反文化
參考來源

1 2  "counterculture," Merriam-Webster's Online Dictionary, 2008, MWCCul （页面存档备份，存于）.
1 2  Eric Donald Hirsch. The Dictionary of Cultural Literacy. Houghton Mifflin. ISBN 0-395-65597-8. (1993) p 419. "Members of a cultural protest that began in the U.S. in the 1960s and Europe before fading in the 1970s... fundamentally a cultural rather than a political protest."
1 2 3  F.X. Shea, S.J., "Reason and the Religion of the Counter-Culture", Harvard Theological Review, Vol. 66/1 (1973), pp. 95-111, JSTOR-3B2-X.
↑  Andrea Gollin. . PAW Online. 2003-04-23  [2008-06-21]. （原始内容存档于2008-06-16）.
1 2  Roszak, Theodore, The Making of a Counter Culture: Reflections on the Technocratic Society and Its Youthful Opposition, 1968/1969, Doubleday, New York, ISBN 0-385-07329-1; ISBN 978-0-385-07329-5.
↑  His conception of the counterculture is discussed in Whiteley, 2012 and Bennett, 2012.
↑  Gelder, Subcultures (2007) p. 4. "...to the banalities of mass cultural forms".
↑  Hodkinson and Deicke, Youth Cultures (2007), p. 205. "...opposition to, the middle-class establishment of adults."
↑  Hebdige, Subculture (1979), p.127. "defining themselves against the parent culture."
↑  Hall & Jefferson, Resistance Through Rituals (1991), p.61. "They make articulate their opposition to dominant values and institutions—even when, as frequently occurred, this does not take the form of an overtly political response."
↑  Hazlehurst & Hazlehurst, Gangs and Youth Subcultures (1998), p.59. "There does seem to be some general commitment towards antiauthoritarianism, a rejection of the traditional party political system which is considered irrelevant."
1 2  Yablonsky, Lewis (1968), The Hippie Trip, New York: Western Publishing, Inc., ISBN 978-0595001163, pp 21-37.
↑  Cf. Whiteley, 2012.
↑  原文如下："Despite the theoretical arguments that can be raised against the sociological value of counterculture as a meaningful term for categorising social action, like subculture, the term lives on as a concept in social and cultural theory（英语：）… [to] become part of a received, mediated memory".
↑  原文如下: "this involved not simply the utopian but also the dystopian and that while festivals such as those held at Monterey and Woodstock might appear to embrace the former, the deaths of such iconic figures as Brian Jones, Jimi Hendrix, Jim Morrison and Janis Joplin, the nihilistic mayhem at Altamont, and the shadowy figure of Charlie Manson cast a darker light on its underlying agenda, one that reminds us that ‘pathological issues [are] still very much at large in today’s world".
↑  Cf. Andy Bennett, 2012.
↑  Mary Works Covington, Rockin' At the Red Dog: The Dawn of Psychedelic Rock, 2005.
↑  翻譯時，此處有小的省略，原文如下：In the United States, widespread tensions developed in the 1960s in American society that tended to flow along generational lines regarding the war in Vietnam, race relations, sexual mores, women's rights, traditional modes of authority, and a materialist interpretation of the American Dream.
↑
↑  Carlos Santana: I’m Immortal （页面存档备份，存于） interview by Punto Digital, October 13, 2010
↑  . New York Times. August 27, 1969: 45.
↑  . Rolling Stone. 2004-06-24  [2008-04-17]. （原始内容存档于2007-02-09）.
↑  Mankin, Bill.  We Can All Join In: How Rock Festivals Helped Change America （页面存档备份，存于）. Like the Dew. 2012.
↑  .   [2013-12-17]. （原始内容存档于2012-08-25）.
↑  .   [2013-12-17]. （原始内容存档于2014-01-07）.
↑  .   [2013-12-17]. （原始内容存档于2012-05-27）.
↑  Kaiser, C. . New York: Harcourt Brace. 1997. ISBN 0-15-600617-0.