En İyi Sinematografi Akademi Ödülü
1950'ler

| Yıl | Görüntü yönetmeni | Film |
| --- | --- | --- |

1950 (23.): 
1950 (23.): Siyah-Beyaz
| 1950 (23.) | Robert Krasker | The Third Man |
| 1950 (23.) | Milton R. Krasner | All About Eve |
| 1950 (23.) | Harold Rosson | The Asphalt Jungle |
| 1950 (23.) | Victor Milner | The Furies |
| 1950 (23.) | John F. Seitz | Sunset Boulevard |
1950 (23.): Renkli
| 1950 (23.) | Robert Surtees | King Solomon's Mines |
| 1950 (23.) | Charles Rosher | Annie Get Your Gun |
| 1950 (23.) | Ernest Palmer | Broken Arrow |
| 1950 (23.) | Ernest Haller | The Flame and the Arrow |
| 1950 (23.) | George Barnes | Samson and Delilah |
1951 (24.): 
1951 (24.): Siyah-Beyaz
| 1951 (24.) | William C. Mellor | A Place in the Sun |
| 1951 (24.) | Franz Planer | Death of a Salesman |
| 1951 (24.) | Norbert Brodine | The Frogmen |
| 1951 (24.) | Robert Burks | Strangers on a Train |
| 1951 (24.) | Harry Stradling | A Streetcar Named Desire |
1951 (24.): Renkli
| 1951 (24.) | Alfred Gilks John Alton | An American in Paris |
| 1951 (24.) | Leon Shamroy | David and Bathsheba |
| 1951 (24.) | Robert Surtees William V. Skall | Quo Vadis |
| 1951 (24.) | Charles Rosher | Show Boat |
| 1951 (24.) | John F. Seitz W. Howard Greene | When Worlds Collide |
1952 (25.): 
1952 (25.): Siyah-Beyaz
| 1952 (25.) | Robert Surtees | The Bad and the Beautiful |
| 1952 (25.) | Russell Harlan | The Big Sky |
| 1952 (25.) | Joseph LaShelle | My Cousin Rachel |
| 1952 (25.) | Virgil Miller | Navajo |
| 1952 (25.) | Charles Lang | Sudden Fear |
1952 (25.): Renkli
| 1952 (25.) | Winton Hoch Archie Stout | The Quiet Man |
| 1952 (25.) | Harry Stradling | Hans Christian Andersen |
| 1952 (25.) | Freddie Young | Ivanhoe |
| 1952 (25.) | George J. Folsey | Million Dollar Mermaid |
| 1952 (25.) | Leon Shamroy | The Snows of Kilimanjaro |
1953 (26.): 
1953 (26.): Siyah-Beyaz
| 1953 (26.) | Burnett Guffey | From Here to Eternity |
| 1953 (26.) | Hal Mohr | The Four Poster |
| 1953 (26.) | Joseph Ruttenberg | Julius Caesar |
| 1953 (26.) | Joseph C. Brun | Martin Luther |
| 1953 (26.) | Franz Planer Henri Alekan | Roman Holiday |
1953 (26.): Renkli
| 1953 (26.) | Loyal Griggs | Shane |
| 1953 (26.) | George J. Folsey | All the Brothers Were Valiant |
| 1953 (26.) | Edward Cronjager | Beneath the 12-Mile Reef |
| 1953 (26.) | Robert H. Planck | Lili |
| 1953 (26.) | Leon Shamroy | The Robe |
1954 (27.): 
1954 (27.): Siyah-Beyaz
| 1954 (27.) | Boris Kaufman | On the Waterfront |
| 1954 (27.) | John F. Warren | The Country Girl |
| 1954 (27.) | George J. Folsey | Executive Suite |
| 1954 (27.) | John F. Seitz | Rogue Cop |
| 1954 (27.) | Charles Lang | Sabrina |
1954 (27.): Renkli
| 1954 (27.) | Milton R. Krasner | Three Coins in the Fountain |
| 1954 (27.) | Leon Shamroy | The Egyptian |
| 1954 (27.) | Robert Burks | Rear Window |
| 1954 (27.) | George J. Folsey | Seven Brides for Seven Brothers |
| 1954 (27.) | William V. Skall | The Silver Chalice |
1955 (28.): 
1955 (28.): Siyah-Beyaz
| 1955 (28.) | James Wong Howe | The Rose Tattoo |
| 1955 (28.) | Russell Harlan | Blackboard Jungle |
| 1955 (28.) | Arthur E. Arling | I'll Cry Tomorrow |
| 1955 (28.) | Joseph LaShelle | Marty |
| 1955 (28.) | Charles Lang | Queen Bee |
1955 (28.): Renkli
| 1955 (28.) | Robert Burks | To Catch a Thief |
| 1955 (28.) | Harry Stradling | Guys and Dolls |
| 1955 (28.) | Leon Shamroy | Love Is a Many-Splendored Thing |
| 1955 (28.) | Harold Lipstein | A Man Called Peter |
| 1955 (28.) | Robert Surtees | Oklahoma! |
1956 (29.): 
1956 (29.): Siyah-Beyaz
| 1956 (29.) | Joseph Ruttenberg | Somebody Up There Likes Me |
| 1956 (29.) | Boris Kaufman | Baby Doll |
| 1956 (29.) | Harold Rosson | The Bad Seed |
| 1956 (29.) | Burnett Guffey | The Harder They Fall |
| 1956 (29.) | Walter Strenge | Stagecoach to Fury |
1956 (29.): Renkli
| 1956 (29.) | Lionel Lindon | Around the World in 80 Days |
| 1956 (29.) | Harry Stradling | The Eddy Duchin Story |
| 1956 (29.) | Leon Shamroy | The King and I |
| 1956 (29.) | Loyal Griggs | The Ten Commandments |
| 1956 (29.) | Jack Cardiff | War and Peace |
1957 (30.): 
| 1957 (30.) | Jack Hildyard | The Bridge on the River Kwai |
| 1957 (30.) | Milton R. Krasner | An Affair to Remember |
| 1957 (30.) | Ray June | Funny Face |
| 1957 (30.) | William C. Mellor | Peyton Place |
| 1957 (30.) | Ellsworth Fredericks | Sayonara |
1958 (31.): 
1958 (31.): Siyah-Beyaz
| 1958 (31.) | Sam Leavitt | The Defiant Ones |
| 1958 (31.) | Daniel L. Fapp | Desire Under the Elms |
| 1958 (31.) | Lionel Lindon | I Want to Live! |
| 1958 (31.) | Charles Lang | Separate Tables |
| 1958 (31.) | Joseph MacDonald | The Young Lions |
1958 (31.): Renkli
| 1958 (31.) | Joseph Ruttenberg | Gigi |
| 1958 (31.) | Harry Stradling | Auntie Mame |
| 1958 (31.) | William H. Daniels | Cat on a Hot Tin Roof |
| 1958 (31.) | James Wong Howe | The Old Man and the Sea |
| 1958 (31.) | Leon Shamroy | South Pacific |
1959 (32.): 
1959 (32.): Siyah-Beyaz
| 1959 (32.) | William C. Mellor | The Diary of Anne Frank |
| 1959 (32.) | Sam Leavitt | Anatomy of a Murder |
| 1959 (32.) | Joseph LaShelle | Career |
| 1959 (32.) | Charles Lang | Some Like It Hot |
| 1959 (32.) | Harry Stradling | The Young Philadelphians |
1959 (32.): Renkli
| 1959 (32.) | Robert Surtees | Ben-Hur |
| 1959 (32.) | Lee Garmes | The Big Fisherman |
| 1959 (32.) | Daniel L. Fapp | The Five Pennies |
| 1959 (32.) | Franz Planer | The Nun's Story |
| 1959 (32.) | Leon Shamroy | Porgy and Bess |