THE NE.W YORKER with two bottles of Coke, which were hot. What did he thInk of the British, I asked. Did he like them? For the first time, Mr. Munanka frowned. It was clearly a question he had pondered before. At last, he said, "Ye-es. I believe they mean well. Real- ly I do," he added hastily, and with determined emphasIs. "The govern- ment, that IS. It's the white settlers who are bad. Fortunately, we don't have too many of them. Nothing like Kenya or the Rhodesias. They're the ones causing all the trouble." "But you do thInk the government means well?" "Well-ll, yes. I think so." "That's something, isn't it? After all, -rtii9 · · you wouldn't say that ahout some other '\ I " governments, suppose. "No, I suppose not." Mr. Munanka paused and looked straight at me, for the first time displaying uncertainty. "Are the other governments very much worse? " After a long sIlence, during whIch I could hear from the next room the clicking of the mimeograph machine without which no liberal organization can function, he again called out, and in a moment a ragged young man came in with some mimeographed sheets stapled together. The light inner sur- faces of hIs hands were stained with ink, and he wore the nobly fanatIc ex- pression that can be found only in re- ligious revivals and progressive political movements. He handed Mr. Munanka, and Mr. Munanka handed me, a sheaf of papers-the constitution of still an- other society dedicated to the over- throw of the well-meaning British. It was called the Pan-African Freedom t:, ....., Movement of East and Central Afri- po. ca, or PAFMECA. Mr. Munanka hap- pened to be the secretary. I saw the phrases "white racialism... so-called trusteeship. . . foreign self-seekers," and looked up at Mr. Munanka. He was sipping his Coke benignly. "As you are going on to T abora," he said, "I thought you would like to meet some of our T AND people there." ð I thanked hIm and said that I would. 'm ..' "Good. I'm having two letters of in- troduction typed for you." As I left, with my letters safely In my pocket, the mimeograph machine was grinding out endless smudgy messages of hope. Mr. Crabbe's office turned out to be a small, nearly empty store, in which he practiced a kInd of rough-and-ready public relations-by, for instance, dis- tributing pictures of the Queen to the REACH FOR A STAR! 161 fhe biggest hits by the brightest stars on CAPITOL' TI')]]]z Lr I1IJ [; ,, "", ...:.. \ , 1"\ -# o FRANK SINATRA I've Got the World on a Siring, Love and Marf/age, Tender Trap, South of the Border, Learnin' the Blues Frank's very best. T 768 IHIS IS BfA ) "II , æ '\., ':0- k:- " , .. :::,: , ,.>, o..-t " ,...., , . , " " , .,. ....."" .... '" , , , ^^ " o DEAN MARTIN Oino's warmest ballads: Volare, An-gel Baby, Return to Me, Makin' Love Ukulele Style, Promise Her Anything, seven others. T 1047 ", ': ,; . tii!fil' A \. Y,j, " " ... 4 HI o THE FOUR FRESHMEN The Day Isn't Long Enough, Day by Day, Poinciana, Graduation Day Charmaine 12 they won a lofty degree of fame with. T 743 $ - . lIJrh <ø . .. Qifftlf t, . .:. · , 4 : <",.1 > .' 1 + " '..:'.. ' '" o ANDY GRIFFITH No Time for Sergeants l What It Was Was Football, Romeo & Juliet, Carmen, Make Yourself Comfortable, etc. Hilarious! T 962 TRADE MARK :11", ? f : T.$ !II> * 0: . .. :.. '" , . R -(: ..:" \t ' .:' ,,-. .:,... ...... --: " , ,' .: . ..t" \.,' ,.', ,. .. .. ... ' '", o KAY STARR Her greatest-Side by Side So Tired, Lonesomest Gal in Town, The Breeze, Noah, Kay's Lament, Swamp-Fire, a full dozen 5T 1358 all aglow agaln l ,i-::. '., "..." . PEGGY LEE 't(. o PEGGY LEE Songs like Hallelujah I Love Him So, Manana , My Man and Fever; backings by greats like Nelson Riddle and Jack Marshall 5T 1366 F ,. :->'1 .:: &í<<T N ," ':-,,' ' þ ;' :.1 NNf'f) E ; mm ,- i % j' .1 ,., ., ..,.. k .,. ':"""' . l ,. o TENNESSEE ERNIE FORD Ernie sings a dozen including Shot-Gun Boogie, Cry of the Wild Goose, 16 Tons, Mule Train, Smoky Mountain Boogie. $T 1380 . Æi1mi!!111 Joùah iJonlt.S ,: .ø ::' .Jut <m ..::: ':.:"'ag . t.. ,,+ ,'{ . ,/."'1 l o JONAH JONES The happiest horn in town hits it up with Cherry, Moten Swing, Surrey With the Fringe on Top, Blueberry Hill, 8 more. 5T 1375 r -;. --, -" .'ltEh 'BEST. ,4 ", .,:.:' " -: ..... :,...." ....::. , ( ! /:::. :0- " ':":,:-f: Z ov..h <::':'_. ;.L ... x '., 'f" " .: ... : 3..": ? ' ' \ "Y"" tv- :'J I,' o LES BAXTER Poor People of Paris, April in Portugal, Blue Tango, Unchained Melody, his own Quiet Village, many other brilliant hits. 51 1388 '. : <:..,. :..._..,. ... s .. . " "'<' us 8R-GWN" .,. NfiY GooDMAft '" $lEfi -GRAY" 'wooþv :ljER"MAN . HARRV JAME;S -.STAN KENTON "$' ' } . "* % .: '- .... ! ">> o KENTON, BROWN, OTHERS Intermission Rl{f, I ve Got My Love to Keep Me Wa!m Siompin' at the Savoy, No Name Jive, 12 classics reborn in hi-fi. 51 1386 tJÃj' . BilLY MAl I .' Þ L. o BILLY MAY Dancing beat. big-band power in Lemon Twist, Unforgettable, Say It Isn't So, Lean Baby, lots more Makin' Whoopee! 51 1377 )1IIi1 Album Letter I'S' I Indicates Stereo Version Available .. It.. . , 4..,1> lOotoJ' R.CORDS