تحديق (مفهوم)
مراجع

↑  Jean-Paul Sartre الوجود والعدم, Part 3, Chapter 1
1 2 3 4  Licitra Rosa، Carmelo؛ Antonucci، Carla؛ Siracusano، Alberto؛ Centonze، Diego (30 مارس 2021). "From the Imaginary to Theory of the Gaze in Lacan". Frontiers in Psychology. ج. 12: 578277. DOI:10.3389/fpsyg.2021.578277. PMC:8042220. PMID:33859589.{{استشهاد بدورية محكمة}}:  صيانة الاستشهاد: دوي مجاني غير معلم (link)
↑  Knausgaard, Karl Ove. "The Inexplicable", The New Yorker, 25 May 2015, p. 32.
↑  Schroeder، Jonathan (1998). "Consuming Representation: A Visual Approach to Consumer Research". Representing Consumers: Voices, Views and Visions. New York: Routledge. ص. 208. ISBN:978-0415184144. SSRN:1349954.
↑  Sturken, Marita; Cartwright, Lisa. Practices of Looking: An Introduction to Visual Culture. Oxford University Press, 2009. p. 94, 103.
↑  Sturken, Marita; Cartwright, Lisa. Practices of Looking: An Introduction to Visual Culture. Oxford University Press, 2009. pp. 106-108.
↑  Crossley، Nick (1993). "The politics of the gaze: Between Foucault and Merleau-Ponty". Human Studies. ج. 16 ع. 4: 399-419. DOI:10.1007/BF01323025.
↑  Calvano، Jenn Ariadne (2 يناير 2018). "What Are You Looking At? The Complication of the Male Gaze in Fin de Siècle Cancan and Bob Fosse's Sweet Charity". Journal of Dance Education. ج. 18 ع. 1: 33–40. DOI:10.1080/15290824.2017.1338709.
↑  A Companion to Women in the Ancient World, edited by Sharon L. James, Sheila Dillon, p. 75, 2012, Wiley, (ردمك 1444355007), 9781444355000 نسخة محفوظة 2022-04-09 على موقع واي باك مشين.
1 2 3  Sassatelli, Roberta. Interview with Laura Mulvey: Gender, Gaze and Technology in Film Culture. Theory, Culture & Society, September 2011, 28(5) p. 127.
↑  Sturken, Marita and Lisa Cartwright. Practices of Looking: an introduction to visual culture. Oxford University Press, 2001. p. 76.
↑  Chase، Alisia (2016). "The Female Gaze, Part Two: Women Look at Men". Afterimage. ج. 44 ع. 3: 34–35. DOI:10.1525/aft.2016.44.3.34. بروكويست 1851048154. {{استشهاد بدورية محكمة}}: templatestyles stripmarker في |المعرف= في مكان 1 (مساعدة)
↑  Jackson، Alecia Youngblood (أكتوبر 2004). "Performativity Identified". Qualitative Inquiry. ج. 10 ع. 5: 673–690. DOI:10.1177/1077800403257673.
↑  Martin، Rebecca (26 مارس 2020). "Deborah Kampmeier's 'Tape' explores the gray areas of #MeToo through sharing one woman's powerful story". Cinema Femme. مؤرشف من الأصل في 2023-02-23. اطلع عليه بتاريخ 2021-01-09.
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1 2  Fredrickson، Barbara L.؛ Roberts، Tomi-Ann (يونيو 1997). "Objectification Theory: Toward Understanding Women's Lived Experiences and Mental Health Risks". Psychology of Women Quarterly. ج. 21 ع. 2: 173–206. DOI:10.1111/j.1471-6402.1997.tb00108.x.
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↑  Bill Ashcroft et al, Post-Colonial Studies (2000) p. 187
↑  Vijay Mishra, Bollywood Cinema (2002) p. 245
↑  E. H. Yekani, The Privilege of Crisis (2011) p. 100
↑  Quoted in Patricia Waugh, Literary Theory and Criticism (2006) p. 514
1 2  hooks، bell. "The Oppositional Gaze: Black Female Spectator". في Amelia Jones (المحرر). The Feminism and Visual Cultural Reader. New York: Routledge. ص. 94–105.
↑  Mulvey، Laura. "Visual Pleasure and Narrative Cinema". Media and Cultural Studies: Keywords. 2001; Malden, MA: Blackwell, 2006: Meenakshi Gigi Durham and Douglas Kellner. ص. 342–352.{{استشهاد بكتاب}}:  صيانة الاستشهاد: مكان (link)
↑  Griffin، Gabriele؛ Braidotti، Rosi (2002). Thinking Differently: A Reader in European Women's Studies. London: Zed.
↑  Said، Edward (1978). Orientalism. Vintage Books.
1 2 3  Beardsell، Peter (2000). Europe and Latin America: Returning the Gaze. Manchester, UK: Manchester University Press.
↑  Beardsell، Peter (2000). Europe and Latin America: Returning the Gaze. Manchester, UK: Manchester University Press. ص. 8.
1 2  Pritchard and Morgan، Annette and Nigel (2000). "Privileging the Male Gaze". Annals of Tourism Research. ج. 27 ع. 4: 884–905. DOI:10.1016/s0160-7383(99)00113-9.
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