باروكية صقلية
ملحوظات

↑  Palazzo (pl. palazzi) is any large building in a town, state or private (often much smaller than what the English term palace implies). While palazzo is the technically correct appellation, and postal address, no Sicilian aristocrat would ever use the word, instead referring to his or her own house, however large, as casa. Palazzo followed by the family name was the term used by officials, tradesmen, and delivery men.
↑  مسينة, once Sicily's second city, fell into poverty and obscurity following punitive measures against it by the Spanish following an uprising in 1626. Closely related for geographical reasons to mainland Italy, Messina once contained some of Sicily's finest buildings. The combined effect of earthquakes in 1693, 1783 and 1908, and bombing raids in 1943, robbed the city of virtually all of these.
↑  Patrick Brydone, who travelled to Sicily in 1770, recorded his impressions of the local nobility in A Tour through Sicily and Malta, in a Series of Letters to William Beckford Esq., of Somerly in Suffolk: "One of the most common titles here is that of prince; though only created by فيليب الثاني ملك إسبانيا, they take rank of all the other nobility, some of whom, particularly the counts, carry their origin as far back as the نورمان, and look with great contempt on these upstart princes. The dukes and marquisses are not so old, so that the dignity of the Sicilian titles may be said to be in the inverse ratio of their antiquity".
↑  جوزيبي توماسي دي لامبيدوزا, author of إل غاتوباردو, wrote of his family's six homes: a townhouse in Palermo, a villa at Bagheria, a palazzo at Toretta, a country house at Reitano, a "great" castle at Santa Marherita de Belice, and "two where we never went": a castle and house at Palma de Montechiaro ("I luoghi della mia prima infanzia" ["Places of my Infancy"]).
↑  Stephen Tobriner, in his study The Genesis of Noto: An Eighteenth-Century Italian City, describes the process leading to the drastic decision to "move" Noto.
↑  Travelling in Sicily in the early 1920s, the writer Sacheverell Sitwell recorded his astonishment; "It must have been in the winter of 1922-3 that I went to Noto. Its beautiful buildings were even more of a revelation than those of ليتشي and I really believe that my brother and myself were the first persons of any nationality to take notice of them since they were built".
↑  The art historian John Varriano notes Napoli's four-flight double staircase in the Villa Palagonia, a building Varriano considers "one of the most striking in all of Italy".
↑  قالب:Ill-WD2Sir John Summerson describes Andrea Palma's Syracuse cathedral façade as a "volatile interpretation" of ياكوبو باروتسي دا فينيولا's Church of the Gesù in Rome.
↑  The room was used for the ballroom scene of لوتشينو فيسكونتي's إل غاتوباردو
↑  Commenting on Dufourny's "blatantly Neo-Classic" pavilion, John Varriano noted, "it would issue in the new age. But nowhere in Italy did the Baroque die so graceful and dignified a death".
↑  The Palazzo, badly damaged by bombing in الحرب العالمية الثانية, was restored in 2008 and is now a museum of contemporary art.
↑  The historian دينيس سميث  ‏, in his A History of Sicily: Medieval Sicily, 800–1713, noted: "The fact that the Sicilian aristocracy consumed a great deal and produced nothing was fundamental in explaining the problems of the island".
Palazzo (pl. القصور) is any large building in a town, state or private (often much smaller than what the English term palace implies). While palazzo is the technically correct appellation, and postal address, no Sicilian aristocrat would ever use the word, instead referring to his or her own house, however large, as casa. Palazzo followed by the family name was the term used by officials, tradesmen, and delivery men.
^ Messina, once Sicily's second city, fell into poverty and obscurity following punitive measures against it by the Spanish following an uprising in 1626. Closely related for geographical reasons to mainland Italy, Messina once contained some of Sicily's finest buildings. The combined effect of earthquakes in 1693, 1783 and 1908, and bombing raids in 1943, robbed the city of virtually all of these.
^ Patrick Brydone, who travelled to Sicily in 1770, recorded his impressions of the local nobility in A Tour through Sicily and Malta, in a Series of Letters to William Beckford Esq., of Somerly in Suffolk: "One of the most common titles here is that of prince; though only created by Philip II of Spain, they take rank of all the other nobility, some of whom, particularly the counts, carry their origin as far back as the Normans, and look with great contempt on these upstart princes. The dukes and marquisses are not so old, so that the dignity of the Sicilian titles may be said to be in the inverse ratio of their antiquity".
^ Giuseppe Tomasi di Lampedusa, author of The Leopard, wrote of his family's six homes: a townhouse in Palermo, a villa at Bagheria, a palazzo at Toretta, a country house at Reitano, a "great" castle at Santa Marherita de Belice, and "two where we never went": a castle and house at Palma de Montechiaro ("I luoghi della mia prima infanzia" ["Places of my Infancy"]).
^ Stephen Tobriner, in his study The Genesis of Noto: An Eighteenth-Century Italian City, describes the process leading to the drastic decision to "move" Noto.
^ Travelling in Sicily in the early 1920s, the writer Sacheverell Sitwell recorded his astonishment; "It must have been in the winter of 1922-3 that I went to Noto. Its beautiful buildings were even more of a revelation than those of Lecce and I really believe that my brother and myself were the first persons of any nationality to take notice of them since they were built".
^ The art historian John Varriano notes Napoli's four-flight double staircase in the Villa Palagonia, a building Varriano considers "one of the most striking in all of Italy".
^ Sir John Summerson describes Andrea Palma's Syracuse cathedral façade as a "volatile interpretation" of Giacomo Barozzi da Vignola's Church of the Gesù in Rome.
^ The room was used for the ballroom scene of Visconti's The Leopard
^ Commenting on Dufourny's "blatantly Neo-Classic" pavilion, John Varriano noted, "it would issue in the new age. But nowhere in Italy did the Baroque die so graceful and dignified a death".
^ The Palazzo, badly damaged by bombing in World War II, was restored in 2008 and is now a museum of contemporary art.
^ The historian Denis Mack Smith, in his A History of Sicily: Medieval Sicily, 800–1713, noted: "The fact that the Sicilian aristocracy consumed a great deal and produced nothing was fundamental in explaining the problems of the island".
المثال التوضيحي 2: جامعة كاتانيا، التي صممها فاكاريني واكتمل بناؤها بحلول عام 1752، تجسد الباروك الصقلي النموذجي، مع المعجون الذي يدعم الشرفة، والدرابزينات المصنوعة من الحديد المطاوع، والسطوح المزخرفة، وحجر الحمم ذو اللونين - انعكاس للجدران التقليدية ذات الطراز الريفي والأعمدة الملساء
شكل توضيحي 3: برج برج صقلي يتوج كنيسة سان جوزيبي روزاريو غالياردي في راغوزا إيبلا
التوضيح 4: ميسينا بورتا غراتسيا، مع القوالب، ومخطوطات وأقنعة تم نسخها على نطاق واسع في جميع أنحاء كاتانيا مباشرة بعد وقوع الزلزال.
شكل توضيحي 5: ساحة بريتوريا، باليرمو. يعد فونتانا بريتوريا (حوالي 1554) من تصميم فرانشيسكو كاميلياني مثالًا نادرًا على فن العمارة في عصر النهضة في العاصمة. خلف النافورة توجد كنيسة سانتا كاترينا (حوالي 1556)، بقبة الباروك الرائعة (التي أضيفت لاحقًا).
شكل توضيحي 6: الباروك الصقلي المبكر: كواترو كانتي، باليرمو (حوالي 1610)
شكل توضيحي 7: بدأت كاتانيا وقصر بيسكاري عام 1702. حلت كاتانيا محل ميسينا كثاني مدينة في صقلية بعد ثورة 1686.
شكل توضيحي 8: بيازا ديل دومو، سيراكيوز . كاتدرائية سيراكيوز أندريا بالما (انظر الشكل 11 أدناه) يحيط به قصر الباروك.
المثال التوضيحي 9: فيا نيكولاسي، نوتو
شكل توضيحي 10: كاتدرائية سان جورجيو ، موديكا
شكل توضيحي 11: كاتدرائية سيراكيوز، واجهة كاتدرائية أندريا بالما (بدأت عام 1728). استنادًا إلى صيغة قوس النصر الروماني، تخلق الجماهير المكسورة داخل الواجهة ذات الأعمدة تأثيرًا مسرحيًا.
شكل توضيحي 12: كاتدرائية روزاريو غالياردي لسان جورجيو في راغوزا
شرفة قصر زاكو
شكل توضيحي 13: كاتدرائية كاتانيا . تُظهر الواجهة الرئيسية لجيوفاني باتيستا فاكاريني عام 1736 التأثيرات المعمارية الإسبانية.
شكل توضيحي 14: Chiesa del Gesù، باليرمو (1564-1633)، مع الاستخدام الوفير للرخام متعدد الألوان على الأرضية والجدران
المثال التوضيحي 15: جوقة الراهبات في كنيسة سان بينيديتو، كاتانيا
شكل توضيحي 16: قاعة الرقص في قصر جانجي، باليرمو
شكل توضيحي 17: الدرج الملتهب في بالازو بيسكاري.
المثال التوضيحي 18: بالازو بينيفينتانو ديل بوسكو (1779)، في سيراكيوز، صممه لوتشيانو آل في أواخر العصر الباروكي الصقلي المقيد. ومع ذلك، فإن الشرفات المصنوعة من الحديد المطاوع والمنحنيات الكاسحة تحافظ على اقتراب الكلاسيكية الجديدة .
"مدخل المعبد" إلى أورتو بوتانيكو دي باليرمو
شكل توضيحي 21: قصر بيلمونتي ريسو (1784)، مقيّد الباروك الصقلي المتأخر بسمات كلاسيكية جديدة مهيمنة. تحتوي النوافذ العلوية على أقواس على الطراز الكلاسيكي الجديد، بينما يحتوي نوبيل البيانو على أقواس باروكية وشرفة مع زخارف مزخرفة. زينت الأعمدة تيجان الباروك، لكنها بخلاف ذلك بسيطة وغير مزخرفة.
شكل توضيحي 19: Palazzo Ducezio at Noto
شكل توضيحي 20: قصر لامبيدوزا في باليرمو