אלקטרוניקה (סוגה מוזיקלית)
הערות שוליים

↑  Verderosa, Tony (2002). The Techno Primer: The Essential Reference for Loop-Based Music Styles. Hal Leonard Music/Songbooks. p. 28. ISBN 0-634-01788-8. Electronica is a broad term used to describe the emergence of electronic music that is geared for listening instead of strictly for dancing.
↑  Campbell, Michael (2012). "Electronica and Rap". Popular Music in America: The Beat Goes On (4th ed.). Cengage Learning. ISBN 978-0840029768.
↑  Levermore, Gary (במרץ 2000). "Attrition reminiscence". Attrition. אורכב מ-המקור ב-8 באוקטובר 2006. נבדק ב-17 באוקטובר 2022. {{cite web}}:  (עזרה)
↑  Gregory, Andy (2002). The International Who's Who in Popular Music 2002. Taylor & Francis Group. p. 466. ISBN 9781857431612.
↑  International Who's who in Music Popular music. Vol. two. Melrose Press. 2000. p. 429. ISBN 0948875070.
↑  "Crystal Method...grew from an obscure club-culture duo to one of the most recognizable acts in electronica, ...", page 90, Wired: Musicians' Home Studios : Tools & Techniques of the Musical Mavericks, Megan Perry, Backbeat Books Music/Songbooks 2004, מסת"ב 0-87930-794-3
↑  "Billboard: Madonna Hung Out on the Radio". Billboard. VNU Media. ביולי 2006. ארכיון מ-2019-04-15. נבדק ב-2022-12-19. {{cite journal}}:  (עזרה)
↑  "Electronica reached new heights within the culture of rave and techno music in the 1990s."
1 2  Flick, Larry (24 במאי 1997). "Dancing to the beat of an indie drum". Billboard. Vol. 109, no. 21. pp. 70–71. ISSN 0006-2510. {{cite news}}:  (עזרה)
↑  Kim Cascone (Winter 2002). "The Aesthetics of Failure: 'Post-Digital' Tendencies in Contemporary Computer Music". Computer Music Journal. MIT Press. 24 (4). ארכיון מ-2017-06-08. נבדק ב-2022-12-19. The glitch genre arrived on the back of the electronica movement, an umbrella term for alternative, largely dance-based electronic music (including house, techno, electro, drum'n'bass, ambient) that has come into vogue in the past five years. Most of the work in this area is released on labels peripherally associated with the dance music market, and is therefore removed from the contexts of academic consideration and acceptability that it might otherwise earn. Still, in spite of this odd pairing of fashion and art music, the composers of glitch often draw their inspiration from the masters of 20th century music who they feel best describe its lineage.
↑  Norris, Chris (21 באפריל 1997). "Recycling the Future". New York: 64–65. With record sales slumping and alternative rock presumed over, the music industry is famously desperate for a new movement to replace its languishing grunge product. And so its gaze has fixed on a vital and international scene of knob-twiddling musicians and colorfully garbed clubgoers—a scene that, when it began in Detroit discos ten years ago, was called techno. If all goes according to marketing plan, 1997 will be the year "electronica" replaces "grunge" as linguistic plague, MTV buzz, ad soundtrack, and runway garb. The music has been freshly installed in Microsoft commercials, in the soundtrack to Hollywood's recycled action-hero pic The Saint, and in MTV's newest, hourlong all-electronica program, Amp. {{cite journal}}:  (עזרה)
↑  "'Reaching back to grab the grooves of '70s disco/funk and the gadgets of electronic composition, Electronica soon became a whole new entity in and of itself, spinning off new sounds and subgenres with no end in sight two decades down the pike.
↑  The Changing Shape of the Culture Industry; or, How Did Electronica Music Get into Television Commercials?, Timothy D. Taylor, University of California, Los Angeles, Television & New Media, Vol. 8, No. 3, 235-258 (2007) (אורכב 03.12.2007 בארכיון Wayback Machine)
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