النازية والسينما
أفلام حائزة على جوائز

الأفلام التي تم تكريمها رسميًا والتي اعتبرها الرايخ الثالث «ذات قيمة فنية» (بالألمانية: künstlerisch wertvoll) من قبل الدولة (* = المسند «القيمة السياسية الخاصة» - تم تقديمها في عام 1934، + = المسند «القيمة التقليدية الخاصة» (الألمانية: volkstümlich wertvoll) ** = المسند «فيلم للأمة» الذي عرض عام 1941):
| Year | Title |
| --- | --- |
1933:  S.A.-Mann Brand (dir. Franz Seitz, Sr.)  Hitlerjunge Quex (film) i.e., Hitler Youth Quex (dir. Hans Steinhoff)  Reifende Jugend i.e., Maturing Youth (dir. Carl Froelich)  Flüchtlinge i.e., Refugees (dir. Gustav Ucicky)
1934:  Ich für dich, du für mich i.e., I for you, you for me (dir. Carl Froelich)  Der Schimmelreiter i.e., The Rider on the White Horse (dir. Curt Oertel, Hans Deppe), based on the novella by Theodor Storm Der verlorene Sohn i.e., The Prodigal Son (dir. Luis Trenker) Der Herr der Welt i.e., Master of the World (dir. Harry Piel) *Stoßtrupp 1917 i.e., Shock Troop 1917 (dir. Hans Zöberlein, Ludwig Schmid-Wildy) Krach um Jolanthe i.e., Trouble with Jolanthe (dir. Carl Froelich), based on a book by August Hinrichs
1935:  *Hermine und die sieben Aufrechten i.e., Hermine and the Seven Upright Men (dir. Frank Wisbar) Liebesleute – Hermann und Dorothea von Heute i.e., A Pair of Lovers – Hermann and Dorothea of today (dir. Erich Waschneck) Mazurka (dir. Willi Forst) Artisten (dir. Harry Piel) Liebe geht – wohin sie will i. ., Love goes – wherever it wants to (dir. Kurt Skalden) *Der alte und der junge König i.e., The old and the young King (dir. Hans Steinhoff) *Das Mädchen Johanna i.e., Lass Joan (dir. Gustav Ucicky), a film about the French heroine Joan of Arc Friesennot i.e., Frisians in Hardship (dir. Willi Krause) Henker, Frauen und Soldaten i.e., Hangmen, Women and Soldiers (dir. Johannes Meyer), a film about two cousins, one fighting on the German side in the Freikorps, the other fighting on the bolshevist (proto-soviet) side *Liselotte von der Pfalz i.e., The Private Life of Louis XIV (dir. Carl Froelich), about Elizabeth Charlotte, Princess of the Palatinate Papageno (dir. Lotte Reiniger) *Der höhere Befehl i.e., The Higher Command (dir. Gerhard Lamprecht)
1936:  Das Schönheitsfleckchen i.e., The Beauty Spot (dir. Rolf Hansen) *Traumulus i.e., The Dreamer (dir. Carl Froelich) Drei Mäderl um Schubert i.e., Three Girls around Schubert (dir. E. W. Emo), based on a novel by Rudolf Hans Bartsch  Stadt Anatol i.e., City of Anatol (dir. Victor Tourjansky) Stärker als Paragraphen i.e., Stronger than Paragraphs (dir. Jürgen von Alten) Wenn der Hahn kräht i.e., When the cock crows (dir. Carl Froelich) Schlußakkord i.e., Final Chord (dir. Douglas Sirk)  Savoy Hotel 217 (dir. Gustav Ucicky), a crime story in the Russian Empire Fährmann Maria i.e., Ferryman Maria (dir. Frank Wisbar) Glückskinder i.e., Lucky Kids (dir. Paul Martin)  90 Minuten Aufenthalt i.e., 90-Minute-Stopver (dir. Harry Piel), a real time film about two friends, a German and a British criminal investigator who solve a case in Lisbon Der Dschungel ruft i.e., The Jungle Calls (dir. Harry Piel) Der Bettelstudent i.e., The Beggar Student (dir. Georg Jacoby), based on the play by Carl Millöcker  Allotria i.e., Tomfoolery (dir. Willi Forst) *Der Kaiser von Kalifornien i.e., The Kaiser of California (dir. Luis Trenker) *Verräter i.e., The Traitor (dir. Karl Ritter) *Wenn wir alle Engel wären i.e., If We All Were Angels (dir. Carl Froelich)
1937:  *Der Herrscher i.e., The Sovereign (dir. Veit Harlan) *Patrioten i.e., Patriots (dir. Karl Ritter)  Mein Sohn, der Herr Minister i.e., My Son, the Government Minister (dir. Veit Harlan), a comedy making fun of the parliamentary system  Der Mann, der Sherlock Holmes war i.e., The Man Who Was Sherlock Holmes (dir. Karl Hartl) Gewitterflug zu Claudia i.e., Stormy flight to Claudia (dir. Erich Waschneck) *Der zerbrochene Krug i.e., The Broken Jug (dir. Gustav Ucicky), based on the play by Heinrich von Kleist *Condottieri (dir. Luis Trenker, Werner Klingler), about Cesare Borgia and Caterina Sforza *Die Tochter des Samurai i.e., The Daughter of the Samurai (dir. Arnold Fanck, Mansaku Itami)  *Urlaub auf Ehrenwort (dir. Karl Ritter)
1938:  Revolutionshochzeit i.e., Revolution-Marriage (dir. Hans Heinz Zerlett) *Heimat (dir. Carl Froelich) Der Berg ruft i.e., The Mountain Calls (dir. Luis Trenker), about the first ascent of the Matterhorn; based on a novel by Carl Haensel Das Verlegenheitskind (dir. Peter Paul Brauer) Der Fall Deruga i.e., The Deruga Case (dir. Fritz Peter Buch), based on a novel by Ricarda Huch Mit versiegelter Order (dir. Karl Anton) Liebelei und Liebe i.e., Flirtation and Love (dir. Arthur Maria Rabenalt)  Napoleon ist an allem schuld i.e., Napoleon Is to Blame for Everything (dir. Curt Goetz), about a man who studies Napoleon's biography and therefore neglects his wife Geheimzeichen LB 17 i.e., Secret Code LB 17 (dir. Victor Tourjansky) Verwehte Spuren i.e., Covered Tracks, (dir. Veit Harlan) Verklungene Melodie i.e., Faded Melody, (dir. Victor Tourjansky) Tanz auf dem Vulkan (1938 film)  i.e., Dance on the Volcano (dir. Hans Steinhoff), about Jean-Gaspard Deburau *Der Katzensteg (dir. Fritz Peter Buch) *Kautschuk i.e., Caoutchouc (dir. Eduard von Borsody)  Die Umwege des schönen Karl i.e., The Roundabouts of Handsome Karl (dir. Carl Froelich) *Pour le Mérite (dir. Karl Ritter)
1939:  Es war eine rauschende Ballnacht i.e., It was an Amazing Night at the Ball (dir. Carl Froelich), a film about the Russian composer Pyotr Ilyich Tchaikovsky Der Schritt vom Wege i.e., The False Step (dir. Gustaf Gründgens), based on the novel Effi Briest by Theodor Storm Flucht ins Dunkel i.e., Escape in the Dark (dir. Arthur Maria Rabenalt)  *Aufruhr in Damaskus i.e., Uproar in Damascus (dir. Gustav Ucicky) Ein ganzer Kerl i.e., A Real Man (dir. Fritz Peter Buch) Johannisfeuer i.e., Midsummer Night's Fire (dir. Arthur Maria Rabenalt), based on the book by Hermann Sudermann Der Florentiner Hut i.e., The Leghorn Hat (dir. Wolfgang Liebeneiner), based on the play Un Chapeau de paille d'Italie by Eugène Marin Labiche  Befreite Hände i.e., Liberated Hands (dir. Hans Schweikart) Männer müssen so sein i.e., Men Have To Be That Way (dir. Arthur Maria Rabenalt)  Hotel Sacher (dir. Erich Engel) Opernball i.e., Opera Ball (dir. Géza von Bolváry)  *+Robert Koch, der Bekämpfer des Todes i.e., Robert Koch, fighting death (dir. Hans Steinhoff) *Mutterliebe i.e., A Mother's Love (dir. Gustav Ucicky)
1940:  Der Postmeister i.e., The Postmaster (dir. Gustav Ucicky) *Wunschkonzert i.e., Request Concert (dir. Eduard von Borsody)  Wiener G'schichten i.e., Vienna Tales (dir. Géza von Bolváry)  Die Geierwally i.e., The Vulture Wally (dir. Hans Steinhoff), based on a novel by Wilhelmine von Hillern Das Herz der Königin i.e., The Heart of the Queen (dir. Carl Froelich), about Mary, Queen of Scots *Friedrich Schiller – Der Triumph eines Genies i.e., Friedrich Schiller – The Triumph of a Genius (dir. Herbert Maisch) *Feinde i.e., Enemies (dir. Victor Tourjansky) *Jud Süß (dir. Veit Harlan) *Bismarck (dir. Wolfgang Liebeneiner)
1941:  Friedemann Bach (dir. Traugott Müller), a film about Johann Sebastian Bach's son Wilhelm Friedemann Bach Ich klage an i.e., I accuse (dir. Wolfgang Liebeneiner) *Mein Leben für Irland i.e., My Life for Ireland (dir. Max W. Kimmich) *Kampfgeschwader Lützow (dir. Hans Bertram) *Annelie (dir. Josef von Báky) Auf Wiedersehn, Franziska i.e., Goodbye, Franziska (dir. Helmut Käutner)    Quax, der Bruchpilot (dir. Kurt Hoffmann)  *Kopf hoch, Johannes! i.e., Cheer up, Johannes! (dir. Viktor de Kowa)  Operette i.e., Operetta (dir. Willi Forst), about Franz Jauner and the establishment of the Viennese Operetta  Immer nur Du i.e., You, always (dir. Karl Anton) Die schwedische Nachtigall i.e., The Swedish Nightingale (dir. Peter Paul Brauer), about Jenny Lind and Hans Christian Andersen *Komödianten i.e., The Comedians (dir. Georg Wilhelm Pabst) **Ohm Krüger (dir. Hans Steinhoff) **Heimkehr i.e., Coming Home (dir. Gustav Ucicky)
1942:  Wiener Blut i.e., Vienna Blood (dir. Willi Forst), a romantic comedy film about the Congress of Vienna *Zwei in einer großen Stadt i.e., Two in a Big City (dir. Volker von Collande)  Die goldene Stadt i.e., The Golden City (dir. Veit Harlan) Rembrandt (dir. Hans Steinhoff), about the Dutch painter Rembrandt van Rijn Der große Schatten i.e., The Great Shadow (dir. Paul Verhoeven) Kleine Residenz i.e., Little residence (dir. Hans Heinz Zerlett) *Hände hoch! i.e., Hands Up! (dir. Alfred Weidenmann) *Diesel (dir. Gerhard Lamprecht), about Rudolf Diesel +Anuschka (dir. Helmut Käutner) Meine Frau Teresa i.e., My Wife Theresa (dir. Arthur Maria Rabenalt)  *Andreas Schlüter (dir. Herbert Maisch), about sculptor and architect Andreas Schlüter *Wen die Götter lieben i.e., Whom the Gods Love (dir. Karl Hartl), about Wolfgang Amadeus Mozart *Der Strom i.e., The River (dir. Günther Rittau) Die Nacht in Venedig i.e., The Night in Venice (dir. Paul Verhoeven) *+Die große Liebe i.e., The Great Love (dir. Rolf Hansen) **Der große König i.e., The Great King (dir. Veit Harlan) **Die Entlassung i.e., The Dismissal (dir. Wolfgang Liebeneiner) Wir machen Musik i.e., We Make Music (dir. Helmut Käutner), about a composer whose idols are Johann Sebastian Bach and the like, but who himself fails as a composer of Art usic and then succeeds making popular music
1943:  Sophienlund  (dir. Heinz Rühmann) Romanze in Moll i.e., Romance in a Minor Key (dir. Helmut Käutner) Der ewige Klang i.e., The Eternal Sound (dir. Günther Rittau), about two brothers, a violinist and a violin maker, guest star: Georges Boulanger, singing: Elisabeth Schwarzkopf Frauen sind keine Engel i.e., Women are not Angels (dir. Willi Forst) +Immensee (dir. Veit Harlan), based on the novella by Theodor Storm *Germanin – Die Geschichte einer kolonialen Tat i.e., Germanin – the history of a colonial deed (dir. Max W. Kimmich, Luis Trenker), about the development of Suramin "to save Africa" from trypanosomiasis Altes Herz wird wieder jung i.e., Old heart rejuvenated (dir. Erich Engel) Armer Hansi i.e., Poor Hansi (dir. Gerhard Fieber), animated film by the Deutsche Zeichentrickfilme G.m.b.H Zirkus Renz (dir. Arthur Maria Rabenalt), about the Circus Renz  Damals i.e., Back Then (dir. Rolf Hansen) *Wien 1910 i.e., Vienna 1910 (dir. E. W. Emo), about the mayor of Vienna Karl Lueger *Paracelsus (dir. Georg Wilhelm Pabst), about the Swiss German philosopher Paracelsus Ein glücklicher Mensch i.e., A joyful person (dir. Paul Verhoeven), about a famous chemistry professor, based on the play "Swedenhielms" by Hjalmar Bergman Der weiße Traum i.e., The White Dream (dir. Géza von Cziffra) Großstadtmelodie i.e., Melody of a Great City (dir. Wolfgang Liebeneiner)  *Der unendliche Weg i.e., The Endless Road (dir. Hans Schweikart)
1944:  Der gebieterische Ruf i.e., The Masterful Calling (dir. Gustav Ucicky) Die Feuerzangenbowle i.e., The Punch Bowl (dir. Helmut Weiss) *Philharmoniker i.e., Philharmonic (dir. Paul Verhoeven) Träumerei i.e., Dreaming (dir. Harald Braun), about Robert Schumann Das Herz muss schweigen (dir. Gustav Ucicky) Familie Buchholz i.e., The Buchholz Family (dir. Carl Froelich), based on a novel by Julius Stinde Orientexpreß i.e., Orient Express (dir. Victor Tourjansky) +Neigungsehe i.e., Marriage of Affection (dir. Carl Froelich) Opfergang i.e., Way of Sacrifice (dir. Veit Harlan)
1945:  **Kolberg (dir. Veit Harlan)