マサッチオ
出典、脚注

↑  Masaccio Italian painter Encyclopædia Britannica
↑  Giorgio Vasari, Le Vite de' piu eccellenti pittori, scultori ed architettori, ed. Gaetano Milanesi, Florence, 1906, II, pp.287-288.
↑  John T. Spike, Masaccio, New York: 1996, 21-64, and Diane Cole Ahl, The Cambridge Companion to Masaccio, Cambridge, 2002, 3-5.
↑  On Giovanni's career, see Luciano Bellosi and Margaret Haines, Lo Scheggia, Florence, 1999.
↑  ジョルジョ・ヴァザーリ『画家・彫刻家・建築家列伝』第2版 p.295
↑  Luciano Berti, "Masaccio 1422," Commentari 12 (1961) pp.84-107
↑  Roberto Bellucci and Cecilia Frosinini, "Masaccio:  Technique in Context," in The Cambridge Companion to Masaccio, ed. Diane Cole Ahl, Cambridge, 2002, pp.105-122.
↑  "Masus S. Johannis Simonis pictor populi S. Nicholae de Florentia." と記載されている
↑  Roberto Bellucci and Cecilia Frosinini, "The San Giovenale Altarpiece," in The Panel Paintings of Masolino and Masaccio, ed. Carl Brandon Strehlke, Milan, 2002, pp.69-79; Dillian Gordon, "The Altarpieces of Masaccio," in The Cambridge Companion to Masaccio, ed. Diane Cole Ahl, Cambridge, 2002, pp.124-126.
↑  Roberto Longhi, "Fatti di Masolino e di Masaccio," Critica d'arte 25-6 (1940) 145-191.
↑  Umberto Baldini and Ornella Casazza, The Brancacci Chapel, New York, 1990; Diane Cole Ahl, "The Brancacci Chapel," in The Cambridge Companion to Masaccio, ed. Diane Cole Ahl, Cambridge, 2002, 138-157.
↑  宮下規久朗『しぐさで読む美術史』筑摩書房、2015年、100頁。ISBN 978-4-480-43318-3。
↑  Giorgio Vasari, Le vite de' più eccellenti pittori, scultori ed architettori, ed. Gaetano Milanesi, Florence, 1906, II, p.292.
↑  Jill Dunkerton and Dillian Gordon, "The Pisa Altarpiece," in The Panel Paintings of Masolino and Masaccio:  The Role of Technique, ed. Carl Brandon Strehlke, Milan, 2002, pp.89-109.
↑  Mack, p.66
↑  Jill Dunkerton and  Dillian Gordon, "The Pisa Altarpiece," in Carl Brandon Strehlke, ed.The Panel Paintings of Masolino and Masaccio: The Role of Technique, Milan, 2002, 91-93.
↑  Jill Dunkerton et.al., Giotto to Dürer:  Early Renaissance Painting in the National Gallery, New Haven, 1991, 248-251.
↑  Ugo Procacci, "Nuove testimonianze su Masaccio," Commentari, 27 (1976) 233-4; Rona Goffen, Masaccio's "Trinity," Cambridge, 1998; Timothy Verdon, "Masaccio's Trinity," in The Cambridge Companion to Masaccio, ed. Diane Cole Ahl, Cambridge, 2002, 158-160.
↑  Rita Maria Comanducci, "'L'altare Nostro de la Trinità': Masaccio's Trinity and the Berti Family," The Burlington Magazine, 145 (2003) pp.14-21.
↑  Alessandro Cortesi, "Una lettura teologica," in La Trinità di Masaccio:  il restauro dell'anno duemila, ed. Cristina Danti, Florence, 2002, 49-56; Verdon, 158-161.
↑  Ursula Schlegel, "Observations on Masaccio's Trinity Fresco in Santa Maria Novella," Art Bulletin, 45 (1963) pp.19-34; Otto von Simson, "Uber die Bedeutung von Masaccios Trinitätfresko in Santa Maria Novella," Jahrbuch der Berliner Museen, 8 (1966) pp.119-159; Rona Goffen, "Masaccio's Trinity and the Letter to the Hebrews," Memorie domenicane, n.s/ 11 (1980) pp.489-504; Alessandro Cortesi, "Una lettura teologica," in La Trinità di Masaccio:  il restauro dell'anno duemila, ed. Cristina Danti, Florence, 2002, pp.49-56; Timothy Verdon, "Masaccio's Trinity," in The Cambridge Companion to Masaccio, ed. Diane Cole Ahl, Cambridge, 2002, pp.158-176.
↑  McCarthy, Mary (August  22, 1959). “A City of Stone”. The New Yorker (New York):  48. http://www.newyorker.com/archive/1959/08/22/1959_08_22_038_TNY_CARDS_000258040 2011年8月16日閲覧。.