後硬核
參考資料

1 2 3 4 5 6 7 8  . Allmusic.   [2011-03-18]. （原始内容存档于2011-05-05）.
↑  Blush, Stephen. . Feral House. 2001-11-09. ISBN 0922915717.
1 2 3 4 5 6 7 8 9 10  Terich, Jeff. . Treblezine. 2007-04-24  [2011-03-20]. （原始内容存档于2011-04-04）.
1 2 3  Cooper, Ryan. . About.com.   [2011-04-05]. （原始内容存档于2016-03-04）.
↑  Robbins, Ira; Sprague, David. . TrousserPress.com.   [2011-03-18]. （原始内容存档于2016-03-05）. Too early to be post-hardcore but too uncommon for any simple classification, this Southern California quartet doesn't try to create a blizzard of noise — they go at it more artfully, but with equally ear-wrenching results. [...]
↑  . Allmusic.   [2011-03-18].
1 2 3 4 5 6  . Allmusic.   [2011-03-18]. （原始内容存档于2010-12-09）.
1 2 3 4  Huey, Steve. . Allmusic.   [2011-05-12]. （原始内容存档于2010-12-28）.
↑  Prato, Greg. . Allmusic.   [2011-03-18]. （原始内容存档于2012-01-05）.
1 2  Blush, Steven. American Hardcore: A Tribal History. Feral House: 2001. p. 222.
↑  Huey, Steve. . Allmusic.   [2011-03-19]. （原始内容存档于2011-09-30）.
↑  Marticorena, Jorge. . The Skinny. 2008-10-16  [2011-03-21]. （原始内容存档于2009-02-12）.
1 2 3 4  Deming, Mark. . Allmusic.   [2011-03-19]. （原始内容存档于2011-12-28）.
1 2  Erlewine, Stephen Thomas. . Allmusic.   [2011-03-19]. （原始内容存档于2011-11-12）.
↑  Gold, Jonathan. . Spin (Camouflage Associates). 1996, 12 (1): 113  [2011-03-27].
↑  Mosurock, Doug. . Dusted Magazine. 2006-08-03  [2011-03-27]. （原始内容存档于2011-02-26）.
↑  Grubbs, p. 14
1 2 3 4 5  . Dischord Records.   [2011-03-19]. （原始内容存档于2008-11-20）.
↑  MacKaye, Ian. . Dischord Records: 1. 1999-11  [2011-03-19]. （原始内容存档于2012-09-18）.
1 2  McElligatt, Colin. . Stylus Magazine. 2003-09-01  [2011-04-06]. （原始内容存档于2018-08-21）.
1 2 3  MacKaye. : 2.   [2011-03-19]. （原始内容存档于2021-10-08）.
↑  Grubbs, p. 22. "After hearing the phrase 'revolution summer' at the Neighborhood Planning Council, Dischord employee Amy Pickering had an idea. [...] With the idea of celebrating a new scene's birth, she sent out anonymous letters stating that Revolution Summer was coming and people should be ready. The summer of '85 was indeed that."
1 2 3  Huey, Steve. . Allmusic.   [2011-03-19]. （原始内容存档于2010-12-11）.
↑  Raggett, Ned. . Allmusic.   [2011-03-19]. Drawing from funk as much as punk, Beefeater cooks up a groovy combination on their debut album.
↑  Foster, Patrick. . Allmusic.   [2011-03-19]. The recordings, which revealed the influence of early-D.C. punk ('Gray Matter', 'Caffeine Blues'), also warned about the dangers of punk nostalgia ('Retrospect') and featured a surprising cover of the Beatles' 'I Am the Walrus' was the first hint of the band's strong pop streak.
1 2  Grubbs, p. 27
↑  . Allmusic.   [2011-03-19]. （原始内容存档于2010-10-17）.
1 2  Capper, Andy. . Vice.   [2011-03-20]. （原始内容存档于2013-01-05）.
↑  Prindle, Mark. . Markprindle.com. 2003  [2011-03-19]. （原始内容存档于2012-01-27）. Well, first of all, I don't recognize that attribution. I've never recognized 'emo' as a genre of music. I always thought it was the most retarded term ever. I know there is this generic commonplace that every band that gets labeled with that term hates it. They feel scandalized by it. But honestly, I just thought that all the bands I played in were punk rock bands. The reason I think it's so stupid is that - what, like the Bad Brains weren't emotional? What - they were robots or something? It just doesn't make any sense to me.
↑  Grubbs, p. 27–28
↑  Cogan, Brian. . Sterling. 2008: 97. ISBN 978-1402759604.
↑  Butler, Blake. . Allmusic.   [2011-03-20].
1 2 3  Huey, Steve. . Allmusic.   [2011-03-20].
↑  . Dischord Records.   [2011-03-20]. （原始内容存档于2014-05-13）.
↑  Bregman, Adam. . Allmusic.   [2011-03-20].
1 2 3 4 5  Kellman, Andy. . Allmusic.   [2011-03-20]. （原始内容存档于2012-04-29）.
↑  Kellman, Andy. . Allmusic.   [2011-03-20]. （原始内容存档于2011-02-07）.
↑  Kellman, Andy. . Allmusic.   [2011-03-20]. （原始内容存档于2012-04-15）.
↑  Huey, Steve. . Allmusic.   [2011-03-20]. （原始内容存档于2011-11-30）.
↑  ngs091. . Punknews.org. 2008-09-12  [2011-03-27]. （原始内容存档于2009-07-22）.
↑  Bilton, Chris. . EyeWeekly.com. 2009-11-13  [2011-03-21]. （原始内容存档于2011-05-25）.
1 2 3 4 5  Farrar, Justin. . Rhapsody Music. 2009-04-03  [2011-04-03]. （原始内容存档于2016-03-03）.
↑  Bonazelli, Andrew. . Decibel. Red Flag Media.   [2011-03-21]. （原始内容存档于2010-10-14）.
↑  Bradley, Stephen. . The Washington Times Communities - Riffs. 2010-09-22  [2011-03-21]. （原始内容存档于2011-07-21）. [...] Where most punks from the '80s hardcore scene made the transition into hard rock or post hardcore outfits like Rollins Band and Fugazi, it still seems natural that he would make the jump into the acoustic side of things. [...]
↑  Huey, Steve. . Allmusic.   [2011-03-25].
↑  Carew, Anthony. . About.com.   [2011-03-21]. （原始内容存档于2011-09-29）. [...] But, the second album by the post-hardcore Kentuckians sure didn't 'kick' anything; its influence rather devoid of immediacy. [...]
↑  Parka, Dorothy. . Hipsterbookclub.com. 2011-01  [2011-03-25]. （原始内容存档于2011-07-27）.
1 2 3 4  Diver, Mike. . Drowned in Sound. 2008-04-24  [2011-03-25]. （原始内容存档于2018-03-30）.
↑  Arkeny, Jason. . Allmusic.   [2011-03-25]. （原始内容存档于2020-01-17）.
↑  MacKaye. : 3.   [2011-03-26]. （原始内容存档于2021-05-15）.
↑  Spano, Charles. . Allmusic.   [2011-03-26]. （原始内容存档于2010-11-17）.
↑  Aubin. . Punknews.org. 2006-09-22  [2011-03-26]. （原始内容存档于2011-05-26）.
↑  Ankeny, Jason; Prato, Greg. . Allmusic.   [2011-03-26]. （原始内容存档于2011-05-25）.
↑  . Allmusic.   [2011-03-26]. （原始内容存档于2011-02-13）.
↑  Aubin. . Punknews.org. 2010-07-01  [2011-03-26]. （原始内容存档于2010-07-05）.
↑  . The New York Times. 2003-08-08  [2011-03-26].
↑  Huey, Steve. . Allmusic.   [2011-03-26]. （原始内容存档于2011-01-15）.
↑  . Notes from the K Office. 2011-02-04  [2011-03-27]. （原始内容存档于2011-03-03）.
↑  Bush, John. . Allmusic.   [2011-03-27]. （原始内容存档于2010-12-11）.
↑  Bradley, Stephen. . The Washington Times Communities - Riffs. 2011-02-28  [2011-04-01]. （原始内容存档于2011-07-21）. The Trail of Dead has been known as something of a sprawling band ever since the band's first release in 1998. They've always been able to incorporate elements of noise rock and art rock into a post-hardcore foundation that allows for them to wander sonically not only from song to song but within each song itself and never losing the listener's interest in the song.
↑  Butler, Blake. . Allmusic.   [2011-04-01]. （原始内容存档于2012-04-14）.
↑  . I Heart AU. 2010-03-30  [2011-03-27]. （原始内容存档于2010-04-04）.
↑  Anderson, Jason. . Allmusic.   [2011-03-27].
↑  Heller, Jason. . The A.V. Club. Onion, Inc. 2010-06-08  [2011-03-27]. （原始内容存档于2013-10-26）.
1 2  Butler, Blake. . Allmusic.   [2011-03-27]. （原始内容存档于2012-05-01）.
1 2 3  Birchmeier, Jason. . Allmusic. Rovi Corporation.   [2011-04-25]. （原始内容存档于2010-12-11）.
1 2 3  . Sumerian Records.   [2009-11-01]. （原始内容存档于2009-03-01）.
1 2 3  Birchmeier, Jason. . Allmusic. Rovi Corporation.   [2011-04-25]. （原始内容存档于2012-12-14）.
1 2 3 4 5 6 7  Pio, Gabriel (Staff member). . TheNewReview.net.   [2011-04-25]. （原始内容存档于2011-02-23）.
1 2 3  Duffy, Grace (Staff member). . Under the Gun Reviews.   [2011-04-25]. （原始内容存档于2011-07-24）.
1 2 3  Heaney, Gregory. . Allmusic. Rovi Corporation.   [2011-04-25]. （原始内容存档于2010-11-15）.
1 2  Freeman, Phil. . AltPress.com. Alternative Press.   [2011-04-25]. （原始内容存档于2021-03-28）.
1 2  Freeman, Phil. . Allmusic. Rovi Corporation.   [2011-04-25]. （原始内容存档于2020-05-28）.
↑  Hidden, Chris. . Rock Sound Magazine. Rock Sound.   [2011-04-25]. （原始内容存档于2021-03-28）.
↑  . PureGrainAudio.   [2010-04-20]. （原始内容存档于2010-02-03）.
↑  Carino, Paula. . Allmusic. Rovi Corporation.   [2011-04-25]. （原始内容存档于2010-12-05）.
Big Black的創團成員，在與樂團Shellac的演唱會中。
2002年，Fugazi在暫停活動前的最後一場巡演。這個樂團的影響力由評論家Andy Kellman總結所言：「太多了，Fugazi的意義就和巴布·狄倫（Bob Dylan）對他們這一代的家長一樣。」