אשליית דיבור לשיר
הערות שוליים

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Diana Deutsch (1995). Musical Illusions and Paradoxes, Track 1 (CD) (באנגלית). La Jolla: Philomel Records. 1377600012.
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Diana Deutsch (2003). Phantom Words and Other Curiosities, Tracks 21-26 (CD) (באנגלית). La Jolla: Philomel Records. 1377600022.
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Deutsch, D.; Henthorn, T.; Lapidis, R. (2008). "The speech-to-song illusion". Journal of the Acoustical Society of America. 124 (4): 2471. Bibcode:2008ASAJ..124.2471D. doi:10.1121/1.4808987.
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Deutsch, D.; Henthorn, T.; Lapidis, R. (2011). "Illusory transformation from speech to song". Journal of the Acoustical Society of America. 129 (4): 2245–2252. Bibcode:2011ASAJ..129.2245D. doi:10.1121/1.3562174. PMID 21476679.
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Zatorre, R. J.; Belin, P.; Penhune, V. B. (2002). "Structure and function of auditory cortex: music and speech". Trends in Cognitive Sciences. 6 (1): 37–46. doi:10.1016/S1364-6613(00)01816-7. PMID 11849614.
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Tierney, A.; Dick, F.; Deutsch, D.; Sereno, M. (2013). "Speech versus song: multiple pitch-sensitive areas revealed by a naturally occurring musical illusion". Cerebral Cortex. 23 (2): 249–254. doi:10.1093/cercor/bhs003. PMC 3539450. PMID 22314043.
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Hymers, M.; Prendergast, G.; Liu, C.; Schulze, A.; Young, M. L.; Wastling, S. J.; Barker, G. J.; Millman, R. E. (2015). "Neural mechanisms underlying song and speech perception can be differentiated using an illusory percept". NeuroImage. 108: 225–233. doi:10.1016/j.neuroimage.2014.12.010. PMID 25512041.
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Callan, D.; Tsytsarev, V.; Hanakawa, T.; Callan, A.; Katsuhara M.; Fukuyama, H.; Turner, R. (2006). "Song and speech: brain regions involved with perception and covert production". NeuroImage. 31 (3): 1327–1342. doi:10.1016/j.neuroimage.2006.01.036. PMID 16546406.
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Schön, D.; Gordon, R.; Campagne, A.; Magne, C.; Astésano C.; Anton, J.; Besson, M. (2010). "Similar cerebral networks in language, music and song perception". NeuroImage. 51 (1): 450–461. doi:10.1016/j.neuroimage.2010.02.023. PMID 20156575.
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Falk, S.; Rathcke, T.; Dalla Bella, S. (2014). "When speech sounds like music". Journal of Experimental Psychology: Human Perception and Performance. 40 (4): 1491–1506. doi:10.1037/a0036858. PMID 24911013.
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Margulis, E. H.; Simchy-Gross, R.; Black, J. L. (2015). "Pronunciation difficulty, temporal regularity, and the speech-to-song illusion". Frontiers in Psychology. 6: 48. doi:10.3389/fpsyg.2015.00048. PMC 4310215. PMID 25688225.
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Jaisin, K.; Suphanchaimat, R.; Figueroa, M. A. F. C.; Warren, J. D. (2016). "The speech-to-song illusion is reduced in speakers of tonal (vs. non-tonal) languages". Frontiers in Psychology. May: 662. doi:10.3389/fpsyg.2016.00662. PMC 4860502. PMID 27242580.
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Margulis, E. H.; Simchi-Gross, R. (2016). "Repetition enhances the musicality of randomly generated tone sequences". Music Perception. 33 (4): 509–514. doi:10.1525/MP.2016.33.4.509.
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Simchi-Gross, R.; Margulis, E. H. (2018). "The sound-to music illusion: Repetition can musicalize nonspeech sounds". Music and Science. doi:10.1177/2059204317731992.
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Margulis, E.H. (2014). On repeat: How music plays the mind. New York: Oxford University Press.
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Deutsch, D. (2019). Musical Illusions and Phantom Words: How Music and Speech Unlock Mysteries of the Brain. Oxford University Press. ISBN 9780190206833. LCCN 2018051786.
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Vanden Bosch der Nederlanden, C.; Hannon, E.E.; Snyder, J.S. (2015). "Finding the music of speech: Musical knowledge influences pitch processing in speech". Cognition. 142: 135–140. doi:10.1016/j.cognition.2015.06.015. PMID 26151370.
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Steve Reich (1966). Come Out. Columbia Records, a division of Sony Music Entertainment.
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Steve Reich (1965). It’s Gonna Rain. Nonesuch.
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Steve Reich (1988). Different Trains. Nonesuch.