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參考文獻 > 書籍和文章

Barnouw, Erik. Documentary: a History of the Non-fiction Film. Oxford University Press. 原始版權 1974.
Bohlman, Philip Vilas. Music, Modernity, and the Foreign in the New Germany. 1994, pp. 121–152
Christie, Ian. "Rushes: Pordenone Retrospective: Gazing into the Future.", in: Sight and Sound. 2005, 15, 1, 4–5, British Film Institute
Cook, Simon. "Our Eyes, Spinning Like Propellers: Wheel of Life, Curve of Velocities, and Dziga Vertov's Theory of the Interva l." October, 2007: 79–91.
Natascha Drubek-Meyer, Natascha. . Frauen und Film. 1994, 54/55: 31–51. JSTOR 24058286.
Natascha Drubek-Meyer; Murasov, Jurij, Rhapsodie und Apparatur. Zu den Filmen des Dziga Vertov. Frankfurt a.M. 1999.
Ellis, Jack C. The Documentary Idea: a Critical History of English-Language Documentary Film and Video. Prentice Hall, 1989.
Feldman, Seth. "'Peace between Man and Machine': Dziga Vertov's The Man with a Movie Camera." in: Barry Keith Grant, and Jeannette Sloniowski, eds. Documenting the Documentary: Close Readings of Documentary Film and Video. Wayne State University Press, 1998. pp. 40–53.
Feldman, Seth. Evolution of style in the early work of Dziga Vertov. 1977, Arno Press, New York.
Graffy, Julian; Deriabin, Aleksandr; Sarkisova, Oksana; Keller, Sarah; Scandiffio, Theresa . Lines of Resistance: Dziga Vertov and the Twenties; edited and with an introduction by Yuri Tsivian. Le Giornate del cinema muto, Gemona, Udine
Heftberger, Adelheid. Kollision der Kader. Dziga Vertovs Filme, die Visualisierung ihrer Strukturen und die Digital Humanities. Munich: edition text + kritik, 2016.
Hicks, Jeremy. Dziga Vertov: Defining Documentary Film. London & New York: I. B. Tauris, 2007.
Le Grice, Malcolm. Abstract Film and Beyond. Studio Vista, 1977.
MacKay, John. "Allegory and Accommodation: Vertov's «Three Songs of Lenin» (1934) as a Stalinist Film." In Film History: An International Journal; 18.4 (2006) 376–391.
MacKay, John. "Disorganized Noise: Enthusiasm and the Ear of the Collective." （页面存档备份，存于）
MacKay, John. "Film Energy: Process and Metanarrative in Dziga Vertov's «The Eleventh Year» (1928)." October; 121 (Summer 2007): 41–78.
MacKay, John. "The 'Spinning Top' Takes Another Turn: Vertov Today." （页面存档备份，存于）
MacKay, John. John MacKay | Yale University – Academia.edu （页面存档备份，存于） Drafts of Dziga Vertov: Life and Work]
Michelson, Annette & Turvey, Malcolm, eds. "New Vertov Studies." Special Issue of October, (October 121 (Summer 2007)).
Lech, Dorota. Dziga Vertov's Long-Lost Films （页面存档备份，存于）, mubi.com, 8 February 2022.
Molcard, Eva. 2020. "Elizaveta Svilova." In Jane Gaines, Radha Vatsal, and Monica Dall'Asta, eds. Women Film Pioneers Project. New York, NY: Columbia University Libraries. https://doi.org/10.7916/d8-y8we-0736
Roberts, Graham. The Man with the Movie Camera. I. B. Tauris, 2001. ISBN 1-86064-394-9
Singer, Ben. "Connoisseurs of Chaos: Whitman, Vertov and the 'Poetic Survey,'" Literature/Film Quarterly; 15:4 (Fall 1987): 247–258.
Tode, Thomas & Wurm, Barbara, Austrian Film Museum, eds. Dziga Vertov. The Vertov Collection at the Austrian Film Museum, Bilingual (German-English). (Paperback – May 2006), FilmmuseumSynemaPublikationen.-- online version available here （页面存档备份，存于）.
Tsivian, Yuri, ed. Lines of Resistance: Dziga Vertov and the Twenties. Le Giornate del Cinema Muto, 2004. ISBN 88-86155-15-8
Vertov, Dziga. On Kinopravda. 1924, and The Man with the Movie Camera. 1928, in: Annette Michelson ed. Kevin O'Brien tr. Kino-Eye : The Writings of Dziga Vertov, University of California Press, 1995.
Dziga Vertov. We. A Version of a Manifesto. 1922, in Ian Christie, Richard Taylor eds. The Film Factory: Russian and Soviet Cinema in Documents, 1896–1939 Routledge, 1994. ISBN 0-415-05298-X
Warren, Charles, ed. Beyond Document: Essays on Nonfiction Film. Wesleyan University Press, 1996.