BECAUSE THIS IS THE THING WE WERE NOT PLANNING TO UM TRANSFER INTO THIS FORMAT SO AGAIN YOU KNOW WHAT A FRAME RATE KIND KIND OF CODING IS AG IT CAN AGAIN BE SEEN AS A TRACK BUT IT SAYS IT'S A CODING LIKE THIS RIGHT WHERE YOU SAY IT'S IN STATE A. STATE B. STATE C. STATE A. LIKE JIGGLING AROUND IN THE AREA OF A PARTICULAR OBJECT RIGHT SO IF WE'RE MOVING THE THE GREEN TRIANGLE UM WE'VE DEFINED A REGION WHICH IS THE DYNAMICALLY THE GREEN TRIANGLE WHEREVER IT IS WE WILL JIGGLE AROUND IN THERE BUT IT DOESN'T MATTER WHERE WE ARE IN THERE THAT'S BENEATH OUR LEVEL OF ANALYSIS S IT'S GONNA HAVE AN INTERPRETATION LIKE THIS WHAT DOES THAT MEAN SORRY SO THAT AS LONG AS I AS LONG AS IT'S NOT A UNTIMED EVENT OKAY A AND AN END TIME SO IT'S YOU KNOW IT'S FINE I CAN SAY IT'S A LONG ONE OR IT'S A SHORT ONE OR IT'S YOU KNOW IT'S TWENTY MILLISECONDS MORE THAN THAT ONE THAT'S YOU KNOW THIS THING IN ITSELF IS TH BUNCH OF FIXATIONS RIGHT WITH SACCADES FIXATIONS AND THE PERCENTAGE OF TIME THOSE FIXATIONS COVER YOU MIGHT WANT BI UM YEAH WITH SOME SOME MEASURE OF THE SO WE COULD WORK OUT THE NUMBER OF FIXATIONS THAT MADE AND THE AVERAGE FIXATION DURATION AS WELL BECAUSE HAVING ST LONG STEADY FIXATIONS CAN BE INFORMATIVE AND OKAY I'M I'M ASKING YOU AS AN EXPERT THIS IS THIS THIS ISN'T A LEADING QUESTION THIS IS A QUESTION QUESTION WHY WOULD THAT BE INFORMATIVE PARTICULARLY UM IF IF THEY'RE HOLDING THEIR IF THERE'S LESS DANCING AROUND THE UM THE COGNITIVE FOCUS TENDS TO BE IN ONE SORT OF PART SO UH THERE IS A DIFFERENCE BETWEEN IF THEY EVEN THOUGH THEY'RE STILL LOOKING AT THE SAME PART IF THEY'RE LOOKING AROUND IT UH RATHER THAN JUST HOLDING THEIR GAZE STEADY OR UM AND LONGER ON IT SO YOU THINK THAT IF FOR EXAMPLE IF THEY'RE LOOKING AT UM ONE OR ANOTHER UM APEX OF A TRIANGLE IT WOULD JUST THAT WOULD MAKE A DIFFERENCE THEY WERE EXPLORING THE THING AS OPPOSED TO THEY WERE SIMPLY ALRIGHT THERE IS IT THERE IT IS OKAY SO TH UM SO THAT REALLY MEANS THAT WE'RE NOT THROWING AWAY ABSOLUTE FIXATIONS UH NO I WOULDN'T WANT TO THROW OUT PUT THE ACTUAL LOCATION MM-HMM ALRIGHT MM-HMM UH-HUH AS OPPOSED TO OUT OF IT SO YOU SO I THOUGHT I UNDERSTOOD YOU TO MEAN EXPLORING THE FIGURE BECAUSE YOU KNOW YOUR FIXATION IS A POINT AND THE FIGURES ARE BIGGER THAN POINTS SO YOU COULD BE EXPLORING THE FIGURE OR YOU COULD BE JUST SOMEWHERE IN THE REGION DEFINED AS THE FIGURE BUT NOT ON IT OKAY ALRIGHT FINE THE SO YOU JUST WANT TO KNOW THE VARIABILITY OF THE OF THE FIXATION AND WOULDN'T THAT DIFFER FROM PERSON TO PERSON UH IT IT YES IT CAN DO BUT IT'S ALSO LOOKING AT IT WITHIN THEIR THEIR OWN BEHAVIOUR TO SEE YEAH OKAY SO IT'S THE NUMBER OF DIFFERENT SPOTS WITHIN THAT REGION WHERE THE EYE HAS FIXED THE NUMBER OF DIFFERENT FIX OH OK OKAY SO IT'S A JIGGLE RATE OKAY MM-HMM YEP EXACTLY SO SO UM WE HAVE THE OPTION THAT WE CAN PUT IN AN A. FIXATION THING HERE RIGHT AS WELL IF YOU WANT THE SMALLER IF YOU WANT THE SMALLER CODING IN IN HERE SO THAT IT'S NOT JUST PARSED INTO THIS IDEA OF WHICH OBJECT BUT YOU ALSO HAVE THE RAW FIXATION UM DATA WE CAN PUT THAT IN AS ANOTHER TRACK IF YOU THINK THAT THAT'S SOMETHING THAT YOU MIGHT WANT TO LOOK AT IN ONE OF THESE TOOLS THAT SHOWS YOU THE TRACKS AGAINST EACH OTHER YEAH I D THAT'S ALL HE ASKED FOR YEAH UH IF IF WE'VE GOT EVERYTHING THEN I SUPPOSE IT'S YOU CAN ALWAYS YES IT'S YOU'RE NOT THROWING ANYTHING AWAY THEN OR RIGHT UM I G S YOU KNOW SO IF THEY'RE THINGS THAT YOU JUST KNOW ARE CRAZY AND YOU'RE NOT GONNA WANT THEN WE DON'T DO IT BUT OTHERWISE WE GO AHEAD AND DUMP 'EM 'CAUSE IT'S EASY TO DUMP OUT THE FIXATIONS UM YEAH OKAY SO IT'S THE NUMBER OF FIXATIONS THE DID YOU WANT THE YOU WHETHER IT'S THE AVERAGE ONE OR DURATION OF EACH FIXATION IN THE REGION WELL YEAH YOU CAN'T YOU CAN SAY THERE WERE THREE FIXATIONS AND THEY AVERAGED UH A CERTAIN TIME BUT YOU DON'T WANNA D WELL WHAT ABOUT THE THE OVERALL SUM OF THE DURATIONS IS THAT I MEAN WHICH WAY DO YOU WANT TO YEAH THEN THAT'S THAT'S THE WAY YOU WANT IT THAT WAY AROUND OKAY MM-HMM AND UH Y DID YOU WANT THE PERCENTAGE OF TIME FIXATED AS OPPOSED TO WHICH IS SORT OF ANOTHER VIEW OF THIS NUMBER YOU CAN HAVE AS MANY OF THESE AS YEAH WELL IT'S NOT UM THE THE EXTRA COST OF HAVING THESE AS ATTRIBUTES IS NOT HIGH SO UM YOU KNOW IT SAVES YOU I UH HAVING TO DO WRITE SCRIPTS TO DO ARITHMETIC ON THAT LATER IF YOU KNOW THAT THESE ARE NUMBERS THAT ARE GONNA BE USEFUL TO YOU SO TO WHAT DEGREE DO WE ACTUALLY KNOW WHETHER THE TWO LITTLE EYES LITTLE CIRCLES ARE EXACTLY IN THE SAME PLACE OR JUST SOMEWHERE IN THE SAME REGION BUT IF WE'RE BUILDING IN A SORT OF ERROR MARGIN UM IT IT WILL BE BASED ON PIXELS AROUND BUT THERE'LL ALSO BE A MINIMUM ONE 'CAUSE I'M TRYING TO THINK THAT IT'S PROBABLY THE SMALL THE ACTUAL MOUSE ICON IS SO SMALL IT'LL NEED A SLIGHTLY LARGER UH JUST BECAUSE IF WHAT YOU HAVE I IS A SORT OF LARGER ERROR OR OF B ERROR MARGIN AROUND IT OKAY SO MY QUESTION WAS GOING TO BE ALRIGHT THE THE MOUSE IS A DYNAMIC OBJECT RIGHT THE EYE TRACK IS A DYNAMIC OBJECT OR IS IT ONLY THE THE PIECE THAT THE EYE TRA THE OTHER PERSON'S EYE TRACK IS ON THAT'S THAT'S AN OBJECT IN THIS DEFINITION THE O THE OTHER PERSON'S GAZE POSITION AS WELL MM-HMM YEP TREA TREATED THE SAME AS AS THE MOUSE SAY YEP MM-HMM SOME CIRCULAR AREA OKAY AND UM SO YOU CAN BE ON THE OBJECT BUT NOT ON THE OTHER PERSON'S GAZE SO THERE CAN BE A TRIANGLE WHICH HAS A. 'S GAZE IN THE CENTRE AND YOUR GAZE ACTUALLY HAPPENS TO BE HERE YOU'RE IN THE TRIANGLE REGION DOES THIS OKAY BECAUSE IF THEY'RE LOOKING DIRECTLY AT IT IT'S OBSCURING THE THE PART BUT IT'S DIRECTLY ADDED WHEN WHEN THESE TWO IN THIS SITUATION WHEN THESE TWO OVERLAP RIGHT LIKE THIS OKAY YEAH 'CAUSE I THINK THAT THAT'S GONNA CO THAT'S 'CAUSE B THE DIAGRAM WE GOT THERE SUGGESTING THAT THEY'RE ONLY LOOKING THING AT TIME SO WHETHER IT'S TRIANGLE OR WHATEVER ELSE BUT SO WHAT YOU'RE SUGGESTING THERE IS THEY CAN BE LOOKING AT THE TRIANGLE AND MAYBE A MOUSE POINTER AND MAYBE AN EYE AT THE SAME TIME OKAY OKAY I MEAN BECAUSE THEY WOULD BE IN THE SAME PLACE