奥斯卡最佳纪录短片奖
獲獎電影 > 1990年代

| 年份 | 電影 | 被提名者 |
| --- | --- | --- |
1990 (63rd): 
| 1990 (63rd) | Days of Waiting | Steven Okazaki |
| 1990 (63rd) | Burning Down Tomorrow | Kit Thomas |
| 1990 (63rd) | Chimps: So Like Us | Karen Goodman and Kirk Simon |
| 1990 (63rd) | Journey Into Life: The World of the Unborn | Derek Bromhall |
| 1990 (63rd) | Rose Kennedy: A Life to Remember | Freida Lee Mock and Terry Sanders |
1991 (64th): 
| 1991 (64th) | Deadly Deception: General Electric, Nuclear Weapons and Our Environment | Debra Chasnoff |
| 1991 (64th) | Birdnesters of Thailand (Shadow Hunters) | Éric Valli and Alain Majani |
| 1991 (64th) | A Little Vicious | Immy Humes |
| 1991 (64th) | The Mark of the Maker | David McGowan |
| 1991 (64th) | Memorial: Letters from American Soldiers | Bill Couturié and Bernard Edelman |
1992 (65th): 
| 1992 (65th) | Educating Peter | Thomas C. Goodwin (posthumously) and Gerardine Wurzburg |
| 1992 (65th) | At the Edge of Conquest: The Journey of Chief Wai-Wai | Geoffrey O'Connor |
| 1992 (65th) | Beyond Imagining: Margaret Anderson and the 'Little Review' | Wendy L. Weinberg |
| 1992 (65th) | The Colours of My Father: A Portrait of Sam Borenstein | Richard Elson and Sally Bochner |
| 1992 (65th) | When Abortion Was Illegal: Untold Stories | Dorothy Fadiman |
1993 (66th): 
| 1993 (66th) | Defending Our Lives | Margaret Lazarus and Renner Wunderlich |
| 1993 (66th) | Blood Ties: The Life and Work of Sally Mann | Steven Cantor and Peter Spirer |
| 1993 (66th) | Chicks in White Satin | Elaine Holliman and Jason Schneider |
1994 (67th): 
| 1994 (67th) | A Time for Justice | Charles Guggenheim |
| 1994 (67th) | Blues Highway | Vince DiPersio and Bill Guttentag |
| 1994 (67th) | 89 mm od Europy (89mm from Europe) | Marcel Łoziński |
| 1994 (67th) | School of Assassins | Robert Richter |
| 1994 (67th) | Straight from the Heart | Dee Mosbacher and Frances Reid |
1995 (68th): 
| 1995 (68th) | One Survivor Remembers | Kary Antholis |
| 1995 (68th) | Jim Dine: A Self-Portrait on the Walls | Nancy Dine and Richard Stilwell |
| 1995 (68th) | The Living Sea | Greg MacGillivray and Alec Lorimore |
| 1995 (68th) | Never Give Up: The 20th Century Odyssey of Herbert Zipper | Terry Sanders and Freida Lee Mock |
| 1995 (68th) | The Shadow of Hate | Charles Guggenheim |
1996 (69th): 
| 1996 (69th) | Breathing Lessons: The Life and Work of Mark O'Brien | Jessica Yu |
| 1996 (69th) | Cosmic Voyage | Jeffrey Marvin and Bayley Silleck |
| 1996 (69th) | An Essay on Matisse | Perry Wolff |
| 1996 (69th) | Special Effects: Anything Can Happen | Susanne Simpson and Ben Burtt |
| 1996 (69th) | The Wild Bunch: An Album in Montage | Paul Seydor and Nick Redman |
1997 (70th): 
| 1997 (70th) | A Story of Healing | Donna Dewey and Carol Pasternak |
| 1997 (70th) | Alaska: Spirit of the Wild | George Casey and Paul Novros |
| 1997 (70th) | Amazon | Kieth Merrill and Jonathan Stern |
| 1997 (70th) | Daughter of the Bride | Terri Randall |
| 1997 (70th) | Still Kicking: The Fabulous Palm Springs Follies | Mel Damski and Andrea Blaugrund |
1998 (71st): 
| 1998 (71st) | The Personals: Improvisations on Romance in the Golden Years | Keiko Ibi |
| 1998 (71st) | A Place in the Land | Charles Guggenheim |
| 1998 (71st) | Sunrise Over Tiananmen Square | Shui-Bo Wang and Donald McWilliams |
1999 (72nd): 
| 1999 (72nd) | King Gimp | Susan Hannah Hadary and William A. Whiteford |
| 1999 (72nd) | Eyewitness | Bert Van Bork |
| 1999 (72nd) | The Wildest Show in the South: The Angola Prison Rodeo | Simeon Soffer and Jonathan Stack |