אסף פינקוס
מאמרים

• “The Impact of the Black Death on the Sculptural Programs of the Pilgrimage Church St. Theobald in Thann: New Perceptions of the Genesis Story,”  6, (2001): 161–76.
• “Four Creation Visions in Fourteenth-Century Southern German Sculpture: Reflections of Changing Mentalities,”  9 (2001): 63–70 (Hebrew).
• “Johann Parler and the Thann Workshop: A Master and his Workshop,” in Nurith Kenaan-Kedar and Asher Ovadia (eds.),  (Tel-Aviv, 2003), 105–26 (Hebrew).
• “The German in the Parler Art: Narratives of South German Gothic Sculpture,” in , eds. Christine B. Verzar and Gil Fishhof (Tel Aviv, 2006), 185–202.
• “Das Schöpfungsportal: Kunst und Lehre im mittelalterlichen Freiburg,”  13 (2006): 4–12.
• “L’art des Parler: l’église Saint-Thiébaut de Thann au temps des Habsbourg,”  21 (2006): 12–20.
• “The Patron Hidden in the Narrative: Eve and Johanna at St. Theobald in Thann,” , 70, no. 1 (2007): 23–54.
• “The Italian Connection: On the Origins of the Parler Art,”  12 (2008): 63–102.
• “A Voyeuristic Invitation in the Arena Chapel” in , vol. 4, ed. Thomas Lentes (Berlin: Reimer, 2009), 106–19.
• “Giottus Pictor: Review Essay,”  63, no. 4 (2010): 165–72.
• “Parler Lapicide,” online article and exhibition, ICMA, Princeton University, http://medievalart.org/?page_id=787 (2010).
• “Violent Imagery in Late medieval Germany: A Preliminary Consideration,”  9 (2010): 189–202.
• “Voyeuristic Stimuli: Seeing and Hearing in Giotto's Painting,”   LIX (2010): 7–26.
• “Violence and Sacredness in Fourteenth-Century Art,”  118 (2011): 32–41 (Hebrew).
• “ICMA at Leeds 2011,”  32/2 (2011): 3–4.
• “Gothic Symulachra: The Naumburger Stifterfiguren,” in , vol. 3, ed. Guido Siebert (Petersberg: Imhof, 2013), 204–217.
• “Capturing Light in Late Antique, Medieval and Early Modern Art,”  (2013): 5.
• “Visual Aggression: The Martyrs’ Cycle in Schwäbisch Gmünd,”  52, no. 1 (2013): 43–59.
• “The Founder Figures at Vienna Cathedral: Between Imago and Symulachrum,”  40 (2013): 63–92.
• “The Transformative Body: Seeing through the Schreinmadonna,”  , Congress Proceedings, T. 1-3, eds. Ulrich Großmann/Petra Krutisch (Nuremberg, 2014).
• “Imagining the Magdeburg Rider,”  23, no. 1 (2014): 23–45.
• Assaf Pinkus and Michal Ozeri, “From Body to Icon: The Life of Sts. Peter and Paul in the Murals of S. Piero a S. Piero a Grado,”  2 (2014): 1–21.
• “Lost in Symulachra: The Living Statues on the Imperial Balcony in Mühlhausen,” in
16 (2015): 384–400.
• “Imagining the Magdeburg Rider,”  23, no. 1 (2014): 23–45.
• Assaf Pinkus and Michal Ozeri, “From Body to Icon: The Life of Sts. Peter and Paul in the Murals of S. Piero a S. Piero a Grado,”  2 (2014): 1–21.
• “Lost in Symulachra: The Living Statues on the Imperial Balcony in Mühlhausen,” in  16 (2015): 384–400.
• “Towers in the Air,”  Gallery (Tel Aviv, 2014). 137–52.
• “Transformative Werke: Materie, Farbe und Res spätmittelalterlicher Schnitzwerke am Mittelrhein,” in , ed. Berit Wagner, Hilja Droste, Martin Büchsel (due 2017).
• “Verkörperte Imagination, imaginierte Körper: Die Martyrien des hl. Bartholomäus und der hl. Katharina in der rheinischen Kunst des Spätmittelalters,” forthcoming.
• “The Giant of Bremen: Roland and the “Colossus Imagination,” forthcoming .