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↑  Marcia Hall, “Classicism, Mannerism and the relflike Style” in The Cambridge Companion to Raphael, Cambridge: Cambridge University Press, p. 224.
↑  Alexander Raunch "Painting of the High Renaissance and Mannerism in Rome and Central Italy" in The Italian Renaissance: Architecture, Sculpture, Painting, Drawing, Konemann, Cologne, 1995. Pg. 308
↑  Marilyn Stokstad Art History, Third Edition, Pearson Education Inc., New Jersey, 2008, Pg 659.
↑  Frederick Hartt, A History of Art: Painting, Sculpture, Architecture; Harry N. Abrams Incorporated, New York, 1985, pg. 601
↑  Christoph Luitpold Frommel, "Bramante and the Origins of the High Renaissance" in Rethinking the High Renaissance: The Culture of the Visual Arts in Early Sixteenth-Century Rome, Jill Burke, ed. Ashgate Publishing, Oxan, UK, 2002, pg. 172.
↑  David Piper, The Illustrated History of Art, Crescent Books, New York, 1991, pg. 129
↑  Jacob Burchhardt,  Cinerone 1841.
↑  Franz Kugler Handbook of Art History 1841; Franz Kugler Handbook of Art History 1841.
↑  Hugh Honour and John Flemming,The Visual Arts: A History, 7th edition, Laurence King Publishing Ltd., Great Britain, 2009, pg. 466
↑  Mandred Wundrum, "Renaissance and Mannerism" in Masterpieces of Western Art, Tashen, 2007.
↑  Luigi Lanzi,History of Italian Painting, 1795-96.
↑  D. Watkin, A History of Western Architecture, 4th ed., Watson Guptill (2005) p. 224.
↑  Manfred Wundrum "Renaissance and Mannerism" in Masterpieces of Western Art, Tashen, 2007. Page 147
↑  Alexander Raunch "Painting of the High Renaissance and Mannerism in Rome and Central Italy" in The Italian Renaissance: Architecture, Sculpture, Painting, Drawing, Konemann, Cologne, 1995. Pg. 308; Wundrum Pg. 147
↑  Frederick Hartt and David G. Wilkins, History of Italian Art: Painting, Sculpture, Architecture, 2003.
↑  Raunch pg. 309
↑  Wundrum pg. 148; Hartt and Wilkins
↑  Wundrum pg. 147; Hartt and Wilkins
↑  Frederick Hartt, A History of Art: Painting, Sculpture, Architecture; Harry N. Abrams Incorporated, New York, 1985, pg. 601; Wundrum pg. 147; Marilyn Stokstad Art History, Third Edition, Pearson Education Inc., New Jersey, 2008. Pg 659
↑  Stokstad, Pg. 659
↑  Wundrum pg. 145
↑  Wundrum pg. 147
↑  Stephen Freedberg, _Painting of the High Renaissance in Rome and Florence, 2 vols., Cambridge MA; Harvard University Press
↑  Alexander Nagel, "Experiments in Art and Reform in Italy in the Early Sixteenth Century", in Kenneth Gouwens and Sheryl E. Reiss eds., The Pontificate of Clement VII: History, Politics, Culture, Ashgate 2005, 385–409
↑  Elizabeth Cropper, "The Place of Beauty in the High Renaissance and its Displacement in the History of Art", in Alvin Vos ed., Place and Displacement in the Renaissance, 1995, 159–205
↑  David Hemsoll, 'The conception and design of Michelangelo's Sistine Chapel ceiling: 'wishing to shed a little light upon the whole rather than mentioning the parts', in Jill Burke ed., Rethinking the High Renaissance, Ashgate, 2012
↑  Jill Burke, 'Meaning and Crisis in the Early Sixteenth Century: Interpreting Leonardo's Lion', Oxford Art Journal, 29, 2006, 77–91
Đền Tempietto do Bramante thiết kế 1502, ở nhà thờ Thánh Phêrô tại Montorio, Roma
Nàng Mona Lisa hoặc La Gioconda của Leonardo da Vinci (1503–05/07) trong bảo tàng Louvre tại Paris.
Đức Mẹ sầu bi của Michelangelo, 1498–99.