Join EJ Hassenfratz for an in-depth discussion in this video Exploring trends with movie-trailer-title design, part of Mograph Techniques: Movie Trailer Titles in Cinema 4D and After Effects.
- In this course, we're gonna create a couple…of movie trailer title animations for a fictional movie…but before we begin, let's briefly talk about…the industry of Hollywood movie title design in general.…Myself as being someone who has developed…a preset for cinema 4D that helps designers create…nice custom title designs really quick and easy,…I've had a close eye on the movie title…design and the industry trends.…No longer is it just flat type nor is it just simply…extruded 3D type, that's all easy stuff right?…With increasingly high production value for all…the 3D and visual effects in movies, this high…production value is also reflected in the design…of 3D titles these days and in this course…we'll cover a few ways to give your text…a really high-end design.…	
In this course I'm gonna focus on two types…of movie genres and their title designs,…namely action or superhero movies…as well as the fantasy genre.…Unless you've been hiding under a rock,…you'll know Marvel has been huge in Hollywood lately…releasing hit after hit, and the title designs for each…	
Learn to create dynamic Hollywood-style title sequences for movie trailers, using the tools in CINEMA 4D. EJ Hassenfratz shows how to create attention-grabbing text elements, apply textures and lighting, and animate the titles in styles that suit two different genres: action flicks and fantasy films. Then you'll learn how to render the scene and bring the assets into After Effects, in order to composite them with live-action footage and preview the final trailers. These tutorials follow a real-world workflow, used in many of the leading Hollywood production studios.
- Now to complete the Photoshop portion of the project…I want to do two things.…I want to add a half tone pattern,…and then I also want to add some grain to the whole canvas…so the colors aren't quite so flat.…I'm going to come to the image layer.…Now rather than add the half tone…to this layer which I did try,…I'm going to add it to a copy of this layer…and then blend the two together.…While I should be able to get the result…with just one layer, I find that it's in this case at least…easier to do it with two.…	
So I'm going to duplicate that layer, "cmd+j".…I want this copy also to be clipped,…so I'll hold down optional Alt…and click on the line between the two of them.…Then on this copy I'm going to apply…the Halftone filter.…Before I do that make sure that the foreground color…is set to black, and then come to the Filter Gallery…to Halftone pattern, and these are the…values that I want: one, five, and a dot pattern.…	
Now I'm going to change the blend mode…of that top copy to Multiply.…Let's just turn off the torn paper for a moment…	
Learn how to create a punk album cover in this Type Project. Designer Nigel French introduces to you the origins of punk—the 1970s movement defined by its DIY, anti-establishment attitude—and then shows how to create album art inspired by the original aesthetic. This technique reinterprets an iconic image using Photoshop's layers, layer masks, and clipping masks, and then combines the results with custom "ransom-note" type in Illustrator.
Join Justin Seeley for an in-depth discussion in this video Applying and editing pattern fills, part of Illustrator CC 2013 Essential Training.
Creating seamless patterns is a really tedious task in some applications. For instance, if you've ever tried to do this inside of Photoshop you know what an immense headache it can be. But in Adobe Illustrator it's actually pretty simple to create really nice patterns. So in this movie I'm going to show you how to do that. I'm going to start off by selecting a piece of artwork from this section here. And I'm going to copy it to my Clipboard, Cmd or Ctrl+C. And then what we're going to do is, we're going to zoom out a little bit. And I'm going to pan over and I'm going to create a new artboard. So I'm going to grab the Artboard tool. And once I have the Artboard tool selected I'm just going to draw out a new Artboard. It does not matter how big or how small the Artboard is, I just want a clean surface to work on without having to create a new document. And then once I do that, I am then going to switch back to the Selection tool make sure that I click on this artboard to make it active. And then I'm going to paste on that artboard. I am going to then align this to the center, I can just drag this in, something like that and then zoom in.
And we'll scroll over here. Once I have this artwork over there I can resize and then I'm going to create a seamless pattern out of this. But we also want to add some things to it right? That's kind of basic for a pattern. So let's come back over here and grab a couple more pieces of artwork. I'll grab this. Copy. Come over here, click and paste. And then I'll just Option+Drag. If you want to constrain it, hold down the Shift key while you're holding down Option or Alt on the keyboard and then release. Same thing going down, hold down the Option or Alt key, click, drag, hold down Shift to make sure it goes straight. And then once it gets to where you need it to go, let go. And then one more time Option or Alt+Drag, hold down the Shift key to constrain and then when it gets lined up, just let go of the mouse then let go of Option or Alt. And then I'm going to come back over, I'm going to grab two more pieces here. So I'm going to grab something like one of these. Come back over paste, this one's a little big so we're going to resize it a little bit.
And then we're just going to Option or Alt+Drag it across. Something like that. And you can play around with the positioning to get it just right once you have everything in place. One thing I want to point out here is that these are symbols and these symbols can be somewhat tricky when working with patterns. So it's always a good idea just to go ahead an expand those out by going to the object menu, choosing Expand and selecting Object > Fill > Stroke. Hit OK. That turns them into just regular path objects and won't give you any trouble going forward. So I said I was going to grab one more piece, and I will. Let's come back and we'll grab this little pinwheel shape here.
Come back over and we're going to paste this in and I'm going to shrink it up considerably. And then we're just going to move it into these little blank spots here. And I'll just hold down Option or Alt, drag it up, Option or Alt and put it right there. And one more time. Now I have a pretty complex pattern that I'm working with already. And it would be a real pain to create something like this and then have it repeat easily across say, a website background or something like that. And so what I want to do is take this and make it a pattern swatch in Illustrator. So I'm going to select all the artwork on the artboard. Go to the Object menu, select Pattern and choose Make. Once I select that, you see that the tiles are automatically created for me. And yours probably looks something like this actually. So, let me turn off all the things that I've turned on and show you this. I always turn the dim copies to about 30% it makes it easier for me to see my original artwork.
I also turn on Show Swatch Bounds so I can see the full width and height of my swatches as I create them. First thing you want to do is give it a name so in this case I'll call it Flower Pinwheels. And then you can change the Grid Type. Brick by Row, Brick by Column, Hex by Column, Hex by Row. Again this is going to be up to you and what type of pattern you want to create. I think for this particular one, the Brick by Column works nicely, creates a nice little seamless pattern that goes all the way across there. You can resize the tile if you want to, in this case I'm not going to do that but you could if you wanted to.
And you can also choose whether or not you move the tile with the artwork. So if you move the artwork around does the tile move with it or does it just keep the same thing and create a pattern from the moved artwork that you created there. The Copies section, how many copies do you want? So, I start out with five by five. You can go to seven by seven, nine by nine. Again this just refers to how big the actual tile is going to be when you create it. So in this case I think five by five works, okay? Once we are finished here, we hit Done. You will notice that it snaps back out into a regular mode here and my artwork is all there.
I no longer need this artwork though, I can just select and get rid of it. And over here in my Swatches panel you're going to see that new swatch. And by the way, you may have gotten a dialog box when you first created your pattern swatch that warned you that it added a swatch over here to your panel. If you see that dialogue box pop up, it does from time to time, just hit Don't Show Again and hit OK. It's just a good reminder of letting you know where it is. And so you'll notice over here I've got the Flower Pinwheels. If I were to come over here and grab a shape, like a star. I could then draw out the star. And I could apply that pattern to it just by clicking on the pattern and it would apply that. The interesting thing about patterns is that, as you move your artwork, the tile stays put.
It's because it's sort of clipped to the artboard. So, as you move you just have to position your shape until you get it exactly like you want it. And then after the fact, you could then expand the shape's appearance object expand and that would allow you to then move that with the pattern inside of it. So you just have to be aware of that. It's another one of those little quirky things about Illustrator. Now what if I wanted to create a repeatable tile to put on say a website or something like that a background? That's actually pretty easy to do as well. I'm going to delete this and then we'll come over here to the pattern swatch and I'm going to drag it out onto the artboard.
And when I do that, you're going to see it pop up and you're going to see two bounding boxes. The inner bounding box is the one that you're more concerned with. In order to understand how big the tile is you need to bring up the Info panel. So go Window > Info or hit Ctrl+F8 on your keyboard or Cmd+F8 on the Mac. And then what we are going to do, we are going to double click the inter isolation mode and then we are going to select this inner square right here to see how big it is. So it is 412 by 450 round about and so we'll close this up. And I'm going to double-click to exit out and then we're going to create a new artboard. So I'm going to grab the Artboard tool, click and drag. As I drag out, I want to get this to about 412 and if you can't get it just right, that's okay, you can always edit it later.
So here we go, I'll get it close and then I'll come up here and I'll just do it manually. So let's do 412 by 450. There we go. So that's round about the size of the tile that I need. Now all I have to do is delete that artwork there, come over here, grab my rectangle tool, draw out a rectangle, fill it with the pattern. Now, you have a repeatable tile that you could take and say for web and then apply it as a background.
And, how do I know it's repeatable? because I can copy it and paste it, and look what happens when I move it to the top here and line it up. Seamless. Take it over here to the right. Paste and put it right there. And I can take another one. And we'll just move it up. And line it up like this and see as I get close, everything just sort of comes into place. So there we go, we have a nice seamless tile background we could easily repeat anywhere as we save it out as a JPEG and then use that on our website or whatever we need. Hopefully this gives you a better idea of how easy it is to create pattern swatches in Illustrator and hopefully I've got your creative gears turning a little bit. And I hope that you take some time to play around with all these different options and see what kind of crazy, creative patterns that you can come up with.
There are a few other window panes of information within Outlook that we can customize.…In this video, I'll be discussing the Reading Pane, To-Do bar, the People Pane,…and the Daily Task List.…The Reading Pane, shown here, shows us the message that we currently have selected…in our Inbox or in other folder.…We can adjust the size of the Reading Pane by placing our mouse here between the…two and dragging to the left or to the right.…Another option of the Reading Pane is whether or not it would mark a message as…read as you're skimming through your messages.…	
Some people like to disable this feature.…To do so, pull down the Reading Pane menu and choose Options.…By clearing the first two check boxes, you can prevent Outlook from marking a…message as read as you navigate through your Inbox.…You'll remember that the To-Do bar is the pane on the right-hand side that shows…our tasks, upcoming appointments, and a calendar.…Like the Reading Pane, we can adjust the width of the To-Do bar by dragging on…