God creates man and immediately invites him into his own dwelling place (garden) to live with Him. Take a few moments and just consider the implications. You and I were made to be with God. What does that tell you about God?
Our calling is to have dominion and rule over the creation. But what does this look like? (HINT: Think cultivate and keep, gardening as true worship and obedience).
Mike said “In order to exercise dominion over the garden, the irony is, we have to serve it and submit to it.” What does he mean, and why is that the case?
What are the garden spaces God has placed you in? What relationships are in those spaces? How is He calling you to have dominion – cultivating through service and submission – in those spaces, as Christ has modeled for you?
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The Modcan - FMVDO is a complex digital voltage-controlled oscillator, truly realised according to high-quality standards by Modcan. Let it be FM-synthesis which was made famous in the 80's or amplitude modulation or the more modern wavetable synthesis, this module is the quintessence of digital sound-generation in electronic music.
The Modcan - FMVDO represents a new breed of sound generation for the modular environment. The primary design goal was to implement a variety of digital synthesis techniques and to combine them together in one 12HP wide module
The most significant wave-shaping feature of the FMVDO utilizes the technique referred to as Two-Operator FM, providing a wide variety of timbres from mellow bell like tones to complex distortion.
The inclusion of harmonically rich sample based wave tables extends the complexity of the FM effect comparable to multi-operator systems.
AM (Amplitude Modulation) is also available on-board as is standard Exponential FM using the Expo FM Jack
Conventional analogue VCOs are modulated with externally generated signals from LFOs and secondary VCOs, instead the FMVDO provides superior FM stability with internally generated, phase locked, sine table modulator.
Phase locking the modulator with the carrier produces beat-free timbres that retain spectral relationships over the entire frequency range. The Ratio can also be switched to provide non-integer ratios for inharmonic periodic sounds.
The FMVDO includes standard VCO wave forms and adds several sample based wave tables. Pulse width modulation and hard sync are also supported.
Switch selectable quantized pitch tracking in semi-tone steps or non-quantized continuous frequency control with fine tune.
32-bit pseudo-random noise generator - won't repeat for 119 hours at highest frequency setting; longer at lower frequencies.
Today we met Prince Charles at the Celtic Manor in Newport, He came round to all visitors, he asked about the candles and jumper on the table and asked us about our other products. He wished us luck with out future and said well done for our achievements so far, he was very pleasant and we look forward to telling more people about the trust.
Set of three mixed bath bombs from the SBB range. Comes in a natural style giftbox. Scents are the following; Romance, Fig & Casis, Oriental Musk, Raspberry & Blackpepper. (Box of 3 will be randomly picked for you)
African American genealogy | Ancestors In the Present: Louisiana's Frank, Jason, and other Families Louisiana
After my last post, I had to take a break from writing. I was too high from my last find and I didn’t know where to go for my next blog post. So, over the last month I’ve decided I’m ready to continue the adventure. Let me start be saying this is a mystery and I need help!
Growing up, I remember my Mother making comments about her mother, Estella Ruben, who we called Momí Stella. Unlike other people who have a hard time getting information for their elder relatives, my mother has never had any problem sharing. She always was willing to share family lore, often unsolicited. My mother was known for telling these enthralling stories—well, at least they were enthralling to me.
One story that comes to mind is one my mother told me when I was young. When my mother was about 5 years old, she went to a local “roots worker” to ask her if she could fix up something to heal her sick mother. My Mother said Momí Stella had been crying and crying, in obvious pain. My mother laughed as she continued, “Mama was a drinker back then, and she would cry when she would get drunk. The roots lady knew my mother wasn’t sick, but had been drinking and she just told me that she would come by later to check on my Mama.”
“Momí Stella used to drink? I had no idea. Man, I would have never known that.” My grandmother lived a pretty wholesome life from my point of view – I never saw her drink.
“Yes, Mama kept us spotless, we had food to eat, she made sure we went to school, and she was a very attentive Mama. But, when she would have bouts of crying spells I thought she was sick. I didn’t know until later that she cried like that when she had been drinking.”
While cooking one day, my mother told me “Momma didn’t know her mother—not even her own mother’s name.” From my mother I learned that Momí Stella’s mother died shortly after she was born. My mother Momma said “my grandmother had other children and after she died, my grandfather, Gabe, sent her other children back to Mowata to live with my grandmother’s family”.
My grandmother died in 1974. According to my Mother, before Momí Stella’s death, she had attempted to try to find her siblings. She wasn’t successful and we, at this point, don’t have any leads to finding this part of my family. My grandmother did not even have a birth certificate. On her death certificate, her mother is listed as unknown.
Once I started being serious about genealogy, I knew this was one of the family mysteries I wanted to solve. Over the years, my mother would repeat this story from time to time. She would also ask if I had found any information yet on Momí’s missing siblings.
Bringing back together this long-ago torn family and enabling my mother to connect with aunts, uncles, their children, their children’s children is one of my greatest prayers. Maybe someone reading this blog post can help me.
So, let me sort out the information I do know about my grandmother’s family. Born July 9th, 1905 in Elton, Louisiana, Estella Ruben, was the daughter of Gabriel “Gabe” Ruben. Gabe, per his death certificate, was born in Ville Platte, Louisiana in 1876. On the 1880 census, I found Gabriel listed as the 4-year son of Lastie and Ellen Ruben. Also listed are Gabriel’s sisters, 8-year Louisa and 2-year Lovenia.
Lastie, appears to have been the son of John and Jane Rubin. Lastie had a brother named John Ruben files [junior] who married Ernestine Zenon Tomy (Thomas) on February 6, 1869 in Saint Landry Parish, Louisiana. [Opel. Ct. Hse.: Mar. #5224]
As I continued to look at census records, genealogy enthusiasts know that most of the 1890 US census records were by a fire, so the 1900 census are the next set of records available. Unfortunately, I’ve not yet been able to find Gabriel in the 1900 records.
On the 1910 census, I not only picked up the trail of Gabe, it also is the first census on which I find my grandmother [E]stella.
So at the time the census was taken, April 1910, Estella is noted as being 4 years old, which means she would be 5 on her next birthday of July 9th. As, mentioned earlier, Momí Stella did not have a birth certificate so 1905 could be accurate, although her obituary listed her birth year as 1906. The census shows that Gabe and his wife, Eliza, have been married for 5 years and that Eliza had given birth to one child who is alive at the time of the census.
Finding, Gabe, Eliza, and Estella on the 1910 census made me think I had not only found my grandmother, Estella, but I had possibly found her mother, Eliza. That seemed to be the only conclusion. Then, what of the story about the death of my great-grandmother and her children being sent to Mowata? Was that just a myth?
My grandmother had a younger sister named Martha Ruben. On the 1920, Martha, 13, along with my grandmother [E]stella, 14, are both shown with Gabe and Eliza. If Martha is only a year younger than Estella, why isn’t she on the 1910 census in Gabe’s household?
Tragically, Martha dies almost 4 years later of cardiac dropsy, which is edema due to congestive heart failure. At the time of her death, the death certificate says she was 14, giving her a birth year of around 1910. Martha’s mother’s name is illegible on the document and I’ve been unsuccessful in making out the full name. The last name looks to me to be “Antwine”. What do you think is the name?
So maybe Eliza is the birth mother of Momí Stella, but I don’t think so. At the age of 14, my grandmother would have known the person listed as Liza on the 1920 census. Assuming Liza is the same as the Eliza that is on the 1910 census, it is unlikely my grandmother would have said that she did not know her mother if in fact Liza (and Eliza) was her mother, right?
There’s also a discrepancy with the age of Martha. The 1920 census, it has that she is 13, which means that she was born around 1907. However, her death certificate have that she was 14 when she died in 1924, means that her birth date was about 1910.
On a World War I draft registration dated September 12, 1918 I found Gabe’s significant other as Eliza Harrow.
The trail ends and I still have no information on who could be the mother of Momí Stella. I welcome your ideas on where I should look next to try to solve this mystery.
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