הארי סיידלר
הערות שוליים

1 2  "Modernist architect Harry Seidler dies in Australia". World Socialist Web Site. 2006-06-20. נבדק ב-2008-01-07.
↑  "Modernist architect Harry Seidler dies in Australia". 20 ביוני 2006. נבדק ב-14 ביוני 2013. {{cite web}}:  (עזרה)
↑  Harry Seidler: Innovative modernist architect, The Independent, 14 March 2006.
↑  "Survivors of the Shoah Visual History – Harry Seidler filmed interview 21 September 1997. USC Shoah Foundation USA – view at worldwide access sites http://sfi.usc.edu/locator (אורכב 13.03.2017 בארכיון Wayback Machine); Oral history interview with Harry Seidler by Janis Wilton 15 January 1982 – transcript p. 15., Ethnic Affairs Commission of New South Wales – Oral Histories Project (N.S.W.). State Library of New South Wales, Sydney, https://primo-slnsw.hosted.exlibrisgroup.com/primo-explore/fulldisplay?docid=ADLIB110316338&context=L&vid=SLNSW&search_scope=EEA&tab=default_tab&lang=en_US
↑  information on internment of civilians at http://www.bbc.co.uk/history/ww2peopleswar/timeline/factfiles/nonflash/a6651858.shtml
↑  first in Camp L in Cove Field Barracks, Plains of Abraham in Quebec City, then Camp N in Sherbrooke
1 2 3  "Biography: Harry Seidler AC OBE LFRAIA". architecture.com.au. The Australian Institute of Architects. 2005-05-06. אורכב מ-המקור ב-23 ביולי 2008. נבדק ב-2008-05-02. {{cite web}}:  (עזרה)
1 2  Dennis Sharp (2006-03-14). "Harry Seidler: Innovative modernist architect". אורכב מ-המקור ב-21 בספטמבר 2007. נבדק ב-2008-01-07. {{cite web}}:  (עזרה)
↑  "Ancestry.com flight records show Seidler left Honolulu for Sydney on 18 June 1948 on a Pan Am clipper flight And flight schedules show it took 2 days to reach Sydney. So mistake in statements referring to arriving in July 1948 in Harry Seidler interview (oral history)" with Janis Wilton 1982, audio recording online at State Library of New South Wales sl.nsw.gov.au
↑  Harry Seidler interview with Alan Saunders, By Design, ABC (Australian Broadcaasting Corporation) Radio National, 18 July 1998; Harry Seidler "In Search of an Australian Style" article in Bulletin magazine Sydney issue entitled "Why Australia is the Best Place in the World to Live", pp. 60–64 at 60–61
↑  "The man who fixed the 'plain illegal' Sydney Opera House". Australian Broadcasting Corporation. נבדק ב-31 בינואר 2016. {{cite web}}:  (עזרה)
↑  Harry Seidler and Penelope Seidler interviewed by Craig McGregor on 11 February 1990. Craig McGregor MS7949 collection – Oral History and Folklore collection, National Library of Australia, Canberra. Bib id 6416295
↑  "Penelope Seidler". Specifier. 2007. אורכב מ-המקור ב-28 בנובמבר 2007. נבדק ב-2008-01-07. {{cite web}}:  (עזרה)
↑  Penelope Seidler filmed interview at the house for Monocle magazine, February 2016 entitled "Sydney Residence: Harry and Penelope Seidler House. February 2016" online at https://monocle.com/film/design/sydney-residence-harry-and-penelope-seidler-house/. Film duration 6:51 minutes
↑  Harry Seidler oral history with Ken Henderson, 21 April and 21 May 1986, National Library of Australia oral history collection, cassette TRC 2173 transcript page 3 notes "modern architecture set out to solve problems of the time and it must, by definition remain in constant flux, it is not a style, it fought against stylism, ... to call it a style ... is an utter misunderstanding of what it set out to do. To demonstrate that one can still say that we may like or still love buildings Le Corbusier built in the 1920s, but they could not be reasonably built today (ed 1986) because technology has taken giant steps – I mean, you have office buildings that have columns at six metre centres. In other words, to span long distances was not feasible, not technically applicable to that time, it just wasn't known how to do that, economically or efficiently. Therefore those buildings by today's standards are outmoded." (Page 4) "pre-stressed concrete was ... not normally used in building (in early twentieth century). Whereas today, you can build buildings that have giant spans. We just built a building in Hong Kong that has 34 meter spans ... from one side to the other ... (hence no need for) columns everywhere"; Harry Seidler essay "Planning and architecture at the end of our century" sub-heading 'Opposition to Modern architecture' in Harry Seidler: Four Decades of Architecture by Kenneth Frampton and Philip Drew (Thames & Hudson, London & New York, 1992) p. 381; page 384 notes that this essay was based on the lecture entitled "A methodology" at the RIBA in London (10 January 1984) and 1987 Habitat Lecture at the Centre for Human Settlements, University of British Columbia, Vancouver, Canada; Harry Seidler, "Movement Against Style" Keynote address at Royal Australian Institute of Architects' International Convention 'Challenge of Excellence', Melbourne, 9 March 1992 (video at Deakin University) or online ""You know there’s a great misconception about that modernism is a style. It isn’t. It is a methodology of approach, that is in constant flux, constant change. It was a conviction that what man’s eye seeks in our era, in our time, is not the ponderous solidity of traditional architecture where everything was built to four walls around a room and spaces that were finite. But rather our eyes seek transparency, lightness... being able to look through things." at https://vimeo.com/16877925; "In the Mind of the Architect", Australian Broadcasting Corporation TV series episode 1 (2000) see full transcript at http://www.abc.net.au/arts/architecture/ep_trn1.htm
↑  Conversations Regarding the Future of Architecture. 1956. SIDE 2. 9:56-10:18min of audio at https://soundcloud.com/mattgoad/conversations-regarding-the
↑  Australian Broadcasting Corporation TV "in the mind of the architect" series episode 1 “Keeping the Faith”(2000)
↑  Harry Seidler filmed illustrated lecture "Habitat, Its Detail and Totality "University of New South Wales (UNSW), 8 May 1980 (online)
↑  Philip Drew, "Ethic and Form" article in Space Design (Tokyo) 1981 (81/02) pp. 75–90 includes photo of the Niemeyer's Boavista bank interior with this observation. The same photo of Niemeyer's bank interior is in photo archives section of Seidler office on back shows Harry Seidler's own hand-written note "Seidler must have been influenced by the INTERACTIVE CURVES of this interior, especially in his later work". Given the photo appears in Philip Drew's article published in issue 2 of 1981, Seidler's handwritten note probably dates to 1980.

The first use of interacting curves is seen in the free forms and part ellipses of the children's playground walls of the NSW Housing Commission Apartments, Rosebery, NSW 1964–67 (see Peter Blake, Architecture for the New World: The Work of Harry Seidler, 1973, Sydney: Horwitz, Stuttgart: Karl Kreamer at pp. 38–39), later curves seen in Seidler's Condominium Apartments, Acapulco 1969–70, (Blake, op. cit, 39), interacting quadrant curves in screen and retaining walls of Pettit & Sevitt exhibition house, Westleigh NSW 1969 (see Blake, op. cit at 35). Seidler's flamboyant curved design for Hong Kong Club started in 1980 – date noted in book Harry Seidler: Four Decades of Architecture by Kenneth Frampton and Philip Drew (1992, Thames & Hudson, London & New York) at 206.
↑  Express TV, Australian Broadcasting Corporation, 7 October 1998.
↑  Harry Seidler, "Planning and Architecture at the end of our century", pp. 378–84 of "Harry Seidler: Four Decades of Architecture" by Kenneth Frampton and Philip Drew (1992: Thames & Hudson) at Page 382 has this comment "who remembers the Brutalists in England with their pathetic imitations of Le Corbusier?". Page 384 notes that Seidler's essay is based on the 1984 lecture "A methodology" at RIBA London on 10 January 1984, and the 1987 Habitat Lecture at the Centre for Human Settlements, University of British Columbia, Vancouver, Canada. Previously, in 1985, Seidler said "Brutalism is a pathethic thing too, and it is a sort of an English term applied to buildings done there – bad imitations of Corbusier's good concrete – ... The fact is remains that i think what we see really is a totally unskilled world in the field of architecture and design" in "Harry Seidler interviewed by Constance Breuer", January 2, 1985. Harry Seidler and Constance Breuer (cassette recording later digitised). Marcel Breuer papers, 1920–1986. Archives of American Art, Smithsonian Institution, Washington D.C. USA. Transcript (copy held by Breuer scholar Isabelle Hyman) p. 5
↑  Harry Seidler filmed illustrated lecture "Principles in the Mainstream of Modern Architecture" University of New South Wales (UNSW), 26 June 1980 (online); Harry Seidler filmed illustrated lecture "Consequence of Design and Detail "University of New South Wales (UNSW), 24 April 1980 (online); Peter Blake "Architecture for the New World. The Work of Harry Seidler" (Horwitz, Sydney; Wittenborn, New York; Karl Kraemer Stuttgart, 1973) pp. 12–20
↑  Kenneith Frampton "Isostatic Architecture 1965–91", pp. 85–111 in Harry Seidler: Four Decades of Architecture by Kenneith Frampton and Philip Drew (Thames & Hudson, London & New York, 1992).
↑  Harry Seidler illustrated filmed lecture: "Form Relations in Baroque and Modern Architecture (Part 1)" University of New South Wales (UNSW) 17 April 1980 (online); Harry Seidler illustrated filmed lecture: "Form Relations in Baroque and Modern Architecture (Part 2)" University of New South Wales (UNSW) 1 May 1980 (online); Peter Blake "Architecture for the New World. The Work of Harry Seidler" (Horwitz, Sydney; Wittenborn, New York; Karl Kraemer Stuttgart, 1973) pp. 38–40; Vladimir Belogolovsky, "Harry Seidler: Lifework" (Rizzoli, New York, 2014) pp. 31–41
↑  Kenneith Frampton, "1965–1991 Isostatic Architecture", pp. 86–111 in Harry Seidler: Four Decades of Architecture by Kenneth Frampton and Philip Drew (1992, Thames & Hudson, London & New York) at page 95. Later followed by Vladimir Belogolovsky, Harry Seidler Lifework (2015: Rizzoli, New York), p. 39
↑  "Harry Seidler: A Dialogue with editor Yoshio Futagawa" GA HOUSES 69 (January 2002) pp. 42–47 at 43.
↑  Harry Seidler filmed lecture online "Josef Albers – Teaching of Visual Perception” (2002) National Gallery of Australia, Canberra at 17:55-18:33min
↑  Harry Seidler, "Painting Toward Architecture" in Architecture (RAIA journal forerunner to Architecture Australia) 37(10) [October 1949) pp. 120–21; Harry Seidler "Our Heritage of Modern Building" in Houses, Interiors and Projects (1954: Sydney, Associated General Publications. Reprint: 1959, Horwitz) pp. x–xi of ix–xi. Same essay later reprinted in Harry Seidler: Houses & Interiors 1 (Images Publishing, Musgrave, Victoria, 2003) pp. 10–15 at page 11. Peter Blake, Architecture for the New World. The Work of Harry Seidler (Horwitz, Sydney; Wittenborn, New York; Karl Kraemer Stuttgart, 1973) pp. 21–23
↑  Harry Seidler filmed illustrated lecture "interaction of architecture and the visual arts" University of New South Wales (UNSW), 10 April 1980 (online); Harry Seidler "Our Heritage of Modern Building" in Houses, Interiors and Projects (1954: Sydney, Associated General Publications. Reprint: 1959, Horwitz) Pages x-xi of ix-xi. Same essay later reprinted in ""Harry Seidler: Houses & Interiors 1" (Images Publishing, Musgrave VIC, 2003) Pages 10-15 at page 11. Harry Seidler, "Painting Toward Architecture" in Architecture (RAIA journal forerunner to Architecture Australia) 37(10) [October 1949] pp. 119–124; Peter Blake "Architecture for the New World. The Work of Harry Seidler" (Horwitz, Sydney; Wittenborn, New York; Karl Kraemer Stuttgart, 1973) pp. 28–33
↑  Harry Seidler filmed illustrated lecture "Interactions - Architecture and the Visual Arts" University of New South Wales (UNSW) 10 April 1980 online at 29:23-31:51 min); Harry Seidler filmed illustrated lecture "Principles in the Mainstream of Modern Architecture" University of New South Wales (UNSW), 27 June 1980 (online)
↑  "In the Mind of the Architect", Australian Broadcasting Corporation TV series episode 1 (2000)
1 2  Harry Seidler quote from Rose Seidler House – the House that Harry built Review, Australian Broadcasting Corporation TV, 14 April 1991
↑  https://artsearch.nga.gov.au/Detail-LRG.cfm?IRN=198343
↑  Harry Seidler, RIBA Gold Medal Lecture, London 25 June 1996 footage on internet at 28:36–29:31min
↑  Harry Seidler, "Interactions – architecture and the visual arts" filmed illustrated lecture University of New South Wales, 10 April 1980 online film at 30:48–33:26min
↑  Harry Seidler, "In Search of an Australian Style" in the "Why Australia is the best place in the world to live" issue of The Bulletin (Sydney) 24 October 1989, pp. 60–4
↑  Harry Seidler Project Report: 1975–1977; 'Paris Art', being correspondence with textile artists concerning proposed purchase of artworks for the Australian Embassy Paris. Harry Seidler Collection, Mitchell Library, State Library of New South Wales, Call No.: MLMSS 7078/15); ABC TV news footage from 30–31 July 1977,
↑  Wayback Machine, web.archive.org, ‏2017-02-25
↑  Harry Seidler, Chris Abel, The Images Publishing Group, Houses and Interiors Vol 1, Images Publishing, 2003. (באנגלית)
↑  Canberra South Bowling Club, Austin St. (at La Perouse St.) Griffith, Canberra - Harry Seidler - 1958 picture / Peter Wille. by by Wille, Peter,, web.archive.org, ‏2007-09-26
↑  "Ageing luxury: Brisbane's Hilton reaches milestone", Brisbane Times (7 June 2012)
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בקרת זהויות :  NLI: 987007570054105171  BIBSYS: 3059137  BnF: cb14529991s (data)  CANTIC: a11495704  CiNii: DA06877310  GND: 118612867  ISNI: 0000 0001 1084 1020  LCCN: n82024215  NKC: xx0132026  NLA: 35488236  NSK: 000483228  NTA: 071206485  RKD: 303120  SNAC: w6jh3kgd  SUDOC: 070142416  Trove: 525466  ULAN: 500011564  VIAF: 112781054   WorldCat (עם VIAF): 112781054 
הארי סיידלר (מימין) עם ולטר גרופיוס בסידני 1954
בית רוז סיידלר, ווהרונגה, סידני, 1948–50
כיכר אוסטרליה, סידני, 1961–1967
ביתו של סיידלר בקילארה, ניו סאות' ויילס.
דירות אופק, דרלינגהרסט, סידני, 1990–1998
מרכז MLC, סידני, 1972–1975
Wohnpark-Neue-Donau, וינה, אוסטריה, 1993
איון ת'ורפ מרכז ימי, אולטימו, סידני, 2001–2007