Plantin
参考资料

↑  A better-quality digitisation of the whole specimen is available but it does not include this leaf.
1 2 3  Slinn, Judy; Carter, Sebastian; Southall, Richard. . : 202–3 etc.
↑  Schuster, Brigitte.  (PDF). Royal Academy of Art, The Hague (M.A. thesis). 2010  [23 May 2014]. （原始内容 (PDF)存档于2016-02-18）.
1 2  Carter, Sebastian, , W. W. Norton & Company: 28–29, 1995 .
1 2 3 4  Morison, Stanley. . CUP Archive. 7 June 1973: 22–24. ISBN 978-0-521-09786-4.  含有內容需登入查看的頁面 (link)
↑  Meggs, Philip B.; Carter, Rob, , , John Wiley and Sons: 302–311, 1993, ISBN 978-0-471-28429-1 .
↑  Mosley, James. . Type Foundry.   [14 August 2015]. （原始内容存档于2015-08-28）.
↑  Mann, Meredith. . New York Public Library.   [2 February 2016]. （原始内容存档于2021-03-14）.
1 2  Hendrik D. L. Vervliet. . BRILL. 2008: 226–7. ISBN 978-90-04-16982-1.
↑  Lamesle, Claude. . 1742: 55.
1 2  Mosley, James. . Typophile (archived).   [16 December 2016]. （原始内容存档于2011-10-13）. The consensus appears to be that not only the wrong-fount a in the cases at Antwerp but also the italic that Monotype adapted for their Plantin (which can be seen on that first page of the 1905 specimen) may be the work of Johann Michael Schmidt (died 1750), also known as J. M. Smit or Smid.
↑  Lamesle, Claude. . 1742.
↑  Mosley, James. . Mosley, James; Re, Margaret; Drucker, Johanna; Carter, Matthew  (编). . Princeton Architectural Press. 2003: 31–34  [2021-02-14]. ISBN 9781568984278. （原始内容存档于2020-11-05）. Plantin was a recreation of one of the old types held at the Plantin-Moretus Museum in Antwerp, of which a specimen, printed in 1905, had been acquired by Pierpont on a visit. The type from which the specimen was printed was not only centuries old and worn almost beyond use, but it was contaminated with wrong-font letters (notably the letter ‘a’) and the italic did not even belong to the roman. The revival, derived by Monotype from an indirect and confused original, is as sound a piece of type-making as was ever created in the 20th century…behind the foggy image of the roman type lies the...'Gros Cicero' Roman of Robert Granjon, acquired by the Plantin printing office after the death of its founder.
↑  . Modern Publicity. 1930: 187  [15 March 2017]. []
↑  Warde, Beatrice. . Advertiser's Weekly. 1932: 130  [15 March 2017]. （原始内容存档于2021-02-24）.
↑  Hackney, Fiona Anne Seaton.  (PDF). Goldsmith's College (PhD thesis).   [15 March 2017]. （原始内容 (PDF)存档于2017-03-16）.
↑  Lucy Lethbridge. . A&C Black. 14 March 2013: 187–8  [2021-02-14]. ISBN 978-1-4088-3407-7. （原始内容存档于2017-03-16）.
↑  Williamson, Hugh. . Oxford University Press. 1966: 81.
↑  Steeves, Andrew. . Gaspereau Press. 14 April 2011  [12 March 2017]. （原始内容存档于2018-03-10）.
↑  Luna, Paul. . Designer. 1986. The first national to install a Lasercomp, it overcame the lack of suitable text faces by commissioning its own, a slightly condensed version of Plantin.
↑  Coles, Stephen. . The FontFeed. FSI FontShop International. February 13, 2009  [2009-12-23]. （原始内容存档于2009-08-27）.
↑  Rhatigan, Dan. . Monotype.   [28 July 2015]. （原始内容存档于2018-10-19）.
↑  Hutt, Allen. . Journal of Typographic Research. 1970, 4 (3): 259–270  [5 March 2017]. （原始内容存档于2017-03-05）.
↑  Lawson, Alexander. . New York: David R. Godine. 1990: 270–294  [6 March 2016]. ISBN 9780879233334.
↑  Morison, Stanley. . Eye.   [28 July 2015]. （原始内容存档于2018-10-14）.
↑  Allan Haley. . John Wiley & Sons. 15 September 1992: 106. ISBN 978-0-471-28894-7.
↑  Haley, Allen. . Watson-Guptill Publications. 1990: 86. ISBN 9780823000531.
↑  Heck, Bethany. . Font Review Journal.   [13 September 2019]. （原始内容存档于2021-03-08）.
↑  Thomson, Mark; Sowersby, Kris. . Eye.   [12 September 2019]. （原始内容存档于2021-02-25）.
Steel punches, the masters used to stamp matrices used to cast metal type, at the Plantin-Moretus Museum. Its unique collection of original sixteenth-century matrices and punches inspired the Plantin design.
位于安特卫普的普朗坦-莫雷图斯博物馆
Miller & Richard's Old Style, a delicate reinterpretation of pre nineteenth-century printing styles that became popular in the late nineteenth century. While offering a version of it as one of their first faces, Monotype in creating Plantin aimed to offer a more solid design that would print clearly.
A digitisation of Times New Roman below Plantin and two other typefaces originally considered as a basis for the Times project: Perpetua, Baskerville and Plantin. Times is most based on Plantin, but with the letters made taller and its appearance "modernised" by adding eighteenth- and nineteenth-century influences similar to Baskerville and Perpetua, in particular enhancing the stroke contrast.
A sample image of Plantin created by Fontshop, showing infant styles and the condensed "News" and "Headline" styles sold for newspapers.