נושאים באוטוביוגרפיות של מאיה אנג'לו
הערות שוליים

↑  Manora, Yolanda M. (2005). "'What You Looking at Me For? I Didn't Come to Stay': Displacement, Disruption and Black Female Subjectivity in Maya Angelou's I Know Why the Caged Bird Sings." Women's Studies 34, no. 5: 359—375
↑  Moore, Lucinda (April 2003). "Growing Up Maya Angelou". Smithsonian Magazine. Retrieved 16 December 2018.
↑  Marcia Ann Gillespie and her colleagues, A Glorious Celebration, published in 2008 for Angelou's 80th birthday
↑  Minzesheimer, Bob (26 March 2008). "Maya Angelou Celebrates Her 80 Years of Pain and Joy". USA Today. Retrieved 16 December 2018.
↑  Italie, Hillel (6 May 2011). "Robert Loomis, Editor of Styron, Angelou, Retires". The Washington Times. Associated Press. Retrieved 16 December 2018.
↑  Smith, Dinitia (23 January 2007). "A Career in Letters, 50 Years and Counting". The New York Times. Retrieved 30 June 2015.
↑  Gillespie et al, p. 69
↑  Neary, Lynn (6 April 2008). "At 80, Maya Angelou Reflects on a 'Glorious' Life". National Public Radio. Retrieved 30 June 2015.
↑  Italie, Hillel, שם.
↑  Maya Angelou, Poetry Foundation, ‏Retrieved 24 August 2018
1 2 3  Lupton, Mary Jane, Maya Angelou: A Critical Companion, Westport, Connecticut: Greenwood Press, 1998
↑  Walker, Pierre A., "Racial Protest, Identity, Words, and Form in Maya Angelou's I Know Why the Caged Bird Sings", College Literature 22 (3), October 1995, עמ' 93
↑  Neary, Lynn, At 80, Maya Angelou Reflects on a 'Glorious' Life, National Public Radio, ‏6 April 2008
↑  Braxton, Joanne M., Symbolic Geography and Psychic Landscapes: A Conversation with Maya Angelou, In Joanne M. Braxton (ed.). Maya Angelou's I Know Why the Caged Bird Sings: A Casebook. N.Y.: Oxford Press. p. 4. ISBN 0-19-511606-2., 1999
↑  Sarler, Carol, A Life in the Day of Maya Angelou, In Elliot, Jeffrey M. (ed.). Conversations with Maya Angelou., Jackson, Mississippi: University Press., 1989, עמ' p. 217
1 2  Maya Angelou, I Know Why the Caged Bird Sings, World Book Club (interview). BBC World Service, ‏October 2005. Retrieved 16 December 2018
↑  Moore, Lucinda, Growing Up Maya Angelou, Smithsonian Magazine, ‏April 2003. Retrieved 16 December 2018.
1 2  Long, Richard, 35 Who Made a Difference: Maya Angelou, Smithsonian Magazine, ‏1 November 2005
↑  Bloom, Lynn Z, Racism in Maya Angelou's I Know Why the Caged Bird Sings, in, Claudia Johnson (ed.). The Life of Maya Angelou, Gale Press, 2008
↑  Aldan, Daisy. Quoted in Hagen, p. 3., Review of The Heart of a Woman, World Literature Today. 56 (4): 697, 1982
1 2  Hagen, Lyman B., Heart of a Woman, Mind of a Writer, and Soul of a Poet: A Critical Analysis of the Writings of Maya Angelou, Maryland: University Press.: Lanham, 1997
1 2  McPherson, Dolly A., Order Out of Chaos: The Autobiographical Works of Maya Angelou, New York: Peter Lang Publishing, 1990
↑  Aresnberg, Liliane K., "Death as Metaphor for Self". In Joanne M. Braxton (ed.). Maya Angelou's I Know Why the Caged Bird Sings: A Casebook. New York: Oxford Press. (עמ' 116), ‏1999
↑  Walker, Pierre A. (, Racial Protest, Identity, Words, and Form in Maya Angelou's I Know Why the Caged Bird Sings, College Literature. 22 (3): 93., October 1995
↑  Als, Hilton, Songbird: Maya Angelou Takes Another Look at Herself, The New Yorker, ‏5 August 2002
↑  Maria Lauret, Liberating literature: Feminist fiction in America, New York: Routledge, 1994
↑  Marcia Ann Gillespie et. al., A Glorious Celebration, 2008
1 2  Lupton, Mary Jane, Maya Angelou: A Critical Companion, Westport, Connecticut: Greenwood Press, 1998
↑  Cudjoe, Selwyn, Maya Angelou and the Autobiographical Statement, Black Women Writers (1950–1980): A Critical Evaluation, Mari Evans, ed., Doubleday, 1984
↑  McPherson, p. 82
↑  Hagen, p. 87
1 2  Hagen, p. 92
↑  Hagen, p. 89
↑  Cudjoe, p. 21
↑  Lupton, p. 121
↑  Hagen, pp. 104–105
↑  McPherson, p. 91-93
↑  Hagen, pp. 103–104
↑  McPherson, p. 105
↑  McPherson, p. 107, 113
↑  Lupton, p. 154
↑  Gillespie et al, p. 69
↑  Lupton, pp. 156–157
↑  Hagen, p. 109
↑  Lupton, p. 140
↑  Lupton, p. 155
↑  Lupton, p. 156
↑  Manora, Yolanda M., What You Looking at Me For? I Didn't Come to Stay': Displacement, Disruption and Black Female Subjectivity in Maya Angelou's I Know Why the Caged Bird Sings, Women's Studies 34, no. 5, 2005, עמ' 359–375
↑  Lauret, p. 98
↑  Manora, p. 367
↑  Cudjoe, p. 8
↑  McPherson, p. 14
↑  McPherson, p. 14
↑  Lupton, p. 11
↑  Lupton, Mary Jane, Singing the Black Mother, Joanne M. Braxton (ed.). Maya Angelou's I Know Why the Caged Bird Sings: A Casebook., New York: Oxford Press, 1989, עמ' p. 131
↑  Lupton, p. 49
↑  Siphokazi Koyana, The Heart of the Matter: Motherhood and Marriage in the Autobiographies of Maya Angelou, The Black Scholar, 2002, עמ' 35-38
↑  Burgher, Mary, Images of Self and Race in the Autobiographies of Black Women, Roseann P. Bell; et al. (eds.). Sturdy Black Bridges, Garden City, New York: Doubleday, 1979, עמ' p. 115
↑  O'Neale, Sondra, Reconstruction of the Composite Self: New Images of Black Women in Maya Angelou's Continuing Autobiography, Mari Evans (ed.). Black Women Writers (1950–1980): A Critical Evaluation, Garden City, New York: Doubleday, 1984, עמ' p. 26
↑  Koyana, p. 36
↑  Koyana, p. 42
1 2  McPherson, p. 121
1 2  Manora, p. 374
1 2  Hagen, p. 58
1 2  McPherson, p. 120
1 2  Lupton, p. 99
↑  McPherson, p. 81
↑  McPherson, p. 85