Các tác phẩm của Franz Schubert
Hoạt động được liệt kê trong danh mục Đức

Năm 1951 ấn bản đầu tiên của Đức mục cố gắng danh sách tất cả các ngày các tác phẩm của Schubert theo thứ tự thời gian, giao cho họ một số từ 1 đến 965. Không làm việc được lệnh trong phạm vi 966-992. Nos 993-998 gọi bản thảo đó đã xuất hiện trở lại ngay trước khi các cửa hàng đã được in.
Sau đó một phiên bản của sự mục tôn trọng những nguyên tắc chung mà Đức số dưới 966 gọi, trong một thứ tự thời gian, để tác phẩm của Schubert với thành lập một thời gian của thành phần, và có phạm vi 966-992 đã được dành cho tác phẩm của mình với một không chắc chắn ngày của thành phần. Vậy,"Chết Taubenpost"cuối cùng đã nói Dối Schubert sáng tác, được gán lại từ D 957 Không.  14 để D 965A, và D 993 một thành phần đàn piano, để D 2E.
| column | column | content |
| --- | --- | --- |
| 1 | D '51 | Deutsch number in the first version of the Deutsch catalogue (1951) |
| 2 | D utd | most recent (utd = up to date) Deutsch catalogue number; the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the table is displayed. |
| 3 | Op. pbl | Opus number (Op.; p indicates Post. = posthumous) and date of first publication (pbl; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s) |
| 4 | AGA | Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe. Indicates genre/instrumentation: Series I: Symphonien (Nos. 1-8) (Johannes Brahms, 1884)  Series II: Overtüren und Andere Orchesterwerke (Johann Nepomuk Fuchs, 1886)  Series III: Oktette (Nos. 1-3) and IV: Streichquintett (Eusebius Mandyczewski, 1889)  Series V: Streichquartette (Nos. 1-15) (Joseph Hellmesberger and Eusebius Mandyczewski, 1890)  Series VI: Trio für Streichinstrumente (Eusebius Mandyczewski, 1892)  Series VII: Trios, Quartets and Quintets with Piano and VIII: Pianoforte und Ein Instrument (Ignaz Brüll, 1886)  Series IX: Pianoforte zu vier Händen (Anton Door, 1888)  Series X: Sonaten für Pianoforte (Julius Epstein, 1888)  Series XI: Fantasie, Impromptus und andere Stücke für Pianoforte (Julius Epstein, 1888)  Series XII: Tänze für Pianoforte (Nos. 1-31) (Julius Epstein, 1889)  Series XIII: Messen (Nos. 1-7) (Eusebius Mandyczewski, 1887)  Series XIV: Kleinere Kirchenmusikwerke (Nos. 1-22) (Eusebius Mandyczewski, 1888)  Series XV: Dramatische Musik (Johann Nepomuk Fuchs, 1893)  Series XVI: Werke für Männerchor (Nos. 1-46) (Eusebius Mandyczewski, 1891)  Series XVII: Werke für gemischten Chor (Nos. 1-19) (Josef Gänsbacher, Eusebius Mandyczewski, 1892)  Series XVIII: Werke für Drei und mehr Frauenstimmen mit Pianoforte-Begleitung (Nos. 1-6) (Josef Gänsbacher, Eusebius Mandyczewski, 1891)  Series XIX: Kleine Gesangswerke (Nos. 1-36) (Josef Gänsbacher and Eusebius Mandyczewski, 1892)  Series XX: Sämtliche einstimmige Lieder und Gesänge (Eusebius Mandyczewski, 1894-1895)  Series XXI: Supplement (Eusebius Mandyczewski, 1897) Instrumentalmusik No. 1-5  Instrumentalmusik No. 6-13  Instrumentalmusik No. 14-  Gesangsmusik  Series XXII: Revisionsbericht |
| 5 | NSA | NGA/NSA/NSE = New Schubert Edition, also indicates genre/instrumentation: Series I: Church Music  Series II: Stage Works  Series III: Part Songs  Series IV: Lieder  Series V: Orchestral Works  Series VI: Chamber Music Octet and Nonet  String Quintet  String Quartets I  String Quartets II  String Quartets III  String Trios  Works for Piano and several instruments  Works for Piano and one instrument  Dances for several instruments  Series VII: Piano Music Works for Piano Four Hands  Works for Piano Two Hands  Series VIII: Supplement, 2. Schubert's Studies |
| 6 | Name | unique name, with, if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das",...) or indefinite ("Ein", "A",...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung,..." sorts as "Hoffnung, Die,..." – "Thirty Minuets..." sorts as "Minuets, 30,...". |
| 7 | Key / incipit | incipit mostly for songs (linking to lyrics and their translation, for instance at The LiederNet Archive, when available), other compositions by key, except for theatre works: type of composition in brackets. |
| 8 | Date | (presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his 3rd String Quartet on ngày 19 tháng 11 năm 1812 and completed it on ngày 21 tháng 2 năm 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813 |
| 9 | Additional info | may include:  Information about the text (lyrics, libretto) of vocal compositions: e.g., "Text by [text author]", "Text: [standard lyrics]", "... from [literary work]"; "other settings: D ..." indicates Schubert's other settings of the same text; for fields starting with "Text..." this column sorts by text author (last name, first name—or pen name when such name is more established), then incipit of the lyrics (alternatively, when the incipit is rarely used, title of the work)  Information about the authenticity of the composition: the work is without doubt Schubert's unless when marked as "Doubtful", "Spurious?" or "Spurious" (in the last case columns 3–8 give no further information about the composition)  Forces needed for performance ("For..."): may be omitted when the type of composition makes the instrumentation clear (e.g. String Quartet → two violins, viola and cello), and, for vocal music, when the setting is for voice and piano  "s", "a", "t" and "b" refer to a single soprano, alto, tenor and bass singer respectively, while "S", "A", "T" and "B" to choral parts for the same types of singers (see SATB).  Specifications regarding movements (e.g. "Allegro – Minuet – Rondo") or sections (e.g. "No. 1...")  Information about the completeness of the extant work: the work is considered complete as extant unless when marked "Sketch", "Incomplete", "Unfinished", "Fragment" or "Lost"  Information about versions (e.g. "Two versions:...") |