سارة كوفمان
مقالات

ملاحظة: لا تتضمن هذه القائمة أجزاء من الكتب التي نُشرت بعد ترجمة الكتاب بأكمله.
"No Longer Full-Fledged Autobiogriffies," SubStance 29 (1981): 3–22. From: Autobiogriffures (1976).
"Sartre: Fort! Ou Da?", Diacritics 14, 4 (1984): 9–18.
"Damned Food," SubStance 49 (1986): 8–9.
"Tomb for a Proper Name," SubStance 49 (1986): 9–10.
"Nightmare: At the Margins of Medieval Studies," SubStance 49 (1986): 10–13. From: Comment s'en sortir? (1983).
"Prometheus, the First Philosopher," SubStance 50 (1986): 26–35. From: Comment s'en sortir? (1983).
"Nietzsche and the Obscurity of Heraclitus," Diacritics 17, 3 (1987): 39–55. From: Séductions: De Sartre à Héraclite (1990).
"Baubô: Theological Perversion and Fetishism," in Michael Allen Gillespie & Tracy B. Strong, Nietzsche's New Seas: Explorations in Philosophy, Aesthetics, and Politics (Chicago & London: University of Chicago Press, 1988). From: Nietzsche et la scène philosophique (1979).
"Beyond Aporia?", in Andrew Benjamin (ed.), Post-structuralist Classics (London & New York: Routledge, 1988). From: Comment s'en sortir? (1983).
"'Ça cloche'," in Hugh J. Silverman (ed.), Derrida and Deconstruction (New York & London: Routledge, 1989). From: Lectures de Derrida (1984). Originally delivered at the 1980 Cerisy colloquy, "Les finds de l'homme."
"Conversions: The Merchant of Venice under the Sign of Saturn," in Peter Collier & Helga Geyer-Ryan (eds.), Literary Theory Today (Cambridge: Polity Press, 1990). From: Conversions: Le Marchand de Venise sous le signe de Saturne (1987).
"Metaphoric Architectures," in Laurence A. Rickels (ed.), Looking After Nietzsche (Albany: State University of New York Press, 1990).
"Descartes Entrapped," in Eduardo Cadava, Peter Connor, & Jean-Luc Nancy, Who Comes After the Subject? (New York & London: Routledge, 1991). From: Nietzsche et la scène philosophique (1979).
"Rousseau's Phallocratic Ends," in Bartky, Sandra Lee; Fraser, Nancy (1992). Revaluing French feminism: critical essays on difference, agency, and culture. Bloomington: Indiana University Press. ISBN 9780253206824.
"Explosion I: Of Nietzsche's Ecce Homo," Diacritics 24, 4 (1994): 50–70. From: Explosion I: De l'"Ecce Homo" de Nietzsche (1992).
"A Fantastical Genealogy: Nietzsche's Family Romance," in Peter J. Burgard (ed.), Nietzsche and the Feminine (Charlottesville & London: University Press of Virginia, 1994). From: Explosion I: De l'"Ecce Homo" de Nietzsche (1992).
"'It's Only the First Step That Costs'," in Sonu Shamdasani & Michael Münchow (eds.), Speculations After Freud: Psychoanalysis, Philosophy, Culture (London & New York: Routledge, 1994). From: "Il n'y a que le premier pas qui coûte": Freud et la spéculation (1991).
"Wagner's Ascetic Ideal According to Nietzsche," in Richard Schacht (ed.), Nietzsche, Genealogy, Morality: Essays on Nietzsche's Genealogy of Morals (Berkeley: University of California Press, 1994).
"The Psychologist of the Eternal Feminine (Why I Write Such Good Books, 5)," Yale French Studies 87 (1995): 173–89. From: Explosion II: Les enfants de Nietzsche (1993).
"Accessories (Ecce Homo, 'Why I Write Such Good Books,' 'The Untimelies,' 3)," in Peter R. Sedgwick (ed.), Nietzsche: A Critical Reader (Oxford: Blackwell, 1995). From: Explosion II: Les enfants de Nietzsche (1993).
"The Economy of Respect: Kant and Respect for Women," in Robin May Schott (ed.), Feminist Interpretations of Immanuel Kant (University Park, Penn.: Pennsylvania State University Press, 1997). From: Le respect des femmes (Kant et Rousseau) (1982).
"The Imposture of Beauty: The Uncanniness of Oscar Wilde's Picture of Dorian Gray," in Penelope Deutscher & Kelly Oliver (eds.), Enigmas: Essays on Sarah Kofman (Ithaca & London: Cornell University Press, 1999). From: L'imposture de la beauté et autres textes (1995).