Islam dan musik
Rujukan

↑  Reynolds, Dwight F. (April 2015). The Cambridge Companion to Modern Arab Culture. Cambridge University Press. hlm. 140. doi:10.1017/CCO9781139021708.010. ISBN 978-0-521-89807-2. Besides celebrating the past tradition of slave girls who were bought and sold on the basis of the beauty of their voices and the depth of their song repertoire, the song also brings to the fore contentious issues concerning the permissibility of music in Muslim society. Since the birth of Islam, many have considered music to be an unacceptable distraction from a proper religious life: music, they declare, is haram (unlawful, impermissible). Others, however, have celebrated music's ability to foster aesthetic pleasure, communal celebration, and even, if properly employed, a means of achieving union with the Almighty here and now, the latter a belief of Sufi mystics. In Ghanni li shwayya, music is unabashedly celebrated, lauded for its ability to affect nature, cure illness, soothe the heart, and bring girls to dance.
1 2  
Salhi, Kamal (December 2013). Music, Culture and Identity in the Muslim World: Performance, Politics and Piety. Routledge. hlm. 5. ISBN 978-1-317-96310-3. The attitude toward music [in the Muslim world] has always been ambivalent, as expressed in a series of contradictory feelings and concepts: predilection and mistrust; divine-devilish; exalting-disruptive; admissible-prohibited' (Shiloah nd). Views about the admissibility of music, or the art of sound, in the Muslim world, range from complete negation to complete acceptance, even of dance and other bodily expressions.
↑  
Sumarsam (2011). "Past and Present Issues of Islam within the Central Javanese Gamelan and Wayang Kulit".  Dalam Harnish, David D.; Rasmussen, Anne K. Divine Inspirations: Music and Islam in Indonesia. Oxford University Press. hlm. 45–79. doi:10.1093/acprof:oso/9780195385410.003.0002. ISBN 978-0-19-538542-7. The consideration of religious singing and instrumental music in the context of Islam is fraught with complexity and ambiguity (Neubauer & Doubleday 2001/12, 599)
↑ Rasmussen, Anne (August 2010). Women, the Recited Qur'an, and Islamic Music in Indonesia. University of California Press. hlm. 170. ISBN 978-0-520-25549-4. Much has been written about the permissibility of music in Islamic contexts, particularly among scholars of Arab music, for whom the topic seems to be re- quired (see, for example, al-Faruqi 1985, 1986; Nasr 2000; Nelson 1985; Racy 1984; Rasmussen 2008; Frishkopf 1999; Sawa 1985, 1989; Farmer 1985; Otterbeck n.d.; and Danielson and Fisher 2002). The eminent musicologist Amnon Shiloah describes the "interminable" debate regarding the permissibility of music as already apparent during the first centuries of Islam in the Arabian Peninsula: "In all the major centers of Islam extending from India, Indonesia and Central Asia to Africa, legalists, theologians, spiritual leaders, urban custodians of morality, the literati and leaders of mystic confraternities, all took part in this debate which elicited views that vary from complete negation to full admittance of all musical forms and means including the controversial dance. Between the two extremes, one can find all possible nuances."(Shiloah 1997, 144)
Kutipan ini dari Shiloah juga dikutip (sedikit lebih lengkap) dalam: Østebø, Terje (December 2021). Routledge Handbook of Islam in Africa. Routledge. hlm. 358. ISBN 978-1-000-47172-4.
↑  
Shiloah, Amnon (1995). Music in the World of Islam: A Socio-cultural Study. Wayne State University Press. hlm. 60. ISBN 978-0-8143-2970-2. In sum, the attitude toward music has always been ambivalent, as expressed in a series of contradictory feelings and concepts: predilection and mistrust; divine-devilish; exalting-disruptive; admissible-prohibited.
↑  Harris, Diana (2006). Music Education and Muslims. Trentham Books. hlm. 10. ISBN 978-1-85856-356-5. Raza (1991, p60) wrote 'the community misinterprets Islam according to their needs, and there are many passages in the hadith which descry music. Those often quoted include : ' Singing sprouts hypocrisy in the heart as rain sprouts plants' (al Baihaqi, in Lambat, 1998); 'Musical instruments are amongst the most powerful means by which the devil seduces human beings' (Farmer, 1973, p. 24-5). Probably the most important is a hadith narrated by al - Bukhari in which the Prophet (p.b.u.h.) is reported as saying that at some future time there will be people from my umma (the Muslim community) who will seek to make lawful fornication, the wearing of silk by men, wine drinking and the use of musical instruments.
↑  
Baker, Raymond William (June 2009). Islam Without Fear: Egypt and the New Islamists. Harvard University Press. hlm. 63. ISBN 978-0-674-02045-0. Ghazzaly also clarified the essential premise of New Islamist thinking that saw the arts as one among many powerful instruments given to Man by God... Ghazzaly rejected the idea put forward by the amirs that singing is haram, and in particular he objected strongly to the further notion advanced by many Islamists, both conservative and extremist, that a woman's voice is haram and should not be heard. On the other hand, Ghazzaly also refused to countenance the secularists' view that all lyrics set to music were appropriate for an Islamic society...
↑  Cook, Michael (January 2001). Commanding Right and Forbidding Wrong in Islamic Thought. Cambridge University Press. ISBN 978-1-139-43160-6. An early statement of the contrary view, that music is permitted, is found in Mufaddal ibn Salama fi. later third/ninth century)
↑  van Nieuwkerk, Karin (1998). [https://www2.umbc.edu/MA/index/number

3/vanNieuwkerk/vannieuw.htm "'"An Hour for God and an Hour for the Heart": Islam, Gender and Female Entertainment in Egypt'"] Periksa nilai |url= (bantuan). Journal of Musical Anthropology of the Mediterranean. 3. Numerous classical Islamic jurists and modern-day religious scholars alike have issued edicts banning music. Yet the role of music in personal and social life, especially in urban environments, has persisted through history.  line feed character di |url= pada posisi 38 (bantuan)
1 2 3 4 5 6 7 8 9  "Scholars and musicians hotly debate whether music is permissible or not". Irish Times. 21 July 2006. Diakses tanggal 27 August 2021.
1 2  Bhattacharyya, Prasanta; Ghosh, Tapan Kumar (14 December 2016). Mapping out the Rushdie Republic: Some Recent Surveys. Cambridge Scholars. ISBN 9781443855624.
1 2  Bohlman, Philip V. (June 2013). Revival and Reconciliation: Sacred Music in the Making of European Modernity. Scarecrow Press. hlm. 12–14. ISBN 978-0-8108-8269-0.
1 2  LIFE Aladdin. Time Home Entertainment. 24 May 2019. ISBN 9781547849031.
↑  Bohlman, Philip V.; Werkman, Mary (June 7, 2013). Revival and Reconciliation: Sacred Music in the Making of European Modernity. Scarecrow Press, Chicago. ISBN 978-0-8108-8269-0 – via Google Books.
↑  Sahih al-Bukhari, 5590.
↑  ibn Hazm, Abu Muhammad Ali. Al-Muhalla.
↑  Shavit, Uriya (2015). Sharī'a and Muslim Minorities: The Wasaṭī and Salafī Approaches to Fiqh Al-aqalliyyāt Al-Muslima. Oxford University Press. ISBN 978-0-19-875723-8. Music is one example: while permitted by wasațis, it is strongly prohibited by salafīs, who draw from lbn Taymiyya's depiction of it as strengthening satanic states. Salafīs hold that decisions that legitimize music deviate from the ways of the salaf, and those who promote them have no knowledge of Islam." The prohibition on music is strict... There are no exceptions...
↑  Cook, Forbidding Wrong, 2003, p.32
↑  Armangue, Bernat (25 September 2021). "Under Taliban, thriving music scene heads to silence". Associated Press. Diakses tanggal 3 January 2022.
↑  Denselow, Robin (15 January 2013). "Mali music ban by Islamists 'crushing culture to impose rule'". The Guardian. Diakses tanggal 3 January 2022.
↑  "Fatwa on music by the Grand Mufti and Shaykh of Al-Azhar". 26 April 2012.
↑  "Fatwa on music by the Grand Mufti and Shaykh of Al-Azhar". 26 April 2012.
1 2  Magrini, Tullia (2005). Music and Gender: Perspectives from the Mediterranean. University of Chicago Press. hlm. 270. ISBN 0-226-50165-5.
1 2 3  AL-QARADAWI, YUSUF (13 December 2006). "Singing and Music in Islam". Islamicity. Diakses tanggal 26 August 2021.
↑  Is Music Permitted in Islaam? – Dr Zakir Naik (dalam bahasa Inggris), diarsipkan dari versi asli tanggal 2021-12-22, diakses tanggal 2021-06-16  Parameter |url-status= yang tidak diketahui akan diabaikan (bantuan)
↑  "Music and Singing: A Detailed Fatwa". SunniPath. Diarsipkan dari versi asli tanggal 2008-04-23. Diakses tanggal 2008-04-01.  Parameter |url-status= yang tidak diketahui akan diabaikan (bantuan)
↑  Sahih Bukhari: "Sahih Bukhari Volume 005, Book 058, Hadith Number 268" Diarsipkan 2019-01-16 di Wayback Machine. retrieved October 27, 2016
↑  "Is there room for music in Islam?". BBC. 2007-08-07. Diakses tanggal 2008-04-01.
↑  Shahbaz Center for Sufism & Islamic Studies" retrieved October 27, 2016
1 2 3  Rashid, Hussein. "Music and Islam: A Deeper Look". Asia Society. Diakses tanggal 3 January 2022.
↑  "Islamic Love Dua Music and Islam » FAQ Topics » Music". www.islamiclovedua.com.
↑  "Ayatollah Sayed Sadiq Hussaini al-Shirazi » FAQ Topics » Music". www.english.shirazi.ir. Diarsipkan dari versi asli tanggal 2021-01-26. Diakses tanggal 2022-01-03.
↑  Bureau, Gareth Smyth for Tehran (2015-03-13). "Iran's ayatollahs spring a surprise". The Guardian (dalam bahasa Inggris). Diakses tanggal 2021-08-24.
↑  Kifner, John (1979-07-24). "Khomeini Bans Broadcast Music, Saying It Corrupts Iranian Youth". The New York Times (dalam bahasa Inggris). ISSN 0362-4331. Diakses tanggal 2021-08-24.
↑  "Music and power in Iran: An instrument of propaganda and control – Qantara.de". Qantara.de – Dialogue with the Islamic World (dalam bahasa Inggris). 23 April 2014. Diakses tanggal 2021-08-24.
↑  Baily, John (2016). War, Exile and the Music of Afghanistan: The Ethnographer’s Tale. Taylor & Francis, p. 109.
↑  The Telegraph: "Iran's Ayatollah Khamenei reveals surprising taste for Western music" retrieved October 27, 2016
↑  The Guardian (Tehran Bureau): "Iranians pump up the volume for banned tunes" retrieved October 27, 2016
1 2 3 4  Landau, Jacob M. "Islamic Arts. Music". Britannica. Diakses tanggal 4 January 2022.
↑  "South Asian arts - Music, Instruments, Traditions | Britannica".
↑  "Are Nashids Haram? - Islam Question & Answer".
1 2 3 4 5 6