阿爾及爾之戰
参考

↑  . www.boxofficemojo.com.   [2022-02-18]. （原始内容存档于2018-06-15）.
↑  Shapiro, Michael J. . Millennium: Journal of International Studies. 1 August 2008, 37: 181–197. doi:10.1177/0305829808093770.
↑  . The Guardian.   [2022-02-18]. （原始内容存档于2022-02-18）.
↑  "The Source". The Battle of Algiers booklet accompanying the Criterion Collection DVD release, p. 14.
↑  The Battle of Algiers booklet accompanying the Criterion Collection DVD release, p. 14.
↑  Peter Matthews, "The Battle of Algiers: Bombs and Boomerangs", in The Battle of Algiers booklet accompanying the Criterion Collection DVD release, p. 7.
↑  Arun Kapil, "Selected Biographies of Participants in the French-Algerian War", in The Battle of Algiers booklet accompanying the Criterion Collection DVD release, p. 50.
↑  . Rfi.fr. 2004-10-29  [2010-03-07]. （原始内容存档于2021-01-26）.
↑  Pier Nico Solinas, "An Interview with Franco Solinas", in The Battle of Algiers booklet accompanying the Criterion Collection DVD release, p. 32.
↑  J. David Slocum, Terrorism, Media, Liberation. Rutgers University Press, 2005, p. 25.
↑  KENNETH TURAN. . Los Angeles Times. LA Times.   [2022-05-12]. （原始内容存档于2022-05-12）.
↑  PierNico Solinas, "An Interview with Franco Solinas", in The Battle of Algiers booklet accompanying the Criterion Collection DVD,
↑  . oscars.org.   [2011-11-09]. （原始内容存档于2015-04-02）.
↑  .   [2022-02-18]. （原始内容存档于2021-11-11）.
↑  . bfi.org.uk.   [14 March 2016]. （原始内容存档于19 August 2012）.
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↑  .   [2022-02-18]. （原始内容存档于2015-09-24）.
1 2  Wrigley, Nick. . BFI. February 8, 2018  [August 8, 2018]. （原始内容存档于2018-08-11）.
↑  Palmer, R. Barton; Sanders, Steven M. (编). . University Press of Kentucky. January 28, 2011  [12 July 2021]. ISBN 9780813139890. Soderbergh called Traffic his “$47 million Dogme film” and used hand-held camera, available light, and (ostensibly) improvistational performance in an attempt to present a realistic story about illegal drugs. He prepared by analyzing two political films made in a realist style: Battle of Algiers (Gillo Pontecorvo, 1966) and Z (Constantin Costa-Gavras, 1969), both of which he described as having “that great feeling of things that are caught, instead of staged, which is what we were after.”
↑  Swapnil Dhruv Bose. . Far Out. Far Out Magazine.   [12 July 2021]. （原始内容存档于2022-02-18）. The filmmaker said, “For this film, I spent a lot of time analysing Battle of Algiers and Z — both of which have that great feeling of things that are caught, instead of staged, which is what we were after. I just wanted that sensation of chasing the story, this sense that it may outrun us if we don’t move quickly enough.”
↑  Mary Kaye Schilling. . Vulture. Vox Media, LLC. August 8, 2014  [12 July 2021]. （原始内容存档于2019-11-02）.
↑  Zack Sharf. . IndieWire. Penske Business Media, LLC. May 25, 2017  [15 September 2021]. （原始内容存档于2022-02-18）. Nolan cited Gillo Pontecorvo’s war film as “a timeless and affecting verité narrative, which forces empathy with its characters in the least theatrical manner imaginable. We care about the people in the film simply because we feel immersed in their reality and the odds they face.”
↑  Jonathan Lewis. . openDemocracy. openDemocracy. December 20, 2012  [15 September 2021]. （原始内容存档于2022-02-18）. It was thus with a degree of surprise and interest that I found the latest director to cite The Battle of Algiers as an influence to be Christopher Nolan, the man behind the latest films in the Batman franchise. The final instalment in Nolan’s Batman trilogy, The Dark Knight Rises, premiered in July 2012, and brought an end to a story that commenced with 2005’s Batman Begins and 2008’s The Dark Knight. Interviews with Nolan and his team on the making of The Dark Knight Rises indicate that Nolan chose The Battle of Algiers as one of the films for the crew to watch and from which to gain inspiration before they started filming, with Nolan stating that ‘no film has ever captured the chaos and fear of an uprising as vividly as [The Battle of Algiers]’. In the remainder of this article, I will build on Nolan’s above statement, exploring the ways in which traces of Pontecorvo’s film manifest themselves in The Dark Knight Rises, especially with regard to the themes with which the final episode in the Batman trilogy engages.
↑  . Vimeo.   [11 June 2021]. （原始内容存档于2022-02-18）.
↑  PierNico Solinas, "An Interview with Franco Solinas", in The Battle of Algiers booklet accompanying the Criterion Collection DVD release, p. 37.
↑  Bernstein, Adam. . WaPo. 16 October 2006  [2022-02-18]. （原始内容存档于2021-09-20）.
↑  "Re-release of The Battle of Algiers （页面存档备份，存于）, Diplomatic License, CNN, January 1, 2004.
电影拍摄地卡斯巴,阿爾及爾的阿拉伯區。
意大利导演Pontecorvo与妻子 Picci和Yacef在第27屆威尼斯影展合影，获得了金狮奖。