阿诺德·勋伯格
进一步阅读

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Anon. 2002. "Arnold Schönberg and His God". Vienna: Arnold Schönberg Center (accessed 1 December 2008).
Anon. 1997–2013. "'Degenerate' Music （页面存档备份，存于）". In A Teacher's Guide to the Holocaust. The Florida Center for Instructional Technology, College of Education, University of South Florida (accessed 16 June 2014).
Auner, Joseph. 1993. A Schoenberg Reader. New Haven: Yale University Press. ISBN 978-0-300-09540-1
Bailey, Walter B. . The Journal of Musicology. Spring 2015, 32 (2): 279–322. JSTOR 10.1525/jm.2015.32.2.279. doi:10.1525/jm.2015.32.2.279.
Berry, Mark. 2019. Arnold Schoenberg. London: Reaktion Books.
Boulez, Pierre. 1991. "Schoenberg is Dead" (1952). In his Stocktakings from an Apprenticeship, collected and presented by Paule Thévenin, translated by Stephen Walsh, with an introduction by Robert Piencikowski, 209–14. Oxford: Clarendon Press; New York: Oxford University Press. ISBN 978-0-19-311210-0
Brand, Julianne, Christopher Hailey, and Donald Harris (editors). 1987. The Berg-Schoenberg Correspondence: Selected Letters. New York, London: W. W. Norton and Company. ISBN 978-0-393-01919-3
Buhle, Paul, and David Wagner. 2002. Radical Hollywood: The Untold Story Behind America's Favorite Movies. New York: The New Press. ISBN 978-1-56584-819-1
Clausen, Detlev. 2008. Theodor W. Adorno: One Last Genius, translated by Rodney Livingstone. Cambridge: Harvard University Press. ISBN 978-0-674-02618-6
Byron, Avior. 2006. "The Test Pressings of Schoenberg Conducting Pierrot lunaire: Sprechstimme Reconsidered". Music Theory Online 12, no. 1 (February).
Cohen, Mitchell, "A Dissonant Schoenberg in Berlin and Paris," "Jewish Review of Books," April 2016.
da Costa Meyer, Esther. 2003. "Schoenberg's Echo: The Composer as Painter". In Schoenberg, Kandinsky, and the Blue Rider, edited by Fred Wasserman and Esther da Costa Meyer, foreword by Joan Rosenbaum, preface by Christian Meyer. London and New York: Scala. ISBN 978-1-85759-312-9
Everdell, William R. 1998 The First Moderns: Profiles in the Origins of Twentieth-Century Thought. Chicago: University of Chicago Press.
Eybl, Martin. 2004. Die Befreiung des Augenblicks: Schönbergs Skandalkonzerte von 1907 und 1908: eine Dokumentation. Wiener Veröffentlichungen zur Musikgeschichte 4. Vienna, Cologne, Weimar: Böhlau. ISBN 978-3-205-77103-6
Floirat, Bernard. 2001. Les Fonctions structurelles de l'harmonie d'Arnold Schoenberg （页面存档备份，存于）. Eska, Musurgia. ISBN 978-2-7472-0209-1
Frisch, Walter (ed.). 1999. Schoenberg and His World. Bard Music Festival Series. Princeton: Princeton University Press. ISBN 978-0-691-04860-4 (cloth); ISBN 978-0-691-04861-1 (pbk).
Genette, Gérard. 1997. Immanence and Transcendence, translated by G. M. Goshgarian. Ithaca: Cornell University Press（英语：）. ISBN 978-0-8014-8272-4
Gur, Golan. 2009. "Arnold Schoenberg and the Ideology of Progress in Twentieth-Century Musical Thinking （页面存档备份，存于）". Search: Journal for New Music and Culture 5 (Summer). Online journal (Accessed 17 October 2011).
Greissle-Schönberg, Arnold, and Nancy Bogen. [n.d.] Arnold Schönberg's European Family (e-book). The Lark Ascending, Inc. (accessed 2 May 2010)
Hyde, Martha M. 1982. Schoenberg's Twelve-Tone Harmony: The Suite Op. 29 and the Compositional Sketches. Studies in Musicology, series edited by George Buelow. Ann Arbor: UMI Research Press. ISBN 978-0-8357-1512-6
Kandinsky, Wassily. 2000. "Arnold Schönberg als Maler/Arnold Schönberg as Painter". Journal of the Arnold Schönberg Center, no. 1:131–76.
Mahler, Alma. 1960. Mein Leben, with a foreword by Willy Haas. Frankfurt am Main: S. Fischer, My Life, My Loves: The Memoirs of Alma Mahler, St. Martin's Griffin (1958) Paperback ISBN 978-0-312-02540-3
Mailman, Joshua Banks. . Music Theory Spectrum. September 2015, 37 (2): 224–252. doi:10.1093/mts/mtv015.
Orenstein, Arbie. 1975. Ravel: Man and Musician. London: Columbia University Press.
Payne, Anthony. . Oxford Studies of Composers. London: Oxford University Press. 1968. OCLC 915854222.
Petropoulos, Jonathan. 2014. Artists Under Hitler. New Haven and London: Yale University Press. ISBN 978-0-300-19747-1
Ringer, Alexander. 1990. "Arnold Schoenberg: The Composer as Jew". Oxford: Clarendon Press; New York: Oxford University Press. ISBN 978-0-19-315466-7
Rollet, Philippe (ed.). 2010. Arnold Schönberg: Visions et regards, with a preface by Frédéric Chambert and Alain Mousseigne. Montreuil-sous-Bois: Liénart. ISBN 978-2-35906-028-7
Schoenberg, Arnold. 1922. Harmonielehre, third edition. Vienna: Universal Edition. (Originally published 1911). Translation by Roy E. Carter, based on the third edition, as Theory of Harmony. Berkeley, Los Angeles: University of California Press, 1978. ISBN 978-0-520-04945-1
Schoenberg, Arnold. 1959. Structural Functions of Harmony. Translated by Leonard Stein. London: Williams and Norgate; Revised edition, New York, London: W. W. Norton 1969. ISBN 978-0-393-00478-6
Shawn, Allen. 2002. Arnold Schoenberg's Journey. New York: Farrar Straus and Giroux. ISBN 978-0-374-10590-7
Stegemann, Benedikt. 2013. Theory of Tonality: Theoretical Studies. Wilhelmshaven: Noetzel. ISBN 978-3-7959-0963-5
Weiss, Adolph. 1932. "The Lyceum of Schonberg", Modern Music 9, no. 3 (March–April): 99–107.
Wright, James K. 2007. Schoenberg, Wittgenstein, and the Vienna Circle. Bern: Verlag Peter Lang. ISBN 978-3-03911-287-6
Wright, James and Alan Gillmor (eds.). 2009. Schoenberg's Chamber Music, Schoenberg's World. New York: Pendragon Press. ISBN 978-1-57647-130-2
阿诺德·勋伯格出生地的纪念牌匾
里夏德·格斯特尔（英语：）1907年的画作《勋伯格一家》（德語：）
埃贡·席勒所作勋伯格像，1917年
曼·雷摄所摄勋伯格像，1927年
华沙犹太区起义，1947年勋伯格创作了《华沙幸存者（英语：）》纪念此事件

在勋伯格的《为乐团而作的变奏曲》（作品31号）中，P1的第二半音列与I10的第一半音列具有相同的音符，只是顺序不同：“因此，即使在同时以平行运动的方式使用P1和I10的情况下，也不会出现音符重复的情况。”
在勋伯格的《钢琴作品》（作品33a号）中，其主要形式P1和I6之间具有六音组合式，音列包含三个纯五度，这是P1和I6之间的关系，也是“五度和弦的积累”和“一般意义上更复杂的同时性”之间对比的源泉。例如，A组包括B♭-F-C-B♮，而“更混合”的B组包括A-F♯-C♯-D♯。
1913年4月6日《时代周报》中的漫画《耳光音乐会》（德語：）