鑑古演奏 (音樂)
延伸閱讀

Badura-Skoda, Paul. 1993. Interpreting Bach at the Keyboard, translated by Alfred Clayton. Oxford: Clarendon Press; New York: Oxford University Press. ISBN 0-19-816155-7 (cloth); ISBN 0-19-816576-5 (1995 pbk reprint). (Translation of Bach-Interpretation: die Klavierwerke Johann Sebastian Bachs. Laaber: Laaber-Verlag, 1990. ISBN 3-89007-141-4.)
Dart, Thurston. 1954. The Interpretation of Music. London: Hutchinson and Co.
Dolmetsch, Arnold. 1915. The Interpretation of the Music of the 17th and 18th Centuries Revealed by Contemporary Evidence. London: Novello.
Donington, Robert. 1963. The Interpretation of Early Music. London: Faber and Faber.
Hubbard, Frank. 1965. Three Centuries of Harpsichord Making. Cambridge, MA: Harvard University Press ISBN 0-674-88845-6.
Kenyon, Nicholas (editor). 1988. Authenticity and Early Music. Oxford and New York: Oxford University Press. ISBN 0-19-816152-2.
Kivy, Peter. 1995. Authenticities: Philosophical Reflections on Musical Performance. Ithaca: Cornell University Press. ISBN 0-8014-3046-1.
Leech-Wilkinson, Daniel. 1992. "The Good, the Bad and the Boring". In Companion to Medieval & Renaissance Music, edited by Tess Knighton and David Fallows, [页码请求]. London: J. M. Dent.; New York: Schirmer Books. ISBN 0-460-04627-6 (Dent); ISBN 0-02-871221-8 (Schirmer). Paperback reprint, Oxford and New York: Oxford University Press, 1997. ISBN 0-19-816540-4. Paperback reprint, Berkeley, Calif.: University of California Press, 1997. ISBN 0-520-21081-6.
Mattheson, Johann. 1739. Der vollkommene Kapellmeister, das ist, Gründliche Anzeige aller derjenigen Sachen, die einer wissen, können, und vollkommen inne haben muss, der eine Kapelle mit Ehren und Nutzen vorstehen will. Breslau: [s.n.]; Hamburg: Herold. Facsimile reprint, edited by Margarete Reimann. Documenta Musicologica Reihe 1: ruckschriften-Faksimiles 5. Kassel: Bärenreiter, 1954. Study edition with newly typeset text and music examples, edited by Friederike Ramm. Bärenreiter-Studienausgabe. Kassel, Basel, London, New York, Prague: Bärenreiter. ISBN 3-7618-1413-5.
Milsom, David. 2003. Theory and Practice in Late Nineteenth-Century Violin Performance: An Examination of Style in Performance, 1850–1900. Aldershot: Ashgate. ISBN 0-7546-0756-9.
Milsom, David. 2011. Classical and Romantic Music. The library of essays on music performance practice. Aldershot: Ashgate. ISBN 0-7546-2859-0.
Parrott, Andrew. 2000. The Essential Bach Choir. [N.p.]: The Boydell Press. ISBN 0-85115-786-6.
Peres da Costa, Neal. 2013. Off the Record: Performing Practices in Romantic Piano Playing. New York: OUP. ISBN 0-1953-8691-4.
Robert Philip, 1992 Early Recordings and Musical Style: Changing tastes in instrumental Performance, 1900-1950. Cambridge, UK: Cambridge University Press. ISBN 9780521235280
Rosen, Charles. 1997. The Classical Style, second edition. New York: W. W. Norton. ISBN 0-393-31712-9.
Rosen, Charles. 2000. Critical Entertainments. Cambridge: Harvard University Press. ISBN 0-674-00684-4.
Toft, Robert. 2013. Bel Canto: A Performer's Guide. New York: Oxford University Press. ISBN 978-0-19-983232-3.
Toft, Robert. 2014. With Passionate Voice: Re-Creative Singing in Sixteenth-Century England and Italy. New York: Oxford University Press. ISBN 978-0-19-938203-3.