Please read the following table in Markdown format and then answer the question according to the table. Table cells in one row are seperated by '|', and different rows are seperated by '
'.

Table:
| Year | Artist | Album | Chart Position | Role |
| --- | --- | --- | --- | --- |
| 1961 | Eddie Harris | “Exodus” (single) | #16 R&B, #36 US | Remastering Engineer |
| 1968 | Eddie Harris | “It’s Crazy” (single) | #88 US | Remastering Engineer |
| 1969 | Eddie Harris & Les McCann | Swiss Movement | #1 Jazz, #2 R&B, #29 US | Remixing & Remastering Engineer |
| 1969 | R.B. Greaves | R.B. Greaves | #24 R&B, #85 US | Mixing Engineer |
| 1971 | Eddie Harris & Les McCann | Second Movement | #1 Jazz, # 41 US | Recording and Remastering Engineer |
| 1971 | Les McCann | Invitation to Openness | #8 Jazz | Remastering Engineer |
| 1971 | Donny Hathaway | Donny Hathaway | #6 R&B, #89 US | Recording Engineer |
| 1972 | Roberta Flack & Donny Hathaway | Roberta Flack & Donny Hathaway | #3 US, #2 R&B, #10 Jazz | Recording Engineer |
| 1972 | Cream | Live Cream Volume II | #27 US | Remixing Engineer |
| 1972 | Herbie Mann | Hold On, I’m Coming | #7 Jazz | Mixing Engineer |
| 1973 | Bette Midler | Bette Midler | #6 US | Recording Engineer |
| 1973 | Hall & Oates | Abandoned Luncheonette | #33 US | Recording Engineer |
| 1973 | Willie Nelson | Shotgun Willie | #41 US | Recording Engineer |
| 1973 | Les McCann | Layers | #5 Jazz | Remastering Engineer |
| 1973 | The Modern Jazz Quartet | Blues on Bach | #34 Jazz | Recording and Mixing Engineer |
| 1973 | Donny Hathaway | Extension of a Man | #18 R&B, #69 US | Recording Engineer |
| 1973 | Bee Gees | Mr. Natural | #178 US | Recording Engineer |
| 1974 | The Modern Jazz Quartet | The Complete Last Concert | #34 Jazz | Mixing Engineer |
| 1976 | The Rolling Stones | Black and Blue | #1 US | Recording Engineer |
| 1976 | Willie Nelson | The Troublemaker | #1 Country, #60 US | Recording Engineer |
| 1977 | Ben E. King | Benny & Us | #14 R&B, #33 US | Recording Engineer |
| 1979 | Bette Midler | Thighs and Whispers | #65 US | Recording Engineer |
| 1983 | Paul Simon | Hearts and Bones | #35 US | Recording Engineer |
| 1993 | David “Fathead” Newman | Bigger & Better | #10 Jazz, #42 R&B | Remastering Engineer |
| 1998 | Various Artists | Jazz for the Open Road | #1 Jazz | Mastering Engineer |
| 1998 | Various Artists | Jazz for the Quiet Times | #1 Jazz | Mastering Engineer |
| 1999 | Various Artists | Jazz for When You’re Alone | #1 Jazz | Mastering Engineer |
| 1999 | Various Artists | Jazz for a Lazy Day | #4 Jazz | Mastering Engineer |
| 2000 | Various Artists | Jazz for a Rainy Afternoon | #1 Jazz | Mastering Engineer |
| 2000 | Jane Monheit | Never Never Land | #2 Jazz | Mixing & Mastering Engineer |
| 2000 | Various Artists | Jazz for When You’re in Love | #9 Jazz | Mastering Engineer |
| 2001 | Jane Monheit | Come Dream with Me | #1 Jazz | Mixing & Mastering Engineer |
| 2002 | Jane Monheit | In the Sun | #2 Jazz | Recording, Mixing & Mastering Engineer |
| 2003 | Various Artists | Jazz for Those Peaceful Moments | #4 Jazz | Mastering Engineer |
| 2007 | Mocean Worker | Cinco de Mowo! | #16 Electronic | Mastering Engineer |
Question:
what is the difference between the number of top ten jazz records that gene paul has engineered and the number of top ten country records that he has engineered?
Answer:
16