Francesca Coppa
Referensi dan catatan

↑  Menurut Coppa, karya ilmiah pertamanya tentang Orton adalah pada tahun 1987.
↑  "A brief history of media fandom" (2006) memiliki 405 kutipan di Google Cendekia dalam pencarian pada 2 Februari 2021.
↑  Coppa, Francesca Diarsipkan 2023-07-08 di Wayback Machine., Library of Congress (retrieved February 3, 2021)
↑  Jesse Walker (August/September 2008). "Remixing Television: Francesca Coppa on the vidding underground Diarsipkan 2023-07-08 di Wayback Machine.", Reason 40
1 2  Francesca Coppa Diarsipkan 2021-04-19 di Wayback Machine., Muhlenberg College (retrieved February 1, 2021)
↑  Blood and aphorism: Joe Orton, theatre, and the new aristocracy in Great Britain, WorldCat (retrieved February 1, 2021)
↑  Francesa Coppa (May 22, 2017). About Diarsipkan 2023-07-08 di Wayback Machine., personal website (retrieved February 2, 2021)
1 2 3 4  Matt Cook (2008). "Orton in the Archives", History Workshop Journal (66): 163–179 JSTOR 25473012
1 2 3  Stephen Grecco (1999). "Review: Fred & Madge; The Visitors: Two Plays by Joe Orton", World Literature Today 73: 336 DOI:10.2307/40154757
1 2 3 4 5  Francesca Coppa. Joe Orton and Me: Dr Francesa Coppa–Academic Diarsipkan 2023-07-08 di Wayback Machine., Joe Orton Online (retrieved February 2, 2021)
↑  Francesca Coppa. "Introduction Diarsipkan 2023-07-08 di Wayback Machine.", in Francesca Coppa, ed., Joe Orton: A Casebook, pp. 9–10 (Routledge; 2003) (ISBN 9780815336273)
1 2 3 4  Elaine Showalter (1998). "Miss Fleur gave me the most awful restyle Diarsipkan 2023-07-08 di Wayback Machine.", London Review of Books 20(24)
↑  William Hutchings (2000). "Review: Between Us Girls by Joe Orton", World Literature Today 74:  160 DOI:10.2307/40155407
↑  The boy hairdresser: and, Lord Cucumber: two novels Diarsipkan 2023-07-09 di Wayback Machine., WorldCat (retrieved February 2, 2021)
1 2 3 4 5  Tom Smith (2004). "Review: Joe Orton: A Casebook by Francesca Coppa", Theatre Journal  56: 529–530 JSTOR 25069511
↑  Timothy Peltason (2010). "Review: Oscar Wilde and Modern Culture: The Making of a Legend, edited by Joseph Bristow", Victorian Studies 52: 339–342 DOI:10.2979/vic.2010.52.2.339
↑  The Importance of Being Earnest: Revised Edition Diarsipkan 2023-07-25 di Wayback Machine., Bloomsbury Publishing (retrieved February 2, 2021)
↑  Anya Clayworth (2005). "Nineteenth-century sensations and advances", The Wildean 26: 75–78 JSTOR 45269262
↑  Colin Carman (2010). "Review: Approaches to Teaching the Works of Oscar Wilde by Philip E. Smith, II", Rocky Mountain Review 64: 99–101 JSTOR 25677063
↑  Annette Federico (2010). "Teaching Oscar Wilde", English Literature in Transition, 1880–1920 53: 101–106 Project MUSE 367340 Diarsipkan 2020-10-24 di Wayback Machine.
↑  Nyusztay, Iván (2015). "Infinite Responsibility and the Third in Emmanuel Levinas and Harold Pinter". Literature and Theology. 29 (2): 153–165. doi:10.1093/litthe/fru035. JSTOR 43664466.
↑  Martin B. Lockerd (2018). "Decadent Arcadias, Wild(e) Conversions, and Queer Celibacies in Brideshead Revisited", MFS Modern Fiction Studies 64: 242 DOI:10.1353/mfs.2018.0019
↑  Wally Smith (2015). "Technologies of stage magic: Simulation and dissimulation", Social Studies of Science 45: 319–343 JSTOR 43829028
↑  Christopher Pittard. "Conjuring Dickens: Magic, Intellectual Property, and The Old Curiosity Shop" in Joachim Frenk, Lena Steveker, eds, Charles Dickens as an Agent of Change, p.179 (Cornell University Press; 2019) Project MUSE 63933 Diarsipkan 2021-02-08 di Wayback Machine. (ISBN 9781501736285)
↑  Organization for Transformative Works Diarsipkan 2023-07-25 di Wayback Machine., Organization for Transformative Works (retrieved February 4, 2021)
↑  Emerita Directors Diarsipkan 2023-07-08 di Wayback Machine., Organization for Transformative Works (retrieved February 1, 2021)
↑  Retired Personnel (November 10, 2019), "Ten Years of AO3: Francesca Coppa", Organization for Transformative Works (retrieved February 5, 2021)
1 2 3 4 5  Henry Jenkins (September 14, 2017). "Bringing Fan Fiction into the Classroom: An Interview with Francesca Coppa (Part One) Diarsipkan 2023-07-08 di Wayback Machine.", Confessions of an Aca-fan: The Official Weblog of Henry Jenkins (retrieved February 2, 2021)
1 2  Stevens describes Coppa as "a key figure in this second wave of writing on vids" (p. 30). E. Charlotte Stevens. "Critical Contexts: Television Studies, Fandom Studies, and the Vid", in Fanvids: Television, Women, and Home Media Re-Use, pp. 30, 32 (Amsterdam University Press; 2020) DOI:10.5117/9789462985865_ch01 (ISBN 9789048537105)
1 2  Suzanne Scott. Fake Geek Girls: Fandom, Gender, and the Convergence Culture Industry, p. 121 (NYU Press; 2019) Project MUSE 76066 Diarsipkan 2021-02-12 di Wayback Machine. (ISBN 9781479822966)
↑  "Fan/Remix Video," special issue of TWC guest edited by Francesca Coppa, Muhlenberg College, and Julie Levin Russo, Brown University Diarsipkan 2023-07-08 di Wayback Machine., Transformative Works and Cultures 9
1 2  Alicia Verlager (2009). "Review: Fan Fiction and Fan Communities in the Age of the Internet: New Essays by Karen Hellekson, Kristina Busse", Journal of the Fantastic in the Arts 20: 147–149 JSTOR 24352326
↑  Rukmini Pande. Squee from the Margins: Fandom and Race, p. 26 (University of Iowa Press; 2018) DOI:10.2307/j.ctv7r43q4.6 Project MUSE 62687 Diarsipkan 2021-02-13 di Wayback Machine. (ISBN 9781609386191)
↑  Kristina Busse. Framing Fan Fiction: Literary and Social Practices in Fan Fiction Communities, pp. 78, 150, 203 (University of Iowa Press; 2017) Project MUSE 55237 Diarsipkan 2021-04-21 di Wayback Machine. (ISBN 9781609385156)
↑  Megan Lynn Isaac (2018). "A Character of One's Own: The Perils of Female Authorship in the Young Adult Novel from Alcott to Birdsall", Children's Literature 46: 150 DOI:10.1353/chl.2018.0007 Project MUSE 695858 Diarsipkan 2019-03-25 di Wayback Machine.
↑  Jonathan Gray. Show Sold Separately: Promos, Spoilers, and Other Media Paratexts, pp. 159–160 (NYU Press; 2010) Project MUSE 10587 Diarsipkan 2022-01-20 di Wayback Machine. (ISBN 9780814732342)
↑  Suzanne Scott. "A fangirl's place is in the resistance: Feminism and fan studies", in Fake Geek Girls: Fandom, Gender, and the Convergence Culture Industry, pp. 47–48 (NYU Press; 2019) Project MUSE 76066 Diarsipkan 2021-02-12 di Wayback Machine. (ISBN 9781479878352)
1 2 3 4 5 6 7 8 9  Stephanie Burt (August 23, 2017). "The Promise and Potential of Fan Fiction Diarsipkan 2023-07-08 di Wayback Machine.", The New Yorker
1 2 3 4 5 6 7 8  Lorraine M. Dubuisson (2018). "The fanfiction reader: Folk tales for the digital age, by Francesca Coppa", Transformative Works and Cultures 28 DOI:10.3983/twc.2018.1322
↑  Claudia Rebaza (September 28, 2017). "Support the OTW by Reading!" Diarsipkan 2023-07-08 di Wayback Machine., Organization for Transformative Works (retrieved February 3, 2021)
↑  Contents Diarsipkan 2023-07-08 di Wayback Machine., in Francesca Coppa, ed., The Fanfiction Reader: Folk Tales for the Digital Age (University of Michigan Press; 2017) (ISBN 9780472073481)
↑  Ann K. McClellan. Sherlock's World: Fan Fiction and the Reimagining of BBC's Sherlock, pp. 20–22 (University of Iowa Press; 2018) Project MUSE 62512 (ISBN 9781609386177)
↑  2018 Winners Diarsipkan 2020-11-25 di Wayback Machine., Association of American Publishers (retrieved February 2, 2021)