全球最高電影票房收入列表
參考資料

1 2 3 Solomon, Aubrey. . Filmmakers series 20 . Rowman & Littlefield. 2002 [First published 1988]. ISBN 978-0-8108-4244-1. If page links die, try [https://books.google.com/books?id=w70iAAAAMAAJ&#x26;q=%22on+the+surface%22+%22world+rentals%22+%248] p. 167 的 存檔，存档日期November 7, 2023，. . "The Planet of the Apes motion pictures were all moneymakers and Zanuck's record would have immediately improved had he stayed through the release of The French Connection , which took in rentals of approximately $75 million worldwide." p. 256 的 存檔，存档日期November 7, 2023，. . "$3,300,00".
Sunny Side Up: p. 10 的存檔，存档日期February 10, 2024，.. "Sunny Side Up, a musical starring Janet Gaynor and Charles Farrell, showed domestic rentals of $3.5 million, a record for the company."
Forever Amber: p. 66 的存檔，存档日期November 7, 2023，.. "On the surface, with world rentals of $8 million, Forever Amber was considered a hit at distribution level."
The French Connection
↑  Block & Wilson 2010，第46頁. "Production Cost: $0.6 (Unadjusted $s in Millions of $s)."
↑  Cormack, Mike. . Palgrave Macmillan. 1993: 28. ISBN 978-0-312-10067-4. Although costing $1250000—a huge sum for any studio in 1929—the film was a financial success. Karl Thiede gives the domestic box-office at $1500000, and the same figure for the foreign gross.
1 2 Balio, Tino. . 5 of History of the American Cinema. University of California Press. 1996. ISBN 978-0-520-20334-1.
Cavalcade: p. 182 的存檔，存档日期April 4, 2023，.. "Produced by Winfield Sheehan at a cost of $1.25 million, Cavalcade won Academy Awards for best picture, director, art direction and grossed close to $4 million during its first release, much of which came from Great Britain and the Empire."
Whoopee: p. 212 的存檔，存档日期April 4, 2023，.. "Produced by Sam Goldwyn at a cost of $1 million, the picture was an adaptation of a smash musical comedy built around Eddie Cantor...A personality-centered musical, Whoopee! made little attempt to integrate the comedy routines, songs, and story. Nonetheless, Cantor's feature-film debut grossed over $2.6 million worldwide and started a popular series that included Palmy Days (1931), The Kid from Spain (1932), and Roman Scandals (1933)."
↑ Hell's Angels
Balio, Tino. . University of Wisconsin Press. 1976: 110. Hughes did not have the "Midas touch" the trade press so often attributed to him. Variety, for example, reported that Hell's Angels cost $3.2 million to make, and by July, 1931, eight months after its release, the production cost had nearly been paid off. Keats claimed the picture cost $4 million to make and that it earned twice that much within twenty years. The production cost estimate is probably correct. Hughes worked on the picture for over two years, shooting it first as a silent and then as a talkie. Lewis Milestone said that in between Hughes experimented with shooting it in color as well. But Variety's earnings report must be the fabrication of a delirious publicity agent, and Keats' the working of a myth maker. During the seven years it was in United Artists distribution, Hell's Angels grossed $1.6 million in the domestic market, of which Hughes' share was $1.2 million. Whatever the foreign gross was, it seems unlikely that it was great enough to earn a profit for the picture.
↑  Feaster, Felicia. . Turner Classic Movies.   [July 4, 2011]. （原始内容存档于December 21, 2014）.
↑  Block & Wilson 2010，第163頁. "It drew $1.4 million in worldwide rentals in its first run versus $1.2 million for Dracula, which had opened in February 1931."
↑  Vance, Jeffrey. . Abrams Books. 2003: 208. Chaplin's negative cost for City Lights was $1,607,351. The film eventually earned him a worldwide profit of $5 million ($2 million domestically and $3 million in foreign distribution), an enormous sum of money for the time.
↑  Ramsaye, Terry (编). . International Motion Picture Almanac 1937–38. 1937: 942–943. Kid from Spain: $2,621,000 (data supplied by Eddie Cantor)
1 2 3 4 Sedgwick, John. . University of Exeter Press. 2000: 146–148. ISBN 978-0-85989-660-3. Sources: Eddie Mannix Ledger, made available to the author by Mark Glancy...
Grand Hotel: Production Cost $000s: 700; Distribution Cost $000s: 947; U.S. box-office $000s: 1,235; Foreign box-office $000s: 1,359; Total box-office $000s: 2,594; Profit $000s: 947.
The Merry Widow: Production Cost $000s: 1,605; Distribution Cost $000s: 1,116; U.S. box-office $000s: 861; Foreign box-office $000s: 1,747; Total box-office $000s: 2,608; Profit $000s: -113.
Viva Villa: Production Cost $000s: 1,022; Distribution Cost $000s: 766; U.S. box-office $000s: 941; Foreign box-office $000s: 934; Total box-office $000s: 1,875; Profit $000s: 87.
Mutiny on the Bounty: Production Cost $000s: 1,905; Distribution Cost $000s: 1,646; U.S. box-office $000s: 2,250; Foreign box-office $000s: 2,210; Total box-office $000s: 4,460; Profit $000s: 909.
San Francisco: Production Cost $000s: 1,300; Distribution Cost $000s: 1,736; U.S. box-office $000s: 2,868; Foreign box-office $000s: 2,405; Total box-office $000s: 5,273; Profit $000s: 2,237.
↑ Shanghai Express
Block & Wilson 2010，第165頁. "Shanghai Express was Dietrich's biggest hit in America, bringing in $1.5 million in worldwide rentals."
↑ King Kong
Jewel, Richard. . Historical Journal of Film, Radio and Television. 1994, 14 (1): 39. 1933 release: $1,856,000; 1938 release: $306,000; 1944 release: $685,000
. Turner Classic Movies.   [January 7, 2012]. （原始内容存档于November 17, 2015）. 1952 release: $2,500,000; budget: $672,254.75
↑  . Turner Classic Movies.   [January 7, 2012]. （原始内容存档于December 17, 2019）. According to a modern source, it had a gross earning of $2,250,000 on the North American continent, with over a million more earned internationally.
↑  Finler 2003，第188頁. "The studio released its most profitable pictures of the decade in 1933, She Done Him Wrong and I'm No Angel, written by and starring Mae West. Produced at a rock-bottom cost of $200,000 each, they undoubtedly helped Paramount through the worst patch in its history..."
↑  Block, Alex Ben, : 173, 2010, The worldwide rentals of over $3 million keep the lights on at Paramount, which did not shy away from selling the movie's sex appeal.  In: Block & Wilson 2010.
↑  Phillips, Kendall R. . ABC-CLIO. 2008: 26. ISBN 978-1-56720-724-8. The reaction to West's first major film, however, was not exclusively negative. Made for a mere $200,000, the film would rake in a healthy $2 million in the United States and an additional million in overseas markets.
↑  Block & Wilson 2010，第135頁. "Total production cost: $274,076 (Unadjusted $s)."
1 2 Turk, Edward Baron. . University of California Press. 2000 [1st. pub. 1998]. ISBN 978-0-520-22253-3.
The Merry Widow: p. 361 Cost: $1,605,000. Earnings: domestic $861,000; foreign $1,747,000; total $2,608,000. Loss: $113,000.
San Francisco: p. 364 Cost: $1,300,000. Earnings: domestic $2,868,000; foreign $2,405,000; total $5,273,000. Profit: $2,237,000. [Reissues in 1938–39 and 1948–49 brought profits of $124,000 and $647,000 respectively.]
↑  . Variety. November 7, 1962: 7.
↑  Dick, Bernard F. . University Press of Mississippi. 2008: 79. ISBN 978-1-60473-087-6. Although Columbia's president, Harry Cohn, had strong reservations about It Happened One Night, he also knew that it would not bankrupt the studio; the rights were only $5,000, and the budget was set at $325,000, including the performers' salaries.
↑ Snow White and the Seven Dwarfs
Monaco, Paul. . Scarecrow Press. 2010: 54. ISBN 978-0-8108-7434-3. Considered a highly risky gamble when the movie was in production in the mid-1930s, by the fiftieth anniversary of its 1937 premiere Snow White's earnings exceeded $330 million.
Wilhelm, Henry Gilmer; Brower, Carol. . Preservation Pub. 1993: 359. ISBN 978-0-911515-00-8. In only 2 months after the 1987 re-release, the film grossed another $45 million—giving it a total gross to date of about $375 million!
. Boxoffice.   [May 29, 2016]. （原始内容存档于January 8, 2019）. North American box-office: $46,594,719
. Boxoffice.   [May 29, 2016]. （原始内容存档于December 25, 2018）. North American box-office: $41,634,791
1 2 Snow White and the Seven Dwarfs and Pinocchio p. 207 的 存檔，存档日期April 4, 2023，. . "When the budget rose from $250,000 to $1,488,423 he even mortgaged his own home and automobile. Disney had bet more than his company on the success of Snow White ." p. 237 的 存檔，存档日期April 4, 2023，. . "By the end of 1938, it had grossed more than $8 million in worldwide rentals and was ranked at the time as the second-highest-grossing film after the 1925 epic Ben-Hur ". p. 255 的 存檔，存档日期April 3, 2023，. . "On its initial release Pinocchio brought in only $1.6 million in domestic rentals (compared with Snow White ' s $4.2 million) and $1.9 million in foreign rentals (compared with Snow White ' s $4.3 million)."
Block & Wilson 2010
↑ 1938
You Can't Take It with You:. Focus Features. （原始内容存档于September 13, 2012）. You Can't Take It With You received excellent reviews, won Best Picture and Best Director at the 1938 Academy Awards, and earned over $5 million worldwide.
Boys Town: Block, Alex Ben, : 215, 2010, The film quickly became a smash nationwide, making a profit of over $2 million on worldwide rentals of $4 million.  In: Block & Wilson 2010.
The Adventures of Robin Hood: Glancy, H. Mark. . Historical Journal of Film, Radio and Television. 1995, 1 (15): 55–60. ISSN 0143-9685. doi:10.1080/01439689500260031. $3.981 million.
Alexander's Ragtime Band: Block, Hayley Taylor, : 213, 2010, Once the confusion cleared, however, the film blossomed into a commercial success, with a profit of $978,000 on worldwide rentals of $3.6 million.  In: Block & Wilson 2010.
↑  Chartier, Roy. . Variety. September 6, 1938  [September 13, 2011]. （原始内容存档于September 13, 2012）.
↑  . The Numbers. Nash Information Services. LLC.   [February 8, 2013]. （原始内容存档于February 1, 2013）.
↑  . Boxoffice.   [May 29, 2016]. （原始内容存档于December 25, 2018）.
↑  . Box Office Mojo.   [October 1, 2024]. （原始内容存档于2025-02-11）.
↑  Hall & Neale 2010，第283頁 ."The final negative cost of Gone with the Wind (GWTW) has been variously reported between $3.9 million and $4.25 million."
↑  . Boxoffice.   [May 29, 2016]. （原始内容存档于May 30, 2016）.
↑  Barrier, Michael. . New York: Oxford University Press. 2003: 266. ISBN 978-0-19-983922-3. The film's negative cost was $2.6 million, more than $1 million higher than Snow White's.
↑  Schatz, Thomas. . 6 of History of the American Cinema. University of California Press. 1999: 466 [1st. pub. 1997]. ISBN 978-0-520-22130-7. Boom Town ($4.6 million).
↑  Block & Wilson 2010，第258–259頁. "Production Cost: $2.1 (Unadjusted $s in Millions of $s) ... Boom Town was the biggest moneymaker of 1940 and one of the top films of the decade."
↑  Block & Wilson 2010，第267頁. "With worldwide rentals of $7.8 million in its initial release, the movie made a net profit of over $3 million."
↑  Finler 2003，第301頁. "The studio did particularly well with its war-related pictures, such as Sergeant York (1941), which cost $1.6 million but was the studio's biggest hit of the decade aside from This is the Army (1943), the Irving Berlin musical for which the profits were donated to the Army Emergency Relief fund."
↑  . Boxoffice.   [May 29, 2016]. （原始内容存档于May 30, 2016）.
↑  Block & Wilson 2010，第281頁. "Worldwide rentals of $3,449,353 barely recouped the film's nearly $2 million production cost."
1 2 3 4 Block & Wilson 2010，第 712–713頁 .
Bambi: "Worldwide Box Office: $266.8; Production Cost: $1.7 (Millions of $s)"
101 Dalmatians: "Worldwide Box Office: $215.0; Production Cost: $3.6 (Millions of $s)"
The Jungle Book: "Worldwide Box Office: $170.8"; Production Cost: $3.9 (Millions of $s)"
Aladdin: "Worldwide Box Office: $505.1"; Production Cost: $28.0 (Millions of $s)"
↑  Glancy, Mark. . Manchester University Press. 1999: 94–95. ISBN 978-0-7190-4853-1. Mrs Miniver was a phenomenon. It was the most popular film of the year (from any studio) in both North America and Britain, and its foreign earnings were three times higher than those of any other MGM film released in the 1941–42 season. The production cost ($1,344,000) was one of the highest of the season, indicating the studio never thought of the film as a potential loss-maker. When the film earned a worldwide gross of $8,878,000, MGM had the highest profit ($4,831,000) in its history. Random Harvest nearly matched the success of Mrs Miniver with worldwide earnings of $8,147,000 yielding the second-highest profit in MGM's history ($4,384,000). Random Harvest was also the most popular film of the year in Britain, where it proved to be even more popular than Britain's most acclaimed war film, In Which We Serve.
↑ Block & Wilson 2010
Mrs. Miniver: Burns, Douglas, : 279, 2010, Mrs. Miniver's galvanizing effect on Americans spawned a record-breaking ten-week run at Radio City Music Hall and garnered a $5.4 million take in domestic rentals (making Mrs. Miniver 1942's top grosser), with a $4.8 million profit on worldwide rentals of $8.9 million.
Yankee Doodle Dandy: p. 275 的存檔，存档日期April 4, 2023，.. "It became the second biggest box-office hit of 1942 (after Mrs. Miniver) and was praised by critics, making a profit of $3.4 million on worldwide rentals of $6.5 million."
↑  McAdams, Frank, : 287, 2010, Despite the early furor over the novel being "pro-red and immoral," the film opened to strong and favorable reviews and brought in $11 million in worldwide rentals in its initial release.  In: Block & Wilson 2010.
↑  . Turner Classic Movies.   [June 24, 2012]. （原始内容存档于July 24, 2019）.
1 2  . Turner Classic Movies.   [August 29, 2012]. （原始内容存档于December 17, 2019）. According to M-G-M studio records at the AMPAS Library, the film had a negative cost of $2,627,000 and took in $5,363,000 at the box office. When the picture was re-issued for the 1955–56 season, it took in an additional $150,000.
↑  Bergreen, Laurence. . Prologue. Summer 1996, 28 (2). Part 3  [August 22, 2012]. （原始内容存档于August 11, 2019）.
↑  . Turner Classic Movies.   [July 9, 2011]. （原始内容存档于July 15, 2015）.
1 2 3 4 5 6 7  Finler 2003，第356–363頁
↑  Block & Wilson 2010，第420頁. "(Unadjusted $s) in Millions of $s – Production Cost: $1.0"
1 2 Block & Wilson 2010，第 232頁 .
Mrs. Miniver: "Domestic Rentals: $5,358,000; Foreign Rentals: $3,520,000 (Unadjusted $s)"
Meet Me in St. Louis: "Domestic Rentals: $5,016,000; Foreign Rentals: $1,623,630 (Unadjusted $s)"
Easter Parade: "Domestic Rentals: $4,144,000; Foreign Rentals: $1,774,134 (Unadjusted $s)"
↑  Schaefer, Eric. . Duke University Press. 1999: 197–199. ISBN 978-0-8223-2374-7. Leading the pack of postwar sex hygiene films was Mom and Dad (1944), which would become not only the most successful sex hygiene film in history but the biggest pre-1960 exploitation film of any kind. At the end of 1947, the Los Angeles Times reported that Mom and Dad had grossed $2 million. By 1949 Time had estimated that Mom and Dad had taken in $8 million from twenty million moviegoers. And publicity issuing from Mom and Dad's production company indicated that by the end of 1956 it had grossed over $80 million worldwide. Net rentals of around $22 million by 1956 would easily place it in the top ten films of the late 1940s and early 1950s had it appeared on conventional lists. Some estimates have placed its total gross over the years at up to $100 million, and it was still playing drive-in dates into 1975...The film was made for around $65,000 with a crew of Hollywood veterans including director William "One Shot" Beaudine, cinematographer Marcel LePicard, and a cast that sported old stalwarts Hardie Albright, Francis Ford, and John Hamilton.
↑ Block & Wilson 2010
p. 296 的存檔，存档日期April 4, 2023，.. "Production Cost: $1.6 (Unadjusted $s in Millions of $s)"
Wasson, Sam, : 297, 2010, This was that rare sequel that did even better at the box office than the original, bringing in a $3.7 million profit on $11.2 million in worldwide rentals.
↑  . The Numbers. Nash Information Services. LLC.   [July 10, 2011]. （原始内容存档于September 3, 2011）.
↑  Gabler, Neal. . Aurum Press. 2007: 438. Still, the film wound up grossing $3.3 million...
↑  . Turner Classic Movies.   [July 25, 2012]. （原始内容存档于July 24, 2019）.
↑ Hall & Neale 2010
p. 132 的存檔，存档日期April 3, 2023，.."Best Years was considerably cheaper, costing only $2.1 million, and therefore vastly more profitable."
p. 286 的存檔，存档日期April 3, 2023，. (note 6.70). "Worldwide rentals for The Best Years of Our Lives amounted to $14,750,000."
↑  Burns, Douglas, : 301, 2010, The film made a $5 million profit on worldwide rentals of $14.8 million.  In: Block & Wilson 2010.
1 2  Hall & Neale 2010，第285 (note 6.56)頁. "The cost of Duel in the Sun has been reported as both $5,255,000 (Haver, David O'Selznick's Hollywood, 361) and $6,480,000 (Thomson, Showman: The Life of David O'Selznick, 472); the latter figure may include distribution expenses. Forever Amber cost $6,375,000 (Solomon, Twentieth Century-Fox: A Corporate and Financial History, 243)."
↑  Chopra-Gant, Mike. . I.B. Tauris. 2006: 18. ISBN 978-1-85043-815-1. Forever Amber: $8 million; Unconquered: $7.5 million; Life with Father: $6.25 million
↑  . Turner Classic Movies.   [January 10, 2012]. （原始内容存档于July 15, 2015）.
↑  Miller, Frank. . Turner Classic Movies.   [July 19, 2012]. （原始内容存档于July 24, 2019）.
↑  Street, Sarah. . Continuum International Publishing Group. 2002: 110. ISBN 978-0-8264-1395-6. Although both films had higher than average budgets (The Red Shoes cost £505,581 and Hamlet cost £572,530, while the average cost of the other thirty films for which Rank supplied information was £233,000), they resulted in high takings at home and abroad.
↑  Officer, Lawrence H. . MeasuringWorth. 2011  [November 18, 2012]. （原始内容存档于November 18, 2012）. 1947–1948: $4.03 (per British pound)
↑  . The Numbers. Nash Information Services. LLC. （原始内容存档于December 28, 2011）.
↑  . Variety. January 19, 1949: 7.
1 2 Hall & Neale 2010，第 136–139頁
Samson and Delilah: "...the film became the highest grosser in the studio's history to date, with domestic rentals of $7,976,730 by 1955 and a further $6,232,520 overseas...For all their spectacle, Samson and David were quite economically produced, costing $3,097,563 and $2,170,000 respectively."
Quo Vadis: "Production costs totaled a record $7,623,000...Worldwide rentals totaled $21,037,000, almost half of which came from the foreign market."
↑  . The Numbers. Nash Information Services.   [January 2, 2017]. （原始内容存档于June 5, 2019）.
↑  Eisner, Michael D.; Schwartz, Tony. . Pennsylvania State University. 2009: 178. ISBN 978-0-7868-8507-7. Cinderella revived its fortunes. Re-released in February 1950, it cost nearly $3 million to make but earned more than $20 million worldwide.
↑  Barrier, Michael. . Oxford University Press. 2003: 401. ISBN 978-0-19-516729-0. It cost around $2.2 million, little more than each of the two package features, Melody Time and The Adventures of Ichabod and Mr. Toad (as Tluo Fabulous Characters had ultimately been named), that just preceded it, but its gross rentals—an amount shared by Disney and RKO—were $7.8 million, almost twice as much as the two package features combined.
↑  . Margaret Herrick Library, Academy of Motion Picture Arts and Sciences: Howard Strickling Collection. 1962.
1 2 Lev, Peter. . 7 of History of the American Cinema. University of California Press. 2006. ISBN 978-0-520-24966-0.
Quo Vadis: p. 15 的存檔，存档日期April 4, 2023，.. "MGM's most expensive film of the period, Quo Vadis (1951) also did extremely well. The cost was $7,623,000, earnings were an estimated $21.2 million (with foreign earnings almost 50 percent of this total), and profit was estimated at $5,562,000."
Rear Window: pp. 203 的存檔，存档日期April 4, 2023，.–204 的存檔，存档日期April 4, 2023，.. "Rear Window (1954) was an excellent commercial success, with a cost of $1 million and North American rentals of $5.3 million."
1 2 Block & Wilson 2010，第 335頁 .
The Robe: "Domestic Rentals: $16.7; Foreign Rentals: $9.4; Production Cost: $4.1 (Unadjusted $s in Millions of $s)."
Quo Vadis: "Domestic Rentals: $11.1; Foreign Rentals: $15.6; Production Cost: $7.5 (Unadjusted $s in Millions of $s)."
↑  Mulligan, Hugh A. . The Register-Guard (Eugene, Oregon). September 23, 1956: 7B.
↑  Zone, Ray. . University Press of Kentucky. 2012: 71. ISBN 978-0-8131-3611-0. Produced at a cost of $1 million, This is Cinerama ran 122 weeks, earning $4.7 million in its initial New York run alone and eventually grossed over $32 million. It was obvious to Hollywood that the public was ready for a new form of motion picture entertainment. The first five Cinerama feature-length travelogues, though they only played in twenty-two theaters, pulled in a combined gross of $82 million.
↑  Burns, Douglas, : 354–355, 2010, By May 1953, Variety was reporting that the Best Picture winner had amassed $18.35 million in worldwide rentals.  In: Block & Wilson 2010.
↑  . Turner Classic Movies.   [January 8, 2012]. （原始内容存档于July 14, 2015）.
↑  . Turner Classic Movies.   [July 24, 2011]. （原始内容存档于September 3, 2015）.
↑  . Variety. January 13, 1954: 10  [September 12, 2019].
↑  Hall & Neale 2010，第147–148頁. "To take full advantage of CinemaScope's panoramic possibilities, shooting was delayed for the sets to be redesigned and rebuilt, adding $500,000 to the eventual $4.1 million budget...It ultimately returned domestic rentals of $17.5 million and $25 million worldwide, placing it second only to Gone with the Wind in Variety's annually updated chart."
↑  Block & Wilson 2010，第367頁. "It brought in $16.7 million in domestic rentals, $9.4 million in foreign rentals, and made a net profit of $8.1 million."
↑  . Boxoffice.   [May 29, 2016]. （原始内容存档于May 30, 2016）.
↑  . Boxoffice.   [May 29, 2016]. （原始内容存档于May 30, 2016）.
↑  Block & Wilson 2010，第420頁. "Domestic Box Office: $19.6 million; Production Cost: $3.8 million."
↑  Hall & Neale 2010，第149頁. "VistaVision was first used for the musical White Christmas (1954), which Variety named the top grosser of its year with anticipated domestic rentals of $12 million."
↑  . Boxoffice.   [May 29, 2016]. （原始内容存档于December 25, 2018）.
↑  Miller, John M. . Turner Classic Movies.   [January 9, 2012]. （原始内容存档于December 21, 2014）.
↑  Finler 2003，第320頁. "It was up and running in time to handle Disney's most elaborate expensive feature, 20,000 Leagues Under the Sea, based on the book by Jules Verne, starring James Mason and Kirk Douglas and directed by Richard Fleischer at a cost of $4.5 million."
1 2 3  D'Alessandro, Anthony. . Variety. October 27, 2003  [July 4, 2022]. （原始内容存档于November 4, 2020） –The Free Library. The Jungle Book $378 million; One Hundred and One Dalmatians $303 million; Lady and the Tramp $187 million
↑  . Turner Classic Movies.   [July 27, 2011]. （原始内容存档于September 28, 2015）.
↑  Minego, Pete. . Portsmouth Daily Times (Portsmouth, Ohio). May 21, 1956: 19.
↑  . Turner Classic Movies.   [July 7, 2012]. （原始内容存档于July 24, 2019）.
↑ Block & Wilson 2010
p. 382 的存檔，存档日期April 3, 2023，.. "Production Cost: $2.4 (Unadjusted $s in Millions of $s)"
Burns, Douglas, : 383, 2010, Mister Roberts sailed onto movie screens buoyed by enthusiastic reviews and receptive audiences. For pr, Fonda, Cagney, and lemmon reenacted several scenes on ed sullivan's popular Toast of the Town television variety show. It returned a net profit of $4.5 million on worldwide rentals of $9.9 million, putting it in the top 5 domestic films of 1955.
↑  Block & Wilson 2010，第327頁. "Production cost: $13.3 million; Domestic Film Rental: $31.3; Foreign Film Rental: $23.9; Worldwide Box office (estimated): $122.7 (Initial Release – Unadjusted $s in Millions of $s)."
1 2 Hall & Neale 2010，第 159–161頁
The Ten Commandments: "No film did more to entrench roadshow policy than The Ten Commandments. While the success of This Is Cinerama, The Robe, and even Eighty Days could be attributed, at least in part, to their respective photographic and projection formats, that of DeMille's film (which cost a record $13,266,491) could not...General release began at normal prices in 1959 and continued until the end of the following year, when the film was temporarily withdrawn (the first of several reissues came in 1966). The worldwide rental by this time was around $60 million. In the domestic market it dislodged Gone with the Wind from the number one position on Variety's list of All-Time Rentals Champs. GWTW had hitherto maintained its lead through several reissues (and was soon to regain it through another in 1961)."
The Bridge on the River Kwai: Columbia's Anglo-American war film The Bridge on the River Kwai (1957) opened on a roadshow basis in selected U.S. cities (including New York, Chicago, Boston, and Los Angeles) and in London. Costing only $2,840,000 to produce, it grossed $30.6 million worldwide on first release."
↑  Hall & Neale 2010，第153頁. "South Pacific also became for a time the most successful film ever released in the United Kingdom, where it earned a box-office gross three times its negative cost of $5,610,000. Anticipated global rentals after three years were $30 million."
↑  Ross, Steven J. . Oxford University Press. 2011: 278–279. ISBN 978-0-19-991143-1. Costing $15 million to produce, the film earned $47 million by the end of 1961 and $90 million worldwide by January 1989.
↑  Block & Wilson 2010，第324頁. "Worldwide box office: $146.9 million; Worldwide rentals: $66.1 million; Production cost: $15.9 million. (Initial Release – Unadjusted $s in Millions of $s)"
↑  Reid, John Howard. . 14 of Hollywood classics. Lulu. 2006: 243–245. ISBN 978-1-4116-7877-4. Negative cost: around $4 million; Worldwide film rentals gross (including 1968 American reissue) to 1970: $30 million.
↑  Webster, Patrick. . McFarland & Company. 2010: 298 (note 2.23). ISBN 978-0-7864-5916-2. Spartacus cost $12 million and grossed some $60 million at the box office, figures Kubrick rarely again matched.
1 2 Hall & Neale 2010，第 179頁 .
Spartacus: "In the case of Spartacus, overseas earnings to 1969 amounted to $12,462,044, while U.S. and Canadian rentals (even including a million-dollar TV sale) were only $10,643,181. But the film failed to show a profit on production costs of $10,284,014 because of the distribution charges and expenses amounting to an additional $15,308,083."
The Bible: "The Bible—In the Beginning... (1966) was financed by the Italian producer Dino De Laurentiis from private investors and Swiss banks. He then sold distribution rights outside Italy jointly to Fox and Seven Arts for $15 million (70 percent of which came from Fox), thereby recouping the bulk of his $18 million investment. Although The Bible returned a respectable world rental of $25.3 million, Fox was still left with a net loss of just over $1.5 million. It was the last biblical epic to be released by any major Hollywood studio for nearly twenty years."
↑  Nixon, Rob. . Turner Classic Movies.   [January 9, 2012]. （原始内容存档于September 12, 2015）.
↑  Tube. . Daily Variety. January 18, 1961  [August 23, 2011]. （原始内容存档于November 9, 2012）.
↑  Block, Hayley Taylor, : 449, 2010, With its three rereleases, it took in over $105 million in worldwide box office ($720 million in 2005 dollars).  In: Block & Wilson 2010.
1 2 3 4 5 6 7 Block & Wilson 2010，第 434頁 .
The Sound of Music: "Domestic Rentals: $68.4; Foreign Rentals: $46.2; Production Cost: $8.0 (Initial Release – Unadjusted $s in Millions of $s)."
The Dirty Dozen: "Domestic Rentals: $20.1; Foreign Rentals: $11.2; Production Cost: $5.4 (Initial Release – Unadjusted $s in Millions of $s)."
2001: A Space Odyssey: "Domestic Rentals: $16.4; Foreign Rentals: $5.5; Production Cost: $10.3 (Initial Release – Unadjusted $s in Millions of $s)."
Cleopatra: "Domestic Rentals: $22.1; Foreign Rentals: $18.2; Production Cost: $44.0 (Initial Release – Unadjusted $s in Millions of $s)."
West Side Story: "Domestic Rentals: $16.2; Foreign Rentals: $15.6; Production Cost: $7.0 (Initial Release – Unadjusted $s in Millions of $s)."
The Longest Day: "Domestic Rentals: $13.9; Foreign Rentals: $19.3; Production Cost: $8.6 (Initial Release – Unadjusted $s in Millions of $s)."