玛加蕾特·冯·特罗塔
参考资料

1 2  .   [7 May 2012]. （原始内容存档于10 January 2012）.  "Birds Eye View: Filmmaker Focus: Margarethe Von Trotta." 2011 Film Festival: Celebrating Women Filmmakers. Birds Eye View. Web. 2 May 2012.
↑  Margarethe von Trotta 的存檔，存档日期27 May 2010. at European Graduate School. Retrieved 14 May 2010.
↑  JSTOR 462778 Linville, Susan E. "Retrieving History: Margarethe Von Trotta's Marianne and Juliane." PMLA 106.3 (1991): 446–58.
↑  Parkinson, Anna M. "Neo-Feminist Mütterfilm? The Emotional Politics of Margarethe Von Trotta's 'Rosenstrasse'" The Collapse of the Conventional: German Film and Its Politics at the Turn of the Twenty-First Century. Ed. Jaimey Fisher and Brad Prager. Detroit: Wayne State UP, 2010. Print.
↑  Rueschmann, Eva. "The Politics of Intersubjectivity: The Sister Films of Margarethe Von Trotta." Sisters On Screen: Siblings in Contemporary Cinema. Philadelphia: Temple UP, 2000. 147–75. Print.
↑  .   [7 May 2012]. （原始内容存档于8 December 2008）.  "Margarethe Von Trotta." German Flicks. HyperEd. Web. 2 May 2012.
↑  JSTOR 3252242 Eifler, Margret. "Margarethe Von Trotta as Filmmaker: Biographical Retrospectives." The German Quarterly 76.4 (2003): 443–48.
↑  Gollub, Christian-Albrecht. "Volker Schlöndorff and Margarethe Von Trotta: Transcending the Genres." New German Filmmakers: From Oberhausen through the 1970s. Ed. Klaus Phillips. New York: Ungar Pub., 1984. 266–302. Print.
↑  Bernd Jordan: Ein Pferdemaler aus Lassan. In: Die Pommersche Zeitung. 10/2011, p. 3.
1 2 3   （页面存档备份，存于） Andac, Ben. "Margarethe Von Trotta." Senses of Cinema. Web. 4 May 2012.
1 2  .   [7 May 2012]. （原始内容存档于8 December 2008）.  "Margarethe Von Trotta." German Flicks. HyperEd. Web. 2 May 2012.
↑   (PDF).   [7 May 2012]. （原始内容 (PDF)存档于11 November 2013）.  Sklar, Robert. "Invaded by Memories of Germany's Past: An Interview with Margarethe Von Trotta." Cineaste 29.2 (2004): 10–12. Web. 3 May 2012.
1 2  Parkinson, Anna M. "Neo-Feminist Mütterfilm? The Emotional Politics of Margarethe Von Trotta's 'Rosenstrasse'" The Collapse of the Conventional: German Film and Its Politics at the Turn of the Twenty-First Century. Ed. Jaimey Fisher and Brad Prager. Detroit: Wayne State UP, 2010. Print.
↑  Gollub, Christian-Albrecht. "Volker Schlöndorff and Margarethe Von Trotta: Transcending the Genres." New German Filmmakers: From Oberhausen through the 1970s. Ed. Klaus Phillips. New York: Ungar Pub., 1984. 266–302. Print.
↑   (PDF).   [7 May 2012]. （原始内容 (PDF)存档于11 November 2013）.  Sklar, Robert. "Invaded by Memories of Germany's Past: An Interview with Margarethe Von Trotta." Cineaste 29.2 (2004): 10–12. Web. 3 May 2012.
↑   （页面存档备份，存于） "An Interview with Margarethe Von Trotta: Director of ‘Vision’" Interview by Zeitgeist Films. Spirituality Practice. Zeitgeist Films. Web. 3 May 2012.
↑  Gollub, Christian-Albrecht. "Volker Schlöndorff and Margarethe Von Trotta: Transcending the Genres." New German Filmmakers: From Oberhausen through the 1970s. Ed. Klaus Phillips. New York: Ungar Pub., 1984. 266–302. Print.
↑  JSTOR 3252242 Eifler, Margret. "Margarethe Von Trotta as Filmmaker: Biographical Retrospectives." The German Quarterly 76.4 (2003): 443–48.
↑  . MIFF.   [29 March 2013]. （原始内容存档于28 March 2013）.
1 2 3 4  Rueschmann, Eva. "The Politics of Intersubjectivity: The Sister Films of Margarethe Von Trotta." Sisters On Screen: Siblings in Contemporary Cinema. Philadelphia: Temple UP, 2000. 147–75. Print.
↑  JSTOR 20688975 Kuttenberg, Eva. "The Hidden Face of Narcissus: Suicide as Poetic Speech in Margarethe Von Trotta's Early Films." Women in German Yearbook: Feminist Studies in German Literature & Culture 20 (2004): 122–44.
1 2  Rueschmann, Eva. "The Politics of Intersubjectivity: The Sister Films of Margarethe Von Trotta." Sisters On Screen: Siblings in Contemporary Cinema. Philadelphia: Temple UP, 2000. 147–75. Print.
↑  JSTOR 20688975 Kuttenberg, Eva. "The Hidden Face of Narcissus: Suicide as Poetic Speech in Margarethe Von Trotta's Early Films." Women in German Yearbook: Feminist Studies in German Literature & Culture 20 (2004): 122–44.
↑   Awards for Margarethe von Trotta.
↑  Rueschmann, Eva. "The Politics of Intersubjectivity: The Sister Films of Margarethe Von Trotta." Sisters On Screen: Siblings in Contemporary Cinema. Philadelphia: Temple UP, 2000. 147–75. Print.
↑  JSTOR 20688975 Kuttenberg, Eva. "The Hidden Face of Narcissus: Suicide as Poetic Speech in Margarethe Von Trotta's Early Films." Women in German Yearbook: Feminist Studies in German Literature & Culture 20 (2004): 122–44.
↑  JSTOR 462778 Linville, Susan E. "Retrieving History: Margarethe Von Trotta's Marianne and Juliane." PMLA 106.3 (1991): 446–58.
↑  Gerhardt, Christina. “RAF as German and Family History: Von Trotta's Marianne and Juliane and Petzold's The State I Am in.” The Place of Politics in German Film. Ed. Martin Blumenthal-Barby (Bielefeld: Aisthesis, 2014). 166–184. Web. 7 August 2014.
1 2 3  Seiter, Ellen. "The Political Is Personal: Margarethe Von Trotta's 'Marianne and Juliane'" Films For Women. Ed. Charlotte Brunsdon. London: British Film Institute, 1986. Print.
↑  JSTOR 1432601 Skidmore, James M. "Intellectualism and Emotionalism in Margarethe Von Trotta's "Die Bleierne Zeit"" German Studies Review 25.3 (2002): 551–67.
↑   Awards for Margarethe von Trotta.
↑   （页面存档备份，存于） Smith, Damon. "MARGARETHE VON TROTTA, "VISION" | Filmmaker Magazine." Filmmaker: The Magazine of Independent Film. Filmmaker Magazine, 13 October 2010. Web. 5 May 2012.
↑  Rueschmann, Eva. "The Politics of Intersubjectivity: The Sister Films of Margarethe Von Trotta." Sisters On Screen: Siblings in Contemporary Cinema. Philadelphia: Temple UP, 2000. 147–75. Print.
↑   Awards for Margarethe von Trotta.
1 2  JSTOR 20688975 Kuttenberg, Eva. "The Hidden Face of Narcissus: Suicide as Poetic Speech in Margarethe Von Trotta's Early Films." Women in German Yearbook: Feminist Studies in German Literature & Culture 20 (2004): 122–44.
↑  Parkinson, Anna M. "Neo-Feminist Mütterfilm? The Emotional Politics of Margarethe Von Trotta's 'Rosenstrasse'" The Collapse of the Conventional: German Film and Its Politics at the Turn of the Twenty-First Century. Ed. Jaimey Fisher and Brad Prager. Detroit: Wayne State UP, 2010. Print.
↑   Awards for Margarethe von Trotta.
1 2   （页面存档备份，存于） Andac, Ben. "Margarethe Von Trotta." Senses of Cinema. Web. 4 May 2012.
↑   Awards for Margarethe von Trotta.
1 2 3  Parkinson, Anna M. "Neo-Feminist Mütterfilm? The Emotional Politics of Margarethe Von Trotta's 'Rosenstrasse'" The Collapse of the Conventional: German Film and Its Politics at the Turn of the Twenty-First Century. Ed. Jaimey Fisher and Brad Prager. Detroit: Wayne State UP, 2010. Print.
↑   （页面存档备份，存于） Smith, Damon. "MARGARETHE VON TROTTA, "VISION" | Filmmaker Magazine." Filmmaker: The Magazine of Independent Film. Filmmaker Magazine, 13 October 2010. Web. 5 May 2012.
↑   （页面存档备份，存于） Smith, Damon. "MARGARETHE VON TROTTA, "VISION" | Filmmaker Magazine." Filmmaker: The Magazine of Independent Film. Filmmaker Magazine, 13 October 2010. Web. 5 May 2012.
↑   （页面存档备份，存于） "An Interview with Margarethe Von Trotta: Director of ‘Vision’" Interview by Zeitgeist Films. Spirituality Practice. Zeitgeist Films. Web. 3 May 2012.
1 2   （页面存档备份，存于） Wydra, Thilo. "Margarethe Von Trotta on Hannah Arendt: 'Turning Thoughts into Images'" German Filmmakers and Movies. Goethe Institute. Web. 4 May 2012.
1 2  JSTOR 3252242 Eifler, Margret. "Margarethe Von Trotta as Filmmaker: Biographical Retrospectives." The German Quarterly 76.4 (2003): 443–48.
玛格丽特·冯·特罗塔（2013年1月）
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