خالد الرحال
مراجع

↑  "قبر الفنان خالد الرحال باقٍ في "الجندي المجهول"". تشرين الثاني 29, 2011. مؤرشف من الأصل في 12 مارس 2017. اطلع عليه بتاريخ 2017-3-9. {{استشهاد ويب}}: تحقق من التاريخ في: |تاريخ= (مساعدة)
1 2  Kahalid al-Kishtyan in 1981, cited in: Baram, A., "Culture in the Service of Wataniyya: The Treatment of Mesopotamian Art," Asian and African Studies, Vol. 17, Nos. 1-3, 1983, pp 265-309 and in Baram, A., Culture, History and Ideology in the Formation of Ba'thist Iraq,1968-89, Springer, 1991, p. 69
↑  Jabra, J.I., Grass Roots of Iraqi Art, Wasit Graphic and Publishing, 1983, p. 68; Dougherty, B.K. and Ghareeb, E.A. (eds), Historical Dictionary of Iraq, Scarecrow Press, 2013, p.495
1 2 3 4  Jabra, J.I., Grass Roots of Iraqi Art, Wasit Graphic and Publishing, 1983, p. 69
↑  Jabra, J.I., Art in Iraq Today, London, Embassy of the Republic of Iraq, 1966, p. 68 Online: نسخة محفوظة 2017-01-23 على موقع واي باك مشين.
↑  Shabout, N. "Collecting Modern Iraqi Art," in: Sonja Mejcher-Atassi, John Pedro Schwartz (eds), Archives, Museums and Collecting Practices in the Modern Arab World, Routledge, 23 May 2016 pp 198-199
1 2  Jabra, J.I., Art in Iraq Today, London, Embassy of the Republic of Iraq, 1966, p.6 Online: نسخة محفوظة 2017-01-23 على موقع واي باك مشين.
↑  Bahrani, Z. and Shabout, N.M., mosm and Iraq, Miriam and Ira D. Wallach Art Gallery and Columbia University, 2009, p. 96; Jabra, J.I., Art in Iraq Today, London, Embassy of the Republic of Iraq, 1966, p. 1 Online: نسخة محفوظة 2017-01-23 على موقع واي باك مشين.
↑  Bahrani, Z. and Shabout, N.M., Modernism and Iraq, New York, Miriam and Ira D. Wallach Art Gallery, Columbia University, 2009; p. 96; "Iraqi Artist: Khalid a;-Rahal" Isqueena (Online Art Magazine), 1 June, 2013 Online: نسخة محفوظة 2019-03-31 على موقع واي باك مشين.
↑  Brown, B.A. and Feldman, M.H., Critical Approaches to Ancient Near Eastern Art, Walter de Gruyter, 2014, p. 5 and p.xix
↑  Bajjaly, J.G. (ed), The Destruction of Cultural Heritage in Iraq, Boydell & Brewer, 2008, p.29; Peter G. Stone, Joanne Farchakh Bajjaly (eds), The Destruction of Cultural Heritage in Iraq, Boydell & Brewer, 2008, p.29
↑  Baram, A., Culture, History and Ideology in the Formation of Ba'thist Iraq,1968-89, Springer, 1991, pp 69-70; Shabout, N.,"Shakir Hassan Al Said: Time and Space in the Work of the Iraqi Artist - A Journey Towards One Dimension," Nafas Art Magazine, May, 2008, Online:; Lack, J., Why Are We 'Artists'?: 100 World Art Manifestos, Penguin, 2017, [E-book edition], n.p. See section M52 نسخة محفوظة 2018-11-21 على موقع واي باك مشين.
↑  Ulrike al-Khamis, “An Historical Overview 1900s-1990s,” in: Maysaloun, F. (ed.), Strokes of Genius: Contemporary Iraqi Art, London:, Saqi Books, 2001, p. 25; Baram, A., Culture, History and Ideology in the Formation of Ba'thist Iraq,1968-89, Springer, 1991, pp 70-71
↑  Shabout, N., "Jewad Selim: On Abstraction and Symbolism," in Mathaf Encyclopedia of Modern Art and the Arab World, Online: http://www.encyclopedia.mathaf.org.qa/en/essays/Pages/Jewad-Selim,-On-Abstraction-and-Symbolism.aspx نسخة محفوظة 2021-04-13 على موقع واي باك مشين.
↑  Makiya, K. and Al-Khalilm S., The Monument: Art, Vulgarity, and Responsibility in Iraq, p, 95
↑  Bahrani, Z. and Shabout, N.M., Modernism and Iraq, New York, Miriam and Ira D. Wallach Art Gallery, Columbia University, 2009; p. 96
↑  Jabra, J.I., Grass Roots of Iraqi Art, Wasit Graphic and Publishing, 1983, pp 68-69
1 2  Brown, B.A. and Feldman, M.H. (eds), Critical Approaches to Ancient Near Eastern Art,Walter de Gruyter, 2014 p.20
↑  Baram, A., Culture, History and Ideology in the Formation of Ba'thist Iraq,1968-89, Springer, 1991, pp 70-71
↑  al-Kalil, S., Monument: Art, Vulgarity, and Responsibility in Iraq. Berkeley, University of California Press, pp 72-75
1 2  "Mosque blast blow to Iraq treasures," Aljazeera, Online: نسخة محفوظة 2019-07-26 على موقع واي باك مشين.
1 2  Makiya, K. and Al-Khalilm S., The Monument: Art, Vulgarity, and Responsibility in Iraq, pp 1-2
↑  Bloom, J. and Blair, S.S., Grove Encyclopedia of Islamic Art & Architecture, Vol. 1, Oxford University Press, 2009, p. 25; Borden, I. and Hall, R., The City Cultures Reader,Psychology Press, 2000, p. 104; Makiya, K. and Al-Khalilm S., The Monument: Art, Vulgarity, and Responsibility in Saddam Hussein's Iraq, IB Taurus, 2004, p. 28
↑  Brian A. Brown, Marian H. Feldman (eds), Critical Approaches to Ancient Near Eastern Art, Walter de Gruyter, 2014, p.20
↑  Agence Presse France, "Les Sculptures Disparaissent des Places de Bagdad," La Presse [Montreal] 26 June, 2003, p. B6 (translated from French)
↑  Faraj, M., Strokes Of Genius: Contemporary Iraqi Art, London, Saqi Books, 2001, p. 96
↑  Khaled al-Rahal, quoted in: Baram, A., Culture, History and Ideology in the Formation of Ba'thist Iraq,1968-89, Springer, 1991, p. 73
↑  Jabra, J.I., Grass Roots of Iraqi Art, Wasit Graphic and Publishing, 1983, p. 54
↑  Sabrah,S.A. and Ali, M.," Iraqi Artwork Red List: A Partial List of the Artworks Missing from the National Museum of Modern Art, Baghdad, Iraq, 2010, pp 7-9
↑  Shabout, N., "The 'Free' Art of Occupation: Images for a 'New' Iraq," Arab Studies Quarterly, Vol. 28, No. 3/4, 2006, pp. 41-53; "Mosque blast blow to Iraq treasures," Aljazeera, Online: نسخة محفوظة 2019-07-26 على موقع واي باك مشين.
↑  King, E.A. and Levi, G., Ethics and the Visual Arts, Skyhorse Publishing, Inc., 2010, pp 107-108
↑  Makiya, K. and Al-Khalilm S., The Monument: Art, Vulgarity, and Responsibility in Iraq, IB Taurus, 2004, p. xi; Brown, B.A. and Feldman, M.H. (eds), Critical Approaches to Ancient Near Eastern Art,Walter de Gruyter, 2014 p.22; Fadam, A., "Graven Images," New York Times, 10 April, 2008, Online: نسخة محفوظة 2019-10-01 على موقع واي باك مشين.
1 2  Baram, A., Culture, History and Ideology in the Formation of Ba'thist Iraq,1968-89, Springer, 1991, p. 72
↑  Shabout, N., "The "Free" Art of Occupation: Images for a "New" Iraq," Arab Studies Quarterly, Vol. 28, No. 3/4, pp. 41-53, Online: نسخة محفوظة 2019-07-26 على موقع واي باك مشين.
↑  Makiya, K. and Al-Khalilm S., The Monument: Art, Vulgarity, and Responsibility in Iraq, p. xii
↑  Shirazi, G., Muslim Women in War and Crisis: Representation and Reality, University of Texas Press, 2010, p.162
↑  Jabra, J.I., Art in Iraq Today, London, Embassy of the Republic of Iraq, 1966, p. 8 and also see back cover Online: نسخة محفوظة 2017-01-23 على موقع واي باك مشين.
1 2  Nada Shabout, "The "Free" Art of Occupation: Images for a "New" Iraq," Arab Studies Quarterly, Vol. 28, No. 3/4, pp. 41-53, Online: نسخة محفوظة 2019-07-26 على موقع واي باك مشين.
1 2 3  Baram, A., Culture, History and Ideology in the Formation of Ba'thist Iraq,1968-89, Springer, 1991, p. 77
↑  Pieri, C., " Modernity and its Posts in Constructing an Arab Capital: Baghdad’s Urban Space and Architecture, Context and Questions," Middle East Studies Association Bulletin, The Middle East Studies Association of North America, Vol. 42, No. 1-2, 2009, p.4; Simonowitz, D,., "Head Trips: An Intertextual Analysis of Later Architecture and Sculpture Under Saddam Hussein," International Journal of Islamic Architecture, Vol. 1, No. 1, 2012, pp. 61-81, DOI: https://doi.org/10.1386/ijia.1.1.61_1 نسخة محفوظة 3 يونيو 2018 على موقع واي باك مشين.
↑  Bloom, J. and Blair, S.S., Grove Encyclopedia of Islamic Art & Architecture, Vol. 1, Oxford University Press, 2009, p. 25
↑  Makiya, K. and Al-Khalilm S., The Monument: Art and Vulgarity in Saddam Hussein's Iraq, IB Taurus, 2004, p. x and p. 74; Rohde, A., State-Society Relations in Ba'thist Iraq: Facing Dictatorship, Routledge, 2010 p.120; King, E.A. and Levin, G., Ethics and the Visual Arts, Skyhorse Publishing, 2010, p. 105
↑  "Marcello D'Olivo (1921 - 1991)," in Dizionario Bigrafico dei Friulani, Online: نسخة محفوظة 2021-06-16 على موقع واي باك مشين.
↑  GlobalSecurity.org "Monument to the Unknown Soldier, Baghdad, Iraq" نسخة محفوظة 2022-04-03 على موقع واي باك مشين.
↑  Baghdad Writers Group, Baghdad and Beyond, Middle East Editorial Associates, 1985, p. 43
↑  Bloom, J. and Blair, S., Grove Encyclopedia of Islamic Art & Architecture, Vol. 1, Oxford University Press, 2009, p. 25; Davis, E., "The Monument: Art, Vulgarity, and Responsibility in Iraq," [Book Review], Middle East Journal, (Washington), Vol. 46, No. 1, 1992, p. 102
↑  Al-Khalil, S. and Makiya, K., The Monument: Art, Vulgarity, and Responsibility in Iraq, p. 136n
↑  Al-Khalilm S. and Makiya, K., The Monument: Art, Vulgarity, and Responsibility in Iraq, pp 1-5
↑  Al-Khalilm S. and Makiya, K., The Monument: Art, Vulgarity, and Responsibility in Iraq, pp 1-2; Bloom, J. and Blair, S.S. (eds), Grove Encyclopedia of Islamic Art & Architecture, Vol. 1, Oxford University Press, 2009, p. 25; Miles, M., Borden, I. and Hall, R., The City Cultures Reader,Psychology Press, 2000, p. 104; Svasek, M., The Anthropology Art and Cultural Production: Histories, Themes, Perspectives, Pluto Press, 2007, p. 74
↑  Fadam, A., "Graven Images," New York Times, 10 April, 2008, Online: نسخة محفوظة 2019-10-01 على موقع واي باك مشين.
↑  Aal-Qasab, "Jawad Salim is Running Behind the Horizon," Al Iraq, Online: نسخة محفوظة 16 أبريل 2021 على موقع واي باك مشين.
بوابة أعلام
بوابة العراق
بوابة القرن 20
التمثال النصفي الأصلي للملكة السومرية، شبعاد، معروض في المتحف العراقي، وعمل الكحال نسخة طبق الأصل منه.
امرأة شرقاوية في ليلة زفافها، من اعمال خالد الرحال، 1961.
نصب الجندي المجهول
تمثال عبد الكريم قاسم