マーガレット・キャヴェンディッシュ
関連文献

Barnes, Diana G. "Epistolary Restoration: Margaret Cavendish's Letters." Epistolary Community in Print, 1580–1664. Surrey: Ashgate, 2013. 137–196.
Bennett, Alexandra G. "'Yes, and': Margaret Cavendish, the Passions and hermaphrodite Agency." Early Modern Englishwomen Testing Ideas. Ed. Jo Wallwork and Paul Salzman. Surrey: Ashgate, 2011. 75–88.
D'Monte, Rebecca. "Mirroring Female Power: Separatist Spaces in the Plays of Margaret Cavendish, Duchess of Newcastle." Female Communities 1600–1800: Literary Visions and Cultural Realities. Ed. Rebecca D'Monte and Nicole Pohl. New York: MacMillan, 2000. 93–110.
Donawerth, Jane. "The Politics of Renaissance Rhetorical Theory by Women," in Political Rhetoric, Power, and Renaissance Women, ed. C. Levin and P.A. Sullivan, pp. 257–72. Albany: SUNY Press, 1995.
Ezell, Margaret J. M. Writing Women's Literary History. Baltimore: The Johns Hopkins University Press, 1996.
Findlay, Alison, Gweno Williams, and Stephanie J. Hodgson-Wright. "'The Play is ready to be Acted': women and dramatic production, 1570–1670." Women's Writing 6.1 (1999): 129–148.
Greenstadt, Amy. "Margaret's Beard." Early Modern Women: An Interdisciplinary Journal 5 (2010): 171–182.
Jankowski, Theodora. A. "Pure Resistance: Queer(y)ing Viriginity in William Shakespeare's Measure for Measure and Margaret Cavendish's The Convent of Pleasure." Shakespeare Studies 26 (1998): 1–30.
Kellett, Katherine R. "Performance, Performativity, and Identity in Margaret Cavendish's The Convent of Pleasure." SEL 48.2 (2008): 419–442.
Lilley, Kate. "Blazing Worlds: Seventeenth-Century Women's Utopian Writing." Women's Texts and Histories 1575–1760. Eds. Clare Brant and Diane Purkiss. London: Routledge, 1992. 102–133.
Masten, Jeffrey. Textual Intercourse: Collaboration, Authorship, and Sexualities in Renaissance Drama. Cambridge: Cambridge University Press, 1997.
Pasupathi, Vimala. "New Model Armies: Re-contextualizing The Camp in Margaret Cavendish's Bell in Campo." ELH 78 (2011): 657–685.
Stanton, Kamille Stone. '‘An Amazonian Heroickess’: The Military Leadership of Queen Henrietta Maria in Margaret Cavendish's Bell in Campo (1662).' Early Theatre 10.2 (2007): 71–86.
Stark, Ryan. "Margaret Cavendish and Composition Style." Rhetoric Review 17 (1999): 264–81.
Sutherland, Christine Mason. "Aspiring to the Rhetorical Tradition: A Study of Margaret Cavendish,"in Listening to Their Voices, ed. M. Wertheimer, pp. 255–71. Columbia, SC: University of South Carolina Press, 1997.
Sutherland, Christine Mason. "Margaret Cavendish, Duchess of Newcastle," in The Dictionary of Literary Biography, Volume 281: British Rhetoricians and Logicians, 1500–1660, Second Series, pp. 36–47. Detroit: Gale, 2003.
Tomlinson, Sophie. "'My Brain the Stage': Margaret Cavendish and the Fantasy of Female Performance." Women's Texts and Histories 1575–1760. Eds. Clare Brant and Diane Purkiss. London: Routledge, 1992. 134–163.
Traub, Valerie. The Renaissance of Lesbianism in Early Modern England. Cambridge: Cambridge University Press, 2002.
Wynne-Davies, Marion. '"Fornication in My Owne Defence': Rape, Theft and Assault Discourses in Margaret Cavendish's The Sociable Companion." Expanding the Canon of Early Modern Women's Writing. Ed. Paul Salzman. Cambridge: Cambridge Scholars Publishing, 2010. 14–48.
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