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《Directory of World Cinema: Japan 3》. Intellect Books. 2015. ISBN 978-1-78320-403-8.
Abrams, Simon (2022년 8월 3일). “How the Indian Action Spectacular 'RRR' Became a Smash in America”. 《The New York Times》. 2024년 1월 25일에 확인함.
Arroyo, Jose (2000). 《Action/Spectacle Cinema: A Sight and Sound Reader》. British Film Institute. ISBN 0-85170-757-2.
“Oscar Nominee RRR: Why the Indian Action Spectacle is Charming the West”. 《BBC》. 2023년 1월 24일. 2024년 1월 25일에 확인함.
Bitel, Anton (2019년 7월 10일). “Heroic Bloodshed: How Hong Kong's Style Was Swiped By Hollywood”. 《British Film Institute》. 2021년 8월 31일에 원본 문서에서 보존된 문서. 2024년 2월 8일에 확인함.
Bordwell, David (2006). 《The Way Hollywood Tells It: Story and Style in Modern Movies》. University of California Press. ISBN 9780520246225.
Bould, Mark (2013). 〈Genre, Hybridity, Heterogeneity or the Noir-SF-Vampire-Zombie-Splatter-Romance-Comedy-Action-Thriller Problem〉.   Spicer, A.; Hanson, H. 《A Companion to Film Noir》. Blackwell Publishing Ltd. ISBN 9781444336276.
Chen, Antong (2022). “Hong Kong Action Films' Aesthetics of Violence: Its Social Environment and Decline in the 21st Century”. 《Advances in Social Science, Education and Humanities Research》 638.
Choi, Jinhee (2011). 《The South Korean Film Renaissance》. Wesleyan University Press. ISBN 978-0819569868.
Dixon, Wheeler W. (2000). 《Film Genre 2000:New Critical Essays》. State University of New York Press. ISBN 0791492958.
Heldman, Caroline; Frankel, Laura Lazarus; Holmes, Jennifer (2016). “"Hot, Black Leather, Whip": The (De)evolution of Female Protagonists in Action Cinema, 1960–2014”. 《Sexualization, Media, & Society》. doi:10.1177/2374623815627789.
Higgins, Scott (Winter 2008). “Suspenseful Situations: Melodramatic Narrative and the Contemporary Action Film”. 《Cinema Journal》 48 (2).
Höglund, Johan; Soltysik Monnet, Agnieszka (December 2018). “Revisiting Adventure: Special Issue Introduction”. 《Journal of Popular Culture》 51 (6). ISSN 0022-3840.
Holmlund, Chris; Purse, Lisa; Tasker, Yvonne (2024). 〈Introduction: Action as Mode〉.   Holmlund, Chris; Purse, Lisa; Tasker, Yvonne. 《Action Cinema Since 2000》. Bloomsbury Publishing. ISBN 9781839022784.
Howell, Amanda (2021). 〈The Action Genre and the 'International Turn' in Australian Cinema〉. 《Australian Genre Film》. Routledge. ISBN 9780429469121.
Jones, Nick (2015). 《Hollywood Action Films and Spatial Theory》. Routledge. ISBN 9781138057050.
Kelso-Marsh, Caleb (2020). 〈East Asian Noir: Transnational Film Noir in Japan, Korea and Hong Kong〉.   Feng, Lin; Aston, James. 《Renegotiating Film Genres in East Asian Cinemas and Beyond》. Palgrave MacMillan. ISBN 978-3-030-55076-9.
Kendrick, James (2019). 〈A Genre of Its Own: From Westerns, to Vigilantes, to Pure Action〉.   Kendric, James. 《A Companion to the Action Film》. Blackwell Publishing Ltd. ISBN 978-1119100492.
King, Geoff (2000). 《Spectacular Narratives: Hollywood in the Age of the Blockbuster》. IB Tauris. ISBN 9781860645730.
Kwon, Jungmin (April 2023). “"Hey 'Brother', You Can Count on Me": Misogynistic Masculinity and Bromance Genre in South Korean Action Cinema”. 《The Journal of Popular Culture》 56 (2): 302–323. doi:10.1111/jpcu.13188. 2024년 6월 21일에 확인함.
Logan, Bey (1995). 《Hong Kong Action Cinema》. The Overlook Press. ISBN 0-87951-663-1.
Lott, M. Ray (2004). 《The American Martial Arts Film》. McFarland & Company, Inc. ISBN 0-7864-1836-2.
Macias, Patrick (2008년 1월 30일). “Ryuhei Kitamura Interview: Directing with Napalm”. 《Otaku USA》. 2024년 1월 26일에 확인함.
Martin, Daniel (2009). “Another Week, Another Johnnie To Film: The Marketing and Distribution of Postcolonial Hong Kong Action Cinema”. 《Film International》. 7권 4호. ISSN 1651-6826.
Monaco, James (1979). 《American Film Now: The People, The Power, The Money, the Movies》. Oxford University Press. ISBN 0195025709.
Mes, Tom (2004년 5월 17일). “Ryuhei Kitamura”. Midnight Eye. 2024년 1월 26일에 확인함.
O'Brien, Harvey (2012). 《Action Movies: The Cinema of Striking Back》. Wallflower Press. ISBN 978-0-231-16331-6.
O'Day, Marc (2004). 〈Beauty in Motion: Gender, Spectacle and Action Babe Cinema〉.   Tasker, Yvonne. 《The Action and Adventure Cinema》. Routledge. ISBN 978-0415235075.
Pang, Laikwan (2005). 〈Post-1997 Hong Kong Masculinity〉.   Pang, Laikwan; Wong, Day. 《Masculinities and Hong Kong Cinema》. Hong Kong University Press. ISBN 962-209-737-5.
Purse, Lisa (2011). 《Contemporary Action Cinema》. Edinburgh University Press. ISBN 978-0-7486-3817-8.
Ryan, Mark David; McWilliam, Kelly (2021). 《Australian Genre Film》. Routledge. ISBN 9780429469121.
Selbo, Jule (2014). 《Film Genre for the Screenwriter》. Taylor & Francis. ISBN 978-1-317-69568-4.
Shandilya, Krupa (2014). “Of Enraged Shirts, Gyrating Gangsters and Farting Bullets: Salman Khan and the New Bollywood Action Film”. 《South Asian Popular Culture》 12 (2): 111–121. doi:10.1080/14746689.2014.937579. S2CID 144426047.
Shandilya, Krupa (2024). 〈Bollywood's New Action Cinema: The Woman-led Action Film and the Nation〉.   Holmlund, Chris; Purse, Lisa; Tasker, Yvonne. 《Action Cinema Since 2000》. Bloomsbury Publishing. ISBN 9781839022784.
Sharpe, Jasper (2011). 《Historical Dictionary of Japanese Cinema》. Scarecrow Press. ISBN 978-0-8108-7541-8.
Soberson, Lennart (Spring 2021). “The Ultimate Ride: A Comparative Narrative Analysis of Action Sequences in 1980s and Contemporary Hollywood Action Cinema”. 《Journal of Film and Video》 73 (1).
Soyoung, Kim (2005). 〈Genre as Contact Zone: Hong Kong Action and Korean Hwalkuk〉.   Morris, Meaghan; Li, Siu Leung; Ching-kiu, Stephen Chan. 《Hong Kong Connections: Transnational Imagination in Action Cinema》. Hong Kong University Press. ISBN 1-932643-19-2.
Srinivas, S.V. (2005). 〈Hong Kong Action Film and the Career of the Telugu Mass Hero〉.   Morris, Meaghan; Li, Siu Leung; Ching-kiu, Stephen Chan. 《Hong Kong Connections: Transnational Imagination in Action Cinema》. Hong Kong University Press. ISBN 1-932643-19-2.
Tasker, Yvonne, 편집. (2004). 《Action and Adventure Cinema》. Routledge. ISBN 0-203-64515-4.
Tasker, Yvonne (2015). 《The Hollywood Action and Adventure Film》. John Wiley & Sons, Inc. ISBN 978-0-470-65924-3.
Teo, Stephen (2016). 《Chinese Martial Arts Cinema: The Wuxia Tradition》 2판. Edinburgh University Press. ISBN 978-1-4744-0386-3.
Van Den Troost, Kristof (Summer 2024). “Registers of the Melodramatic Mode: The 1980s Heroic Bloodshed Cycle in the History of the Hong Kong Crime Film”. 《Screen》 65 (2). ISSN 0036-9543.
Willemen, Paul (2005). 〈Action Cinema, Labour Power and the Video Market〉.   Morris, Meaghan; Li, Siu Leung; Ching-kiu, Stephen Chan. 《Hong Kong Connections: Transnational Imagination in Action Cinema》. Hong Kong University Press. ISBN 1-932643-19-2.
Yip, Man-Fung (2017). 《Martial Arts Cinema and Hong Kong Modernity》. Hong Kong University Press. ISBN 978-988-8390-71-7.