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1918: Gesang des Abgeschiedenen ("Die Mausefalle") (after Christian Morgenstern); "Wenn es nur einmal so ganz still wäre" (after Rainer Maria Rilke)
1919: Drei Lieder (Li-Tai-Po, Klabund); "Sehr leises Gehn im lauen Wind";
1922: Allegro moderato and Waltzes; Allegretto and Andante for Piano
1923: Piano Sonata No. 1, Op. 1
1923: Divertimento; Four Piano Pieces
1923: Divertimento for wind quintet, Op. 4
1924: Piano Sonata No. 2, Op. 6
1925: Eight Piano Pieces
1926: Tagebuch des Hanns Eisler (Diary of Hanns Eisler); 11 Zeitungsausschnitte; Ten Lieder; Three Songs for Men's Chorus (after Heinrich Heine)
1928: "Drum sag der SPD ade"; "Lied der roten Matrosen" ("Song of the Red Sailors", with Erich Weinert); Pantomime (with Béla Balázs); "Kumpellied"; "Red Sailors' Song"; "Couplet vom Zeitfreiwilligen"; "Newspaper's Son"; "Auch ein Schumacher (verschiedene Dichter)"; "Was möchst du nicht" (from Des Knaben Wunderhorn); "Wir sind das rote Sprachrohr"
1929: Tempo der Zeit (Tempo of Time) for chorus and small orchestra, Op. 16; Six Lieder (after Weinert, Weber, Jahnke and Vallentin); "Lied der Werktätigen" ("Song of the Working People"; with Stephan Hermlin)
1930: Die Maßnahme (The Measures Taken, Lehrstück, text by Bertolt Brecht), Op. 20; Six Ballads (after Weber, Brecht, and Walter Mehring); Four Ballads (after B. Traven, Kurt Tucholsky, Wiesner-Gmeyner, and Arendt); Suite No. 1, Op. 23
1931 incidental music for Die Mutter (The Mother) by Bertolt Brecht (after Maxim Gorky), for small theatre orchestra
1931: "Lied der roten Flieger" (after Semyon Kirsanov); Four Songs (after Frank, Weinert) from the film Niemandsland; film music for Kuhle Wampe (texts by Brecht) with the famous "Ballad of the Pirates", "Song of Mariken", Four Ballads (with Bertolt Brecht); Suite No. 2, Op. 24 ("Niemandsland"); Three Songs after Erich Weinert; "Das Lied vom vierten Mann" ("The Song of the Fourth Man"); "Streiklied" ("Strike Song"); Suite No. 3, Op. 26 ("Kuhle Wampe")
1932: "Ballad of the Women and the Soldiers" (with Brecht); Seven Piano Pieces; Kleine Sinfonie (Little Symphony); Suite No. 4, Music for the Russian film Pesn' o geroyakh (Song of Heroes) by Joris Ivens with "Song from the Urals" (after Sergei Tretyakov); reissued as instrumental piece Op. 30 ("Die Jugend hat das Wort")
1934: "Einheitsfrontlied" ("United Front Song"); "Saarlied" ("Saar Song"), "Lied gegen den Krieg" ("Song Against War"), "Ballade von der Judenhure Marie Sanders" ("Ballad of the Jews' Whore Marie Sanders"), songs from Die Rundköpfe und die Spitzköpfe; "Sklave, wer wird dich befreien" ("Slave, who will liberate you"; with Brecht); "California Ballad"; Six Pieces; Prelude and Fugue on B–A–C–H (string trio); Spartakus 1919, Op. 43
1935: Die Mutter (The Mother) rewritten as cantata for chorus, solo voices and two pianos for a New York stage production
1935: Lenin Requiem for solo voices, chorus and orchestra
1936 : Cantata Gegen den Krieg
1937: Seven cantatas based on texts taken from Ignazio Silone's novels Bread and Wine and Fontamara for solo voice, strings and woodwind instruments
"Friedenssong" ("Peace Song", after Petere); "Kammerkantaten" ("Chamber Cantatas"); Ulm 1592; "Bettellied "("Begging Song", with Brecht); "Lenin Requiem" (with Brecht)
1938: Cantata on Herr Meyers' First Birthday; String Quartet; Fünf Orchesterstücke ; Theme and Variations "Der lange Marsch"
1939: Nonet No. 1
1940: Music for the documentary film White Flood (Frontier Films), reissued as Chamber Symphony (Kammersymphonie)
1941: Music for the documentary film A Child went forth (directed by Joseph Losey), reissued as Suite for Septet No. 1, op. 92a
1940/41: Film music for The Forgotten Village (directed by Herbert Kline and Alexander Hammid, written by John Steinbeck)
1940/41: Nonet No. 2
1941: Woodbury-Liederbüchlein (Woodbury Songbook, 20 children songs for female choir written in Woodbury, Connecticut); "14 Arten den Regen zu beschreiben" (14 ways to describe rain) (for the Joris Ivens film Rain, later dedicated to Arnold Schoenberg for his 70th birthday)
1942: "Hollywood-Elegien" ("Hollywood Elegies"; with Brecht) in the Hollywooder Liederbuch (Hollywood Songbook)
1943: Film music for Hangmen Also Die!; Piano Sonata No. 3
1943: Songs for Schweik in the Second World War; "Deutsche Misere" (with Brecht)
1943: Piano sonata no. 3
1945: Film score for The Spanish Main, directed by Frank Borzage
1946: "Glückliche Fahrt" ("Prosperous Voyage", after Goethe); Songs and ballad for Brecht's play Life of Galileo.
1946: Film scores for A Scandal in Paris and Deadline at Dawn
1947: Septet No. 2
1947: Music for The Woman on the Beach, film directed by Jean Renoir
1948: Incidental music for Johann Nestroy's play Höllenangst
1948: "Lied über die Gerechtigkeit" ("Song of Justice", after W. Fischer)
1949: Berliner-Suite; Rhapsody; "Lied über den Frieden" ("Song about Peace"); Auferstanden aus Ruinen (National Anthem of the DDR (text by Becher)); "Treffass"
1950: "Mitte des Jahrhunderts" (after Becher); Four Lieder on Die Tage der Commune; Children's Songs (with Brecht)
1952: "Das Lied vom Glück" ("The Song of Happiness"; after Brecht); "Das Vorbild" (after Goethe)
1954 : Winterschlacht-Suite
1955: Night and Fog, music for the film Herr Puntila and His Servant Matti; Puntila-Suite; "Im Blumengarten" ("In the flower garden"); "Die haltbare Graugans"; Three Lieder after Brecht; music for the 1955 film Bel Ami
1956: Vier Szenen auf dem Lande (Katzgraben) ("Four Scenes from the Country", after Erwin Strittmatter); Children's Songs (after Brecht); "Fidelio" (after Beethoven)
1957: Sturm-Suite für Orchester; Bilder aus der Kriegsfibel; "Die Teppichweber von Kujan-Bulak" ("The Carpetweavers of Kujan-Bulak", with Brecht); "Lied der Tankisten" (text by Weinert); "Regimenter gehn"; "Marsch der Zeit" ("March of Time", after Vladimir Mayakovsky); Three Lieder (after Mayakovsky and Peter Hacks); "Sputnik-Lied" ("Sputnik Song", text of Kuba (Kurt Barthel)); film music for Les Sorcières de Salem (The Crucible)
1935-1958: Deutsche Sinfonie (after texts of Bertolt Brecht and Ignazio Silone)
1958: "Am 1. Mai" ("To May Day", with Brecht)
1959: 36 more songs on texts by Kurt Tucholsky for Gisela May and Ernst Busch;
1962: "Ernste Gesänge" ("Serious Songs"), seven Lieder after Friedrich Hölderlin, Berthold Viertel, Giacomo Leopardi, Helmut Richter, and Stephan Hermlin