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다른 표시가 없으면 비올라와 피아노로 연주.
| Original composer | Title | Remarks |
| --- | --- | --- |
| Anton Arensky (1861–1906) | Berceuse |   |
| 요한 제바스티안 바흐 (1685–1750) | Aria "Come Sweet Death" | from Cantata 191 |
| 요한 제바스티안 바흐 (1685–1750) | Adagio from Toccata in C Major | published 1935; original for organ |
| 루트비히 판 베토벤 (1770–1827) | Theme and Variations (on Mozart's "Ein Mädchen oder Weibchen"), Op.66 (1796) | original for cello and piano |
| 요하네스 브람스 (1833–1897) | Minnelied, Op.71 No.5 | original for voice and piano |
| Eric Coates (1886–1957) | First Meeting |   |
| 프레더릭 딜리어스 (1862–1934) | Serenade from the drama Hassan (1920–1923) |   |
| 프레더릭 딜리어스 (1862–1934) | Sonata No.2 (1923) | original for violin and piano |
| Ernő Dohnányi (1877–1960) | Sonata in C♯ Minor, Op.21 (1912) | original for violin and piano |
| 에드워드 엘가 (1857–1934) | Concerto in E Minor, Op.85 (1918–1919) | original for cello and orchestra |
| 가브리엘 포레 (1845–1924) | Après un rêve | original for voice and piano |
| 가브리엘 포레 (1845–1924) | Élégie, Op.24 | original for cello and orchestra |
| Baldassare Galuppi | Aria Amorosa |   |
| 게오르크 프리드리히 헨델 (1685–1759) | Sonata in F Major (Adagio and Allegro) | original for violin with basso continuo |
| 요제프 하이든 (1732–1809) | Capriccio | published 1912 |
| John Ireland (1879–1962) | The Holy Boy | published 1918 |
| 프란츠 리스트 (1811–1886) | Liebestraum No.3 in A♭ Major, S.541 (c.1850) | published 1954; original for piano |
| 펠릭스 멘델스존 (1809–1847) | Duetto | original for piano: Song without Words, Op.38 No.6 (1836) |
| 펠릭스 멘델스존 (1809–1847) | Fleecy Cloud | original for piano: Song without Words, Op.53 No.2 (1838) |
| 펠릭스 멘델스존 (1809–1847) | Gondola Song | original for piano: Song without Words, Op.19 No.6 (1830) |
| 펠릭스 멘델스존 (1809–1847) | On Wings of Song, Op.34 No.2 (1835) | original for voice and piano: Auf Flügeln des Gesanges |
| 펠릭스 멘델스존 (1809–1847) | Spring Song | original for piano: Song without Words, Op.62 No.6 (1842) |
| 펠릭스 멘델스존 (1809–1847) | Sweet Remembrance | original for piano: Song without Words, Op.19 No.1 (1831) |
| 볼프강 아마데우스 모차르트 (1756–1791) | Sonata [No.22] in A Major, K.305: Allegro molto; Tema con variazione | original for violin and piano |
| Gabriel Pierné (1863–1937) | Sérénade, Op.7 | original for piano |
| 안톤 루빈시테인 (1829–1894) | Melody in F, Op.3 No.1 (1852) | original for piano |
| 프란츠 슈베르트 (1797–1828) | Du bist die Ruh, Op.59 No.3 (D.776) | original for voice and piano |
| 프란츠 슈베르트 (1797–1828) | Nacht und Träume, Op.43 No.2 (D.827) | original for voice and piano |
| 로베르트 슈만 (1810–1856) | Romance, Op.28 No.2 | original for piano |
| Cyril Scott (1879–1970) | Cherry Ripe |   |
| Alexander Scriabin (1872–1915) | Étude, Op.42 No.4 | original for piano |
| 카롤 시마노프스키 (1882–1937) | Pieśń Roksany from the opera Król Roger |   |
| 표트르 일리치 차이콥스키 (1840–1893) | Chanson triste, Op.40 No.2 | original for piano |
| 표트르 일리치 차이콥스키 (1840–1893) | None But the Lonely Heart (also entitled A Pleading), Op.6 No.6 (1869) | original for voice and piano |
| Francis Thomé (1850–1909) | Sous la feuillée, Op.29 | original for piano |
| traditional | Londonderry Air "Farewell to Cucullain" for Viola or Violin and Piano |   |
| traditional | Old Irish Air for Viola or Violin and Piano |   |
| William Wolstenholme (1865–1931) | Allegretto in E♭ Major, Op.17 No.2 | published 1900; original for organ |
| William Wolstenholme (1865–1931) | Canzona in B♭ Major, Op.12 No.1 | original for organ |
| William Wolstenholme (1865–1931) | Die Antwort (The Answer), Op.13 No.2 | original for organ |
| William Wolstenholme (1865–1931) | Die Frage (The Question), Op.13 No.1 | original for organ |
| William Wolstenholme (1865–1931) | Romanza, Op.17 No.1 | published 1900; original for organ |