שמיעה אבסולוטית
הערות שוליים

1 2  פליס פזנר-מלכין ויעקב מלכין, לקסיקון האמנויות, מסדה, 1975
↑  Carden, Jill; Cline, Tony (9 ביולי 2019). "Absolute pitch: Myths, evidence and relevance to music education and performance". Psychology of Music (באנגלית אמריקאית). 47 (6): 890–901. doi:10.1177/0305735619856098. ISSN 0305-7356. {{cite journal}}:  (עזרה)
↑  Brown, Walter A.; Cammuso, Karen; Sachs, Henry; Winklosky, Brian; Mullane, Julie; Bernier, Raphael; Svenson, Sarah; Arin, Deborah; Rosen-Sheidley, Beth; Folstein, Susan E. (2003-04-01). "Autism-Related Language, Personality, and Cognition in People with Absolute Pitch: Results of a Preliminary Study". Journal of Autism and Developmental Disorders (באנגלית). 33 (2): 163–167. doi:10.1023/A:1022987309913. ISSN 1573-3432. PMID 12757355.
↑  Jann Ingmire, Acquiring ‘perfect’ pitch may be possible for some adults, ‏2015
↑  A. Bachem, Absolute Pitch, 2005 doi: 10.1121/1.1908155
↑  Bosanquet, R.H.M (1876). An Elementary Treatise on Musical Intervals and Temperament. London: Macmillan and Co. p. xiv. נבדק ב-24 באוגוסט 2010. {{cite book}}:  (עזרה)
↑  von Kries, J (1892). "Über das absolute Gehör" [About the perfect pitch]. Zeitschrift für Psychologie (בגרמנית). 3: 257–79. נבדק ב-24 באוגוסט 2010. {{cite journal}}:  (עזרה) Translation by Christopher Aruffo, www.acousticlearning.com
↑  Ellis, Alexander J (6 בנובמבר 1876). "On the Sensitiveness of the Ear to Pitch and Change of Pitch in Music" (PDF). Proceedings of the Musical Association. 3 (1): 1–32. doi:10.1093/jrma/3.1.1. נבדק ב-24 באוגוסט 2010. {{cite journal}}:  (עזרה)
↑  Abraham, O (1907). "Das absolute Tonbewußtsein und die Musik" [Absolute tone consciousness and music]. Sammelbände der Internationalen Musikgesellschaft (בגרמנית). 8: 485–90. נבדק ב-25 באוגוסט 2010. {{cite journal}}:  (עזרה) Translation by Christopher Aruffo, www.acousticlearning.com
↑  Copp, E.F. (1916). "Musical Ability". Journal of Heredity. 7 (7): 297–305. doi:10.1093/oxfordjournals.jhered.a110728.
↑  Takeuchi, A. H.; Hulse, S. H. (1993). "Absolute pitch". Psychological Bulletin. 113 (2): 345–361. doi:10.1037/0033-2909.113.2.345. PMID 8451339.
↑  Wallin, N.L.; Merker, B.; Brown, S. (2000). The Origins of Music. A. Bradford. p. 13. ISBN 9780262731430. נבדק ב-16 באוגוסט 2015. {{cite book}}:  (עזרה)
↑  Profita, J.; Bidder, T. G. (1988). "Perfect pitch". American Journal of Medical Genetics. 29 (4): 763–771. doi:10.1002/ajmg.1320290405. PMID 3400722.
↑  Baharloo, S.; Johnston, P. A.; Service, S. K.; Gitschier, J. & Freimer, N. B. (1998). "Absolute pitch: An approach for identification of genetic and nongenetic components" (PDF). The American Journal of Human Genetics. 62 (2): 224–231. doi:10.1086/301704. PMC 1376881. PMID 9463312.
↑  Theusch, E.; Basu, A. & Gitschier, J. (2009). "Genome-wide Study of Families with Absolute Pitch Reveals Linkage to 8q24.21 and Locus Heterogeneity". The American Journal of Human Genetics. 85 (1): 112–119. doi:10.1016/j.ajhg.2009.06.010. PMC 2706961. PMID 19576568.
↑  Drayna, D.; Manichaikul, A.; DeLange, M.; Snieder, H. & Spector, T. (2001). "Genetic correlates of musical pitch recognition in humans". Science. 291 (5510): 1969–1972. Bibcode:2001Sci...291.1969D. doi:10.1126/science.291.5510.1969. PMID 11239158.
↑  Gregersen, P.K.; Kowalsky, E.; Lee, A.; Baron-Cohen, S.; Fisher, S.E.; Asher, J.E.; Ballard, D.; Freudenberg, J. & Li, W. (2013). "Absolute pitch exhibits phenotypic and genetic overlap with synesthesia". Human Molecular Genetics. 22 (10): 2097–104. doi:10.1093/hmg/ddt059. PMC 4707203. PMID 23406871.
↑  Miyazaki, K. (1990). "The speed of musical pitch identification by absolute-pitch possessors". Music Perception. 8 (2): 177–188. doi:10.2307/40285495. JSTOR 40285495.
↑  Braun, M. (2002). "Absolute pitch in emphasized speech". Acoustics Research Letters Online. 3 (2): 77–82. doi:10.1121/1.1472336.
↑  Deutsch, D.; Henthorn, T.; Dolson, M. (1999). "Tone Language Speakers Possess Absolute Pitch". The Journal of the Acoustical Society of America. 106 (4): 2267. Bibcode:1999ASAJ..106.2267D. doi:10.1121/1.427738. אורכב מ-המקור ב-14 באוקטובר 2007. נבדק ב-16 באוגוסט 2007. {{cite journal}}:  (עזרה)
↑  Deutsch, D.; Henthorn, T.; Marvin, E.; Xu, H. (2005). "Perfect Pitch in Tone Language Speakers Carries Over to Music". The Journal of the Acoustical Society of America. 116 (4): 2580. Bibcode:2004ASAJ..116.2580D. doi:10.1121/1.4808626.
↑  Deutsch, D.; Henthorn T.; Dolson, M. (2004). "Absolute pitch, speech, and tone language: Some experiments and a proposed framework" (PDF). Music Perception. 21 (3): 339–356. doi:10.1525/mp.2004.21.3.339.
↑  Gandour, J; Wong, D. & Hutchins, G. (1998). "Pitch processing in the human brain is influenced by language experience" (PDF). NeuroReport. 9 (9): 2115–2119. doi:10.1097/00001756-199806220-00038. PMID 9674604. אורכב מ-המקור (PDF) ב-12 בספטמבר 2006. {{cite journal}}:  (עזרה)
↑  Deutsch, D.; Henthorn, T.; Marvin, E. & Xu H-S (2006). "Absolute pitch among American and Chinese conservatory students: Prevalence differences, and evidence for a speech-related critical period" (PDF). The Journal of the Acoustical Society of America. 119 (2): 719–722. Bibcode:2006ASAJ..119..719D. doi:10.1121/1.2151799. PMID 16521731.
↑  Deutsch, D.; Dooley, K.; Henthorn, T.; Head, B. (2009). "Absolute pitch among students in an American music conservatory: Association with tone language fluency" (PDF). The Journal of the Acoustical Society of America. 125 (4): 2398–2403. Bibcode:2009ASAJ..125.2398D. doi:10.1121/1.3081389. PMID 19354413.
↑  Deutsch, D.; Li, X. & Shen, J. (2013). "Absolute pitch among students at the Shanghai Conservatory of Music: A large-scale direct-test study" (PDF). The Journal of the Acoustical Society of America. 134 (5): 3853–3859. Bibcode:2013ASAJ..134.3853D. doi:10.1121/1.4824450. PMID 24180794.
↑  Connell, B.; Ladd, D. R. (1990). "Aspects of pitch realization in Yoruba". Phonology. 7: 1–29. doi:10.1017/S095267570000110X.
↑  Connell, B. (2000). "The perception of lexical tone in Mambila". Language and Speech. 43 (2): 163–182. doi:10.1177/00238309000430020201. PMID 11064955.
↑  Braun, M. (2001). "Speech mirrors norm-tones: Absolute pitch as a normal but precognitive trait" (PDF). Acoustics Research Letters Online. 2 (3): 85–90. doi:10.1121/1.1376728.(הקישור אינו פעיל, September 2017)
↑  Lenhoff, H. M.; Perales, O. & Hickok, G. (2001). "Absolute pitch in Williams syndrome". Music Perception. 18 (4): 491–503. doi:10.1525/mp.2001.18.4.491.
↑  Heaton, P.; Hermelin, B.; Pring, L. (1998). "Autism and pitch processing: A precursor for savant musical ability". Music Perception. 15 (3): 291–305. doi:10.2307/40285769. JSTOR 40285769.
↑  Frith, U. How Cognitive Theories Can Help Us Explain Autism. Speech. UC Davis Mind Institute. Video available, 4/5 down the list: http://www.ucdmc.ucdavis.edu/mindinstitute/videos/video_autism.html (אורכב 04.11.2011 בארכיון Wayback Machine)
↑  Kupferstein, H.; Walsh, B. (2014). "Non-Verbal Paradigm for Assessing Individuals for Absolute Pitch". World Futures. 72 (7–8): 390–405. doi:10.1080/02604027.2014.989780.
↑  Dohn, Anders; Garza-Villarreal, Eduardo A.; Heaton, Pamela; Vuust, Peter (30 במאי 2012).  Krueger, Frank (ed.). "Do Musicians with Perfect Pitch Have More Autism Traits than Musicians without Perfect Pitch? An Empirical Study". PLOS ONE (באנגלית). 7 (5): e37961. Bibcode:2012PLoSO...737961D. doi:10.1371/journal.pone.0037961. ISSN 1932-6203. PMC 3364198. PMID 22666425. {{cite journal}}:  (עזרה)
↑  Sakakibara, A. (2004). "Why Are People Able to Acquire Absolute Pitch Only During Early Childhood?". The Japanese Journal of Educational Psychology. 52 (4): 485–496. doi:10.5926/jjep1953.52.4_485.
↑  Chin, C. (2003). "The Development of Absolute Pitch: A Theory Concerning the Roles of Music Training at an Early Developmental Age and Individual Cognitive Style". Psychology of Music. 31 (2): 155–171. doi:10.1177/0305735603031002292.
↑  Oura, Y.; Eguchi, K. (1982). "Absolute pitch training program for children". Music Education Research. 32: 162–171.
↑  Sakakibara, A. (1999). "A longitudinal study of a process for acquiring absolute pitch". The Japanese Journal of Educational Psychology. 47: 19–27. doi:10.5926/jjep1953.47.1_19.
↑  Miyazaki, K.; Ogawa, Yoko (2006). "Learning of absolute pitch by children". Music Perception. 24 (1): 63. doi:10.1525/mp.2006.24.1.63.
↑  Lau, C.K. (2004). "The acquisition of absolute pitch for the mainstreamed, special educational needs and academically talented under Lau Chiu Kay Music Educatherapy". The Journal of the Acoustical Society of America. 116 (4): 2580. Bibcode:2004ASAJ..116.2580L. doi:10.1121/1.4785301.(הקישור אינו פעיל, December 2018) Abstract
↑  Abraham, O. (1901). "Das absolute tonbewußtsein". Sammelbände der Internationalen Musikgesellschaft. 3: 1–86.Full text Full text (English)
↑  Saffran, J. R. & Griepentrog, G. J. (2001). "Absolute pitch in infant auditory learning: Evidence for developmental reorganization" (PDF). Developmental Psychology. 37 (1): 74–85. doi:10.1037/0012-1649.37.1.74. PMID 11206435.(הקישור אינו פעיל, September 2018)
↑  Theusch, E.; Basu, A. & Gitschier, J. (2009). "Genome-wide Study of Families with Absolute Pitch Reveals Linkage to 8q24.21 and Locus Heterogeneity". The American Journal of Human Genetics. 85 (1): 112–119. doi:10.1016/j.ajhg.2009.06.010. PMC 2706961. PMID 19576568.
↑  Gregersen, P.K.; Kowalsky, E.; Lee, A.; Baron-Cohen, S.; Fisher, S.E.; Asher, J.E.; Ballard, D.; Freudenberg, J. & Li, W. (2013). "Absolute pitch exhibits phenotypic and genetic overlap with synesthesia". Human Molecular Genetics. 22 (10): 2097–104. doi:10.1093/hmg/ddt059. PMC 4707203. PMID 23406871.
↑  Drayna, D.; Manichaikul, A.; DeLange, M.; Snieder, H. & Spector, T. (2001). "Genetic correlates of musical pitch recognition in humans". Science. 291 (5510): 1969–1972. Bibcode:2001Sci...291.1969D. doi:10.1126/science.291.5510.1969. PMID 11239158.
↑  Meyer, M. (1899). "Is the memory of absolute pitch capable of development by training?". Psychological Review. 6 (5): 514–516. doi:10.1037/h0069034.
↑  Maryon, E. (1924). The Science of Tone-Color (PDF). Boston: C. C. Birchard & Co. אורכב מ-המקור (PDF) ב-6 בנובמבר 2006. נבדק ב-5 בספטמבר 2006. {{cite book}}:  (עזרה)
↑  Gervain, Judit; Vines, Bradley W.; Chen, Lawrence M.; Seo, Rubo J.; Hensch, Takao K.; Werker, Janet F.; Young, Allan H. (2013). "Valproate reopens critical-period learning of absolute pitch". Frontiers in Systems Neuroscience. 7: 102. doi:10.3389/fnsys.2013.00102. PMC 3848041. PMID 24348349.
↑  Levitin, D. J. & Rogers, S. E. (2005). "Absolute pitch: Perception, coding, and controversies" (PDF). Trends in Cognitive Sciences. 9 (1): 26–33. doi:10.1016/j.tics.2004.11.007. PMID 15639438. אורכב מ-המקור (PDF) ב-22 במרץ 2006. נבדק ב-11 ביוני 2006. {{cite journal}}:  (עזרה)
↑  Takeuchi, A. H. & Hulse, S. H. (1993). "Absolute pitch". Psychological Bulletin. 113 (2): 345–61. doi:10.1037/0033-2909.113.2.345. PMID 8451339.
↑  Ben-Haim, Moshe Shay; Eitan, Zohar; Chajut, Eran (פבר' 2014). "Pitch memory and exposure effects". Journal of Experimental Psychology: Human Perception and Performance. 40 (1): 24–32. doi:10.1037/a0033583. PMID 23875573. {{cite journal}}:  (עזרה)
↑  Levitin, D. (1994). "Absolute memory for musical pitch: evidence from production of learned melodies". Perception & Psychophysics. 56 (4): 414–423. doi:10.3758/BF03206733. PMID 7984397.
↑  Schellenberg, E. Glenn & Trehub, Sandra E. (2003). "Good pitch memory is widespread". Psychological Science. 14 (3): 262–266. doi:10.1111/1467-9280.03432. PMID 12741751.Full text(הקישור אינו פעיל, October 2016)
↑  Blacking, John (1995). "Music and Historical Process in Vendaland".  In Reginald Byron (ed.). Music Culture and Experience. Chicago: University of Chicago Press. p. 136. ISBN 0-226-08829-4.
↑  Saah, Victoria; Marvin, Elizabeth West (2004). "Absolute memory of learned melodies in children trained by the Suzuki violin method" (PDF). Proceedings of the 8th International Conference on Music Perception and Cognition. pp. 736–739. אורכב מ-המקור (PDF) ב-10 באוגוסט 2011. {{cite book}}:  (עזרה)
↑  Sacks, O. (2007). Musicophilia: Tales of Music and the Brain. New York: Knopf. ISBN 978-1-4000-4081-0.
↑  Miyazaki, K. (1993). "Absolute pitch as an inability: Identification of musical intervals in a tonal context". Music Perception. 11 (1): 55–72. doi:10.2307/40285599. JSTOR 40285599.
↑  Harris, G. B. (1974). Categorical perception and absolute pitch. Ontario: University of Western Ontario.
↑  Gregersen, P.K.; Kowalsky, E.; Lee, A.; Baron-Cohen, S.; Fisher, S.E.; Asher, J.E.; Ballard, D.; Freudenberg, J. & Li, W. (2013). "Absolute pitch exhibits phenotypic and genetic overlap with synesthesia". Human Molecular Genetics. 22 (10): 2097–104. doi:10.1093/hmg/ddt059. PMC 4707203. PMID 23406871.
↑  Dooley, K. & Deutsch, D. (2010). "Absolute pitch correlates with high performance on musical dictation". The Journal of the Acoustical Society of America. 128 (2): 890–3. Bibcode:2010ASAJ..128..890D. doi:10.1121/1.3458848. PMID 20707458. PDF Document
↑  Miyazaki K. (1995). "Perception of relative pitch with different references: Some absolute-pitch listeners can't tell musical interval names". Perception & Psychophysics. 57 (7): 962–970. doi:10.3758/bf03205455. PMID 8532499. PDF Document
↑  Dooley, K.; Deutsch, D. (2011). "Absolute pitch correlates with high performance on interval naming tasks". The Journal of the Acoustical Society of America. 130 (6): 4097–4104. Bibcode:2011ASAJ..130.4097D. doi:10.1121/1.3652861. PMID 22225064. PDF Document
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