荷蘭黃金時代繪畫
參考文獻

↑  一般1702年被當做荷蘭黃金時代的結束，因此也適用於繪畫。有些學者，如Slive（p. 296）採用別的方法來劃分這一時期。
1 2 3 4  Fuchs, 62-3
↑  Lloyd, 15, citing Jonathan Israel. Perhaps only 1% survive today, and "only about 10% of these were of real quality".
↑  Franits, 217 and ff. on 1672 and its effects.
↑  Fuchs, 104
↑  Fuchs, 76
↑  Prak (2008), 151-153, or Prak (2003), 241
↑  Prak (2008), 153
↑  Fuchs, Rudi; Fuchs, R. H. . . World of art reprinted. London: Thames and Hudson. 1996. ISBN 978-0-500-20167-1.
↑  Ekkart, Rudi; Buvelot, Quentin; Winkel, Marieke de; Ekkart, Rudolf E. O.; The National Gallery; Koninklijk Kabinet van Schilderijen Mauritshuis (编). . . Zwolle: Waanders. 2007: 17 n.1 (on p. 228). ISBN 978-1-85709-362-9.
↑  Ekkart, 118
↑  Ekkart (Marike de Winkel essay), 69-71
↑  Honour, Hugh; Fleming, John. .  Revised seventh edition. London: Laurence King Publishing. 2016. ISBN 978-1-85669-584-8.  引文格式1维护：冗余文本 (link)
↑  Honour; Fleming, 605-606
↑  Slive, 189 – the study is by H.-U. Beck (1991)
↑  Slive, 190 (quote), 195-202
↑  Derived from works by Allart van Everdingen who, unlike Ruysdael, had visited Norway, in 1644. Slive, 203
↑  Honour; Fleming, 606-607
↑  Slive, 268-273
↑  Slive, 273-6
↑  Franits, 1
↑  Slive, 213-224
↑  Fuchs, 42 and Slive, 123
↑  Honour; Fleming, 607-608
↑  Franits, 1, mentioning costume in works by the Utrecht Caravagggisti, and architectural settings, as especially prone to abandon accurate depiction.
↑  Franits, 4-6 summarizes the debate, for which Svetlana Alpers' The Art of Describing (1983) is an important work (though see Slive's terse comment on p. 344). See also Franits, 20-21 on paintings being understood differently by contemporary individuals, and his p.24
↑  On Diderot's Art Criticism. Mira Friedman, p. 36 Archived July 21, 2011, at the Wayback Machine
↑  Fuchs, pp 54, 44, 45.
↑  Slive, 191
↑  Franits, 24-27
↑  Fuchs, 80
↑  Slive, 277
↑  MacLaren, 79
↑  Slive, 279-281. Fuchs, 109
↑  Pronkstilleven Archived 2019-02-02 at the Wayback Machine in: Oxford Dictionary of Art Terms
↑  Fuchs, 113-6
↑  Honour; Fleming, 608-609
↑  Honour; Fleming, 608-609
↑  Slive, 287-291
↑  Slive, 212
↑  See Reitlinger, 11-15, 23-4, and passim, and listings for individual artists
↑  See Reitlinger, 483-4, and passim
↑  Reitlinger, I, 11-15. Quote p.13
↑  Slive, 225
"Ekkart": Rudi Ekkart and Quentin Buvelot (eds), Dutch Portraits, The Age of Rembrandt and Frans Hals, Mauritshuis/National Gallery/Waanders Publishers, Zwolle, 2007, ISBN 978-1-85709-362-9
Franits, Wayne, Dutch Seventeenth-Century Genre Painting, Yale UP, 2004, ISBN 0-300-10237-2
Fuchs, RH, Dutch painting, Thames and Hudson, London, 1978, ISBN 0-500-20167-6
Ingamells, John, The Wallace Collection, Catalogue of Pictures, Vol IV, Dutch and Flemish, Wallace Collection, 1992, ISBN 0-900785-37-3
Lloyd, Christopher, Enchanting the Eye, Dutch Paintings of the Golden Age, Royal Collection Publications, 2004, ISBN 1-902163-90-7
MacLaren, Neil, The Dutch School, 1600–1800, Volume I, 1991, National Gallery Catalogues, National Gallery, London, ISBN 0-947645-99-3
Prak, Maarten, (2003) "Guilds and the Development of the Art Market during the Dutch Golden Age." In: Simiolus: Netherlands Quarterly for the History of Art, vol. 30, no. 3/4. (2003), pp. 236–251. Expanded version is Prak (2008)
Prak, Maarten, (2008), Painters, Guilds and the Art Market during the Dutch Golden Age （页面存档备份，存于）, in Epstein, Stephen R. and Prak, Maarten (eds), Guilds, innovation, and the European economy, 1400–1800, Cambridge University Press, 2008, ISBN 0-521-88717-8, ISBN 978-0-521-88717-5
Reitlinger, Gerald; The Economics of Taste, Vol I: The Rise and Fall of Picture Prices 1760–1960, Barrie and Rockliffe, London, 1961
Schama, Simon, The Embarrassment of Riches: An Interpretation of Dutch Culture in the Golden Age]', 1987
Shawe-Taylor, Desmond and Scott, Jennifer, Bruegel to Rubens, Masters of Flemish Painting, Royal Collection Publications, London, 2008, ISBN 978-1-905686-00-1
Slive, Seymour, Dutch Painting, 1600–1800, Yale UP, 1995, ISBN 0-300-07451-4