stanford-oval/wikipedia huggingface dataset:
武术历史
Africa

An  Egyptian fresco, dated to 3400 BC, and depicting military training at Beni Hassan is the world's oldest known artistic representation of an organised fighting system. In gymnasiums similar to those of Greece, recruits would practice wrestling, callisthenics and duelling with single-stick. The attacking weapon apparently had a basket-guard protecting the hand, while the left forearm had a splint strapped on to serve as a shield. Soldiers fought with spears, large shields with an eye-hole, clubs, axes, poleaxes, flails, bows, slings, and swords of various forms.
Later, martial styles as varied as Gidigbo (a form of wrestling practiced by the Yoruba people of Nigeria), Donga (a form of stickfighting practiced by the Suri people of Ethiopia), Musangwe (a form of bare-knuckle boxing practiced by the Venda people of South Africa), Tahtib (a form of stickfighting practiced by the Copts of Egypt) and Engolo (a form of kicking, dodging and leg sweeping practiced by the tribes of the Cunene river region of Angola), to name just a few, were developed by cultures all over Africa.
Asia

更多：Origins of Asian martial arts和Modern history of East Asian martial arts
Asia > China

条目：History of Chinese martial arts
Asia > China > Antiquity (Zhou to Jin)

A hand-to-hand combat theory, including the integration of notions of "hard" and "soft" techniques, is expounded in the story of the Maiden of Yue in the Spring and Autumn Annals of Wu and Yue (5th century BCE).
The Han History Bibliographies record that, by the Former Han (206 BC – 9 AD), there was a distinction between no-holds-barred weaponless fighting, which it calls shǒubó (手搏), for which "how-to" manuals had already been written, and sportive wrestling, then known as juélì or jiǎolì (角力).
Wrestling is also documented in the Shǐ Jì, Records of the Grand Historian, written by Sima Qian (c. 100 BCE).
Jiǎolì is also mentioned in the Classic of Rites (1st century BCE).
In the 1st century, "Six Chapters of Hand Fighting", were included in the Han Shu (history of the Former Han Dynasty) written by Ban Gu.
The Five Animals concept in Chinese martial arts is attributed to Hua Tuo, a 3rd-century physician.
Asia > China > Middle Ages

In the Tang dynasty, descriptions of sword dances were immortalized in poems by Li Bai and Du Fu. In the Song and Yuan dynasties, xiangpu (the earliest form of sumo) contests were sponsored by the imperial courts.
In regard to the Shaolin fighting system, the oldest evidence of Shaolin participation in combat is a stele from 728 CE that attests to two occasions: a defense of the Shaolin Monastery from bandits around 610 CE, and their subsequent role in the defeat of Wang Shichong at the Battle of Hulao in 621 CE. From the 8th to the 15th centuries, there are no extant documents that provide evidence of Shaolin participation in combat.
Asia > China > Late Ming

The modern concepts of wushu emerge by the late Ming to early Qing dynasties (16th to 17th centuries).
Between the 16th and 17th centuries there are at least forty extant sources which provided evidence that, not only did monks of Shaolin practice martial arts, but martial practice had become such an integral element of Shaolin monastic life that the monks felt the need to justify it by creating new Buddhist lore.
References of martial practice in Shaolin appear in various literary genres of the late Ming: the epitaphs of Shaolin warrior monks, martial-arts manuals, military encyclopedias, historical writings, travelogues, fiction, and even poetry. However these sources do not point out to any specific style originated in Shaolin.
These sources, in contrast to those from the Tang period, refer to Shaolin methods of armed combat. This include the forte of Shaolin monks and for which they had become famous — the staff (gun); General Qi Jiguang included these techniques in his book, Treatise of Effective Discipline.
Asia > India

条目：Indian martial arts
参见：Dhanurveda和Kalaripayattu
Asia > India > Antiquity

Classical Sanskrit epics contain the earliest written accounts of combat in India. The term dwandwayuddha referred to a duel, such that it was a battle between only two warriors and not armies. The Mahabharata describes a prolonged battle between Arjuna and Karna using bows, swords, trees, and fists. Stories describing Krishna report that he sometimes engaged in wrestling matches where he used knee strikes to the chest, punches to the head, hair pulling, and strangleholds. Another unarmed battle in the Mahabharata describes two fighters boxing with clenched fists and fighting with kicks, finger strikes, knee strikes and headbutts. Krishna Maharaja, who single-handedly overcame an elephant according to the Mahabharata, is credited with developing the sixteen principles of armed combat.
Kalaripayattu, the most ancient and important form of India, was practiced in Kerala.  Its origins date back to the 12th century.  Unniyarcha, Aromal Chekavar and others were Thiyya warriors of Chekavar lineage.  It was during their period that kalaripayattu spread widely in southern Kerala.
Many of the popular sports mentioned in the Vedas and the epics have their origins in military training, such as boxing (musti-yuddha), wrestling (malladwandwa), chariot-racing (rathachalan), horse-riding (aswarohana) and archery (dhanurvidya). Competitions were held not just as a contest of the players' prowess but also as a means of finding a bridegroom.
Ten fighting styles of northern India were said to have been created in different areas based on animals and gods, and designed for the particular geography of their origin. Tradition ascribes their convergence to the 6th-century in the Buddhist university of Takshashila, located in today's Punjab region.
Asia > India > Middle Ages

Like other branches of Sanskrit literature, treatises on martial arts become more systematic in the course of the 1st millennium CE.  The grappling art of vajra-mushti is mentioned in sources of the early centuries CE. Military accounts of the Gupta Empire (c. 240–480) and the later Agni Purana identify over 130 different weapons, divided into thrown and unthrown classes and further into sub-classes. The Kama Sutra written by Vātsyāyana suggested that women should regularly "practice with sword, single-stick, quarterstaff, and bow and arrow."
The Sushruta Samhita (c. 4th century) identifies 107 vital points on the human body of which 64 were classified as being lethal if properly struck with a fist or stick. Sushruta's work formed the basis of the medical discipline ayurveda which was taught alongside various martial arts. With numerous other scattered references to vital points in Vedic and epic sources, it is certain that Indian subcontinent's early fighters knew and practised attacking or defending vital points.
Fighting arts were not exclusive to the kshatriya caste, though the warrior class used the systems more extensively. The 8th-century text Kuvalaymala by Udyotanasuri recorded such systems being taught at gurukula educational institutions, where Brahmin students from throughout the subcontinent "were learning and practicing archery, fighting with sword and shield, with daggers, sticks, lances, and with fists, and in duels (niuddham)."
The earliest extant manual of Indian martial arts is contained as chapters 248 to 251 in the Agni Purana (c. 8th – 11th centuries), giving an account of dhanurveda in a total of 104 shloka.
These verses describe how to improve a warrior's individual prowess and kill enemies using various different methods in warfare, whether a warrior went to war in chariots, elephants, horses, or on foot. Foot methods were subdivided into armed combat and unarmed combat. The former included the bow and arrow, the sword, spear, noose, armour, iron dart, club, battle axe, discus, and the trident.  The latter included wrestling, knee strikes, and punching and kicking methods.
Asia > Japan

条目：Japanese martial arts和Okinawan martial arts
The historical origin of Japanese martial arts can be found in the warrior traditions of the samurai and the caste system that restricted the use of weapons by members of the non-warrior classes. Originally, samurai were expected to be proficient in many weapons, as well as unarmed combat, and attain the highest possible mastery of combat skills, for the purpose of glorifying either themselves or their liege.  A large number of schools evolved to teach these skills with those existing before the Meiji Restoration classed as Koryū（） or old stream.  Over time there was a trend away from the traditional purpose to a philosophy of coupling spiritual goals with the striving to perfect their martial skills.[來源請求]
The Japanese Book of Five Rings dates to 1664.
Asia > Korea

条目：Korean martial arts
Taekkyon is the traditional martial art of Korea. Taekkyon came into existence sometime before the Silla dynasty united the peninsula. It is believed Taekkyon was known as Subak at that time. Taekkyon focuses on up-right fighting: footwork, kicks, strikes, blocks, throws and rhythm.
Ssireum is the traditional wrestling art of Korea. Gakjeochong (각저총:角抵塚) murals show that wrestling in Korea dates back as early as the pre-Three Kingdom era.  The Book of Later Han, a Chinese document that was written either before or early in the history of the Three Kingdoms also has records of Korean wrestling.[來源請求]  Ssireum first gained widespread popularity during the Joseon dynasty (1392-1910).
Two Korean martial arts manuals Muyejebo and Muyedobotongji date from 1598 and 1790, respectively.
Asia > Sri Lanka

条目：Angampora
Angampora is an ancient Sri Lankan martial art that combines combat techniques, self-defense, sport, exercise, and meditation. According to apocryphal Sinhalese folklore, Angampora's history stretches to as far back as 3,000 years, with the Yaksha tribe (one of the four "hela" - the ancient tribes that inhabited the island) being identified as originators. With the advent of colonialism over the entirety of the island in 1815, Angampora fell into disuse and was very nearly lost as a part of the country's heritage. The British administration prohibited its practice due to the dangers posed by a civilian populace versed in a martial art, burning down any angan madu (practice huts devoted to the martial art) found: flouting of the law was punished by a gunshot to the knee, effectively crippling practitioners; Angampora nevertheless survived within a few families, allowing it to emerge into mainstream Sri Lankan culture post-independence.
Asia > Persia (Iran)

The traditional Persian style of grappling was known as koshti, with the physical exercise and schooled sport known as varzesh-e bastani. It is said to be traceable back to Arsacid Parthian times (132 BCE - 226 CE), and is still widely practiced today in the region. Following the development of Sufi Islam in the 8th century CE, varzesh-e pahlavani absorbed philosophical and spiritual components from that religion.
Pahlevani and zourkhaneh rituals is also an ancient martial art and the name inscribed by UNESCO for varzesh-e pahlavāni (波斯語：‎, "heroic sport") or varzesh-e bāstāni (‎; varzeš-e bāstānī, "ancient sport"), a traditional system of athletics originally used to train warriors in Iran (Persia), and first appearing under this name and form in the Safavid era, with similarities to systems in adjacent lands under other names.
Asia > Turkic

Other historical grappling styles from the region include Turkic forms such as kurash, köräş and yağlı güreş.
Asia > Arab

更多：Furusiyya
The north Arabian tradition of horsemanship quickly became an integral part of warfare throughout the Arab world and much of the West Asia. The Middle Ages saw the flourishing of the furusiyya culture, combining the ancient Bedouin concept of honour (muru'ah) with the Islamic ideals of chivalry. A  (meaning knight or horseman) would first hone his skills in wrestling and armed combat on the ground before learning to fight while mounted. Furusiyya literature from the 9th to 15th century deal with equestrianism, archery, military strategy, duelling and charging with the lance. Armed fighting included the use of the sword (sayf), spear, lance, javelin, dagger (jambiya), staff, axe (tabar), warhammer, and curved bow.  There is also Tahtib (التحطيب) which was practiced in ancient Egypt and is still performed in celebrations[來源請求].
Europe

条目：Historical European martial arts
更多：History of fencing和Ancient Greek Boxing
Europe > Antiquity

更多：Ancient warfare
European martial arts become tangible in Greek antiquity with pankration and other martially oriented disciplines of the ancient Olympic Games. Boxing became Olympic in Greece as early as 688 BCE. Detailed depictions of wrestling techniques are preserved in vase paintings of the Classical period. Homer's Iliad has a number of detailed descriptions of single combat with spear, sword and shield.
Gladiatorial combat appears to have Etruscan roots, and is documented in Rome from the 260s BCE.
The papyrus fragment known as P.Oxy. III 466 dating from the 2nd century gives the earliest surviving description in writing of wrestling techniques.
In Sardinia, a Mediterranean island, a fighting style which has been called istrumpa was practised in the Bronze Age, as demonstrated by the finding of a little bronze statue (known as "Bronzetto dei lottatori" or "bronze of the fighting men"), which shows two fighters struggling with each other on the ground.
Europe > Middle Ages

更多：Medieval warfare、Viking Age arms and armour、Holmgang和Trial by combat
Pictorial sources of medieval combat include the Bayeux tapestry (11th century), the Morgan Bible (13th century).
The Icelandic sagas contain many realistic descriptions of Viking Age combat.
The earliest extant dedicated martial arts manual is the MS I.33 (c. 1300), detailing sword and buckler combat, compiled in a Franconian monastery. The manuscript consists of 64 images with Latin commentary, interspersed with technical vocabulary in German. While there are earlier manuals of wrestling techniques, I.33 is the earliest known manual dedicated to teaching armed single combat.
Wrestling throughout the Middle Ages was practiced by all social strata. Jousting and the tournament were popular martial arts practiced by nobility throughout the High and Late Middle Ages.
The Late Middle Ages see the appearance of elaborate fencing systems, such as the German or Italian schools. Fencing schools (Fechtschulen) for the new bourgeois class become popular, increasing the demand for professional instructors (fencing masters, Fechtmeister). The martial arts techniques taught in this period is preserved in a number of 15th-century Fechtbücher.
Europe > Renaissance to Early Modern period

更多：Early modern warfare
The late medieval German school survives into the German Renaissance, and there are a number of printed 16th-century manuals (notably the one by Joachim Meyer, 1570). But by the 17th century, the German school declines in favour of the Italian Dardi school, reflecting the transition to rapier fencing in the upper classes. Wrestling comes to be seen as an ignoble pursuit proper for the lower classes and until its 19th-century revival as a modern sport becomes restricted to folk wrestling.
In the Baroque period, fashion shifts from Italian to Spanish masters, and their elaborate systems of Destreza. In the mid-18th century, in keeping with the general Rococo fashion, French masters rise to international prominence, introducing the foil, and much of the terminology still current in modern sports fencing.
There are also a number of Early Modern fencing masters of note in England, such as George Silver and Joseph Swetnam.
Academic fencing takes its origin in the Middle Ages, and is subject to the changes of fencing fashion throughout the Early Modern period. It establishes itself as the separate style of Mensur fencing in the 18th
Modern history (1800 to present)

The Western interest in East Asian martial arts dates back to the late 19th century, due to the increase in trade between the West with China and Japan.[來源請求] European martial arts before that time was focused on the duelling sword among the upper classes on one hand, and various styles of folk wrestling among the lower classes on the other.
Savate appears in the early 19th century in France, as a mix between English boxing  and French folk kicking techniques. At that time, in France, it existed in gyms called salles d'armes where savate, English boxing, fencing, canne de combat and sometimes even  wrestling was practiced.
Edward William Barton-Wright, a British railway engineer who had studied jujutsu while working in Japan between 1894 and 1897, was the first man known to have taught Asian martial arts in Europe. He also founded an eclectic martial arts style named Bartitsu which combined jujutsu, judo, wrestling, boxing, savate and stick fighting. Also during the late 19th and early 20th centuries, catch wrestling contests became immensely popular in Europe.
The development of Brazilian Jiu-Jitsu from the early 20th century is a good example of the worldwide cross-pollination and syncretism of martial arts traditions.
The later 1970s and 1980s witnessed an increased media interest in the martial arts, thanks in part to Asian and Hollywood martial arts movies and very popular television shows like "Kung Fu", "Martial Law" and "The Green Hornet" that incorporated martial arts moments or themes. Following Bruce Lee, both Jackie Chan and Jet Li are prominent movie figures who have been responsible for promoting Chinese martial arts in recent years.
Reconstruction

The reconstruction of a martial art as practiced in a specific period is distinct from the practice of a traditional fighting system handed down by way of master-student transmission. The largest movement of martial arts reconstruction is the Historical European Martial Arts revival (HEMA), gaining momentum since the late 1990s. To a limited extent, there are also attempts to reconstruct other styles, such as Korean swordsmanship and Persian armed combat called razmafzar.
The Japanese term Koryū refers to "old schools" of martial arts which predate 1868; it does not imply that historical styles are actively reconstructed, just that the school's tradition goes back 150 years or more.
A reconstructed martial art necessarily rests on historical records, either combat manuals or pictorial representations. Martial arts reconstruction specifically does not claim an unbroken tradition of some historical martial arts. On the contrary, the premise is that in an unbroken tradition, styles significantly evolve over time. It is not necessary for the tradition to have been interrupted in order to reconstruct an earlier style; a case in point is classical fencing which reconstructs the sport fencing of the 19th century before it evolved into current Olympic fencing, or historical German ringen which over time developed into contemporary styles of folk wrestling. Claims of ancient martial arts which survive unchanged by unbroken tradition (e.g. as suggested by Yehoshua Sofer), do not fall under reconstruction and are by their nature unverifiable, even to the person making the claim.
Certain modern schools of Ninjutsu may fall under the category of martial arts reconstruction; the Bujinkan organization claims to base their teaching on a manuscript documenting a historical school, known as Togakure-ryū, dated to the 12th century. But as this manuscript is supposedly in the private possession of Masaaki Hatsumi, its authenticity, or indeed existence, cannot be verified by independent parties.
书目

Michael B. Poliakoff, Combat Sports in the Ancient World: Competition, Violence, and Culture Sports and History Series, Yale University Press (1987).
Thomas A. Green, Joseph R. Svinth (eds.), Martial Arts of the World: An Encyclopedia of History and Innovation, 2010, two volumes: vol. 1: 'Regions and Individual Arts', ISBN 9781598842449; vol. 2: 'Themes', ISBN 9781598842432.
维基词典中的词条「」。
Minoan youths boxing, reconstruction of a Knossos fresco (1500 BC). Earliest evidence for use of gloves.[可疑]
Detail of the wrestling fresco in tomb 15 at Beni Hasan.
Pankratiast in fighting stance, Ancient Greek red-figure amphora, 440 BC.
Fol. 4v of the I.33
蔡揆忠

蔡揆忠，廣西省太平府永康州人，清朝政治人物、進士出身。
光緒六年（1880年），参加庚辰科殿試，登進士二甲第122名。同年五月，著分部學習，后擔任刑部主事。
參考文獻

↑  《大清德宗同天崇运大中至正经文纬武仁孝睿智端俭宽勤景皇帝实录》（卷一百十三）：光绪六年。庚辰。五月。……潘作霖、冯锡仁、彭履德、李德炳、王咏霓、纪夔、谢树熿、郭翊、张叔煐、张嘉澍、宗室溥㟋、林承泽、戴辅衟、张正堉、谢启华、汪文炳、朱炳熊、涂国盛、葛咏裳、陈其宽、文焕、李作桢、钱锡晋、陈宗妫、熊尔梅、崔汝立、裔步鸾、张焯奎、金文同、姚延祺、曾炳麟、鹿学良、黄英采、徐鉴铭、夏庚复、熊润南、宋淑信、蔡揆忠、董翊清、宋秉谦、廖骧、夏震川、陈庆桂、宋荫培、唐骅路、杜炳珩、李沛深、吴国霖、李光宇、陈文锐、谢文翘、孙橘堂、张士彬、杨滨、冯桂芳、陈秉崧、仇汝显、王邦鼎、傅嘉年、王者馨、俞廷熙、乔保安、聂济时、洪勋、叶题雁、俞炳辉、任塍、朱方辉、王熙鋆、廖国琛、万立钧、贺颀、何汝翰、郑贞本、黄轩龄、王毓芝、沈曾植、范广衡、查毓琛、范金镛、齐普松武、程维孝、郑杲、程禄、俱著分部学习。
↑  中華民國·周之贞《順德縣志》（卷八·選舉·十三）：蔡揆忠，刑部主事，並庚辰科。
毛俭草

| 毛俭草 |
| --- | --- |

科学分类 
界：: 植物界 Plantae
演化支：:  Tracheophyta
演化支：: 被子植物 Angiosperms
演化支：: 单子叶植物 Monocots
演化支：: 鸭跖草类植物 Commelinids
目：: 禾本目 Poales
科：: 禾本科 Poaceae
属：: 毛俭草属 Mnesithea
种：: 毛俭草 M. mollicoma
二名法
Mnesithea mollicoma (Hance) A. Camus

毛俭草（学名：）为禾本科毛俭草属下的一个种。
欧阳氏祠堂

| 欧阳氏祠堂> 南雄市文物保护单位 |
| --- | --- |
地址: 南雄市水口镇弱过村
分类: 古建筑
时代: 清代
认定时间: 2006年6月12日
欧阳氏祠堂，位于中国广东省韶关市南雄市水口镇弱过村，为韶关市南雄市的一个市、县级文物保护单位，类型为古建筑，公布时间为2006年6月12日。
欧阳氏祠堂的历史年代为清代。
葡萄牙足球甲级联赛

| --- | --- |
成立年份: 1990年
國家／地區: 葡萄牙
所屬聯盟: UEFA（歐洲）
球隊數目: 18 隊
聯賽等級: 第 2 級
升至: 葡萄牙足球超級聯賽
降至: 葡萄牙足球乙級聯賽
應屆冠軍: 里奥艾维 （2021–22）
最多冠軍球隊: 費利拿
葡萄牙足球甲級聯賽（葡萄牙語：），是葡萄牙足球联赛系统的第 2 級別，在2005年至2012年期間名為，2016年1月25日，中国深圳企业雷曼股份出资独家冠名葡萄牙职业足球甲级联赛，至2019年期間冠名為雷曼葡甲联赛（Ledman LigaPro）。
该联赛始于1990年，现有 20 支球队参赛，包括 5 間葡萄牙超級聯賽（葡萄牙本土第一級別聯賽）球會的 B 隊，這些 B 隊都不能從本聯賽取得升班資格及參加葡萄牙盃、葡聯盃。
參賽球隊

2023–24年葡萄牙足球甲級聯賽參賽隊伍共有 18 支。
| 中文名稱 | 英文名稱 | 所在城市 | 上季成績 |
| --- | --- | --- | --- |
| 馬里迪莫 | C.S. Marítimo | 豐沙爾 | 葡超，第 16 位（升降附負方） |
|  | Paços de Ferreira | 帕科斯費雷拉 | 葡超，第 17 位 |
|  | C.D. Santa Clara | 蓬塔德爾加達 | 葡超，第 18 位 |
| 維塞烏 | Académico de Viseu F.C. | 維塞烏 | 第 4 位 |
| B隊 | FC Porto B | 佩德羅蘇 | 第 5 位 |
| 馬夫拉 | C.D. Mafra | 马夫拉 | 第 6 位 |
| （英语：） | U.D. Vilafranquense | 希拉自由鎮 | 第 7 位 |
|  | C.D. Feirense | 聖瑪麗亞達費拉 | 第 8 位 |
| （英语：） | S.C.U. Torreense | 托雷斯韋德拉什 | 第 9 位 |
| 奧利維倫斯 | U.D. Oliveirense | 奧利韋拉迪阿澤梅什 | 第 10 位 |
| 唐迪拉 | C.D. Tondela | 通德拉 | 第 11 位 |
| 彭拿費爾 | F.C. Penafiel | 佩納菲耶爾 | 第 12 位 |
| 國民隊 | C.D. Nacional | 馬德拉 | 第 13 位 |
| B隊 | S.L. Benfica B | 塞沙爾 | 第 14 位 |
| 歷索斯 | Leixões S.C. | 馬托西紐什 | 第 15 位 |
| 利亞拿 | União de Leiria | 萊里亞 | 葡乙，第 1 位 |
|  | CF Os Belenenses | 贝伦区 | 葡乙，第 2 位 |
| 维拉维登斯（英语：） | Länk FC Vilaverdense | 韋爾迪鎮 | 葡乙，第 3 位（葡甲升降附勝方） |
歷屆冠軍

以下為歷屆聯賽冠軍：
1990–91：
1991–92：（英语：）
1992–93：艾馬多拉
1993–94：泰辛斯（英语：）
1994–95：（英语：）
1995–96：里奧艾維
1996–97：（英语：）
1997–98：利亞拿
1998–99：基維辛迪
1999–2000：
2000–01：辛達卡拉
2001–02：摩里倫斯
2002–03：里奧艾維
2003–04：艾斯杜尼
2004–05：
2005–06：比拉馬
2006–07：歷索斯
2007–08：泰羅芬斯
2008–09：奧漢倫斯
2009–10：比拉馬
2010–11：基維辛迪
2011–12：艾斯杜尼
2012–13：
2013–14：摩里倫斯
2014–15：唐迪拉
2015–16：波圖B隊
2016–17：樸迪莫倫斯
2017–18：國民隊
2018–19：
2019–20：從缺
2020–21：艾斯杜尼
2021–22：里奧艾維
2022–23：莫雷倫斯
2023–24：
參考

↑  . Ledman.   [2018-02-08]. （原始内容存档于2018-04-29）.
↑  . 新浪体育. 2016-01-25  [2018-02-08]. （原始内容存档于2018-02-09）.
↑  . RSSSF.   [2017年5月23日]. （原始内容存档于2020年8月2日）.
外部連結

官方網站 （页面存档备份，存于） （葡萄牙文）
毛俠 (電影)

| 毛俠 > 基本资料 |
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导演: 區焯文
监制: 陳達仁 林晉瑋
编剧: 呂筱華 區焯文
主演: 劉以達 陳麗雲 林盛斌 陳逸寧 林耀聲 陳達仁 安采妮 區焯文 李兆麟 陸家捷
配乐: 糖兄
片长: 97分鐘
产地: 香港
语言: 粵語
上映及发行
上映日期:  2018年10月11日
票房: 982,980港元
《毛俠》（英語：）為一部2018年出品的香港電影，同時也是香港首部以保護動物為題材的電影。電影由監制陳達仁發起及策劃統籌，區焯文執導，第28屆香港金像獎最佳編劇呂筱華編劇，並由新演員陳達仁、安采妮、區焯文、李兆麟主演，並成功邀請劉以達、陳麗雲、林盛斌、陳逸寧、林耀聲等參演，而深水埗明哥陳灼明及毛孩守護者創辦人陸家捷亦客串出場。
電影以本地志願慈善動物保護組織「毛孩守護者」的真實個案為創作骨幹改篇，透過不同故事，引導觀眾反思，從而帶出愛護動物、尊重生命的訊息，期望可令大眾關注動物權益。
角色介紹

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| 演員 | 角色 | 簡介 |
| 林盛斌 | 肥波 | 餐廳店主，傳聞其餐廳販賣狗肉，深夜更傳出狗隻淒厲哀嗚聲，但最後發現這個冷血屠夫其實不太冷。 |
| 劉以達 | 流浪漢「醫師」 | 與流浪狗「超人」相依為命，惟人狗卻不幸意外失散。故事刻劃出超越物種的友誼，令人動容。 |
| 陳麗雲 | 三婆 | 三婆一家本對唐狗「馬拉糕」寵愛有加，卻因一宗不幸事件令情況扭轉。 |
| 陳逸寧 | 林雅如 | 漁農自然護理署的政府部門人員，經常因立場不同而與前男友達仁周旋。 |
| 林耀聲 | 劉亞全 | 投訴惡霸，常因對狗隻存有偏見而頻頻向政府部門投訴，令不少無人認養的狗隻最後被人道毀滅。 |
| 陳達仁 | 達仁 | 毛俠主腦，喃嘸師傅，指揮毛俠隊員理智處理救助狗隻的每一個案，同時也是漁農自然護理署二級督察林雅如(陳逸寧)的前度男友，透露出政府部門與志願團體理性與情感之間的矛盾角力。 |
| 安采妮 | 采妮 | 毛俠成員，水果攤東主的女兒，個性富正義感，喜愛小鮮肉網頁，專門負責駕駛客貨車出動處理求助狗隻營救行動。 |
| 區焯文 | 海狗 | 毛俠成員，士多東主，誓死不使用智能電話，性格衝動易怒，但卻愛狗深切，長期徘徊踏界邊緣。 |
| 李兆麟 | 基斯 | 毛俠成員，教會傳道人，文質彬彬，常被其他毛俠成員作弄，非常不怕吃虧，樂於助人亦樂於助狗，喜歡運用聖經經文軟化他人的心。 |