BUT UH TO BE MORE PRECISE ABOUT UH TO TO CHECK MAYBE THE THIS YEAH EXACTLY YEAH YEAH ANYWAY YOU GO BACK TO ONE FRAME AROUND F ONE SIXTY FOR INSTANCE I DON'T KNOW AND AND THERE IS YEAH THAT'S IT YOU KNOW PREV OKAY YOU SEE THAT THERE IS UH OKAY IT'S NOT A SHOT CHANGE IT'S A MOTION ACTUALLY HERE YEAH YEAH YEAH YEAH YEAH YEAH I S YEAH SOMETIMES I MEAN YOU CAN HAVE VARIOUS THINGS HAP I MEAN JUST THINK ABOUT MORE ACTION MOVIE AND THING LIKE THIS WELL SOMETIMES IT'S VERY DIFFICULT SO FOCUS USUALLY THERE IS NO PROBLEM PEOPLE SAY THIS IS A CUT THIS IS NOT A CUT BUT LIKE FOR DISSOLVE EVEN SOMETIMES YOU KNOW PEOPLE MAY IT'S PEOPLE MAY HAVE SOME TROUBLE I MEAN THIS IS A DISSOLVE THIS IS NOT THIS SHOULD THIS SHOULD BE LABELLED AS A TRANSITION OR NOT SOME PEOPLE WILL SAY YEAH BUT IT'S PART OF THE THING OR UH FOR INSTANCE IN LIKE IN UM ALSO IN UH COME ON UH ADVERTISING USUALLY BECAUSE THE SHOTS ARE VERY SHORT IN ADVERTISING USUALLY IT'S UH VERY FAST AND SO SOMETIMES YEAH WHEN YOU HAVE AN INCRUSTATION LIKE LAST TIME WHAT WHAT SHOULD YOU SAY IT'S IT'S YEAH IT'S A CHANGE OF WHEN YOU HAVE YEAH THE THE GOAL RESULTS UH THEN YEAH IN FACT IT'S NOT A SHOT CHANGE YEAH A AT LEAST WHAT I CAN SEE THAT CURRENTLY LIKE FOR CINETIS UH FOR INSTANCE IF IT'S TO DO COLOUR CORRECTION OR FOR INSTANCE IF IT'S TOO BLACK TOO A BIT WHITER I THINK THIS TYPE OF THINGS SHOULD BE FINE BECAUSE BASICALLY IT'S EVEN IF THEY ARE NOT REAL SHOTS THEY ARE NOT SO INTERESTED IF IT'S NOT REAL SHOT MAYBE AFTER THEY HAVE THIS AND THEY MAY SAY OKAY JUST BY LOOKING AT LEAST THE SUMMARY SO MAYBE FOR THE SUMMARY WE COULD DO BETTER UH KEY FRAME EXTRACTION FOR INSTANCE BUT BY JUST LOOKING AT THE KEY FRAMES AND SO ON THEY MAY SAY OKAY FROM THIS SHOT TO THIS SHOT WE APPLY LIKE UH SPECIFIC UM COLOUR ENHANCEMENT ALGORITHM OR RESTORATION ALGORITHM OR UH TO IMPROVE UH THE BRIGHTNESS AND SOMETHING LIKE THIS RIGHT AND UH SO I THINK FOR THEM THIS IS FINE UM AFTER I YEAH WHEN YOU SAY FROM THIS SHOT TO THIS SHOT IS USING A GRAPHICAL USER INTERFACE SOMEONE WHO WOULD DO MANUALLY FOR EACH VIDEO AND THEY WOULD SAY YOU APPLY THIS ALGORITHM YEAH HMM SO OF COURSE WE COULD TRY TO MAKE SCENE CLUSTERING AND SO ON BUT I'M NOT EVEN SURE THAT THIS IS NECESSARY FOR THEM AT THIS POINT BECAUSE UH IF THEY HAVE A SIX MINUTE MOVIE IF THEY HAVE THIRTY SHOTS FOR THEM IT MIGHT BE EASIER TO LOOK AT FROM HERE TO HERE I APPLY THIS AND THEY CAN DO IT QUITE QUICKLY AND THEY HAVE TO DO IT AN TO DO IT ANYWAY BECAUSE WHAT'S GOING TO TAKE TIME MIGHT BE UH TO SELECT THE TYPE OF RESTORATION ALGORITHM OR THE TYPE OF THINGS SO THIS MIGHT TAKE MORE TIME THAN HAVING TO CLICK TWO TIMES ON TWO SHOTS RATHER THA THA THAN UH HAVING DIRECTLY A SCENE RIGHT SO SO I THINK FOR THEM UH THIS TYPE OF THINGS IS GOING TO BE USEFUL UH AT LEAST FOR THIS TASK OKAY IF THEY WANT TO DO STABILISATION IT MAY NOT BE SURE OF THAT UH THIS IS THE RIGHT SEGMENTATION FOR SOME OF THESE BUT SO BUT THIS IS ANOTHER POINT WHICH FOR MOTION STABILISATION AS I SAID SEVERAL TIME WE ARE NOT WE DID NOT COMMIT TO PROVIDE ANYTHING BUT OF COURSE IF WE CAN PROVIDE THINGS WE'LL DO IT BUT UH YEAH SO DO YOU HAVE UH MORE QUESTION OR UH DO YOU HAVE A FORTY MINUTES AND ABOUT UH HUNDRED AND SEVENTY THREE DIFFERENT SHOTS SO IT'S YEAH MAYBE OKAY WE CAN UH SEE A LITTLE BIT IF YOU WANT TO PLAY THE AND UH I DON'T KNOW IF THIS IS A REAL SAMPLE D. V. D. BECAUSE UH THIS WILL MAKE ABOUT UH FIVE SECONDS FOR EACH SHOT SO I THINK IT'S VERY SHORT NO I IF THIS IS TO R TO TO TO MAKE A CHANGE IN THE COLOUR LIGHT AND UH THEY HAVE A LOT OF UH SHOTS YEAH BUT AFTER I MEAN IT MAY BE MORE LIKE A GUY UM I INT I IN AN INTERFACE A GUY INTERFACE I MEAN WHERE I MEAN IF SECOND SELECT FROM SHOT ONE TO SEVEN UH THIS IS A SAME SEG THEY MAY DO THE GROUPING BY THEMSELVES QUITE BY LOOKING AT THIS IT MAY TAKE W W LESS ONE ONE MINUTES AND I THINK IT'S ANYWAY IF IT'S TOO SUMMARISED AFTER THEY MAY WANT TO GO INSIDE UH TO SEE WHETHER THERE IS NOT SPECIAL THINGS I MEAN SO UH BECAUSE AFTER IT DEPENDS I MEAN IF YOU GIVE ONLY ONE KEY FRAME PER SHOT AFTER I MEAN IT'S ONE HUNDRED SEVENTY IMAGES IT'S QUITE FAST RIGHT AND SO I THINK AND THE HIERARCHICAL THING IS GOOD BECAUSE STILL YOU CAN CHECK IF YOU HAVE SOME AMBIGUITIES YOU ARE NOT SURE YOU COULD BUT NOW I UNDERSTAND BETTER THAT CINETIS WANTS THIS KIND OF METHOD TO HELP THEM TO RESTORE AND TO APPLY THE ALGORI SOME ALGORITHMS TO TO TO MAKE A BETTER MOVIE OKAY IT'S NOT FOR THE CLIENT FOR THE USER WHO WILL UH MAYBE OKAY OKAY ALSO BUT OKAY I I HOPE UH THAT UH IF IT'S A BIG SUCCESS UH THEY WILL ASK IDIAP TO TO PROVIDE SOMETHING LIKE THIS OF COURSE WITH SOME MONEY OR AT LEAST TO PAY A STUDENT OR SOMEBODY FOR DOING IT BUT UH YEAH OF COURSE THIS WAS ULTIMATELY I THINK ONE WAY OF UH IF YOU COULD PROVIDE LIKE CHAPTERS OR SOMETHING LIKE THIS INDEED YOU COULD PROVIDE LIKE THE A. V. I. TO THE CLIENTS AND HE MAY ASK FOR SPECIAL SERVICES OR UH AND EVEN TO JUST TO WATCH THE MOVIE TO HAVE DIRECT ACCESS TO DIFFERENT PARTS AND SO ON BUT IT'S UH I MEAN UH THIS LABELLING MIGHT BE MORE EASY TO DO FOR THE CLIENT BY THE CLIENT BECAUSE HE KNOWS WHAT THEY'RE I MEAN HE WE WANTS TO HAVE THIS AND THIS AND UH RIGHT SO YEAH YEAH HE MAY WANT TO ORGANI YEAH YEAH OTHERWISE I MEAN THIS BUT OF BUT OF COURSE IT MIGHT BE EASY TO DO A VERY SIMPLE SOFTWARE WHICH WOULD ALLOW THE USER TO SELECT JUST THE SHOTS AND GIVE NAMES AND AFTER IT WOULD GENERATE AUTOMATICALLY SOME INDEX AND UH AS A I SUPPOSE THE CLIENT MIGHT BE INTERESTED IN SUCH A SUCH A THINGS IF HE COULD UH GENERATE AUTOMATICALLY ON THE D. V. D. BUT FOR AND YOU COULD IMAGINE THAT BEFORE SENDING IN THE D. V. D. YOU COULD ALLOW HIM TO L TO WATCH THIS TYPE OF INTERFACE AND HE WOULD BE ABLE TO DO THE SELECTION SAY THIS IS THIS THIS IS THIS THIS IS THIS THIS IS THIS AND WHEN HE WOULD RECEIVE THE D. V. D.