كارلهاينز شتوكهاوزن
المصادر

↑   http://www.bbc.co.uk/music/artists/fd09d776-ddfd-4558-afe7-814420d704ed. {{استشهاد ويب}}: |url= بحاجة لعنوان (مساعدة) والوسيط |title= غير موجود أو فارغ (من ويكي بيانات) (مساعدة)
↑   http://www.nytimes.com/2011/03/06/arts/music/06alarm.html. {{استشهاد ويب}}: |url= بحاجة لعنوان (مساعدة) والوسيط |title= غير موجود أو فارغ (من ويكي بيانات) (مساعدة)
↑   https://www.zeit.de/zeit-magazin/2014/36/mary-bauermeister-kunst. {{استشهاد ويب}}: |url= بحاجة لعنوان (مساعدة) والوسيط |title= غير موجود أو فارغ (من ويكي بيانات) (مساعدة)
↑  أرشيف الفنون الجميلة، QID:Q10855166
↑  B.R.A.H.M.S. (بالفرنسية), ISSN:2557-8928, QID:Q54074647
↑  MusicBrainz (بالإنجليزية), MetaBrainz Foundation, QID:Q14005
Adamenko, Victoria. 2007. Neo-mythologism in Music: From Scriabin and Schoenberg to Schnittke and Crumb. Interplay Series 5. Hillsdale, NY: Pendragon Press. ISBN 1-57647-125-X.
Aita, Roberto. 2001. "Brothers Quay: In Absentia". OffScreen (30 September). English translation by Donato Totaro under the same title here.
Aldgate, Anthony, James Chapman, and Arthur Marwick. 2000. Windows on the Sixties: Exploring Key Texts of Media and Culture. London and New York: I. B. Taurus & Co. Ltd. ISBN 1-86064-383-3.
Anderson, Julian. 2001. "Nørgård, Per". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.
Andraschke, Peter. 1981. "Kompositorische Tendenzen bei Karlheinz Stockhausen seit 1965". In Zur Neuen Einfachheit in der Musik (Studien zur Wertungsforschung 14), edited by Otto Kolleritsch, 126–43. Vienna and Graz: Universal Edition (for the Institut für Wertungsforschung an der Hochschule für Musik und darstellende Kunst in Graz). ISBN 3-7024-0153-9.
Anon. n.d. "Burg Mödrath". Rhein-Erft Tourismus e.V. website (Accessed 2 March 2012)
Anon. 1950. "Burg Mödrath wird Kinderheim". Kölnische Rundschau (27 June).
Anon. 1967. "Composers: Flashes of a Mad Logic". Time 89, no. 6 (10 February): 75.
Anon. 1968. "Interv'iu so Stravinskim". Sovetskaia Muzyka (October): 141.
Anon. 1969. "Stockhausen: Zuviel verlangt". Der Spiegel, no. 49 (1 December): 218.
Anon. 1971. "Stockhausen: Immer höher". Der Spiegel, 1971 no. 9 (22 February): 130, 132, 134.
Anon. 2001. "Brief Liaisons Give Haunting Results: Visionary Fusion: In Absentia, Directed by Identical Twins Stephen and Timothy Quay with Music by Karlheinz Stockhausen". The Telegraph (17 February).
Anon. 2007a. "Avant-garde Composer Karlheinz Stockhausen Dies at 79". CBCnews.ca (7 December). (Accessed 7 April 2008)
Anon. 2007b. "Pioneer of Electronica Stockhausen Dead at 79". Sydney Morning Herald. 10 December.
Anon. 2008. "Karlheinz Stockhausen—a Romantic Discovering the Universe" [radio transcript]. In Talking to Kinky and Karlheinz—170 musicians get vocal on The Music Show, edited by Anni Heino, 283–91. Sydney: ABC Books. ISBN 978-0-7333-2008-8.
Backus, John. 1962. "Die Reihe—A Scientific Evaluation". Perspectives of New Music 1, no. 1:160–71.
Ballantine, Christopher. 1977. "Towards an Aesthetic of Experimental Music". The Musical Quarterly 63, no. 2 (April): 224–46.
Barrett, Richard. 1988. "First Performances: Montag aus LICHT at the Holland Festival". Tempo, new series, no. 166 (September): 43–45.
Barrett, Richard. 1998. "Not Necessarily Anything to Do with Karlheinz Stockhausen (Excavated from Diary Entries 20 February – 10 November 1994)". Leonardo Music Journal 8 ("Ghosts and Monsters: Technology and Personality in Contemporary Music"): 17–19.
Barrett, Richard. 2012. "Stockhausen Today and Tomorrow". Revised version of a paper presented at the Festival of Light, University of Birmingham/Birmingham Conservatoire/mac Birmingham (20 August). Richardbarrettmusic.com (Accessed 11 September 2012).
Bauer, Christian. 2008. Sacrificium intellectus: Das Opfer des Verstandes in der Kunst von Karlheinz Stockhausen, Botho Strauß und Anselm Kiefer. Munich: Wilhelm Fink Verlag. ISBN 978-3-7705-4596-4.
Bauermeister, Mary. 2011. Ich hänge im Triolengitter: Mein Leben mit Karlheinz Stockhausen. Munich: Edition Elke Heidenreich bei C. Bertelsmann. ISBN 978-3-570-58024-0.
Bäumer, Ingrid. 2007. "'Eine ganz neue Zeit fängt an': Karlheinz Stockhausen arbeitete bis zum letzten Atemzug". Kölner Stadt-Anzeiger (9 December).
Bäumer, Ingrid. 2008. "'Ehrung von Karlheinz Stockhausen: Rathausvorplatz trägt seinen Namen". Kölner Stadt-Anzeiger (19 June).
Bayles, Martha. 1996. Hole in Our Soul: The Loss of Beauty and Meaning in American Popular Music. Chicago: University of Chicago Press. ISBN 0-226-03959-5.
Beer, Roland de. 2008. "Magistraal klinkend in memoriam". De Volkskrant (21 June).
Bergstein, Barry. 1992. "Miles Davis and Karlheinz Stockhausen: A Reciprocal Relationship." The Musical Quarterly 76, no. 4. (Winter): 502–25.
Björk. 1996. "Compose Yourself" Interview of Stockhausen by Björk Dazed and Confused 23 (August 1996).
Blumröder, Christoph von. 1982. "Formel-Komposition—Minimal Music—Neue Einfachheit: Musikalische Konzeptionen der siebziger Jahre." In Neuland Jahrbuch 2 (1981/82), edited by Herbert Henck, 160–78. Bergisch Gladbach: Neuland Verlag.
Blumröder, Christoph von. 1993. Die Grundlegung der Musik Karlheinz Stockhausens. Beihefte zum Archiv für Musikwissenschaft 32, ed. Hans Heinrich Eggebrecht. Stuttgart: Franz Steiner Verlag.
Boulez, Pierre. 1976. Conversations with Célestin Deliège. London: Eulenburg Books.
Bridoux-Michel, Séverine. 2006. "Architecture et musique: croisements de pensées après 1950 (la collaboration de l'architecte et du musicien, de la conception à l'oeuvre)". PhD diss., l'Université Charles de Gaulle–Lille. Abstract.
Broyles, Michael. 2004. Mavericks and Other Traditions in American Music. New Haven and London: Yale University Press. ISBN 0-300-10045-0
Brümmer, Ludger. 2008. "Stockhausen on Electronics, 2004". Computer Music Journal 32, no. 4:10–16.
Bruno, Pascal. 1999. "Donnerstag aus Licht: A New Myth, or Simply an Updating of a Knowledge?" Perspectives of New Music 37, no. 1 (Winter): 133–56.
Cardew, Cornelius. 1974. Stockhausen Serves Imperialism. London: Latimer New Directions. (Reprinted in Prėvost, E. (ed) (2006). Cornelius Cardew (1936–1981) – A Reader. Harlow: Copula.
Chaplygina, Marina. 1993. Карлхайнц Штокхаузен: когда-нибудь речь станет пением ["Karlheinz Stockhausen: Some Day Speech Will Become Singing" (interview)]. Музыкальная жизнь [Musical Life], nos. 15–16:24–26.
Conen, Hermann. 1991. Formel-Komposition: Zu Karlheinz Stockhausens Musik der siebziger Jahre. Kölner Schriften zur Neuen Musik 1, ed. Johannes Fritsch and Dietrich Kämper. Mainz: Schott's Söhne. ISBN 3-7957-1890-2
Cott, Jonathan. 1973. Stockhausen: Conversations with the Composer. New York: Simon and Schuster. ISBN 0-671-21495-0.
Craft, Robert. 2002. An Improbable Life: Memoirs. Nashville: Vanderbilt University Press.
[Craft, Robert]. 1968. "Side Effects: An Interview with Stravinsky". New York Review of Books (14 March): 3–8.
Craft, Robert, and Igor Stravinsky. 1960. Memories and Commentaries Garden City, NY: Doubleday.
Cross, Jonathan. 2000. Harrison Birtwistle: Man, Mind, Music. Ithaca: Cornell University Press. ISBN 0-8014-8672-6.
Cross, Jonathan. 2001. "Birtwistle, Sir Harrison". The New Grove Dictionary of Music and Musicians, ed. S. Sadie and J. Tyrrell. London: Macmillan.
Custodis, Michael. 2004. Die soziale Isolation der neuen Musik: Zum Kölner Musikleben nach 1945. Beihefte zum Archiv für Musikwissenschaft 54, edited by Albrecht Riethmüller, with Reinhold Brinkmann, Ludwig Finscher, Hans-Joachim Hinrichsen, Wolfgang Osthoff, and Wolfram Steinbeck. Stuttgart: Franz Steiner Verlag. ISBN 3-515-08375-8
Davies, Hugh. 1968. "Working with Stockhausen." The Composer no. 27:8–11.
Decroupet, Pascal, and Elena Ungeheuer. 1998. "Through the Sensory Looking-Glass: The Aesthetic and Serial Foundations of Gesang der Jünglinge". Translated from the French by Jerome Kohl. Perspectives of New Music 36, no. 1 (Winter): 97–142.
Deruchie, Andrew. 2007. "Karlheinz Stockhausen: Tierkreis (Zodiac) (1974–75), (Karlheinz Stockhausen, arrangement)". Programme-booklet note for the North American première of Fünf Sternzeichen, 5 March 2007. Montréal: Société de musique contemporaine du Québec.
Deutscher Musikeditionspreis. 2009. "Elf Preisträger des Deutschen Musikeditionspreis „BEST EDITION“ 2009". Deutscher Musikverleger-Verband. (Accessed 31 August 2009)
Dick, Philip K. 1993. Flow My Tears, the Policeman Said. New York: Vintage Books. ISBN 0-679-74066-X
Dirmeikis, Paul. 1999. Le Souffle du temps: Quodlibet pour Karlheinz Stockhausen. [La Seyne-sur-Mer]: Éditions Telo Martius. ISBN 2-905023-37-6 ""
Druskin, Mikhail Semenovich. 1974. Igor Stravinskii: Lichnost, Tvorchestvo, Vzgliady [Igor Stravinsky: Personality, Works, Opinions]. Leningrad, Moscow: Izdatelstvo "Sovietska kompozitor".
Éloy, Jean-Claude. 2008. "I Owe to Him . . .". In Gedenkschrift für Stockhausen, edited by Suzanne Stephens and Kathinka Pasveer, 58. Kürten: Stockhausen-Stiftung für Musik.
Feather, Leonard. 1964. "Blindfold Test: Yusef Lateef." Down Beat 31, no. 25 (10 September): 34.
Felder, David. 1977. "An Interview with Karlheinz Stockhausen." Perspectives of New Music 16, no. 1 (Fall-Winter): 85–101.
Ferneyhough, Brian. 1988. "Témoignage", translated by Jacques Demierre. In Karlheinz Stockhausen (Livre-programme), 18–19. Paris: Edition Contrechamps/Festival d'Automne à Paris.
Feß, Eike. 2004. "Die Wirkung der Informationstheorie auf das Werk Karlheinz Stockhausens". In Kompositorische Stationen des 20. Jahrhunderts. Debussy, Webern, Messiaen, Boulez, Cage, Ligeti, Stockhausen, Höller, Bayle Signale aus Köln. Beiträge zur Musik der Zeit 7, edited by Christoph von Blumröder, 116–28. Münster: Lit-Verlag, 2004. ISBN 3-8258-7212-2.
Flur, Wolfgang. 2003. Kraftwerk: I Was a Robot. Second Edition. London: Sanctuary Publishing, Ltd. ISBN 1-86074-417-6.
Fokker, Adriaan D. 1968. "Wherefore, and Why?" Die Reihe 8 [English ed.], 68–79.
Föllmer, Golo. 1996. "Osaka: Technik für das Kugelauditorium." In Musik…, verwandelt. Das Elektronische Studio der TU Berlin 1953–1995, edited by Frank Gertich, Julia Gerlach, and Golo Föllmer, 195–211. Hofheim: Wolke-Verlag. ISBN 3-923997-68-X.
Frisius, Rudolf. 1996. Karlheinz Stockhausen I: Einführung in das Gesamtwerk; Gespräche mit Karlheinz Stockhausen. Mainz: Schott Musik International. ISBN 3-7957-0248-8
Frisius, Rudolf. 2008. Karlheinz Stockhausen II: Die Werke 1950–1977; Gespräch mit Karlheinz Stockhausen, "Es geht aufwärts". Mainz, London, Berlin, Madrid, New York, Paris, Prague, Tokyo, Toronto: Schott Musik International. ISBN 978-3-7957-0249-6.
Fritsch, Johannes, with Richard Toop. 2008. "Versuch, eine Grenze zu überschreiten … Johannes Fritsch im Gespräch über die Aufführungspraxis von Werken Karlheinz Stockhausens". MusikTexte: Zeitschrift für neue Musik, no. 116 (February): 31–40.
Frobenius, Wolf. 1981. 'Die "Neue Einfachheit" und der bürgerliche Schönheitsbegriff', in Zur Neuen Einfachheit in der Musik, edited by Otto Kolleritsch, 48–60. Studien zur Wertungsforschung 14. Vienna and Graz: Universal Edition (for the Institut für Wertungsforschung an der Hochschule für Musik und darstellende Kunst in Graz). ISBN 3-7024-0153-9.
Gather, John Philipp. 2003. "The Origins of Synthetic Timbre Serialism and the Parisian Confluence, 1949–52". PhD diss., State University of New York, Buffalo.
Gehlhaar, Rolf. 1968. Zur Komposition Ensemble: Kompositionsstudio Karlheinz Stockhausen, International Ferienkurse Darmstadt 1967. Darmstädter Beiträge zur Neuen Musik 11, ed. Ernst Thomas. Mainz: Schott.
Gilmore, Bob. 2009. "Claude Vivier and Karlheinz Stockhausen: Moments from a Double Portrait". Circuit: musiques contemporaines 19, no. 2:35–49.
Gimpel, Othmar (ed.). 2010. Karlheinz Stockhausen, KLANG, 8. und. 9. Mai. Cologne: MusikTriennale Köln.
Grant, Morag Josephine. 2001. Serial Music Serial Aesthetics: Compositional Theory in Post-War Europe. Music in the Twentieth Century, Arnold Whitall, general editor. Cambridge: Cambridge University Press. ISBN 0-521-80458-2.
Guerrieri, Matthew. 2009. "At NEC, Six Hours of Stockhausen". The Boston Globe (27 February).
Guy, Alun, and Iwan Llewelyn-Jones. 2004. Students Guide to Gcse Music for the Wjec Specification: English Language. London: Rhinegold Publishing. ISBN 1-904226-59-0.
Habib, André. 2002. "Through a Glass Darkly: Interview with the Quay Brothers". Senses of Cinema (February). French translation previously published in the Montreal-based online journal Hors Champ (15 January 2002).
Hagedorn, Volker. 2010. ""Dirigent Michael Gielen: Der Unbeugsame" Die Zeit no. 18 (29 April).
Hall, Michael. 1984. Harrison Birtwistle. The Contemporary Composers 4. Series editor, Nicholas Snowman. London: Robson Books. ISBN 0-86051-270-3.
Hall, Michael. 1998. Harrison Birtwistle in Recent Years. The Contemporary Composers. Series editor, Nicholas Snowman. London: Robson Books. ISBN 1-86105-179-4.
Harvey, Jonathan. 1975a. The Music of Stockhausen: An Introduction. Berkeley and Los Angeles: University of California Press. ISBN 0-520-02311-0.
Hänggi, Christian. 2011. Stockhausen at Ground Zero. Fillip. ISBN 978-0-9868326-5-9.
Harvey, Jonathan. 1975b. "Stockhausen's 'Hymnen'". The Musical Times, 116, no. 1590 (August): 705+707.
Heikinheimo, Seppo. 1972. The Electronic Music of Karlheinz Stockhausen: Studies on the Esthetical and Formal Problems of Its First Phase, translated by Brad Absetz. Acta Musicologica Fennica 6 (ISSN 0587-2448). Helsinki: Suomen Musiikkitieteellinen Seura / Musikvetenskapliga Sällskapet i Finland. (Doctoral thesis, Helsinki University.)
Heuger, Markus. 1998. "Stockhausen Goes to Town: Der öffentliche Stockhausen". Neue Zeitschrift für Musik 159, no. 4 (July–August): 10–15.
Hewett, Ivan. 2007. "Karlheinz Stockhausen: Both a Rationalist and a Mystic, the Composer's Influence Stretched from Boulez to the Beatles" Guardian Unlimited" (Friday 7 December).
Holbein, Ulrich. 2008. "Karlheinz Stockhausen: Elektroniker, Neutöner, Klang-Avantgardist, Lichtgestalt, Mythenverdünner". In his Narratorium: 255 Lebensbilder, 916–20. Zürich: Ammann Verlag. ISBN 978-3-250-10523-7.
Hollings, Ken. 1999. " Lost in the Stars: Karlheinz Stockhausen in Conversation with Ken Hollings, Kurten, Germany, 12 March 1999". The Wire, no. 184 (May).
Hopkins, Bill. 1972. "Stockhausen and Others". Tempo, new series, no. 98:32–34.
Hopp, Winrich. 1998. Kurzwellen von Karlheinz Stockhausen: Konzeption und musikalische Poiesis. Kölner Schriften zur neuen Musik 6. With CD recording. Mainz and New York: Schott. ISBN 3-7957-1895-3.
Howland, Patricia L. 2010. "Formal Processes in Post-Tonal Music: A Study of Selected Works by Babbitt, Stockhausen, and Carter". PhD diss. New York: City University of New York.
Iddon, Martin. 2004. "The Haus that Karlheinz Built". The Musical Quarterly 87, no. 1:87–118.
Ingram, James, and Paul Roberts. 2008. "Über das Unsichtbarsein: Ein E-mail Interview mit James Ingram zu seiner Tätigkeit als Stockhausens Notenkopist", translated by Gisela Gronemeyer. MusikTexte, no. 117 (May): 43–52. Expanded English text, as "On Being Invisible" (April 2009). James Ingram: Act Two website. Accessed 27 July 2010.
Kaletha, Holger. 2004. "Decomposition of the Sound Continuum: Serialism and Development from a Genetic-Phenomenological Perspective", translated by Jerome Kohl. Perspectives of New Music 42, no. 1 (Winter): 84–128.
Kirchmeyer, Helmut. 2009. "Stockhausens Elektronische Messe nebst einem Vorspann unveröffentlichter Briefe aus seiner Pariser Zeit an Herbert Eimert". Archiv für Musikwissenschaft 66, no. 3:234–59.
Klein, Lothar. 1968. "Twentieth-Century Analysis: Essays in Miniature". Music Educators Journal 54, no. 6 (February): 117–19.
Kohl, Jerome. 1981. "Serial and Non-Serial Techniques in the Music of Karlheinz Stockhausen from 1962–1968." PhD diss. Seattle: University of Washington.
Kohl, Jerome. 1983–84a. "The Evolution of Macro- and Micro-Time Relations in Stockhausen's Recent Music". Perspectives of New Music 22, nos. 1 and 2:147–85.
Kohl, Jerome. 1983–84b. "Stockhausen at La Scala: Semper idem sed non eodem modo". Perspectives of New Music 22, nos. 1 and 2:483–501.
Kohl, Jerome. 1990. "Into the Middleground: Formula Syntax in Stockhausen's Licht". Perspectives of New Music 28, no. 2 (Summer): 262–91.
Kohl, Jerome. 1993. "Time and Light." Contemporary Music Review 7, no. 2:203–19.
Kohl, Jerome. 1998a. "A Seventieth-Birthday Festschrift for Karlheinz Stockhausen (Part One): Guest Editor's Introduction". Perspectives of New Music 36, no. 1 (Winter): 59–64.
Kohl, Jerome. 1998b. "A Seventieth-Birthday Festschrift for Karlheinz Stockhausen (Part Two): Guest Editor's Introduction". Perspectives of New Music 36, no. 2 (Summer): 5–10.
Kohl, Jerome. 2002. "Serial Composition, Serial Form, and Process in Karlheinz Stockhausen's Telemusik." In Electroacoustic Music: Analytical Perspectives, ed. Thomas Licata, 91–118. Westport, Conn. and London: Greenwood Press.
Kohl, Jerome. 2004. "Der Aspekt der Harmonik in Licht." In Internationales Stockhausen-Symposion 2000: LICHT: Musikwissenschaftliches Institut der Universität zu Köln, 19. bis 22. Oktober 2000. Tagungsbericht. Signale aus Köln: Beiträge zur Musik der Zeit 10. Ed. Imke Misch and Christoph von Blumröder, 116–32. Münster, Berlin, London: LIT-Verlag. ISBN 3-8258-7944-5.
Kohl, Jerome. 2008. Programme notes in the programme booklet for the Klang Festival, (1–9 November), Southbank Centre, London: 12–13, 16–17, 20–21, 24–25.
Kohl, Jerome. 2009a. "Klang/Som: Die 24 Stunden des Tages/As 24 horas do dia". Temporada Gulbenkian de Música 2009–2010 (October): 13–14.
Kohl, Jerome. 2009b. "Hoffnung/Esperança, para violino, viola e violoncelo (2007): 9ª hora de Klang, as 24 horas do dia". Temporada Gulbenkian de Música 2009–2010 (October): 18.
Kohl, Jerome. 2009c. "Schönheit/Beleza, para clarinete baixo, flauta e trompete (2006): 6ª hora de Klang, as 24 horas do dia". Temporada Gulbenkian de Música 2009–2010 (October): 22.
Kohl, Jerome. 2010. "A Child of the Radio Age". In Cut & Splice: Transmission, edited by Daniela Cascella and Lucia Farinati, 135–39. London: Sound and Music. ISBN 978-1-907378-03-4
Kramer, Jonathan. 1998. "Karlheinz in California." Perspectives of New Music 36, no. 1 (Winter): 247–61.
Krause, Peter. 2008. "Elektro-Esoterik: Uraufführung von Stockhausen-Klang". Welt-Online (8 August).
Kurtz, Michael. 1992. Stockhausen: A Biography, translated by Richard Toop. London and Boston: Faber and Faber. ISBN 0-571-14323-7 (cloth) ISBN 0-571-17146-X (pbk)
Landschoof, Elke. 2010. "Stockhausen: Ehrenbürger künftig Teil des Namens". Kölner Stadt-Anzeiger (30 November).
Lebrecht, Norman. 1985. The Book of Musical Anecdotes. New York: Simon and Schuster; London: Sphere Books. ISBN 0-02-918710-9.
Lentricchia, Frank, and Jody McAuliffe. 2003. Crimes of Art and Terror. Chicago: University of Chicago Press. ISBN 0-226-47205-1.
MacDonald, Ian. 1995. Revolution in the Head: The Beatles' Records and the Sixties. London: Pimlico. ISBN 0-7126-6208-1.
Macon, Edward L. 1997. Rocking the Classics: English Progressive Rock and the Counterculture. New York: Oxford University Press. ISBN 0-19-509887-0.
Maconie, Robin. 1972. "Stockhausen's Mikrophonie I: Perception in Action." Perspectives of New Music 10, no. 2 (Spring-Summer): 92–101.
Maconie, Robin. 1976. The Works of Karlheinz Stockhausen. London, New York, Toronto: Oxford University Press. [For second edition, see Maconie 1990.]
Maconie, Robin. 1988. "Great Vintages". Classic CD 5.
Maconie, Robin. 1989. "Afterword: Beauty and Necessity". In Karlheinz Stockhausen, Stockhausen on Music: Lectures and Interviews, edited by Robin Maconie. London and New York: Marion Boyars.
Maconie, Robin. 1990. The Works of Karlheinz Stockhausen, 2nd edition. Oxford: Clarendon Press. ISBN 0-19-315477-3-.
Maconie, Robin. 2005. Other Planets: The Music of Karlheinz Stockhausen. Lanham, Maryland, Toronto, Oxford: The Scarecrow Press, Inc. ISBN 0-8108-5356-6.
Mießgang, Thomas, and Robert Baumanns. 1997. "Schlagsahne, Irrengesang, Kirmesgeister: Karlheinz Stockhausen testet Krautrock". Die Zeit, 1997, no. 17 (18 April).
Miller, Paul. 2009. "Stockhausen and the Serial Shaping of Space". PhD diss. Rochester: Eastman School of Music.
Misch, Imke, and Markus Bandur (eds.). 2001. Karlheinz Stockhausen bei den Internationalen Ferienkursen für Neue Musik in Darmstadt 1951–1996: Dokumente und Briefe. Kürten: Stockhausen-Verlag. ISBN 3-00-007290-X.
Mischke, Joachim. 2008. "SHMF: Neue Musik, visionär, von heute und wie von gestern". Hamburger Abendblatt (8 August).
Morawska-Büngeler, Marietta. 1988. Schwingende Elektronen: Eine Dokumentation über das Studio für Elektronische Musik des Westdeutschen Rundfunks in Köln, 1951–1986. Köln-Rodenkirchen: P. J. Tonger Musikverlag.
Morgan, Robert. 1975. "Stockhausen's Writings on Music". The Musical Quarterly 61, no. 1 (January): 1–16. Reprinted in the The Musical Quarterly 75, no. 4 (Winter 1991): 194–206.
Moritz, Albrecht. 2005. "Stockhausen: LICHTER-WASSER (LIGHTS-WATERS), 1998–99". (Record review)
Morreau, Annette. 2001. "Where Herzog Met Portishead: Only Connect, Barbican, London". The Independent (6 March).
Mowitz, Michael. 2010. Die Form der Klänge. Stockhausens ›Konzeption einer einheitlichen musikalischen Zeit‹ am Beispiel der Komposition »Kontakte«. Osnabrück: epOs-Music. ISBN 978-3-940255-08-2.
Neidhöfer, Christoph. 2005. "Joseph N. Strauss. Stravinsky's Late Music". Music Theory Spectrum 27:336–53.
Nordin, Ingvar Loco. 2004. "George Crumb, Makrokosmos Books 1 and 2: 24 Fantasy Pieces after the Zodiac for Amplified Piano: Margaret Leng Tan (amplified piano)—Alex Nowitz (whistling). Mode 142". (Accessed 7 April 2008) Also found at Mode Records website
O'Mahony, John. 2001. "The Sound of Discord". The Guardian (29 September). (Accessed 8 May 2011)
Pace, Ian. 1996. "'Secret Theatres': The Harrison Birtwistle Retrospective, 12 April – 4 May 1996". Tempo, new series, no. 197. (July): 25–27.
Perle, George. 1960. "Book Review: Die Reihe III: Musical Craftsmanship". Journal of Music Theory 4, no. 1 (April): 102–104.
Peters, Günter. 1992. "Meditations Modulated: H. Heissenbüttel's 'Einfache Grammatische Meditationen' in K. Stockhausen's Mikrophonie II. " German Literature and Music—An Aesthetic Fusion: 1890–1989, ed. C. Reschke and H. Pollock, Houston Germanic Studies 8, 247–61. Munich: Wilhelm Fink Verlag. Revised German edition 1993: "Die ringmodulierte Meditation: Helmut Heissenbüttels 'Einfache grammatische Meditationen' in Karlheinz Stockhausens Mikrophonie II." In Musik-Konzepte 81: Autoren-Musik. Sprache im Grenzbereich der Künste, 16–40. Munich: Edition Text+Kritik. Reprinted in Peters 2003, 27–62 (German) and 163–98 (English).
Peters, Günter. 2003. Heiliger Ernst im Spiel—Texte zur Musik von Karlheinz Stockhausen / Holy Seriousness in the Play—Essays on the Music of Karlheinz Stockhausen (bilingual edition, German and English). Kürten: Stockhausen-Stiftung für Musik. ISBN 978-3-00-009182-7
Power, David. 1990. "Book Reviews: Towards a Cosmic Music, Karlheinz Stockhausen; Tim Nevill". Tempo, new series, no. 175. (December): 30–31.
Prendergast, Mark. 2000. The Ambient Century: From Mahler to Trance—The Evolution of Sound in the Electronic Age. New York: Bloomsbury Publishing. ISBN 1-58234-134-6.
Pynchon, Thomas. 1999. The Crying of Lot 49 New York: HarperPerennial.
Radano, Ronald M. 1993. New Musical Figurations: Anthony Braxton's Cultural Critique Chicago: University of Chicago Press.
Reier, Sebastian. 2007. "Im Rhythmus der Sterne". Die Zeit (9 December).
Rigoni, Michel. 1998. Stockhausen: ... un vaisseau lancé vers le ciel, 2nd edition, revised, corrected, and enlarged. Lillebonne: Millénaire III Editions. ISBN 2-911906-02-0.
Rigoni, Michel. 2001. Le rêve de Lucifer de Karlheinz Stockhausen. La trace des silences. [Paris]: M. de Maule. ISBN 978-2-87623-103-0.
Ritzel, Fred. 1970. Musik für ein Haus: Kompositionsstudio Karlheinz Stockhausen, Internationale Ferienkurse für Neue Musik, Darmstadt 1968. Darmstädter Beiträge zur Neuen Musik 12, edited by Ernst Thomas. Mainz: B. Schott's Söhne.
Roads, Curtis. 2001. Microsound. Cambridge: MIT Press. ISBN 0-262-18215-7.
Romney, Jonathan. 2001. "The Barbican's Musical Jellyfish: Sound on Film Live". The Guardian (3 March).
Ross, Alex. 2004. "Björk's Saga". The New Yorker 80, no. 23 (23 August): 49–53 +55–59. .
Rudi, Jøran (editor), Flø, Asbjørn Blokkum, Schaathun, Asbjørn. 2008. Karlheinz Stockhausen – A Pioneer in Utopia. Oslo: Notam. ISBN 978-82-996867-2-3.
Sabbe, Herman. 1981. "Die Einheit der Stockhausen-Zeit ...: Neue Erkenntnismöglichkeiten der seriellen Entwicklung anhand des frühen Wirkens von Stockhausen und Goeyvaerts. Dargestellt aufgrund der Briefe Stockhausens an Goevaerts". In Musik-Konzepte 19: Karlheinz Stockhausen: ... wie die Zeit verging ..., edited by Heinz-Klaus Metzger and Rainer Riehn, 5–96. Munich: Edition Text + Kritik.
Schönberger, Elmer. 2001. "Andriessen: (4) Louis Andriessen". The New Grove Dictionary of Music and Musicians, ed. S. Sadie and J. Tyrrell. London: Macmillan.
Schwartz, Elliott, and Barney Childs, with Jim Fox. 1998. Contemporary Composers on Contemporary Music. Expanded edition. New York: Da Capo Press. ISBN 0-306-80819-6
Shimizu, Minoru. 1999. "Stockhausen und Japan, Licht und Schatten". In Internationales Stockhausen-Symposion 1998: Musikwissenschaftliches Institut der Universität zu Köln, 11. bis 14. November 1998. Tagungsbericht, edited by Imke Misch and Christoph von Blumröder, 87–94. Signale aus Köln: Beiträge zur Musik der Zeit 4. Saarbrücken: PFAU-Verlag. ISBN 3-89727-050-1.
Sigel, Paul. 2000. "Der deutsche Beitrag auf der Expo70 in Osaka." Arch plus no. 149–150 (April): 116–33. Reprinted online Thema 5, no. 1 (July 2000)
Skowron, Zbigniew. 1981. "Muzyka elektroniczna Karlheinza Stockhausena. Okres prób i doswiadczen" [Karlheinz Stockhausen's electronic music. A period of trials and experiences]. Muzyka: Kwartalnik Instytutu Sztuki Polskiej Akademii Nauk 26, nos. 3–4:17–40.
Stenzl, Jürg. 1991. "York Höller's 'The Master and Margarita': A German Opera." Translated by Sue Rose. Tempo New Series, no. 179 (December): 8–15.
Stephens, Suzanne, and Kathinka Pasveer (eds.). 2008. Gedenkschrift für Stockhausen. Kürten: Stockhausen-Stiftung für Musik. ISBN 978-3-00-023528-3.
Stockhausen, Christel. 1978. "Stockhausens Tierkreis: Einführung und Hinweise zur praktischen Aufführung." Melos 45/Neue Zeitschrift für Musik 139 (July/August): 283–87. Reprinted together with an English trans. as "Stockhausen's ZODIAC, Introduction and Instructions for Performance Practice", in a booklet now included with the score of Tierkreis.
Stockhausen, Karlheinz. Texte zur Musik. 10 vols. Vols. 1–3 edited by Dieter Schnebel; vols. 4–10 edited by Christoph von Blumröder. Vols. 1–3, Cologne: Verlag M. DuMont Schauberg (1963, 1964, 1971); vols. 4–6 DuMont Buchverlag (1978, 1989, 1989). Vols. 7–10 Kürten: Stockhausen-Verlag (1998). English edition, as Texts on Music, edited by Jerome Kohl, with translations by Jerome Kohl, Richard Toop, Tim Nevill, Suzanne Stephens, et al. Kürten: Stockhausen-Verlag, in preparation.
Stockhausen, Karlheinz. 1962. "The Concept of Unity in Electronic Music". Translated by Elaine Barkin. Perspectives of New Music 1, no. 1 (Autumn): 39–48.
Stockhausen, Karlheinz. 1989a. Stockhausen on Music: Lectures and Interviews, edited by Robin Maconie. London and New York: Marion Boyars. ISBN 0-7145-2887-0 (cloth) ISBN 0-7145-2918-4 (pbk).
Stockhausen, Karlheinz. 1989b. Towards a Cosmic Music. Texts selected and translated by Tim Nevill. Shaftsbury: Element Books. ISBN 1-85230-084-1.
Stockhausen, Karlheinz. 1996a. "Electroacoustic Performance Practice". Perspectives of New Music 34, no. 1 (Autumn): 74105-.