stanford-oval/wikipedia huggingface dataset:
泳裝史
18世紀

已隱藏部分未翻譯内容，歡迎參與。
The 泳衣 in the 18th century was a loose ankle-length full-sleeve chemise（英语：）-type gown made of wool or flannel, so that modesty or decency was not threatened.
In the United Kingdom until the mid-19th century there was no law against nude swimming, and each town was free to make its own laws. For example, the 巴斯 Corporation official bathing dress code of 1737 prescribed, for men:
It is Ordered Established and Decreed by this Corporation that no Male person above the age of ten years shall at any time hereafter go into any Bath or Baths within this City by day or by night without a Pair of 内衣 and a 馬甲 (西式外套) on their bodies.
In rivers, lakes, streams and the sea men swam in the nude, where the practice was common. Those who did not swim in the nude, stripped to their underwear.
The Bath Corporation official bathing dress code of 1737 prescribed, for women:
No Female person shall at any time hereafter go into a Bath or Baths within this City by day or by night without a decent Shift on their bodies.
The Expedition of Humphry Clinker（英语：） was published in 1771 and its description of ladies' bathing costume is different from that of Celia Fiennes a hundred years earlier:
The ladies wear jackets and petticoats of brown linen, with chip hats, in which they fix their handkerchiefs to wipe the sweat from their faces; but, truly, whether it is owing to the steam that surrounds them, or the heat of the water, or the nature of the dress, or to all these causes together, they look so flushed, and so frightful, that I always turn my eyes another way.
19世紀

已隱藏部分未翻譯内容，歡迎參與。
The English practice of men swimming in the nude was banned in the United Kingdom in 1860. Drawers, or 四角褲s as they were called, came into use in the 1860s. Even then there were many who protested against them and wanted to remain in the nude. Francis Kilvert（英语：） described men's bathing suits coming into use in the 1870s as "a pair of very short red and white striped drawers".
In the first half of the 19th century the top became knee-length while an ankle-length drawer was added as a bottom. By the second half of the 19th century, in France, the sleeves started to vanish, the bottom became shorter to reach only the knees and the top became hip-length and both became more form fitting.
Penelope Byrde points out that Smollett's description may not be accurate, for he describes a two-piece costume, not the one piece shift or smock that most people describe and is depicted in contemporary prints. His description does, however, tally with Elizabeth Grant's description of the guide's costume at Ramsgate in 1811. The only difference is in the fabric the costumes are made of. Flannel, however, was a common fabric for sea bathing costumes as many believed the warmer fabric was necessary in cold water.
In the West, in the 19th century women wore a 泳衣 in the water. These were loose ankle-length full-sleeve chemise（英语：）-type gown made of wool or flannel, so that modesty or decency was not threatened. They were long dresses of fabrics that would not become transparent when wet, with weights sewn into the hems so that they would not rise up in the water. The men's swim suit, a rather form-fitting wool garment with long sleeves and legs similar to long underwear, was developed and would change little for a century.
In the 19th century, the woman's double suit was common, comprising a gown from shoulder to knees plus a set of trousers with leggings going down to the ankles. In the first half of the 19th century the top became knee-length while an ankle-length drawer was added as a bottom. By the second half of the 19th century, in France, the sleeves started to vanish, the bottom became shorter to reach only the knees and the top became hip-length and both became more form fitting. In the 1900s women wore wool dresses on the beach that were made of up to 9碼（8.2） of fabric.
In the 维多利亚时代, Western cultures deplored nudity of any degree, and people took great pains to cover themselves, even bare chested male swimmers at ocean beaches.[來源請求] Popular beach resorts were commonly equipped with bathing machine（英语：）s designed to avoid the exposure of people in swimsuits, especially to people of the opposite sex.
In the United States, 選美活動s of women in bathing costumes became popular from the 1880s. However, such events were not regarded as respectable. Beauty contests became more respectable with the first modern "美利坚小姐" contest held in 1921, though less respectable beauty contests continued to be held.
乔治·杜穆里埃於1877年在Punch創作的卡通片展示了男士和兒童泳衣
1876-1880的美國泳衣
1885的美國泳衣
1890–1895的美國泳衣
20世紀早期

的合身連體式（1907）啟發了奥林匹克运动会早期（1912）的女性泳裝
1907年澳大利亞的游泳運動員Annette Kellerman（英语：）作為水下芭蕾舞演員訪問美國，她的連體泳衣露出了手腿和脖子。與當時的男士泳裝相似。
到1910年，連體泳衣成為歐洲部分地區女性公認的泳裝。
已隱藏部分未翻譯内容，歡迎參與。
In 1907, the swimmer Annette Kellerman（英语：） from Australia visited the United States as an "underwater ballerina", a version of 花样游泳 involving diving into glass tanks. Her swimsuit showed arms, legs and the neck, a costume she adopted from England, and which was similar to men's swimsuits of the time. Kellerman changed the suit to have long arms and legs and a collar, still keeping the close fit that revealed the shapes underneath. Kellerman marketed a line of bathing suits and her style of one-piece suits came to be known as "the Annette Kellerman". The one-piece swimming tights became accepted swimsuit attire for women in parts of Europe by 1910. 时尚芭莎 praised the Kellerman swimsuit, writing in June 1920 (vol. 55, no. 6, p. 138) "Annette Kellerman Bathing Attire is distinguished by an incomparable, daring beauty of fit that always remains refined." The following year, in June 1921 (vol. 54, no. 2504, p. 101) it wrote that these bathing suits were "famous ... for their perfect fit and exquisite, plastic beauty of line."
1910

海灘（1915）和雜誌（1916）的泳裝。
儘管一些團體反對，泳裝仍開始進一步縮水。露出手臂，然後露出大腿。領口從脖子周圍退到胸部頂部周圍。
已隱藏部分未翻譯内容，歡迎參與。
Despite opposition from some groups, the form-fitting style proved popular. It was not long before swimwear started to shrink further. At first arms were exposed and then legs up to mid-thigh. Necklines receded from around the neck down to around the top of the bosom. The development of new fabrics allowed for new varieties of more comfortable and practical swimwear.
Female swimming was introduced at the 1912 Summer Olympics（英语：）. Competitors from 17 countries took part, with women from nine countries wearing swimsuits similar to Kellerman's swimsuit, which were similar to swimsuits worn by the male swimmers. In 1913, inspired by the breakthrough, the designer Carl Jantzen（英语：） made the first functional two-piece swimwear, a close-fitting one-piece with shorts on the bottom and short sleeves on top. Silent films such as The Water Nymph（英语：） (1912) saw Mabel Normand（英语：） in revealing attire, and this was followed by the daringly dressed Sennett Bathing Beauties (1915–1929). The name "swim suit" was coined in 1915 by Jantzen Knitting Mills, a sweater manufacturer who launched a swimwear brand named the Red Diving Girl. The first annual bathing-suit day at New York's 麦迪逊广场花园 in 1916 was a landmark. The swimsuit apron, a design for early swimwear, disappeared by 1918, leaving a tunic covering the shorts.
Public nudity was a major concern in designing early swimwear. It was a major factor behind the non-participation of American women in the 1912 Olympics. At those Games, British women wore full-body silk suits of such a volume that they could be passed through a wedding ring. The suits were complemented by 胸罩 and 比基尼泳衣-style briefs as they became transparent when wet. Women's coaches were rare at early Olympics, and to further reduce the chances of harassment women were accompanied by chaperones（英语：）. Even men wore 连体泳衣s covering the body from hips to shoulders up to the 1940s.
1920

During the 1920s and 1930s, people began to shift from "taking in the water" to "taking in the sun", at bathhouses and spas, and swimsuit designs shifted from functional considerations to incorporate more decorative features. 嫘縈 was used in the 1920s in the manufacture of tight-fitting swimsuits, but its durability, especially when wet, proved problematic, with jersey（英语：） and 丝绸 also sometimes being used.
Burlesque（英语：） and 歌舞杂耍表演 performers wore two-piece outfits in the 1920s. The 1929 film 持攝影機的人 shows Russian women wearing early two-piece swimsuits which expose their midriff, and a few who are topless. Films of holidaymakers in Germany in the 1930s show women wearing two-piece suits, In 1928, 速比涛 introduced their racerback silk suit that was optimized to fit the body shape.
1930

By the 1930s men began to go without shirts for swimming, and barechestedness in male swimwear became the norm by the end of the 1940s, including in competitive swimming events, in which men are not only barechested, but wear a swimming suit that is intended merely to meet public decency requirements. The norm of male barechestedness in swimwear extended to other competitive sports, such as professional boxing and professional wrestling.
By the 1930s, necklines plunged at the back, sleeves disappeared and sides were cut away and tightened. With the development of new clothing materials, particularly 乳胶 and 尼龙, through the 1930s swimsuits gradually began hugging the body, with shoulder straps that could be lowered for tanning. Hollywood endorsed the new glamour with films such as Neptune's Daughter（英语：） (1949) in which Esther Williams（英语：） wore provocatively named costumes such as "Double Entendre" and "Honey Child". Williams, who also was an Amateur Athletic Union（英语：） champion in the 100 meter 自由泳 (1939) also portrayed Kellerman in the 1952 film Million Dollar Mermaid（英语：） (titled as The One Piece Bathing Suit in UK). American designer Adele Simpson（英语：）, a Coty American Fashion Critics' Awards（英语：） winner (1947) and a notable alumna of the New York art school 普瑞特藝術學院, who believed clothes must be comfortable and practical designed a large part of her wardrobe which included mostly one-piece suits that were considered fashionable even in the early 1980s. This was when Cole of California started marketing revealing prohibition suits and Catalina Swimwear（英语：） introduced almost bare-back designs.
可可·香奈尔 made suntans fashionable, and in 1932 French designer 玛德琳·薇欧奈 offered an exposed midriff in an evening gown. They were seen a year later in Gold Diggers of 1933（英语：）. The Busby Berkeley（英语：） film Footlight Parade（英语：） of 1932 showcases 花样游泳 that featured bikinis.  Dorothy Lamour（英语：）'s The Hurricane（英语：） (1937) also showed two-piece bathing suits.  The 1934 film, Fashions of 1934（英语：） featured chorus girls wearing two-piece outfits which look identical to modern bikinis. In 1934, a National Recreation Association study on the use of leisure time found that swimming, encouraged by the freedom of movement the new swimwear designs provided, was second only to movies in popularity as free time activity out of a list of 94 activities. In 1935 American designer Claire McCardell（英语：） cut out the side panels of a maillot-style bathing suit, the bikini's forerunner. The 1938 invention of the Telescopic Watersuit in shirred elastic cotton ushered into the end the era of wool. Cotton sun-tops, printed with palm trees, and silk or rayon pyjamas, usually with a blouse top, became popular by 1939.
Speedo racerback silk suit that uncovered the 肩胛骨 almost resulted in disqualification of 克莱尔·丹尼斯 at the 1932 Olympics, but became a norm by 1936. Meanwhile, men were allowed to swim in bare-chest suits in 1936, and in briefs only at the 1948 Olympics.
1940

Wartime production during 第二次世界大战 required vast amounts of 棉花, 丝绸, 尼龙, 羊毛, 皮革, and 天然橡胶. In 1942, the United States  战时生产委员会 issued Regulation L-85, cutting the use of natural fibers in clothing and mandating a 10% reduction in the amount of fabric in women's beachwear. To comply with the regulations, swimsuit manufacturers produced two-piece suits with bare midriffs. The fabric shortage continued for some time after the end of the war.
Women's swimwear of the 1930s and 1940s incorporated increasing degrees of midriff exposure（英语：）. Teen magazines of late 1940s and 1950s featured similar designs of midriff-baring suits and tops. However, midriff fashion was stated as only for beaches and informal events and considered indecent to be worn in public.
Because of the figure-hugging nature of these garments, 魅力摄影 since the 1940s and 1950s has often featured people wearing swimsuits. This type of glamour photography eventually evolved into swimsuit photography exemplified by the annual 運動畫刊泳裝特輯. Beauty contests also required contestants to wear form-fitting swimsuits.
Two-piece swimsuits without the usual skirt panel and other superfluous material started appearing in the U.S. when the government ordered the 10% reduction in fabric used in woman's swimwear in 1943 as wartime rationing. By that time, two-piece swimsuits were ubiquitous on American beaches. The July 9, 1945, 生活 (雜誌) shows women in 巴黎 wearing similar items. 美国电影 stars like 艾娃·加德纳, 丽塔·海华丝 and 拉娜·特纳 tried similar swimwear or 泳衣. 海報女郎 of Hayworth and Esther Williams（英语：） in the costume were widely distributed. The most provocative swimsuit was the 1946 Moonlight Buoy, a bottom and a top of material that weighed only eight ounces. What made the Moonlight Buoy distinctive was a large 軟木 (材料) 帶扣 attached to the bottoms, which made it possible to tie the top to the cork buckle and splash around 天然主義 while keeping both parts of the suit afloat. 生活 (雜誌) magazine had a 影像式論文 on the Moonlight Buoy and wrote, "The name of the suit, of course, suggests the nocturnal conditions under which nude swimming is most agreeable."
1960

In 1964 designer Rudi Gernreich（英语：） conceived and produced the monokini, a revolutionary and controversial design included a bottom that "extended from the midriff to the upper thigh" and was "held up by shoestring laces that make a halter around the neck."
1970

In the 1970s Speedo added 氨綸 to their swimsuits that improved their elasticity, durability and reduced water drag – 21 out of 22 records at the 1972 Olympics were broken using nylon/elastane suits.
At the same Olympics, East German swimmers adopted suits that were tightly following the body shape, the so-called "skinsuits". They were initially made of cotton and became virtually transparent when wet. The revealing shape and transparency caused outrage among US swimmers; meanwhile, at the 1973 World Aquatics Championships（英语：）, East German women won 10 of 14 events and set seven world records. Those championships became the turning point for the world to adopt the skinsuit, modified with novel synthetic materials, as a standard competitive swimwear.
1980

In 1985, Gernreich unveiled the lesser known pubikini（英语：）, a bathing suit meant to expose 陰毛. The pubikini is a small piece of fabric that hugs the hips and buttocks but leaves the pubic region exposed, described as a tiny V-shaped fabric strip and a piece de resistance totally freeing the human body. It featured a thong-style bottom while the front was a tiny V-shaped strip of fabric that dipped below the woman's 阴阜, exposing her 陰毛 and portions of her 女陰. This was his last design, four weeks before his death.
1990

Tankini（英语：） and the concept of mix-and-match swimwears were the two major innovations in that genre in the late 1990s. Designer Anne Cole（英语：）, the US swimwear mogul, was the originator of this style. Hailed as the first major innovation in women's swimsuit design in several decades, the two-piece tankini blended the freedom of a bikini with the more modest coverage of a one-piece bathing suit, and quickly captured nearly a third of the swimwear market. Aimed at closing a gap in the swimwear market, the popularity of tankini largely came from Cole's tapping into women's anxieties about swimwear. In the years following its introduction tankinis diversified in style and range, adding other big name designers such as 拉尔夫·劳伦, 唐娜·卡兰, 諾帝卡, and 卡爾文·克雷恩 (設計師).
For men, longer and baggier shorts became popular in this era, with the hems often reaching to the knees. Often called boardshorts and swim trunks, these were worn lower on the hips than regular shorts.
2000

In 2005, a controversy broke out when 佛教s complained against swimwear manufacturer Ondade Mar and lingerie giant 维多利亚的秘密 started marketing tankinis featuring Buddhist iconography. In the same year 耐克's breast cancer awareness swimwear collection featured four different cuts of tankini.
In 2000, Speedo launched the 速比涛 suit series that mimicked shark skin. Their surface contained bumps and ridges that channeled the water over the swimmer's body approximately 3% more efficiently than traditional materials. Those suits covered most of the body, from neck to ankles and wrists, and their shape was optimized for specific swimming strokes, compressing some body parts while allowing more freedom to the others. Those suits were approved for the 2000 Olympics, where they helped win 83% of the medals. By the next Olympics, similar suits had been developed by Tyr Sport, Inc.（英语：）, but they were not approved by the 世界水上运动.
In July 2009, 世界水上运动 voted to ban non-textile (non-woven) swimsuits in competitive events from 2010. The new policy was implemented to combat the issues associated with performance enhancing costumes, hindering the ability to accurately measure the performance of swimmers. Subsequently, the new ruling states that men's swimsuits may maximally cover the area from the navel to the knee, and women's counterparts from the shoulder to the knee.
2010

2009年7月，世界水上运动投票決定禁止在2010年的比賽項目中使用非紡織（無紡布）泳衣。男士泳衣可以最大限度地覆蓋從肚臍到膝蓋的區域，而女士泳衣則可以最大限度地覆蓋從肩膀到膝蓋的區域。
參見

競技泳裝史（英语：）
比基尼史（英语：）
裸體史（英语：）
參考 > 來源

Victoriana Maganzine （页面存档备份，存于）
CNN （页面存档备份，存于） - 1
CNN （页面存档备份，存于） - 2
BBC （页面存档备份，存于） - 1
BBC （页面存档备份，存于） - 2
CBS News （页面存档备份，存于）
MNN （页面存档备份，存于）
1870年代的美國羊毛女式泳衣，覆蓋手腿
Man and woman in swimsuits, 约1910; she is exiting a bathing machine（英语：）
American 1920s woman's bathing suit
奥斯卡金像奖 winner actress 珍·惠曼 lounging on a California beach, 1935
桃園市政府社會局

| 桃園市政府社會局 Department of Social Welfare,  Taoyuan City Government（英語） |
| --- | --- |
 中華民國政府機構


所屬部門: 桃園市政府
員額: 150人
授權法源: 桃園市政府社會局組織規程
主要官員
局長: 陳寶民
副局長: 陳茹文、蔡逸如
聯絡
地址: 33001 桃園市桃園區縣府路1號 3、4、8樓
電話: +886 3 332-2101　　
網站: sab.tycg.gov.tw
桃園市政府社會局（英：Department of Social Welfare, Taoyuan），桃園市政府社會局係所屬桃園市政府的一級機關。
歷史沿革

2014年12月25日：隨桃園縣正式升格直轄市，桃園縣政府社會局隨之更名為「桃園市政府社會局」。
組織 > 行政單位

秘書室：文書、檔案、出納、公文管理、事務、採購、財產管理、館舍新建與維護管理、公關及不屬於其他各單位事項。
會計室：依法辦理歲計、會計及統計事項。
人事室：依法辦理人事管理事項。
政風室：依法辦理政風事項。
組織 > 業務單位

身心障礙福利科：身心障礙者生活、托育扶助與照顧、機構及團體輔導與管理、福利需求評估、個案管理及生活重建服務、權益保障及公益彩券盈餘分配基金管理等事項。
人民團體科：人民團體輔導、辦理慶典活動、社區發展組織與輔導、志願服務、合作社輔導與籌組、財團法人社會福利基金會輔導及管理等事項。
兒童及少年福利科：兒童及少年福利政策推動及相關權益維護與辦理各項福利服務、兒童及少年福利機構之立案、輔導與管理等事項。
社會救助科：低收入戶生活扶助與照顧、急難救助、醫療補助、災害救助、遊民輔導、社會救助金專戶管理、公益勸募輔導、公益信託基金輔導與管理、國民年金所得未達一定標準補助及以工代賑等事項。
老人福利科：老人有關之權益維護、福利服務、文康休閒、長期照顧、社區照顧、及相關機構之監督與輔導等事項。
居家及社區長照服務科：居家式及社區式長期照顧服務機構、長期照顧服務機構法人之管理與輔導，居家式及社區式長期照顧服務與家庭照顧者支持服務管理等事項。
綜合企劃科：統籌本市社會福利政策、制度規劃及執行、本局施政計畫之規劃、社會福利績效考評規劃整合、研究發展及管制業務、法制、資訊等事項。
社會工作科：脆弱家庭關懷服務、社會資源開發與整合、福利服務諮詢、福利服務方案之推動、社會工作專業訓練及社會工作師執業管理等事項。
組織 > 所屬二級機關

桃園市政府家庭暴力暨性侵害防治中心
外部連結

桃園市政府社會局 （页面存档备份，存于）（中文）
佐伯日菜子

| 日語寫法 |
| --- | --- |
日語原文: 
假名: 
平文式罗马字: 
佐伯日菜子（1977年2月16日—），日本女演员，出生于奈良县。
經歷

1994年 以電影每天都是暑假（日语：）（金子修介導演）一片發跡
1994年 第18回日本奧斯卡的最佳新人
1998年 以七夜怪談劇中的山村貞子角色走红
2002年 與日本足球員奧大介結婚，育有兩女
2013年 與日本足球員奧大介離婚
連續劇

1997年：《千面女郎》
1997年：《那些日子以來》
1998年：《空中情緣》
2000年：《另一個天堂》
2000年：亞洲電視《我和殭屍有個約會II》 飾 藤原貞子
2014年：《牙狼 - MAKAINOHANA》
2015年：《超人力霸王X》第3話 - 間伏涼子
電影作品

1994年，《毎日が夏休み》，飾 林海寺スギナ
第18回 山路ふみこ賞 新人女優賞
第16回 横濱国際映画祭 最優秀新人賞
第20回 大阪映画祭 新人賞
第18回 日本電影金像獎 新人賞
1998年，《午夜凶铃2：复活之路》（在台灣上映片名《七夜怪談》），飾 山村貞子
2000年，《蛇女》，飾 矢野文(主演)
2001年，《ギプス》，飾 長谷川環(主演)
2001年，《人間の屑》，飾 ミオ
2001年，《ゴジラ・モスラ・キングギドラ　大怪獣総攻撃》，飾 (特別出演)
2005年，《約束》，飾 広瀬愛美(主演)
2006年，《ハミングライフ》，飾 後藤理絵子
第19回 東京国際映画祭 特別招待作品
CD

2000年4月21日發行，DEBUT SINGLE 『冷たい月を抱く女～蒼い記憶のグノス』
2001年2月1日，『タッチ～CROSS ROAD風のゆくえ』
埃德温·范德萨

| 0 | 1 | 2 | 3 |
| --- | --- | --- | --- |
 
個人
全名:  
出生日期:   (1970-10-29) 1970年10月29日（54歲）
出生地點:   荷蘭南荷兰省福尔豪特
身高:  
位置:  守門員
青年隊
1980–1985:  Foreholte
1985–1990:  VV諾德韋克（荷兰语：）
職業*
| 年份 |  球隊 |   |  （） |
| 1990–1999 |  阿積士 |  226 |  (1) |
| 1999–2001 |  祖雲達斯 |  66 |  (0) |
| 2001–2005 |  富咸 |  127 |  (0) |
| 2005–2011 |  曼聯 |  186 |  (0) |
| 2016 |  VV諾德韋克（荷兰语：） |  1 |  (0) |
| 總計 |   |  606 |  (1) |

| 1995–2008 |   荷蘭 |  130 |  (0) |
 * 職業次數與數僅計算國內聯賽部份 
埃德溫·范德薩（荷蘭語：，发音：[ˈɛtʋɪɱ vɑn dər ˈsɑr] （File:Nl-Edwin van der Sar.ogg）；1970年10月29日—），前荷蘭足球運動員，司職守門員，曾效力阿積士、祖雲達斯、富咸及曼聯等球會，曾在2008年獲得欧洲冠军联赛的冠軍。范德薩亦是歷來代表荷兰国家足球队次數最多的球員。現在為荷蘭班霸球會阿積士的管理層。
球會生涯

雲達沙開始他的職業生涯是在阿贾克斯，是阿賈克斯青訓系統培養出的最為出名的球員之一，也為阿積士及其生涯射入唯一一球12碼。除了大量的聯賽榮譽外，1995年他出賽為俱乐部贏取了歐洲冠軍杯，隔年再次殺進决赛，於互射点球中落敗，失去了蝉联欧洲球會最高荣誉的机会。
1999年轉會到了祖雲達斯，有66次上場。而2001年因為帕爾馬的國門布馮來投，他轉會至富咸，據報轉會費高達770萬英鎊。
2005年5月，他轉會至英超強隊曼聯，並沒有透露轉會費，據報為200萬英鎊。2006/07年球季，他協助球隊重奪失落了三年的英超冠軍。在決定冠軍歸屬的比賽中，他用腳擋出了曼城隊華素爾的点球，幫助球隊1-0獲勝，提前兩輪奪冠。
2007/08年賽季初的社區盾賽事中，曼聯與車路士以1-1打成平手；進入互射十二碼階段後，他連續撲出了車路士三名球員的十二碼，最後球隊以3-0勝出。到了2008年5月，曼联又在欧洲冠军联赛决赛中与切尔西打成了1-1平手，再次互射点球，范德萨在最后时刻扑出了的点球，帮助球队夺得冠军。取胜后的范德萨兴奋地说他完成了12年等待的梦想，他也成为了为数不多的代表不同球队获得欧洲冠军的球员之一，和唯一在欧冠决赛互射点球中获胜和失利过的门将。
2008年12月12日雲達沙與曼聯延長一年合約。2009年1月27日5-0大勝西布朗後，曼聯在聯賽連續11仗不失球，而雲達沙亦打破施治所保持1,025分鐘零失球的紀錄。
雲達沙代表曼联的最后一场比赛是在5月28日对阵巴塞罗那的2011年欧洲冠军联赛决赛，曼联以1-3输掉了比赛。
國家隊生涯

范德萨登场的第一次国际比赛是1995年七月，对手是白俄罗斯。他代表荷兰国家足球队出賽超過120场，作为守门员他在96年歐洲國家盃、98年世界杯和2000年歐洲國家盃三項大赛中成功地扑出了三个点球 。
在2004年歐洲國家盃，與瑞典队的四分之一决赛中的最后互射十二碼階段，雲達沙曾經救出了梅爾貝里的点球，给阿扬·罗本的决定性最后一球创造了机会，并最终取胜。
在2006年世界杯小组赛对阵科特迪瓦之前，范德萨已经连续九场比赛未失一球。作为荷兰队队长，他在當屆世界杯第二轮对阵葡萄牙的比赛中打破了法蘭迪保亞的国家队出場纪录。
2008年歐洲國家杯八強以1-3負於俄羅斯隊後，38岁的范德萨宣佈退出國家隊。但在对阵冰岛和挪威的两场世界杯预选赛前，橙衣军团闹门荒，主教练竟然找不到可以信任的守门员，只能邀请這位红魔门神出山应急。已退出国家队的范德萨再次披上国家队战袍，180分钟内保持城门不失，帮助橙衣军团以三战全胜战绩坐稳了第九小组头把交椅。
榮譽

荷蘭甲組足球聯賽冠軍：1994年、1995年、1996年、1998年
荷蘭盃冠軍：1993年、1998年、1999年
告魯夫盾冠軍：1993年、1994年、1995年
歐洲聯賽冠軍盃冠軍：1995年
欧洲联盟杯冠軍：1992年
欧洲超级杯冠軍：1995年
洲際盃冠軍：1995年
欧洲足联国际托托杯冠軍：1999年
欧洲足联国际托托杯冠軍：2002年
英格兰足球超级联赛冠軍：2007年、2008年、2009年、2011年
歐洲聯賽冠軍盃冠軍：2008年
英格蘭聯賽盃冠軍：2006年、2008年
英格蘭社區盾冠軍：2007年、2008年
國際足協世界冠軍球會盃冠軍：2008年
榮譽 > 個人

歐洲全年最佳門將（）：1995年、2009年
荷蘭最佳守門員（）：1994年、1995年、1996年、1997年
荷蘭足球先生：1998年
PFA年度最佳陣容：2007年、2009年、2011年
2008年歐洲國家盃UEFA 最佳陣容
英超金手套獎：2009年
参考资料

↑  . Yahoo! Sport.   [2007-07-20]. （原始内容存档于2009-10-01）.
↑  . BBC Sport. 2008-12-12  [2009-01-28]. （原始内容存档于2008-12-14）. （英文）
↑  . BBC Sport. 2009-01-27  [2009-01-28]. （原始内容存档于2017-08-07）. （英文）
↑  Fifield, Dominic. . The Guardian. 29 May 2011  [11 October 2019]. （原始内容存档于2022-12-01）.
↑  . Yahoo! Sport UK. 20 October 2007  [13 August 2008]. （原始内容存档于22 October 2007）.
↑  . www.rsssf.org.   [2023-08-28]. （原始内容存档于2023-01-28）.