Ray Charles
Karier > 1945–1952: Florida, Los Angeles, Dan Seattle

After leaving school, Charles moved to Jacksonville to live with Charles Wayne Powell, who had been friends with his late mother. He played the piano for bands at the Ritz Theatre in LaVilla for over a year, earning $4 a night (US$38 in 2022 dollars). He joined Local 632 of the musicians' union, in the hope that it would help him get work, and was able to use the union hall's piano, since he did not have one at home, and where he learned piano licks from copying the other players. He started to build a reputation as a talented musician in Jacksonville, but the jobs did not come fast enough for him to construct a strong identity, so, at age 16, he moved to Orlando, where he lived in borderline poverty and went without food for days. It was difficult for musicians to find work, as since World War II had ended there were no "G.I. Joes" left to entertain. Charles eventually started to write arrangements for a pop music band, and in the summer of 1947 he unsuccessfully auditioned to play piano for Lucky Millinder and his sixteen-piece band.
In 1947, Charles moved to Tampa, where he had two jobs: one as a pianist for Charles Brantley's Honey Dippers.
In his early career, he modeled himself on Nat King Cole. His first four recordings—"Wondering and Wondering", "Walking and Talking", "Why Did You Go?" and "I Found My Baby There"—were allegedly made in Tampa, although some discographies claim he recorded them in Miami in 1951 or Los Angeles in 1952.
Charles had always played piano for other people, but he was keen to have his own band. He decided to leave Florida for a large city, and, considering Chicago and New York City too big, followed his friend Gossie McKee to Seattle, Washington, in March 1948, knowing that the biggest radio hits came from northern cities. Here he met and befriended, under the tutelage of Robert Blackwell, a 15-year-old Quincy Jones.
With Charles on piano, McKee on guitar and Milton Garrett on bass, the McSon trio (named for McKee and Robinson) started playing the one-to-five A.M. shift at the Rocking Chair. Publicity photos of the trio are some of the earliest known photographs of Charles. In April 1949, he and his band recorded "Confession Blues", which became his first national hit, soaring to the second spot on the Billboard R&B chart. While still working at the Rocking Chair, he also arranged songs for other artists, including Cole Porter's "Ghost of a Chance" and Dizzy Gillespie's "Emanon". After the success of his first two singles, Charles moved to Los Angeles in 1950, and spent the next few years touring with the blues musician Lowell Fulson as his musical director.
In 1950, his performance in a Miami hotel impressed Henry Stone, who went on to record a Ray Charles Rockin' record (which never became particularly popular). During his stay in Miami, Charles was required to stay in the segregated but thriving black community of Overtown. Stone later helped Jerry Wexler find Charles in St. Petersburg.
After signing with Swing Time Records, he recorded two more R&B hits under the name Ray Charles: "Baby, Let Me Hold Your Hand" (1951), which reached No. 5, and "Kissa Me Baby" (1952), which reached No. 8. Swing Time folded the following year, and Ahmet Ertegun signed him to Atlantic.