فيلم درجة ثانية
مراجع

↑  Hirschhorn (1999), pp. 9–10, 17.
↑  Finler (2003), pp. 41–42; Balio (2003), p. 29.
↑  See, e.g., Taves (1995), p. 320.
↑  Balio (1995), p. 29. See also Schatz (1999), pp. 16, 324.
↑  See Finler (2003), pp. 26, 41–43, 47–49.
↑  Finler (2003), pp. 18–19.
↑  Taves (1995), pp. 326–27.
↑  See, e.g., Balio (1995), pp. 103–4.
↑  Epstein (2005), p. 6. See also Schatz (1999), pp. 16–17.
1 2  Taves (1995), p. 325.
↑  Taves (1995), p. 326.
1 2 3 4  Finler (2003), p. 42.
↑  Balio (1995), p. 102.
↑  Finler (2003), pp. 26, 111, 116.
↑  Tuska (1999), pp. 183–84.
↑  See Taves (1995), pp. 321–29.
↑  Adapted from Finler (2003), p. 26.
↑  See Taves (1995), p. 323; McCarthy and Flynn (1975), p. 20. In its peak year, 1937, Grand National did produce around twenty pictures of its own.
↑  Taves (1995), p. 313.
↑  Nachbar (1974), p. 2.
↑  Taves (1995), pp. 327–28.
↑  Taves (1995), p. 316.
↑  See, e.g., Taves (1995), p. 318.
↑  Naremore (1998), p. 141.
↑  Schatz (1999), p. 73.
↑  Schatz (1999), pp. 19–21, 45, 72, 160–63.
↑  Schatz (1993), p. 11.
↑  Jewell (1982), 181; Lasky (1989), 184–85.
↑  Schatz (1999), p. 78.
↑  Schatz (1999), pp. 340–41.
↑  Schatz (1999), p. 295; Naremore (1998), p. 142.
↑  Robert Smith ("Mann in the Dark," Bright Lights 2, no. 1 [fall 1976]), quoted in Ottoson (1981), p. 145.
↑  Schatz (1999), p. 173, table 6.3.
↑  Schatz (1999), p. 232; Finler (2003), pp. 219–20.
↑  Finler (2003), p. 216.
↑  See, e.g., Dave Kehr, "Critic's Choice: New DVD's," The New York Times, August 22, 2006; Dave Kehr, "Critic's Choice: New DVD's," The New York Times, June 7, 2005; Robert Sklar, "Film Noir Lite: When Actions Have No Consequences," The New York Times, "Week in Review," June 2, 2002.
↑  Jewell (1982), pp. 218, 219.
↑  For a detailed consideration of classic B noir, see Lyons (2000).
↑  Finler (2003), pp. 214–15.
↑  Schatz (1999), p. 175.
↑  See Mank (2001), p. 274.
↑  Strawn (1974), p. 257.
↑  Lev (2003), p. 205.
↑  Lasky (1989), p. 229.
↑  See Finler (2003), pp. 357–58, for top films.
↑  See, e.g., Matthews (2007), p. 92; Lyons (2000), p. 53.
↑  Lev (2003), pp. 60–61.
↑  Hurd (2007), pp. 10–13.
↑  Muller (1998), p. 176; Cousins (2004), p. 198.
↑  Schrader (1972), p. 61; Silver (1995).
↑  Shapiro (2002), p. 96. See also Atomic Films: The CONELRAD 100. نسخة محفوظة 05 يوليو 2017 على موقع واي باك مشين.
↑  Kinnard (1988), pp. 67–73.
↑  Lev (2003), pp. 186, 184; Braucort (1970), p. 75.
↑  Auty (2005), p. 34. See also Shapiro (2002), pp. 120–24.
↑  Strawn (1974), p. 259; Lev (2003), p. 206.
↑  Lentz (2002), p. 17.
↑  Cook (2000), p. 324. See also p. 171.
↑  Denisoff and Romanowski (1991), pp. 64–65, 95–100, 105.
↑  Di Franco (1979), p. 3.
↑  Rausch and Dequina (2008), p. 56.
↑  Heffernan (2004), pp. 102–4.
↑  Segrave (1992), p. 33.
↑  Heffernan (2004), p. 161.
↑  Matthews (2007), p. 91.
1 2  Cook (2000), p. 324.
↑  Nason (1959).
↑  Hirschhorn (1979), p. 343.
↑  Thompson (1960).
↑  Quoted in Di Franco (1979), p. 97.
↑  Per Corman, quoted in Di Franco (1979), p. 97.
↑  Quoted in Reid (2005a), p. 5.
↑  Schaefer (1999), pp. 187, 376.
↑  Schaefer (1999), p. 118.
↑  Schaefer (1992), p. 176, n. 1.
↑  Gibron, Bill (24 يوليو 2003). "Something Weird Traveling Roadshow Films". DVD Verdict. مؤرشف من الأصل في 2016-03-19. اطلع عليه بتاريخ 2006-11-17.
↑  Frasier (1997), pp. 7–8, 13.
↑  Frasier (1997), pp. 9–11, 90; Denisoff and Romanowski (1991), pp. 116–18.
↑  Frank (1998), p. 186; McGilligan (1996), p. 183.
1 2  Cook (2000), p. 222.
↑  Paul (1994), p. 33.
↑  Rockoff (2002), pp. 32–33.
↑  Langford (2005), p. 175.
↑  Heffernan (2004), p. 221; Cook (2002), pp. 70–71.
↑  Cook (2000), pp. 222–23.
↑  Heffernan (2004), pp. 190, 200–1.
↑  Cook (2000), p. 223.
↑  Canby (1969).
↑  Di Franco (1979), pp. 162, 165.
↑  See, e.g., Mathijs and Mendik (2008), p. 167; James (2005), pp. 282, 398; Cagin and Dray (1984), pp. 66–67.
↑  Cagin and Dray (1984), pp. 61–66.
↑  Financial figures per associate producer William L. Hayward, cited in Biskind (1998), p. 74.
↑  Cagin and Dray (1984), p. 53.
↑  See Finler (2003), p. 359, for top films.
↑  Di Franco (1979), p. 160.
↑  Kael (1973), p. 269.
↑  Willis (1997), p. 254, n. 30.
↑  Lawrence (2008), p. 27.
↑  Cook (2000), p. 260.
↑  Van Peebles (2003).
↑  Haines (2003), p. 69; Landis and Clifford (2002), pp. 117–21.
↑  Haines (2003), p. 49; Landis and Clifford (2002), pp. 3–4.
1 2  Merritt (2000), p. 229.
↑  Williams (1996), pp. 171–73.
↑  Wood (2003), pp. 118–19.
↑  Kauffman (1998), pp. 118–28; Williams (1996), pp. 198–200.
↑  See, e.g., Stevenson (2003), pp. 49–50; Hollows (2003); Staiger (2000), p. 112.
↑  Merritt (2000), pp. 254–57.
↑  Hoberman and Rosenbaum (1983), p. 13.
↑  Cook (2000), pp. 266–71; Desser (2000).
↑  Ebert (1974).
↑  For the film's cost: West (1974), p. 9; Rockoff (2002), p. 42. For its influence: Sapolsky and Molitor (1996), p. 36; Rubin (1999), p. 155.
↑  For the film's cost and worldwide gross: Harper (2004), pp. 12–13. For its influence and debt to Black Christmas: Rockoff (2002), pp. 42–44, 50–55; Paul (1994), p. 320.
↑  Schaefer (1999), p. 224; Goodwin (1987), p. 341.
↑  Paul (1994), pp. 288, 291.
↑  Paul (1994), p. 92.
↑  Heffernan (2004), p. 223.
↑  "Superman (1978)". Box Office Mojo. مؤرشف من الأصل في 2019-05-18. اطلع عليه بتاريخ 2006-12-29.
↑  See استديوهات الإنتاج الكبرى for a record of the sales and mergers involving the eight major studios of the Golden Age.
↑  Finler (2003), p. 42. Prince (2002) "Movie Box Office Results by Year, 1980–Present". Box Office Mojo. مؤرشف من الأصل في 2019-05-18. اطلع عليه بتاريخ 2006-12-29.
↑  Lubasch (1979).
↑  Cook (2000), pp. 323–24.
↑  Collum (2004), pp. 11–14.
↑  Petit (2005), p. 1481.
↑  Cost per Bruce Campbell, cited in Warren (2001), p. 45
↑  Kraus, Daniel (30 أكتوبر 1999). "Tromatized!". Salon. مؤرشف من الأصل في 2011-02-06. اطلع عليه بتاريخ 2010-01-08.
↑  Morrow (1996), p. 112.
↑  Berra (2008), p. 74.
1 2  "Movie Box Office Results by Year, 1980–Present". Box Office Mojo. مؤرشف من الأصل في 2019-05-18. اطلع عليه بتاريخ 2006-12-29.
↑  "1990 Yearly Box Office Results". Box Office Mojo. مؤرشف من الأصل في 2019-02-15. اطلع عليه بتاريخ 2006-12-29.
↑  Heffernan (2004), p. 225.
↑  Finler (2003), p. 379.
↑  Finler (2003), pp. 287, 290.
↑  Johnstone (1999), p. 16.
↑  King (2005), pp. 167, 170–75.
↑  Maslin (1997).
↑  Mottram (2006), p. 75.
↑  "2005 Yearly Box Office Results". Box Office Mojo. مؤرشف من الأصل في 2019-04-06. اطلع عليه بتاريخ 2007-01-02.
↑  See, e.g., Rausch, Andrew J. (2000). "Roger Corman on Blair Witch Project and Why Mean Streets Would Have Made a Great Blaxploitation Film". Images. مؤرشف من الأصل في 2017-09-01. اطلع عليه بتاريخ 2010-08-13.Saroyan, Strawberry (6 مايو 2007). "King of the Killer B's". Telegraph. مؤرشف من الأصل في 2018-07-03. اطلع عليه بتاريخ 2010-08-13.
↑  Scott (2005).
1 2  Marone, Alfonso (2006). "One More Ride on the Hollywood Roller-coaster" (PDF). Spectrum Strategy Consultants. مؤرشف من الأصل (PDF) في 2012-05-05. اطلع عليه بتاريخ 2006-12-29.
↑  Zeitchik and Laporte (2006).
↑  Fleming, Michael (19 أبريل 2009). "Fox Folding Atomic Label". Variety. مؤرشف من الأصل في 2010-07-31. اطلع عليه بتاريخ 2010-04-27.
↑  Rabiger (2008), pp. 7, 10; Davies and Wistreich (2007), p. 5.
↑  See, e.g., Komiya and Litman (1990).
↑  Oppermann (1996).
↑  See, e.g., Campos, Eric (12 ديسمبر 2005). "David Payne: Do Fear the Reeker". Film Threat. مؤرشف من الأصل في 2007-03-10. اطلع عليه بتاريخ 2006-10-20.
↑  See, e.g., Taves (1995), p. 323.
↑  See, e.g., Quarles (2001), pp. 79–84.
↑  Kraus, Daniel (30 أكتوبر 1999). "Tromatized!". Salon. مؤرشف من الأصل في 2011-02-06. اطلع عليه بتاريخ 2010-01-08.
↑  Ignizio, Bob (20 أبريل 2006). "The Psychotronic Man (interview with Michael Weldon)". Utter Trash. مؤرشف من الأصل في 2012-05-13. اطلع عليه بتاريخ 2006-10-20.