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↑  Hall & Neale 2010، صفحة 147–148. "To take full advantage of CinemaScope's panoramic possibilities, shooting was delayed for the sets to be redesigned and rebuilt, adding $500,000 to the eventual $4.1 million budget...It ultimately returned domestic rentals of $17.5 million and $25 million worldwide, placing it second only to Gone with the Wind in Variety's annually updated chart." "نسخة مؤرشفة". مؤرشف من الأصل في 2019-06-05. اطلع عليه بتاريخ 2019-10-13.{{استشهاد ويب}}:  صيانة الاستشهاد: BOT: original URL status unknown (link)
↑  Block & Wilson 2010، صفحة 367. "It brought in $16.7 million in domestic rentals, $9.4 million in foreign rentals, and made a net profit of $8.1 million." "نسخة مؤرشفة". مؤرشف من الأصل في 2019-06-05. اطلع عليه بتاريخ 2019-10-13.{{استشهاد ويب}}:  صيانة الاستشهاد: BOT: original URL status unknown (link)
↑  "Rear Window". Boxoffice. مؤرشف من الأصل في 8 يناير 2019. اطلع عليه بتاريخ May 29, 2016. نسخة محفوظة 23 مارس 2020 على موقع واي باك مشين.
↑  "White Christmas". Boxoffice. مؤرشف من الأصل في 25 ديسمبر 2018. اطلع عليه بتاريخ May 29, 2016. نسخة محفوظة 23 مارس 2020 على موقع واي باك مشين.
↑  Block & Wilson 2010، صفحة 420. "Domestic Box Office: $19.6 million; Production Cost: $3.8 million." "نسخة مؤرشفة". مؤرشف من الأصل في 2019-06-05. اطلع عليه بتاريخ 2019-10-13.{{استشهاد ويب}}:  صيانة الاستشهاد: BOT: original URL status unknown (link)
↑  Hall & Neale 2010، صفحة 149. "VistaVision was first used for the musical White Christmas (1954), which Variety named the top grosser of its year with anticipated domestic rentals of $12 million." "نسخة مؤرشفة". مؤرشف من الأصل في 2019-07-21. اطلع عليه بتاريخ 2019-10-13.{{استشهاد ويب}}:  صيانة الاستشهاد: BOT: original URL status unknown (link)
↑  "20000 Leagues Under The Sea". Boxoffice. مؤرشف من الأصل في 2018-12-25. اطلع عليه بتاريخ 2016-05-29.
↑  Miller، John M. "20,000 Leagues Under the Sea (1954) – Articles". تيرنر كلاسيك موفيز. مؤرشف من الأصل في 2019-07-24. اطلع عليه بتاريخ 2012-01-09.
↑  Finler 2003، صفحة 320. "It was up and running in time to handle Disney's most elaborate expensive feature, 20,000 Leagues Under the Sea, based on the book by Jules Verne, starring James Mason and Kirk Douglas and directed by Richard Fleischer at a cost of $4.5 million." "نسخة مؤرشفة". مؤرشف من الأصل في 2019-06-05. اطلع عليه بتاريخ 2019-10-13.{{استشهاد ويب}}:  صيانة الاستشهاد: BOT: original URL status unknown (link)
1 2  D'Alessandro، Anthony (27 أكتوبر 2003). "Disney Animated Features at the Worldwide Box Office". فارايتي. The Jungle Book $378 million; Lady and the Tramp $187 million
↑  "Lady and the Tramp (1955) – Notes". تيرنر كلاسيك موفيز. مؤرشف من الأصل في 2019-03-18. اطلع عليه بتاريخ 2011-07-27.
↑  Minego، Pete (21 مايو 1956). "Pete's Pungent Patter". Portsmouth Daily Times. Portsmouth, Ohio. ص. 19.
↑  "Cinerama Holiday (1955) – Notes". تيرنر كلاسيك موفيز. مؤرشف من الأصل في 2019-07-24. اطلع عليه بتاريخ 2012-07-07.
↑ Block & Wilson 2010
p. 382. "Production Cost: $2.4 (Unadjusted $s in Millions of $s)"
Burns، Douglas (2010)، Mister Roberts، ص. 383، Mister Roberts sailed onto movie screens buoyed by enthusiastic reviews and receptive audiences. For pr, Fonda, Cagney, and lemmon reenacted several scenes on ed sullivan's popular Toast of the Town television variety show. It returned a net profit of $4.5 million on worldwide rentals of $9.9 million, putting it in the top 5 domestic films of 1955. {{استشهاد}}: الوسيط |مسار أرشيف= بحاجة لـ |مسار= (مساعدة)
↑  Block & Wilson 2010، صفحة 327. "Production cost: $13.3 million; Domestic Film Rental: $31.3; Foreign Film Rental: $23.9; Worldwide Box office (estimated): $122.7 (Initial Release – Unadjusted $s in Millions of $s)." "نسخة مؤرشفة". مؤرشف من الأصل في 2019-06-05. اطلع عليه بتاريخ 2019-10-13.{{استشهاد ويب}}:  صيانة الاستشهاد: BOT: original URL status unknown (link)
1 2 Hall & Neale 2010، صفحات 159–161
The Ten Commandments: "No film did more to entrench roadshow policy than The Ten Commandments. While the success of This Is Cinerama, The Robe, and even Eighty Days could be attributed, at least in part, to their respective photographic and projection formats, that of DeMille's film (which cost a record $13,266,491) could not...General release began at normal prices in 1959 and continued until the end of the following year, when the film was temporarily withdrawn (the first of several reissues came in 1966). The worldwide rental by this time was around $60 million. In the domestic market it dislodged Gone with the Wind from the number one position on Variety's list of All-Time Rentals Champs. GWTW had hitherto maintained its lead through several reissues (and was soon to regain it through another in 1961)."
The Bridge on the River Kwai: Columbia's Anglo-American war film The Bridge on the River Kwai (1957) opened on a roadshow basis in selected U.S. cities (including New York, Chicago, Boston, and Los Angeles) and in London. Costing only $2,840,000 to produce, it grossed $30.6 million worldwide on first release." "نسخة مؤرشفة". مؤرشف من الأصل في 2019-07-21. اطلع عليه بتاريخ 2019-10-13.{{استشهاد ويب}}:  صيانة الاستشهاد: BOT: original URL status unknown (link)
↑  Hall & Neale 2010، صفحة 153. "South Pacific also became for a time the most successful film ever released in the United Kingdom, where it earned a box-office gross three times its negative cost of $5,610,000. Anticipated global rentals after three years were $30 million." "نسخة مؤرشفة". مؤرشف من الأصل في 2019-06-05. اطلع عليه بتاريخ 2019-10-13.{{استشهاد ويب}}:  صيانة الاستشهاد: BOT: original URL status unknown (link)
↑  Ross، Steven J. (2011). Hollywood Left and Right: How Movie Stars Shaped American Politics. دار نشر جامعة أكسفورد. ص. 278–279. ISBN:978-0-19-991143-1. مؤرشف من الأصل في 2019-07-21. اطلع عليه بتاريخ 2019-10-13. Costing $15 million to produce, the film earned $47 million by the end of 1961 and $90 million worldwide by January 1989.
↑  Block & Wilson 2010، صفحة 324. "Worldwide box office: $146.9 million; Worldwide rentals: $66.1 million; Production cost: $15.9 million. (Initial Release – Unadjusted $s in Millions of $s)" "نسخة مؤرشفة". مؤرشف من الأصل في 2019-07-21. اطلع عليه بتاريخ 2019-10-13.{{استشهاد ويب}}:  صيانة الاستشهاد: BOT: original URL status unknown (link)
↑  Reid، John Howard (2006). America's Best, Britain's Finest: A Survey of Mixed Movies. Lulu. ج. Volume 14 of Hollywood classics. ص. 243–245. ISBN:978-1-4116-7877-4. مؤرشف من الأصل في 2019-06-05. اطلع عليه بتاريخ 2019-10-13. Negative cost: around $4 million; Worldwide film rentals gross (including 1968 American reissue) to 1970: $30 million. {{استشهاد بكتاب}}: |المجلد= يحوي نصًّا زائدًا (مساعدة)
↑  Webster، Patrick (2010). Love and Death in Kubrick: A Critical Study of the Films from Lolita Through Eyes Wide Shut. مكفارلاند وشركاه. ص. 298 (note 2.23). ISBN:978-0-7864-5916-2. مؤرشف من الأصل في 2019-07-21. اطلع عليه بتاريخ 2019-10-13. Spartacus cost $12 million and grossed some $60 million at the box office, figures Kubrick rarely again matched.
1 2 Hall & Neale 2010، صفحة 179.
Spartacus: "In the case of Spartacus, overseas earnings to 1969 amounted to $12,462,044, while U.S. and Canadian rentals (even including a million-dollar TV sale) were only $10,643,181. But the film failed to show a profit on production costs of $10,284,014 because of the distribution charges and expenses amounting to an additional $15,308,083."
The Bible: "The Bible—In the Beginning... (1966) was financed by the Italian producer Dino De Laurentiis from private investors and Swiss banks. He then sold distribution rights outside Italy jointly to Fox and Seven Arts for $15 million (70 percent of which came from Fox), thereby recouping the bulk of his $18 million investment. Although The Bible returned a respectable world rental of $25.3 million, Fox was still left with a net loss of just over $1.5 million. It was the last biblical epic to be released by any major Hollywood studio for nearly twenty years." "نسخة مؤرشفة". مؤرشف من الأصل في 2019-06-05. اطلع عليه بتاريخ 2019-10-13.{{استشهاد ويب}}:  صيانة الاستشهاد: BOT: original URL status unknown (link)
↑  Nixon، Rob. "Psycho (1960) – Articles". تيرنر كلاسيك موفيز. مؤرشف من الأصل في 2019-07-24. اطلع عليه بتاريخ 2012-01-09.
↑  "101 Dalmatians (1961)". Boxoffice. مؤرشف من الأصل في 2019-01-09. اطلع عليه بتاريخ 2016-05-29.
↑  "One Hundred and One Dalmatians". فارايتي. 31 ديسمبر 1960. مؤرشف من الأصل في 2012-11-09. اطلع عليه بتاريخ 2011-08-23.
↑  Block، Hayley Taylor (2010)، West Side Story، ص. 449، With its three rereleases, it took in over $105 million in worldwide box office ($720 million in 2005 dollars). In: Block & Wilson 2010. "نسخة مؤرشفة". مؤرشف من الأصل في 2019-06-05. اطلع عليه بتاريخ 2019-10-13.{{استشهاد ويب}}:  صيانة الاستشهاد: BOT: original URL status unknown (link)
1 2 3 4 5 6 7 Block & Wilson 2010، صفحة 434.
The Sound of Music: "Domestic Rentals: $68.4; Foreign Rentals: $46.2; Production Cost: $8.0 (Initial Release – Unadjusted $s in Millions of $s)."
The Dirty Dozen: "Domestic Rentals: $20.1; Foreign Rentals: $11.2; Production Cost: $5.4 (Initial Release – Unadjusted $s in Millions of $s)."
2001: A Space Odyssey: "Domestic Rentals: $16.4; Foreign Rentals: $5.5; Production Cost: $10.3 (Initial Release – Unadjusted $s in Millions of $s)."
Cleopatra: "Domestic Rentals: $22.1; Foreign Rentals: $18.2; Production Cost: $44.0 (Initial Release – Unadjusted $s in Millions of $s)."
West Side Story: "Domestic Rentals: $16.2; Foreign Rentals: $15.6; Production Cost: $7.0 (Initial Release – Unadjusted $s in Millions of $s)."
The Longest Day: "Domestic Rentals: $13.9; Foreign Rentals: $19.3; Production Cost: $8.6 (Initial Release – Unadjusted $s in Millions of $s)."
Butch Cassidy and the Sundance Kid: "Domestic Rentals: $29.2; Foreign Rentals: $7.9; Production Cost: $6.6 (Initial Release – Unadjusted $s in Millions of $s)." "نسخة مؤرشفة". مؤرشف من الأصل في 2019-06-05. اطلع عليه بتاريخ 2019-10-13.{{استشهاد ويب}}:  صيانة الاستشهاد: BOT: original URL status unknown (link)
↑ Lawrence of Arabia
1962 release: "Lawrence of Arabia". The Numbers. Nash Information Services. LLC. مؤرشف من الأصل في 2014-08-10. اطلع عليه بتاريخ 2011-08-15. Worldwide Box Office: $69,995,385; International Box Office: $32,500,000
U.S. total (including reissues): "Lawrence of Arabia". Boxoffice. مؤرشف من الأصل في 2014-08-10. اطلع عليه بتاريخ 2016-05-29. $44,824,852
1 2 3 Hall & Neale 2010، صفحة 165– 166
Lawrence of Arabia: Columbia released the $13.8 million Lawrence of Arabia (1962), filmed in Super Panavision 70, exclusively on a hard-ticket basis, but opened Barabbas (1962), The Cardinal (1963), and the $12 million Joseph Conrad adaptation Lord Jim (1965) as 70 mm roadshows in selected territories only."
The Longest Day: "Darryl's most ambitious independent production was The Longest Day (1962), a three-hour reconstruction of D-Day filmed in black-and-white CinemaScope at a cost of $8 million. It grossed over $30 million worldwide as a roadshow followed by general release, thereby helping the studio regain stability during its period of reorganization."
Cleopatra: "With top tickets set at an all-time high of $5.50,Cleopatra had amassed as much as $20 million in such guarantees from exhibitors even before its premiere. Fox claimed the film had cost in total $44 million, of which $31,115,000 represented the direct negative cost and the rest distribution, print and advertising expenses. (These figures excluded the more than $5 million spent on the production's abortive British shoot in 1960–61, prior to its relocation to Italy.) By 1966 worldwide rentals had reached $38,042,000 including $23.5 million from the United States." "نسخة مؤرشفة". مؤرشف من الأصل في 2019-06-15. اطلع عليه بتاريخ 2019-10-13.{{استشهاد ويب}}:  صيانة الاستشهاد: BOT: original URL status unknown (link)
↑  Hall & Neale 2010، صفحة 164. "West cost $14,483,000; although it earned $35 million worldwide in just under three years, with ultimate domestic rentals totaling $20,932,883, high distribution costs severely limited its profitability." "نسخة مؤرشفة". مؤرشف من الأصل في 2019-06-05. اطلع عليه بتاريخ 2019-10-13.{{استشهاد ويب}}:  صيانة الاستشهاد: BOT: original URL status unknown (link)
1 2 3 4 Block & Wilson 2010، صفحات 428–429
From Russia With Love: "Worldwide Box Office: 78.9; Production Cost: 2.0 (in millions of $s)"
Goldfinger: "Worldwide Box Office: 124.9; Production Cost: 3.0 (in millions of $s)"
Diamonds Are Forever: "Worldwide Box Office: 116; Production Cost: 7.2 (in millions of $s)"
Moonraker: "Worldwide Box Office: 210.3; Production Cost: 34.0 (in millions of $s)" "نسخة مؤرشفة". مؤرشف من الأصل في 2019-06-05. اطلع عليه بتاريخ 2019-10-13.{{استشهاد ويب}}:  صيانة الاستشهاد: BOT: original URL status unknown (link)
1 2 Chapman، James (2007). Licence to thrill: a cultural history of the James Bond films. أي بي توريس. ISBN:978-1-84511-515-9.
From Russia With Love: "The American release of From Russia With Love again followed on some six months after it had been shown in Britain. North American rentals of $9.9 million were an improvement on its predecessor, helped by a slightly wider release, though they were still only half the $19.5 million of foreign rentals... (Online copy at كتب جوجل)"
Diamonds Are Forever: "Diamonds Are Forever marked a return to the box-office heights of the Bond films of the mid-1960s. Its worldwide rentals were $45.7 million..."
Moonraker: "These figures were surpassed by Moonraker, which earned total worldwide rentals of $87.7 million, of which $33 million came from North America. (Online copy at كتب جوجل)"
1 2 Balio، Tino (2009). United Artists, Volume 2, 1951–1978: the Company that Changed the Film Industry. University of Wisconsin Press. ص. 261. ISBN:978-0-299-23014-2.
From Russia With Love: "The picture grossed twice as much as Dr. No, both domestic and foreign—$12.5 million worldwide (Online copy at كتب جوجل)"
Goldfinger: "Produced on a budget of around $3 million, Goldfinger grossed a phenomenal $46 million worldwide the first time around. (Online copy at كتب جوجل)"
1 2 Hall & Neale 2010، صفحة 184
My Fair Lady: "My Fair Lady (1964) cost Warners $17 million to make, including a record $5.5 million just for the film rights to the Alan Jay Lerner and Frederick Loewe stage show and a million-dollar fee for star Audrey Hepburn. By 1967 it was reported to have grossed $55 million from roadshowing worldwide."
Mary Poppins: "Mary Poppins (1964), which cost $5.2 million, was neither a stage adaptation nor a roadshow. But by the end of its first release, it had grossed nearly $50 million worldwide." "نسخة مؤرشفة". مؤرشف من الأصل في 2019-06-05. اطلع عليه بتاريخ 2019-10-13.{{استشهاد ويب}}:  صيانة الاستشهاد: BOT: original URL status unknown (link)
↑  Burns، Douglas (2010)، Mary Poppins، ص. 469، In its initial run, Poppins garnered an astounding $44 million in worldwide rentals and became the company's first Best Picture Oscar contender. In: Block & Wilson 2010. "نسخة مؤرشفة". مؤرشف من الأصل في 2019-06-05. اطلع عليه بتاريخ 2019-10-13.{{استشهاد ويب}}:  صيانة الاستشهاد: BOT: original URL status unknown (link)
↑  "The Sound of Music". Boxoffice. مؤرشف من الأصل في 2018-12-25. اطلع عليه بتاريخ 2016-05-29.
↑  "Hawaii". The Numbers. Nash Information Services. LLC. مؤرشف من الأصل في 2013-10-29. اطلع عليه بتاريخ 2011-08-18.
↑  "Who's Afraid of Virginia Woolf?". Boxoffice. مؤرشف من الأصل في 2018-12-25. اطلع عليه بتاريخ 2016-05-29.
↑  Hall & Neale 2010، صفحة 188. "The negative cost of Warners' adaptation of Edward Albee's play Who's Afraid of Virginia Woolf? (1966)—filmed in widescreen and black-and-white, largely set in domestic interiors and with a cast of only four principal actors—amounted to $7,613,000, in part because stars Elizabeth Taylor and Richard Burton received up-front fees of $1 million and $750,000 respectively, against 10 percent of the gross apiece. (Their participation was presumably added to the budget)." "نسخة مؤرشفة". مؤرشف من الأصل في 2019-06-05. اطلع عليه بتاريخ 2019-10-13.{{استشهاد ويب}}:  صيانة الاستشهاد: BOT: original URL status unknown (link)
↑  "Animals Portray Parts in Disney's "Robin Hood"". Toledo Blade. 18 أكتوبر 1970. Sec. G, p. 7. "The Jungle Book," in it's [sic] initial world-wide release, has grossed $23.8 million to date...
↑  "The Jungle Book". فارايتي. 31 ديسمبر 1966. مؤرشف من الأصل في 2019-07-21. اطلع عليه بتاريخ 2018-03-14. It was filmed at a declared cost of $4 million over a 42-month period.
1 2 Denisoff، R. Serge؛ Romanowski، William D. (1991). Risky Business: Rock in Film . Transaction Publishers. ISBN:978-0-88738-843-9.
The Graduate: p. 167. "World net rental was estimated at more than $85 million by January 1971."
Grease: p. 236. "The film was produced for $6 million and Paramount reportedly spent another $3 million on promotion." "نسخة مؤرشفة". مؤرشف من الأصل في 2019-06-05. اطلع عليه بتاريخ 2019-10-13.{{استشهاد ويب}}:  صيانة الاستشهاد: BOT: original URL status unknown (link)
1 2 Hall & Neale 2010، صفحة 191–192
The Graduate: "The Graduate eventually earned U.S. rentals of $44,090,729 on a production cost of $3.1 million to become the most lucrative non-roadshow picture (and independent release) to date."
Butch Cassidy and the Sundance Kid: "None of these films was roadshown in the United States; most were set in contemporary America or had a contemporary "take" on the past (the casting of genuine teenagers to play Romeo and Juliet, the urbane sophistication of the dialogue in Butch Cassidy, the antiauthoritarianism of Bonnie and Clyde and MASH); most were produced on modest or medium-sized budgets (as low as $450,000 for Easy Rider and no higher than $6,825,000 for Butch Cassidy); and all grossed upward of $10 million domestically." "نسخة مؤرشفة". مؤرشف من الأصل في 2019-06-05. اطلع عليه بتاريخ 2019-10-13.{{استشهاد ويب}}:  صيانة الاستشهاد: BOT: original URL status unknown (link)
↑ 2001: A Space Odyssey
Total: Miller، Frank. "2001: A Space Odyssey (1968) – Articles". تيرنر كلاسيك موفيز. مؤرشف من الأصل في 2020-07-24. اطلع عليه بتاريخ 2011-08-24. 2001: A Space Odyssey made $15 million on its initial U.S. release, and currently shows a worldwide gross of over $190 million.
As of 2006: Palmer، R. Barton (2006). "2001: The Critical Reception and the Generation Gap". في Kolker، Robert Phillip (المحرر). Stanley Kubrick's 2001: a Space Odyssey: New Essays. دار نشر جامعة أكسفورد. ص. 16. ISBN:978-0-19-517452-6. With its initial and subsequent releases, domestic and worldwide, Kubrick's arty, intellectual film earned nearly $138 million, which was, at that time, an astounding figure.
2013 re-release: "2001: A Space Odyssey (2013 re-release)". بوكس أوفيس موجو. مؤرشف من الأصل في 2019-06-15. اطلع عليه بتاريخ 2018-09-26. Domestic Total Gross: $214,618; United Kingdom: $568,997
2014 re-release: "2001: A Space Odyssey (2014 re-release)". بوكس أوفيس موجو. مؤرشف من الأصل في 2019-06-05. اطلع عليه بتاريخ 2018-09-26. Domestic Total Gross: $135,370
2018 re-release: "2001: A Space Odyssey (2018 re-release)". بوكس أوفيس موجو. مؤرشف من الأصل في 2019-06-15. اطلع عليه بتاريخ 2018-09-26. Domestic Total Gross: $1,283,820; Australia: $192,457; Greece: $27,510; Netherlands: $159,068; New Zealand: $5,046; Russia: $155,841; United Kingdom: $296,525
↑  Haber، Joyces (27 مارس 1969). "'Funny Girl' a Box Office Winner". لوس أنجلوس تايمز. مؤرشف من الأصل في 2012-11-05. اطلع عليه بتاريخ 2012-03-29. ..."Funny Girl" will gross an estimated $80 to $100 million worldwide.
↑  Welles، Chris (7 سبتمبر 1970). "Behind the Silence at Columbia Pictures—No Moguls, No Minions, Just Profits". نيويورك. New York Media. ج. 3 رقم  36. ص. 42–47. While Columbia, battling Ray Stark over every dollar, did Funny Girl for around $8.8 million, a million or so over budget, Fox spent nearly $24 million on Hello, Dolly!, more than twice the initial budget, and the film will thus have to gross three times as much to break even.
↑ Butch Cassidy and the Sundance Kid
United States and Canada: "Butch Cassidy and the Sundance Kid". Boxoffice. مؤرشف من الأصل في 2019-01-08. اطلع عليه بتاريخ 2016-05-29. $102,308,525
Outside North America: Vanity Fair. 2008. ص. 388. Butch Cassidy went on to be a huge hit—by the spring of 1970 it had taken in $46 million in North America and grossed another $50 million abroad. {{استشهاد بكتاب}}: الوسيط |مسار أرشيف= بحاجة لـ |مسار= (مساعدة)
↑  "'Love Story' II: Ryan Redux?". نيويورك. New York Media. ج. 9. 1976. ص. 389. Bring those handkerchiefs out of retirement. ... After all, the first movie made around $80 million worldwide.
↑  Block، Hayley Taylor (2010)، Love Story، ص. 545، The final cost came in at $2,260,000. In: Block & Wilson 2010. "نسخة مؤرشفة". مؤرشف من الأصل في 2019-06-05. اطلع عليه بتاريخ 2019-10-13.{{استشهاد ويب}}:  صيانة الاستشهاد: BOT: original URL status unknown (link)
↑  Scott، Vernon (30 يونيو 1979). ""Airports" Flourish". The Bryan Times. يونايتد برس إنترناشيونال. ص. 10.
↑  Block & Wilson 2010، صفحة 541. "Screenwriter and director George Seaton was given a then-whopping production budget of $10 million to make what would be his last big movie after a long career as an actor in radio, a screenwriter, and a director." "نسخة مؤرشفة". مؤرشف من الأصل في 2019-06-26. اطلع عليه بتاريخ 2019-10-13.{{استشهاد ويب}}:  صيانة الاستشهاد: BOT: original URL status unknown (link)
↑  Block & Wilson 2010، صفحة 549. "Fiddler had the highest domestic box office of 1971 (it was second in worldwide box office after Diamonds Are Forever), with more than $100 million in unadjusted worldwide box office on its initial release. The soundtrack album was also a huge seller. The 1979 rerelease was not as successful, with the $3.8 million print and ad costs almost as high as the $4.3 million in worldwide rentals." "نسخة مؤرشفة". مؤرشف من الأصل في 2019-07-21. اطلع عليه بتاريخ 2019-10-13.{{استشهاد ويب}}:  صيانة الاستشهاد: BOT: original URL status unknown (link)
1 2 3 4 5 6 Block & Wilson 2010، صفحة 527.
Star Wars: "Domestic Rentals: $127.0; Foreign Rentals: $141.5; Production Cost: $13.0 (Initial Release – Unadjusted $s in Millions of $s)."
The Godfather: "Domestic Rentals: $85.6; Foreign Rentals: $42.0; Production Cost: $7.2 (Initial Release – Unadjusted $s in Millions of $s)."
Fiddler on the Roof: "Domestic Rentals: $34.0; Foreign Rentals: $11.1; Production Cost: $9.0 (Initial Release – Unadjusted $s in Millions of $s)."
Rocky: "Domestic Rentals: $56.0; Foreign Rentals: $21.1; Production Cost: $1.6 (Initial Release – Unadjusted $s in Millions of $s)." "نسخة مؤرشفة". مؤرشف من الأصل في 2019-06-05. اطلع عليه بتاريخ 2019-10-13.{{استشهاد ويب}}:  صيانة الاستشهاد: BOT: original URL status unknown (link)
↑ The Godfather
1974: Newsweek. ج. 84. 1974. ص. 74. The original Godfather has grossed a mind-boggling $285 million...
1991: Von Gunden، Kenneth (1991). Postmodern auteurs: Coppola, Lucas, De Palma, Spielberg, and Scorsese. مكفارلاند وشركاه. ص. 36. ISBN:978-0-89950-618-0. Since The Godfather had earned over $85 million in U.S.-Canada rentals (the worldwide box-office gross was $285 million), a sequel, according to the usual formula, could be expected to earn approximately two-thirds of the original's box-office take (ultimately Godfather II had rentals of $30 million).
1997 re-release: "The Godfather (Re-issue)". Boxoffice. مؤرشف من الأصل في 2019-01-09. اطلع عليه بتاريخ 2016-05-29. North America: $1,267,249
As of 2010: Block & Wilson 2010، صفحة 246. "Domestic Box Office: $135.0; Foreign Box Office: $110.1 (Unadjusted $s in Millions of $s)."
Total: "The Godfather". Boxoffice. مؤرشف من الأصل في 2018-12-25. اطلع عليه بتاريخ 2016-05-29. Worldwide Gross: $245,066,044
↑  Jacobs، Diane (1980). "million+in+worldwide+sales"+godfather Hollywood Renaissance. دار النشر ديل. ص. 115. ISBN:978-0-440-53382-5. مؤرشف من الأصل في 2019-06-05. The Godfather catapulted Coppola to overnight celebrity, earning three Academy Awards and a then record-breaking $142 million in worldwide sales.
↑  "The Godfather (1972) – Notes". تيرنر كلاسيك موفيز. مؤرشف من الأصل في 2019-07-24. اطلع عليه بتاريخ 2012-01-09.
↑  "The Exorcist". Boxoffice. مؤرشف من الأصل في 2018-12-25. اطلع عليه بتاريخ 2016-05-29.
↑  Stanley، Robert Henry؛ Steinberg، Charles Side (1976). The media environment: mass communications in American society. Hastings House. ص. 76. ISBN:978-0-8038-4681-4. مؤرشف من الأصل في 2019-06-05. اطلع عليه بتاريخ 2019-10-13. ...further reflected by the phenomenal successes of The Sting, Chinatown and The Exorcist. The latter film, which cost about $10 million to produce, has grossed over $110 million worldwide.
↑  New York، New York Media، ج. 8، 1975، ...Jaws should outstrip another MCA hit, The Sting, which had world-wide revenues of $115 million. (Online copy at كتب جوجل) {{استشهاد}}: روابط خارجية في |اقتباس= (مساعدة)
↑  Block & Wilson 2010، صفحة 560. "Production Cost: $5.5 (Unadjusted $s in Millions of $s)." "نسخة مؤرشفة". مؤرشف من الأصل في 2019-06-05. اطلع عليه بتاريخ 2019-10-13.{{استشهاد ويب}}:  صيانة الاستشهاد: BOT: original URL status unknown (link)
↑  Hall & Neale 2010، صفحات 206–208. "The most successful entry in the disaster cycle was the $15 million The Towering Inferno which earned over $48,650,000 in domestic rentals and about $40 million foreign." "نسخة مؤرشفة". مؤرشف من الأصل في 2019-07-21. اطلع عليه بتاريخ 2019-10-13.{{استشهاد ويب}}:  صيانة الاستشهاد: BOT: original URL status unknown (link)
↑  Klady، Leonard (1998). "All-Time Top Film Rentals". فارايتي. مؤرشف من الأصل في 1999-10-07. Domestic rentals: $48,838,000
↑  هوليوود ريبورتر. January 27, 1976. "Foreign rentals: $43 million"
↑  Block & Wilson 2010، صفحة 568. "Production Cost: $14.3 (Unadjusted $s in Millions of $s)."
↑  Brooks، Mel (2004). "My Movies: The Collisions of Art and Money". في Squire، Jason E (المحرر). The movie business book (ط. 3). سايمون وشوستر. ISBN:978-0-7432-1937-2. مؤرشف من الأصل في 2019-06-05. اطلع عليه بتاريخ 2019-10-13. To their credit, Blazing saddles, opened wide in June to tremendous business around the country. It's done over $80 million in rentals worldwide in 1974 dollars. (Online copy at كتب جوجل) {{استشهاد بكتاب}}: روابط خارجية في |اقتباس= (مساعدة)
↑  Block & Wilson 2010، صفحة 564. "Production Cost: $2.6 (Unadjusted $s in Millions of $s)." "نسخة مؤرشفة". مؤرشف من الأصل في 2019-07-21. اطلع عليه بتاريخ 2019-10-13.{{استشهاد ويب}}:  صيانة الاستشهاد: BOT: original URL status unknown (link)
↑  "Jaws". Boxoffice. مؤرشف من الأصل في 2018-12-25. اطلع عليه بتاريخ 2016-05-29.
↑
↑  Priggé، Steven (2004). Movie Moguls Speak: Interviews With Top Film Producers. مكفارلاند وشركاه. ص. 8. ISBN:978-0-7864-1929-6. مؤرشف من الأصل في 2019-06-05. اطلع عليه بتاريخ 2019-10-13. The budget for the first Jaws was $4 million and the picture wound up costing $9 million.
↑  Hall & Neale 2010، صفحة 214. "Rocky was the "sleeper of the decade". Produced by UA and costing just under $1 million, it went on to earn a box-office gross of $117,235,247 in the United States and $225 million worldwide." "نسخة مؤرشفة". مؤرشف من الأصل في 2019-07-21. اطلع عليه بتاريخ 2019-10-13.{{استشهاد ويب}}:  صيانة الاستشهاد: BOT: original URL status unknown (link)
↑  Block، Alex Ben (2010)، Rocky، ص. 583، The budget was $1,075,000 plus producer's fees of $100,000. In: Block & Wilson 2010. "نسخة مؤرشفة". مؤرشف من الأصل في 2019-06-05. اطلع عليه بتاريخ 2019-10-13.{{استشهاد ويب}}:  صيانة الاستشهاد: BOT: original URL status unknown (link)
↑  "Star Wars (1977)". بوكس أوفيس موجو. مؤرشف من الأصل في 2019-09-07. اطلع عليه بتاريخ 2012-01-10.
1 2 3 4  Wuntch، Philip (19 يوليو 1985). "Return of E.T." دالاس مورنينغ نيوز. مؤرشف من الأصل في 2019-06-15. اطلع عليه بتاريخ 2012-03-06. Its worldwide box-office gross was $619 million, toppling the record of $530 million set by Star Wars.
↑  Hall & Neale 2010، صفحة 218. "Eventually costing $11,293,151, Star Wars was previewed at the Northpoint Theatre in San Francisco on May 1, 1977." "نسخة مؤرشفة". مؤرشف من الأصل في 2019-07-21. اطلع عليه بتاريخ 2019-10-13.{{استشهاد ويب}}:  صيانة الاستشهاد: BOT: original URL status unknown (link)
↑  "Grease". Boxoffice. مؤرشف من الأصل في 2018-12-25. اطلع عليه بتاريخ 2016-05-29.