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"The Art Cinema as a Mode of Film Practice" Film Criticism 4:1 (Fall 1979); revised for Poetics of Cinema
"Textual Analysis, Etc." Enclitic 5:2 / 6:1 (Fall 1981 / Spring 1982); see also "Textual Analysis Revisited" Enclitic 7:1 (Spring 1983) written in response to Lawrence Crawford
"Lowering the Stakes: Prospects for a Historical Poetics of Cinema" Iris 1:1 (1983)
"Mizoguchi and the Evolution of Film Language" in Cinema and Language, eds. Stephen Heath and Patricia Mellencamp (AFI 1983)
"Jump Cuts and Blind Spots" Wide Angle 6:1 (1984)
"Widescreen Aesthetics and Mise-en-Scene Criticism" "The Velvet Light Trap 21 (Summer 1985)
"A Salt and Battery" (with Kristin Thompson) Film Quarterly, 40:2 (Winter 1986-87; from a polemic between Bordwell/Thompson and Barry Salt regarding The Classical Hollywood Cinema and Salt's own work on classical Hollywood style and technology
"Approppriations and ImPropprieties: Problems in the Morphology of Film Narrative" Cinema Journal 27:3 (Spring 1988
"Adventures in the Highlands of Theory" Screen 29:1 (Winter 1988); from a polemic between Bordwell/Staiger/Thompson and Barry King regarding King's two-part review of The Classical Hollywood Cinema
"A Case for Cognitivism" Iris 9 (Spring 1989); see also "A Case for Cognitivism: Further Reflections" Iris 11 (Summer 1990) written in response to Dudley Andrew
"A Cinema of Flourishes: Japanese Decorative Classicism of the Prewar Era" in Directions in Japanese Cinema, eds. David Desser and Arthur Noletti (Indiana 1992); reprinted in Poetics of Cinema
"Cognition and Comprehension: Viewing and Forgetting in Mildred Pierce" Journal of Dramatic Theory and Criticism 6:2 (Spring 1992); revised for Poetics of Cinema
"Film Interpretation Revisited" Film Criticism 17:2-3 (Winter/Spring 1993); written in response to critics of Making Meaning
"The Power of a Research Tradition: Prospects for a Progress in the Study of Film Style" Film History 6:1 (Spring 1994)
"Visual Style in Japanese Cinema, 1925-1945" Film History 7:1 (Spring 1995); revised for Poetics of Cinema
"Contemporary Film Studies and the Vicissitudes of Grand Theory" in Post-Theory (UW-Madison 1996)
"Convention, Construction, and Cinematic Vision" in Post-Theory (UW-Madison 1996); reprinted in Poetics of Cinema
"La Nouvelle Mission de Feuillade; or, What Was Mise-en-Scene?" The Velvet Light Trap 37 (Spring 1996); revised for Figures Traced in Light
"Aesthetics in Action: Kung Fu, Gunplay, and Cinematic Expressivity" in Fifty Years of Electric Shadows, ed. Law Kar (Urban Council / Hong Kong International Film Festival 1997); reprinted in Poetics of Cinema
"Richness through Imperfection: King Hu and the Glimpse" in Transcending the Times: King Hu and Eileen Chan, ed. Law Kar (Urban Council / Hong Kong International Film Festival 1998); revised for Poetics of Cinema
"Transcultural Spaces: Toward a Poetics of Chinese Film" Post Script 20:2 (2001)
"Film Futures" Substance 97 (2002); reprinted in Poetics of Cinema
"Intensified Continuity: Visual Style in Contemporary American Film" Film Quarterly 55:3 (Spring 2002); revised for The Way Hollywood Tells It
"Who Blinked First? How Film Style Streamlines Nonverbal Interaction" Style and Story: Essays in Honor of Torben Grodal, eds. Lennard Hojbjerg and Peter Schepelern (Museum Tusulanum Press 2003); reprinted in Poetics of Cinema
"CinemaScope: The Modern Miracle You See without Glasses!" in Poetics of Cinema; an expanded revision of "Schema and Revision: Staging and Composition in Early CinemaScope" in Le CinemaScope Entre art et industrie, ed. Jean-Jacques Meusy (AFRHC 2004)
"Rudolf Arnheim: Clarity, Simplicity, Balance" in Arnheim for Film and Media Studies, ed. Scott Higgins (Routledge 2010); an expanded revision of Simplicity, clarity, balance: A tribute to Rudolf Arnheim from davidbordwell.net (June 15, 2007)