胡里安頌歌
參考資料

1 2  Giorgio Buccellati, "Hurrian Music （页面存档备份，存于）", associate editor and webmaster Federico A. Buccellati Urkesh website (n.p.: IIMAS, 2003).
↑  Dennis Pardee, "Ugaritic", in The Ancient Languages of Syria-Palestine and Arabia （页面存档备份，存于）, edited by Roger D. Woodard, 5–6. (Cambridge and New York: Cambridge University Press, 2008). ISBN 0-521-68498-6, ISBN 978-0-521-68498-9.
↑  Marguerite Yon, The City of Ugarit at Tell Ras Shamra (Winona Lake, IN: Eisenbrauns, 2006): 24. ISBN 978-1575060293 (179 pages)
↑  Tubb, Jonathan N. (1998), "Canaanites" (British Museum People of the Past)
↑  K. Marie Stolba, The Development of Western Music: A History, brief second edition (Madison: Brown & Benchmark Publishers, 1995), p. 2.; M[artin] L[itchfield] West, "The Babylonian Musical Notation and the Hurrian Melodic Texts", Music and Letters 75, no. 2 (May 1994): 161–79, citation on 171.
↑  Marcelle Duchesne-Guillemin, "Sur la restitution de la musique hourrite", Revue de Musicologie 66, no. 1 (1980): 5–26, citation on p. 10.
↑  Anne Kilmer, "Mesopotamia §8(ii)", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).
↑  Emmanuel Laroche, Le palais royal d' Ugarit 3: Textes accadiens et hourrites des archives Est, Ouest et centrales, 2 vols., edited by Jean Nougayrol, Georges Boyer, Emmanuel Laroche, and Claude-Frédéric-Armand Schaeffer, 1:327–35 and 2: plates cviii–cix (Paris: C. Klincksieck, 1955):; "Documents en langue houritte provenent de Ras Shamra", in Ugaritica 5: Nouveaux textes accadiens, hourrites et ugaritiques des archives et bibliothèques privées d'Ugarit, edited by Claude-Frédéric-Armand Schaeffer and  Jean Nougayrol, 462–96. Bibliothèque archéologique et historique / Institut français d'archéologie de Beyrouth 80; Mission de Ras Shamra 16 (Paris: Imprimerie nationale P. Geuthner; Leiden: E. J. Brill, 1968). In the latter, the transcribed text of h.6 is on p. 463, with the cuneiform text reproduced on p. 487.
↑  Manfried Dietrich and Oswald Loretz, "Kollationen zum Musiktext aus Ugarit", Ugarit-Forschungen 7 (1975): 521–22.
↑  M[artin] L[itchfield] West, "The Babylonian Musical Notation and the Hurrian Melodic Texts", Music and Letters 75, no. 2 (May 1994): 161–79, citation on 166.
↑  Anon., "The Oldest Song in the World （页面存档备份，存于）" (Amaranth Publishing, 2006). (Accessed 12 January 2011).
↑  M[artin] L[itchfield] West, "The Babylonian Musical Notation and the Hurrian Melodic Texts", Music and Letters 75, no. 2 (May 1994): 161–79, citation on 161. In addition to West and Duchesne-Guillemin ("Les problèmes de la notation hourrite", Revue d'assyriologie et d'archéologie orientale 69, no. 2 (1975): 159–73; "Sur la restitution de la musique hourrite", Revue de Musicologie 66, no. 1 (1980): 5–26; A Hurrian Musical Score from Ugarit: The Discovery of Mesopotamian Music, Sources from the ancient near east, vol. 2, fasc. 2. Malibu, CA: Undena Publications, 1984. ISBN 0-89003-158-4), competitors include Hans Gütterbock, "Musical Notation in Ugarit", Revue d'assyriologie et d'archéologie orientale 64, no. 1 (1970): 45–52; Anne Draffkorn Kilmer, "The Discovery of an Ancient Mesopotamian Theory of Music", Proceedings of the American Philosophical Association 115, no. 2 (April 1971): 131–49; Kilmer, "The Cult Song with Music from Ancient Ugarit: Another Interpretation", Revue d'Assyriologie 68 (1974): 69–82); Kilmer, with Richard L. Crocker and Robert R. Brown, Sounds from Silence: Recent Discoveries in Ancient Near Eastern Music (Berkeley: Bit Enki Publications, 1976; includes LP record, Bit Enki Records BTNK 101, reissued [s.d.] as CD); Kilmer, "Musik, A: philologisch", Reallexikon der Assyriologie und vorderasiatischen Archäologie 8, edited by Dietz Otto Edzard (Berlin: De Gruyter, 1997), 463–82, ISBN 3-11-014809-9; David Wulstan, "The Tuning of the Babylonian Harp", Iraq 30 (1968): 215–28; Wulstan, "The Earliest Musical Notation", Music and Letters 52 (1971): 365–82; and Raoul Gregory Vitale, "La Musique suméro-accadienne: gamme et notation musicale", Ugarit-Forschungen 14 (1982): 241–63.
↑  . circlethroughnewyork. 2017-02-13  [2018-07-19]. （原始内容存档于2022-02-23）.
↑  Marcelle Duchesne-Guillemin, "Sur la restitution de la musique hourrite", Revue de Musicologie 66, no. 1 (1980): 5–26, citation on pp. 10, 15–16.
↑  Anne Kilmer, "Mesopotamia §8(ii)", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and ohn Tyrrell (London: Macmillan Publishers, 2001).
↑  David Wulstan, "The Earliest Musical Notation", Music and Letters 52 (1971): 365–82. Citation on 372.  （页面存档备份，存于）
↑  M[artin] L[itchfield] West, "The Babylonian Musical Notation and the Hurrian Melodic Texts", Music and Letters 75, no. 2 (May 1994): 161–79, citation on 171.
↑  O. R. Gurney, "An Old Babylonian Treatise on the Tuning of the Harp", Iraq 30 (1968): 229–33. Citations on pp. 229 and 233. Marcelle Duchesne-Guillemin, ""Sur la restitution de la musique hourrite", Revue de Musicologie 66, no. 1 (1980): 5–26, citation on pp. 6.
↑  Marcelle Duchesne-Guillemin, ""Sur la restitution de la musique hourrite", Revue de Musicologie 66, no. 1 (1980): 5–26, citation on pp. 6–8. M[artin] L[itchfield] West, "The Babylonian Musical Notation and the Hurrian Melodic Texts", Music and Letters 75, no. 2 (May 1994): 161–79, citation on 163.
↑  M[artin] L[itchfield] West, "The Babylonian Musical Notation and the Hurrian Melodic Texts", Music and Letters 75, no. 2 (May 1994): 161–79, citation on 163.
↑  David Wulstan, "The Tuning of the Babylonian Harp", Iraq 30 (1968): 215–28. Citation on pp. 216 n. 3 and 224.
↑  Manfried Dietrich and Oswald Loretz, "Kollationen zum Musiktext aus Ugarit", Ugarit-Forschungen 7 (1975): 521–22. Citation on p. 522.
1 2  David Wulstan, "The Earliest Musical Notation", Music and Letters 52 (1971): 365 – 82. Citations on pp. 371 and 373 – 74.
1 2  Theo J. H. Krispijn, "Musik in Keilschrift: Beiträge zur altorientalischen Musikforschung 2", in Archäologie früher Klangerzeugung und Tonordnung: Musikarchäologie in der Ägäis und Anatolien/The Archaeology of Sound Origin and Organization: Music Archaeology in the Aegean and Anatolia, edited by Ellen Hickmann, Anne Draffkorn Kilmer, and Ricardo Eichmann, 465–79 (Orient-Archäologie 10; Studien zur Musikarchäologie 3) (Rahden: Leidorf, 2001) ISBN 3-89646-640-2. Citation on p. 474.
↑  Marcelle Duchesne-Guillemin, "Sur la restitution de la musique hourrite", Revue de Musicologie 66, no. 1 (1980): 5–26, citation on pp. 13, 15–16.
↑  "Der Text und die Notenfolgen des Musiktextes aus Ugarit", Studi Micenei ed Egeo-Anatolici 18 (=Incunabula Graeca 67) (1977): 109–36.