九月清晨
註釋

↑  The pose assumed by the model in September Morn is similar to the one taken by the model of Au crépuscule (At Twilight), a painting Chabas completed in 约 1905 (Musée d'Orsay, Au crépuscule) harv error: no target: CITEREFMusée_d'Orsay,_Au_crépuscule (help), which was acquired by the Musée du Luxembourg in 1909 (Valmy-Baysse 1910，第10頁) harv error: no target: CITEREFValmy-Baysse1910 (help). A 1913 Milwaukee Sentinel article described the only difference being that the girl in Au crépuscule had long, straight hair, and that she clasped her right elbow with her left hand (The Milwaukee Sentinel 1913) harv error: no target: CITEREFThe_Milwaukee_Sentinel_1913 (help).
↑  Chabas would later go on to head the Société des Artistes Français (Kingsport Times-News 1957) harv error: no target: CITEREFKingsport_Times-News_1957 (help).
↑  Original: "Toute la gracilité de l'adolescence, son charme indéfinissable, sa nudité chaste..."
↑  Some sources erroneously give 1912 (such as Time 1957 harvnb error: no target: CITEREFTime_1957 (help)); this would have been impossible, as the painting was displayed at the Salon in May 1912.
↑  $32,700 today.
↑  $308,283 today.
↑  $73,988.
↑  This is also corroborated by a 1935 Time piece (Time 1935) harv error: no target: CITEREFTime_1935 (help).
↑  The store was located at 44 Wabash Avenue (Chicago Daily Tribune 1913) harv error: no target: CITEREFChicago_Daily_Tribune_1913 (help).
↑  Sources disagree as to the name of this policeman. Boalt (1913，第1頁) harvtxt error: no target: CITEREFBoalt1913 (help) gives "Jerry Sullivan", while The Milwaukee Journal gives "Fred Rirsch" (The Milwaukee Journal 1913, Paris) harv error: no target: CITEREFThe_Milwaukee_Journal_1913,_Paris (help).
↑  In an interview with the Chicago Daily Tribune, O'Connor stated that he personally liked the painting, but considered it "embarrassing for women to look at" and thought displays would have a negative impact on young boys. He drew a comparison with the Bible, explaining that it "may be good reading for people who understand it, but some chapters are not intended for young folks" (Chicago Daily Tribune 1913) harv error: no target: CITEREFChicago_Daily_Tribune_1913 (help).
↑  The Milwaukee Journal reprinted one poem in defense of the painting, as follows (The Milwaukee Journal 1913, Beautiful) harv error: no target: CITEREFThe_Milwaukee_Journal_1913,_Beautiful (help):
Sometime, glad time, in Arcady, I want

  to live a day

With Joy's slim daughter of the dawn

  to teach my love the way;

To live a day without the clothes, the

  coin, the masquerade

That burden so the struggle here—of

  hypocrites afraid.



Sometime, dear time, in Arcady, im-

  mune from 'pure' police

I hope to find the picture true, that

  caught its light from Greece;

To be as true to life, dear life, as is the

  painter's dream

Within the dawning of the day where

  new ideals gleam.
↑  Sources differ as to the exact length of deliberations. The San Francisco Call gives 20 minutes (San Francisco Call 1913) harv error: no target: CITEREFSan_Francisco_Call_1913 (help), while the Escanaba Morning Press gives 45 (Escanaba Morning Press 1913) harv error: no target: CITEREFEscanaba_Morning_Press_1913 (help).
↑  $771–$3,083 today.
↑  Comstock had spearheaded laws at the end of the 19th century which prohibited the inter-state commerce of material deemed indecent or pornographic. Though he had wide popular support, he also had numerous detractors. Comstock boasted that he had seized more than 160 tons of indecent material during his career (Healion 1964，第42頁) harv error: no target: CITEREFHealion1964 (help). He was not averse to arresting art dealers he considered to be peddling reproductions of obscene works; in 1887, for instance, he had arrested Roland Knoedler of the Knoedler Gallery for selling nudes painted by artists such as William-Adolphe Bouguereau and Jules Joseph Lefebvre (Beisel 1998，第109頁) harv error: no target: CITEREFBeisel1998 (help).
↑  Modern sources stating that it was the original include Brauer (2011，第124頁) harvtxt error: no target: CITEREFBrauer2011 (help) and Sterling & Salinger (1966，第222–223頁) harvtxt error: no target: CITEREFSterlingSalinger1966 (help), whereas modern sources describing the controversial image as a print include Taylor (2012，第166頁) harvtxt error: no target: CITEREFTaylor2012 (help). Contemporary reports are less ambiguous. One describes the controversial image as "grac[ing] a frame less than a foot high" (The Sun 1913, Nude Maid) harv error: no target: CITEREFThe_Sun_1913,_Nude_Maid (help), and in 1933 Ortiz stated that it was a print (Middletown Times Herald 1933) harv error: no target: CITEREFMiddletown_Times_Herald_1933 (help).
↑  Other versions are phrased "There's too little morning and too much maid!" (Monfried 1971，第9頁) harv error: no target: CITEREFMonfried1971 (help), or include further lines such as "It ought to have been pitch dark for a girl to go wading like that" (The Tuscaloosa News 1937) harv error: no target: CITEREFThe_Tuscaloosa_News_1937 (help). The version told by Monfried (1971，第9頁) harvtxt error: no target: CITEREFMonfried1971 (help) includes Comstock commenting on Jean-François Millet's The Goose Girl while leaving. Yet another quote is given by Ellis (1975，第92頁) harvtxt error: no target: CITEREFEllis1975 (help): "That is not a proper picture to be shown to boys and girls! There is nothing more sacred than the form of a woman, but it must not be denuded. I think everyone will agree with me that such pictures should not be displayed where school children passing through the streets can see them."
↑  $1,387 today.
↑  $15,414 to $30,828 today.
↑  $771 today.