פוסט-פמיניזם
הערות שוליים

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↑  Cott, Nancy F. The grounding of modern feminism. Yale University Press, 1987.
↑  Bolotin, Susan. "Voices from the post-feminist generation." New York Times Magazine 17.10.1982
↑  Toril Moi. Sexual/textual politics: Feminist literary theory. Methuen, 1985.
↑  Brooks, Ann. Postfeminisms: Feminism, Cultural theory and Cultural Forms. London, Routledge, 1997.
↑  Lotz, A. "Postfeminist television criticism: rehabilitating critical terms and identifying postfeminist attributes." Feminist Media Studies, 2001,1(1): 105-21.
↑  Heywood, Leslie, and Drake Jennifer, eds. Third Wave Agenda: Being Feminist, Doing Feminism. University of Minnesota Press, 1997.
↑  Cheris Kramarae and Dale Spender, eds., Routledge International Encyclopedia of Women: Global Women's Issues and Knowledge, vol. 3 (New York: Routledge, 2000), 1646,
↑  Ann Brooks, Postfeminisms: Feminism, Cultural Theory, and Cultural Forms, London: Routledge, 1997, 1
↑  Halley, Janet. Split Decisions: How and Why to Take a Break from Feminism. Princeton, NJ: Princeton University Press, 2006.
↑  בילסקי, ליאורה, פמיניזם ומשפט: בין הנחות מודרניסטיות להדוניזם של הביקורת, מתוך תאוריה וביקורת גיליון 34 | אביב 2009 212-221
↑  Wright, Elizabeth. Lacan and Postfeminism. Cambridge: Icon Books Ltd., 2000, 6.
1 2  The Wiley Blackwell Encyclopedia of Gender and Sexuality Studies, First Edition. Edited by Nancy A. Naples. Published by John Wiley & Sons, Ltd, 2016, 238.
↑  Wlodarczyk, Justyna. Ungrateful Daughters: Third Wave Feminist .Writings. Cambridge Scholars Publication: New Castle, 2010, 7
↑  וולף, נעמי. אש באש: הכוח הנשי ואיך להשתמש בו. תל אביב, אור עם, תשנ"ח 1998.
↑  Roiphe, Katie. The Morning After: Sex, Fear, and Feminism on Campus. Boston: Boston : Little, Brown, 1993.
↑  Walter, Natasha. The New Feminism. 1998. London: Virago, 2006.
↑  Whelehan, Imelda. The Feminist Bestseller: From Sex and The Single Girl to Sex and the City. Basingstoke: Palgrave Macmillan, 2005, 138
↑  חרותי-סובר, טלי, ברוך שלא עשני אישה, באתר e-mago, ‏אוגוסט 2004 (ארכיון)
↑  Mumford, Rebecca. "BUST-ING the Third Wave: Barbie, Blowjobs and Girlie Feminism." In Attwood, Feona. (ed).Mainstreaming Sex: The Sexualization of Western Culture. New York: I.B. Tauris,2009,. 183-198.
1 2  256-9,Gill, Rosalind. Gender and the Media. Cambridge: Polity, 2007
↑  McRobbie, Angela. The Aftermath of Feminism: Gender, Culture and Social Change, Sage, 2009, 62-63.
↑  Genz Stéphanie and Brabon Benjamin A., Postfeminism: Cultural Texts and Theories, Edinburgh University Press, 2009, 156-162
↑  8 Times The Spice Girls Showed Us The True Meaning Of Girl Power
↑  Douglas, Susan J. Where the Girls Are: Growing Up Female with the Mass Media. London: Penguin, 1995
↑  Hinds, Hilary, and Jackie Stacey. ‘Imaging Feminism, Imaging Femininity: The Bra-Burner, Diana, and the Woman Who Kills.’ Feminist Media Studies 1.2 (2001): 153–77
↑  Aapola, Sinikka, Marnina Gonick and Anita Harris. Young Femininity: Girlhood, Power andSocial Change. Basingstoke: Palgrave Macmillan, 2005
↑  Bordo, Susan. Unbearable Weight: Feminism, Western Culture and the Body. Berkeley: University of California Press, 1993, 177
↑  Budgeon, Shelley. ‘Fashion Magazine Advertising: Constructing Femininity in the “Postfeminist” Era.’ In Gender & Utopia in Advertising: A Critical Reader. Eds Luigi Manca and Alessandra Manca. Lisle, IL: Procopian Press, 1994, 66.
↑  Gill, Rosalind. ‘From Sexual Objectification to Sexual Subjectification: The Re sexualisation of Women’s Bodies in the Media.’ Feminist Media Studies 3.1 (2003), 104.
↑  Gill, Rosalind. Gender and the Media. Cambridge: Polity, 2007, 258
↑  Das, Shrimati., [ISSN 2348-6945 A Glimpse at Popular Formula in ‘Chick Lit’: A New Genre of Women’s Fiction: A Textual Exploration on Hollywood’s ‘The Devil Wears Prada’ and ‘When in Rome’.], Scholar Critic, 02 02, 2015
↑  Thomas, Scarlett. “The Great Chick Lit Conspiracy”. The Independent. Available at http://www.independent.co.uk/arts-entertainment/books/features/the-great-chick-lit-conspiracy-172223.html
↑  Stéphanie Genz and Benjamin A. Brabon, Postfeminism: Cultural Texts and Theories . Edinburgh: Edinburgh University Press, 2009, 84
↑  Whelehan, Imelda. The Feminist Bestseller: From Sex and The Single Girl to Sex and the City. Basingstoke: Palgrave Macmillan, 2005, 186
↑  Gill, Rosalind, and Elena Herdieckerhoff. ‘Rewriting the Romance: New Femininities in Chick Lit?’ Feminist Media Studies 6.4 (2006): 494
↑  Ferriss, Suzanne, and Mallory Young. ‘Introduction.’ In Chick- Lit: The New Woman’s Fiction.Eds Suzanne Ferriss and Mallory Young. New York and London: Routledge, 2006.
↑  Levy, Ariel. Female Chauvinist Pigs: Women and the Rise of Raunch Culture. London: Pocket Books, 2006,4
↑  Genz, Stéphanie, and Benjamin A. Brabon. Postfeminism: Cultural Texts And Theories. Edinburgh: Edinburgh University Press, 2009. 190
↑  McRobbie, Angela. ‘Notes on Postfeminism and Popular Culture: Bridget Jones and the New Gender Regime.’ In All about the Girl: Culture, Power, and Identity. Ed. Anita Harris. London:Routledge, 2004. 3–14.
↑  Gerhard, Jane. ‘Sex and the City: Carrie Bradshaw’s Queer Postfeminism.’ Feminist Media Studies 5.1, 2005, 37–49.
↑  243-4.Gill, Rosalind. Gender and the Media. Cambridge: Polity, 2007.
↑  Siegel, Deborah. Sisterhood, Interrupted: From Radical Women to Grrls Gone Wild.Basingstoke and New York: Palgrave Macmillan, 2007, 154
↑  Levy, Ariel. Female Chauvinist Pigs: Women and the Rise of Raunch Culture. London: PocketBooks, 2006, 170.
↑  Gerhard, Jane. ‘Sex and the City: Carrie Bradshaw’s Queer Postfeminism.’ Feminist MediaStudies 5.1 ,2005: 45.
↑  Gill, Rosalind. Gender and the Media. Cambridge: Polity, 2007, 242.
↑  Negra, Diane. ‘“Quality Postfeminism?” Sex and the Single Girl on HBO.’ Genders: PresentingInnovative Work in the Arts, Humanities and Social Theories 39 (2004): 7.
↑  Gill, Rosalind. Gender and the Media. Cambridge: Polity, 2007, 243.
↑  McRobbie, Angela. ‘Notes on Postfeminism and Popular Culture: Bridget Jones and the New Gender Regime.’ In All about the Girl: Culture, Power, and Identity. Ed. Anita Harris. London:Routledge, 2004. 3–14.
↑  Levy, Ariel. Female Chauvinist Pigs: Women and the Rise of Raunch Culture. London: PocketBooks, 2006, 172.
↑  Stéphanie Genz and Benjamin A. Brabon, Postfeminism: Cultural Texts and Theories, Edinburgh: Edinburgh University Press, 2009, 100
↑  Gill, R. . Postfeminist media culture: Elements of a sensibility. European Journal of Cultural Studies, 10(2), 2007, 149.
↑  Meyers, Erin. The "Ordinary" Celebrity and Postfeminist Media Culture. FLOW 19(10), March 24,2014. Available at: http://lflowtv.org/2014/03/the-ordinary celebrity-and-postfeminist- media-culture/
↑  Whelehan, Imelda. The Feminist Bestseller: From Sex and The Single Girl to Sex and the City. Basingstoke: Palgrave Macmillan, 2005, 166
↑  Segal, Lynne. Why Feminism? Gender, Psychology, Politics. Cambridge: Polity, 1999
↑  Whelehan, Imelda. The Feminist Bestseller: From Sex and The Single Girl to Sex and the City. Basingstoke: Palgrave Macmillan, 2005, 163
↑  Gamble, Sarah. ‘Postfeminism.’ In The Routledge Companion to Feminism and Postfeminism. Ed. Sarah Gamble. London: Routledge, 2001. 49
↑  Hooks, Bell. ‘Dissident Heat: Fire with Fire.’ In ‘Bad Girls’, ‘Good Girls’: Women, Sex, and Power in the Nineties. Eds N. M. Bauer and D. Perry. New Brunswick, NJ: Rutgers University Press, 1996. 63.
↑  Germaine Greer, The Whole Woman, Transworld Publishers Ltd, 1999, 114.
↑  Faludi, Susan. Backlash: The Undeclared War against Women. London: Vintage, 1992, 95.
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