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↑  Cavendish، Margaret (1668). The Convent of Pleasure: A Comedy. A. Maxwell.
1 2 3 4 5 6  Bonin، Erin Lang (Spring 2000). "Margaret Cavendish's Dramatic Utopias and the Politics of Gender". SEL: Studies in English Literature 1500–1900. ج. 40 ع. 2: 339–354. DOI:10.2307/1556132. JSTOR:1556132.
1 2  Kellett، Katherine (2008). "Performance, Performativity, and Identity in Margaret Cavendish's "The Convent of Pleasure"". SEL: Studies in English Literature 1500–1900. ج. 48 ع. 2: 419–442. DOI:10.1353/sel.0.0002. JSTOR:40071341. S2CID:34766185.
↑  "The Convent of Pleasure". digital.library.upenn.edu (بالإنجليزية). Archived from the original on 2019-07-23. Retrieved 2017-11-09.
↑  Cunning، David (2017). Margaret Lucas Cavendish. Metaphysics Research Lab, Stanford University.
↑  "Pure Wit: The Revolutionary Life of Margaret Cavendish (Hardcover) | Harvard Book Store". shop.harvard.com (بالإنجليزية). Archived from the original on 2024-07-12. Retrieved 2024-07-12.
↑  CL Rogan de Ramirez. "Margaret Cavendish's Exploration of Consciousness in Her Writings". digitalcommons.du.edu – عبر University of Denver.
↑  Foundation, Poetry (11 Jul 2024). "Duchess of Newcastle Margaret Cavendish". Poetry Foundation (بالإنجليزية). Archived from the original on 2024-05-07. Retrieved 2024-07-12.
↑  Cavendish، Margaret (1688). http://libsysdigi.library.illinois.edu/ilharvest/digitalrarebooks/metsnav/5544586.xml#page/1/mode/2up Plays, Never Before Printed. ص. 390. مؤرشف من http://libsysdigi.library.illinois.edu/ilharvest/digitalrarebooks/metsnav/5544586.xml#page/1/mode/2up الأصل في 2020-02-08. {{استشهاد بكتاب}}: تحقق من قيمة |مسار أرشيف= (مساعدة) وتحقق من قيمة |مسار= (مساعدة)
↑  Cavendish، Margaret (1688). http://libsysdigi.library.illinois.edu/ilharvest/digitalrarebooks/metsnav/5544586.xml#page/1/mode/2up Plays, Never Before Printed. ص. 382. مؤرشف من http://libsysdigi.library.illinois.edu/ilharvest/digitalrarebooks/metsnav/5544586.xml#page/1/mode/2up الأصل في 2020-02-08. {{استشهاد بكتاب}}: تحقق من قيمة |مسار أرشيف= (مساعدة) وتحقق من قيمة |مسار= (مساعدة)
↑  "Convent of Pleasure". History Matters/Back To The Future. مؤرشف من الأصل في 2019-11-08. اطلع عليه بتاريخ 2019-11-08.
1 2 3 4  Holmesland، Oddvar (2013). "The Convent of Pleasure (1668): Cross-gendering Negotiation". Utopian Negotiation: Aphra Behn and Margaret Cavendish. Syracuse University Press. ص. 111–143.
↑  Sierra, Horacio (27 Jul 2009). "Convents As Feminist Utopias: Margaret Cavendish's The Convent of Pleasure and The Potential of Closeted Dramas and Communities". Women's Studies (بالإنجليزية). 38 (6): 647–669. DOI:10.1080/00497870903021539. ISSN:0049-7878. S2CID:143032119. Archived from the original on 2024-06-06.
1 2  Smith, Kelsey Brooke. Perilous Power: Chastity as Political Power in William Shakespeare's Measure for Measure and Margaret Cavendish's Assaulted and Pursued Chastity. Dissertation, Brigham Young University, 2014. BYU, 2014.
1 2 3  Billing، Valerie (2011). ""Treble marriage": Margaret Cavendish, William Newcastle, and Collaborative Authorship". Journal for Early Modern Cultural Studies. ج. 11 ع. 2: 102. DOI:10.1353/jem.2011.0022. ISSN:1531-0485. JSTOR:23242154. S2CID:142846393.
↑  Bonin، Erin Lang (Spring 2000). "Margaret Cavendish's Dramatic Utopias and the Politics of Gender". SEL: Studies in English Literature 1500–1900. ج. 40 ع. 2: 347. DOI:10.2307/1556132. JSTOR:1556132.
↑  Kellett, Katherine (2008). "Performance, Performativity, and Identity in Margaret Cavendish's "The Convent of Pleasure"". SEL: Studies in English Literature 1500–1900. 48 (2): 424. doi:10.1353/sel.0.0002. JSTOR 40071341.
1 2  Shaver، Anne (1999). "Agency and Marriage in the Fictions of Lady Mary Wroth and Margaret Cavendish, Duchess of Newcastle". في King، Sigrid (المحرر). Pilgrimage for Love: Essays in Early Modern Literature in Honor of Josephine A. Roberts. Arizona Center for Medieval and Renaissance Studies. ص. 177. ISBN:9780866982559.
↑  Cottegnies، Line (يوليو 2013). "Gender and Cross-Dressing in the Seventeenth Century: Margaret Cavendish Reads Shakespeare" (PDF). Testi e Linguaggi.
↑  Tomlinson، Sophie (1992). "'My Brain the Stage': Margaret Cavendish and the Fantasy of Female Performance". في Brant؛ Purkiss (المحررون). Women, Texts, and Histories. ص. 134–63.
↑  Ferguson، Moira (1985). First Feminists: British Women Writers, 1578–1799. Bloomington: Indiana University Press. ص. 12.
↑  Jankowski، Theodora A. (1998). "Pure Resistance: Queer(y)ing Virginity in William Shakespeare's 'Measure for Measure' and Margaret Cavendish's 'The Convent of Pleasure'". Shakespeare Studies. ج. 26: 218–55.
↑  Kellett, Katherine (2008). "Performance, Performativity, and Identity in Margaret Cavendish's "The Convent of Pleasure"". SEL: Studies in English Literature 1500–1900. 48 (2): 422. doi:10.1353/sel.0.0002. JSTOR 40071341.
↑  Franco, Chelsea E (26 Mar 2015). The (Wo)Man in the Masque: Cross-Dressing as Disguise in Early Modern English Literature (Master of Arts English thesis) (بالإنجليزية). Florida International University. DOI:10.25148/etd.fi15032170. Archived from the original on 2024-07-10.
↑  Newcastle، Margaret Cavendish, Duchess of,?-1674 (1999). The convent of pleasure and other plays. Anne Shaver. Baltimore: Johns Hopkins University Press. ISBN:0-8018-6099-7. OCLC:40200420.{{استشهاد بكتاب}}:  صيانة الاستشهاد: أسماء عددية: قائمة المؤلفين (link) صيانة الاستشهاد: أسماء متعددة: قائمة المؤلفين (link)
↑  Chess، Simone (2016). Gender, Performance, and Queer Relations. DOI:10.4324/9781315668352. ISBN:9781317360865. S2CID:193073704.
1 2  Cole، Megan (2021). "Traumatic Pregnancy, Queer Virginity, and Asexual Reproduction in Margaret Cavendish's The Convent of Pleasure". Restoration: Studies in English Literary Culture, 1660-1700. ج. 45 ع. 1: 83–108. DOI:10.1353/rst.2021.0000. ISSN:1941-952X. S2CID:236778822.