הגלריה האוסטרית בלוודר
הערות שוליים

↑  Britannica, The Editors of Encyclopaedia. "Belvedere Museum". Encyclopedia Britannica, 8 Mar. 2023,.
↑  Hainisch, E (1955). Zum Baugedanken des Oberen Belvedere-Schlosses. In: Wiener Jahrbuch für Kunstgeschichte 16
↑  Holaus, Bärbel (ed.)/ Hülmbauer, Elisabeth (ed.)/ Wöhrer, Claudia (ed.): Art of the 19th century. Bestandskatalog der Österreichischen Galerie des 19. Jahrhunderts, vol. 3: L-R, ed. by the Österreichische Galerie Belvedere, Vienna 1998, p. 198.
↑  "CASE STUDIES Egon Schiele, Four Trees/Autumn Allée" (PDF).
↑  "Morgenstern_Josef_2020-03-06 BESCHLUSS" (PDF). provenienzforschung.gv.at. Archived (PDF) from the original on 2021-01-26. Der Beirat sieht es demnach als erwiesen an, dass sich das Gemälde seit spätestens 1924 und – wie nunmehr durch den ausgewerteten Akt nach dem Kriegs- und Verfolgungssachschädengesetz gesichert ist – bis zumindest nach dem „Anschluss" 1938 im Eigentum von Dr. Josef Morgenstern befand, und kommt zum Ergebnis, dass der Tatbestand des § 1 Abs. 1 Z 2 Kunstrückgabegesetz erfüllt ist. Dem Bundesminister ist daher die Übereignung des Gemäldes an die Rechtsnachfolgerinnen und Rechtsnachfolger nach Dr. Josef Morgenstern zu empfehlen.
↑  "Munch painting stolen by Nazis is returned to Mahler heir". www.lootedart.com. Retrieved 2021-04-28.
↑  Riding, Alan (2006-11-09). "After 60 Years, Austria Will Return a Munch Work to a Mahler Heir". The New York Times.ISSN 0362-4331 The painting, which shows the moon reflecting off a calm sea before a rocky beach and is sometimes referred to as "Seascape With Moon," has been hanging since 1940 in the Austrian Gallery, known as the Belvedere, in Vienna. The Austrian government had rejected all previous claims to the painting, most recently in 1999, on the ground that the Belvedere had legitimate title to it. Wednesday's ruling followed a recommendation earlier that day by the country's Art Restitution Commission, which followed the spirit of a new law adopted in 2001 aimed at easing the way for the return of art unjustly acquired under Nazi rule.
↑  Waxman, Sharon (2006-04-06). "A Homecoming, in Los Angeles, for Five Klimts Looted by Nazis". The New York Times.ISSN 0362-4331 Mr. Bloch-Bauer hung her portraits and the other Klimts in a special room in his palace as a kind of shrine to his beloved wife. But after Germany annexed Austria in March 1938, he fled without any of his belongings. The new Nazi government levied a bogus tax bill on the industrialist, and confiscated his property, placing threeof the Klimt paintings in the Austrian Gallery, and selling the rest.
↑  "Austria to Return Art Stolen by Nazis". www.lootedart.com. New York Times. Her husband fled to Switzerland after the Nazis took over Austria. The Nazis then took the paintings and a Belvedere gallery was made the formal owner.
↑  "Arbitration panel decides Klimt portrait was not looted by the Nazis". www.lootedart.com. Retrieved 2021-04-28.
↑  "The last prisoners of war: Inside the battle to recover Nazi-stolen artwork". MSNBC.com. Archived from the original on 2020-11-24. Retrieved 2021-04-28. Portrait of Amalie Zuckerkandl by Gustav Klimt. Rather than return this obviously looted painting, an Austrian arbitration panel concluded that it should stay in the Belvedere. The arbitrators said they were not certain exactly how the painting left Ferdinand's home, and believed (despite a mountain of evidence concerning the Nazi liquidation of Ferdinand's entire estate) that Ferdinand might have decided to give the painting to Amalie's family. How this could have been accomplished while Ferdinand was in exile, the arbitrators did not explain.
↑  Carroll, Marisa (2012-05-24). "The Painting That Launched a Thousand Lawsuits". Hyperallergic. Archived from the original on 2012-10-25. Retrieved 2021-04-28. Rudolph Leopold, an Austrian ophthalmologist, had accumulated a staggering number of Schiele pieces in his lifetime — but not always honestly, as the documentary Portrait of Wally forcefully argues. The painting originally belonged to a Viennese art dealer named Lea Bondi, but in 1939 Friedrich Welz, a member of the Nazi Party, confiscated it from her private collection. By mistake, the painting was restituted to the Belvedere Museum in Austria after World War II as part of another dealer's collection. In 1954, Bondi asked Leopold, a known Schiele collector, to help her track down the painting. Instead, he bartered with the museum for it and made it his own.
↑  "Belvedere muss Bild an Liebermann-Erben restituieren – Belvedere must restitute a painting to the Liebermann heirs". www.lootedart.com. Der Standard. Retrieved 2021-04-28.
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בקרת זהויות :  NLI: 987007427934805171  PLWABN: 9810536369705606  BNE: XX231089  BnF: cb118798653 (data)  CiNii: DA15945910  GND: 2165327-6  ICCU: TO0V421476  ISNI: 0000 0004 1783 7317  LNB: 000064583  NKC: ko2004218712  SUDOC: 032148712  VIAF: 172476334   WorldCat (עם VIAF): 172476334 
מבט מעל פארק הבלוודר
דיוקן של מריה תרזה, מחזיקה בידיה את כתרי הקיסרות האוסטרו-הונגרית, מאת יוזף פוגל, 1915