Danh sách vở opera của Mozart
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↑  Unless noted otherwise, librettist details are as given by Osborne: The Complete Operas of Mozart
↑  Unless indicated otherwise, these descriptions are taken from the title pages of Neue Mozart-Ausgabe. In instances where the English meaning is unclear, an English equivalent is given
↑  Voice part summaries are as given by Osborne. Additional notes indicate roles originally sung by castrati
↑  Unless noted otherwise, details of first performances are as given by Osborne.
↑  Thực ra Mozart chỉ viết có phần 1, Michael Haydn là người viết phần 2, Anton Cajetan Adlgasser viết phần 3
↑  Weiser is the most likely of several possible authors of the text. See Osborne, pp. 24–25
↑  1964 revised to K. 46b. “Köchel's Catalog of Mozart's Works”. ClassicalNet. 2008. Truy cập ngày 16 tháng 7 năm 2008.
↑  Dr Franz Anton Mesmer was the founder of the form of hypnotherapy known as "mesmerism". Batta, p. 343
↑  1964 revised to K. 46a. “Köchel's Catalog of Mozart's Works”. ClassicalNet. 2008. Truy cập ngày 16 tháng 7 năm 2008.
↑  The contralto or mezzo role was created by Maria Anna Braunhofer, who had sung a soprano role in the first performance of Die Schuldigkeit. Osborne, pp. 13 & 35
↑  1964 revised to K. 74a. “Köchel's Catalog of Mozart's Works”. ClassicalNet. 2008. Truy cập ngày 16 tháng 7 năm 2008.
↑  The soprano roles of Sifare and Arbate, and the alto role of Farnace, were written for castrati. Osborne, p. 59
↑  The soprano roles of Ascanio and Fauno were written for castrati. Osborne, p. 69
↑  Details of first performance are obscure. Osborne gives dates "29 April or 1 May", Kenyon, p. 296 says: "There is no record it was actually performed in 1772"
↑  The soprano role of Cecilio was written for a castrato. Osborne, p. 86
↑  Mozart prepared a Singspiel version, Die verstellte Gärtnerin, produced in Augsburg on ngày 1 tháng 5 năm 1780. The German version, now known as Die Gärtnerin aus Liebe, has remained popular. Kenyon, pp. 300–01, Osborne, p. 97
↑  The soprano role of Ramiro was written for a castrato.
↑  1964 revised to K. 336a. “Köchel's Catalog of Mozart's Works”. ClassicalNet. 2008. Truy cập ngày 16 tháng 7 năm 2008.
↑  1964 revised to K. 336b. “Köchel's Catalog of Mozart's Works”. ClassicalNet. 2008. Truy cập ngày 16 tháng 7 năm 2008.
↑  The role of Idamante, originally written for castrato, was rewritten by Mozart as a tenor role in 1786. (Osborne, p. 155) Also, the role of Arbace is sometimes sung by a tenor
↑  One speaking role, that of a sailor, is absent from most modern productions
↑  1964 revised to K. 424a. “Köchel's Catalog of Mozart's Works”. ClassicalNet. 2008. Truy cập ngày 16 tháng 7 năm 2008.
↑  According to Osborne, p. 207
↑  The soprano mezzo singers include the two servant-girls, either two sopranos or one soprano and one mezzo, who sing the duet "Amanti, costanti" in the Act III Finale. Osborne, p. 251
↑  For the Vienna premiere, six months later, certain changes were introduced, mainly to accommodate the ranges of a different group of singers. Modern performances generally conflate the Prague and Vienna productions. Osborne, p. 268
↑  Viết cùng với Johann Baptist Henneberg, Franz Xaver Gerl, Benedikt Schack và Emmanuel Schikaneder
↑  One mezzo-soprano role, depicting the male character Annio, was originally a castrato and is now done by mezzos. The role of Sesto (Sextus) was originally written by Mozart for a tenor before he found out it had been assigned to a mezzo castrato.