ציון אביטל
הערות שוליים

↑  (- "Artonomy: a new type of art and its implications for art education in the future.")
עבודת המחקר נעשתה בהדרכת הפרופסורים אנטול רפופורט (Anatol Rapoport) ודניאל ברלין (Daniel Berlyne) מאוניברסיטת טורונטו, ומשה כספי מהאוניברסיטה העברית.
↑  Avital and Cupchik, 1998b.
↑  Levi-Strauss,1963.
↑  Chomsky,1968.
↑  Piaget,1973.
↑  Aubert, M. et al. Pleistocene cave art from Sulawesi, Indonesia. Nature 514, 223-227 (2014).
↑  1979a.
↑  Footprints Literacy: The Origins of Art and Prelude to Science. Avital,1998a
↑  Tsion Avital (2017). The Confusion between Art and Design: Brain-Tools versus Body-Tools. Malaga; Vernon Press. pp. 111-128.
↑  מכיוון שקשה לתרגמן לעברית הן תובאנה כאן באנגלית כפי שפורסמו במאמר העקבות Avital,1998a.
↑  Avital. T. (2003) Art versus Nonart. Art out of Mind. Cambridge, Cambridge University Press.
↑  The Commercial Press, Beijing 2009. The translation into Chinese was done by Professor Wang Zuzhe of Shandong University.
齐安·亚菲塔（Tsion Avital），2009年，《艺术对飞艺术》，北京：商务印书馆，译者王祖哲，山东大学文学院
↑  Tsion Avital (2017). Arte vs. No-Arte: Arte fuera de la mente. Washington, Vernon Press. The book was translated into Spanish by Sandra Luz Patarroyo from the English edition.
↑  Tsion Avital (2018). The Confusion between Art and Design: Brain-Tools versus Body-Tools. Malaga; Vernon Press. 418 pages.
↑  Avital, T. (1992). The Complementarity of Art and Design. in Emerging Visions: Contemporary Approaches to the Aesthetic Process, edited by Gerald C. Cupchik and Janos Laszlo. Cambridge, Cambridge University Press, pp. 64-83.
↑  Avital, T. (1996). Symmetry: The Connectivity Principle of Art. Symmetry: Culture and Science. (The Quarterly of the International Society for the Interdisciplinary Study of Symmetry). Vol. 7, No. 1, pp. 27-50.
↑  Avital, T. (1998). Footprints Literacy: The Origins of Art and Prelude to Science. Symmetry: Art and Science. (The Quarterly of the International Society for the Interdisciplinary Study of Symmetry). Vol. 9, Number 1, pp. 3-46.
↑  Avital, T. (1998). Mindprints: The Structural Shadows of Mind-Reality? Symmetry: Art and Science. (The Quarterly of the International Society for the Interdisciplinary Study of Symmetry). Vol. 9, Number 1, pp. 47-76.
↑  Avital, T. and G. C. Cupchik (1998). Perceiving Hierarchical Structures in Nonrepresentational Paintings.Empirical Studies of the Arts. Vol. 16(1) pp. 59-70.
↑  Avital, T. (1997). Figurative Art Versus Abstract Art: Levels of Connectivity. In Emotion, Creativity, & Art, edited by L. Dorfman, C. Martindale, D. Leontiev, G. Cupchik, V. Petrov, & P. Machotka. Perm: Perm Cultural Institute, pp. 134-152.
↑  Avital, T. (1998). Narrative Thinking in a Structure Oriented Culture. SPIEL - Siegener Periodicum zur Internationalen Empirischen Literaturwisessenschaft, Universitat - Gesamthochsule Siegen. 16 (1997), H. 1/2, 29-36.
↑  Avital, T. (2001). Is Figurative Representation Arbitrary? A Re-examination of the Conventionalist View of Art and its Implications for Non-figurative Art. South African Journal of Art History. Vol. 15, pp. 1-21
↑  Goodman, 1968.
↑  Avital, T. (2001). The Origins of Art: An Archaeological or a Philosophical Problem? South African Journal of Art History. Number 16, 2001, 34-57.
↑  Breuil, 1981.
↑  Gombrich, 1962.
↑  Davis, 1986a, 1986b.
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בקרת זהויות :  NLI: 987007432453305171  BIBSYS: 3119195  BNE: XX1677062  BnF: cb145731946 (data)  GND: 188475230  ISNI: 0000 0000 4820 8901  LCCN: n2002157654  LNB: 000050885  NTA: 26015055X  SUDOC: 091576679  VIAF: 15016993   WorldCat (עם VIAF): 15016993