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d’Abbs, Peter. “Tang Chang: An Artist and His World,” LOOKEAST 1, no. 11 (October 1971), 14-21.
Art in the Reign of King Rama IX: 6 Decades of Thai Art. Bangkok: Rama IX Art Museum Foundation, 2006.
Archer, Pamela, and Giovanni Cutolo. Tang Chang. Milan: Istituto De Angeli, 1968.
Bae, Myungji, Yu Jin Seng and Katsuo Suzuki, eds. Awakenings: Art in Society in Asia, 1960s–1990s. Tokyo: National Museum of Modern Art, Tokyo; Seoul: National Museum of Modern and Contemporary Art, Korea; Singapore: National Gallery Singapore, 2019.
Cacchione, Orianna. Tang Chang: The Painting that is Painted with Poetry is Profoundly Beautiful. Chicago: Smart Museum of Art, the University of Chicago, 2018.
Cheng, Jia Yun. “Tang Chang.” In Reframing Modernism: Painting from Southeast Asia, Europe and Beyond, edited by Sarah Lee and Sara Siew, 214–219. Singapore: National Gallery Singapore, 2016.
Clark, John. “‘Tradition’ in Thai Modern Art.” Southeast of Now: Directions in Contemporary and Modern Art in Asia 4, no. 2 (2020): 39-89.
Costinas, Cosmin, and Inti Guerrero. The World is Our Home: A Poem on Abstraction: Robert Motherwell, Bruce Nauman, Tomie Ohtake, Tang Chang. Hong Kong: Para Site Art Space, 2011.
Franke, Anselm. 10th Shanghai Biennale: Social Factory. Shanghai: Power Station of Art, 2014.
Kumjim, Prapon. “Magpie Modernity in Thai Art.” In Art Studies 01: Cultural Rebellion in Asia 1960–1989, edited by Furuichi Yasuko, 54–59. Tokyo: Japan Foundation Asia Center, 2015.
Kunavichayanont, Luckana, and Apisak Sonjod. Krungthep 226: The Art from Early Days, Bangkok to the Imagined Future. Bangkok: Bangkok Art and Culture Centre, 2008.
Mashadi, Ahmad. “Brief Notes on Traditionalism in Modern Thai Art.” In Modernity and Beyond: Themes in Southeast Asian Art, edited by T.K. Sabapathy, 61–68. Singapore: Singapore Art Museum, 1996.
Mukdamanee, Vichoke, and Sutee Kunavichayanont. Rattanakosin Art: The Reign of King Rama IX. Bangkok: Amarin Printing and Publishing Public Company, 1997.
Poshyananda, Apinan. Modern Art in Thailand: Nineteenth and Twentieth Centuries. New York: Oxford University Press, 1992.
Rodboon, Somporn. “History of Modern Art in Thailand.” In Asian Modernism: Diverse Development in Indonesia, the Philippines, and Thailand, edited by Furuichi Yasuko and Nakamoto Kazumi, 243–251. Tokyo: The Japan Foundation Asia Center, 1995.
Praepipatmongkol, Chanon Kenji. “Postwar Abstraction and Practices of Knowledge: Fernando Zóbel and Chang Saetang.” PhD thesis, University of Michigan, 2020.
Shioda, Junichi. “Bangkok and Chiang Mai: Ways of Modernity.” In Asian Modernism: Diverse Development in Indonesia, the Philippines, and Thailand, edited by Furuichi Yasuko and Nakamoto Kazumi, 238–242. Tokyo: The Japan Foundation Asia Center, 1995.
Suwannakudt, Phaptawan. “Tang Chang in My Memories.” Unpublished manuscript, 2016, typescript.
Tang, Chang. “Questions, Humans, Art.” In The Modern in Southeast Asian Art: A Reader, edited by T.K. Sabapathy and Patrick Flores, 841–842. Singapore: National Gallery Singapore, 2023.
-	Chang Sae-tang: Chittakam Nammatham – Bot Kawi Ruppatham | Tang Chang: Abstract Paintings – Concrete Poetry. Nakhonpathom: The Tang Chang Private Museum, 2013.
-	Pro Chan Tongkan Thiwang Khong Chan | Tang Chang: It was My Desire to Have My Very Own Space. Nakhonpathom: The Tang Chang Private Museum, 2013.
-	The Artist is Chasing, Chasing, Chasing, Chasing, Chasing, Chasing After, Chasing, Chasing, Chasing, Keep on Chasing, Chasing, Chasing, Chasing, and Chasing, to Seize the Sun Light for His Painting: Painting by Tang Chang. Bangkok: Open Arts Space, 2001.
Taylor, Nora A. “Tang Chang: The Painting that is Painted with Poetry is Profoundly Beautiful.” ArtAsiaPacific, no. 109 (2018): 113.
Teh, David. “The Preter-Natural: The Southeast Asian Contemporary and What Haunts It.” ARTMargins 6, no. 1 (2017): 33–63.
Teh, David et al. “Misfits”: Pages from a Loose-Leaf Modernity. Berlin: Haus der Kulturen der Welt, 2017.
-	“Misfits”: lose blätter aus der geschichte der moderne: Rox Lee, Tang Chang und Bagyi Aung Soe. Berlin: Haus der Kulturen der Welt, 2017.
Tsui, Enid H. Y. “Tang Chang: A Reluctant ‘Outsider’ of Thai Modern Art.” World Art 12, no.1 (2022): 1–23.
- 	“Beyond the Mirror: Tang Chang’s Self-Portraits as Anti-Canonical Resistance.” MA thesis, University of Hong Kong, 2020.
Veal, Clare. “Chang sae Tang: The Material Conditions of the Archive.” Art Monthly Australasia 297 (2017): 22–27.