stanford-oval/wikipedia huggingface dataset:
Dara Puspita
Sejarah > Konsep musik

Album pertama berjudul Jang Pertama direkam secara langsung dan dirilis dalam bentuk piringan hitam berisi lagu lagu antara lain Pantai Pattaya, Tanah Airku, Mari Mari, Ali Baba, Kenangan Yang Indah, Burung Kakaktua, Lagu Gembira, dan Surabaya. Salah satu lagu dalam album perdana ini bertajuk Tinggalkan Aku Sendiri, gubahan Yok Koeswoyo dari Koes Bersaudara.
Penggarapan musik Titiek Hamzah dan kawan-kawan biasa-biasa saja, bahkan sangat kentara pengaruhnya dari musik Barat, seperti Beatles, Everly Brothers, Elvis Presley atau Rolling Stones. Dengan keterbatasan itu, ternyata mereka berani membawakan Burung Kakaktua dengan gaya sendiri dalam album Jang Pertama. Burung Kakatua yang menjadi salah satu hits Dara Puspita itu dinyanyikan oleh Lies A.R. Lagu lain, Surabaya, menjadi sedemikian populer sehingga banyak orang beranggapan lagu itu adalah karya Dara Puspita dan tidak mengira bahwa nomor tersebut merupakan ciptaan kelompok sandiwara Bintang Surabaya pada tahun 1928, yang liriknya dimodifikasi oleh A. Rachman, ayah Lies dan Titiek.
Sedangkan lagu "Mari Mari" ciptaan Titiek Puspa bisa dikatakan hadir dengan ciri khas mereka yang saat itu termasuk meledak-ledak dan ceria, dimana mereka menyelipkan intro musik mirip "Satisfaction" milik Rolling Stones. Lagu "Pantai Pattaya" yang tidak kalah populer dibandingkan Surabaya, ternyata menurut Titiek Hamzah, terinspirasi oleh sebuah lagu yang dibawakan grup musik di Bangkok (Thailand) ketika mereka tur ke sana, dipadukan dengan irama lagu disko "Bony Moroney" milik Larry Williams. Demikian juga Pusdi dan Aku Pergi yang tercipta di Negeri Gajah Putih itu. Dalam penciptaan lagu, Dara Puspita tidak merasa seterampil grup-grup musik sekarang. Itulah sebabnya Jang Pertama mengandalkan lagu-lagu Titiek Puspa, Yon Koeswoyo (Kenangan Yang Indah), serta A Rachman dalam penulisan lirik.
Demikian juga pada tiga album selanjutnya. Album kedua berisi lagu-lagu Titiek Puspa, selain karya Titiek Hamzah. Titiek Puspa tetap diandalkan dalam album ketiga, Green Green Grass Of Home, dan album keempat, A Go Go. Dalam album ketiga, mereka membawakan Green Green Grass Of Home yang sebelumnya dipopulerkan oleh Tom Jones dan juga Lonely Street (Clarence Henry dan Andy Williams). Pada album keempat, lagu Bee Gees, To Love Somebody, dinyanyikan dengan aransemen yang nyaris tak berubah dengan yang asli.
Sejarah > Tur Eropa

Dara Puspita berangkat ke Eropa pada Juli 1968. Tetapi, sebelumnya mereka mampir di Iran. Kalau keempat gadis itu selalu memperoleh bantuan teknisi ketika memasang dan mempersiapkan alat sebelum pertunjukan di Tanah Air, di luar negeri mereka harus melakukannya sendiri. Kepanikan terjadi ketika kabel putus atau peralatan suara yang berat salah tempat dan harus dipindahkan. Untung, Moerdiono yang memimpin mereka berusaha membantu sebagai juru bahasa. Titiek Hamzah dan kawan-kawan merasa terhibur ketika pertunjukan mereka memperoleh sambutan meriah. Bahkan, seorang pangeran dari Kerajaan Iran waktu itu minta dinyanyikan lagi Kakaktua.
Dari Iran mereka ke Jerman Barat dan Turki. Perjalanan terasa semakin berat, dari satu pertunjukan ke pertunjukan lainnya tidak jarang harus menempuh perjalanan sampai 100 kilometer. Begitu tiba, mereka langsung membongkar dan kemudian memasang semua peralatan. Untung saja sejak di Jerman Barat mereka dibantu roadies yang mengurusi peralatan. Jadi, pada tur di Hungaria, keempat dara bisa konsentrasi menyiapkan lagu saja. Perjalanan di Hungaria berakhir bulan Oktober 1969, atau satu tahun tiga bulan setelah mereka meninggalkan Tanah Air. Selama kurun waktu itu, Dara Puspita mengadakan lebih dari 250 pertunjukan di 70 kota besar dan kecil. Pada saat itulah mereka berkenalan dengan dua dari empat manajer yang menangani mereka di Inggris.
Untuk memudahkan, selama di Eropa, Titiek AR menggunakan nama panggilan Tikki, sementara Titiek Hamzah disebut Takki. Di sana, Dara Puspita lebih dikenal sebagai Tikki Takki Suzy Lies.
Di London, Dara Puspita tinggal di daerah Chelsea, tidak jauh dari Carnaby Street dan Oxford Street di pusat ibu kota Inggris itu. Di sini, Titiek AR, Lies, Susy, dan Titiek Hamzah diperkenalkan kepada Collin Johnson dari NEM Enterprise, yang menangani The Beatles pada awal kariernya. Sebelum meninggalkan Inggris menuju ke Prancis, Dara Puspita menghasilkan singel Ba Da Da Dum dan Dream Stealer. Singel ini pun senasib dengan yang sebelumnya. Tetapi, Dara Puspita segera melupakannya. Dari Prancis mereka menuju ke Belgia, Spanyol, dan Belanda. Di Belanda, beberapa bulan sebelum kepulangan mereka ke Indonesia, tepatnya pada 11 September 1971, Titiek Hamzah sempat menyatakan mundur secara tertulis dari Dara Puspita. Hal tersebut menunjukkan telah terjadinya ketidakharmonisan di antara mereka, bahkan sejak masih berada di Eropa. Titiek Hamzah mengaku jenuh karena Dara Puspita hanya membawakan karya orang lain tanpa pernah membuat komposisi lagu sendiri.
Sejarah > Kembali ke Indonesia

Dara Puspita kembali ke Indonesia tanggal 3 Desember 1971 dan disambut bagaikan supergroup, sebagaimana Led Zeppelin, Deep Purple, Grand Funk Railroad dan Black Sabbath yang mendarat di Bandara Kemayoran enam tahun kemudian. Jadwal pertunjukan sudah menunggu walaupun ada isu Dara Puspita sebenarnya sudah bubar. Tidak heran jika Dara Puspita menebarkan sensasi tentang rencana bubar itu. Ketika tur di sejumlah kota, rumor tentang hal tersebut semakin menjadi-jadi. Apalagi masyarakat ingin tahu apa saja yang mereka peroleh setelah tiga tahun lebih berada di Eropa.
Hanya 15 hari setelah menjejakkan kaki di Indonesia, Dara Puspita tampil pada 18-19 Desember 1971 di Istora Senayan bersama Panbers, AKA dan The Rollies, disaksikan sekitar 23.000 penonton. Tanggal 31 Desember 1971 mereka unjuk gigi di Pandaan bersama The Rollies, Trio Bimbo, The Gembels, Yeah Yeah Boys, Vivi Sumanti, dan Nidya Sisters. Kemudian mereka tur ke Malang, Bandung, Denpasar, Banyuwangi, Lumajang, Probolinggo, Kediri, Tulungagung, Madiun, Jember, Yogyakarta, Solo, Tasikmalaya, Tegal, Surabaya, dan 29 Maret 1972 di Jakarta sebagai tur terakhir di Pulau Jawa. Pertunjukan ini mempunyai arti tersendiri bagi Susy dan Yon Koeswoyo karena mereka berpacaran meskipun tidak sampai ke pernikahan. Setelah pertunjukan terakhir di Jakarta itu, Dara Puspita terbang ke Manado dan Makassar. Setelah itu Dara Puspita dinyatakan bubar, antara lain setelah Titiek Hamzah berkeras ingin menarik diri. Susy berusaha membujuk dengan mengatakan Dara Puspita sedang berada pada puncak karier dan sayang kalau harus bubar saat itu.
Sejarah > Dara Puspita Min Plus

Setelah Titiek Hamzah mundur, Dara Puspita memasukkan dua personil baru yakni Dora Sahertian (piano) dan Judith Manopo (bass). Karena jumlahnya menjadi lima orang, mereka mengganti nama menjadi Delima Puspita.
Namun tak lama kemudian Lies AR mengundurkan diri setelah menikah dan pindah ke Belanda. Empat personil yang tersisa mengganti nama grup menjadi Dara Puspita Min Plus, dan menghasilkan album Tabah dan Cobalah, dimana Titiek Hamzah menyumbangkan beberapa lagu ciptaannya. Sayangnya, eksistensi grup ini tidak terlalu berhasil, terlebih setelah para personilnya menikah, sehingga Dara Puspita Min Plus pun bubar.
Kehidupan selanjutnya

Hingga kini, Titiek Hamzah masih aktif di dunia musik. Setelah Dara Puspita Min Plus bubar,  Titiek Hamzah bersama Susy Nander sempat membuat album Pop Melayu. Selanjutnya, Titiek lebih banyak fokus sebagai komposer. Pada pertengahan 80-an Titiek Hamzah menghidupkan kembali Dara Puspita dengan membentuk Adarapta yang terdiri dari Atiek CB, Titi DJ, Endah Soebroto dan Titiek sendiri. Adarapta adalah kependekan dari "anak anak dara puspita". Pada tahun 1985 mengeluarkan album "Dalam Lagu Dara Puspita". Namun grup ini tidak bertahan lama, karena masing-masing personilnya memilih bersolo karir.
Titiek AR sempat bergabung dengan grup musik asal Australia, Daughters of Zeus, selama 2 tahun. Kini, Titiek AR tinggal di Belanda, sementara Susy Nander tinggal di Sidoarjo. Sesekali mereka masih bermain musik dan menghadiri reuni dengan penggemar. Sedangkan Judith Manoppo saat ini tinggal di Jakarta namun sudah tidak aktif bermain musik.
Lies AR, Dora Sahertian dan Ani Kusuma kini telah wafat. Semasa hidupnya, Dora Sahertian dikenal sebagai guru musik dan pianis ternama. Sementara Ani Kusuma pernah bergabung dengan grup The Beach Girls sebelum kemudian menjadi aktris film era 1970-an hingga 1980-an. Ani juga membuat album vokal berjudul "Rambutmu Rambutku" bersama grup Japras pada tahun 1989. Lies AR semasa hidup tinggal di Belanda bersama sang kakak, Titiek AR, dan sesekali bermain musik di lingkungannya.
Dara Puspita dengan sususan personel era 1964–1972 kembali tampil di panggung musik untuk pertama kalinya dalam 50 tahun pada gelaran Synchronize Fest 2022.
Diskografi > Album

1966 - Jang Pertama DIMITA – Mesra Record
1966 - Dara Puspita DIMITA – Mesra Record
1967 - Green Green Grass Of Home DIMITA – Mesra Record
1967 - A Go Go El Shinta'
1973 - Tabah dan Cobalah Indra Record
1973 - Dara Pupita Remaco
1974 - Pop Melayu Volume 1 Remaco
Diskografi > Single

1970 - Welcome To My House UK
1970 - Ba Da Da Dum UK
1971 - Surabaja Belanda
Lihat pula

Daftar artis Indonesia di tangga musik Billboard
Lies Rachman, mantan pemain bass Dara Puspita di Tropenmuseum, Amsterdam (2015)
Idhamsyah Eka Putra
Idhamsyah Eka Putra: A Leading Social Psychologist in Southeast Asia

Dr. Idhamsyah Eka Putra (known as Idham Putra) is a Leading Social Psychologist in Southeast Asia from Indonesia. He is a (tenured) Faculty in the Psychology Graduate Programs at Persada Indonesia University and in 2024 was Adjunct Professor at Universitas Sumatera Utara. Since 2019, He is  (honorary) Research Fellow for the Centre for the Resolution of Intractable Conflict (CRIC)  and since 2022 a Research Affiliate for the Centre for the Study of Social Cohesion (CSSC), University of Oxford. He is also director of Division for Applied Social Psychology Research since 2017.
Idham Putra is known for his extensive research in prejudice, intergroup relations, violent extremism, religious fundamentalism, and mass atrocities. His work has contributed significantly to understanding the psychological mechanisms behind hate, harm, and reconciliation in Southeast Asia, particularly in Indonesia. He has introduced 3 theoretical frameworks, including Meta-prejudice (Putra, 2014; 2017), Human nature/essence approach (Putra et al., 2018; 2021), and recently TOPASC: A Theory of the Psychology of Atrocities in Societal Contexts (Idham Putra et al., 2024), which provide new insights into how individuals and groups engage in and justify violence.
Together with Sarlito W. Sarwono and Eko A. Meinarno, Idham Putra co-founded the Konsorsium Psikologi Ilmiah Nusantara (KPIN), a psychological community that facilitates academic activities in Indonesia.
Biography

Idhamsyah Eka Putra completed his education from primary school to his master's degree in Indonesia. He earned a Doctorate with distinction in Social Psychology from Johannes Kepler University of Linz, Austria (2015), under the supervision of Wolfgang Wagner.
Through Wagner, Idham Putra was introduced to the concept of Societal Psychology, a social psychological perspective that focuses on understanding and addressing social problems within specific cultural contexts, highlighting how these contexts influence people’s thoughts and behaviors. Wagner also trained Idham Putra to master both qualitative and quantitative research methods.
After earning a PhD from Johannes Kepler University in 2015, Idhamsyah Eka Putra chose to return to Indonesia for several reasons. While he aimed to focus on academia, he was also aware of the challenges associated with working in Indonesia, particularly the lack of systemic and ecosystem support, such as a well-established scientific community.
Most universities in Indonesia are primarily teaching-oriented institutions. Although many have articulated a vision of becoming research universities, in practice, their structures and priorities remain heavily focused on teaching. Research projects, based on Idham Putra's experience, are often applied in nature or conducted upon request, making it difficult to generate substantial scientific contributions.
Despite these challenges, Idham Putra sought to demonstrate that productivity in research is possible even within a constrained academic environment. He has consistently published his research in accredited, peer-reviewed journals every year since 2013, underscoring his commitment to scholarly excellence.
Academic Contributions and Theoretical Frameworks

Idhamsyah Eka Putra's research primarily explores the basic and applied social psychology of good and evil, with a focus on topics such as prejudice, (Islamic) violent extremism, religious fundamentalism, intergroup relations, social stigma, social exclusion, and intergroup conflicts. Throughout his academic career, he has developed three theoretical frameworks: Meta-Prejudice, the Human Nature Approach, and, most recently, TOPASC (Theory of the Psychology of Atrocities in Societal Contexts). His geographical area of expertise encompasses Asia, Southeast Asia, and Indonesia.
A central theme in his work is understanding why individuals and groups engage in hate, harm, and prosocial behaviors. To address these questions, he has sought to develop skills that integrate theoretical research with practical applications for solving social problems and to master both qualitative and quantitative research methodologies. These efforts have been demonstrated through various collaborative research projects, some of which are detailed below.
Academic Contributions and Theoretical Frameworks > 1. Meta-Prejudice and Prejudice

In the study of prejudice, Idham Putra introduced the concept of Meta-Prejudice, which explores how individuals believe others, as part of the group, prejudicing others. There are two processes of Meta-Prejudice: Ingroup Meta-Prejudice and Outgroup Meta-Prejudice. In short, Ingroup Meta-Prejudice refers to the perception that one's ingroup harbors prejudice against the outgroup, whereas Outgroup Meta-Prejudice refers to the perception that the outgroup harbors prejudice against the ingroup.
This meta-belief mechanism has been shown to play a crucial role in shaping intergroup perceptions and behavior. Research on religious groups has validated this concept, leading to its publication in esteemed scholarly journals (Putra, 2014, 2016; Putra & Wagner, 2017). Expanding on this work, Idham Putra has recently examined the intersection of Meta-Prejudice and beliefs about human nature, investigating whether a belief in the fundamental goodness of human nature can mitigate group-based hatred and meta-hatred (i.e., the belief that the outgroup hates the ingroup). Initial findings from research on Muslim majority groups suggest that religious fundamentalists who endorse the belief that human nature is inherently good exhibit lower levels of outgroup hatred (Putra et al., 2023).
Academic Contributions and Theoretical Frameworks > 2. (Re-)Humanization and the Human Nature Approach

Between 2014 and 2015, Idham Putra initiated a project on (re-)humanization and the Human Nature Approach, influenced by the broader question of what motivates individuals to act with kindness and moral integrity. His research has shown that when individuals are primed to view human nature as inherently good and kind, they tend to perceive others more positively.
This research aligns with philosophical debates on human nature. Jean-Jacques Rousseau (1712–1778) argued that humans are naturally good but can be corrupted by external influences, while Thomas Hobbes (1588–1679) maintained that humans are inherently self-interested and driven by a desire for power. Idham Putra’s empirical investigations suggest that priming individuals with Rousseau’s perspective can reduce stigmatization and prejudice.
In his earlier study, he examined whether reminding participants of the fundamental goodness of human nature could counteract the negative effects of social stigmatization (Putra et al., 2018). He then further explored the connections between beliefs in human goodness, prosocial values, justification of violence, human identity, and intergroup unity in Indonesia and the United States (Putra et al., 2021). Recent findings also indicate that belief in human goodness can moderate the influence of religious fundamentalism on outgroup hatred (Putra et al., 2023).
Academic Contributions and Theoretical Frameworks > 3. Mass Atrocities, Massacres, and Genocide

Around the same time as his Human Nature Approach project, Idham Putra expanded his research to examine the psychology of mass atrocities and genocide. While psychological research on genocide has extensively covered events such as the Holocaust (e.g., Bilali & Vollhardt, 2019; Leach et al., 2013), Southeast Asian cases have been largely overlooked. His research aims to understand systematic mass killings and their justification processes in Indonesia, Cambodia, East Timor, and Myanmar, particularly how denial and justification narratives function to avoid accountability for human rights violations.
In this field, Idham Putra has conducted empirical studies, particularly on cases in Indonesia (Putra et al., 2018, 2019) and Myanmar (Putra et al., 2021). His most recent work has led to the development of TOPASC: A Theory of the Psychology of Atrocities in Societal Contexts (Putra et al., 2024, Personality and Social Psychology Review). The TOPASC model posits that:
Mass violence against targeted groups is driven by psychological processes in intergroup contexts.
These intergroup processes are shaped by socio-historical contexts and expressed through individual psychology.
Through the case studies analyzed, the research demonstrates that social groups with different ideologies, ethnicities, genders, or religions face varying degrees of vulnerability to becoming perpetrators or victims depending on their social and political status. Importantly, mass atrocities do not occur spontaneously but result from long-term processes and structural conditions.
Academic Contributions and Theoretical Frameworks > 4. Jihadists, Terrorism, and Counter-Violent Extremism

Since 2007, Idham Putra has conducted in-depth research on religious fundamentalism, radicalization, and counter-violent extremism in the Indonesian context. His early research focused on understanding the motivations behind terrorist acts committed by Islamist extremist groups.
Through interviews with former jihadists, his findings revealed that justifications for terrorism are based on three primary beliefs:
Indonesia is perceived as being in a state of war, thereby justifying defensive attacks.
Suicide bombing (or "syahid" bombing) is considered an honorable and noble act.
The West is viewed as an aggressor against Muslim nations, with the Indonesian government perceived as a corrupt ally.
These findings have been published in the Asian Journal of Social Psychology (Putra & Sukabdi, 2013; see also Milla et al., 2019). Building on this foundation, his research since 2015 has focused on counter-violent extremism (CVE) programs, not only targeting perpetrators of terrorism but also addressing the rehabilitation and social reintegration of their family members (e.g., Cherney et al., 2021; Putra et al., 2017, 2018; Rufaedah & Putra, 2018).
Academic Contributions and Theoretical Frameworks > 5. Religious Movements, Interreligious Relations, and Persecution

Idhamsyah Eka Putra has also been involved in multiple projects examining religious movements and interreligious relations in Indonesia. During the 2012 Jakarta gubernatorial election, he analyzed how religious narratives were mobilized to justify violence against specific religious and ethnic groups (Putra, 2016).
One of his studies involved conducting interviews with participants of the 2016 'Muslim Peace Rally,' which led to violent clashes during the Jakarta gubernatorial election. The findings indicated that protesters were less likely to support violence when political leaders promoted peaceful narratives, whereas accusations of blasphemy increased support for political violence. (Putra et al.,2021).
Impact and Recognition

Idhamsyah Eka Putra’s research has had a significant impact beyond academia, influencing counter-violent extremism programs in Indonesia. He has worked on projects that seek to understand the motivations behind radicalization and develop interventions to prevent extremism. His expertise in Southeast Asian intergroup conflicts has made him a key figure in scholarly discussions on peace psychology and conflict resolution.
He is also a co-editor-in-chief of the Journal of Social and Political Psychology, representing Asian scholars in a field often dominated by Western perspectives. This role highlights his commitment to advancing psychological research in non-Western contexts and ensuring that Southeast Asian social issues are given global academic attention.
Awards

During his tenure at Persada Indonesia University (Universitas Persada Indonesia) from 2015 to the present (2025), Idham Putra has received three awards.
In 2017, in recognition of his significant contributions to psychological research and its dissemination in Indonesia, he was awarded the Sarlito W. Sarwono Award by the Konsorsium Psikologi Ilmiah Nusantara (KPIN).
In 2022, Idham Putra was honored by the Museum Rekor Dunia Indonesia (MURI) for being the first Indonesian scholar to publish scholarly papers in accredited, peer-reviewed, Scopus-indexed scientific journals consecutively from 2013 to 2022. This achievement highlights his dedication and prolific contributions to the field of social psychology.
In 2024, he was recognized as one of the seven best researchers in Indonesia, an honor awarded by the Indonesian Researchers Association (Perhimpunan Periset Indonesia / PPI). He was the only awardee from the Social Sciences and Humanities field.
External Link

CRIC - Idhamsyah Eka Putra
Centre for the Study of Social Cohesion (CSSC)
Idhamsyah Eka Putra: A Leading Social Psychologist in Southeast Asia
Idhamsyah Eka Putra receives an award from MURI as an Indonesian social scientist who consistently publishes scientific works in highly accredited scholarly outlets, from 2012 - 2022
Saluallo, Sangalla Utara, Tana Toraja

| Saluallo |
| --- | --- |
Lembang
Negara:  Indonesia
Provinsi: Sulawesi Selatan
Kabupaten: Tana Toraja
Kecamatan: Sangalla Utara
Kode Kemendagri: 73.18.34.2004 
Luas: ... km²
Jumlah penduduk: ... jiwa
Kepadatan: ... jiwa/km²
Saluallo adalah nama sebuah lembang di Kecamatan Sangalla Utara, Kabupaten Tana Toraja, Provinsi Sulawesi Selatan, Indonesia.
Batang Anai FC

Batang Anai FC (Batang Anai Football Club) adalah sebuah tim sepak bola Indonesia yang bermarkas di kecamatan Batang Anai, Padang Pariaman, Sumatera Barat. Klub tersebut saat ini bermain di Liga 4 Indonesia.
Prestasi

Liga 3 Sumatera Barat
Juara (1): 2017
Runner-up (2): 2018, 2019
Pranala luar

(Indonesia) Liga-Indonesia.co.id Diarsipkan 2011-03-01 di Wayback Machine.
(Indonesia) Divisi III LI 2010
| l b Tim sepak bola di Sumatera Barat |
| --- | --- | --- |
| Liga 1 |  Semen Padang FC  |  |
| Liga 2 |  -  |  |
| Liga 3 |  -  |  |
| Liga 4 |  Batang Anai FC  GMR FC Tanah Datar  Gumarang FKNB  Josal FC Piaman  Kompak Kampung Pisang FC  PS Dharmasraya  PS Mentawai  PS Pasbar  PSP Padang  PSKB Bukittinggi  PSPP Padang Panjang  Sukur FC  |  |
| Tidak Aktif |  Absolute FC Solok  Arasko FC  Dualipa FC  Excellent FC  Gasliko 50 Kota  KLA-Dentist FC  Limkos FC  Minang Sejagat FC  Minangkabau FC  Persada FC  Persepak Payakumbuh  Persepar Pariaman  Persiju Sijunjung  Persikas Kab. Solok  Persikopa Kota Pariaman  Persis Solok  PES Pessel Pesisir Selatan  Piaman FC  PS Aroma Taram  PS GAS Sawahlunto  PS Machudum's  PSBS Batusangkar  PSKA Agam  PSKPS Pasaman  PSLA Sicincin  Ricefield Town FC  Rosiade FC  SC BJPE 50 Kota  SEL 50 Kota FC  |  |