シェンカー理論
関連文献

Beach, David, ed. (1983). Aspects of Schenkerian Theory. New Haven: Yale University Press. ISBN 9780300028003
Berry, David Carson (2004). A Topical Guide to Schenkerian Literature: An Annotated Bibliography with Indices. Hillsdale, NY: Pendragon Press; ISBN 9781576470954. A thorough documentation of Schenker-related research and analysis. The largest Schenkerian reference work ever published, it has 3600 entries (2200 principal, 1400 secondary) representing the work of 1475 authors. It is organized topically: fifteen broad groupings encompass seventy topical headings, many of which are divided and subdivided again, resulting in a total of 271 headings under which entries are collected.
Eybl, Martin and Fink-Mennel, Evelyn, eds. (2006). Schenkerian traditions. A Viennese school of music theory and its international dissemination. Vienna, Cologne, Weimar: Böhlau. ISBN 3-205-77494-9.
Jonas, Oswald (1982). Introduction to the theory of Heinrich Schenker: the nature of the musical work of art. ISBN 9780967809939, translated by John Rothgeb. New York and London: Longman. "Most complete discussion of Schenker's theories." (Beach 1983)
Blasius, Leslie D. (1996). Schenker's Argument and the Claims of Music Theory, Cambridge, Cambridge University Press. ISBN 0-521-55085-8.
Brown, Matthew (2005). Explaining Tonality: Schenkerian Theory and Beyond. University of Rochester Press. ISBN 1-58046-160-3.
Cook, Nicholas (2007). The Schenker Project: Culture, Race, and Music Theory in Fin-de-siècle Vienna. Oxford University Press. ISBN 0-19-974429-7.
Essays on the dissemination of Schenkerian thought in the U.S. by David Carson Berry:
"The Role of Adele T. Katz in the Early Expansion of the New York 'Schenker School'". Current Musicology. 74: 103–51. 2002.
Berry, David Carson (2003). "Hans Weisse and the Dawn of American Schenkerism". Journal of Musicology. 20 (1): 104–56. doi:10.1525/jm.2003.20.1.104.
"Victor Vaughn Lytle and the Early Proselytism of Schenkerian Ideas in the U.S". Journal of Schenkerian Studies. 1: 92–117. 2005.
"Schenkerian Theory in the United States: A Review of Its Establishment and a Survey of Current Research Topics". Zeitschrift der Gesellschaft für Musiktheorie. 2 (2–3): 101–37. 2005.
Eybl, Martin; Fink-Mennel, Evelyn, eds. (2006). "Hans Weisse (1892–1940)". Schenker-Traditionen: Eine Wiener Schule der Musiktheorie und ihre internationale Verbreitung [Schenker Traditions: A Viennese School of Music Theory and Its International Dissemination]. Vienna: Böhlau Verlag. pp. 91–103. ISBN 978-3-205-77494-5.
Katz, A. T. (1935). "Heinrich Schenker's Method of Analysis". The Musical Quarterly. 21 (3): 311–329. doi:10.1093/mq/XXI.3.311. JSTOR 739052.
Katz, Adele T. (1945). Challenge to Musical Tradition. A New Concept of Tonality, New York, Alfred A. Knopf. ISBN 9781174860447 (2011 reprint)
Forte, A. (1959). "Schenker's Conception of Musical Structure". Journal of Music Theory. 3 (1): 1–30. doi:10.2307/842996. JSTOR 842996.
Forte, Allen and Gilbert, Steven E. (1982). Introduction to Schenkerian Analysis. W. W. Norton & Company. ISBN 0-393-95192-8. Schenker never presented a pedagogical presentation of his theories, this being the first according to its authors.
Snarrenberg, Robert (1997). "Schenker's Interpretive Practice." Cambridge: Cambridge University Press. ISBN 0-521-49726-4.
Cadwallader, Allen and Gagné, David (1998). Analysis of Tonal Music: A Schenkerian Approach, Oxford: Oxford University Press, ISBN 0-19-510232-0. The second major English-language textbook on Schenkerian analysis"
Kalib, Sylvan (1973). Thirteen Essays from The Three Yearbooks “Das Meisterwerk in Der Musik,” by Heinrich Schenker: An Annotated Translation. (Vol.’s I–III). Ph.D. diss., Northwestern University.
Westergaard, Peter (1975). An Introduction to Tonal Theory. New York: W.W. Norton. ISBN 9780393093421
Aldwell, Edward, and Schachter, Carl (2003). Harmony and Voice Leading. Schirmer. 2d ed. 2008; 3d ed. (with Allen Cadwallader), 2011. ISBN 0-495-18975-8.
Pankhurst, Tom (2008), SchenkerGUIDE: A Brief Handbook and Web Site for Schenkerian Analysis, New York: Routledge. ISBN 0-415-97398-8 – an introduction for those completely new to the subject.
Salzer, Felix (1952). Structural Hearing: Tonal Coherence in Music. New York: Charles Boni. "The first book to present a reorganization (as well as modification and expansion) of Schenker's writings from a pedagogical standpoint." Beach (1983)
Westergaard, Peter (1975). An Introduction to Tonal Theory. New York: W.W. Norton.
Yeston, Maury, ed. (1977). Readings in Schenker Analysis and Other Approaches. New Haven: Yale University Press.
Beach, David, ed. (1983). Aspects of Schenkerian Theory. New Haven: Yale University Press.
Epstein, David (1979). Beyond Orpheus – Studies in Musical Structure. Cambridge, MA: The MIT Press.
Travis, R. (1959). "Towards a New Concept of Tonality?". Journal of Music Theory. 3 (2): 257–284. doi:10.2307/842853. JSTOR 842853.
Travis, R. (1966). "Directed Motion in Schoenberg and Webern". Perspectives of New Music. 4 (2): 85–89. doi:10.2307/832217. JSTOR 832217.
Komar, Arthur (1971/1980). Theory of Suspensions: A Study of Metrical Pitch Relations in Tonal Music. Princeton: Princeton University Press/Austin, Texas: Peer Publications. (Beach 1983)
Yeston, Maury (1976). The Stratification of Musical Rhythm. New Haven: Yale University Press. (Beach 1983)
Narmour, Eugene (1977). Beyond Schenkerism: The Need for Alternatives in Music Analysis. Chicago: The University of Chicago Press.
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