus on the detective and investigation side. This means there is lots you don't fully know about the killer because you don't see him much. Saw was not good at avoiding interacting with the killer, spending majority of films 3-7 with the killer! Anyway, the film is allround clever, dark, harsh, violent and with a very creepy ending. I wish I had kept the same atmosphere the second time I watched it, but unfortunately me and my mate just kept mocking the film and another guy I know at the same time. Oh dear!
Cast: Katheryn Winnick, Nicholas Tucci, Kevin Pollak, Richard Short, Bruce Dern Director: Marcus Graves Summary: Years ago, a sadistic killer forced Fiona Wagner to choose between saving her father or her mother's life. But now that same killer appears to be back with an even more incomprehensible choice, and Fiona partners with her dad to find the murderer. My Thoughts: "The summary above I was given is a bit misleading. The 'Killer' doesn't make Fiona choose between saving her father or mother, although he does do that to another girl. I wouldn't say Fiona teams up with her father in catching the killer but more pushes herself onto the case for other reasons. I won't say if the killer does or doesn't have anything to do with her mothers death just in case some of you "Choose" to watch this film. Now about the film, it was mediocre. The suspense is OK but the thrill for me was not there. Having to make the choices was an interesting concept but it wasn't executed very well. The whole film isn't done very well honestly. The killer isn't at all scary, not even his voice. A man in a hoodie sweatshirt and with a little bit of a high voice just isn't that threatening or scary, well at least for me. The ending was just awful. Eye rolling worthy. The acting by the two leads isn't bad, it's really the story that makes the film teetering on awful and just OK."
The book provides students and academics in finance and banking with the most recent updates and changes in the Malaysian banking sector post-AFC period. The book explores the evolution of banking policies and practices after the "Tomyam Goong Crisis" and investigates the health of Malaysian banks via efficiency measurement. In addition, it also presents the evolution of bank risk management regulations and practices in Malaysia. The book also discusses the effectiveness of the Malaysian bank bailout strategy with comparison to the banks’ bailout in developed countries such as the US.
This book is important and timely since there are very limited books in the market that cover the recent developments on Malaysian banking sectors post-AFC period. Hence, this book serves as the valuable resource for all finance and banking students, academic researchers, and practitioners not limited to the Asian region that require in-depth insights on the latest policies and practices in the Malaysian banking sector.
'This book is important reading for anyone who wishes to gain a deeper understanding of the Malaysian banking industry and how it has come out of and changed since the 1997 crisis.' — Jens Hagendorff, Professor of Finance, The University of Edinburgh
Rozaimah Zainudin is Senior Lecturer at the Faculty of Business and Accountancy, University of Malaya, Malaysia. Prior to joining academia, she worked in the banking sector for seven years and was attached to a Banking Operations and System Department. Her areas of research include risk management, derivative markets, corporate finance, and international finance. Her research projects currently involve banking and financial wellbeing.
Chan Sok-Gee is Senior Lecturer at the Faculty of Business and Accountancy, University of Malaya, Malaysia. Her commitment to research and publication, especially on the topic of bank performance, has led her to publication in world-recognized journals, such as the Global Economic Review, Review of Managerial Science, Prague Economic Papers, and others. Besides bank performance, her research areas include corporate governance and bank efficiency, economic efficiency analysis, and value-added tax. She has also been recognized as an outstanding young researcher by the University of Malaya. She serves as Editor-in-Chief of the Asian Journal of Economics, Business and Accounting.
Aidil Rizal Shahrin is Senior Lecturer at the Department of Banking and Finance, Faculty of Business and Accountancy, University of Malaya, Malaysia. His research focuses on applied econometrics in the areas of finance and macroeconomics. He has been published in internationally refereed journals, such as the Journal of Economics and Statistics, the Romanian Journal of Forecasting, and the International Journal of Statistics and Economics. Recently, he has focused on bank efficiency, emphasizing the econometrics methodology.
The fields of economics is constantly expanding and evolving. This growth presents challenges for readers trying to keep up with the latest important insights. Routledge Focus on Economics and Finance presents short books on the latest big topics, linking in with the most cutting edge economics research.
Individually, each title in the series provides coverage of a key academic topic, whilst collectively, the series forms a comprehensive collection across the whole spectrum of economics.
The Tillie Tunic, worn here with our Greta shorts in Cambray print, is a great piece for Summer, you could pair it with some well worn cut-offs, or throw it on over your swimsuit for lunch at the tiki bar. We love to travel and traveling light is really better, so designing pieces that can be worn, washed worn again in different ways are key. The fabric which is made from a hemp/cotton blend has a slightly textured, dry hand-feel which is great for Summer.
About: I have 4 dogs of my own. I know the struggle to not have someone to watch them while you are away or at work. I want to help ease your burden. Ive ... (more)
About: I have a 7 month old Springer who LOVES to play with other dogs, I am moving to a house on a lake so there would be LOTS of play time. I have had a... (more)
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