أوقات اليوم الأربعة
المصادر

Cooke, Thomas; Davenport, Samuel (1821). The Works of William Hogarth. London: J.Sharpe.
Cunningham, Allan (1831). "William Hogarth". The Lives of the Most Eminent British Painters and Sculptors. J and J Harper.
Dobbs, Austin (2004) [1879]. William Hogarth. Kessinger Publishing. ISBN 1-4179-5924-X.
Hallett, Mark; Riding, Christine (2006). Hogarth. Tate Publishing. ISBN 1-85437-662-4.
Hogarth, William (1833). "Remarks on various prints". Anecdotes of William Hogarth, Written by Himself: With Essays on His Life and Genius, and Criticisms on his Work. J.B. Nichols and Son.
Lichtenberg, Georg C. (1966). Lichtenberg's Commentaries on Hogarth's Engravings. Trans. Innes and Gustav Herdan. London: Cresset Press.
Paulson, Ronald (1965). Hogarth's Graphic Works. Yale University Press. ASIN B0000CN6E8.
Paulson, Ronald (1971). Hogarth. Yale University Press. ISBN 0-300-01388-4.
Paulson, Ronald (1979). Popular and Polite Art in the Age of Hogarth and Fielding. Indiana, USA: Notre Dame University Press. ISBN 0-268-01534-1.
Paulson, Ronald (1992). Hogarth: High Art and Low, 1732–50 Vol 2. Lutterworth Press. ISBN 0-7188-2855-0.
Paulson, Ronald (1993). Hogarth: Art and Politics, 1750–64 Vol 3. Lutterworth Press. ISBN 0-7188-2875-5.
Paulson, Ronald (2003). Hogarth's Harlot: Sacred Parody in Enlightenment England. Baltimore, Maryland: The Johns Hopkins University Press. ISBN 0-8018-7391-6.
Shesgreen, Sean (1974). Engravings by Hogarth: 101 Prints. New York: Dover Publications, Inc. ISBN 0-486-22479-1.
Shesgreen, Sean (1983). Hogarth and the Times-of-the-day Tradition. Ithaca & London: Cornell University Press. ISBN 0-8014-1504-7.
Uglow, Jenny (1997). Hogarth: a life and a world. Faber and Faber. ISBN 0-571-16996-1.
| النماذج الفنية | الأعمال الفنية للفنان هوغارث |
| --- | --- |
النماذج المطبوعة: Emblematical Print on the South Sea Scheme (1721).The Bad Taste of the Town (1724).A Just View of the British Stage (1724).Strolling Actresses Dressing in a Barn (1738).The Distrest Poet (1741).The Enraged Musician (1741).Characters and Caricaturas (1743).Industry and Idleness (1747). Beer Street and Gin Lane (1751). The Four Stages of Cruelty (1751). Columbus Breaking the Egg (1752) Satire on False Perspective (1754). Credulity, Superstition, and Fanaticism (1761). Five Orders of Periwigs (1761).
اللوحات الزيتية: A Harlot's Progress (1731). A Rake's Progress .(1733) Scene from Shakespeare's The Tempest .(c.1735) Four Times of the Day .(1736) The Shrimp Girl. (c.1740) Portrait of Captain Thomas Coram .(1940) Taste in High Life .(1742) The Graham Children .(1742) Captain Lord George Graham in his Cabin (1745). David Garrick as Richard III (1745).Painter and his Pug (1745). The Gate of Calais (1748) Hogarth's Servants (c.1750). The March of the Guards to Finchley (1750). Humours of an Election (1754). Hogarth Painting the Comic Muse. (1757). The Bench (1758). Sigismunda mourning over the Heart of Guiscardo (1759) Marriage à-la-mode (1745). 1. The Marriage Settlement 2. The Tête à Tête 3. The Inspection 4. The Toilette 5. The Bagnio 6. The Lady's Death
الكتب: (The Analysis of Beauty (1753
انظر أيضاً: Line of beauty
البورتريه الخاص بالفنان ويليام هوغارث عام 1758.
مشهد الصباح ، المشهد الأول كما وضحته اللوحة .
مشهد الصباح ، المشهد الأول كما تم طبعه
رسم توضيحي يبرز اعتداء القديس فرانسيس الأسيزي علي لوحة العانس في حرب الصور
مشهد الظهيرة ، المشهد الثاني كما وضحته الطباعة.
يرمز الطفل الذي يبكي في أعمال هوغارث إلي الطفل الرضيع الذي تصدر الإصدار الأول للعمل الفني " الإستيلاء علي النساء ذوات الجنس الإيطالي" للفنان بويسن
مشهد المساء، المشهد الثالث كما وضحته الطباعة.
مشهد الليل، المشهد الرابع كما وضحته الطباعة .