联觉
参考资料

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↑  [页码请求] Cytowic, Richard E. (2002). Synesthesia: A Union of the Senses (2nd edition). Cambridge, Massachusetts: MIT Press. ISBN 0-262-03296-1. OCLC 49395033
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1 2  Peacock, Kenneth. "Instruments to Perform Color-Music: Two Centuries of Technological Experimentation,"Leonardo 21, No. 4 (1988) 397–406.
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↑  Jung, C.G. The Transformation of Libido in "Symbols of Transformation", CW5, London 1912/1956, Routledge & Kegan Paul, para.237.
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↑  Barth, Friedrich; Giampieri-Deutsch, Patrizia; Hans-Dieter, Klein. . Vienna: Springer Vienna. 2012: 221. ISBN 9783211997505. I invented the colours of the vowels!
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↑  [页码请求] Maur, Karin von. . Munich: Prestel. 1999. ISBN 978-3-7913-2082-3.
↑  [页码请求] Gage, John D. . London: Thames and Hudson. 1993. ISBN 978-0-500-27818-5.
↑  [页码请求] Gage, John D. . Berkeley: University of California Press. 1999. ISBN 978-0-520-22611-1.
↑  [页码请求] Campen, Cretien van (2009) Visual Music and Musical Paintings. The Quest for Synesthesia in the Arts. In: F. Bacci & D. Melcher. Making Sense of Art, making Art of Sense. Oxford: Oxford University Press.
↑  Steen C. . Leonardo. 2001, 34 (3): 203–208. doi:10.1162/002409401750286949.
↑  Marcia Smilack Website （页面存档备份，存于） Accessed 20 August 2006.
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↑  see Samuel, Claude. 1994 (1986). Olivier Messiaen: Music and Color. Conversations with Claude Samuel. Translated by E. Thomas Glasow. Portland, Oregon: Amadeus Press.
↑  [页码请求] Ellington, as quoted in George, Don. 1981. Sweet man: The real Duke Ellington. New York: G.P. Putnam's Sons. Page 226.
↑  according to the Russian press: Yastrebtsev V. "On N.A.Rimsky-Korsakov's color sound- contemplation."  Russkaya muzykalnaya gazeta, 1908, N 39–40, p. 842–845 (in Russian), cited by Bulat Galeyev (1999).
↑  [页码请求] Feynman, Richard. 1988. What Do You Care What Other People Think? New York: Norton. P. 59.
1 2  Seaberg, M. . New Page Books. 2011. ISBN 978-1-60163-159-6.
↑  Spanos, Brittany; Spanos, Brittany. . Rolling Stone. 2016-01-15  [2019-11-13]. （原始内容存档于2019-04-26） （美国英语）.
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↑  Cairns, Dan. . The Times (London). 2008-02-24  [2008-07-24]. （原始内容存档于2011-06-16）.
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↑  [來源可靠？] 「它只是一直在我的腦海中浮現，而且我總能看到它。 我不知道這是否有意義，但我總是可以形象化地聽見自己的聲音... 對，它總是就像怪異的顏色。」 摘自「夜線訪談（Nightline interview）」跟菲瑞·威廉斯的訪談
↑  . Psychology Today. 2012-03-03  [2014-05-15]. （原始内容存档于2022-08-05）.
↑  Loose Women | Marina and the Diamonds – ITV Lifestyle （页面存档备份，存于） ITV – 27 April 2010 – Retrieved 28 April 2010.
↑  [页码请求] Dann, Kevin T. . New Haven, Conn: Yale University Press. 1998. ISBN 978-0-300-06619-7.
↑  This is according to an article in the Russian press, Yastrebtsev V. "On N.A.Rimsky-Korsakov's color sound- contemplation." Russkaya muzykalnaya gazeta, 1908, N 39–40, pp. 842–845 (in Russian), cited by Bulat Galeyev (1999).
↑  . Business Insider.   [2018-01-11]. （原始内容存档于2017-01-31） （英语）.
字位→顏色聯覺中被交叉的區域（綠色=字位→顏色聯覺識別區；紅色=視覺皮層V4顏色區域）。
用於獲得跟聯覺者的自動顏色一致答案的反應時間短於那些答案不一致的人。
聯覺體驗的自動化。聯覺者可能會感覺到左側面板就像右側面板。
摘自2009年非小說類書籍《星期三是靛藍色的（英语：）》。注意數字1-12形成了一個上下顛倒的時鐘面。
法蘭西斯·高爾頓（1881）的數字形式聯覺。注意首４位數大致對應於其鐘面上的的位置。
如這樣的測試表明人們不會武斷地把聲音附加到視覺形狀上。當人們在單詞「波巴」和「奇奇」之間進行選擇時，左邊的形狀幾乎總是被稱作「奇奇」，而右邊的稱為「波巴」。