גריזלדה פולוק
ספריה

Concentrationary Art Jean: Cayrol, the Lazarean and the Everyday in Post- war Film, Literature, Music and the Visual Arts, ed. by Pollock G and Silverman M (Berghahn Books, 2019)
Pollock GFS, Charlotte Salomon in the Theatre of Memory (New Haven and London: Yale University Press, 2018)
Mainz V, Pollock G, Introduction: Trauma and subjectivity in work and worklessness (2018)
Work and the Image (Routledge, [n.d.])
Concentrationary Memories: Totalitarian Terror and Cultural Resistance, ed. by Pollock G and Silverman M, Concentrationary Memories: The Politics of Representation (London and New York: I B Tauris, 2014)
Visual Politics and Psychoanalysis: Art and the Image in Post-traumatic Cultures, ed. by Pollock G, New Encounters: Arts, Cultures and Concepts (London and New York: I B Tauris, 2013)
Visual Politics and Psychoanalysis: Art and the Image in Post Traumatic Cultures, ed. by Pollock G, New Encounters: Arts, Cultures and Concepts
(London and New York: I B Tauris, 2013)
Pollock GFS, Concentrationary Memories: Totalitarian Terror and Cultural Resistance, ed. by Silverman M and Pollock G, Concentrationary Memory:
The Politics of Representation (London and New York: I B Tauris, 2013)
Pollock G, After-Affects I After-Images: Trauma and Aesthetic Transformation in the Virtual Feminist Museum (Manchester: Manchester University Press,
2013)
Pollock G, Differencing the Canon (Routledge, [n.d.])
Visual Politics and Psychoanalyses: Art and the Image in Post-Traumatic Cultures, New Encounters: Arts, Cultures, Concepts (I B Tauris, 2013)
Pollock G, Silverman, M, Concentrationary Cinema: Aesthetics as Political Resistance in Alain Resnais&#39;s Night and Fog (1955), ed. by Pollock G and Silverman MAX (London and New York: Berghahn Books, 2011)
Bracha L. Ettinger. Art as Compassion, ed. by Pollock G and De Zegher C (Brussels: ASP Brussels and MER Kunsthaus, 2011)
Silverman M, Concentrationary Cinema: Aesthetics as Political Resistance in Alain Resnais’s ‘Night and Fog’, ed. by Pollock G and Silverman M (New York and Oxford: Berghahn, 2011)
Pollock GFS, AlloThanatography or Allo-Auto-biography A few thoughts on one painting in Charlotte Salomon’s Leben? oder Theater? 1941-42
(Frankfurt: Hatje Cantz, 2011)
Pollock G, Encounters in the Virtual Feminist Museum: Time Space and the Archive (Routledge, 2007)
Pollock G, Museums after Modernism: Strategies of Engagement (Blackwell&#39;s, 2007)
Pollock G, Psychoanalysis and the Image (Blackwell&#39;s, 2006)
Generations and Geographies in the Visual Arts: Feminist Readings (Routledge, [n.d.])
Pollock G, Preface (2005)
Pollock G, Vision and Difference: Feminism, Femininity and the Histories of Art (Taylor and Francis, 2003)
Pollock G, Looking Back to the Future: Essays on Art, Life and Death1 (Routledge, 2000)
Mainz VS, Pollock G, Work and the Image (Ashgate, 2000), Volumes 1 and 2 Pollock G, Differencing the Canon: Feminist Desire and the Writing of Art&#39;s
Histories (Routledge, London and New York, 1999) Pollock G, Mary Cassatt: Painter of Modern Women (Thames and Hudson, London and New York, 1998)
Pollock G, Killing Men and Dying Women: A Woman&#39;s Touch in the Cold Zone of 1950s American Painting (Manchester University Press, 1996)
Pollock G, Avant-Gardes and Partisans Reviewed (Manchester University Press, 1996)