המבט הגברי
הערות שוליים

↑  "Feminist Aesthetics". Stanford Encyclopedia of Philosophy. Winter 2012. Retrieved 13 May 2015. Assumes a standard point of view that is masculine and heterosexual. . . . The phrase 'male gaze' refers to the frequent framing of objects of visual art so that the viewer is situated in a masculine position of appreciation.
↑  Łuczyńska-Hołdys, Małgorzata (2013). Soft-Shed Kisses: Re-visioning the Femme Fatale in English Poetry of the 19th Century, Cambridge Scholars Publishing, p. 15.
↑  Eaton, E.W. (September 2008). "Feminist Philosophy of Art". Philosophy Compass. Wiley-Blackwell. 3 (5): 873–893. doi:10.1111/j.1747-9991.2008.00154.x
↑  מאלווי: המבט הגברי, בתוך: דן לאפי, תרגום: ענבל שגיב־נקדימון, 6, סוגיות מפתח בתאוריית המדיה, רעננה: האוניברסיטה הפתוחה, 2011, עמ' 121–124, מסת"ב 978-965-06-1311-2
↑  Devereaux, Mary (1995). "Oppressive Texts, Resisting Readers, and the Gendered Spectator: The "New" Aesthetics". In Brand, Peggy Z.; Korsmeyer, Carolyn (eds.). Feminism and tradition in aesthetics. University Park, Pennsylvania: Penn State University Press. p. 126. ISBN 9780271043968.
↑  Walters, Suzanna Danuta (1995). "Visual Pressures: On Gender and Looking". In Walters, Suzanna Danuta (ed.). Material Girls: Making Sense of Feminist Cultural Theory. Berkeley, California: University of California Press. p. 57. ISBN 9780520089778.
1 2 3 4 5 6  Sassatelli, Roberta (September 2011). "Interview with Laura Mulvey: Gender, Gaze and Technology in Film Culture". Theory, Culture & Society. 28 (5): 123–143. doi:10.1177/0263276411398278. S2CID 144070861.
↑  Jacobsson, Eva-Maria (1999). A Female Gaze? (PDF) (Report). Stockholm, Sweden: Royal Institute of Technology. Archived (PDF) from the original on 2011-10-04.
1 2 3 4  Mulvey, Laura (Autumn 1975). "Visual Pleasure and Narrative Cinema". Screen. 16 (3): 6–18. doi:10.1093/screen/16.3.6.
↑  Stack, George J; Plant, Robert W (1982). "The Phenomenon of "The Look"". Philosophy and Phenomenological Research. 42 (3): 359. doi:10.2307/2107492. JSTOR 2107492. By their presence -- most forcibly by looking into your eyes -- other people compel you to realize that you are an object for them, Sartre (1948) argues.
↑  Weeks, L. Paul (2005), "Male gaze", in Ritzer, George (ed.), Encyclopedia of social theory, Thousand Oaks, California: Sage, p. 467, ISBN 9780761926115.
↑  Streeter, Thomas; Hintlian, Nicole; Chipetz, Samantha; Callender, Susanna (2005). "This is Not Sex: A Web Essay on the Male Gaze, Fashion Advertising, and the Pose". Archived from the original on 2011-11-06. Essay about the male gaze in advertising.
1 2  Pritchard, Annette; Morgan, Nigel J. (October 2000). "Privileging the Male Gaze: Gendered Tourism Landscapes". Annals of Tourism Research. 27 (4): 884–905. doi:10.1016/S0160-7383(99)00113-9
↑  Arons, Wendy, "If Her Stunning Beauty Doesn't Bring You to Your Knees, Her Deadly Drop-kick Will": Violent Women in Hong Kong Kung fu Film", in McCaughey, Martha; King, Neal (eds.), Reel Knockouts: Violent Women in the Movies, Austin, Texas: University of Texas Press, p. 41.
↑  C. Hakim, Erotic Capital, European Sociological Review 26, 2010-03-19, עמ' 499–518 doi: 10.1093/esr/jcq014
↑  Jacobsson, Eva-Maria (1999). A Female Gaze? (PDF) (Report). Stockholm, Sweden: Royal Institute of Technology. Archived (PDF)from the original on 2011-10-04.
↑  Paul, Nalini (Spring 2004). "Other Ways of Looking: The Female Gaze in Jean Rhys' Wide Sargasso Sea". ESharp. University of Glasgow. 2. Archived from the original on 27 January 2009.
↑  Kelly, Eileen (30 January 2003). "The Female Gaze". Salon. Salon Media Group. Archived from the original on 1 February 2003.
↑  Felluga, Dino (April 2005). "Modules on Lacan: On the Gaze",Introductory Guide to Critical Theory". West Lafayette, Indiana, U.S.: Purdue University. Archived from the original on 15 April 2005
↑  Ettinger, Bracha (1995). The Matrixial Gaze. Leeds, UK: Feminist Arts and Histories Network, Department of Fine Art, University of Leeds. ISBN 9780952489900.
↑  Ettinger, Bracha (1996), "The With-in-visible Screen", in de Zegher, M. Catherine (ed.), Inside the Visible: An Elliptical Traverse of 20th century Art In, Of, and From the Feminine, Cambridge, Massachusetts: MIT Press, pp. 89–116, ISBN 9780262540810.
↑  Berger, John (1973), "Section 3", in Berger, John (ed.), Ways of Seeing, London: BBC Penguin Books, pp. 45 and 47, ISBN 9780563122449.
↑  Sturken, Marita; Cartwright, Lisa (2001), "Spectatorship, Power, and Knowledge", in Sturken, Marita; Cartwright, Lisa (eds.), Practices of Looking: An Introduction to Visual Culture, Oxford New York: Oxford University Press, p. 81, ISBN 9780198742715.
1 2  Pollock, Griselda (1988), "Modernity and the Spaces for Femininity", in Pollock, Griselda (ed.), Vision and Difference: Femininity, Feminism, and Histories of Art, London New York: Routledge, pp. 50–90, ISBN 9780415007214.
↑  Vidani, Peter. "A Collection on Feminism and Design — Photograph: Robert Doisneau, Sidelong Glance (1948))". gorillagirls.tumblr.com. Gorilla Girls. Archived from the original on 30 January 2016. Retrieved 23 January 2016.
↑  Gamman, Lorraine (1989), "Watching the Detectives: The Enigma of the Female Gaze", in Gamman, Lorraine; Marshment, Margaret (eds.), The Female Gaze: Women as Viewers of Popular Culture, Seattle: Real Comet Press, p. 16, ISBN 9780941104425.
1 2  Bolter, Jay David; Grusin, Richard (1999), "Networks of Remediation", in Bolter, Jay David; Grusin, Richard (eds.), Remediation Understanding New Media, Cambridge, Massachusetts: MIT Press, pp. 64–87, ISBN 9780262024525.
↑  Khan, Atif (2017-01-04). "From Her Perspective". The Hindu. Archived from the original on 2 June 2018. Retrieved 30 March 2017.
1 2 3  hooks, bell. "The Oppositional Gaze: Black Female Spectators". The Feminism and Visual Cultural Reader. New York: Routledge, 2003: Amelia Jones. pp. 94–105.