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Álvarez-Fernández, Miguel. "Dissonance, Sex and Noise: (Re)Building (Hi)Stories of Electroacoustic Music". In ICMC 2005: Free Sound Conference Proceedings. Barcelona: International Computer Music Conference; International Computer Music Association; SuviSoft Oy Ltd., 2005.
Thomas Bey William Bailey, Unofficial Release: Self-Released And Handmade Audio In Post-Industrial Society, Belsona Books Ltd., 2012
Barthes, Roland. "Listening". In his The Responsibility of Forms: Critical Essays on Music, Art, and Representation, translated from the French by Richard Howard. New York: Hill and Wang, 1985. ISBN 0-8090-8075-3 Reprinted Berkeley: University of California Press, 1991. ISBN 0-520-07238-3 (pbk.)
Brassier, Ray. "Genre is Obsolete". Multitudes, no. 28 (Spring 2007) Multitudes.samizdat.net.
Cobussen, Marcel. "Noise and Ethics: On Evan Parker and Alain Badiou". Culture, Theory & Critique, 46(1) pp. 29–42. 2005.
Collins, Nicolas (ed.) "Leonardo Music Journal" Vol 13: "Groove, Pit and Wave: Recording, Transmission and Music"  2003.
Court, Paula. New York Noise: Art and Music from the New York Underground 1978–88. London: Soul Jazz Publishing, in association with Soul Jazz Records, 2007. ISBN 0-9554817-0-8
DeLone, Leon  (ed.), Aspects of Twentieth-Century Music. Englewood Cliffs, New Jersey: Prentice-Hall, 1975.
Demers, Joanna. Listening Through The Noise. New York: Oxford University Press. 2010.
Dempsey, Amy. Art in the Modern Era: A Guide to Schools and Movements. New York: Harry A. Abrams, 2002.
Doss, Erika. Twentieth-Century American Art. Oxford and New York: Oxford University Press, 2002
Foege, Alec. Confusion Is Next: The Sonic Youth Story. New York: St. Martin's Press, 1994.
Gere, Charlie. Digital Culture, second edition. London: Reaktion, 2000. ISBN 1-86189-388-4
Goldberg, RoseLee. Performance: Live Art Since 1960. New York: Harry N. Abrams, 1998.
Goodman, Steve a.k.a. kode9. Sonic Warfare: Sound, Affect, and the Ecology of Fear. Cambridge, Ma.: MIT Press, 2010.
Hainge, Greg (ed.). Culture, Theory and Critique 46, no. 1 (Issue on Noise, 2005)
Harrison, Charles, and Paul Wood. Art in Theory, 1900–2000: An Anthology of Changing Ideas. Oxford: Blackwell Publishing, 1992.
Harrison, Thomas J. 1910: The Emancipation of Dissonance. Berkeley: University of California Press, 1996.
Hegarty, Paul The Art of Noise. Talk given to Visual Arts Society at University College Cork, 2005.
Hegarty, Paul. Noise/Music: A History. New York, London: Continuum, 2007. ISBN 978-0-8264-1726-8 (cloth); ISBN 978-0-8264-1727-5 (pbk).
Hensley, Chad. "The Beauty of Noise: An Interview with Masami Akita of Merzbow". In Audio Culture: Readings in Modern Music, edited by C. Cox and Dan Warner, pp. 59–61. New York: Continuum, 2004.
Helmholtz, Hermann von. On the Sensations of Tone as a Physiological Basis for the Theory of Music, 2nd English edition, translated by Alexander J. Ellis. New York: Longmans & Co. 1885. Reprinted New York: Dover Publications, 1954.
Hinant, Guy-Marc. "TOHU BOHU: Considerations on the nature of noise, in 78 fragments". In Leonardo Music Journal Vol 13: Groove, Pit and Wave: Recording, Transmission and Music. 2003. pp. 43–47
Huyssen, Andreas. Twilight Memories: Marking Time in a Culture of Amnesia. New York: Routledge, 1995.
Iles, Anthony & Mattin (eds) Noise & Capitalism. Donostia-San Sebastián: Arteleku Audiolab (Kritika series). 2009.
Juno, Andrea, and Vivian Vale (eds.). Industrial Culture Handbook. RE/Search 6/7. San Francisco: RE/Search Publications, 1983. ISBN 0-940642-07-7
Kahn, Douglas, and Gregory Whitehead (eds.). Wireless Imagination: Sound, Radio and the Avant-Garde. Cambridge, Ma.: MIT Press, 1992.
Kocur, Zoya, and Simon Leung. Theory in Contemporary Art Since 1985. Boston: Blackwell Publishing, 2005.
LaBelle, Brandon. Noise Aesthetics in Background Noise: Perspectives on Sound Art, New York and London: Continuum International Publishing, pp 222–225.  2006.
Lander, Dan. Sound by Artists. Toronto: Art Metropole, 1990.
Licht, Alan. Sound Art: Beyond Music, between Categories. New York: Rizzoli, 2007.
Lombardi, Daniele. Futurism and Musical Notes, translated by Meg Shore. Artforum
Malaspina, Cecile. Introduction by Brassier, Ray. An Epistemology of Noise. Bloombury Academic. 2018.
Malpas, Simon. The Postmodern. New York: Routledge, 2005.
McGowan, John P. Postmodernism and Its Critics.  Ithaca: Cornell University Press, 1991.
Miller, Paul D. [a.k.a. DJ Spooky] (ed.). Sound Unbound: Sampling Digital Music and Culture. Cambridge, Ma.: MIT Press, 2008.
Morgan, Robert P. "A New Musical Reality: Futurism, Modernism, and 'The Art of Noises'", Modernism/Modernity 1, no. 3 (September 1994): 129–51. Reprinted  at UbuWeb.
Moore, Thurston. Mix Tape: The Art of Cassette Culture. Seattle: Universe, 2004.
Nechvatal, Joseph. Immersion Into Noise. Open Humanities Press in conjunction with the University of Michigan Library's Scholarly Publishing Office. Ann Arbor. 2011.
David Novak, Japanoise: Music at the Edge of Circulation, Duke University Press. 2013
Nyman, Michael. Experimental Music: Cage and Beyond, 2nd edition. Music in the Twentieth Century. Cambridge and New York: Cambridge University Press, 1999.ISBN 0-521-65297-9 (cloth) ISBN 0-521-65383-5 (pbk)
Pratella, Francesco Balilla. "Manifesto of Futurist Musicians" from Apollonio, Umbro, ed. Documents of 20th-century Art: Futurist Manifestos. Brain, Robert, R.W. Flint, J.C. Higgitt, and Caroline Tisdall, trans. New York: Viking Press, pp. 31–38. 1973.
Popper, Frank. From Technological to Virtual Art. Cambridge: MIT Press/Leonardo Books, 2007.
Popper, Frank. Art of the Electronic Age. New York: Harry N. Abrams; London: Thames & Hudson, 1993. ISBN 0-8109-1928-1 (New York); ISBN 0-8109-1930-3 (New York); ISBN 0-500-23650-X (London); Paperback reprint, New York: Thames & Hudson, 1997. ISBN 0-500-27918-7.
Ruhrberg, Karl, Manfred Schneckenburger, Christiane Fricke, and Ingo F. Walther. Art of the 20th Century. Cologne and London: Taschen, 2000. ISBN 3-8228-5907-9
Russolo, Luigi. The Art of Noises. New York: Pendragon, 1986.
Samson, Jim. Music in Transition: A Study of Tonal Expansion and Atonality, 1900–1920. New York: W. W. Norton & Company, 1977.
Schaeffer, Pierre. "Solfege de l'objet sonore". Le Solfège de l'Objet Sonore (Music Theory of the Sound Object), a sound recording that accompanied Traité des Objets Musicaux (Treatise on Musical Objects) by Pierre Schaeffer, was issued by ORTF (French Broadcasting Authority) as a long-playing record in 1967.
Schafer, R. Murray. The Soundscape Rochester, Vt: Destiny Books, 1993. ISBN 978-0-89281-455-8
Sheppard, Richard. Modernism-Dada-Postmodernism. Chicago: Northwestern University Press, 2000.
Steiner, Wendy. Venus in Exile: The Rejection of Beauty in 20th-Century Art. New York: The Free Press, 2001.
Stuart, Caleb. "Damaged Sound: Glitching and Skipping Compact Discs in the Audio of Yasunao Tone, Nicolas Collins and Oval" In Leonardo Music Journal Vol 13: Groove, Pit and Wave: Recording, Transmission and Music. 2003. pp. 47–52
Tenney, James. A History of "Consonance" and "Dissonance". White Plains, New York: Excelsior; New York: Gordon and Breach, 1988.
Thompson, Emily. The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America, 1900–1933. Cambridge, Ma.: MIT Press, 2002.
Voegelin, Salome. Listening to Noise and Silence: Towards a Philosophy of Sound Art. London: Continuum. 2010. Chapter 2 Noise, pp. 41–76.
Woods, Michael. Art of the Western World. Mandaluyong: Summit Books, 1989.
Woodward, Brett (ed.). Merzbook: The Pleasuredome of Noise. Melbourne and Cologne: Extreme, 1999.
Young, Rob (ed.) Undercurrents: The Hidden Wiring of Modern Music. London: Continuum Books. 2002.