17. Akademi Ödülleri
Ödüller

Kazananlar ilk olarak listelenir ve kalın harflerle vurgulanır.
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 Best Motion Picture Going My Way – Leo McCarey for Paramount Double Indemnity – Joseph Sistrom for Paramount  Gaslight – Arthur Hornblow Jr. for Metro-Goldwyn-Mayer  Since You Went Away – David O. Selznick for United Artists  Wilson – Darryl F. Zanuck for 20th Century Fox:  En iyi yönetmen Leo McCarey – Going My Way Billy Wilder – Double Indemnity  Otto Preminger – Laura  Alfred Hitchcock – Lifeboat   Henry King – Wilson
 Best Actor Bing Crosby – Going My Way as Father Chuck O'Malley Charles Boyer – Gaslight as Gregory Anton/Sergius Bauer  Barry Fitzgerald – Going My Way as Father Fitzgibbon  Cary Grant – None but the Lonely Heart as Ernie Mott  Alexander Knox – Wilson as Woodrow Wilson:  Best Actress Ingrid Bergman – Gaslight as Paula Alquist Anton Claudette Colbert – Since You Went Away as Mrs Anne Hilton  Bette Davis – Mr. Skeffington as Frances Beatrice "Fanny" Trellis Skeffington  Greer Garson – Mrs. Parkington as Susie Parkington  Barbara Stanwyck – Double Indemnity as Phyllis Dietrichson
 Best Supporting Actor Barry Fitzgerald – Going My Way as Father Fitzgibbon Hume Cronyn – The Seventh Cross as Paul Roeder  Claude Rains – Mr. Skeffington as Job Skeffington  Clifton Webb – Laura as Waldo Lydecker  Monty Woolley – Since You Went Away as Colonel William G. Smollett:  Best Supporting Actress Ethel Barrymore – None But the Lonely Heart as Ma Mott Jennifer Jones – Since You Went Away as Jane Deborah Hilton  Angela Lansbury – Gaslight as Nancy Oliver  Aline MacMahon – Dragon Seed as Ling Tan's Wife  Agnes Moorehead – Mrs. Parkington as Baroness Aspasia Conti
 Best Original Screenplay Wilson – Lamar Trotti Hail the Conquering Hero – Preston Sturges  The Miracle of Morgan's Creek – Preston Sturges  Two Girls and a Sailor – Richard Connell and Gladys Lehman  Wing and a Prayer, The Story of Carrier X – Jerome Cady:  Best Screenplay Going My Way – Frank Butler and Frank Cavett, based on a story by Leo McCarey Double Indemnity – Raymond Chandler and Billy Wilder, based on Double Indemnity in Three of a Kind by James M. Cain  Gaslight – John L. Balderston, Walter Reisch, and John Van Druten, based on Angel Street by Patrick Hamilton  Laura – Jay Dratler, Samuel Hoffenstein, and Elizabeth Reinhardt, based on the novel by Vera Caspary  Meet Me in St. Louis – Irving Brecher and Fred F. Finklehoffe, based on the novel by Sally Benson
 Best Original Motion Picture Story Going My Way – Leo McCarey A Guy Named Joe – David Boehm and Chandler Sprague  Lifeboat – John Steinbeck  None Shall Escape – Alfred Neumann and Joseph Than  The Sullivans – Edward Doherty and Jules Schermer:  Best Documentary Feature The Fighting Lady – United States Navy Resisting Enemy Interrogation – United States Army Air Force
 Best Documentary Short Subject With the Marines at Tarawa – United States Marine Corps Hymn of the Nations – United States Office of War Information, Overseas Motion Picture Bureau  New Americans – RKO Radio:  Best Live Action Short Subject, One-Reel Who's Who in Animal Land – Jerry Fairbanks Blue Grass Gentlemen – Edmund Reek  Jammin' the Blues – Gordon Hollingshead  Movie Pests – Pete Smith  Screen Snapshots' 50th Anniversary of Motion Pictures – Ralph Staub
 Best Live Action Short Subject, Two-Reel I Won't Play – Gordon Hollingshead Bombalera – Louis Harris  Main Street Today – Jerry Bresler:  Best Short Subjects – Cartoons Mouse Trouble – Fred Quimby And to Think I Saw It on Mulberry Street – George Pal  Dog, Cat and Canary – Raymond Katz  Fish Fry – Walter Lantz  How to Play Football – Walt Disney  My Boy, Johnny – Paul Terry  Swooner Crooner – Edward Selzer
 Best Scoring of a Dramatic or Comedy Picture Since You Went Away – Max Steiner Address Unknown – Morris Stoloff and Ernst Toch  The Adventures of Mark Twain – Max Steiner  The Bridge of San Luis Rey – Dimitri Tiomkin  Casanova Brown – Arthur Lange  Christmas Holiday – H. J. Salter  Double Indemnity – Miklós Rózsa  The Fighting Seabees – Walter Scharf and Roy Webb  The Hairy Ape – Edward Paul and Michel Michelet  It Happened Tomorrow – Robert Stolz  Jack London – Frederic Efrem Rich  Kismet – Herbert Stothart  None but the Lonely Heart – Hanns Eisler and C. Bakaleinikoff  The Princess and the Pirate – David Rose  Summer Storm – Karl Hajos  Three Russian Girls – W. Franke Harling  Up in Mabel's Room – Edward Paul  Voice in the Wind – Michel Michelet  Wilson – Alfred Newman  The Woman of the Town – Miklós Rózsa:  Best Scoring of a Musical Picture Cover Girl – Morris Stoloff and Carmen Dragon Brazil – Walter Scharf  Higher and Higher – C. Bakaleinikoff  Hollywood Canteen – Ray Heindorf  Irish Eyes Are Smiling – Alfred Newman  Knickerbocker Holiday – Werner R. Heymann and Kurt Weill  Lady in the Dark – Robert Emmett Dolan  Lady, Let's Dance – Edward Kay  Meet Me in St. Louis – Georgie Stoll  The Merry Monahans – H. J. Salter  Minstrel Man – Ferde Grofé and Leo Erdody  Sensations of 1945 – Mahlon Merrick  Song of the Open Road – Charles Previn  Up in Arms – Ray Heindorf and Louis Forbes
 Best Song "Swinging on a Star" from Going My Way – Music by James Van Heusen; Lyrics by Johnny Burke "I Couldn't Sleep a Wink Last Night" from Higher and Higher – Music by Jimmy McHugh; Lyrics by Harold Adamson  "I'll Walk Alone" from Follow the Boys – Music by Jule Styne; Lyrics by Sammy Cahn  "I'm Making Believe" from Sweet and Lowdown – Music by James V. Monaco; Lyrics by Mack Gordon  "Long Ago and Far Away" from Cover Girl – Music by Jerome Kern; Lyrics by Ira Gershwin  "Now I Know" from Up in Arms – Music by Harold Arlen; Lyrics by Ted Koehler  "Remember Me to Carolina" from Minstrel Man – Music by Harry Revel; Lyrics by Paul Webster  "Rio de Janeiro" from Brazil – Music by Ary Barroso; Lyrics by Ned Washington  "Silver Shadows and Golden Dreams" from Lady, Let's Dance – Music by Lew Pollack; Lyrics by Charles Newman  "Sweet Dreams Sweetheart" from Hollywood Canteen – Music by Maurice K. Jerome; Lyrics by Ted Koehler  "Too Much in Love" from Song of the Open Road – Music by Walter Kent; Lyrics by Kim Gannon  "The Trolley Song" from Meet Me in St. Louis – Music and Lyrics by Ralph Blane and Hugh Martin:  Best Sound Recording Wilson – Edmund H. Hansen Brazil – Daniel J. Bloomberg  Casanova Brown – Thomas T. Moulton  Cover Girl – John P. Livadary  Double Indemnity – Loren L. Ryder  His Butler's Sister – Bernard B. Brown  Hollywood Canteen – Nathan Levinson  It Happened Tomorrow – Jack Whitney  Kismet – Douglas Shearer  Music in Manhattan – Stephen Dunn  Voice in the Wind – W. M. Dalgleish
 Best Art Direction, Black-and-White Gaslight – Art Direction: Cedric Gibbons and William Ferrari; Interior Decoration: Paul Huldschinsky and Edwin B. Willis Address Unknown – Art Direction: Lionel Banks and Walter Holscher; Interior Decoration: Joseph Kish  The Adventures of Mark Twain – Art Direction: John Hughes; Interior Decoration: Fred M. MacLean  Casanova Brown – Art Direction: Perry Ferguson; Interior Decoration: Julia Heron  Laura – Art Direction: Lyle R. Wheeler and Leland Fuller; Interior Decoration: Thomas Little  No Time for Love – Art Direction: Hans Dreier and Robert Usher; Interior Decoration: Samuel M. Comer  Since You Went Away – Art Direction: Mark-Lee Kirk; Interior Decoration: Victor A. Gangelin  Step Lively – Art Direction: Albert S. D'Agostino and Carroll Clark; Interior Decoration: Darrell Silvera and Claude Carpenter  Song of the Open Road – N/A (nomination withdrawn):  Best Art Direction, Color Wilson – Art Direction: Wiard Ihnen; Interior Decoration: Thomas Little The Climax – Art Direction: John B. Goodman and Alexander Golitzen; Interior Decoration: Russell A. Gausman and Ira S. Webb  Cover Girl – Art Direction: Lionel Banks and Cary Odell; Interior Decoration: Fay Babcock  The Desert Song – Art Direction: Charles Novi; Interior Decoration: Jack McConaghy  Kismet – Art Direction: Cedric Gibbons and Daniel B. Cathcart; Interior Decoration: Edwin B. Willis and Richard Pefferle  Lady in the Dark – Art Direction: Hans Dreier and Raoul Pene Du Bois; Interior Decoration: Ray Moyer  The Princess and the Pirate – Art Direction: Ernst Fegté; Interior Decoration: Howard Bristol
 Best Cinematography, Black-and-White Laura – Joseph LaShelle Double Indemnity – John F. Seitz  Dragon Seed – Sidney Wagner  Gaslight – Joseph Ruttenberg  Going My Way – Lionel Lindon  Lifeboat – Glen MacWilliams  Since You Went Away – Stanley Cortez and Lee Garmes  Thirty Seconds Over Tokyo – Robert L. Surtees and Harold Rosson  The Uninvited – Charles Lang  The White Cliffs of Dover – George J. Folsey:  Best Cinematography, Color Wilson – Leon Shamroy Cover Girl –  Rudolph Maté and Allen M. Davey  Home in Indiana – Edward Cronjager  Kismet – Charles Rosher  Lady in the Dark – Ray Rennahan  Meet Me in St. Louis – George J. Folsey
 Best Film Editing Wilson – Barbara McLean Going My Way – Leroy Stone  Janie – Owen Marks  None but the Lonely Heart – Roland Gross  Since You Went Away – Hal C. Kern and James E. Newcom:  Best Special Effects Thirty Seconds Over Tokyo – Photographic Effects A. Arnold Gillespie, Donald Jahraus and Warren Newcombe; Sound Effects: Douglas Shearer The Adventures of Mark Twain – Photographic Effects: Paul Detlefsen and John Crouse; Sound Effects: Nathan Levinson  Days of Glory – Photographic Effects Vernon L. Walker; Sound Effects: James G. Stewart and Roy Granville  Secret Command – Photographic Effects: David Allen, Ray Cory and Robert Wright; Sound Effects: Russell Malmgren and Harry Kusnick  Since You Went Away – Photographic Effects: Jack Cosgrove; Sound Effects: Arthur Johns  The Story of Dr. Wassell – Photographic Effects: Farciot Edouart and Gordon Jennings; Sound Effects: George Dutton  Wilson – Photographic Effects: Fred Sersen; Sound Effects: Roger Heman Sr.