فن صوتي
للاطلاع

Attali, Jacques. 1985. Noise: The Political Economy of Music, translated by Brian Massumi, foreword by Fredric Jameson, afterword by Susan McClary. Minneapolis: University of Minnesota Press. (ردمك 0-8166-1286-2) (cloth) (ردمك 0-8166-1287-0) (pbk.)
Bandt, Ros. 2001. Sound Sculpture: Intersections in Sound and Sculpture in Australian Artworks. Sydney: Craftsman House. (ردمك 1-877004-02-2).
Cage, John. 1961. "Silence: Lectures and Writings". Middletown, CT: Wesleyan University Press. (Paperback reprint edition 1973, (ردمك 0-8195-6028-6))
Cox, Christoph. 2003. "Return to Form: Christoph Cox on Neo-modernist Sound Art—Sound—Column." Artforum (November): [pages].
Cox, Christoph. 2009. "Sound Art and the Sonic Unconscious". Organised Sound 14, no. 1:19–26.
Cox, Christoph. 2011. "Beyond Representation and Signification: Toward a Sonic Materialism". Journal of Visual Culture 10, no. 2:145-161.
Cox, Christoph, and Daniel Warner (eds.). 2004. Audio Culture: Readings in Modern Music. New York: Continuum. (ردمك 978-0-8264-1615-5).
Drobnick, Jim (ed.). 2004. Aural Cultures. Toronto: YYZ Books; Banff: Walter Phillips Gallery Editions. (ردمك 0-920397-80-8).
Hegarty, Paul. 2007. Noise Music: A History. New York: Continuum International Publishing Group. (ردمك 978-0-8264-1726-8) (hardcover) (ردمك 978-0-8264-1727-5) (pbk)
Jensenius، Alexander Refsum؛ Lyons، Michael، المحررون (2017). A NIME Reader: Fifteen Years of New Interfaces for Musical Expression. سبرنجر. ISBN:978-3-319-47214-0. مؤرشف من الأصل في 2019-06-27.
Kim-Cohen, Seth. 2009. In the Blink of an Ear: Toward a Non-Cochlear Sonic Art. New York: Continuum. (ردمك 978-0-8264-2971-1)
LaBelle, Brandon. 2006. Background Noise: Perspectives on Sound Art. New York and London: The Continuum International Publishing Group. (ردمك 0-8264-1844-9) (cloth) (ردمك 0-8264-1845-7) (pbk)
Lander, Dan, and Micah Lexier (eds.). 1990. Sound by Artists. Toronto: Art Metropole/Walter Phillips Gallery.
Lucier, Alvin, and Douglas Simon. 1980. Chambers. Middletown, Connecticut: Wesleyan University Press. (ردمك 0-8195-5042-6).
Mailman, Joshua B. 2012. "Seven Metaphors for (Music) Listening: DRAMaTIC". Journal of Sonic Studies 2:.
Nechvatal, Joseph. 2000. "Towards a Sound Ecstatic Electronica". The Thing.
Oliveros, Pauline. 1984. Software for People. Baltimore: Smith Publications. (ردمك 0-914162-59-4) (cloth) (ردمك 0-914162-60-8) (pbk)
Paik, Nam June. 1963. "Post Music Manifesto," Videa N Videology. Syracuse, New York: Everson Museum of Art.
Peer, René van. 1993. Interviews with Sound Artists. Eindhoven: Het Apollohuis.
Schaefer, Janek, Bryan Biggs, Christoph Cox, and Sara-Jayne Parsons. 2012. "Janek Schaefer: Sound Art: A Retrospective". Liverpool: The Bluecoat. (ردمك 978-0-9538896-8-6).
Schafer, R. Murray. 1977. The Soundscape. Rochester, Vermont: Destiny Books. (ردمك 0-89281-455-1)
Schulz, Berndt (ed.). 2002. Resonanzen: Aspekte der Klangkunst. Heidelberg: Kehrer. (ردمك 3-933257-86-7). (Parallel text in German and English)
Skene, Cameron. 2007. "Sonic Boom". The Montreal Gazette (13 January).
Toop, David. 2004. Haunted Weather: Music, Silence, and Memory. London: Serpent's Tail. (ردمك 1-85242-812-0) (cloth), (ردمك 1-85242-789-2) (pbk.)
Valbonesi, Ilari. A.A.A.A.A.A.A. Cercasi Sound Art. ARTE E CRITICA, ISSUE 64, (2010)
Wilson, Dan. 2011. "Sonics in the Wildernesses - A Justification." The Brooklyn Rail (April)
Wishart, Trevor. 1996. On Sonic Art, new and revised edition, edited by Simon Emmerson (with accompanying compact disc recording). Contemporary Music Studies 12. Amsterdam: Harwood Academic Publishers. (ردمك 3-7186-5846-1) (cloth) (ردمك 3-7186-5847-X) (pbk.) (ردمك 3-7186-5848-8) (CD recording)
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