قدور نعيمي
مراجع

1 2   http://www.ladepeche.fr/article/2014/08/07/1930577-le-createur-kadour-naimi-de-passage.html. {{استشهاد ويب}}: |url= بحاجة لعنوان (مساعدة) والوسيط |title= غير موجود أو فارغ (من ويكي بيانات) (مساعدة)
↑   https://www.akpress.org/freedom-in-solidarity-e-book.html. {{استشهاد ويب}}: |url= بحاجة لعنوان (مساعدة) والوسيط |title= غير موجود أو فارغ (من ويكي بيانات) (مساعدة)
↑  "Le créateur Kadour Naïmi de passage - 07/08/2014". Ladepeche.fr. 20 فبراير 2016. مؤرشف من الأصل في 2019-07-24. اطلع عليه بتاريخ 2016-11-11.
↑  "Biography". Kadour-naili.com. مؤرشف من الأصل في 2016-10-31. اطلع عليه بتاريخ 2016-11-11.
↑  Synthesis : Self-management and hetero-management : from the breaking revolutionary process to the totalitarian conservatory system, in Invarianti, Antonio Pellicani Editore, Rome, in 3 parts : Year II, n. 7, autumn 1988, n.8 winter 1988–89, Year III, n.9–10, spring–summer 1989, political and cultural quarterly magazine.
↑  "<?php echo $_SERVER["HTTP_HOST"]؛ ?>". www.editionselectronslibres-edizionielettroniliberi-maddah.com. مؤرشف من الأصل في 2018-09-22.
1 2  Boutisiniga, Tamara Alexandrovna (1990). Mille et une Année de théâtre arabe [Thousand and One Years of the Arabian Theatre] (بالفرنسية) (Second ed.). Beirut, Lebanon: Dar Alfarabi. Archived from the original on 2016-08-09. Retrieved 2017-07-20. {{استشهاد بكتاب}}: |عمل= تُجوهل (help)
↑  Bari Stambouli. "Le diagnostic de Kali". Djazairess.com. مؤرشف من الأصل في 2019-07-25. اطلع عليه بتاريخ 2016-11-11.
↑  Mohamed Kali, 100 ans de théâtre algérien (One hundred years of Algerian theater),باللغة الفرنسية, in particular chapter Kadour Naïmi ou les limites de l'engagement politique au théâtre (Kadour Naimi or the political commitment limits in the theater), pp. 167–184, Algiers (Algeria), Socrates News Editions, 2013.
↑  Ali Arra'y (علي الراعي), االمسرح في الوطن العربي (The theatre in the Arab nation), باللغة العربية, Koweït, Edition of the National Council for Culture, Arts and Letters, January 1979. And Mohamed Kali : 100 ans de théâtre algérien, o. c. p. 161.
↑  "Original representations, of a totally new design in Algeria. In fact, it is – to my knowledge – the only Algerian company, rejecting the classical forms of theatrical, using the laboratory theater." La République, Noredine Khib, Oran, October 23, 1968, newspaper.
↑  Mohamed Kali, Le théâtre algérien, un malentendu (The Algerian theatre, a misunderstanding),باللغة الفرنسية, Algiers (Algeria), Edition Ministry of Culture, 2002, pp. 125 e 127.
↑  "The rigor of the political purpose does not contradict the antics and hilarious ferocity of the show. The director of the Théâtre de la mer, Kadour Naimi, has been able to make this lament emigrant a "lament" fed theater of humor and pace.It is the true popular theater, a theater that invites to pleasure and deducts its aesthetic from the needs of its struggle. » Politique-Hebdo, Michel Sarti, Paris, March 2, 1972, newspaper.
↑  Tamara Alexandrovna Boutisiniga, Thousand and one year of Arab theatre, (Russian), translated into Arabic by Tawfik Almou'din, Beyrouth (Lebanon), Edition Dar Alfarabi, first edition 1981, second edition 1990.
↑  Algérie-Actualités, Kamal Bendimérad, Algiers, April 1969, weekly.
↑  Ali Arra'y, op. cit.
↑  "The opera stage writing, from beginning to end, is a decoupage in purely cinematic plans, using different areas of the stage as its depth, playing with lights and colours to emphasize the view angles, all data in a fast pace and scenes sometimes very short." El Watan, Mohamed Kali, March 30, 2013, newspaper.
↑  La République, Nordine Khib, Oran (Algeria), October 23, 1968, newspaper; Algérie-Actualités, Kamal Bendimérarad, Algiers, April 1969, weekly; El Moudjahid, Halim Mokdad, Algiers, January 11, 1969, newspaper.
↑  "Collective Creation, this suite of tableaux – announced by a clapperboard identical to those used on movie sets – is a violent attack against US imperialism. The revolution thus continues on stage and the Theatre of the Sea seems to have opted for the "laboratory" formula. Of course, disputes (ah, what a word !) comes from all directions... "THE VALUE OF THE AGREEMENT" shakes by its form somewhat habits of the viewer. (...) " N. Khib, La République, 5 avril 1969, newspaper.
↑  "The Ant and the Elephant", presented recently at Mouggar by the "Theater of the Sea", has had a certain success. With the large number of spectators during the four performances and the discussions that followed, this work will really left an impression and not least (...). The Sea Theatre must exist in the thousands." Ecchabab, Algiers, unsigned article, February 7, 1971, weekly.
1 2  "Inscription – Connexion". Elwatan.com. 7 نوفمبر 2016. مؤرشف من الأصل في 2013-05-12. اطلع عليه بتاريخ 2016-11-11.
↑  "Finally we have also in Oran what not seen anywhere in North Africa, an experience a bit to one side, currently done by the members of the 'Jeune Théâtre de la mer'. It has almost to do with the method of the living théâtre  ‏, this theater that requires another building, another way of interpretation." La République, Oran (Algeria) 27–28 October 1968, newspaper.
↑  "Wikiwix's cache". Archive.wikiwix.com. 29 أكتوبر 2011. مؤرشف من الأصل في 2016-08-17. اطلع عليه بتاريخ 2016-11-11. {{استشهاد ويب}}: الاستشهاد يستخدم عنوان عام (مساعدة)
↑  Charles Bonn. "Article – Limag". Limag.refer.org. مؤرشف من الأصل في 2016-08-21. اطلع عليه بتاريخ 2016-11-11.
↑  La République, Oran (Algeria), 25 to 26 December 1974, newspaper; Algérie-Actualités, Algiers (Algeria), n ° 707: 3–9 May 1979, weekly.
↑  El Moudjahid, Algiers (Algeria), 13 to 14 October 1989, newspaper. And Djilali Tahraoui, Théâtre expérimental "halka" (Experimental theatre "halka"), Oran (Algeria), University of Science and Technology (Project studies to get an engineering degree in architecture State), 1986–87 academic year.
↑  Révolution, Algiers (Algeria), 18 May 1990, Weekly.
↑  Algérie-Actualités, Algiers (Algeria), 14 to 20 January 1988, Weekly. And Abdelkader Alloula, La représentation de type aristotélicien dans l'activité théâtrale en Algérie, Oran, 20 October 1987.
↑  Benkhellaf Abdelmalek, Les fonctions narratives dans le théâtre de Abdelkader Alloula, Alagoual (Les Dires) et Lajouad (Les Généreux), annexe 2 (Magister Memory), Mentouri university : Constantine (Algeria), Faculty of Arts and Languages, 2006.
↑  Alloula Abdelkader, La représentation de type aristotélicien..., art. c. And interview of Abdelkader Alloula, collected by Mohamed Djellid, Oran, October 1985.
↑  Interview by Abdelkader Alloula, collected by Mohamed Djellid, art. c.
↑  Algérie-Actualité, Algiers (Algeria), 15 to 21 April 1982, Weekly.
↑  Algérie-Actualités, Algiers (Algeria), 15 to 21 April 1982, weekly.
↑  "Inscription – Connexion". Elwatan.com. 7 نوفمبر 2016. مؤرشف من الأصل في 2012-08-01. اطلع عليه بتاريخ 2016-11-11.
↑  "The staging of the Algerian Kadour Naimi is essential and measured." Michela Sensi, L'Informazione, March 28, 1995, newspaper. "The direction of this work is entrusted to Algerian Director Kadour Naimi, who, for decades, is engaged in artistic research of the essential". Il Giornale di Ostia, March 4, 1995, newspaper.
↑  "Cinema". Kadour-naimi.com. مؤرشف من الأصل في 2016-11-08. اطلع عليه بتاريخ 2016-11-11.
↑  "Portobello Film Festival London". Portobellofilmfestival.com. مؤرشف من الأصل في 2019-07-25. اطلع عليه بتاريخ 2016-11-11.
↑  "Teaching". Kadour-naimi.com. مؤرشف من الأصل في 2016-11-12. اطلع عليه بتاريخ 2016-11-11.
↑  "Festival". Kadour-naimi.com. مؤرشف من الأصل في 2016-11-12. اطلع عليه بتاريخ 2016-11-11.
↑  Tremblay، Jean-Marie (2 فبراير 2005). "Kadour NAÏMI, La guerre, pourquoi ? La paix, comment ? Éléments de discussion aux gens de bonne volonté". classiques.uqac.ca. مؤرشف من الأصل في 2021-03-09.