In light of recent discussion by Actors' Equity Association to change the name of “The Gypsy Robe,” Broadway actor Aaron J. Albano shares his opinion on the name change.
This Robe debate has saddened me in ways I did not expect from this community. When I first received the email my first thought was “Why?” Like many voices opposed to the change, I thought about the pride that I have felt bearing the moniker, the community that has been built around it, and the values that I’ve grown to associate with it. And like all those voices, I grew defensive, thinking, “this is how it’s always been,” or “we don’t mean it offensively,” or “who is even asking for this? Shouldn’t the union be focusing on bigger things?”
And over the course of the day, I’ve reflected on how horrible those mindsets are, and how reminiscent they are to other similar recent events in our nation.
Am I sad that I’m losing a term that I myself associated with many great things in my life? Sure. I’m aware that that word has a very different definition to me than it does to the people it offends. Am I upset? No, because I don't have the right to be. Just because it doesn’t offend me doesn’t make it okay, and using tradition as an excuse to keep it isn’t a good enough reason. I am not a part of the people group that the word offends, but that doesn’t mean the word isn’t offensive. It offends someone, and that should be enough for us to evoke change.
The argument that the union should be focused on more important things is frankly what saddens me most. Why can’t the union do both, especially when one of those actions is speaking for a marginalized people group that is clearly not being heard? That is a value that I would want in any part of my life, professional or otherwise.
Yes, for me, there is a tragedy in losing this word that I held dear. But also for me, it is a small price to pay for the inclusion and validation of people who are not me. And while the word is lost, the values it stood for are not, and I have faith that we will find an equal, less offensive, more appropriate word to stand for the community I love and cherish.
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“With a diverse array of roles in films such as ‘21 Grams,’ ‘I (Heart) Huckabees,’ ‘The Impossible,’ and ‘St. Vincent’ Naomi Watts has continuously given movie going audiences performances that are poignant, powerful and above all engrossingly entertaining,” noted Neuhauser. “With her upcoming turn in Focus Features ‘The Book of Henry,’ she is sure to once again captivate audiences and we are honored to be able to present her with this year’s ‘CinemaCon Distinguished Decade of Achievement in Film Award.”
Naomi Watts can be seen this summer starring in “The Book of Henry,” releasing on June 16, 2017, via Focus Features. “The Book of Henry” shows that sometimes things are not always what they seem, especially in the small suburban town where the Carpenter family lives. Single suburban mother Susan Carpenter (Watts) works as a waitress at a diner, alongside feisty family friend Sheila (Sarah Silverman). Her younger son Peter (Jacob Tremblay) is a playful 8-year-old. Taking care of everyone and everything in his own unique way is Susan’s older son Henry (Jaeden Lieberher), age 11. Protector to his adoring younger brother and tireless supporter of his often self-doubting mother Henry blazes through the days like a comet. Susan discovers that the family next door, which includes Henry’s kind classmate Christina (Maddie Ziegler), has a dangerous secret and that Henry has devised a surprising plan to help. As his brainstormed rescue plan for Christina takes shape in thrilling ways, Susan finds herself at the center of it.
Born in England, Watts moved to Australia at the age of 14 and began studying acting before being cast in her first major film role “Flirting.” Her additional film credits include; “Mulholland Drive,” "The Ring," “King Kong,” “21 Grams” “The Impossible," "St. Vincent" and “Birdman” to name a few. Watts will be seen this year in several projects including; “3 Generations,” “Chuck,” “Twin Peaks,” and Netflix’s “Gypsy.” In addition, she recently wrapped shooting on “The Glass Castle.”
The National Association of Theatre Owners (NATO) is the largest exhibition trade organization in the world, representing more than 33,000 movie screens in all 50 states, and additional cinemas in 91 countries worldwide. NATO’s membership includes the largest cinema chains in the world and hundreds of independent theatre owners, too.
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The right to protest is a perceived human right arising out of a number of recognized human rights. The right to freedom of assembly can include the right to protest. No human rights instrument or national constitution grants the absolute right to protest. However, protest may be a manifestation of the right to freedom of assembly, the right to freedom of association, and the right to freedom of speech.[1]
Freedom of assembly, the right to freedom of association, and the right to freedom of speech are commonly subject to limitations, for example, the European Convention on Human Rights only grants the right to "peaceful assembly" (Article 11), the International Covenant on Civil and Political Rights allows the restriction of the freedom to assembly if it is necessary "in a democratic society in the interests of national security or public safety, public order, the protection of public health or morals or the protection of the rights and freedoms of others." (Article 11)
Protesting, however, is not necessarily violent or a threat to the interests of national security or public safety.
This article is about the traditional Korean board game. For the IATA airport listing, see Repulse Bay Airport.
Yut (sometimes romanized as nyout or yoot) is a traditional board game played in Korea, especially during Korean New Year. The game is also called cheok-sa or sa-hee. The suffix nori means "game".
Although its origins are unclear, several researches suggest that yut was played as early as the Three Kingdoms (57 BCE - 668 CE), citing the Book of Zhou which states that people of Baekje played a board game similar to Chupu, which is in turn similar to Pachisi, a board game originated in India.[1][2]
There is a folk explanation for the game, describing a bet by some villagers to raise five different kind of livestock: pigs, dogs, sheep, cows and horses. Each of the villagers would raise only one type.
The board and the game are known to have been used in fortune telling, particularly in mountain areas and small farming villages, but this is no longer practiced.
There is the board (mal-pan, 말판) which is normally made up of stitched cloth. While the modern board is a rectangular shape, historically there was also a round variation.[3] There are four straight courses and two diagonal ones. Each of the straight courses comes with five stations, the diagonal ones have five stations, too, but one is shared. This brings the number of stations to twenty-nine in total. The board is also known to be drawn onto the floor.
Instead of dice, the yut sticks are used (similar to those used in the Egyptian board game Senet). There are two kinds of yut stick: jang-jak yut (장작 윷) and bam yut (밤 윷). Jang-jak yut are made of fire wood. There are four sticks of about 15 cm length and a diameter of 2 cm to 3 cm. These sticks are split into halves. Chestnut wood is most commonly used, but birch wood is also common. These woods are chosen for the weight and the fresh sound when playing. Bam yut, on the other hand, are wooden sticks of about 3 cm length. They have a diameter of about 1 cm, and again are split into halves. The bam yut are played in a small bowl, shaken in the palm, and then released.
There are small tokens (marks) used for the game, called mal (말, literally a "horse"). There are four tokens for each team, although there are no common rules what a token can be made of. The only rule is that the mals of the opponent teams must be clearly distinguishable. Apart from black and white plastic tokens generally found today, common mals are coins, buttons, small pebbles, or even chess beads (both from Western chess and Korean chess). When choosing the mal, some Koreans consider its speed, because the faster a horse runs, the better it is thought to run.
The sticks are cast in order to determine how far a token can be advanced. The score is determined by counting the sticks which are over, and those which are up. Each combination has its own name. If one stick is over (flat side up) and three sticks are up (round side up) this is called do. Two sticks up and two sticks over is called gae (dog). One stick up and three sticks over is called geol. All sticks over is called yut, whereas all sticks up is called mo. A do is worth one space advancement, a gae is worth two space advancement, a geol is worth 3 space advancement, yut is worth 4 space advancement, and mo is worth 5 space advancement.
Scoring: The number of points followed by a schematic representation of the sticks, as well as the name of the particular throw
The game is played between two partners or two teams who play in turns, sometimes it is played with more teams. Yut is a popular family game. There is no limit in the number of participants in a game, which means that the game can be played by a considerable group. When played with large groups it is not uncommon for some group members never to cast the sticks: they still participate discussing the strategy.
The start of the game is determined by each team casting the yut sticks. The team with the highest score starts first.
Each team then casts the sticks in turn, then moves a mal according to the score achieved. One turn usually consists of only one cast. However, a player achieving a yut or mo earns an extra cast for the turn; if he/she casts a yut or mo at the second cast, he/she earns an extra cast again, so there is no limit to the number of times a player can cast again before the end of a turn, provided he or she keeps casting yuts or mos. The respective scores can be played separately if wished, each given to another mal (or group of mals, see below), but a score earned from one cast cannot be split into two moves—for example, a geol (advance three steps) cannot be split into a do (one step) and a gae (two steps).
As long as there are mals outside the board, a team can either put a new mal onto the board according to the sores it got, or move a mal already on the board. The mals travel around the board and can move forward only. However, when landing on one of the big stations (in the corner and the centre), the team can choose to take the shorter way should they wish to. There are four possible courses, the default course being longest one with no abbreviation (No. 4).
If a mal lands on a station occupied by the opponent's team, the opponent's mal is removed from the course and returned to the starting position, and the current player is allowed to cast again.
If a mal lands on a station occupied by the own team, these mals can form a group and travel together from that point on. However, this bears a risk: If an opponent lands their mal on a station occupied by a group of mals of the opponent, all mals in the group are removed from the course.
For example, if one cast two yuts and one do at his/her first turn in the game, possible moves would include (see The Stations below for the station names):
Put a mal on the board at the yut station (uses first yut score); put another mal on the board at the same yut station (uses the second yut score), causing the two mals to move together from then on; advance them to mo (uses the do).
The game is won by the team who bring all their mals home first, that is complete the course with all their mals. A course is completed if a mal passes the station where the game is started (cham-meoki). Landing on cham-meoki is no finish, but any score going "beyond" this station completes a home run. Yut is often played for three or more wins.
The game is sometimes enhanced by labelling one, two or three of the yut stick on their flat side. The Seoul rule can be played if one of the sticks is labelled Seoul (서울). If this stick is the only one facing down (do so that the letters Seoul can be read), a mal can be placed directly into the centre (bang) which in this case is called Seoul. Are all the mals already on the course, this counts as a do. The Busan rule is similar. One of the yut sticks is labelled Busan (부산). Rather than to the centre, the mal travels directly to the far corner (mo). Again, this only applies if this is the only stick facing down, and not all mals are on the course already.
There is also the back rule, where one of the sticks is labelled back (후퇴). If this is the only stick facing down, one of the mals has to go back one step. Depending on the rules used, if none of the mals are on the course, then this is counted as either a do or a skipped turn. Alternatively, if the do rule is not being used, the other most common rule is for a mal to be placed onto the arrow next to the start. The mal remains there until another back is cast. In this case, however, the mal completes the course at once.
The game is a popular board game throughout Korea, and it is considered a game of deep tradition. The game is often treated as a social spectacle with onlookers and team members shouting loudly, encouraging each other, or wishing for a certain score. This game is played in almost every Korean Thanksgiving party or gathering and is commonly played almost at almost any region of the world with a significant Korean population. The rare scores of yut and mo in particular cause excitement, particularly if cast more than one at a time.
The mid-Joseon writer Gim Munpyo described the symbolism of a Yut board as symbolising the circle of the cosmos, with the North Star in the centre, surrounded by 28 constellations.[4]
Each station of the game board has its own name, although they are obscure to most Koreans. It is thought that the outer stations symbolize heaven, and the inner square, the earth. The whole board can be interpreted as a reflection of universal symmetry and celestial procession, reflecting elements of Korean Taoism.
The Australian film and theatre group, Yut Art, takes its names from the game as a result of the excitement and crowd participation associated with its activities. Yut is also a motivational term used by many United States Marines. The origin of this latter use is unclear.
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