阿尔班·贝尔格
进一步阅读

Adorno, Theodor W. Alban Berg: Master of the Smallest Link. Trans. Juliane Brand and Christopher Hailey. New York: Cambridge University Press, 1991.
Brand, Juliane, Christopher Hailey and Donald Harris, eds. The Berg-Schoenberg Correspondence: Selected Letters. New York: Norton, 1987.
Bruhn, Siglind, ed. Encrypted Messages in Alban Berg’s Music. New York: Garland Publishing, 1998.
Carner, Mosco. Alban Berg: The Man and the Work. London: Duckworth, 1975.
dos Santos, Silvio J. Narratives of Identity in Alban Berg's 'Lulu'. Rochester, New York: University of Rochester Press, 2014.
Floros, Constantin. Trans. by Ernest Bernhardt-Kabisch. Alban Berg and Hanna Fuchs 的存檔，存档日期4 March 2008.. Bloomington: Indiana University Press, 2007.
Grun, Bernard, ed. Alban Berg: Letters to his Wife. London: Faber and Faber, 1971.
Headlam, Dave. The Music of Alban Berg. New Haven: Yale University Press, 1996.
Jarman, Douglas. "Dr. Schon's Five-Strophe Aria: Some Notes on Tonality and Pitch Association in Berg's Lulu". Perspectives of New Music 8/2 (Spring/Summer 1970).
Jarman, Douglas. "Some Rhythmic and Metric Techniques in Alban Berg's Lulu". The Musical Quarterly 56/3 (July 1970).
Jarman, Douglas. "Lulu: The Sketches". International Alban Berg Society Newsletter, 6 (June 1978).
Jarman, Douglas. "Countess Geschwitz's Series: A Controversy Resolved?". Proceedings of the Royal Musical Association 107 (1980/81).
Jarman, Douglas. "Some Observations on Rhythm, Meter and Tempo in Lulu". In Alban Berg Studien. Ed. Rudolf Klein. Vienna: Universal Edition, 1981.
Jarman, Douglas. "Lulu: The Musical and Dramatic Structure". Royal Opera House Covent Garden program notes, 1981.
Jarman, Douglas. "The 'Lost' Score of the 'Symphonic Pieces from Lulu'". International Alban Berg Society Newsletter 12 (Fall/Winter 1982).
Jarman, Douglas. . Cambridge: Cambridge University Press. 1989  [29 August 2017]. ISBN 978-0-521-28481-3. （原始内容存档于29 April 2020）.
Leibowitz, René. Schoenberg and his school; the contemporary stage of the language of music. Trans. Dika Newlin. New York: Philosophical Library, 1949.
Monson, Karen. Alban Berg: A Biography. London: Macdonald and Jane's, 1979.
Perle, George. The Operas of Alban Berg. Berkeley: University of California Press, 1980.
Redlich, Hans Ferdinand. Alban Berg, the Man and His Music. London: John Calder, 1957.
Reich, Willi. The life and work of Alban Berg. Trans. Cornelius Cardew. New York : Da Capo Press, 1982.
Schmalfeldt, Janet. "Berg's Path to Atonality: The Piano Sonata, Op. 1". Alban Berg: Historical and Analytical Perspectives. Eds. David Gable and Robert P. Morgan, pp. 79–110. New York: Oxford University Press, 1991.
Schweizer, Klaus. Die Sonatensatzform im Schaffen Alban Bergs. Stuttgart: Satz und Druck, 1970.
Simms, Bryan R.  2nd. Hoboken: Taylor & Francis. 2013 [1996]  [29 August 2017]. ISBN 978-1-135-84674-9. （原始内容存档于29 April 2020）.
Simms, Bryan & Erwin, Charlotte. . Master Musicians. Oxford University Press. 2021. ISBN 978-0-19-093144-5.
Walton, Chris. . Rochester, New York: University of Rochester Press. 2014  [29 August 2017]. ISBN 978-1-58046-477-2. （原始内容存档于29 April 2020）.
Wilkey, Jay Weldon. Certain Aspects of Form in the Vocal Music of Alban Berg. Ph.D. thesis. Ann Arbor: Indiana University, 1965.
1913年4月6日《时代周报》中的漫画《耳光音乐会》（德語：）
埃米尔·斯图姆普（英语：）绘制的贝尔格素描
位于奥地利克恩顿州滨湖席弗灵的贝尔格半身像