ג'ון לומקס
הערות שוליים

↑  "Texas State Historical Association | Lomax, John Avery". www.tshaonline.org. נבדק ב-2022-02-25.
↑  Nolan Porterfield (1996). Last Cavalier: The Life and Times of John A. Lomax, 1867-1948. Champaign, Illinois: University of Illinois Press. p. 371. ISBN 9780252022166. נבדק ב-14 בדצמבר 2015. {{cite book}}:  (עזרה)
↑  Porterfield, p. 10.
↑  Porterfield, p. 12.
↑  Porterfield, p. 18–19.
↑  Porterfield, p. 20.
↑  Charles Wolf and Kip Lornell, Life and Legend of Leadbelly (New York: Da Capo Press, [1992] 1999), p. 107.
↑  Porterfield, p. 22.
↑  Porterfield, p. 25.
↑  Porterfield, p. 26.
↑  Porterfield, p. 27–29.
↑  Porterfield, p. 29.
↑  Porterfield, p. 30.
↑  Porterfield, p. 32.
↑  Porterfield, p. 34.
↑  Porterfield, p. 40–41.
↑  Porterfield, p. 59–60.
↑  Porterfield, p. 41.
↑  Porterfield, p. 43.
↑  Porterfield, p. 45.
↑  Porterfield, p. 50.
↑  Porterfield, p. 68.
↑  Porterfield, p. 71–72.
↑  Porterfield, p. 73.
↑  Porterfield, p. 53–66.
↑  Porterfield, p. 75–77.
↑  Porterfield, p. 79–80.
↑  Porterfield, p. 62–66.
↑  Porterfield, p. 83.
↑  Porterfield, p. 87.
↑  Porterfield, p. 89.
↑  Porterfield, p. 94–95.
↑  Porterfield, p. 100.
↑  Porterfield, p. 101.
↑  Porterfield, p. 105.
↑  Porterfield, p. 106–108.
↑  Porterfield, p. 114.
↑  Wolfe and Lornell (1999) p. 108.
↑  Lomax III, John. "John A. Lomax Jr. (1907–1974): A Success in All He Did". Association for Cultural Equity. Retrieved on 24 November 2014
↑  Porterfield, p. 123.
↑  Porterfield, p. 127.
↑  Wilgus situates Lomax's collecting as follows:
↑  Porterfield, p. 131.
↑  Porterfield, p. 140.
↑  Porterfield, p. 133–135.
↑  Porterfield, p. 147.
↑  Lomax, Cowboy Songs and Other Frontier Ballads, p. xxi.
↑  Burgess, Richard James (2014). The History of Music Production. Oxford University Press. p. 33. ISBN 978-0199357178.
1 2  Wolfe and Lornell (1999), p. 109.
↑  D. K. Wilgus, Anglo American Folk Song Scholarship since 1898, quoted in Wolfe and Lornell, ibid.
↑  Porterfield, pp.;150–52.
↑  Porterfield, p. 157.
↑  Charles Wolfe and Kip Lornell (in Life and Legend p. 109), state that a few months after the publication of Cowboy Songs, Lomax was elected president of the American Folklore Society. Other sources say he served in 1912 and 1913. (see note below). The website of the American Folklore Society, which was founded by Rutherford B. Hayes and Mark Twain, does not list its presidents for the years before 1942.
↑  Porterfield, p. 141.
↑  The 1910 promotional pamphlet for the society, prepared mostly by Leonidas Payne (and largely based on Henry M. Belden 1906's pamphlet for the Missouri Folklore Society), explained the society's purpose and suggested the following guidelines to workers:
↑  Porterfield, p. 176–179.
↑  Porterfield, p. 143–144.
↑  Porterfield, p. 171–173.
↑  See: Rosemary Levy Zumwalt, American Folklore Scholarship: a Dialogue of Dissent (University of Indiana Press, 1988), p. 36. Ballad scholar James Francis Child also served two terms as president, in 1888 and 1889; Kittredge had been president in 1904. The Journal of the American Folklore Society was edited then and for many years afterward by anthropologist Franz Boas, who was succeeded by Ruth Benedict.
↑  Lomax, "Unexplored Treasures of Texas Folk-Lore", pp. 101–102. The Texas Folklore Society also sought to collect and preserve the folklore and dialects of other non-English-speaking inhabitants of Texas.
↑  Ted Gioia, Work Songs (Durham: Duke University Press, 2006), p. 209.
↑  Quoted in Ted Gioia, Work Songs, p. 205.
↑  The first Ph.D. in folklore was awarded in 1953. For an account of the history of the professionalization of the discipline and its struggle to emerge from its former identity as a subsection between literature and anthropology, see Rosemary Levy Zumwalt, American Folklore Scholarship: a Dialogue of Dissent (University of Indiana Press, 1988).
↑  And continued until much later, as in the outfits worn by the country artists on the television series Hee Haw.
↑  The early March of Time news series routinely used re-enactments and dramatizations since film and sound technology were not yet sufficiently advanced for on location filming of news events
↑  For example, see Hugh Barker and Yuval Taylor's Faking It: The Quest for Authenticity in Popular Music, W. W. Norton: 2007.
↑  Ted Gioia, Work Songs, p. 207–208.
↑  Bailey, Beatrice Naff (Spring 2007). "Broadcasting and Preserving Upcountry Music Near and Far" (PDF). The South Carolina Review. 38 (2): 61–73.
↑  Porterfield, p. 386.
↑  Lomax did think of himself as a Southerner, and detractors (such as Hungarian-born Marxist Lawrence Gellert) routinely painted him as a stereotypical Southern white conservative (Gellert claimed Lomax embodied "the slave-master attitude intact", see Wolfe and Lornell, p. 194). John Lomax's racial attitudes, however, formed during the more optimistic period of Reconstruction, arguably reflected rather a Western populism and conservative stiff-upper-lip, "bootstrap" individualism. The issue is explored in Alan B. Govenar's Texas Blues: The Rise of a Contemporary Sound (Texas A&M University Press, 2008), pp. 16–20.
↑  From Norman R. Yetman's online introduction to the Library of Congress Slave Narrative Website "John Lomax's Leadership and the Issue of Race".
↑  Porterfield observes that Lomax's withdrawal from the WPA in 1938 "was eased" by hostility from "elistists" within the American Folklore Society, which had twice honored Lomax by electing him president. They
↑   (אורכב 28.07.2011 בארכיון Wayback Machine)
↑  Nolan Porterfield, Last Cavalier: The Life and Times of John A. Lomax, 1867-1948, p. 371
↑  Charles Wolfe and Kip Lornell, The Life and Legend of Leadbelly (New York: Da Capo Press, 1999 [1992]), p. 254.
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