金屬蕊
參考資料

↑  .   [2008-09-21]. （原始内容存档于2008-10-16）. As far as coining the term 'metalcore' or coining a sound, I don’t think we did. There were bands before Shai Hulud started that my friends and I were referring to as 'metalcore'. Bands like Burn, Deadguy, Earth Crisis, even Integrity. These bands that were heavier than the average hardcore bands. These bands that were more progressive than the average hardcore band. My friends and I would always refer to them as 'metalcore' because it wasn’t purely hardcore and it wasn’t purely metal. It was like a heavier hardcore band with hardcore ethics and attitude but clearly a metal influence. So we would joke around and say 'Hey, it’s metalcore. Cool!' But it was definitely a tongue-in-cheek term.
1 2  . Alternative Press. July 7, 2008: 110, 118.
↑  "The best part of every metalcore song is the breakdown, the part where the drums drop out and the guitars slow their frantic gallop to a devastating, precise crunch-riff and everyone in the moshpit goes extra nuts." - Tom Breihan. "Status Ain't Hood". "Live: Trivium, the Jackson 5 of Underground Metal" 的存檔，存档日期2010-01-17.. The Village Voice. Daily Voice. October 11, 2006. Access date: July 21, 2008.
1 2  "Mosh style was slower, very tribal – like a Reggae beat adapted to Hardcore. [...] It was an outbreak of dancing with a mid-tempo beat driven by floor tom and snare." - Howie Abrams, Blush, p. 193
↑  . MTV.   [17 May 2010]. （原始内容存档于2013-10-21）.
↑  . Rock Sound Magazine.   [2018-10-17]. （原始内容存档于2021-03-11） （英国英语）.
↑  Blush, American Hardcore, part 2, "Thirsty and Miserable", p. 63, 66
↑  Andersen, Mark and Mark Jenkins (2003). Dance of Days: Two Decades of Punk in the Nation's Capital. "Positive Mental Attitude". p. 27. Akashic Books. ISBN 1-888451-44-0
↑  Glasper, Ian (2004). Burning Britain: The History of UK Punk 1980-1984. Cherry Red Books. p. 5. ISBN 1-901447-24-3
↑  Blush, "Hits from Hell", American Hardcore, p. 204
↑  Blush, p. 115
↑  Felix von Havoc, Maximum Rock'n'Roll #198  （页面存档备份，存于）. Access date: June 20, 2008
↑  Blush, p. 193
↑  Christe, Ian: Sound of the Beast: The Complete Headbanging History of Heavy Metal (2003), p. 184
↑  Blush, p. 186
↑  Blush, p. 188
↑  Blush, p. 189
↑  "Cro-Mags were the first band to attract both Skinheads and metalhead audiences; their music at the point where Hardcore nihilism met Metal power." Blush, p. 189
↑  Blush, p. 194
↑  Alternative Press, July 7, 2008, p. 109
↑  Blush, p. 192
↑  .   [2020-06-16]. （原始内容存档于2013-10-12）.
1 2 3 4  "here the term (metalcore) is used in its original context, referencing the likes of Strife, Earth Crisis, and Integrity ...", Ian Glasper, Terrorizer no. 171, June 2008, p. 78
1 2 3  Mudrian, Albert (2000). Choosing Death: The Improbable History of Death Metal and Grindcore. Feral House. ISBN 1-932595-04-X. p. 222-223
1 2  .   [2011-11-01]. （原始内容存档于2012-03-27）. Shai Hulud, a name that is synonymous (in heavy music circles at least) with intelligent, provocative and most importantly unique metallic hardcore. The band’s earliest release is widely credited with influencing an entire generation of musicians
1 2  . Hearts Once Nourished with Hope and Compassion is pretty much the prime in early melodic metalcore. So many bands in both the modern metalcore and hardcore scene have drawn vast influence from them, because of how perfect they blend hardcore and metal.
1 2  .   [2011-11-01]. （原始内容存档于2020-09-23）. Regardless of whether or not you liked Shai Hulud, it is undeniable that Hearts Once Nourished with Hope and Compassion was an oft-imitated and highly influential release in the mid-to-late nineties.
1 2 3 4  Ross Haenfler, Straight Edge: Clean-living Youth, Hardcore Punk, and Social Change, Rutgers University Press. ISBN 0-8135-3852-1 p. 87-88
↑  "It was this simple formula that's single-handedly responsible for every band you hear combining heavy metal and hardcore today." . Alternative Press. July 7, 2008: 110.
↑  Hatebreed cites Entombed and Bolt Thrower. Q&A with Jamey Jasta, Miami New Times, May 27, 2008.  （页面存档备份，存于） Access date: June 22, 2008
↑  Karl Buechner of Earth Crisis cites Napalm Death, Bolt Thrower, and Obituary as prime influences. Mudrian also discusses Converge and Bloodlet and their relationship  to death metal. See Mudrian, Albert (2000). Choosing Death: The Improbable History of Death Metal and Grindcore. Feral House. ISBN 1-932595-04-X. p. 222-223
1 2  Gabriel Cardenas Salas, "Blasts from the Past," Terrorizer 180, February 2009, p. 96.
↑  .   [2011-11-05]. （原始内容存档于2021-04-19）.
↑  .   [2008-10-09]. （原始内容存档于2008-08-17）. When we used to joke with the term, it was just a clever (or not so clever) way of describing a metallic hardcore, metal-influenced hardcore, or hardcore-influenced metal band.
↑  J. Bennett, "Converge's Jane Doe, Revolver, June 2008
↑  Lars Gotrich, "Coalesce: A Tale of Two Ropes," All Songs Considered, 25 October 2011.  （页面存档备份，存于）
1 2 3  Lee, Cosmo; Voegtlin, Stewart. . Stylus Magazine.   [17 May 2010]. （原始内容存档于2009-10-02）.
1 2 3 4  Allmusic Review, Atreyu, Suicide Notes and Butterfly Kisses  Access date: June 24, 2008
1 2 3  "Taste of Chaos", Revolver, June 2008. p. 110. "This is the Rockstar Taste of Chaos Tour, a night when heavier melodic-metalcore bands like Atreyu and Avenged Sevenfold intend to position themselves as the next generation of bands to actually pack arenas [...]"
1 2  Metalrage, 12/30/07  （页面存档备份，存于） Access date: June 24, 2008
↑  Metal Injection, August 28, 2007  （页面存档备份，存于） Access date: June 24, 2008
↑  El Paisano, 9/12/07 .   [2008-06-24]. （原始内容存档于2009-01-14）.  Access date: June 24, 2008
↑  Suicide Notes and Butterfly Kisses review 的存檔，存档日期2009-02-12.
↑  Dan Epstein, "The Brewtal Truth", Revolver, Nov. 2004, p. 65
↑   (22–26). Resistance Records: 111. 2004.
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